Mr. Portale's risotto is done carbonara-style, and he strews cilantro instead of the more-typical basil on another dish.
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The installation strews an expanse of the park, flanked by a large pond and bisected by a roadway, with broken bits of native limestone, sourced from discard piles from a nearby quarry.
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The film's writer/director, Robin Aubert, strews crafty visual allusions to the likes of Jean Rollin's "The Grapes of Death" and the quasi-apocalyptic TV series "The Leftovers," and shows solid scare flair throughout.
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Angels in rows like reeds still sing the flighthigh in a brownstone gifted with Americanclarity: sun filters through glass saints, strews roses on the nave, and tells of lightforever, as from fields, not cramped backyards.
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Over the top he strews some candied puffed rice that would make a fine breakfast; the whole dish would make a fine breakfast, come to think of it, although you'd stand up afterward knowing your day had already peaked.
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" Finally, Foer strews small, semiprecious comic and gnomic gems all along the trail he is breaking: "The familiar gathering of unfamiliar family"; "as irrelevant as echolocation"; "At the center of the table, impossibly dense kugels bent light and time around them.
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Recreational diversity abounds and Crystal's unique attraction, Michigan Legacy Art Park, strews over 22005 pieces of sculpture throughout a wooded, 215-acre plot threaded by rolling snowshoe trails where the spiraling wood boards of "Sawpath No. 21963" by David Barr seemed a fitting descendant of the hardwoods above it.
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It's covered in an oily slick of dark and iridescent paint, but periodically significant colors splash across it: the green of money and the state, in the form of a throne; the red of sex and sin in Gertrude's satin-draped bedroom; the merciless and earthy brown of death in the grave dirt that strews across the stage in the final act.
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Bardha () is an Albanian mythological creature. According to old folklore, to propitiate them one strews cakes or sugar on the ground. It is similar to Zana e malit.
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Austin is proud of what he has done. Lee wants to see a woman, but Austin refuses because he is married. Lee throws a fit while on the phone with the operator because he cannot find a pen to write down what the operator is saying. In his search for a pen or pencil, Lee strews the contents of all the kitchen drawers on the floor.
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Broken glass strews the stage after a show by Australian noise musician Justice Yeldham. Yeldham plays an instrument made of glass, often shattering it during live shows and receiving facial wounds in the process. As with many forms of concept music and performance art, the lines between "music", "art", "theater", and "social protest" are not always clear or apparent. Danger Music consequently has some things in common with the performance art of artists such as Mark Pauline and Chris Burden.
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Not wanting Willa Jean to touch any of her toys, Ramona gives Willa Jean a pop-up box of tissues to play with. When Willa Jean strews tissues through the house, the guests decide to take their leave. When someone remarks that Ramona was just like Willa Jean when she was younger, Ramona feels hurt and upset, not believing that she was ever such an exasperating spoiled pest. When Dorothy states that she could not get along without Beezus, Ramona feels isolated and unappreciated by her family.
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In the letter, written after 1046, the life of Conrad is presented as an independent work. The narrative opens with Conrad's election in 1024 and continues through his reign in an annalistic format, concluding with his death in 1039. Wipo's main source was his own memory and oral reports from other members of the court, but he also employed a chronicle written at the Reichenau Abbey. Wipo strews short snatches of hexameter poetry throughout the work, and appends a nine verse canticle in rhymed hexameters, which he wrote at the time of Conrad's death at the end of the biography.
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In the case of more than one badnjak, the trees are placed in the shape of a cross. The assembled devotees throw then into the fire their twig bunches, each representing a small badnjak. The consecration or blessing is performed by a priest: he strews wheat grains over the badnjak, censes it while singing the Troparion of the Nativity, and as he intones prayers, he pours wine and spreads honey on it. Instead of applying wine and honey, holy water may be sprinkled on the tree by dipping a bunch of basil into a bowl with the water.
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This and another strip of hers, Dashing Dot, both featuring female leads. Marge was friends with Oz author Ruth Plumly Thompson and illustrated her fantasy novel King Kojo (1933). In 1934 The Saturday Evening Post requested Buell to create a strip to replace Carl Anderson's Henry. Buell created a little girl character in place of Henrys little boy as she believed "a girl could get away with more fresh stunts that in a boy would seem boorish". The first single-panel instalment ran in the Post on February 23, 1935; in it, Lulu appears as a flower girl at a wedding and strews the aisle with banana peels.
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At the beginning of the service, the hangings in the church and the vestments worn by the clergy are all somber Lenten colours (usually purple or black). Then, just before the Gospel reading, the liturgical colors are changed to white and the deacon performs a censing, and the priest strews laurel leaves around the church, symbolizing the broken gates of Hell; this is done in celebration of the harrowing of Hades then taking place, and in anticipation of Christ's imminent resurrection. The Harrowing of Hades is generally more common and prominent in Orthodox iconography compared to the Western tradition. It is the traditional icon for Holy Saturday, and is used during the Paschal season and on Sundays throughout the year.
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Sophocles gives one of the most detailed descriptions of libation in Greek literature in Oedipus at Colonus, performed as atonement in the grove of the Eumenides: > First, water is fetched from a freshly flowing spring; cauldrons which stand > in the sanctuary are garlanded with wool and filled with water and honey; > turning towards the east, the sacrificer tips the vessels towards the west; > the olive branches which he has been holding in his hand he now strews on > the ground at the place where the earth has drunk in the libation; and with > a silent prayer he departs, not looking back.Summary by Burkert, Greek > Religion, p. 72. Hero of Alexandria described a mechanism for automating the process by using altar fires to force oil from the cups of two statues.
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Marjorie Henderson Buell (1904–1993), whose work appeared under the name "Marge", had created two comic strips in the 1920s: The Boy Friend and Dashing Dot, both with female leads. She first had Little Lulu published in a single-panel cartoon in The Saturday Evening Post on February 23, 1935, in which Lulu appears as a flower girl at a wedding and strews the aisle with banana peels. The Little Lulu strip replaced the strip Henry in the magazine; the Post requested a similar strip from Buell, and Buell created a little girl character in place of Henrys little boy as she believed "a girl could get away with more fresh stunts that in a boy would seem boorish". The single-panel strip continued in the Post until the December 30, 1944, issue, and continued from then as a regular comic strip.
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The Libation Bearers is the English title of the center tragedy from the Orestes Trilogy of Aeschylus, in reference to the offerings Electra brings to the tomb of her dead father Agamemnon. Sophocles gives one of the most detailed descriptions of libation in Greek literature in Oedipus at Colonus, performed as atonement in the grove of the Eumenides: > First, water is fetched from a freshly flowing spring; cauldrons which stand > in the sanctuary are garlanded with wool and filled with water and honey; > turning towards the east, the sacrificer tips the vessels towards the west; > the olive branches which he has been holding in his hand he now strews on > the ground at the place where the earth has drunk in the libation; and with > a silent prayer he departs, not looking back.Summary by Burkert, Greek > Religion, p. 72. Hero of Alexandria described a mechanism for automating the process by using altar fires to force oil from the cups of two statues.
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What came to Close's rescue just in time was the growing tourist trade that followed the opening of Kirkby Stephen railway station in 1861. During the season he sold his books there and at a stall near the steamer landing stage at Bowness-on-Windermere. A sketch of the author going about his commercial business later reached the Confederate States of America through the medium of a travel report in the magazine The Land We Love. :At Kirkby Stephen, where the train stops for refreshments, there appears upon the platform, and at the window of the carriage, with unkempt hair and his arms full of books which he offers for sale at the lamentably small price of three and sixpence a copy, a middle aged man who is the minnersinger and troubadour of the border…He strews the express train with his handbills and recites his verses in the refreshment room. The handbills are adorned with the royal arms, with the Prince of Wales and “The Emperor of France” as supporters, and the array of royal, ducal and episcopal personages who are mentioned as his admiring patrons is quite overpowering.
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