61 Sentences With "take liberties" | Random Sentence Generator

We're able to come up with ideas and take liberties.

Also, when I write, when I speak, I take liberties.

History-based romances often take liberties with the facts of their time.

But even the best fictions take liberties to make things more interesting.

When it comes to his own words, he's happy to take liberties and refuse responsibility.

"I take liberties with things that deepen the central truth of the piece," Mr. Cannavale says.

As with most films based on real-life events, BlacKkKlansman does take liberties, some unnecessary and misleading.

There, authors are allowed to take liberties from which most of China's state-owned publishing houses would recoil.

Whereas men will continue to take liberties and fuck around even when they've gone a bit too far.

Like many period pieces, particularly those that take liberties with historical accuracy, The Favourite is a visual treat.

Screenwriters need to take liberties and with a great novel, writers are often too faithful for their own good.

I almost always leave the Modern's attempts to take liberties with its collection feeling that it could have taken more.

Science-fiction TV shows, focused on making good stories, are happy to take liberties with what's scientifically plausible if it serves the plot.

The filmmakers do, however, take liberties with both the timeline and significance of the fights to make it more dramatic for the silver screen.

The authors take liberties similar to cartoonist Box Brown's in his clever Andre the Giant book, but draw heavily on Weegee's ludicrously boastful 1961 autobiography.

If there are unresolved bigger issues that are festering in your relationship, then your partner might "take liberties to discharge their aggression when your back's against the wall," he says.

Perhaps TS7 will be influenced by Swift's new creative and business ventures, and we might very well see her take liberties with how and when she chooses to release her next album.

And with a second season already confirmed (and all the books already written so no rogue showrunners can take liberties), book fans can breathe easy too, assured that Pullman's vision is in safe hands.

"Managers take liberties in the Cup," Pallister said, sending out weakened teams, packed with fringe players and youngsters, preserving their most potent weapons for the league, where all the money and the kudos reside.

Obviously, not in a way that's irresponsible or puts me in debt, but I feel that I'm at a point in my life now where I can take liberties that I couldn't in the past.

Mr. Del Toro and Mr. Brolin anchor the film — neither Ms. Blunt nor Mr. Villeneuve returned — and were unusually empowered, in collaboration with a new director, Stefano Sollima, to take liberties with Mr. Sheridan's script.

"The ever-inventive illustrator Vladimir Radunsky — inspired to take liberties with the natural laws that Einstein pondered — presents Albert riding serenely, hands free, upward on a sunbeam," Abby McGanney Nolan wrote in a review in The Washington Post.

Working for Pam Tanowitz, a prime example of a choreographer who never danced for Cunningham yet is heavily influenced by him, Mr. Crossman said he felt freer to take liberties and bring more of himself to the work.

Both movies take liberties with the real history of sly, petulant authoritarian leaders and the people who scramble to gain their favor, guess their whims, and jockey for position — and they manage to be bitterly funny and bleak at once.

Martin, a fount of technical expertise with a smart outfit and a measured demeanour, was the perfect counterpoint to the band's rampant creativity and the mutual trust that formed allowed people on both sides of the mixing desk to take liberties to great effect.

Having got into the top 53 five years ago he has been there even since, collecting nine titles, and establishing himself as a player you take liberties with at your peril, as Djokovic found out to his cost in Doha and Miami this year.

"Now, films often take liberties with actual events, with facts and this particular film has also taken a lot of artistic liberties in the depictions of the events as they actually happened in Kuwait in 1990," said the ministry spokerperson Vikas Swarup, whose best-selling book Q&A was adapted to the Oscar-winning film Slumdog Millionaire. .

Mark explains that Thai people treat elephants like they are their brothers, and they hate people who hurt them. Thais love peace, but dislike people who take liberties. Kham is finally reunited with Kohrn.

Because Wellington remained passively on the defensive during the siege, Marmont, "thought he could take liberties with his opponent". This may have led to Marmont's defeat at the Battle of Salamanca on 22 July 1812.

After Ned Kelly was captured, he was asked by a journalist if Fitzpatrick tried to take liberties with his sister, Kate Kelly, he said "No, that is a foolish story; if he or any other policeman tried to take liberties with my sister, Victoria would not hold him". Kelly also admitted to having shot Fitzpatrick after his capture. Under oath, during Kelly’s trial in Melbourne, Senior Constable Kelly described a conversation he had with Ned Kelly immediately after he had been captured at Glenrowan. “Between 3 and 6 the same morning had another conversation with prisoner in the presence of Constable Ryan.

Atina Grossmann. A Question of Silence: The Rape of German Women by Occupation Soldiers October, Vol. 72, Berlin 1945: War and Rape "Liberators Take Liberties" (Spring, 1995), pp. 42–63 MIT Press Female deaths in connection with the rapes in Germany, overall, are estimated at 240,000.

Atina Grossmann. A Question of Silence: The Rape of German Women by Occupation Soldiers October, Vol. 72, Berlin 1945: War and Rape "Liberators Take Liberties" (Spring, 1995), pp. 42–63 MIT Press Female deaths resulting from rapes committed by Soviet soldiers stationed in Germany are estimated to total 240,000.

The film was screened at the 1970 Cannes Film Festival, but was not entered into the main competition. The 1970 theatrical release of the film ran 185 minutes. A director's cut spanning 224 minutes was released in 1994. Both cuts take liberties with the timeline of the festival.

Here's where the collaborative process really kicked in. The board artist was not beholden to my work and could take liberties here and there. Sometimes, I would suggest an idea about making the joke work better visually. Once the scene moved on to animation, the animators would plus the material even further.

Filming began in the British winter of 1996. They soon discovered they had to exclude the use of medical aprons in scenes because they affected on-set lighting. Ferris told Hayward that "we decided to take liberties with that sort of thing", noting it was a drama rather than a factual documentary.Hayward 1999, p.

Joe tries to make sense of her incoherent mumbles as she lies prostrate in the bathtub. Joe then goes to a snooker club where he asks after Liam's whereabouts. Joe tells one of the men that he encounters that Liam has a four-year-old boy in an attempt to mitigate matters. Liam says that he does not want them to take liberties.

Collective, 1986, p. 21; Berner, 2003, p. 23 Biographer though, has noted that Charlier, when he felt he was preaching to the choir, had the tendency to "take liberties" with actual events for dramatic effect.Ratier, 2013, p. 205 Charlier had in effect already written several Westerns, both comics and illustrated short prose stories, in the period 1949-1959 for various previous magazines.

At least 100,000 women are believed to have been raped in Berlin, based on surging abortion rates in the following months and contemporary hospital reports, with an estimated 10,000 women dying in the aftermath.Atina Grossmann. A Question of Silence: The Rape of German Women by Occupation Soldiers October, Vol. 72, Berlin 1945: War and Rape "Liberators Take Liberties" (Spring, 1995), pp.

The "Meta Paintings" take liberties with color, scale, value range and composition, for example, using vantage point to impose diagonals on the flat horizontal and vertical harmonies of a Mondrian to problematize its absolutist purity of form, or obscuring Velázquez or Rembrandt images under layers of varnish that flatten them into dark, inky rectangles in gilded frames.Wainwright, Lisa. Catalog essay. David Klamen: Painting Paintings, Chicago: Richard Gray Gallery, 2010.

Bowen, 354–55. As quoted in Sachs, 79 Rubinstein's insistence on absolute fidelity to the printed note surprised Hofmann, since he had heard his teacher take liberties himself in his concerts. When he asked Rubinstein to reconcile this paradox, Rubinstein answered, as many teachers have through the ages, "When you are as old as I am, you may do as I do." Then Rubinstein added, "If you can".

A long-standing tenet has been for the larger vehicle involved in a collision to assume responsibility, e.g., if a car collides with a bicycle the car driver is at fault. If a bicycle and pedestrian collide it is the bicyclist's fault. Practically, this understanding emboldens pedestrians and cyclists to take liberties with cars and trucks, impeding their progress by moving into the flow of traffic under the assumption that larger vehicles will give way.

The figurine of a dancing girl from the site was my inspiration for Chaani, played by Pooja Hegde. I have taken plenty of artistic liberties with the looks of the characters – after all I cannot show nudity for the sake of reality. But I did not take liberties with the architecture, the culture. You must realise that there is still a lot of speculation about the civilisation because we know so little.

Like most examples of this type, it ends with an ironic admission of the power of love has to conquer over reason. The composer can then take liberties regarding the theoretical nature of the music to which he sets the text. The joining of the text with the music enhances the sense of the melancholy that pervades the verse of the time and through this merger, the music of the epoch takes on this same sense.Wells pg.

I urge them to participate, > without any bias, in the various discussions. However, we should never > forget that we are walking in the footsteps of our country's founding > fathers, our national heroes, who shed their blood to bequeath to posterity > a nation that is united in its diversity. Cameroon's unity is, therefore, a > precious legacy with which no one should take liberties. Any claim, no > matter how relevant, loses its legitimacy once it jeopardizes, even > slightly, the building of national unity.

9 who allowed her to take liberties not usually permissible, such as being allowed to stay up to dinner at the age of 13.Bradford Crawford despaired at the attention Margaret was getting, writing to friends: "Could you this year only ask Princess Elizabeth to your party? ... Princess Margaret does draw all the attention and Princess Elizabeth lets her do that." Elizabeth, however, did not mind this, and commented, "Oh, it's so much easier when Margaret's there—everybody laughs at what Margaret says".

After spouting more of this medical nonsense, the "doctor" leaves and Toinette comes back on as herself, supposedly outraged that the departing "doctor" has been trying to take liberties with her (wanting to "take [her] pulse"). Beralde then tries to convince his brother that since he has already fallen out with Purgon, he should consider a different marriage for his daughter. But Argan wants her put into a convent as a punishment for her willfulness. Beralde suggests that the real reason is that Beline wants it.

" Jennie Kermode assigned the film 2 stars out of 5, saying the fight scenes were uneven but: "Weber's work is carefully choreographed and will please fans of fighting films even if it does sometimes take liberties with physics. This is important because there really isn't much else in the film at all." Geoffrey Macnab of The Independent agreed: "The ritualised action sequences work well enough. It's just a pity the film-makers did not pay as much attention to the plotting as to the design of the movie.

"THE FRONT LINE: Don't take liberties with the right to die" Financial Times: "If euthanasia became socially acceptable, the sick would no longer be able to trust either doctors or their relatives: many of those earnestly counselling a painless, 'dignified' death would be doing so mainly on financial grounds. Euthanasia would become a euphemism for assisted murder." Non-voluntary euthanasia is sometimes cited as one of the possible outcomes of the slippery slope argument, in which it is claimed that permitting voluntary euthanasia to occur will lead to the support and legalization of non-voluntary and involuntary euthanasia. The right to life movement opposes voluntary euthanasia.

Altaïr was to be a heroic character with a bit of a "badass" edge, and the artist borrowed elements of the G.I. Joe character Storm Shadow, a similarly-skilled hero. Rendering long flowing robes was impossible to do on the newer hardware, so they shortened the robe and gave it a more feathered look, resonating the "bird of prey" imagery. Similar routes were taken with other parts of the gameplay as to take liberties with accuracy as to make the game fun to play. The team wanted Altaïr's parkour moves to look believable, but sacrificed realism for gameplay value, allowing the player to make maneuvers otherwise seemingly impossible in real-life.

The first Resident Evil novel was Hiroyuki Ariga's novella Biohazard: The Beginning, published in 1997 as a portion of the book The True Story of Biohazard, which was given away as a pre-order bonus with the Sega Saturn version of Biohazard. The story serves as a prelude to the events of the original Resident Evil, in which Chris investigates the disappearance of his missing friend, Billy Rabbitson. S. D. Perry has written novelizations of the first five games, as well as two original novels taking place between games. The novels often take liberties with the plot of the games by exploring events occurring outside and beyond the games.

She also founded an international artistic think tank, the Acadia Summer Arts Program (or "Kamp Kippy") on Mount Desert Island, Maine. The Fabric Workshop and Museum in Philadelphia In 1977, Boulton Stroud started The Fabric Workshop in Philadelphia, Pennsylvania, as a studio where artists could explore unfamiliar media, particularly fabric arts. Her goal was "to explore, to take liberties, to be a studio and laboratory of new design, unhampered by rules and precedents". Artists were invited to attend "without any preconceived notions of what they had to do". In 1978, with the help of curator (and cousin) Patterson Sims, Boulton Stroud hosted 22 artists in two-week residencies.

Paolo Veronese was known for his depictions of luxurious settings and love of decorating the most holy and sacred of scenes with people clad in shimmering fur-lined gowns made of silks and brocades, more reminiscent of Venetian high society than humble representations of the subjects. When the Inquisition questioned his choice of representing holy subjects he answered: "We painters take liberties, the same way that poets and lunatics do", thus asserting that his liberty as an artist included being able to choose how to portray his subjects. The painting has been held by the National Gallery in London since 1876, when it was bequeathed from the estate of art collector Wynn (or Wynne) Ellis.

Her 1992 documentary film, BeFreier und BeFreite (Liberators Take Liberties), examines the mass rape of German women committed by soldiers of the Red Army at the end of World War II. Sander's film was particularly controversial because there were concerns that the film placed too much emphasis on German suffering, thereby lessening guilt for the Holocaust. Defenders of the film argue that Sander's project is a complex reflection on rape as a weapon of war. They argue that the film resists presenting a one-sided depiction of German victimization citing the film's attention to German war crimes and self-reflexive qualities. This documentary won the Nestor Almendros Prize in the 1993 Human Rights Festival.

Each fish species had its own unique artificial intelligence that had cascading levels of awareness and interaction with other species and objects in the environment. The team started with getting the fish to swim without clipping through walls, then built upon that with further expansion on fish behavior and interaction. Their most challenging task was creating realistic bait balling effects for shoals of small fish, which was only achieved and finalized near the end of development. The developers did take liberties by grouping together types of fish from different parts of the globe which would normally not be able to interact, though this fell in line with the game's overall theme and the myths it referenced.

He donned a Revolutionary War officer's uniform and tied his long, powdered hair in a queue according to the old-fashioned style of the 18th century. "Tall, rawboned, venerable", he made an "agreeable" impression and had a good deal of charm and "most men immediately liked him ... [in] manner he was rather formal, having an innate sense of dignity, which allowed no one to take liberties. Yet in spite of his formality, he had the ability to put men at their ease by his courtesy, lack of condescension, his frankness, and what his contemporaries looked upon as the essential goodness and kindness of heart which he always radiated." Monroe's visit to Boston elicited a huge outpouring of nationalist pride and expressions of reconciliation.

However, Eliot judged Swinburne did not master it to the extent of being able to take liberties with it, which is everything.Eliot T.S. Reflections on Vers Libre New Statesman 1917 Furthermore, Eliot disliked Swinburne's prose, about which he wrote "the tumultuous outcry of adjectives, the headstrong rush of undisciplined sentences, are the index to the impatience and perhaps laziness of a disorderly mind." In France, Swinburne was highly praised by Stéphane Mallarmé, and was invited to contribute to a book in honor of the poet Théophile Gautier, Le tombeau de Théophile Gautier (Wikisource): he answered by six poems in French, English, Latin and Greek. He was considered by Prime Minister William Ewart Gladstone in 1892 for the role of poet laureate.

When Choiseul spoils Du Barry's formal court presentation by having her dress and wig stolen and the tipsy noblewoman who was to present her abducted, she shows up at the court gathering in her nightgown, and Louis storms out but then turns and beckons her to follow. Du Barry takes revenge on Choiseul by charming him, promising him a reward and luring him into a compromising situation where Louis catches him seemingly trying to take liberties with her. Louis fires Choiseul and makes D’Aiguillon Prime Minister, and the war with England is averted, to the bemusement of the English ambassador at the trivial cause of so major a result. Louis’ slow, pedantic grandson and heir, Louis the Dauphin, is betrothed to the Austrian princess Marie Antoinette, and Du Barry is among those who drive to the frontier with Louis and the Dauphin to receive her.

Capes, Cowls and Villains Foul shares the d12 roll-high mechanic from its predecessors, chiefly Cartoon Action Hour: Season 2, and a very similar approach to what a game stat is, and how each player can assume narrative control and take liberties by interpreting and re-interpreting any and all of their character's stats. The dividing line between the roles of the Game Master (called “Editor” here) and the players is thus not as definitive as in other roleplaying games. All rolls in the game are done by using 12-sided dice, and adding or subtracting a modifier (adding being far more common). Human-level abilities and skills add 1 to 4 to a die roll result, while superhuman abilities can add anything from 5 up, with modifiers adding more than 12 through a single ability being somewhat rare, but not unheard of for superheroes.

At the height of his career he showed a productivity worthy of mentor Frank Matcham, producing six theatres in Westminster in less than four years. Unlike Matcham and Emden, Sprague studied architectural forms and conventions and used his knowledge in his designs, saying of himself that he "liked the Italian Renaissance" as a style for his frontages, but would take liberties when needed "to get the best effects" In 1902, the theatre newspaper The Era was describing him as "Britain’s youngest theatrical designer, with more London houses to his credit than any other man in the same profession." LMA Learning Zone > Theatrelands > Architects > W.G.R. Sprague 1863-1933 In 1898, William Morton, owner and manager of the Greenwich Theatre, commissioned Sprague to produced plans for a 3000-seat theatre to replace his existing theatre on a new site on London Street, but this was never followed through.'Mr. W. Morton's Benefit', The Era, 22 January 1898 p.

At the beginning of the book (page 16) there is talk of "the non-aggression pact between Nazi Germany and the United Kingdom", signed in Munich, which led to the invasion of Poland, with a drawing showing an infuriated Polish soldier accusing a Briton of being the culprit of such a crime. In fact, the only "non-aggression pact" from the era was between Nazi Germany and the USSR (namely the Molotov–Ribbentrop Pact), which led to the invasion of Poland, with the UK then declaring war on Germany. According to Paolo Mancosu in The Bulletin of Symbolic Logic, the authors "admittedly take liberties with the real course of events", for example with reference to the alleged meetings Russell would have had with Frege and Cantor. Although "such departures from reality can be fruitful for narrative purposes", according to Mancosu, in some cases they are objectionable, as the portrayal of Frege as a "rabid paranoid antisemite", and the "constant refrain of the alleged causal link between logic and madness".

" Hannah Forbes Black from Channel 4 rated the film 2½ out of five stars, calling it a "soft-focus, chocolate-box fairytale." She continued: "The whole thing is vaguely reminiscent of post-war domestic dramas aimed at a daytime audience of housewives – like a photo-negative of Brief Encounter ... Miller's self-adapted script is no more strained and compromised than the average book- to-film adaptation, but one wishes that she'd seized this amazing opportunity to take liberties with her own work ... Toured rapidly around Pippa's life, we can see the outline of the traumas and choices that have shaped her personality, but the film doesn't seem to know what it wants to say about any of it."Channel 4 review Darren Amner of Eye For Film rated it three out of five stars and called the script "very wry, funny and emotionally charged." Peter Brunette of The Hollywood Reporter called it "the kind of film that most critics desperately want to like" and added: > "Unfortunately, writer-director Rebecca Miller's script tries so hard to be > nervous and edgy that it ultimately succeeds only in making its viewers > nervous and edgy.