Then West loops the sample, syncopating Nancy's voice, bouncing it against the keyboard's pitter-patter, ending the song on a sweet, cheerful note.
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He starts "17 Days" as a funk-gospel vamp, immediately propulsive, attacking its two chords differently with each repetition and syncopating them against his stamping foot.
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I see how his bracelet of rectangular gold plates, soldered in a syncopating rhythm and punctured by oblong pools of blue stone, reflect in the hand-painted fountains on his colorful landscape plans.
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Syncopating her rhymes rapidly and precisely over the tricky beat, Noname touches on her success without a record label, African-American representation on TV, mass incarceration, Christmas and all the direct messages she has ignored, among other things.
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Ms. Thomas made her late works by brushing on one small block of color at a time until she had filled the canvas or most of it with her irregular patterns, as in "Iris, Tulips, Jonquils, and Crocuses" (1969), in which vertical sequences of patches in deep blue, yellow, red and orange create a syncopating rhythm.
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The New Grove Dictionary of Jazz. 2nd edition, ed. Barry Kernfeld. Hans Philippi, a tubaist, founded the group in 1924 at his high school under the name Lanigiro Syncopating Melody Kings.
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Smithsonian Folkways. was a bass player and one of Trinidad's best-known bandleaders of the 1940s and 1950s.Herbie Miller, "Syncopating Rhythms: Jazz and Caribbean Culture", p. 24. David started playing music at the age of five, initially on piano, then violin and steelpan.
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Lanigiros, also Lanigiro Syncopating Melody Kings and Lanigiro Hot Players, was a Swiss jazz band. The name "Lanigiro" is "original" spelled in reverse. According to The New Grove, the group was "the first band entirely made up of Swiss musicians to record jazz".Rainer E. Lotz, "Lanigiros".
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With Avid Media Composer, Machliss was tasked with syncopating each animatic to the corresponding soundtrack. He and Wright had an existing professional relationship from Scott Pilgrim vs. the World and The World's End. In addition, Machliss worked on set providing input for the shoot, which was unusual given that film editors are rarely present at the production set of most films.
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" Perry begins singing each verse on the beat ("you think I'm pretty ...") but then falls off it before the end of the first line ("... makeup on"), syncopating the melody, creating additional tension. "Her lines dovetail elegantly into each other. This contributes to the feeling of suspension that I mentioned above. As listeners, we're waiting for her to get to the point.
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They focus on "syncopating their music to help build ... ambient soundscapes." The band I Am Noah formed in 2015; rooted in "ambient metalcore," their debut album was "defined by its progressive riffing and percussive assault." Volumes is a djent-influenced progressive metalcore band that has received critical acclaim for their "career-defining" song "Edge Of The Earth," and their 2017 release, Different Animals.
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In the early 1920s, Nichols moved to the Midwest and joined a band called the Syncopating Seven. When that band broke up, he joined the Johnny Johnson Orchestra and went with it to New York City in 1923. In New York, he met trombonist Miff Mole, and the two were inseparable for the next decade. Before signing with Brunswick, Nichols and Mole recorded for Pathé-Perfect under the name the Red Heads.
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Clog dancing should not be confused with Morris dancing, which may be performed in clogs. There is a theory that clogging or clog dancing arose in these industrial textiles mills as a result of the mill workers entertaining themselves by syncopating foot taps with the rhythmic sounds made by the loom shuttles. Clog dancing became a widespread pastime during this period in England. During the nineteenth century, competitions were held, and professional clog dancers performed in the music halls.
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They were celebrated for their versatility as most members, including star soloist and "trick trombonist" Paula Jones, doubled on both novelty (accordions, banjos) and symphonic instruments. The group toured Europe, South Africa, Asia, Australia and Brazil (where they also recorded for Columbia Records). The band appeared in several film shorts including The Band Beautiful and Syncopating Sweeties (Vitaphone 1928) and Maids and Music (RKO, 1937). "Maids and Music" was produced independently by Milton Schwarzwald's Nu-Atlas Productions and released as a 16mm home movie by Pictoreels.
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As a commercial establishment, the Senator Hotel not only offered lodging to travelers and sometimes to permanent residents, it also included restaurants, meeting rooms, and was available to the general public. When the hotel opened in 1924, its vaudeville theater featured the band, The Syncopating Senators. The Senator Hotel had its own orchestra and featured an bar designed by American architect G. Albert Lansburgh for the hotel's Empire Room. In January 1937, a mural depicting the abdication of Britain's King Edward VIII in December 1936 to marry American divorcée and socialite, Wallis Simpson, was added to the bar.
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" In a mixed review, Clashs Robin Murray stated: "At times, Lil Boat 3 comes close to grappling with maturity, but Lil Yachty's version of adulthood feels distinctly shallow." Brody Kenny of HipHopDX said, "Even if Lil Boat 3 came out in a time without so much surface tension (is such a thing still possible?), it'd still feel sloppy and forgettable. The presence of personalities like Lil Yachty's should be welcomed, but the execution still needs to be there." Ryan Feyre of RapReviews praised the album, stating, "Lil Boat 3 finds Yachty syncopating and stretching beyond his naturally baritone voice.
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Specifically composed to be included in the ballet Ecstatic Orange, which included the Green and Ecstasic Orange colors as well, Purple was premiered by the New York City Ballet Orchestra under the baton of Lukas Foss at the New York State Theatre in the Lincoln Center on June 11, 1987. It is the shortest composition in the set, lasting around six minutes. Scored for three flutes, two oboes, an English horn, two clarinets in A, one bass clarinet in B-flat, two bassoons, four horns, three trumpets, three trombones, a tuba, timpani, a harp, a piano, a string section and a percussion section taking three percussionists, Purple is monothematic and highlights the brass, which give importance to the syncopating character of the piece.
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Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so-called 2-step sound emerged, was the addition of further funky elements like contemporary R&B; styled vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.
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Beat juggling was invented by Steve Dee, a member of the X-Men (later renamed X-Ecutioners) crew. Beat juggling essentially involves the manipulation of two identical or different drum patterns on two different turntables via the mixer to create a new pattern. A simple example would be to use two copies of the same drum pattern to evolve the pattern by doubling the snares, syncopating the drum kick, adding rhythm and variation to the existing pattern. From this concept, which Steve Dee showcased in the early 1990s at DJ battles, Beat Juggling evolved throughout the decade to the point where by the end of it, it had become an intricate technique to create entirely new "beats" and rhythms out of existing, pre-recorded ones.
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Edinburgh, Scotland, UK: Mainstream Publishing, 1991: "Also on this show, Glenn introduced his very last composition, 'I'm Heading For California'.""I'm Headin' for California" was released on the 2010 CD Glenn's Travels: Glenn Miller and His Orchestra on Sounds Of Yesteryear in a radio broadcast from 1944 and on the 1998 CD Glenn Miller Orchestra: A Tribute to Tex Beneke as the 1946 RCA Victor 78 single on Halcyon Records in the UK. The recording was reviewed in the Billboard Data and Reviews section: "An infectious rhythm ditty fashioned along the same lines as 'Chattanooga Choo Choo' and cut in crisp manner by the ex-G.I. gang now led by Tex Beneke, who is joined by the harmonies of the Crew Chiefs, a mixed crew, for this lively chant.... It's spry syncopating with the throaty singing of Tex Beneke assisted by the finely blended voices of the Crew Chiefs."Billboard, March 30, 1946, p. 33.
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