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25 Sentences With "sublunar"

How to use sublunar in a sentence? Find typical usage patterns (collocations)/phrases/context for "sublunar" and check conjugation/comparative form for "sublunar". Mastering all the usages of "sublunar" from sentence examples published by news publications.

"I will cherish this lifetime-achievement award from you, though, like all sublunar blessings, it is a mixed one," she said.
China's Chang'e-4 mission, which is currently operating in the SPA basin, is mostly limited to surface observations, but even that data could yield some useful tidbits about the sublunar anomaly.
All things of the sublunar world originate in matter, hence matter itself is the unoriginated, the eternal.
In 2012 Mathieu took over all vocal parts, abandoning the Two-Voice-Concept. In 2013 Punish released their fourth Album Sublunar Chaos, via Apostasy Records and Monika Hagmann became the band's new bass player..Punish , abgerufen am 31. Mai 2012.
Charles Genequand, (2001), Alexander of Aphrodisias: On the Cosmos, page 6. BRILL The topics dealt with are the nature of the heavenly motions and the relationship between the unchangeable celestial realm and the sublunar world of generation and decay. His principal sources are the Physics (book 7), Metaphysics (book 12), and the Pseudo-Aristotelian On the Universe. On Providence survives in two Arabic versions.
The Neoplatonist Proclus (5th century AD) considered Pluto the third demiurge, a sublunar demiurge who was also identified variously with Poseidon or Hephaestus. This idea is present in Renaissance Neoplatonism, as for instance in the cosmology of Marsilio Ficino (1433–99),Entry on "Demiurge," The Classical Tradition (Harvard University Press, 2010), p. 256. who translated Orphic texts into Latin for his own use.Entry on "Orpheus," The Classical Tradition, p. 665.
And each "emanates" downwards the body and soul of its own celestial sphere, and also the intellect at the next lowest level. The active intellect, as in Alfarabi, is the last in the chain. Avicenna sees active intellect as the cause not only of intelligible thought and the forms in the "sublunar" world we people live, but also the matter. (In other words, three effects.)Davidson ch. 4.
Kristy Thirsk at Musical Discoveries Thirsk was also involved in the initial stages of Adrian White's side project Silent Alarm. The Sleepthief album The Dawnseeker, released June 2006, features Thirsk's vocals in the songs "Sublunar (Sweet Angel)". Sleepthief's follow-up The Chauffeur – The Remix – EP features Thirsk on "Send Me an Angel", a remake of the Scorpions' 1990 power ballad. She also sings on "Overkill" for the D:Fuse & Mike Hiratzka album Skyline Lounge (July 2007).
Robert W. Sharples, "The Peripatetic school", in David Furley (editor), (2003), From Aristotle to Augustine, pages 159-160. Routledge In this treatise, Alexander opposes the Stoic view that divine Providence extends to all aspects of the world; he regards this idea as unworthy of the gods. Instead, providence is a power that emanates from the heavens to the sublunar region, and is responsible for the generation and destruction of earthly things, without any direct involvement in the lives of individuals.
The movement of the "moon" and the "tides" is frequently mentioned throughout the play, such as when Cleopatra states that, upon Antony's death, there is nothing of importance left "beneath the moon." The elemental and astronomical "sublunar" imagery frequently referred to throughout the play is thus intertwined with the political manipulation that each character incites, yet the resulting winner of the political "game" relies in part on Chance, which has a supreme quality that the characters cannot maintain control over, and therefore must submit to.
In physics, Thābit rejected the Peripatetic and Aristotelian notions of a "natural place" for each element. He instead proposed a theory of motion in which both the upward and downward motions are caused by weight, and that the order of the universe is a result of two competing attractions (jadhb): one of these being "between the sublunar and celestial elements", and the other being "between all parts of each element separately".Mohammed Abattouy (2001). "Greek Mechanics in Arabic Context: Thabit ibn Qurra, al- Isfizarı and the Arabic Traditions of Aristotelian and Euclidean Mechanics", Science in Context 14, p. 205-206.
" It was this presentation which Jewish philosophers such as Moses Narboni and Gersonides understood to be Averroes'. In the later model of the universe, which was transmitted to Christian philosophers, Averroes "dismisses emanationism and explains the generation of living beings in the sublunar world naturalistically, all in the name of a more genuine Aristotelianism. Yet it abandons the earlier naturalistic conception of the human material intellect and transforms the material intellect into something wholly un-Aristotelian, a single transcendent entity serving all mankind. It nominally salvages human conjunction with the active intellect, but in words that have little content.
However, it is not known whether the Andalusian cosmologists had access or knowledge of Eudoxus works. One original aspects of al-Biṭrūjī's system is his proposal of a physical cause of celestial motions. He combines the idea of "impetus" (first proposed by John Philoponus) and the concept of ("desire"), of Abū al‐Barakāt al‐Baghdādī, to explain how energy is transferred from a first mover placed in the 9th sphere to other spheres, explaining the other spheres' variable speeds and different motions. He contradicts the Aristotelian idea that there is a specific kind of dynamics for each world, applying instead the same dynamics to the sublunar and the celestial worlds.
Thomas Caesar and Antony take action against each other as if playing a card game; playing by the rules of Chance, which sways in its preference from time to time. Although Caesar and Antony may play political cards with each other, their successes rely somewhat on Chance, which hints at a certain limit to the control they have over political affairs. Furthermore, the constant references to astronomical bodies and "sublunar" imagery connote a Fate-like quality to the character of Fortune, implying a lack of control on behalf of the characters. Although the characters do exercise free will to a certain extent, their success in regard to their actions ultimately depends on the luck that Fortune bestows upon them.
Given the remarkable range of Aristotelian philosophy, it was possible to discuss all kinds of issues in medieval and Renaissance philosophy. Aristotle had treated directly problems such as the trajectory of missiles, the habits of animals, how knowledge is acquired, the freedom of the will, how virtue is connected with happiness, the relationship of the lunar and the sublunar worlds. Indirectly he had stimulated discussion on two points that were particularly of concern to Christians: the immortality of the soul and the eternity of the world. All of these continued to be of considerable interest to Renaissance thinkers, but we shall see that in some cases the solutions offered were significantly different because of changing cultural and religious landscapes.
He stated that it was true that each planet had some influence on the earth, but his argument was the difficulty of astrologers being able to determine the exact effect of it. In essence, Avicenna did not refute astrology, but denied man's limited capacity to be able to know the precise effects of the stars on the sublunar matter. With that, he did not refute the essential dogma of astrology, but only refuted our ability to fully understand it. Another Damascene scientist Ibn Qayyim Al-Jawziyya (1292–1350), in his Miftah Dar al-Sa'adah, used empirical arguments in astronomy in order to refute the judicial practice of astrology which is most closely aligned to divination.
It was even said that the soul of Orpheus had been reborn into Ficino. Ficino saw the sublunar demiurge as "a daemonic 'many-headed' sophist, a magus, an enchanter, a fashioner of images and reflections, a shape-changer of himself and of others, a poet in a way of being and of not-being, a royal Pluto." This demiurgic figure identified with Pluto is also "'a purifier of souls' who presides over the magic of love and generation and who uses a fantastic counter-art to mock, but also ... to supplement, the divine icastic or truly imitative art of the sublime translunar Demiurge."Entry on "Demiurge," in The Classical Tradition p. 256.
This is intended as a graphic illustration of the interconnectedness of scientific disciplines. Fourteen of these are depicted, with theology at the top, accompanied by philosophy, physics, poetry, rhetoric, cosmography, mechanics, perspective, music, natural magic, medicine, astronomy, arithmetic and geography, linked by a golden chain. At the centre of the ring they create sits an emblem of the Mundus Archetypus ('world of archetypes'), containing the all-seeing eye of God, and immediately around it stand representations of Mundus Sidereus ('the world of stars'), Mundus Sublunaris ('the sublunar world') and Microcosmus {'the microcosm'). Weaving between these emblems was a banner bearing the motto 'omnia nodis arcanis connexa quiescunt' ('all things are at rest, connected by secret knots').
Eclipse seasons should occur 38 times within a saros period (6585.3 days). The type of each solar eclipse (whether total or annular, as seen from the sublunar point) depends on the apparent sizes of the Sun and Moon, which are functions of the distances of Earth from the Sun and of the Moon from Earth, respectively, as seen from Earth's surface. These distances vary because both the Earth and the Moon have elliptic orbits. If the Earth had a perfectly circular orbit centered around the Sun, and the Moon's orbit was also perfectly circular and centered around the Earth, and both orbits were coplanar (on the same plane) with each other, then two eclipses would happen every lunar month (29.53 days).
Rather, he sees the myth of figures such as Satan and Prometheus as expressing "the shortcomings … of the world as conceived by the human soul." The relation of power and civilization is explored through the interaction of the concepts of Old Testament sin and Greek hubris. In this analysis, Satan "becomes the sole power-exponent in this sublunar, post-lapsarian but pre-eschatological universe, and thus stands as the prototype of human civilizing effort." Werblowsky sets out to explore "the heroic at its limits", and makes explicit the motivating factor of World War II and its horrors in undertaking this study: Prometheus tortured (Jacob Jordaens, 1640) Lucifer and Prometheus was one of 204 volumes in The International Library of Psychology, Philosophy and Scientific Method series published 1910–1965 and including titles from Jung, Sigmund Freud, Jean Piaget, Erich Fromm and others.
Peucer tried to link his ideas of astrology with a strong Aristotelian argument through one of his writings, but it does not seem like he ever really convinced the Catholics of his ideas, and others abandoned the ideas of horoscopes as a science fairly quickly after the height of its popularity. Additionally, Peucer believed in both angles and demons which can be found in some of his astrological ideology. Specifically, Peucer thought that both of these entities could affect and even explain some serious astrological phenomena such as comets in the atmosphere to produce many particular effects that he had no other explanation for. That being said, in his texts, Peucer believed that these event could somewhat predict the future as they were signs that appeared not only to our world, but also the sublunar world.
In 1618 three comets appeared over Europe, and Chiaromonti dedicated his first printed work, Discorso della cometa pogonare dell'anno MDCXVIII to Cesare d'Este. He thus entered into a scientific polemic on the nature of comets that involved Orazio Grassi and Galileo; while Galileo held that they were most likely optical illusions rather than heavenly bodies, Chiaramonti argued that comets were made of 'elemental substance', did display parallax and were definitely sublunar. Just as Galileo sought to interpret the phenomenon of comets in a way which supported Copernican heliocentrism, Chiaramonti explained it with the intention of supporting the traditional geocentric model. Chiaramonti was such a determined defender of classical astronomy that he rejected even the Tychonic system, which was by then commonly accepted among Jesuit scholars and other astronomers who did not agree with the views of Copernicus.
The eight and ninth orbs moving around the same poles also guarantees that the 12 stationary signs and the 12 mobile zodiacal constellations overlap. By describing the universe in such a manner, Mashallah was attempting to demonstrate the natural reality of the 12 signs by stressing that the stars are located with respect to the signs and that fundamental natural phenomena, such as the beginning of the seasons, changes of weather, and the passage of the months, take place in the sublunar domain when the sun enters the signs of the ninth orb . Mashallah was an advocate of the idea that the conjunctions of Saturn and Jupiter dictate the timing of important events on Earth. These conjunctions, which occur about every twenty years, take place in the same triplicity for about two hundred years, and special significance is attached to a shift to another triplicity.
While attending NYU, Cockerham began establishing himself as a composer for film, television, and video games with fellow graduate student Nathan Madsen, and formed his own indie rock band, Sublunar Minds, after placing a Craigslist ad and auditioning trumpeter/harmonica player Frank Vigilante, also a key grip for major music videos and film. Cockerham fronts the band on vocals and guitar, as heard on the 2009 LP Get Hit in Your Soul, and 2012 EP The Last of the Natural Light. Cockerham met classically trained percussionist Britton Matthews, also a native Texan with a music degree from Baylor University in NYC in 2004 through Facebook. They married in 2007 and formed singer- songwriter folk-pop duo The New Benjamin Britton, with Matthews on vibes and marimba and Cockerham on a Novax 8-string guitar, the same model created for the jazz funk guitarist Charlie Hunter.
His precise measurements indicated that "new stars" (stellae novae, now known as supernovae), in particular that of 1572, lacked the parallax expected in sublunar phenomena and were therefore not tailless comets in the atmosphere as previously believed but were above the atmosphere and beyond the Moon. Using similar measurements, he showed that comets were also not atmospheric phenomena, as previously thought, and must pass through the supposedly immutable celestial spheres. King Frederick II granted Tycho an estate on the island of Hven and the funding to build Uraniborg, an early research institute, where he built large astronomical instruments and took many careful measurements, and later Stjerneborg, underground, when he discovered that his instruments in Uraniborg were not sufficiently steady. On the island (where he behaved autocratically toward the residents) he founded manufactories, such as a paper mill, to provide material for printing his results.

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