We just do what we can and take it as it comes.
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"We take it as it comes, we're feeling really good," he added.
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This can be a restful and restorative period if you take it as it comes.
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That's what I was taught as a kid—just brush it off and take it as it comes.
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The one thing you can do is do what you are doing the best you can and you take it as it comes.
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I really enjoy the challenges it provides and sometimes it's a breath of fresh air where you get new blood so to speak and sometimes it works and sometimes it doesn't so you just kind of take it as it comes.
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" Fauci was also skeptical that the end of the White House's initial 15-day social distancing period would be the appropriate time to ease restrictions, saying, "We'll take it as it comes, we'll look at it, and if we need to push the date forward, we will push the date forward.
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Colloquial terms such as "let's play it by the ear", "take it as it comes", and "make it up as we go along" are all used to describe "improvisation". The simple act of speaking requires a good deal of improvisation because the mind is addressing its own thought and creating its unrehearsed delivery in words, sounds and gestures, forming unpredictable statements that feed back into the thought process (the performer as listener), creating an enriched process that is not unlike instantaneous composition [with a given set or repertoire of elements].The Speech Chain: The Physics and Biology of Spoken Language (paperback), Peter B. Denes and Elliot N. Pinson. 1966. Worth Publishers; Second Edition (15 February 1993).
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Coinciding with her recording at Columbia, Moffatt opened for such performers as Charlie Daniels, Warren Zevon, Muddy Waters, and Steve Martin, and she toured with Leo Kottke. She also worked with Willie Nelson and Andrew Gold, appeared with Poco and John Prine, and toured with Jerry Jeff Walker, J.D. Souther and the Allman Brothers. She also has done songs with Michael Martin Murphey such as "Hard Country," "Take It As It Comes," and a live version of "Backsliders Wine" on His 1979 album "Peaks,Valleys,Honky- Tonks and Alleys." For a brief time in the early 1980s, while waiting out two management contracts, Moffatt was a sought-after and featured touring harmony and duet singer for four prominent acts.
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Acid Eaters was not the first time that the Ramones had played or recorded cover songs, with the band having released cover versions on most of their albums, starting with a cover of Chris Montez's hit "Let's Dance" (written by and credited to Jim Lee) on their debut album. Other notable covers previously performed by the group include: the Rivieras' "California Sun" (originally recorded by Joe Jones); the Beach Boys' "Do You Wanna Dance?" (originally recorded by Bobby Freeman); the Trashmen's "Surfin' Bird"; the Searchers' "Needles and Pins" (written by Sonny Bono and Jack Nitzsche, originally recorded by Jackie DeShannon); the Ronettes' "Baby, I Love You"; the Music Explosion's "Little Bit O' Soul"; the Chambers Brothers' "Time Has Come Today"; Freddy Cannon's "Palisades Park"; and the Doors' "Take It as It Comes." Jan and Dean's "Surf City" had been performed live by the Ramones on one occasion on August 20, 1982, in New York City, but makes its studio debut here.
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