History-based romances often take liberties with the facts of their time.
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"I take liberties with things that deepen the central truth of the piece," Mr. Cannavale says.
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Like many period pieces, particularly those that take liberties with historical accuracy, The Favourite is a visual treat.
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I almost always leave the Modern's attempts to take liberties with its collection feeling that it could have taken more.
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Science-fiction TV shows, focused on making good stories, are happy to take liberties with what's scientifically plausible if it serves the plot.
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The filmmakers do, however, take liberties with both the timeline and significance of the fights to make it more dramatic for the silver screen.
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Perhaps TS7 will be influenced by Swift's new creative and business ventures, and we might very well see her take liberties with how and when she chooses to release her next album.
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Mr. Del Toro and Mr. Brolin anchor the film — neither Ms. Blunt nor Mr. Villeneuve returned — and were unusually empowered, in collaboration with a new director, Stefano Sollima, to take liberties with Mr. Sheridan's script.
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"The ever-inventive illustrator Vladimir Radunsky — inspired to take liberties with the natural laws that Einstein pondered — presents Albert riding serenely, hands free, upward on a sunbeam," Abby McGanney Nolan wrote in a review in The Washington Post.
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Both movies take liberties with the real history of sly, petulant authoritarian leaders and the people who scramble to gain their favor, guess their whims, and jockey for position — and they manage to be bitterly funny and bleak at once.
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Having got into the top 53 five years ago he has been there even since, collecting nine titles, and establishing himself as a player you take liberties with at your peril, as Djokovic found out to his cost in Doha and Miami this year.
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"Now, films often take liberties with actual events, with facts and this particular film has also taken a lot of artistic liberties in the depictions of the events as they actually happened in Kuwait in 1990," said the ministry spokerperson Vikas Swarup, whose best-selling book Q&A was adapted to the Oscar-winning film Slumdog Millionaire. .
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Because Wellington remained passively on the defensive during the siege, Marmont, "thought he could take liberties with his opponent". This may have led to Marmont's defeat at the Battle of Salamanca on 22 July 1812.
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After Ned Kelly was captured, he was asked by a journalist if Fitzpatrick tried to take liberties with his sister, Kate Kelly, he said "No, that is a foolish story; if he or any other policeman tried to take liberties with my sister, Victoria would not hold him". Kelly also admitted to having shot Fitzpatrick after his capture. Under oath, during Kelly’s trial in Melbourne, Senior Constable Kelly described a conversation he had with Ned Kelly immediately after he had been captured at Glenrowan. “Between 3 and 6 the same morning had another conversation with prisoner in the presence of Constable Ryan.
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The film was screened at the 1970 Cannes Film Festival, but was not entered into the main competition. The 1970 theatrical release of the film ran 185 minutes. A director's cut spanning 224 minutes was released in 1994. Both cuts take liberties with the timeline of the festival.
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Filming began in the British winter of 1996. They soon discovered they had to exclude the use of medical aprons in scenes because they affected on-set lighting. Ferris told Hayward that "we decided to take liberties with that sort of thing", noting it was a drama rather than a factual documentary.Hayward 1999, p.
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Collective, 1986, p. 21; Berner, 2003, p. 23 Biographer though, has noted that Charlier, when he felt he was preaching to the choir, had the tendency to "take liberties" with actual events for dramatic effect.Ratier, 2013, p. 205 Charlier had in effect already written several Westerns, both comics and illustrated short prose stories, in the period 1949-1959 for various previous magazines.
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The "Meta Paintings" take liberties with color, scale, value range and composition, for example, using vantage point to impose diagonals on the flat horizontal and vertical harmonies of a Mondrian to problematize its absolutist purity of form, or obscuring Velázquez or Rembrandt images under layers of varnish that flatten them into dark, inky rectangles in gilded frames.Wainwright, Lisa. Catalog essay. David Klamen: Painting Paintings, Chicago: Richard Gray Gallery, 2010.
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A long-standing tenet has been for the larger vehicle involved in a collision to assume responsibility, e.g., if a car collides with a bicycle the car driver is at fault. If a bicycle and pedestrian collide it is the bicyclist's fault. Practically, this understanding emboldens pedestrians and cyclists to take liberties with cars and trucks, impeding their progress by moving into the flow of traffic under the assumption that larger vehicles will give way.
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The figurine of a dancing girl from the site was my inspiration for Chaani, played by Pooja Hegde. I have taken plenty of artistic liberties with the looks of the characters – after all I cannot show nudity for the sake of reality. But I did not take liberties with the architecture, the culture. You must realise that there is still a lot of speculation about the civilisation because we know so little.
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After spouting more of this medical nonsense, the "doctor" leaves and Toinette comes back on as herself, supposedly outraged that the departing "doctor" has been trying to take liberties with her (wanting to "take [her] pulse"). Beralde then tries to convince his brother that since he has already fallen out with Purgon, he should consider a different marriage for his daughter. But Argan wants her put into a convent as a punishment for her willfulness. Beralde suggests that the real reason is that Beline wants it.
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" Jennie Kermode assigned the film 2 stars out of 5, saying the fight scenes were uneven but: "Weber's work is carefully choreographed and will please fans of fighting films even if it does sometimes take liberties with physics. This is important because there really isn't much else in the film at all." Geoffrey Macnab of The Independent agreed: "The ritualised action sequences work well enough. It's just a pity the film-makers did not pay as much attention to the plotting as to the design of the movie.
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"THE FRONT LINE: Don't take liberties with the right to die" Financial Times: "If euthanasia became socially acceptable, the sick would no longer be able to trust either doctors or their relatives: many of those earnestly counselling a painless, 'dignified' death would be doing so mainly on financial grounds. Euthanasia would become a euphemism for assisted murder." Non-voluntary euthanasia is sometimes cited as one of the possible outcomes of the slippery slope argument, in which it is claimed that permitting voluntary euthanasia to occur will lead to the support and legalization of non-voluntary and involuntary euthanasia. The right to life movement opposes voluntary euthanasia.
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Altaïr was to be a heroic character with a bit of a "badass" edge, and the artist borrowed elements of the G.I. Joe character Storm Shadow, a similarly-skilled hero. Rendering long flowing robes was impossible to do on the newer hardware, so they shortened the robe and gave it a more feathered look, resonating the "bird of prey" imagery. Similar routes were taken with other parts of the gameplay as to take liberties with accuracy as to make the game fun to play. The team wanted Altaïr's parkour moves to look believable, but sacrificed realism for gameplay value, allowing the player to make maneuvers otherwise seemingly impossible in real-life.
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The first Resident Evil novel was Hiroyuki Ariga's novella Biohazard: The Beginning, published in 1997 as a portion of the book The True Story of Biohazard, which was given away as a pre-order bonus with the Sega Saturn version of Biohazard. The story serves as a prelude to the events of the original Resident Evil, in which Chris investigates the disappearance of his missing friend, Billy Rabbitson. S. D. Perry has written novelizations of the first five games, as well as two original novels taking place between games. The novels often take liberties with the plot of the games by exploring events occurring outside and beyond the games.
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However, Eliot judged Swinburne did not master it to the extent of being able to take liberties with it, which is everything.Eliot T.S. Reflections on Vers Libre New Statesman 1917 Furthermore, Eliot disliked Swinburne's prose, about which he wrote "the tumultuous outcry of adjectives, the headstrong rush of undisciplined sentences, are the index to the impatience and perhaps laziness of a disorderly mind." In France, Swinburne was highly praised by Stéphane Mallarmé, and was invited to contribute to a book in honor of the poet Théophile Gautier, Le tombeau de Théophile Gautier (Wikisource): he answered by six poems in French, English, Latin and Greek. He was considered by Prime Minister William Ewart Gladstone in 1892 for the role of poet laureate.
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When Choiseul spoils Du Barry's formal court presentation by having her dress and wig stolen and the tipsy noblewoman who was to present her abducted, she shows up at the court gathering in her nightgown, and Louis storms out but then turns and beckons her to follow. Du Barry takes revenge on Choiseul by charming him, promising him a reward and luring him into a compromising situation where Louis catches him seemingly trying to take liberties with her. Louis fires Choiseul and makes D’Aiguillon Prime Minister, and the war with England is averted, to the bemusement of the English ambassador at the trivial cause of so major a result. Louis’ slow, pedantic grandson and heir, Louis the Dauphin, is betrothed to the Austrian princess Marie Antoinette, and Du Barry is among those who drive to the frontier with Louis and the Dauphin to receive her.
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At the beginning of the book (page 16) there is talk of "the non-aggression pact between Nazi Germany and the United Kingdom", signed in Munich, which led to the invasion of Poland, with a drawing showing an infuriated Polish soldier accusing a Briton of being the culprit of such a crime. In fact, the only "non-aggression pact" from the era was between Nazi Germany and the USSR (namely the Molotov–Ribbentrop Pact), which led to the invasion of Poland, with the UK then declaring war on Germany. According to Paolo Mancosu in The Bulletin of Symbolic Logic, the authors "admittedly take liberties with the real course of events", for example with reference to the alleged meetings Russell would have had with Frege and Cantor. Although "such departures from reality can be fruitful for narrative purposes", according to Mancosu, in some cases they are objectionable, as the portrayal of Frege as a "rabid paranoid antisemite", and the "constant refrain of the alleged causal link between logic and madness".
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" Hannah Forbes Black from Channel 4 rated the film 2½ out of five stars, calling it a "soft-focus, chocolate-box fairytale." She continued: "The whole thing is vaguely reminiscent of post-war domestic dramas aimed at a daytime audience of housewives – like a photo-negative of Brief Encounter ... Miller's self-adapted script is no more strained and compromised than the average book- to-film adaptation, but one wishes that she'd seized this amazing opportunity to take liberties with her own work ... Toured rapidly around Pippa's life, we can see the outline of the traumas and choices that have shaped her personality, but the film doesn't seem to know what it wants to say about any of it."Channel 4 review Darren Amner of Eye For Film rated it three out of five stars and called the script "very wry, funny and emotionally charged." Peter Brunette of The Hollywood Reporter called it "the kind of film that most critics desperately want to like" and added: > "Unfortunately, writer-director Rebecca Miller's script tries so hard to be > nervous and edgy that it ultimately succeeds only in making its viewers > nervous and edgy.
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