75 Sentences With "symmetrical arrangement"

How to use symmetrical arrangement in a sentence? Find typical usage patterns (collocations)/phrases/context for "symmetrical arrangement" and check conjugation/comparative form for "symmetrical arrangement". Mastering all the usages of "symmetrical arrangement" from sentence examples published by news publications.

Consider the style you're drawn to: Is it a grid of identical frames in a symmetrical arrangement?
Joe Minter's 1995 symmetrical arrangement of rusted shovels, rakes, hoes and chains, seems to bless the whole room.
The new logo does away with the tilted hashtag/pound symbol of overlapping translucent colors in favor of a symmetrical arrangement of rounded rectangles and pins.
The symmetrical arrangement of the petals makes it relatively easy for a bat to calculate the midpoint of an echo, and hence to find the floral opening.
There's a symmetrical arrangement on each bud: The circular "b" logo is the control for music playback and answering or rejecting calls, and there's a small volume rocker above that.
The roof has a balustrade and a symmetrical arrangement, characteristic of the neoclassic style popular in Europe then.
The Federal style house is a two-story structure that measures approximately . The exterior of the double house is composed of red brick laid in common bond with headers every eighth course. The main facade features a symmetrical arrangement of openings. A major renovation of the house was undertaken in 1964.
Breakfront and symmetrical arrangement of west facade appears to be original. Building has decorative bracketed eaves. East facade altered when new extension at north end added in 1956. Two-storey verandahs retained but enclosed south side of entry and demolished and rebuilt as part of new brick extension on north side of entry.
Oxford: Oxford University Press. . Although Wynne's invention was based on earlier puzzle forms, such as the word diamond, he introduced a number of innovations (e.g. the use of horizontal and vertical lines to create boxes for solvers to enter letters). He subsequently pioneered the use of black squares in a symmetrical arrangement to separate words in rows and columns.
They were covered with domes with lanterns. The roof was renovated in the second half of the 18th century. In 1891, Konstanty Wojciechowski began work on the rebuilding of the cathedral. According to his design, a chapel was added along the northern nave as well as the western porch, thus obtaining a symmetrical arrangement of the building.
A continuous ventilation flap was also provided on the wall at floor level. Large banks of windows were set on the south side, to provide left hand natural light to pupils, and classroom wings were linked by verandahs. Larger examples had a symmetrical arrangement of wings. Classrooms were wide, and hat and coat rooms, plus teachers rooms, were provided.
Over the next several years, Hasbrouck acquired additional acreage, ultimately increasing the size of the farm to . He also set about building a dramatic Federal style mansion, which was completed in 1814. The 3-story house features a center arched doorway and a symmetrical arrangement of windows. In the back of the house, there is a -story kitchen wing.
Haootia quadriformis is uniquely different from any other Ediacaran fossil so far discovered in that it consists of bundles of fibres that have been identified as muscles. The entire body is in a broadly four-fold symmetrical arrangement. Thus the overall body organisation conforms to the key features of modern cnidarians. The fossil measures 56×37 mm in diameter.
Most of the configurations described here have flown (if only very briefly) on full-size aircraft. A few significant theoretical designs are also notable. Note on terminology: Most fixed-wing aircraft have left hand and right hand wings in a symmetrical arrangement. Strictly, such a pair of wings is called a wing plane or just plane.
A seven-year Japanese study of free-ranging peafowl came to the conclusion that female peafowl do not select mates merely on the basis of their trains. Mariko Takahashi found no evidence that peahens expressed any preference for peacocks with more elaborate trains, such as trains having more ocelli, a more symmetrical arrangement or a greater length.Takahashi M et al. (2008). Anim . Behav.
The Rev. John Wightman House is located in western Southington, on the west side of Mount Vernon Road north of its junction with West Center Street. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its front facade is five bays wide, with a symmetrical arrangement of windows around a center entry.
The status of the complex was reflected in the amount of ornamentation on the Murray Street and Bengal Street blocks compared to other mills. The Murray Street block had a symmetrical arrangement of arched doorways and windows. This pattern was in turn mirrored on the Bengal Street block, which had an arrangement of false doorways.Williams and Farnie p. 56–58.
The central fourth movement within a symmetrical arrangement is devoted to the bass as the (voice of Christ). The continuo and the voice use similar material in this arioso, intensifying the words. The following aria, marked allegro, contrasts the "storm", in unison runs of the strings, with calmer motion in the oboes. The closing chorale is set for four parts.
The Henderson family owned Gardie from the 17th century, and in 1724 Magnus Henderson (died 1753) had the present house built. The builder was a mason from Aberdeen named Forbes. The double-pile plan of Gardie was relatively novel in the early 18th century. The symmetrical arrangement of walled gardens leading down to a harbour was laid out at the same time.
One way mathematics appears in art is through symmetries. Woven designs in cloth or carpets (to name two) commonly have some kind of symmetrical arrangement. A rectangular carpet often has rectangular symmetry in the overall pattern. A woven cloth may exhibit one of the seventeen kinds of plane symmetry groups; see Crowe (2004) for an illustrated mathematical study of African weaving patterns.
Within the Anıtkabir site there are ten towers situated in a symmetrical arrangement. These symbolize the ideals that influenced the Turkish nation and the creation of the Republic of Turkey. The towers are similar in terms of planning and structure: they are rectangular, close to a square, with pyramidal roofs. Bronze arrowheads are placed on the top of the roofs, like in traditional Turkish nomad tents.
Third-order filters have a 60 dB/decade (or 18 dB/octave) slope. These crossovers usually have Butterworth filter characteristics; phase response is very good, the level sum being flat and in phase quadrature, similar to a first order crossover. The polar response is asymmetric. In the original D'Appolito MTM arrangement, a symmetrical arrangement of drivers is used to create a symmetrical off-axis response when using third-order crossovers.
Siblings tend to have identical patterns of patches. Masters are obeyed by all other Moties, though Mediators have some independence to negotiate between Masters. Other Motie subspecies include Warriors, optimized for hand-to-hand combat and weapon usage, Doctors with extra dexterity, and semi-sentient Farmers who raise crops. The Watchmaker species is related to Moties but is about one- third the size and has four arms in a symmetrical arrangement.
The mihrab itself is an arched alcove with a small muqarnas cupola. The wall around it is covered in stucco-carved decoration featuring arabesque, geometric, and calligraphic motifs. The space between the arches in front of the mihrab is also covered above by a large square cupola of fine muqarnas. The lower part of the mihrab is also decorated by eight engaged columns in a symmetrical arrangement around the mihrab's opening.
The Shapley House is located southeast of downtown Portsmouth, on the south side of Court Street between Atkinson and Marcy streets. It is a three-story structure, built with load-bearing brick walls. Its front facade is six bays wide, with a symmetrical arrangement that has entrances in the two center bays, topped by semi-elliptical fanlights. Windows are six-over-six sash on the lower two floors, and three-over-three on the third.
The Sawyer Tavern is located in western Keene, on the north side of Arch Street a short way west of Keene High School. It is a 2-1/2 story wood frame structure, with a gabled roof, two interior chimneys, and a clapboarded exterior. Its main facade is five bays wide, with a symmetrical arrangement of sash windows around the center entrance. The entrance is simply framed, with a four-light transom window above.
A single-story gable-roofed wood-frame addition extends to one side. The front and rear of the main block consist of brick laid in Flemish bond, while the ends are laid in common bond. The main facade is three bays wide, with a symmetrical arrangement of sash windows around a center entrance. The ground-floor windows, in a traditional Delaware pattern, have paneled shutters, while the upper level windows have louvered shutters.
The Calkins House is a square, two-story, clapboarded, Italianate building with a symmetrical arrangement of doors and windows on the front facade. The first floor has a central entrance flaked by tri-sided bay windows. One-over-one sash window units are on the sides of the bays, an ornamental cornice is above and fielded panels are below. The main entrance is within a small porch with an arched molding at the top.
The Chigi Altarpiece is an altarpiece by Perugino, dating to around 1506-1507. It is named after its commissioner Agostino Chigi, a Sienese banker, for the Chigi family chapel in the church of Sant'Agostino in Siena, where it still hangs. Vittoria Garibaldi, Perugino, in Pittori del Rinascimento, Scala, Florence, 2004 Like most altarpieces by Perugino, it has two registers. The upper heavenly one shows Christ on the cross surrounded by a symmetrical arrangement of angels and cherubim.
The house was inspired by Fowler's book, and is a good example of his theories put into practice. Features which are directly linked to his ideas, apart from the octagonal plan, are the central spiral staircase, symmetrical arrangement of rooms with interconnecting doors, the verandas running all round the building, and the flat roof surmounted by a cupola. In accordance with Fowler's theories, the detailing is relatively plain for the period. Openings are simply framed by moldings.
In its rough state, a diamond is fairly unremarkable in appearance. Most gem diamonds are recovered from secondary or alluvial deposits, and such diamonds have dull, battered external surfaces often covered by a gummy, opaque skin—a comparison to "lumps of washing soda" is apt. The act of polishing a diamond and creating flat facets in symmetrical arrangement brings out the diamond's hidden beauty in dramatic fashion. When designing a diamond cut, two primary factors are considered.
The cellars of some demolished houses were incorporated into the new construction and can today be accessed through a small door at the left side of the Town Hall. The initial plans, influenced by Brussels' Town Hall, included a belfry tower at one of the corners. This design was modified by de Layens, resulting in the symmetrical arrangement of turrets observed today. The exterior masonry and roof were finished in 1460, and in 1469 the building was complete.
The earlobe consists of areola and adipose tissue.Stenström, J. Sten: Deformities of the ear; In: Grabb, W., C., Smith, J.S. (Edited): "Plastic Surgery", Little, Brown and Company, Boston, 1979, (C), (P) The symmetrical arrangement of the two ears allows for the localisation of sound. The brain accomplishes this by comparing arrival-times and intensities from each ear, in circuits located in the superior olivary complex and the trapezoid bodies which are connected via pathways to both ears.
The main facade is five bays wide, with a symmetrical arrangement of windows around the central entrance. The central bay is set off from the others by fluted pilasters, which also appear at the building corners. The entrance is sheltered by a deep porch supported by fluted Doric columns, and featuring Doric triglyphs in its cornice. The porch is topped by a balcony accessed via a second-story entrance stylistically similar to the main entrance below.
The support tower of the bridge. The translucent glass pavement of the bridge The Sundial Bridge is a cantilever spar cable-stayed bridge, similar to Calatrava's earlier design of the Puente del Alamillo in Seville, Spain (1992). This type of bridge does not balance the forces by using a symmetrical arrangement of cable forces on each side of its support tower; instead, it uses a cantilever tower, set at a 42-degree angle. and loaded by cable stays on only one side.
The Josiah Bronson House is located northeast of the village center of Middlebury, in a rural-suburban setting on the north side of Breakneck Hill Road. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with a symmetrical arrangement of windows around its main entrance. The entrance is unusually wide, with flanking sidelight windows; it was at one time sheltered by a wide portico.
The main facade is five bays wide, with symmetrical arrangement. The entrance at the center is topped by a half-round transom window, and is sheltered by a Federal-period portico with a modillioned cornice and hip roof surrounded by a low balustrade. The interior of the house continues the high quality wooden finishes. The mansion was built in 1763 by Henry Appleton, a merchant, who sold it to Mark Hunking Wentworth, one of New Hampshire's wealthiest merchants and landowners, the following year.
Frenchmen Street also has a number of examples of another New Orleans-style home, the Creole townhouse. This style dates from 1788, following the Great New Orleans Fire. The Creole townhouse is a two- to four-story structure set at or near ground level, with a symmetrical arrangement of arched openings on the façade, set on the property line, an iron balcony at the second and sometimes third levels, and a steeply-pitched, side-gabled roof, often with multiple dormers.
In this way, the garden layout and aesthetic retains significant elements and links to the original garden. The first gardener, Frederick T. Dye, created a landscape very much formed by thoughts of the day. The formal rose gardens situated on the eastern and southern sides of the College building, were planted in 1933 and continue in their original layout. Deciduous trees including pin oaks and elms are planted in a symmetrical arrangement down a sloping lawn to the southern boundary on Kentucky Street.
Lilyvale Cottage is a three-storey double fronted brick residence, erected . Lilyvale is a fine, free standing example of the Colonial Regency style. This style is derived from the parapet on the first floor front elevation, which partially obscures the roof and the formal, symmetrical arrangement of openings. The cottage is an unusual example of the Regency style, being adorned with a verandah at ground floor level and a prominent gabled roof which contains attic rooms rising above the front elevation.
The hip-roofed house is Colonial Georgian in style and plan, having a typical front doorway with segmented sidelights and an arched fanlight, and a symmetrical arrangement of rooms about a central hallway on each floor. The ground floor has wide, open verandahs on three sides. Two service rooms run across the rear of the core, incorporating pavilion wings of the side verandahs. The walls are of brick, which is lime rendered and jointed to give the impression of stone.
A molecule may be nonpolar either when there is an equal sharing of electrons between the two atoms of a diatomic molecule or because of the symmetrical arrangement of polar bonds in a more complex molecule. For example, boron trifluoride (BF3) has a trigonal planar arrangement of three polar bonds at 120°. This results in no overall dipole in the molecule. In a molecule of boron trifluoride, the trigonal planar arrangement of three polar bonds results in no overall dipole.
The Washington Mooney House stands in central New Hampton, on the north side of New Hampshire Route 104, just east of the northbound I-93 onramp. It is a 2-1/2 story wood frame structure, with a side gable roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with a symmetrical arrangement. The main entrance is at the center, with an entrance surround of sidelight windows flanked on both sides by narrow pilasters, and a projecting cornice above.
Two impressive examples of the military type are housed in the museums of Vienna, both from the sixteenth century. The first measures in length including the top spike which is . The head is a separate wooden cylinder slipped over the top of the shaft and reinforced with steel bands, with five metal spikes in symmetrical arrangement. The second example has an all-steel head of complex craftsmanship with four V-shaped spikes mounted on a long shaft that measures slightly less than two metres in length.
Formal rose gardens line the eastern and southern sides. Annual garden beds are dotted throughout the grounds. Deciduous trees including American pin oaks (Quercus palustris) and elms, are planted in a symmetrical arrangement down the sloping garden lawn to the southern boundary on Kentucky Street. Mature coniferous trees include Himalayan cedars (Cedrus deodara), Mediterranean cypress (Cupressus sempervirens (two pairs flank the main "front entrance" steps onto the front lawn, other pairs flank the building's main northern facade's east and west ends) and pines (Pinus spp.).
The Larkin-Rice House stands on the west side of Middle Street, a busy through street south of downtown Portsmouth, between Austin and State Streets. It is a three-story brick building, roughly square in footprint, with four chimneys and a truncated hip roof with a widow's walk at its center. The main facade is three bays wide, with a symmetrical arrangement of windows around a centered entrances. The windows flanking the entrance are classical three-part Palladian windows, with narrow sidelights and a rounded center window.
The Jacob Thompson House is located a short way north of Monson's town center, at the southwest corner of Main and Thompson Streets. It stands near the corner, in front of land formerly associated with it that now forms Hillside Cemetery. The main block of the house is a 2-1/2 story wood frame construction, with a side gable roof and end chimneys incorporated into brick end walls. The front facade is five bays wide, with a symmetrical arrangement of sash windows around the center entrance.
The Cornet Thomas Wiggin House is located north of the town center of Stratham, on the north side of Portsmouth Avenue at its junction with Depot Road. It is a 2-1/2 story wood frame structure, with a side gable roof, two interior brick chimneys, and a clapboarded exterior. The main facade is five bays wide, with a symmetrical arrangement of windows around a center entrance. The entrance includes an original wide six- panel door, flanked by tapered flat pilasters, which rise to a transom window and corniced entablature.
The arrangement of intake and exhaust valves in the Turbo-Air 6 is considered noteworthy, with the valves arranged as intake/exhaust, intake/exhaust, intake/exhaust down both sides. The use of separate exhaust ports rather than twinned or siamesed ports helps avoid problems with distortion caused by a concentration of heat at these locations. There is a single cast-iron camshaft located in the crankcase. The shaft only has nine cam lobes on it - the symmetrical arrangement of valves allows three, double-width cam lobes to operate all six exhaust valves.
The Randwick substation is a large and attractively decorated building that presents a street façade with elaborate brick decoration designed in the Interwar Mediterranean style. The façade is composed of two sections: A two- storey block comprising a high entrance door with lintel arch motifs, and three groupings of triple windows: one group with arches, another with balcony and balusters. The second part of the façade is a symmetrical arrangement with a large arched doorway flanked by pilasters and arch headed windows surmounted by an ornate identity panel. The parapets include curved roof tiles.
One of Pink Triangle's founders, Arthur Khoubesserian, founded The Funk Firm in 2005.The Funk Firm website It produces a range of turntables based on the Pink Triangle philosophy of lightweight, rigid structures with DC motors. A notable innovation common to most of the range is the symmetrical arrangement of motor pulley and two idler pulleys around the subplatter, which eliminates the unbalanced side-load of the belt tension on the platter. The Funk Firm modifications, ironically, became best known for their improvements to the Linn Sondek LP12, Pink Triangle's largest competitor.
In Britain the 4-4-4 arrangement was confined to tank locomotives and there to specific applications requiring either high speed stability in both directions (created by a symmetrical arrangement with bogies front and rear) or a powerful locomotive with as short a fixed wheelbase as possible. Eric G. Barker designed three examples for the Wirral Railway in 1896.The ABC of British Railway Locomotives, Summer 1961, Ian Allan Ltd. The Midland and South Western Junction Railway purchased two 4-4-4 tank engines from Sharp, Stewart and Company but these were not a success due to their poor traction.
In contrast to Petrie's findings, a seven-year Japanese study of free-ranging peafowl concluded that female peafowl do not select mates solely on the basis of their trains. Mariko Takahashi found no evidence that peahens preferred peacocks with more elaborate trains (such as with more eyespots), a more symmetrical arrangement, or a greater length. Takahashi determined that the peacock's train was not the universal target of female mate choice, showed little variance across male populations, and did not correlate with male physiological condition. Adeline Loyau and her colleagues responded that alternative and possibly central explanations for these results had been overlooked.
Said to be one of Lewis’ most important works, the "erudite Greek Classic "Darlinghurst Courthouse was commenced in 1835 and completed in 1844. Lewis’ plan placed the court room in the centre, with a symmetrical arrangement of rooms for magistrates and court officials either side. The entry was through a pedimented porch framed with Doric columns, a direct imitation of an ancient Greek temple, except in this instance the Doric columns do not extend to the ground. It is said that the pattern in the sandstone columns was stopped at a height to avoid damage from passing traffic.
Bach structured the cantata in five movements in a symmetrical arrangement of two framing duets surrounding recitatives and a central aria. Bach scored the work for two vocal soloists (soprano (S) and bass (B)), and a Baroque instrumental ensemble of originally two violins (Vl), viola (Va), and basso continuo. John Eliot Gardiner, who conducted the Bach Cantata Pilgrimage in 2000, notes that the scoring for just two voices and strings was probably intended to ease the workload of musicians who had a busy time during the Christmas season. In the later version, Bach added a trio of two oboes (Ob) and taille (Ot).
Vaux-le-Vicomte André Le Nôtre's first major garden design was undertaken for Nicolas Fouquet, Louis XIV's Superintendent of Finances. Fouquet began work on the Château de Vaux-le- Vicomte in 1657, employing the architect Louis Le Vau, the painter Charles Le Brun, and Le Nôtre. The three designers worked in partnership, with Le Nôtre laying out a grand, symmetrical arrangement of parterres, pools and gravel walks. Le Vau and Le Nôtre exploited the changing levels across the site, so that the canal is invisible from the house, and employed forced perspective to make the grotto appear closer than it really is.
Parkview street Much of the land that became Parkview was, in the mid-19th century, contained in the Kingsbury Farm. In 1905, surveyor Julius Pitzman, also the designer of Forest Park, was hired to lay out Parkview. Parkview was the largest and the last of the private neighborhoods designed by Julius Pitzman (he also designed Portland and Westmoreland Places and Compton Heights). His elegant design for the neighborhood includes a partly symmetrical arrangement of gently curved streets and parks. Curving streets in residential subdivisions was unusual for the period, and in Parkview they were “soothing and peaceful” to the eye.
The emperor Trajan constructed his own imperial forum in Rome accompanied by his Basilica Ulpia dedicated in 112. Trajan's Forum () was separated from the Temple of Trajan, the Ulpian Library, and his famous Column depicting the Dacian Wars by the Basilica. It was an especially grand example whose particular symmetrical arrangement with an apse at both ends was repeated in the provinces as a characteristic form. To improve the quality of the Roman concrete used in the Basilica Ulpia, volcanic scoria from the Bay of Naples and Mount Vesuvius were imported which, though heavier, was stronger than the pumice available closer to Rome.
The complex was designated primarily as a khanqah (a residence and center for Sufis). It is centered around a large central courtyard, surrounded by living quarters to the west and adjoining a prayer hall or mosque section to the east, which in turn is flanked by two large mausoleums on either side. The complex also features two minarets, two sabils (water dispensaries), and two kuttabs (primary schools) in an almost symmetrical arrangement on its western facade. The overall layout is similar to that of a regular congregational mosque, which is indeed a function that the building also served.
The interior passage of the gate is composed of several horseshoe archways arranged at the thresholds of three sequential chambers. The middle chamber is open to the sky above; a defensive feature from the original gate which allowed defenders to shoot or drop projectiles on attackers inside the gate's passage. In addition to this central passage, however, are two other side passages through smaller archways on the gate's outer facade and through equal-sized archways on its inner facade (thus appearing as a triple gateway on this side). This symmetrical arrangement is a result of modern modifications to the gate to ease circulation.
In accordance with 18th- century customs, the wings were named from the point of view of the corps de logis: the wing nearest the Saar was called the right wing; the wing next to the was called the left wing. The four pavilions were named after their compass points: northwest, southwest, northeast and southeast pavilion. The northwest and southwest pavilion each had three windows on their 14.98 metre long sides, and four windows on the 15.84 metre long sides. This geometric arrangement was supported by the symmetrical arrangement of the two main stairwells on the inner walls of the reserves in the corps de logis.
Most of the structures upon the basal platform underwent two consecutive construction phases during the Early Classic, except Temple 22 which underwent three phases of construction. The structures upon the basal platform all date to the Early Classic period and were laid out in a symmetrical arrangement over the course of three centuries. This forms the greatest concentration of pure Early Classic architecture at Tikal, using construction methods distinct from that of the major Late Classic temples around the Great Plaza. The Early Classic construction involved the complete finishing of the basal platform as a distinct architectural unit before the additional structures were built upon it.
A diamond cut constitutes a more or less symmetrical arrangement of facets, which together modify the shape and appearance of a diamond crystal. Diamond cutters must consider several factors, such as the shape and size of the crystal, when choosing a cut. The practical history of diamond cuts can be traced back to the Middle Ages, while their theoretical basis was not developed until the turn of the 20th century. Design, creation and innovation continue to the present day: new technology—notably laser cutting and computer-aided design—has enabled the development of cuts whose complexity, optical performance, and waste reduction were hitherto unthinkable.
In contrast to Portuguese mediaeval palaces like the Royal Palace at Sintra, the façades of Bacalhoa have a symmetrical arrangement of windows, loggias and towers and the building is surrounded by an artificial lake and geometrical gardens, an ensemble that reveals Italian inspiration. Also near Setúbal is located the Quinta das Torres (c. 1560), also characterised by its symmetrical façades and a pavilion in the middle of its artificial lake. The Ribeira Palace of Lisbon, a royal palace built in the early 16th century in Manueline style by King Manuel I, was remodelled towards the end of the 16th century by the orders of Philip I (Philip II of Spain).
In the 1600s, Johannes Kepler speculated on the symmetry of snowflakes and also on the close packing of spherical objects such as fruit (this problem remained unsolved until very recently). The symmetrical arrangement of closely packed spheres informed theories of molecular structure in the late 1800s, and many theories of crystallography and solid state inorganic structure used collections of equal and unequal spheres to simulate packing and predict structure. Fig. 1. Hofmann's model for methane. John Dalton represented compounds as aggregations of circular atoms, and although Johann Josef Loschmidt did not create physical models, his diagrams based on circles are two-dimensional analogues of later models.
A birds-eye view of the mosque reveals its unique architectural feats. Because of its location at the corner of two streets, the mosque had to be set at an angle of almost 45 degrees in order to maintain a qibla orientation towards Mecca. Despite the difficulties this presented, the mosque includes a near-perfect symmetrical arrangement with symmetrical windows and space on the qibla wall for the mausoleum. The extra wall space caused by this orientation has not been filled in with masonry, but rather turned into small cubed spaces used for light and air shafts, a unique feature of this particular building.
For instance, according to Bonney, This text is accompanied by a photograph of "the delightful view afforded from the porches of cottages for consumptives in Estes Park, Colorado." The hotel also provided the ample porches, ventilation, southern exposure, and appetizing food recommended in Bonney's book. The style of the Stanley Hotel campus is colonial revival. The strong symmetrical arrangement of the primary facade, and the classically derived ornamental articulations such as the two-stage octagonal cupola, Palladian window, fanlights, dormers, swan's neck pediments, scroll brackets, paired Tuscan columns, oval ox-eye windows, and elaborately turned balusters are all stylistic hallmarks of the so-called American Georgian and Federal Styles.
He observed that these arteries maintain their symmetrical arrangement in the pons, whereas in the lower segments, owing to the formation of the median fissure, they give rise to a single median tract. In “Hypophysis” (1904), Sterzi studied the hypophysis of petromyzontes and, at variance with previous findings, demonstrated that no infundibular gland exists in these cyclostomes (Sterzi, 1904). He also investigated the comparative anatomy of this organ in all vertebrates. In “The Regio Parietalis (of Diencephalon) in Lower Craniates” (1905), Sterzi demonstrates that there are organs which are single (epiphysis and paraphysis) and organs that are originally double (pineal and parapineal organs; Sterzi, 1905).
It has a ground floor and four floors overlooked by a well-proportioned seven-storey tower whose asymmetrically shaped volume is accentuated by the central dominant. The symmetrical arrangement of the front facade is emphasized by the front side-wings encompassing the ground floor and the first two floors. Its side facade is characterized by the rhythm of the openings and the carefully and unobtrusively placed voluminous statue of Icarus, the work of the sculptor Zlata Markov (Žitište 1908 – Novi Sad 1986), whose mythological symbolism is associated with the meaning and the purpose of the building. The structure's quality is originality, visual expressiveness, inner dynamics and an affinity for details.
Mariko Takahashi found no evidence that peahens expressed any preference for peacocks with more elaborate trains (such as trains having more ocelli), a more symmetrical arrangement, or a greater length. Takahashi determined that the peacock's train was not the universal target of female mate choice, showed little variance across male populations, and, based on physiological data collected from this group of peafowl, do not correlate to male physical conditions. Adeline Loyau and her colleagues responded to Takahashi's study by voicing concern that alternative explanations for these results had been overlooked, and that these might be essential for the understanding of the complexity of mate choice. They concluded that female choice might indeed vary in different ecological conditions.
This saw the levelling of the southern "hummock" of the island, forever changing its visual appearance. The fill deposited onto the southern side increased the land area by 3 acres. 1885 saw the appointment of Rear Admiral Tryon which raised the Australia Station to Flag rank status. A combined Rigging Shed and Sail Loft was to be commenced first, with the foundations of the Rigging Workshop, Kitchen Block, Anchor Store, Chain Store, Factory Workshop and Spar Shed laid in 1886. Two stone slipways were also commenced on the eastern side of the Sail Loft in 1887 and the Barracks Building initiated that same year. The Barracks consisted of three levels of Tuscan columned verandas with a symmetrical arrangement, and the second level serving as Fleet Hospital (see also Rivett, 1999: 5-9).
Above the cabinets in the background is an inscription reading: "NATIVITAS TUA DEI GENITRIX VIRGO GAUDIUM ANNUNTIAVIT UNIVERSO MUNDO" ("Your birth, oh Virgin Mother, announced joy to the whole universe"), while in the intarsia decoration the artist put his signature: "BIGHORDI" (his true surname, Bigordi) and "GRILLANDAI" (the Florentine version of his nickname). This scene, like the previous one, is realistically illuminated, with the frieze on the right in shadow. While the majority of scenes in the chapel have a completely symmetrical arrangement in their internal architecture and even the positioning of the figures, this picture is markedly asymmetrical, with a pier dividing it into two areas based on the golden mean. This asymmetrical structure links it to the scene of The Visitation in which a wall is placed to divide the picture space in the same manner.
The only major embellishment at Friedenstein were four larger-than-life statues located at the four corners of the palace, showing Moses, Elijah, John the Baptist and Martin Luther. Other external features were a few reliefs salvaged from the old Grimmenstein and some decoration above the main gate to the courtyard, located in the centre of the north wing. The austere facades are structured not by ornamental features but only by the symmetrical arrangement of the windows and a cornice running around the whole building between the first and second floors. On the side facing the courtyard, an arcade was constructed running around all four wings of the palace. The major later change to the external appearance of the palace has been the addition of the two buildings on the left and right of the main wing facing the town, known as Pagenhaus and Wachthaus, added in 1778/79.
Byars' works are often noted as constantly incorporating specific personal themes and motifs, leaning towards the esoteric while simultaneously being ritualistic and materialistic: Robert Clark, writing for The Guardian on the occasion of a Milton Keynes exhibition of his work, described it as 'impenetrably yet intriguingly hermetic'. Most in particular was gold as a material, which served as an elemental identifier. As well as this, works of his demonstrate a fascination with the symbolism of numbers: Clark quotes in the same exhibition, referring to a specific piece of his, writing that he 'imbued the number 100 with symbolic significance, having made a symmetrical arrangement of 100 white marbles and draping 100 nude volunteers in a collective red garment'. A common theme in his works is perfection (especially upon the word 'Perfect'), which he extended into a personal journey that led to his ambiguously celebratory exploration of shapes, numbers and precious materials.
Older R&A; approved "British" golf ball (left), and newer USGA approved "American" golf ball (right) The Rules of Golf, jointly governed by the R&A; and the USGA, state in Appendix III that the diameter of a "conforming" golf ball cannot be any smaller than , and the weight of the ball may not exceed . The ball must also have the basic properties of a spherically symmetrical ball, generally meaning that the ball itself must be spherical and must have a symmetrical arrangement of dimples on its surface. Additional rules direct players and manufacturers to other technical documents published by the R&A; and USGA with additional restrictions, such as radius and depth of dimples, maximum launch speed from test apparatus (generally defining the coefficient of restitution) and maximum total distance when launched from the test equipment. In general, the governing bodies and their regulations seek to provide a relatively level playing field and maintain the traditional form of the game and its equipment, while not completely halting the use of new technology in equipment design.

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