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13 Sentences With "sound properties"

How to use sound properties in a sentence? Find typical usage patterns (collocations)/phrases/context for "sound properties" and check conjugation/comparative form for "sound properties". Mastering all the usages of "sound properties" from sentence examples published by news publications.

Such an image captures not just tone, frequency and other sound properties, but also directionality.
Another popular theory — that Stradivari was using a varnish with magical sound properties — has not been substantiated by any chemical analyses.
The musical language of "Névé" (2008) is built from her analysis of the sound properties of a giant oil drum, itself used as a percussion instrument in the piece.
"To then predict the sound of a new video, the algorithm looks at the sound properties of each frame of that video, and matches them to the most similar sounds in the database," Owens elaborated.
"To then predict the sound of a new video, the algorithm looks at the sound properties of each frame of that video, and matches them to the most similar sounds in the database," noted Owens in MIT News.
The BFA in Theatre Production & Design has two emphases, one in theatrical design and the other in theatrical technology. Students who are interested in scenic carpentry, costume construction, electrics, sound, properties, and technical direction tend to study under the Technology concentration. For students interested in scenic design, costume design, sound design, projections, or lighting design the design track is a better fit. Students are assigned a main stage production to work on each semester.
Spectrograms provide information on a number of sound properties that may be subject to quantitative analysis. The vertical axis of a spectrogram indicates the frequency of a sound while the horizontal axis displays the time scale over which sounds were recorded. In addition, spectrograms display the amplitude of sound, a measure of sound intensity. Ecological indices traditionally used with species-level data, such as diversity and evenness, have been adapted for use with acoustic metrics.
However, it must be pointed out that, usually, the sequence of bits must be converted to an analog signal prior to the modulation (multiplication) by the carrier signal. In music production, modulation is the process of gradually changing sound properties in order to reproduce a sense of movement and depth in audio recordings. It involves the use of a source signal (known as a modulator) to control another signal (a carrier) through a variety of sound effects and methods of synthesis. A modulator is a device that performs modulation.
Saraceno has also developed a line of inquiry into the sound properties of spider webs. In collaboration with arachnologists, musicians and sound engineers based in Singapore and elsewhere, Saraceno has harnessed the structural properties of spider silk, transforming the web into a musical instrument. Since spiders do not possess an auditory system, they perceive the world around them with pressure and vibrations that come from their own movement, for example web-plucking. A cobweb is therefore a sensory object, an extension of a spider's body and the vibrations communicated via this practice are used for attraction, hunting and other social interactions.
Listening to music and general audio is commonly not a task directed activity. People enjoy music for various poorly understood reasons, which are commonly referred to the emotional effect of music due to creation of expectations and their realization or violation. Animals attend to signs of danger in sounds, which could be either specific or general notions of surprising and unexpected change. Generally, this creates a situation where computer audition can not rely solely on detection of specific features or sound properties and has to come up with general methods of adapting to changing auditory environment and monitoring its structure.
The apparent source width and other subjective sound properties in many concert halls have been rated by experts, like conductors and music critics. Together, apparent source width and listener envelopment are the most important contributors to the spaciousness impression of a concert hall which is the most important contributor to the quality ratings of concert halls. In the field of subjective room acoustics the sound radiation characteristics are ignored and the apparent source width is explained by means of objective measures of room impulse responses, like the binaural quality index, the lateral energy fraction and the early sound strength. These tend to correlate with the subjective expert ratings.
Cusack is particularly interested in environmental sound and acoustic ecology. He has examined the sound properties of areas such as Lake Baikal, Siberia, and the Azerbaijan oil fields, and is interested in how sounds change as people migrate and as technology changes. In 1998, Cusack started the "Your Favorite London Sound" project. The goal is to find out what London noises are found appealing by people who live in London.Kenneth Goldsmith wrote a review of Your Favourite London Sounds, Compiled by Peter Cusack (London Musicians' Collective), Cusack’s Favourite London Sounds published in New York Press, (2002), 15 (9) This was so popular that it has been repeated in Chicago, Beijing, and other cities.
In response to a significant amount of feedback from RC1 testers, 5728 contained many improvements, one of which was the inclusion of a check box in the Sound properties that allowed the user to disable the Windows Vista startup sound. The Welcome Center was also improved with new icons, eliminating the use of one icon for several different items, and all of the old icons in the User folder were replaced. With this build, Microsoft neared its goal of Vista installing in 15 minutes, with some reviewers reporting that 5728 took as little as 16 minutes to do a clean install. However, performing an upgrade installation from Windows XP was still slow, sometimes taking more than an hour to complete.

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