Here, we interview one 40-something sugar mama who uses Arrangement.
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She started touring with an all-female band called Sugar Mama.
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Most fighting dogs are euthanized, but things were different for Sugar Mama.
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"When I first met Sugar Mama, she was freshly shaved from surgery," said Bertrand.
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Today he puts the "Ma" back in "Machiavellianism," or SUGAR MAMA, or MAW, or MAA … it's probably nothing, right?
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And while Beyoncé and Sugar Mama are wonderful, we can't leave it them to inspire an entire generation of women.
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A 27-year-old male sugar baby shares his experience, which includes having his rent and gym membership covered by a sugar mama.
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He jokes he has to go into finance now so he can win again, but in the meantime, he likes to call me his sugar mama.
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Unless they have a sugar mama — or daddy — who reliably picks up the slack, they would ask the amount of the certificate before they chose a suit.
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The rescue of Sugar Mama not only saved her life, but helped to heal the spirit of the soon-to-be-released inmate, who became her trainer and caretaker.
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Wendy Williams' new guy is sick and tired of people thinking he's hanging with her in hopes of landing a sugar mama ... because he insists he's not about that life.
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Now, the 55-year-old sounds like she's over being a sugar mama ... and she's on the prowl for a guy who can match her wit and her bank account.
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The streaming site unfurls Ulrich Seidl's "Paradise Trilogy" across the weekend, starting with this tale of Teresa (Margarete Tiesel), a 50-year-old Austrian who celebrates her birthday at a Kenyan beach resort and ends up a "sugar mama" — as European women seeking out African prostitutes are known.
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Sugar Mama was originally produced by the James O. Welch Company in 1965, as a companion candy to the already-produced Sugar Babies and Sugar Daddy. A Sugar Mama was a chocolate-covered caramel sucker, essentially a Sugar Daddy covered in chocolate. It had a distinctive red and yellow wrapper, the opposite of Sugar Daddy's yellow and red wrapper. It has not been produced since the 1980s.
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Two other songs from the Olympic sessions, "Baby Come On Home" and "Sugar Mama", were left off the album. They were released on the 2015 reissue of the retrospective album Coda.
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Tootsie Roll Industries now makes Sugar Babies. Welch produced them along with the rest of the Sugar Family (Sugar Daddy and Sugar Mama). A website called The Candy Blog rated Sugar Babies as a 9 out of 10 ("yummy").
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The name was changed to Sugar Daddy in 1932. Sugar Babies were introduced three years later in 1935. A chocolate-covered version, Sugar Mama, was produced from 1965 to the 1980s. The James O. Welch Company was purchased by Nabisco (now Mondelēz International) in 1963.
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In 2010 the band released a second album, titled Sugar Mama. The album and concert celebrating its release were recommended by several media outlets covering the Chicago music scene, including Centerstage, RedEye/Metromix, Newcity, and A.V. Chicago. Like its predecessor, it became a top seller on CD Baby.
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All songs by G. Love, except as noted #"Sweet Sugar Mama" (G. Love, J. Clemens, J. Prescott) – 4:05 #"Leaving the City" – 3:40 #"Nancy" (G. Love, J. Clemens, J. Prescott) – 3:21 #"Kiss and Tell" – 3:14 #"Chains #3" (G. Love, J. Clemens, J. Prescott) – 2:58 #"Sometimes" – 4:23 #"Everybody" – 3:40 #"Soda Pop" (G.
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The Middle East Forum received $2.3 million from Rosenwald over a ten-year period ending in 2012. Rosenwald has also given money to David Horowitz and Brigitte Gabriel. Rosenwald's support of these entities led The Nation magazine, in its "Islamophobia" issue of July 2–9, 2012, to label her "The Sugar Mama of Anti-Muslim Hate". Some Muslims have disputed this allegation.
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Anna is fourteen or fifteen years old and Sugar Mama's niece. Sugar Mama sent for Anna from New Mexico, thinking she would bring more business. At first, Anna tries to sleep with Melody, but when Big Mat defends Anna after an owner at the dog fight hits her, she becomes infatuated with Big Mat. Anna moves into a shack with Big Mat, where she endures his beatings.
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She portrayed a murderous author on the 1977 episode Columbo: Try and Catch Me. She made countless talk-show appearances, in addition to hosting Saturday Night Live in 1977. Gordon won an Emmy Award for a guest appearance on the sitcom Taxi, for a 1979 episode called "Sugar Mama", in which her character tries to solicit the services of a taxi driver, played by series star Judd Hirsch, as a male escort. Her last Broadway appearance was as Mrs. Warren in George Bernard Shaw's Mrs.
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Greene was born in Minter City, Mississippi. In 1952, he and his cousin Walter Mitchell went to Gallatin, Tennessee, to record eight sides for the record producer Joe Von Battle. Mitchell sang on two of the tracks, "Little Machine" (written by Sonny Boy Williamson) and "Come Back Sugar Mama", but his main input was his harmonica accompaniment of Green's vocal and guitar work. The resultant work was released on three single by Dot Records in 1952 and 1953, and another was issued by Von Records in 1953.
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In 1934 he settled in Chicago. Williamson first recorded in 1937, for Bluebird Records, and his first recording, "Good Morning, School Girl", became a standard. He was popular among black audiences throughout the southern United States and in Midwestern industrial cities, such as Detroit and Chicago, and his name was synonymous with the blues harmonica for the next decade. Other well-known recordings of his include "Sugar Mama Blues", "Shake the Boogie", "You Better Cut That Out", "Sloppy Drunk", "Early in the Morning", "Stop Breaking Down", and "Hoodoo Hoodoo" (also known as "Hoodoo Man Blues").
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His popular songs, original or adapted, include "Good Morning, School Girl", "Sugar Mama", "Early in the Morning", and "Stop Breaking Down". Williamson's harmonica style was a great influence on postwar performers. Later in his career, he was a mentor to many up-and-coming blues musicians who moved to Chicago, including Muddy Waters. In an attempt to capitalize on Williamson's fame, Aleck "Rice" Miller began recording and performing as Sonny Boy Williamson in the early 1940s, and later, to distinguish the two, John Lee Williamson came to be known as Sonny Boy Williamson I or "the original Sonny Boy".
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A remastered version of Coda, along with Presence and In Through the Out Door, was reissued on 31 July 2015. The reissue comes in six formats: a standard CD edition, a deluxe three-CD edition, a standard LP version, a deluxe three-LP version, a super deluxe three-CD plus three-LP version with a hardback book, and as high resolution 24-bit/96k digital downloads. The deluxe and super deluxe editions feature bonus material containing alternative takes and previously unreleased songs, "If It Keeps On Raining", "Sugar Mama", "Four Hands", "St. Tristan's Sword", and "Desire".
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L.C. Greene (October 23, 1921 – August 24, 1985), better known as L.C. Green, was an American blues guitarist, singer and songwriter. He released four singles in 1952 and 1953 for Dot Records and Von Records, including one of the earlier versions of "Come Back Sugar Mama" AllMusic noted that "vocally and for his repertoire, L.C. Greene, whose records were issued without the final ‘e’ to his name, was indebted to Sonny Boy Williamson I. His amplified guitar playing is clearly Mississippi Delta-derived, but probably owes something to the popularity of fellow Detroit blues singer John Lee Hooker".
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The age disparity between two partners is typically met with some disdain in industrialized nations, and various derogatory terms for participants have arisen in the vernacular. In English- speaking countries, where financial disparity, and an implicit money-for- companionship exchange, is perceived as central to the relationship, the elder of the two partners (perceived as the richer) is often called a "sugar daddy" or "sugar mama" depending on gender. The younger of the two is similarly called the sugar baby. In extreme cases, a person who marries into an extremely wealthy family can be labelled a gold digger, especially in cases where the wealthy partner is of extreme age or poor health; this term often describes women but can be applied to any gender.
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Citing even earlier himbo appearances in Seinfeld and Friends, Bans theorizes that the 21st century has spawned a "Golden Age of himbodom", based on a new Hollywood vision of women as "crass sexual aggressors" who "need subjects to crassly sexually aggress".Lauren Bans, "The Rise of the Himbo: Bimbos with Balls," GQ, May 9, 2012 In the chapter "Let's Hear it for the Boy Toy" of their book The Hookup Handbook: A Single Girl's Guide to Living It Up, authors Jessica Rozler and Andrea Lavinthal describe a variety of himbo 'types' such as actors, bartenders, models, and personal trainers, as well as identifying features of different kinds of "Himbo Hookups", including The Beauty and The Beast Complex, the Sugar Mama, and so on.Jessica Rozler, Andrea Lavinthal, The Hookup Handbook: A Single Girl's Guide to Living It Up, Simon and Schuster, Jun 15, 2010 In 2016, Christian Toto criticized the himbo trend as a kind of 'reverse objectification' for men, setting a double standard in which it has become more acceptable for men to be sex objects than women.
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