Yet Sunday's performance showed Mr. De Luz discovering further nuances of space, music, gesture and choreography.
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"For this piece, I knew I wanted to create an ambient piece, something between space music and ambient techno," said Becker.
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This lead people to believe (and the Science Channel episode suggests) that the "space music" information may have been covered up by NASA.
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The "space music" radio interference occurred when the crew separated the command module and the lunar lander and each spacecraft turned their radios on.
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The "space music" was heard during the Apollo 22 mission when astronauts Thomas P. Stafford, Gene Cernan, and John Young were on the far side of the moon.
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There's no drinking like glamorous drinking, and Taylor has now entered territory first explored in the impossibly decadent "Blank Space" music video, this time with a fizzily intoxicating twist.
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Our plan was to leave the next morning at 22AM for Oheka Castle in Long Island (where Taylor Swift stood on a horse for her "Blank Space" music video).
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The Oval Space Music x Rekids 10 Years with Rødhåd, DJ Spider, Evan Baggs and Radio Slave himself takes place at, yep, Oval Space on Sunday the 29th of May.
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These two got married at Oheka Castle, which is known as being the setting for Taylor Swift's iconic "Blank Space" music video in addition to being a wedding day destination.
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Spot-on exactly the kind of space music you'd expect, and makes you feel like getting stoned and going to a planetarium, which would also be a very good thing to do right now.
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She won an Original Interactive Program Emmy award last year for a 360-degree video app titled AMEX Unstaged: Taylor Swift Experience, which gave fans an inside look at the making of the "Blank Space" music video.
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There was something eerie about the way Houston's voice and the mid-'90s dance beat echoed through the vast space — music being played at club volume to a nearly empty room, with no one dancing, not even the avatar pretending to sing.
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According to the dancer, the pair will wed at Oheka Castle on Long Island, which is the same place where parts of Taylor Swift's "Blank Space" music video were shot, and the site of celebrity weddings like the one of Kevin and Danielle Jonas.
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Biographer J.K.Chambers wrote that "The effect of Davis's study of Stockhausen could not be repressed for long. ... Davis's own 'space music,' shows Stockhausen's influence compositionally." His recordings and performances during this period were described as "space music" by fans, by music critic Leonard Feather, and by Buckmaster who stated: "a lot of mood changes – heavy, dark, intense – definitely space music." In the late 1960s and early 1970s, the Grateful Dead developed a new form of improvisational space music in their extended formless jam sessions during live concerts (which their fans referred to as "Space" though the band did not formally assign that title), and their experimental space music albums such as Aoxomoxoa, and later in the 1980s, Infrared Roses, and Grayfolded.
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Biographer J. K. Chambers wrote, "The effect of Davis' study of Stockhausen could not be repressed for long ... Davis' own 'space music' shows Stockhausen's influence compositionally." His recordings and performances during this period were described as "space music" by fans, Feather, and Buckmaster, who described it as "a lot of mood changes—heavy, dark, intense—definitely space music". The studio album On the Corner (1972) blended the influence of Stockhausen and Buckmaster with funk elements.
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As described by Stephen Hill, the predominant defining element of spacemusic is its contemplative nature. Within that overview, Hill's definition of space music includes a wide variety of styles, instrumentation and influences – both acoustic or electronic. Many space music recording artists specialize in electronic forms, evolving out of the traditional Kosmische musik of the Berlin School (also known as Krautrock). Author and classical music critic David Hurwitz describes Joseph Haydn's choral and chamber orchestra piece, The Creation, composed in 1798, as space music, both in the sense of the sound of the music, ("a genuine piece of 'space music' featuring softly pulsating high violins and winds above low cellos and basses, with nothing at all in the middle ... The space music gradually drifts towards a return to the movement's opening gesture ... "); and in the manner of its composition, relating that Haydn conceived The Creation after discussing music and astronomy with William Herschel, oboist and astronomer (discoverer of the planet Uranus).
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Stephen Hill is a United States producer, creator and host of the long-running Hearts of Space radio program, which features "contemporary space music" from a variety of musicians and genres. He has helped popularize the term "space music" during his tenure on the show and is an advocate for contemplative music regardless of source or genre.
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Close Encounters of the Third Kind and Other Great Space Music is an LP record album from 1978, originally published under the "Stereo Gold Award Recordings" Label.
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InnerZone (2002) is the fifth collaborative album by American ambient musicians Steve Roach and Belgian Vidna Obmana, containing a echoes of desert ambience, rhythmic ambience, space music, and electro-tribal ambience.
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Following Demby's previous studio album Sacred Space Music (1984), Novus Magnificat was tagged "Sacred Space II" (later "Sacred Space Series, vol. II"). Considered part of the new-age music, the album is described as "Contemporary classical Spacemusic" in its liner notes, or "symphonic space music"See secondary source: Wright, "Novus Magnificat". by Allmusic. Its subtitle "Through the Stargate" is complemented with a space- themed cover reminiscent of 2001: A Space Odyssey (whose novel version featured a "Star Gate").
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This building housed office space, music suites and practice rooms for the School of Performing Arts. Adjoining this building was the School's main workshop for the degree of theatre production and design.
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Dyme Def is a hip hop group based in Seattle, Washington. The trio consists of MCs, Brainstorm, S.E.V., Fearce Villan and DJ/Producer Bean One. They are best known for their song "Let It Be" from the album Space Music.
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Morella's Forest was a band from Dayton, Ohio which formed in 1992. They released three albums on Tooth and Nail Records and one with an independent label. Their signature sound is noise pop or space music comparable to Starflyer 59 or the Breeders.
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Jonn Serrie is an American composer of space music, a genre of ambient electronic music, and New Age music. He has recorded at least 18 albums and worked on projects for Lucasfilm, IMAX Corporation, NASA, the United States Navy, Hayden Planetarium, Expo Seville, and CNN.
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Space Music is the third album of Brazilian composer Eloy Fritsch. AllMusic's Cesar Lanzarini noted the similarities to other keyboard players such as Yanni, Isao Tomita and Jan Hammer, and said that Fritsch's music "captures emotional experience and transforms it through upbeat and melodic compositions".
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CopperWire is a group composed of Teodros, Meklit Hadero and Burntface. All three celebrate their Ethiopian ancestry on the album, but do so through the characters of galactic fugitives aboard a hijacked starship."Space Music: CopperWire, Eastern Bloc Funk and Mœbius" by Robert Lamb. Discovery News.
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Haas was Program Director from 1980 until 1986. Diliberto founded the space music program Star's End in 1976, and it remains on the air to this day. Echoes has also produced 23 CDs of live performances from the program. The latest is Victoria Place: Echoes Live 23.
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To commemorate the 50th anniversary of the moon landing, Julianne Regan and Tim Bricheno of All About Eve, released a video and song called Pale Blue Earth. The filk anthology albums Minus Ten and Counting (1983) and To Touch the Stars (2003) celebrate and promote the exploration of outer space. Author and classical music critic David Hurwitz describes Joseph Haydn's choral and chamber orchestra piece, The Creation, composed in 1798, as space music, both in the sense of the sound of the music, ("a genuine piece of 'space music' featuring softly pulsating high violins and winds above low cellos and basses, with nothing at all in the middle ... The space music gradually drifts towards a return to the movement's opening gesture ... "); and in the manner of its composition, relating that Haydn conceived The Creation after discussing music and astronomy with William Herschel, oboist and astronomer (discoverer of the planet Uranus). In 2016, Avenged Sevenfold released their album, The Stage, a concept album about space, the universe, the human race, and artificial intelligence.
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Secondary education, classically the quadrivium or "four ways," consist of arithmetic, geometry, music, and astronomy. Arithmetic is Number in itself, which is a pure abstraction; that is, outside of space and time. Geometry is Number in space. Music is Number in time, and Astronomy is Number in space and time.
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The composers who are credited were A. Bunny, Paul Fishman, and J. Johnson. The orchestral sessions were conducted by Frank Barber. This record album was produced by Paul Fishman, and its sound engineering was done by Richard Goldblatt.Close Encounters of Third Kind & Other Great Space Music, LP Album – credits, Stereo Gold Award Recordings.
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The Symphonies of the Planets series, a collection of works by Brain/Mind Research inspired by audible- frequency plasma waves recorded by the Voyager unmanned space probes, can also be considered an organic manifestation of dark ambient.Lamb, Robert. "Space Music: Symphonies of the Planets" Stuff to Blow Your Mind. September 15, 2009.
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Reaves signed with Hill's Hearts of Space Records for the release of Sea of Glass, which remained on the new age charts for four months. Music journalist Bert Strolenberg wrote about Sea of Glass in 2007, "This classic space music recording by Nashville-based synthesist Giles Reaves is one of those milestones that can stand the test of time for decades, as it still sounds fresh and inspiring after all these years."Sea of Glass Review, Sonic Immersion, Bert Strolenberg, 2007 Later in the 1990s, Reaves joined the improvisational space music group Spacecraft, described by Star's End radio as "one of the leading voices in the spacemusic community".Profile: Spacecraft, Star's End Radio Reaves also appeared on Tony Gerber's Blue Western Sky on the Lektronic Soundscapes label.
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This facility is home to the Faculty of Education and Training. Emyr Wyn Jones Building- This building contains office space, music suites and practice rooms for the School of Performing Arts. Adjoining this building was the School's main workshop for the degree of theatre production and design. The Dewi Building was originally built in 1925 as the Dewi Hostel.
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Holy Fuck's Graham Walsh assisted with tracking at his studio, Basketball4Life, while veteran engineer John Agnello served as mixer. The album and song were mixed at Agnello's Brooklyn space, Music Valve Studios. O'Hanley earnestly e-mailed Agnello, requesting his involvement, to which he agreed. The album was mastered by Greg Calbi and Steve Fallone at Sterling Sound.
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The Grateful Dead was an American rock band formed in 1965 in Palo Alto, California. The band is known for its eclectic style, which fused elements of rock, folk, country, jazz, bluegrass, blues, gospel, and psychedelic rock;"purveyors of freely improvised space music" – Blender Magazine, May 2003 "’Dark Star’, both in its title and in its structure (designed to incorporate improvisational exploration), is the perfect example of the kind of ’space music’ that the Dead are famous for. Oswald's titular pun ’Grayfolded’ adds the concept of folding to the idea of space, and rightly so when considering the way he uses sampling to fold the Dead's musical evolution in on itself." – Islands of Order, Part 2, by Randolph Jordan, in Offscreen Journal , edited by Donato Totaro, Ph.D, film studies lecturer at Concordia University since 1990.
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His first official solo album was Dreams, recorded in 1994 and 1995. During 1997, he released his second solo album, Behind the Walls of Imagination, which showcases his skills with various electronic and acoustic keyboard instruments. In the mid-1990s, Fritsch secured a recording contract with French label Musea. His third album for them, Space Music, was released in 1998.
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Tirana International School is situated on a 5.5-hectare site at the edge of the city in an upscale, secure residential area. The facility contains ample classroom space, music rooms, a full-size gymnasium, cafeteria, open-air terrace, full science lab, two technology labs, and a workout room. The outside territory features a soccer pitch, tennis court, track, and a multi-purpose court.
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The KPFA was the first station to broadcast a radio show specializing in space music, with the debut of Stephen Hill and Anna Turner's Music from the Hearts of Space in 1973. Ten years later, the show – now known by the shorter title Hearts of Space – was syndicated in the U.S. to NPR stations, while remaining at its first home at KPFA.
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Spatial music is composed music that intentionally exploits sound localization. Though present in Western music from biblical times in the form of the antiphon, as a component specific to new musical techniques the concept of spatial music (Raummusik, usually translated as "space music") was introduced as early as 1928 in Germany.Beyer, Robert (1928). "Das Problem der ‘kommenden Musik'" [The Problem of Upcoming Music].
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Woob is the stage name of Paul Frankland, an English ambient musician who started recording in the early 1990s. Woob's albums combine elements of ambient, downtempo and space music, with samples from field recordings, movies and television. Frankland has also recorded under the names of Journeyman and Max & Harvey. After a period working in the advertising industry, he started releasing new material as Woob in 2010.
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Only in 1970 did he again begin publishing theoretical articles, with "Kriterien", the abstract for his six seminar lectures for the Darmstädter Ferienkurse. The seminars themselves, covering seven topics ("Micro- and Macro-Continuum", "Collage and Metacollage", "Expansion of the Scale of Tempos", "Feedback", "Spectral Harmony—Formant Modulation", "Expansion of Dynamics—A Principle of Mikrophonie I", and "Space Music—Spatial Forming and Notation") were published only posthumously.
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It then became the repository for Stetson Kennedy's personal library, which contained around 2,000 books and publications collected over his career as a folklore archivist and activist. It took several years to catalog the collection. As well as being a library, the CMC developed into a community resource as a meeting space, music venue and arts center. It hosts film screenings, talks and meetings.
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Billboard Books / Crown Publishing Group. . and the psychoacoustic environments recordings of Irv Teibel. In the early 1970s, it was mostly instrumental with both acoustic and electronic styles. New-age music evolved to include a wide range of styles from electronic space music using synthesizers and acoustic instrumentals using Native American flutes and drums, singing bowls, Australian didgeridoos and world music sounds to spiritual chanting from other cultures.
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Berkwits was appointed editor of Amazing Stories by Paizo Publishing in 2004. Berkwits remained in that position until Amazing went on hiatus in 2005, only three issues into his editorship. In addition to editing the final three issues of Amazing, Berkwits published Asterism: The Journal of Science Fiction, Fantasy and Space Music in the 1990s. Asterism focused its attention on science fictional music (although not particularly filk).
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The scores for many of the Babylon 5 TV movies and numerous Babylon 5 episodes were also released by Sonic Images."don't get confused and start thinking that classically crafted space music is a thing of the past. We recently received several releases from Sonic Images, an independent Los Angeles label operated by synthesist Christopher Franke, who played with Tangerine Dream for 17 years during the apex of the German group's popularity. Franke, who now resides in L.A., is represented on the label by two recent albums: a compilation of soundtrack music for the sci-fi TV series Babylon 5 and Klemania," DECLARATIONS OF INDEPENDENTS, Billboard Magazine, January 27, 1996 In 1994, the German TV station Bayerischer Rundfunk launched the television program Space Night,Space night official website featuring a constant flow of satellite and space images accompanied by space music programmed by European chill-out-DJ Alex Azary.
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Tiberian Sun ultimately featured dark, ambient techno music and ambient space music suited to the game's post-apocalyptic and futuristic setting. Klepacki cited the piece "Mad Rap" as his favorite. An avid Star Wars fan, he enjoyed scoring cut scenes featuring James Earl Jones, the voice of Darth Vader. The scenes also allowed him to integrate the Airstrike and No Mercy themes into the game's score despite the aforementioned shift.
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Tony Gerber of Spacecraft (Interview), Jerry Kranitz, Aural Innovations #6 (April 1999). Reaves also creates 3D renderings that have been used for CD cover artwork. Beyond space music, Reaves has another career as an engineer and co-producer for the Nashville rock music scene, including work with Dessau and Grinning Plowmen. He also collaborated with Afrikan Dreamland, Bedlam, Lisa Germano, Jaime Kyle, Tom Littlefield, Bill Lloyd, and Lounge Flounders.
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Anna Turner (December 8, 1942 – August 27, 1996) was an American producer and administrator. Turner is best known as the original partner of Stephen Hill for launching the space music radio show Hearts of Space: she was its original radio co-producer (1973–1987) and early co-host (1974–1986), as well as co- founder and record co-producer (1984–1990s) of the associated label Hearts of Space Records.
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Cluster's musical style varied greatly over their career. AllMusic described them as "the most important and consistently underrated space rock unit of the '70s," noting that they first began as "an improv group that used everything from synthesizers to alarm clocks and kitchen utensils in their performances" and later transitioned to produce "many landmark LPs in the field of German space music often termed kosmische."Bush, John. [ Allmusic: Cluster].
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An interview with Mark C. Petersen by Bruce Atchison, Voyager magazine and has been featured in a variety of NASA-produced programs, Digistar demonstration shows for Evans & Sutherland, and special- effects laserdiscs for Sky-Skan. Geodesium music has been featured on space music radio programs such as Musical Starstreams, Music from The Hearts of Space, and Opus 357. Music from the Hearts of Space Playlist server entries featuring Geodesium at: , , .
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The "Lost in Space" music video was directed by Andrew Douglas and edited by Tim Thornton-Allan at Marshall Street Editors. It opens with the band in Rio de Janeiro, with prominent images of the Christ the Redeemer statue; at the end, they return to England, where a long panning shot of the then-recently completed Angel of the North sculpture (which is also seen on the single cover) closes the video.
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Astro is a Japanese noise group, originally started in 1993 as a solo project of of the group C.C.C.C.. Hiroshi Hasegawa uses assorted analog equipment including vintage Moog and EMS synthesizers. His music covers a wide range of styles in the noise field, from space music to psychedelically-tinged harsh noise. Since 2013, Astro has been a duo of Hiroshi Hasegawa and Rohco (Hiroko Hasegawa), who has played with Astro since 2009.
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Its indifferent business results and Meek's temperament eventually led to the label's demise. Meek later licensed many Triumph recordings to labels such as Top Rank and Pye. That year Meek conceived, wrote and produced an "Outer Space Music Fantasy"' an Album I Hear A New World with a band called Rod Freeman & the Blue Men. The album was shelved for decades, apart from the release of some EP tracks taken from it.
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During a period of voluntary student unionism, the WSU subleased the frequency to private ownership, along with selling Contact FM's equipment. Specialist shows have included the Prognosis Show, a progressive rock show hosted by Richard Stockwell on Saturday nights from 1996 to 1997. The show also included space music, krautrock, psychedelic music, electronic music and experimental Music. The Independent Broadcasting Community relaunched Contact on a low-power frequency 106 MHz, before settling with its current frequency of 88.1 MHz.
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She joined UCLA's Javanese and Balinese Gamelan ensembles and made 5 trips to Bali and Java to study new music for gamelan under the auspices of a University of California Pacific Rim Research Grant with colleagues Linda Burman-Hall, Sue Carole DeVale, and David Cope. In 1989 Barkin, Benjamin Boretz and James K. Randall co-founded the OPEN SPACE Music publications series. Barkin has published books and professional articles in journals including Perspectives of New Music.
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As Flora once explained, "I could never stand a static space." Music was one of Flora's muses, and his montages radiate overtones of improvisation—a one-man band jamming on a canvas. His biographer, Irwin Chusid, said that Flora "crafted rhythmic design in unfathomable meters." He also established a reputation in the 1980s for large canvases with nautical themes, particularly ocean liners and cruise ships—the decks sometimes populated with tiny figures engaged in pornographic behavior.
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There he founded the cycles of events Composition and Musicology in Dialogue (1997) and Space Music (1998) as well as the publication series Signale aus Köln. Beiträge zur Musik der Zeit and was elected chairman of the association Signale aus Köln in 1999. Furthermore, Blumröder is a member of the Centre for Modern Research at the University of Cologne and was involved in the Cultural Studies Research College Media and Cultural Communication from 2002 to 2007.
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Entering a Baroque church where visual space, music and ceremony were combined was a powerful device for securing loyalty of congregations. The bigger and more beautiful the space, the more people wanted to go. Complex geometry, curving and intricate stairway arrangements and large-scale sculptural ornamentation offered a sense of movement and mystery within the space. Il Gesù was the first of many Counter-Reformation churches built in Rome; serving as the mother church of the new Jesuit order.
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Sun Rings is a Kronos Quartet project comprising pre-recorded sounds from space, images from space, music for string quartet and chorus composed by Terry Riley, and visuals by Willie Williams. It premiered 26 October 2002 at the Hancher Auditorium, University of Iowa. The project started in 2000 when the NASA Art Program invited the Kronos Quartet to incorporate sounds, recorded over a period of 40 years by plasma wave receivers on board spacecraft, into music.
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The style of this album is slower and more atmospheric than their previous albums. AllMusic wrote, "TD's purest expression of 'space music', this double album ebbs and flows effortlessly from one tone cluster to another. Almost classical in construction, the music is structured so as to evolve in sections as one theme literally (sic) melts into the next." Music critics often refer to Zeit as being one of the first (or perhaps the first) examples of dark ambient music.
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2003 also brought The Stargazer's Journey with liner notes from famed astronomer David H. Levy. This was a return to form in Serrie's more traditional space music style. Serrie took an interesting musical turn in 2005 with Epiphany, Meditations on Sacred Hymns, featuring his arrangement of traditional hymns and psalms, which he dedicated to his grandmother, his primary childhood church organ and piano teacher. He followed this up in 2006 with Sunday Morning, an independent release for autistic children and their parents.
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In 2009, Serrie released the album Thousand Star. In 2011 the album Sunday Morning was expected be released, available worldwide. In 2014 the album "Day Star" was released available worldwide on New World Music In 2017 the album "The Sentinel" was released available worldwide on New World Music Jonn Serrie founded the Galaxy Music Scholarship in 2001, a US$1000 annual scholarship for graduating high school seniors desiring a career in new age and space music composition. He lives in Atlanta, Georgia.
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Klaus Wiese (January 18, 1942 – January 27, 2009 in Ulm) was a veteran e-musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music. Wiese is considered by some as one of the great ambient or space music artists such as Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie.
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"Champion" is a relatively slow-paced, retrospective downtempo ballad that draws heavily from hardcore hip hop. It is also influenced by other genres, such as R&B;, new-age, and space music. The "anthemic" and "inspiring" song features a low-key, woozy, and snaky production, accompanied by prominent military-style drums, heavy synths, and rough, hard strewn beats. "Champion" has been described as one of the few songs that Minaj's delivery is "calm and collected" as opposed to her eccentric "Roman" tracks.
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He has also written music for several Canadian TV commercials as well as providing production music for TV shows and trailers including Sky One's Football icon and Fox Network's 24 starring Kiefer Sutherland. In 2011, he wrote the music for Randy Halverson's astronomy time lapse film Plains Milky Way which gathered features on Wired and National Geographic. His music since this time has focused largely on the Space music genre including long-form atmospheric instrumental pieces and science-fiction soundtracks.
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In modern applications of the liberal arts as curriculum in colleges or universities, the quadrivium may be considered to be the study of number and its relationship to space or time: arithmetic was pure number, geometry was number in space, music was number in time, and astronomy was number in space and time. Morris Kline classified the four elements of the quadrivium as pure (arithmetic), stationary (geometry), moving (astronomy), and applied (music) number.Kline, Morris (1953). "The Sine of G Major".
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Also available is a unison mode which renders the keyboard monophonic but allows for very rich sounding timbres. The Six-Trak is prominently featured and can be heard on the 1998 minimalist space music CD release The Dream Garden, by musician/composer Dane Rochelle. More recently it has been used by composer Christopher de Groot for the 2012 soundtrack to Australian feature film "Sororal". The Six-Trak's more famous sibling is the Prophet 5, widely used in much of the 1970s progressive rock.
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In 2016, Swift worked with American Express for her "Blank Space" music video (which Kahn directed), and released the interactive app AMEX Unstaged: Taylor Swift Experience. Swift received starring and executive producer credit, and in 2015 won a Primetime Emmy Award in the Outstanding Interactive Program category for the app. She received producing credit in her music video for "Bad Blood". In 2018, Swift developed the concept, wrote the treatment for, and starred in the music video for the Sugarland song "Babe".
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Trans-X was started by Canadian musician Pascal Languirand, previously known for his albums in the ambient, cosmic and space music genres. The name comes from the 1977 Kraftwerk song "Trans-Europe Express", which Languirand thought “was catchy and reflected well the direction I wanted to take with Trans-X“. In 1982 he recruited Montreal keyboardist and programmer Steve Wyatt as the second half of the Trans-X duo. Together they recorded a demo that got Trans-X a recording contract for a single, "Vivre sur Vidéo".
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As the final act of the after-dinner entertainment, he played a specially composed song "Out of the Blue", which has not been officially released. The year 2000 brought Serrie's "best of" space music compilation, Century Seasons. On this album two new songs appeared, although "Deep Mystery" reappeared on "Lumia Nights" two years later in a slightly shorter version. The other bonus track, "Andromeda Dream", appeared on this album. In 2000 Serrie collaborated with flutist Gary Stroutsos on the Narada label, on an album called Hidden World.
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His own project on Kapp, White Goddess, "combines original compositions and standards, orchestrated and arranged for an unusual combination of instruments" including Ondioline, chromatic bongos, Chinese bells, and the "buzzimba". The result has been described as "something of a cross-over between jungle exotica and space music and right up there with the very best in both categories". Frank Hunter, SpaceAgePop.com. Retrieved 24 April 2019 Because of both its quality and scarcity to collectors, the album "has been compared to the Holy Grail by exotica fans".
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Etymologically, the Latin word trivium means "the place where three roads meet" (tri + via); hence, the subjects of the trivium are the foundation for the quadrivium, the upper division of the medieval education in the liberal arts, which comprised arithmetic (numbers as abstract concepts), geometry (numbers in space), music (numbers in time), and astronomy (numbers in space and time). Educationally, the trivium and the quadrivium imparted to the student the seven liberal arts of classical antiquity. Allegory of Grammar. Priscianus dlla Robia, Florence, Museo dell'Opera del Duomo.
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Reighley says that the musical elements on the track slowly move around each other, citing the "jazz bass, staccato keyboard blips, a smidgen of banjo, the fluttering of double-time programmed drums." According to Hermes, the track is closer to acid jazz as a term than musicians working in the genre. The track shares its "devastating beat work" and elements of jungle and electro with "Funkyar," which contains "deftly serene symphonics." "Twister", meanwhile, features different sounds spiralling around space music beats and heavy, thunderous basslines.
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ConClave has several established traditional attractions, most notably a well-supplied Convention Hospitality Suite, a Saturday Night Costume Ball, a merchandise area, several tracks of programming of interest to its membership, and a loyal following of staff and panel participants. Programming tracks include writing/literature, SF/Fantasy, Science/Space, Music, and Gaming. Recent additions to Conclave retinue have been a video room that screens rare anime and fan-created SF/Fantasy shorts, astronomical observing, and prep workshops for those interested in participating in NaNoWriMo.
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Geodesium is the name of a music project by composer and recording artist Mark C. Petersen. The word is formed by combining the terms "geodesic dome" and "planetarium" and refers to the space music Petersen creates specifically for use as scores for planetarium shows. Petersen has produced soundtracks for more than 60 planetarium shows performed in installations in more than 900 planetarium facilities in more than 50 countries around the world. Geodesium: Music for Planetariums By Matt Howarth Interview with Mark C. Petersen on space.
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Gloria Piedimonte (born 27 May 1955), also known as "La Guapa", is an Italian singer, actress, dancer and TV personality. Born in Mantua, after some minor film roles Piedimonte gained some popularity in 1978 appearing in the music show Discoring, in which she danced to the tune of the theme song "Baila Guapa", performed by Bus Connection. In the same year she released two singles, the disco music song "Uno" and the space music song "Ping Pong Space". The following year she starred in her only film as lead actress, Baila Guapa.
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Automatic Man was an American 1970s progressive rock quartet from San Francisco which also featured elements of funk, space music, psychedelic rock, heavy metal, Krautrock, Musique concrète, art rock and Santana-inspired jazz fusion. Automatic Man brought together well-respected musicians of diverse backgrounds within the rock, funk and jazz communities of the mid-1970s. Despite a well-reviewed 1976 eponymous début on Island Records and a lone charting single, 1976's "My Pearl", which reached No. 97 on the Billboard Hot 100., the line-up of Automatic Man was not cohesive.
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"Champion" is a song by American rapper and singer Nicki Minaj, taken from her second studio album, Pink Friday: Roman Reloaded (2012). The song features additional vocals from hip hop artists Drake, Nas, and Young Jeezy. "Champion" was written by Minaj, Aubrey Graham, Jay Jenkins, Nasir Jones, and Jayceon Taylor, while the production and additional writing was handled by Pink Friday (2010) collaborators T-Minus and Nikhil Seetharam. Musically, "Champion" is a downtempo hardcore hip hop ballad that also incorporates elements of R&B;, new-age, and space music.
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Cluster (later reissued as Cluster '71) has little or no discernible melody or beat. Allmusic review describes it, in part as "...a dislocating, disorienting meld of random space music, industrial noise, proto-ambient atmospherics, feedback, and soundwash..." The first album is also the only Cluster release on which Conny Plank is listed as a full third member of the band.Cluster liner notes He is credited as a composer and producer on Cluster II. Cluster signed with the influential Krautrock label Brain Records for their second release, a relationship which would continue through 1975.
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He is also a sought-after session guitarist in LA, and the author of the children's books 'Mike and the Bike' and 'Mike and the Bike Meet Lucille The Wheel.' Chad Fischer went on to form the band Lazlo Bane, known for original opening credits of the TV show Scrubs. He also established himself as a record producer and composer. Christopher MacDonald, who played bass with the band on tour, but did not play on any School of Fish recordings, records synthesizer space music under the name Telomere.
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Niagara Falls is an experimental band from Philadelphia, PA that has ties to the recent psychedelic folk resurgence as well as the burgeoning noise and neo-ambient or space music movements. They formed in 2004 as a quartet of Norman Fetter, Jeff Carpineta, Erich Breimhurst, and Jennifer Lee, and became known for their live improvised performances, and constantly shifting instrumentation. Comparisons are often made to German groups such as Tangerine Dream and Popol Vuh. Their music references German krautrock, and Minimalism, as well as contemporary artists such as Thuja, Jackie-O-Motherfucker, and Wooden Wand & The Vanishing Voice.
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Boston Arts Academy (BAA) in Boston, Massachusetts, USA is Boston's first and only high school for the visual and performing arts and is a partnership between Boston Public Schools and the ProArts Consortium.Boston Arts Academy: Overview Professional Arts Consortium Retrieved February 16, 2011 ProArts, a group of six arts colleges and universities in the Boston area, pushed the city to open the school, which was founded in 1998. The Consortium continues to support the school with performance space, music lessons and free college- level classes to BAA students.Grace Rubenstein, "How to Grow Students' Opportunities Through Private Partnerships" Edutopia, The George Lucas Educational Foundation.
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Stearns's interest in experimental "space" music though left him unsatisfied, as he found no audience to play his musical ideas, which could be at this time only related to the drug experience. After three years, Michael Stearns underwent a spiritual crisis and thought about stopping music. In 1975, Michael Stearns met and . Emily Conrad ran meditation classes in a workshop named , with Gary David performing on a Minimoog and looped tapes during the classes. Michael Stearns and his girlfriend Susan Harper moved in Los Angeles, California, to join Emily Conrad, and Michael Stearns became a resident musician and composer until 1981.
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Generally quiet, consonant, ethereal, often without conventional rhythmic and dynamic contrasts, spacemusic is found within many historical, ethnic, and contemporary genres."Stephen Hill, co-founder, Hearts of Space, sidebar "What is Spacemusic?" in essay Contemplative Music, Broadly Defined"The early innovators in electronic "space music" were mostly located around Berlin. The term has come to refer to music in the style of the early and mid-1970s works of Klaus Schulze, Tangerine Dream, Ash Ra Tempel, Popol Vuh and others in that scene. The music is characterized by long compositions, looping sequencer patterns, and improvised lead melody lines.
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The group's third release in 1963 finally got them noticed: "Shake a Tail Feather" (co-written by Andre Williams and Otha Hayes) was played on R&B; stations across the country, but it failed to make the sales and chart position the airplay justified. The track peaked at #28 on the US Billboard R&B; chart, and #51 on the Billboard Hot 100. The group continued to record fun dance tunes that helped bridge the gap between doo-wop and soul music. 1963's "The Chicken Astronaut" was an exemplary song of the short-lived "reluctant astronaut" subgenre of space music.
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Invited by the artist Marcelo Camelo (Los Hermanos), Mallu sang and played the guitar in the song Janta (Marcelo Camelo), which appeared on Camelo's debut album. Both admitted having a relationship after Camelo made a special appearance at Mallu's concert on Morro da Urca in October 2008. That same year Mallu was nominated for the Brazilian's MTV Music Awards, running for artist of the year, best new artist and concert of the year, but lost. She spent the year traveling around Brazil and giving numerous concerts, including one at the My Space Music Tour, a gratuitous series of concerts.
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Their music is a mix of modern rhythms and powerful sequences, the contemplative cello, expressive guitar solos and inspiring live instruments. Chronos music unites advanced electronic music (idm, psybient, chillout, trip-hop, downtempo, ambient, space music, breaks) with motives of funk, jazz, ethno, Flamenco and rock. Each full-band concert of Chronos project is a unique performance of atmospheric sounding of mixed genres and live instruments (guitar, cello, violin, saxophone, percussion, didgeridoo, tambourine, hang, Jew's harp). Concurrently Nick is developing his solo breaks/progressive project NK Vibes and synthpop/electro-acoustic project Sparky4 in collaboration with Alexey Ansheles and Zhanna Kuzmina.
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Many forms of music are used Observatory and Planetarium shows, particularly genres such as Electronic music, classical music, Space music, and Space rock. Enthusiast's website with detailed information about music for Planetariums and generally about outer space Some artists, such as Geodesium, specialize in creating custom music for Planetariums. During the 1970s, IMAX's OMNIMAX (now IMAX Dome) film system was conceived to operate on planetarium screens. More recently, some planetariums have re-branded themselves as "dome theaters," with broader offerings including wide-screen or "wraparound" films, fulldome video, and laser shows that combine music with laser-drawn patterns.
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In 2001, Kaleida Visions was released by the Space for Music team. SFM included Reaves as an original member along with Kirby Shelstad, with whom he also collaborated in live performances and on recordings. In 2002, with Spacecraft and also as a solo artist, he performed at the Nashville Space for Music Festival, along with other noted Nashville artists including Aashid Himons & Future Man from Bela Fleck & the Flecktones, Robert Rich, the West Tennessee ensemble Zero Ohms, and others.Space for Music Festival offers Nashville fans alternative, Nashville TheCityPaper] The space music festival had been founded by fellow Spacecraft band-member Tony Gerber in 1986.
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After the album was released Languirand went silent for a few years and decided to continue his solo career with new age, ambient and space music instead of electronica. In 1994, Languirand returned as Trans-X, performing live with Nadia Sohaei.Nadia Sohaei bio information Later Languirand recorded a remake of his main hit under the title "Living on Video 2003" and released The Drag-Matic Album, produced by Michel Huygen of Neuronium. One more new version of this hit, "Living on Video 2k6" was released on 6 May 2006.New age- Music, Encyclopedia of Music in Canada Pascal Languirand in 2010 As of 2010, Languirand lives in Mexico.
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For example, a planetarium can now 'fly' the audience towards one of the familiar constellations such as Orion, revealing that the stars which appear to make up a co-ordinated shape from our earth-bound viewpoint are at vastly different distances from Earth and so not connected, except in human imagination and mythology. For especially visual or spatially aware people, this experience can be more educationally beneficial than other demonstrations. Music is an important element to fill out the experience of a good planetarium show, often featuring forms of space-themed music, or music from the genres of space music, space rock, or classical music.
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The stage name of Clyde Clifford continued a tradition at KAAY whereby the on-air personalities often fashioned a stage name from the names of the board of directors of LIN Broadcasting, the owners of KAAY. Clyde W. Clifford was the comptroller general of LIN Broadcasting. Among the more memorable details of this radio program were the interludes of eerie sound effects and a background of space music between songs. These background sounds were necessary to mask the noise of the transmitter since the program originated at KAAY's transmitter location in Wrightsville, AR rather than in the station's broadcast studios in downtown Little Rock.
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Mike Pinder of the Moody Blues, a pioneer of electronic rock, in 1974 One of the earliest composers to use electronic instruments in popular music was Joe Meek with the album I Hear A New World (recorded in 1959, but not fully released until 1991),R. Unterberger, Joe Meek / "Overview, Joe Meek & the Blue Men, 'I Hear a New World: An Outer Space Music Fantasy'" , Allmusic, retrieved 12 June 2014. and the 1962 song "Telstar", originally recorded by The Tornados.S. Mason, "Song review: Joe Meek / The Tornados: 'Telstar'", Allmusic, retrieved 12 June 2014. The 1960s saw the utilization of studio techniques and new technologies to achieve unusual and new sounds.
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Mercury is an American composer whose music falls into several genres: space, electronic, electro-acoustic, ambient, cinematic, and contemporary classical/serious music. Using orchestral timbres and futuristic electronic sounds, Mark creates soundscapes, albums, and scores for modern dance, ballet, film, video, and high-tech planetariums. In 1988 Mercury began creating planetarium soundtracks and by 2011 had scored 38 shows. His first album, “Music of the Domes” (1992), contained excerpts from his planetarium soundtracks. Staying in the space music vein, Mercury created all new recordings for his second album, “The Art of Space” (1997), which featured five space poems written by professional poets, recited by actors, and underscored with music.
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Although he is credited as producer for only eight of the album's 17 songs, Shebib also served as audio engineer and mix engineer on the album. His production for the album is characteristic of the Toronto hip hop scene, which experienced a mainstream breakthrough with Shebib's work with Drake, producers Boi-1da and T-Minus, and singer-songwriter The Weeknd, all of whom contributed to Take Care. Evan Rytlewski of The A.V. Club comments that the album is "crafted primarily around the oblique production of Drake's native Toronto—all rippling synths, distant pulses, and purposeful empty space". Music writers noted "late-night" and 1990s-era R&B; influence in the album's music.
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In 1969, La Cage/Erosmachine was a very early electronic music work by Jean-Michel Jarre who became famous worldwide with the album Oxygene in 1976. Among other experimental electronic music we can cite Igor Wakhevitch with Hathor (1973) and François de Roubaix for the soundtrack of the Jacques-Yves Cousteau film Antartique (1974). "Space music" and "space disco" became popular with Space, Magic Fly (1977); Cerrone, Supernature (1977); Droïds, The Force (1977) and Bernard Fevre aka Black Devil Disco Club (1975-1978). Following those and in the late 70s and early 80s other notable French electronic music acts were Philippe Laurent aka Hot Bip (Industrieuse, 1979) and René Roussel with Caramel (1980).
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In a word – spacey. Rhythmic or tonal movements animate the experience of flying, floating, cruising, gliding, or hovering within the auditory space."Stephen Hill, co-founder, Hearts of Space, in an essay titled New Age Music Made Simple Hill states that space music is used by some individuals for both background enhancement and foreground listening, often with headphones, to enable states of relaxation, contemplation, inspiration, and generally peaceful expansive moods; it may promote health through relaxation, atmospherics for bodywork therapies, and effectiveness of meditation."Restorative powers are often claimed for it, and at its best it can create an effective environment to balance some of the stress, noise, and complexity of everyday life.
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He described how his recording career got started: :Charles Grean of Dot Records had arranged with the studio to do an album of space music based on music from Star Trek, and he has a teenage daughter who's a fan of the show and a fan of Mr. Spock. She said, 'Well, if you're going to do an album of music from Star Trek, then Mr. Spock should be on the album.' So Dot contacted me and asked me if I would be interested in either speaking or singing on the record. I said I was very interested in doing both.... That was the first album we did, which was called Mr. Spock's Music from Outer Space.
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Retrieved 2 October 2008. California.About the artist . Last modified 13 May 2008 09:33:10. Retrieved 2 October 2008. Since the mid-90s he has released more than a dozen albums with music primarily inspired by the Berlin School of electronic music and space music on the labels Space For Music, Spotted Peccary Music, Lotuspike, Fruits de Mer Records, and Groove Unlimited, and contributed to numerous compilations, including a tribute album to Michael Garrison. He also edits and produces videos for local television commercials, infomercials, corporate events, and music videos (he created the video for Bruce Turgon's and Philip Bardowell's collaborative project PLACES OF POWER) through his production company known as Craig Padilla Creative Video and Sound Productions.
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The studio disc of To Venus and Back is recognized as one of Amos's most experimental yet melodic, and received mixed reviews. Some critics praised its originality, innovation and unpredictable song structures, with one reviewer describing the album as having "some of the best vocals of her career, embedded in modern, special-effects-laden soundscapes that move from electronica-spiced piano pop and hip-hop to ambient space music", while others begrudged the album because of its overuse of electronic instruments and lack of Amos's trademark simplistic sound, most present on albums such as Little Earthquakes (1992) and Under the Pink (1994). The album received two 2000 Grammy Award nominations: Best Female Rock Vocal Performance for "Bliss" and Best Alternative Music Album.
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Serrie's next album, Tingri, was based on a remote village in Tibet. It was his way of infusing more spiritual and romantic emotion into his music. In so doing, he strayed a bit from his space music roots but without sacrificing his trademark sound. In 1992 and 1994, he made two albums in which he put his earlier planetarium work from the 1980s on CD, on Planetary Chronicles, Volume 1 and Planetary Chronicles, Volume 2. In between, in 1993 and 1995, Serrie composed his own musical science fiction story based on a fictional Century Princess in Midsummer Century and Ixlandia. In 1993, he submitted a song from his planetarium collection called "Soft Landing" to a Various Artists album sponsored largely by Steve Roach, a prominent electronic musician.
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A CD of new material entitled Space Music will be released on 17 November 2009. A recent collaboration was a result of the chance meeting of Nurse With Wound's Steven Stapleton and Graham Bowers, both artists were appearing at Bangor Sound City's first art/sound event 'Wet Sounds' curated by Joel Cahen located at the Bangor Swimming Pool, North Wales, in January 2011. Both were admirers of each other's past works and felt that a collaboration on a new piece of work could be an interesting and exciting prospect, consequently 'Rupture' is the first full-length work, and is released as a Double Vinyl album/LP, a CD and Download. The Vinyl album and CD have been released through Dirter.
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The first album, Affenstunde, released in 1970, can be regarded as one of the earliest space music works, featuring the then new sounds of the Moog synthesizer together with ethnic percussion. This continued for only one more album, In den Gärten Pharaos, and material later to be released on the soundtrack to Aguirre, the Wrath of God, before Fricke largely abandoned electronic instruments in favour of piano-led compositions from 1972's Hosianna Mantra forward. This album also marked the start of exploring overtly religious themes rather than a more generally spiritual feeling within the music. The group evolved to include a range of instruments: wind and strings, electric and acoustic alike, combined to convey a mystical aura that made their music spiritual and introspective.
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Ferris brought home tapes from the sessions, which along with Are You Experienced he listened to intently. His first impression of the music was that it was "so far out that it seemed to come from outer space", which inspired him to develop a backstory about a "group travelling through space in a Biosphere on their way to bring their unworldly space music to earth." With this concept in mind, he took color photographs of the band at Kew Gardens in London, using a fisheye lens which was then popular in Mod sub- culture. Ferris used what Egan described as "an infrared technique of his own invention which combined color reversal with heat signature", further enhancing the exotic nature of the image.
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Reaves got his start in the Nashville country music business in the 1980s, as an engineer working for producer Marshall Montgomery. MCA producer Tony Brown overheard Reaves' space music improvisations in a studio late one night, and signed him for a contract that resulted in two solo albums and a collaboration with Jon Goin on the MCA Master Series.[ AllMusic : Giles Reaves - Biography] MCA provided little promotion or distribution for these albums, but 1986's Wunjo received critical acclaim from Electronic Musician magazine, which named it a top electronic album of all time. Wunjo first appeared on the U.S. public radio show Hearts of Space (HoS) in PGM 113: Scorpio, 1986. Pieces from Reaves's albums have appeared in 17 HoS programs broadcast during the show's 25-year history.
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The duo formed after Dyson responded to an advertisement placed by Ward-Hunt. They toured throughout the United Kingdom as well as playing in France and released three albums, Mind Journey, Zenith and Moonwind. Allmusic in its review of 1987's Moonwind, released on the now defunct US label Audion Recording Company, noted influence of Tangerine Dream, Kitaro and the electronic rock of Europe, describing the album as "excellent electronic music" and "a rather essential space music release." In its 1988 review of Moonwind, Stereo Review recommended its readers "keep an ear out" on the band, but the band dissolved shortly thereafter without issuing any more albums, stressed by the bankruptcy of Audion Recording Company's parent record label, Jem Records, which never issued funds to the pair for the Moonwind release.
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In 1975, Grateful Dead associate Ned Lagin released an album of experimental space music entitled Seastones on Round Records; he described the recording as "cybernetic biomusic", emphasizing the use of computers and synthesizers to create organic-impressionistic sounds and meditative feelings. The album was one of the first commercially released recordings to feature digital computers and the Buchla digital-polyphonic synthesizer. From 2004 to 2007, Pete Townshend collaborated with composer Lawrence Ball and programmer Dave Snowdon to set up a project called The Lifehouse Method, an Internet site where applicants could "sit" for an electronic musical portrait made up from data they entered into the website. On 23 April 2007, Ball released a double album on iTunes called Method Music - Imaginary Sitters, Imaginary Galaxies which is part of Pete Townshend's Lifehouse Method music project.
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Rezension Monika Nöcker-Ribaupierre in Socialnet, retrieved on 29 April 2020 The types found are named as: Music as outwardly and inwardly moving, creation of a mental space, music as the connecting link between two worlds, music as the foreign, music as desired, music and healing, music transforms, music as witness, music and identity. At the same time, references to today's understanding of music will be established. A more detailed indepth psychology analysis is devoted to the Brothers Grimms' fairy tales: Das Eselein and two fairy tales of Sinti and Romani people: The Creation of the Violin and Der Sohn kämpft gegen den Vater (The Son Fights Against the Father). The investigations show the diversity of the concept of music in fairy tales and the clear traces of cultural and historical changes.
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According to AllMusic, the work of Harmonia was borne out of "relaxed, improvisational jam sessions that wedded Cluster's exploratory space music with the chugging rhythms and guitar sense of Rother."Bush, John [ AllMusic biography]. Retrieved September 2, 2007 Uncut named their two studio albums as "among the best Krautrock had to offer, gentler than Can or Faust, but with their shimmering keyboards and mechanical rhythms, every bit as compelling. Pitchfork labeled them "a key krautrock band because they brought together the most familiar strands of the sound and effectively perfected the whole," calling attention to their hybrid of electronic and rock instrumentation, long-form structures, and steady rhythms. According to Pitchfork, "copies of their records found their way into some famously open-eared and influential fans in the UK—Brian Eno and David Bowie, among others—and Harmonia’s music has been part of the experimental rock canon ever since.
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" Stephen Hill, co-founder, Hearts of Space, What is spacemusic?"When you listen to space and ambient music you are connecting with a tradition of contemplative sound experience whose roots are ancient and diverse. The genre spans historical, ethnic, and contemporary styles. In fact, almost any music with a slow pace and space-creating sound images could be called spacemusic." Stephen Hill, co-founder, Hearts of Space, What is spacemusic? Hill states that space music can range in character, the sonic texture of the music can be simple or complex, it can be instrumental or electronic, it may lack conventional melodic, harmonic, or rhythmic features, and may be less concerned with the formal compositional schemes associated with other styles of music."A timeless experience...as ancient as the echoes of a simple bamboo flute or as contemporary as the latest ambient electronica. Any music with a generally slow pace and space-creating sound image can be called spacemusic.
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" Vaclav Nelhybel crafts a supernatural world, describing nebulae, meteors, star clusters and craters on Mars with sounds natural and manipulated to tell the story of cosmic space. Beginning in the early 1970s, the term "space music" was applied to some of the output of such artists as Vangelis, Jean-Michel Jarre, Klaus Schulze and Tangerine Dream, due to the transcendent cosmic feelings of space evoked by the sound of the music and enhanced by the use of the emerging new instrument, the synthesizer,"a quartet of albums, Phaedra, Rubycon, Ricochet and Stratosfear, established the Dream's modus operandi with throbbing, cosmic rubber band rhythms thrumming like galactic space basses through floating mellotron pads, ghost flutes and electronic effects whirling by at hyperspeed. This was the soundtrack for countless planetarium shows... the first electronic music to shed the synthesizers reputation as cold and unfeeling... beyond emotion, into the sensual and the transcendent. It was as if the universe were wrapping you up in a warm velvet glove and showing you the wonders of existence.
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The Hearts of Space radio show has spawned a number of related projects, including the Hearts of Space Archive, a commercial ambient-music streaming service"Hill's Hearts of Space Web site provides streaming access to an archive of hundreds of hours of spacemusic artfully blended into one-hour programs combining ambient, electronic, world, new age, and Western classical music." Steve Sande, The Sky's the Limit with Ambient Music, SF Chronicle, Sunday, January 11, 2004 started in 2001, and a record label started in 1984, Hearts of Space Records (including 5 divisions, sub-labels or label imprints: Hearts of Space Records, for the core space music; Hearts O' Space, for Irish/Celtic albums; World Class, for world-music albums; Fathom, and for sounding the deep, dark ambient albums by artists such as Robert Rich and Steve Roach; and RGB, for soundtrack and pop-oriented electronic albums). The record label released nearly 150 albums over the course of its existence; it also licensed and released European albums in the U.S. During the 1980s Hill also produced albums for other labels, such as those of Eckart Rahn (Celestial Harmonies, Fortuna Records, Kuckuck Schallplatten). In 2001, the label (and catalogue) was sold to Valley Entertainment.
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