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"stitchery" Definitions
  1. NEEDLEWORK

30 Sentences With "stitchery"

How to use stitchery in a sentence? Find typical usage patterns (collocations)/phrases/context for "stitchery" and check conjugation/comparative form for "stitchery". Mastering all the usages of "stitchery" from sentence examples published by news publications.

Places like Brooklyn Stitchery teach newbies, and a four-day sewing retreat called Camp Workroom Social is held each year in the Catskills.
Though he came of age when engineers were expected to perform feats of awe-inducing bravura, Mr. Silman largely contented himself with the invisible, ingenious stitchery that protected the work of other engineers and architects.
There are numerous how-to books, like "Visible Mending: Artful Stitchery to Repair and Refresh Your Favorite Things" by Jenny Wilding Cardon, and the forthcoming "Mending Life," by Nina and Sonya Montenegro, sisters who run the art collective the Far Woods.
Barr has created a series of handmade ornate, stitchery-covered bound sketchbooks, called the Black Manuscripts.
I would sit with my stitchery on a fallen log in the sunshine, while they ran in and out o' th' grewsome hole.
Duggan's first company, Sunset Designs, supplied Jiffy Stitchery kits to consumers - helping them create their own high-quality stitched projects at home. He invested $100k in Sunset Designs and earned a $15m return on that investment. More than 7,000 retail locations sold Jiffy Stitchery kits, giving the company an 80% market share. The company is sold to Reckitt & Bensicker for $15m.
22 Her quilted wall hangings are examples of invention found in traditional techniques. She combined applique, stitchery, batik, tapestry and quilting to create new forms, building up section by section, to create a new order.Moseley, Spencer. Quilted Textiles and Wall Hangings, catalog.
The Ethel Wright Mohamed Stitchery Museum website. In 2007, a show of Mohamed's work was mounted at the Lauren Rogers Museum of Art in Laurel, Mississippi."The Needle's Song: The Folk Art of Ethel Wright Mohamed," Lauren Rogers Museum of Art, May 10-July 8, 2007.
Ethel ran the store after Hassan's passing, until 1980 when a grandson took over. She died in 1992, age 85.Elmo Howell, Mississippi Back Roads: Notes on Literature and History (Roscoe Langford 1998): 25. The Ethel Wright Mohamed Stitchery Museum is open to the public in Mohamed's former home, with her youngest daughter Carol Mohamed Ivy as curator.
One work took ten years to complete. The more complex of these canvases required hundreds, sometimes thousands of hours of application. An accomplished painter and poet familiar with different mediums, Haag writes of the textile art medium: “Compared with the roughhouse immediacy of painting and sculpture, one can cite many a rug, tapestry, piece of stitchery which took a year to make or, at times, a decade. Back and back and back, millennia by millennia, the history and lore of weaving/stitchery recedes as we, at the near end of the time scale, proceed -- cloth, grid arts, fractals and computer -- into the future.” Haag explains: “Over the years, working on these pieces has become one of my primary ways of understanding both the world and my experience of it.
Erica Wilson (8 October 1928 – 13 December 2011) was an English-born American embroidery designer based in New York, known particularly for needlepoint. She also designed wallcoverings and greeting cards. Her designs were published by Vogue and the Metropolitan Museum of Art, among others. Wilson earned the nicknames "Julia Child of embroidery" and "America's first lady of stitchery" for her work.
The background, often cream linen,Mildred Graves Ryan, The Complete Encyclopedia of Stitchery (New York: Nelson Doubleday, 1979), p. 328. was filled as well as possible. For more modern pieces the pattern was constructed carefully on a paper grid in much the same way as counted cross-stitch patterns are created. Today Assisi embroidery is nearly always done this way.
Johonnot was married in 1910 in Pennsylvania to artist and designer Salome Lavinia Johonnot (née Hopper, 1883–1962). Together the couple would create decorative arts work together, occasionally working in interior design, mural design and painting, and fashion design. Salome had studied stitchery in England with May Morris, the daughter of William Morris. Together they had one child, Ralph Jr.
More than two million people have seen these shows. In the foreword to the Crochet Coral Reef book, Donna Haraway calls the project "palpable, polymorphous, powerful and terrifying stitchery". Wertheim was invited to speak about the project in a Ted Talk in February 2009. The talk has been transcribed into 22 different languages and has surpassed 1.3 million views on the Ted website.
Ethel Wright Mohamed (October 13, 1906 – February 15, 1992) was an American artist, best known for her embroidered scenes of country life. She is sometimes compared to "Grandma Moses," both for her folk art style of illustration and her late start as an artist.Mississippi Conservation Center, "Ethel Wright Mohamed Stitchery Museum.""Woman Tells Stories with Embroidery," Tuscaloosa News(February 15, 1992): 5B.
Guermonprez started her teaching career at Black Mountain College. She worked at Oakland College and at the San Francisco Art Institute. In 1954 Guermonprez joined the faculty of California College of Arts and Crafts. She served as chair of the crafts department, at the California College of Arts and Crafts, overseeing: metal arts, ceramics, glass blowing, stitchery and textile printing, as well as supervising the weaving curriculum.
The most common type of decorative box is the feminine work box. It is usually fitted with a tray divided into many small compartments for needles, reels of silk and cotton, and other necessaries for stitchery. The date of its origin is unclear, but 17th-century examples exist, covered with silk and adorned with beads and embroidery. No lady would have been without her work box in the 18th century.
The villages was mentioned first time in the year 1395 (as Boldogazzonhothvana). The municipality matured continuously: since 1867, vine is cultivated here and also the cultivation of melons became more and more important since that time. Boldog is in terms of keeping traditions, one of the most faithful towns in Heves County. The first book about stitchery in Boldog was published in 1942: it also introduced the white work of Boldog.
In 1965, Ina Golub began pursuing art full-time. Golub custom- designed fiber art, primarily Jewish ceremonial objects such as Torah mantles, wedding canopies, wall hangings, prayer shawls, as well as textiles with secular content for synagogues, museums and private collectors. She worked in tapestry, hand weaving, applique, quilting, stitchery, beadwork and fabric painting. Her first commission was the renovation of the ark at Temple Sharey Tefilo-Israel in South Orange, New Jersey.
The double cross- stitch, also known as a Leviathan stitch or Smyrna cross-stitch, combines a cross-stitch with an upright cross-stitch. Berlin wool work and similar petit point stitchery resembles the heavily shaded, opulent styles of cross-stitch, and sometimes also used charted patterns on paper. Cross-stitch is often combined with other popular forms of embroidery, such as Hardanger embroidery or blackwork embroidery. Cross-stitch may also be combined with other work, such as canvaswork or drawn thread work.
The Red Barn Studio is filled with Raymer's art and handiwork, from paintings and prints to ceramics and metalwork, from woodcarving to stitchery, furniture and jewelry. His work is influenced by his love for the world's great painters, especially the Spanish masters, the Southwest and Mexico, religious symbolism, and folk art. Raymer considered painting and printmaking is most important work, which he studied at the Chicago Art Institute, be he worked in almost every medium. Each year he created a special Christmas gift for his wife Ramona.
Her penmanship was recognized for its beauty even during her lifetime; she was often requested to act as a scribe, and created many manuscript hymnals using "letteral notation", a system for notating music which the Shakers had invented. Her stitchery was also well-regarded. She was recognized during her teaching career for introducing girls to the tannery and the botanical garden, among other industries which supported the Mount Lebanon Shakers, and for allowing organized play in the classroom. In 1855 she was appointed an Eldress, and in 1869 she became a member of the Ministry, serving in the latter position until her death.
Amongst other things she studied embroidery and was strongly influenced by her teacher Dorothy Angus who inspired her with what she later described as, "the vast potential of stitchery". She was a particularly successful student, winning the Founder's Prize as the best student in the second year of the general course, the Alexander Barker Prize as a result of the competition for third year students, and in the fourth year won the Former Students Association Prize for her entry The Fish Wife. In 1932 she was awarded a Diploma in Design and Decorative Art with distinction.
Elisa Brătianu (2 May 1870 – 13 May 1957) was a Romanian aristocrat, political figure and participant in the Inter-Allied Women's Conference of 1919. An avid gardener, she designed the gardens at the Albatross Villa in Buzău and discussed plans for gardens in Bucharest with the town gardener. Concerned about the loss of traditional Romanian culture, she developed schools to keep stitchery traditions alive and published books of patterns. When her husband, long-serving prime minister Ion I.C. Brătianu died, she spearheaded a foundation to collect his archives and create a library to publish his most important works.
The cathedral is a notable arts, concert, recital and recording venue in Hamilton. Its Gallery 252, operated by the cathedral's arts committee, mounts monthly exhibitions of oils, pastels, charcoal drawings, photography, silk screening and stitchery as a means of introducing to the public artists not yet sufficiently established for commercial galleries. Since 2008, the New Harbours Music Series has organized free public concerts which coincide with the monthly artcrawl on James street, including performances from Polmo Polpo, Orphx, Michael Snow, Slither, Steve Hauschildt, Dirty Beaches, Slim Twig, Gasoline Gathers Hands Gathers Friends, Sun Circle, and Jeremy Greenspan.
A second flag was made by members of the Spokane Falls Needlework Guild over a two- month period before an annual stitchery convention in March 1977. The city flag was rarely displayed for several decades, with occasional use at city hall and at the Avista headquarters in the 1990s. A banner with the flag and a secondary design for the city's centennial was taken in 1981 to Mount Everest by Chris Kopczynski, who was the first Spokanite to climb the mountain. The city flag was moved from storage to the city hall's conference room in 2012 by Spokane mayor David Condon shortly after he took office.
Throughout the 1980s Greens, which obtained produce from Green Gulch Farm, was one of the most popular restaurants in San Francisco. The center received significant media coverage concerning the 1984 resignation of then abbot Zentatsu Richard Baker, who was ousted after it was alleged that he had been having an affair with the wife of a prominent Zen Center member. In the wake of Baker's resignation, SFZC transitioned to a democratically elected leadership model until in 2010 there was a new introduction of a predesignated slated of board members. Additional businesses run by SFZC were the Alaya Stitchery storefront, which made zafus, zabutons and clothing, and Green Gulch Grocery, which sold produce from Green Gulch Farm.
A patchwork representing Little Amsterdam Patchwork is most often used to make quilts, but it can also be used to make bags, wall-hangings, warm jackets, cushion covers, skirts, waistcoats and other items of clothing. Some textile artists work with patchwork, often combining it with embroidery and other forms of stitchery. When used to make a quilt, this larger patchwork or pieced design becomes the "top" of a three- layered quilt, the middle layer being the batting and the bottom layer the backing. To keep the batting from shifting, a patchwork or pieced quilt is often quilted by hand or machine using a running stitch in order to outline the individual shapes that make up the pieced top, or the quilting stitches may be random or highly ordered overall patterns that contrast with the patchwork composition.
" On the scene, Turner said: "It's amazing. It's Sansa's first kill and it's such a strong moment for her because all her life she's been affected by these men who have just done such terrible things to her...." Following the penultimate Season 6 episode, Bennett Madison of Vanity Fair wrote "When Sansa icily reminds her dopey brother that 'No one can protect you', it's because she's always been on her own. As far back as King's Landing, Sansa's between quietly protecting herself, working on her stitchery while taking cool measure of everything going on around her, learning how to game the system, and slithering through situations that would have gotten the best of the show's more flashy or impulsive characters. In 'Battle of the Bastards', she got to show a little flash of her own; by being defiantly, gloriously correct in her convictions, by saving the day with her foresight and savvy, and by feeding Ramsay to the dogs.
The prospectus for domestic subjects offered "Household and High-Class Cookery, Laundry Work, Dressmaking, Stitchery and Ornamental Needlework".The Bath Directory, 1894, p.708 In 1960 a local newspaper published a history of the college which stated: Bath Guildhall 1864, before the new Technical schools extension was built. A photograph of the first group of students and another of Miss Lawrie were published in a commemorative brochure by Bath Spa University.Celebrating Our History and Looking to Our Future, Bath Spa University, 2005 In April 1896 the temporary homes of the various Technical Schools were united in the new north extension of the Guildhall. Miss Lawrie was succeeded as Headmistress by Miss A M Heygate in 1907, and in 1915 by Miss W M King who remained until 1945. In 1910 the main part of the domestic science teaching was moved to numbers 2 and 3, Long Acre, Bath. By the end of the First World War there were forty resident students. In 1920 the name Training College for Teachers of Domestic Subjects was adopted.

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