Capacity of stand: 9,574 Part of this stand seats the away supporters (approx. 3,000), the 'Arthur Wait' stand named after the then chairman opened in 1969. It forms the NE side of the stadium.
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Prior to the 2017 redevelopment, the capacity included 9,500 seats in the covered (Sean McCarthy) stand, 10,000 in the uncovered stand, approximately 12,000 in the "Blackrock end" terrace, approximately 12,000 in the "City end" terracing, and 50 in the wheelchair area. Following the 2017 redevelopment, the main (covered) south stand seats 13,000, the north (covered) stand seats 8,000 and the city and "Blackrock end" terraces each have a capacity of 12,000. The south stand, which has three levels, includes a 2,238-seat premium level. The record attendance at Páirc Uí Chaoimh was 49,961 for the 1985 Munster Final between Cork and Tipperary.
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Opposite the main stand is the modern and smaller Harry Mizen Stand (built 2011). It has an unobstructed view of the pitch and disabled access. The Harry Mizen Stand seats 300 people. Both ends of the ground are open, flat areas with no terracing.
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There are four separate areas of covered terracing and the stand seats approximately 100 people. There are also floodlights but these are not used for matches, except midweek friendlies. On match days there is the opportunity to get refreshments and a regular match programme is also produced.
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The arena holds 13,291 people (9,079 stand seats, 4,124 arena seats and 88 "royal box" seats) and is now primarily used for ice hockey, futsal and basketball. The NHK World studios are adjacent to the arena along the edge of Yoyogi Park. Therefore, images of the arena are regularly featured at the end of NHK Newsline broadcasts.
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The final was contested between Selkirk and Melrose; with Selkirk winning the event. First played in 1926, the Middlesex Sevens were set-up by Dr J.A. Russell-Cargill, a London-based Scot. The tournament was intended as a fundraiser for King Edward VII Hospital. It raised £1,600; at a time when standard admission was a shilling, and stand seats cost five shillings.
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Theatre Hall The theater is the most national theater of the NCPA, with Chinese red as the primary colour. Mainly staged dramas, operas, local operas, and other performances. The auditorium has one performance pool and three floors of the auditorium with a total of 1,036 seats (including stand seats). The stage of the Theater has advanced stage machinery and equipment, which can turn unique creation into the reality of performance.
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The game was held up for 15 minutes when a pre-planned invasion of 200 Blackpool fans ran onto the pitch toward the Chester fans. The police called in reinforcements, but were pelted by bricks, stones, broken terrace barriers and a Corner flag which had been uprooted and used as a weapon. The referee was also attacked. Two crash barriers were uprooted, a refreshment hut wrecked and Stand seats torn out.
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The stadium was inaugurated on 3 October 2014 and was part of an estimated €6 million investment made by the Malta Football Association with the help of the Government in completing ten infrastructural projects in Malta.The stadium comprises one stand, which is accessible from Wenzu Mintoff Street. The stand seats around 1,000 people and is host to a number of facilities, including dressing rooms, a clinic and a rehabilitation pool and a VIP room.
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The direct lighting is white while the indirect lighting, projected on the vault, is multicolored. The white ceramic tiles are flat and cover the walls, the roof, the tympans and the outlets of the corridors. The advertising frames are green and cylindrical and the name of the station is written in capital letters on enamelled plates. The platform towards Montrouge, known as the departure platform, is equipped with sit-stand seats and individual gray benches.
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On March 14, 2014, it hosted a Six Nations Under 20s Championship match between France and Ireland with France winning 23 - 13. Also on the site is a smaller stadium which hosts the Tarbes Pyrénées Football home games with a capacity of 3000. This smaller venue is a single stand stadium with the remaining three sides restricted to standing areas. The stand seats 1200 people and also contains the football club facilities.
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This is a list of the performers at the Monterey Pop Festival, held June 16 to June 18, 1967, at the Monterey County Fairgrounds in Monterey, California. There were five separate shows during the three-day festival. Each performance lasted around 4 hours. Festival goers could buy a full weekend ticket, or tickets for the 5 separate shows. The showground arena, where the performances took place, had 5,850 stand seats, but many others had floor and perimeter standing tickets, allowing between 7000 and 10,000 to witness the 5 concerts held that weekend (One on Friday night, two on Saturday and two on Sunday).
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The Morton McKnight Stand is the main spectator section of the Football stadium, situated on the East side or Lambeg side of the ground and was built shortly after Lisburn Distillery acquired the venue in 1980. It covers roughly half the Lambeg side of the ground from the halfway line to the goal and is laid out in dark blue flip up plastic seating with white seats spelling out the word Whites, being the club nickname. The stand seats 527 spectators, including 25 seats in the directors box. The stand also houses a journalist's commentary box to its rear.
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The Opera Hall has an advanced stage with push, pull, ascending, descending and turning functions, tiltable ballet table and an elevating pool which can accommodate up to three bands. Music Hall The music hall is fresh and elegant, suitable for playing massive symphonies, folk music, and can hold various concerts with 1859 seats (including stand seats). The music hall has the largest organ in the country, which can meet the needs of multiple genres works. Also, the digital wall, the abstract embossed ceiling with modern aesthetics, the GRC wall surface, the turtleback soundboard, and other designs can make the sound spread evenly and gently, making the music hall realize the combination of architectural aesthetics and acoustic aesthetics.
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