J-horror remakes followed suit by taking liberties with the conventions of American cinema.
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But the film industry's long history of taking liberties with true stories does not stop the sniping.
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Fenchel paints vessels from his imagination, including vases, amphoras, jugs, and the like, taking liberties with their shapes and surfaces.
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" The Iowa Tourism Office dips into history, while also taking liberties with it, by reviving Napoleon Bonaparte, or rather, "Napoleon Bonaparte.
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It is not my fault if we have been taking liberties with metaphor, clicking along, declaring ourselves this, when really we are that.
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The trend toward treating scores as sacrosanct can puzzle theater directors, accustomed to taking liberties with the text of even the most canonical dramas.
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Frederick shared his irritation with the idea of writers taking liberties with works of art; he felt their interpretations represented a kind of violation.
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The film industry has a long history of taking liberties with true stories, but Hollywood has relied much more heavily on the practice in recent years.
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Not that Mr. Aronofsky follows any known doctrinal path, any more than he did in "Noah," which upset some believers by taking liberties with its scriptural source.
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Thus began a New York tradition of taking liberties with Shakespeare in the name of illumination, an iconoclastic classicism that has become the norm instead of the exception.
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One might expect Mr. Franklin, the barbecue maven, to be wary of taking liberties with smoked meat, considering the stringently traditional fare on which he built his reputation.
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M.C. Artists like T-Pain taking liberties with pitch correcting software lead to a whole new avenue of expression for young writers equally gifted with words and melodies.
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My point is that Taylor is taking liberties with form and space, lending them an ambiguity that ran counter to the materialism and flatness pursued by much advanced painting at the time.
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There is a lot of talk of "cloud native" these days, and people are taking liberties with the interpretation of this term — like they do with everything else associated with the cloud.
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That group soon set about taking liberties with all aspects of the miracle: the camera, film and projector and the ways they could be manipulated to alter experiences of time, light, space and self.
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I've already been told off for taking liberties with getting things delivered to the office to protect my personal address, and I didn't think the staff here would appreciate a mattress arriving on their doorstep.
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Besides pledging to deliver OS updates that never come, claiming to have delivered security updates that never arrived, and taking liberties with your personal data, Android OEMs also have a tendency to exaggerate what their phones can actually do.
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The Clinton campaign also felt that a traditional attack ad would get lost in the noise of a campaign in which many Republicans have stood by Mr. Trump despite media fact-checking that has consistently shown him taking liberties with the truth.
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I'm thinking of Truman Capote's In Cold Blood, often called a "nonfiction novel" for taking liberties with reality, or Karl Ove Knausgaard's My Struggle, in which part of the struggle is finding a term that encompasses what that series of books aims to do.
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Executives at the game company, which operates as an independent entity with a stake in the Pokémon license alongside Nintendo and Creatures, often stopped writers on the TV program from taking liberties with pokémon, like imbuing the pocket monsters with too many human-like qualities.
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The British screenwriter Sarah Phelps has been taking liberties with Agatha Christie's mystery tales, on behalf of the Christie estate and the BBC, for a while now — "ABC Murders," based on the 1936 novel of the same name, is the fourth mini-series she's adapted from the books.
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But compression can also crush subtleties like timbre, the auditory minutiae that let listeners tell the sound of a trumpet from that of a trombone, and tempo rubato ("stolen time"), which is the slight speed-up or slow-down of notes used by soloists or conductors taking liberties with a composition.
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Gambit as portrayed in the second-season finale of X-Men: Evolution. Notably without his trademark black-and-red eyes In the X-Men: Evolution animated TV series, Gambit appeared in a few episodes as a henchman of Magneto, and was voiced by Alessandro Juliani. This version of Gambit is noteworthy for taking liberties with the character, including his origins. Originally, his flirtatious moments with Rogue were meant to be a reference to their romantic relationship in the comics.
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Stuart dedicated the book to Harry Lockwood West, a British actor. Traitor's Gate was produced at the Duke of York's Theatre in London. In a modern critique of reviews of the time, Maggie Gale states that it was criticized for taking "liberties with the facts" while simultaneously being lauded for its "theatrical value". The play was adapted into a TV movie in 1939, starring Margaretta Scott and Basil Sydney, and was translated into Indonesian in 1968.
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Retrieved 4 May 2016. O'Mullane played in his last club cricket match in October 1866. A left-handed batsman, O'Mullane played without any pretense to style according to cricketer and journalist William Hammersley, but "was a hard, determined hitter ... a very fast run-getter, and fond of taking liberties with the bowling." He was not the most elegant wicket-keeper, but "hard as nails", unflinching and equally good on the leg side as on the off.
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The campaign featured a number of negative television ads, with nonpartisan FactCheck accusing both sides of "taking liberties with the facts." In particular, FactCheck criticized the Democrats' ads for claiming that the Republican candidate would "essentially end Medicare", even though the plan would leave Medicare intact for current beneficiaries. The organization also faulted the Republicans' for ads portraying Hochul as a puppet of former U.S. House Speaker Pelosi, and for claiming that Hochul planned to cut Social Security and Medicare benefits.
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Time After Time received a positive response from critics. Variety described the film as "a delightful, entertaining trifle of a film that shows both the possibilities and limitations of taking liberties with literature and history. Nicholas Meyer has deftly juxtaposed Victorian England and contemporary America in a clever story, irresistible due to the competence of its cast". Janet Maslin of The New York Times similarly lauded, "Time After Time is every bit as magical as the trick around which it revolves".
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Randy and Sharon have known each other since childhood. Taking liberties with its floating timeline, the show established Randy and Sharon as being a couple as young adults during the flower power era. They maintain steady friendships with the parents of Stan's friends, and are revealed as enjoying the act of watching pornography together to enhance their sexual relationship. However, their marriage has not been without its frequent arguments, which are usually instigated when Sharon is annoyed, ashamed, or disgusted by Randy's eccentricities.
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Hayes noted that in the fifteen months he played Larry, he did not recall ever having a conversation with Isabel Bigley, who was supposedly his love interest and wife: "I doubt that the audience ever believed we were deeply in love." The show received no Tony Award nominations. During the run, Hammerstein followed his usual practice of visiting the theatre now and again to ensure that the performers were not taking liberties with his book. Upon his return, Hammerstein's secretary asked him how the show was going.
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Capitals management felt that Brashear was skilled enough not to be a liability on the team while bringing an intimidating presence. During the 2006–07 season, the Capitals decided to extend Brashear's contract, signing him to a one-year, $1.1 million contract extension. He was suspended one game by the NHL during the regular season for punching New York Rangers defenceman Aaron Ward following a fight between Brashear and Brendan Shanahan. In the game, Shanahan felt Brashear was taking liberties with Rangers captain Jaromír Jágr, and subsequently challenged Brashear to a fight.
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The Allmusic review by Vince Ripol awarded the album 2 stars and states "The best results occur when Foster and Turrentine cut loose, taking liberties with familiar hits like "Boogie on Reggae Woman," which features Wonder on harmonica. Other times, Turrentine succumbs to routine tributes which are pleasant but unexceptional... overly familiar songs are given conservative treatments much of the time. There's too much talent assembled on Wonderland for any of these proven compositions to fail, which suggests Turrentine and Foster might have considered taking more risks".Ripol, V. [ Allmusic Review] accessed January 14, 2010.
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Stone described this account as a "counter-myth" to the Warren Commission's "fictional myth." The film became embroiled in controversy. Upon its theatrical release, many major American newspapers ran editorials accusing Stone of taking liberties with historical facts, including the film's implication that Kennedy's own vice president and eventually succeeding, post assassination, President Lyndon B. Johnson, was part of a coup d'état to kill Kennedy. Despite the controversy surrounding its historical depiction, JFK received critical praise for the performances of its cast, Stone's directing, score, editing, and cinematography.
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Behind her (leftmost in the group of two women, with only her face showing) stands Elżbieta Grabowska (19), the king's mistress and mother of his children. Bowing at the church doors is the former mayor of Warsaw, Jan Dekert (20). He is accompanied by his daughter Marianna (in a yellow dress, facing away from the viewer) taking a prominent position near the king (38). Dekert's inclusion in the painting is another example of Matejko taking liberties with history, as he died in October 1790; he was an important burghers figure associated with the Free Royal Cities Act, which was incorporated into the Constitution.
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"The Men Who Whitewash Hitler" New Statesman, Vol. 98, No. 2537, 2 November 1979, pp. 670-73. Pierre Vidal- Naquet, a French historian who first followed the idea of Gitta Sereny, has been persuaded by certificates provided by Martin Gray and withdrew his accusations against him. Nevertheless, he continued to blame Max Gallo for taking liberties with the truth. The Polish daily newspaper Nowiny Rzeszowskie (Rzeszów News) on 2 August 1990 published an interview with World War II Captain Wacław Kopisto, a soldier of the elite Polish Cichociemni unit, who took part in the raid on the Nazi German prison in Pińsk on 18 January 1943.
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In general, consultants will advise prison-bound clients to keep a low profile and avoid offending other inmates. Offenses can include joining a conversation without an invitation, asking personal questions without a proper cue, and taking liberties with the television (most fights take place in the TV room).Prison Consultants Help Inmates Get Good Digs, New York Times, July 28, 2009 Consultants can help navigate early-release programs and will recommend entry into a drug or alcohol rehab program. Federal prison consultants often educate clients regarding the Residential Drug Abuse Program, a 500 hour program which can reduce a federal sentence up to 12 months.
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The feature received multiple accolades, including two Academy Award nominations for Best Original Score and Best Art Direction, and Downey won a Golden Globe Award for Best Actor. In 2011, Ritchie directed the sequel, Sherlock Holmes: A Game of Shadows. Released on 16 December, the film was a commercial success, grossing more than $545 million worldwide. A. O. Scott of The New York Times, praises Ritchie for "taking liberties" with the characters, and writes that both films depict "a smoky, overcast Victorian world, infuses it with an air of jocular, hairy laddishness and stages a lot of fights in fussy and tiresome slow motion".
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The Edge said that they "didn't object to [Eno] taking liberties with what [they] had achieved up to that point", adding: "We were eager to learn and not precious at all about our sound or the way we worked. We threw ourselves wholeheartedly into this different approach." According to the Edge, Eno's points of reference were philosophy and contemporary art, and he was not beholden to the standard schools of thought in rock music. The producer encouraged U2 to work on their more unconventional material, "champion[ing] the songs that didn't seem very U2-ish or things that had strong beginnings but no clear destination".
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PC World magazine named RealPlayer (1999 Version) as number 2 in its 2006 list "The 25 Worst Tech Products of All Time", writing that RealPlayer "had a disturbing way of making itself a little too much at home on your PC installing itself as the default media player, taking liberties with your Windows Registry, popping up annoying 'messages' that were really just advertisements, and so on." In 2007, it placed RealPlayer, versions 1996–2004, at number 5 in its list The 20 Most Annoying Tech Products. US-CERT has issued multiple security advisories reporting defects which allowed remote sites to use RealPlayer to execute attack code.
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Peruggia denied he ever knew Valfierno other than a chance meeting at the Louvre. Decker's article is the only source for this story or even for the existence of Valfierno and Chaudron. He was famous for taking liberties with his articles, and many of the facts and details he provides in the article are incorrect, including the size and weight of the Mona Lisa and the type of wood it was painted on. That and the fact that a century later none of the alleged copies have been found casts serious doubts on the accuracy of the story and the existence of Eduardo de Valfierno.
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Aldridge as Othello by William Mulready, Walters Art Museum In 1831 Aldridge successfully played in Dublin; at several locations in southern Ireland, where he created a sensation in the small towns; as well as in Bath, England and Edinburgh, Scotland. The actor Edmund Kean praised his Othello; some took him to task for taking liberties with the text, while others attacked his race. Since he was an American black actor from the African Theatre, The Times called him the "African Roscius", after the famed actor of ancient Rome. Aldridge used this to his benefit and expanded African references in his biography that appeared in playbills, also identifying his birthplace as "Africa" in his entry in the 1851 census.
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Talk to Me has been criticized for allegedly not being true to the details of his life and career and for inventing incidents and rearranging locations, such as Petey's appearance on The Tonight Show, which never actually took place."The real Petey Greene" Greene's surviving family members did not cooperate with the making of the film and criticized it for taking liberties with his portrayal and those around him, such as showing Dewey Hughes giving a moving eulogy at Petey's wake, when in reality Hughes did not even attend the funeral. In response to these criticisms, producer Joe Fries responded that the film was merely "inspired by" Greene and not a factual recounting of his life.
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The sole exception is "Columbia, the Gem of the Ocean", whose verse is heard complete and almost unaltered at the climax of the fifth movement as a counterpoint to Ives's original first theme. There are also a number of references to works from the Western canon of music, notably the first movement of Beethoven's fifth symphony (some rather subdued compared with the original) and a rescoring of part of Brahms's first symphony, as well as a passage (in the first and last movements) from the F minor three-part invention of Johann Sebastian Bach. Ives also quotes the so-called Longing for Death motif from Wagner's opera Tristan und Isolde. Bernstein's premiere and subsequent interpretations were later widely criticized for taking liberties with the score.
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Prince Levan, aged 25, died on 5 February 1781 at the mansion of Prince Ioane Abashidze in the village of Vejini in Kakheti, under circumstances that have remained unresolved. Although a homicide was immediately suspected, the inquiry into the case failed to reveal a murderer. Allegations that Levan was stabbed to death by Prince Asat Vachnadze for taking liberties with his wife, that Levan died after "eating too much salmon" that day, or that he was poisoned by Prince Shermazan Abkhazi were never confirmed, but suspicion that Levan fell victim to political intrigues has persisted to this day. The loss of his favorite son was a blow to the aging King Heraclius and the regular army which Levan had commanded gradually crumbled after his death.
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"Film Festival: Taking Liberties with the World". The New York Times, October 5, 1992. Accessed December 15, 2013. Sonbert taught filmmaking at the San Francisco Art Institute, the School of the Art Institute of Chicago, and Bard College at various times, and regularly reviewed classical recordings and opera, as well as film, for periodicals including The Advocate and the Bay Area Reporter (writing initially under the name "Scottie Ferguson," borrowed from the obsessed protagonist of Hitchcock's film set in San Francisco, Vertigo). During his career, there were retrospectives of his work at the Whitney Museum of American Art (1983), the Berlin International Film Festival (1987), the Centre Pompidou (1987), and the Museum of Modern Art (1994).. Accessed March 3, 2015.
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The Schwarzenau Brethren were first organized in 1708 under the leadership of Alexander Mack (1679–1735) in Schwarzenau, Germany, now part of Bad Berleburg in North Rhine-Westphalia. In August of the same year five men and three women gathered at the Eder, a small river that flows through Schwarzenau, to perform baptism as an outward symbol of their new faith. One of the members of the group first baptized Mack, who then, in turn, baptized the other seven. Mack along with the seven others believed that both the Lutheran and Reformed churches were taking liberties with the true message of Christianity revealed in the New Testament, so they rejected state-church unions, established liturgy, including infant baptism and existing Eucharistic practices.
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Capriccio often takes existing structures and places them into re-imagined settings and characteristics. The paintings can be anything from re-imagining a building in the future as ruins, to placing a structure in a completely different setting than that in which it exists in reality. The subjects of capriccio paintings cannot be taken as an accurate depiction due to the fantastical nature of the genre. Architect David Mayernik cites 4 themes that are found in capricci: # Juxtaposing the subject in unfamiliar ways # Imagining different states of the subject, such as a building in the future that has been ruined or worn with time # Changing the size and scale of the subject # Taking liberties with grand features, such as cities, fountains, etc.
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The writer's agent, Guy McElwaine, contacted Altman's agent George Litto, and the director was given the script, read it and loved it. The new studio chief of Columbia Pictures was a former agent who knew Walsh's agent and green-lighted the screenplay to be made into a movie on the writer's terms. Walsh was a novice and unaware of Altman's reputation for taking liberties with the screenplays for his movies. Walsh was very protective of his script and argued with Altman numerous times about certain aspects. Walsh remembers, “You know, he actually stormed out of the room many times on me during the picture, during these conversations, but he would always come back and listen as I got to know him more...” Altman eventually raised finance by forming a company with Aaron Spelling and Leonard Goldberg, Won World Productions.
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The Schwarzenau Brethren was first organized in 1708 under the leadership of Alexander Mack (1679–1735) in the Schwarzenau, Wittgenstein community of modern-day Bad Berleburg, North Rhine-Westphalia, Germany, now part of Bad Berleburg in North Rhine- Westphalia. They believed that both the Lutheran and Reformed churches were taking liberties with the true, pure message of Christianity as revealed in the New Testament, so as they began to have the New Testament available in German and read it for themselves, they rejected established liturgy, including infant baptism and popular Eucharistic practices in favor of following New Testament practices. The founding Brethren were broadly influenced by Radical Pietism understandings of an invisible, (nondenominational) church of awakened Christians who would fellowship together in purity and love, reaching out to the lost and hurting in Jesus' name and working together while awaiting Christ's return. A notable influence was Ernest Christopher Hochmann von Hochenau, a traveling Pietist minister.
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