25 Sentences With "soul kiss" | Random Sentence Generator

Banana splits and romantic-sounding sundaes — the Soul Kiss, the Lover's Delight — sold for 35 cents.

No Toy (Re-Mix), , and Gifted Child are left out entirely. From , only Charlotte no Okurimono is featured, however it is featured as the remixed version from The Singles Re-Mixed. The album appears to be named because of her songs Baby Baby (featured on Happy Toy) and Soul Kiss xxx, however neither songs are on this collection. Soul Kiss xxx is the only album title track not present.

Amusement Notes. New York Times, June 12, 1908, p.14 She returned early that September after enduring a storm-plagued Atlantic crossing aboard the ocean liner New York, to prepare for a fall road tour with the Harry B. Smith and Maurice Lévy (music) hit Broadway musical comedy, The Soul Kiss Three Liners Met Heavy Gales at Sea. New York Times, September 6, 1908, p. 10The Soul Kiss, Internet Broadway Database In the spring of 1910, Michelena played to record-breaking audiences at Chicago’s LaSalle Theatre in the Mortimer Henry Singer farce musical The Flirting Princess.

The video album for Soul Kiss featured only five of the album's ten tracks (concept videos for the album's singles "Soul Kiss" and "Toughen Up" as well as performance videos of the tracks "Culture Shock", "Emotional Tangle" and "The Right Moment"). After a nearly three-year hiatus following the birth of her daughter Chloe in January 1986, Newton-John resumed her recording career with the 1988 album, The Rumour. The album was promoted by an HBO special, Olivia Down Under, and its first single, the title track, was written and produced by Elton John. Both the single (No.

Fred Hornby was a director and comedic actor in silent films. He also performed in theatrical productions. In 1909 he was in The Soul Kiss show and in 1912 he appeared in the theater production Making Good. He directed some of DeWolf Hopper's comedy productions.

"Mountain Song" was released as a single; however, MTV refused to air the song's music video owing to a scene containing graphic nudity.Mullen, p. 179 Farrell decided to release the video commercially, adding twenty minutes of live footage to create the Soul Kiss home video.Mullen, p.

A re-cut single, , was released two months after the album's release date. It featured rock musician Rolly Teranishi in background vocals. Neither of these singles charted in the Oricon top 100 singles. In December 1992, Soul Kiss received a Japan Record Award for best rock/pop album from a new artist.

Sergei Diaghilev saw her dance and immediately offered her a contract, but she refused it. When she returned to America in 1908 she toured with The Soul Kiss. In subsequent American tours, she danced in The Silver Star (1909), The Bachelor Belles (1910),Who Was Who in the Theatre (1978), p. 920 and Roses and Butterflies (1911).

There are two different music videos for this song. The second video, directed by Perry FarrellEnd credits of the Soul Kiss VHS. with live footage directed by Modi Frank, exists in three different versions: the original, the original censored for MTV, and Modi Frank's director's cut. Footage for this video was shot at the Scream in Hollywood on August 19, 1988.

Mullen, p. 179 Farrell then decided to release the music video commercially with added live footage to create the Soul Kiss home video.Mullen, p. 180 Because of lack of airplay on MTV and modern rock radio, the album only sold 200,000 to 250,000 copies in its first year of release.Mullen, p. 190 After the album's release, the band went on tour, opening for Iggy Pop and The Ramones.

Soul Kiss is the thirteenth studio album by English-Australian singer Olivia Newton-John, which was released on October 25, 1985. It made No. 11 on the Australian Kent Music Report Albums Chart and the Top 30 on the United States Billboard 200. The album was produced by long-time associate John Farrar, who also co-wrote four tracks; the cover art includes photography of Newton-John by Helmut Newton and Herb Ritts.

In 1983, another music video collection was released, Twist of Fate. The music videos are from Two of a Kind soundtrack ("Take a Chance" is a duet with John Travolta, who appeared in the music video), starring Newton-John. The music video for "Twist of Fate" was nominated for a Grammy Award for Best Short Form Music Video. The Soul Kiss video was released in 1985 and features five music videos for the songs of the album of the same name.

In October 2010, Olivia made a special appearance at Yamano music store in Tokyo to promote the releases. She also performed for a group of fans in attendance, with the classical guitarist Kaori Muraji and her daughter Chloe Lattanzi, the song "Physical". Edson Peña, a survivor from 2010 Copiapó mining accident joined to Newton-John in the Chilean concert to perform "Summer Nights". This was the first time that Newton-John performed her 1985 single, "Soul Kiss", from the album of the same name.

The group members John Farrar and Bruce Welch produced the album. Welch was her boyfriend at the time and Farrar is the husband of Australian singer Pat Carroll, a personal friend of Newton-John's, and toured with her in England at clubs and bars as "Pat and Olivia" in 1966. Farrar would establish a partnership with Newton-John, producing all her studio albums from If Not for You until Soul Kiss, released in 1985. He also composed, played and did background vocals on several Newton-John songs.

She performed backing vocals on the self-titled Gene Simmons solo album, the Molly Hatchet album Take No Prisoners, and on Olivia Newton-John's 1985 single "Soul Kiss." She performed the song "It's the Time for Love" that appears in the movie Silent Rage featuring Chuck Norris. Sagal also provided the vocals for "Loose Cannons," the theme song for the 1990 movie of the same name featuring Gene Hackman and Dan Aykroyd. On April 19, 1994, Sagal released her first solo album, Well.... On June 1, 2004, she released her second album, Room.

She became a radio personality for the FM Yokohama, with her own radio show , and her second album, Soul Kiss, won the 1992 Japan Record Award for best rock/pop album from a new artist. The album reached No. 14 on the album charts. In 1993, she starred in many different commercials (or had her songs featured in them), including commercials for Suntory, Shiseido, Marui and Snow Brand ice creams. Her single , the song used in the Shiseido campaign, was her first top 100 charting single, reaching No. 66.

274) and The Spanish Gipsy, an adaptation of the French play Carmen de Mérimée in 1907.L'Aurore du 12 June 1907 Every summer, Nethersole spent a week at the house of playwright Edmond Rostand in Cambo les Bains. In 1907, she performed Rostand’s play La Samaritaine an English version of it to play it in London.Newspaper l'Aurore, 12 June 1907 In a conference at the Théâtre de l'Athénée on 17 November 1908, Robert Eude said that Olga Nethersole invented the soul kiss (an especially long kiss, of which actress Maude Adams was the recordwoman).

"In Vegas, I've done beds in gold with gold inlays." People magazine, April 17, 1978 Among the interiors and furnishings Morris created for film producer Allan Carr (Grease; Grease 2) was a glittering Egyptian-themed subterranean disco in his Beverly Hills house where actors John Travolta and Olivia Newton-John danced the night away for the paparazzi. Newton-John would later appear in a risque photo taken in the Phyllis Morris showroom by renowned photographer Helmut Newton who posed the singer topless for her 1985 "Soul Kiss" album artwork.

Church leaders have stated that outside of marriage "passionate kisses", defined as "more intense and last[ing] longer than a brief kiss", and "prolonged kisses that involve the tongue and excite the passions" are "off limits". For example, church president Spencer W. Kimball, called the "soul kiss" an "abomination" that leads to necking, petting, and "illegitimate babies". He further stated that even when dating for a time a kiss should be a "clean, decent, sexless one like the kiss between a mother and son". He also stated that kissing during casual dating is "asking for trouble" and that kisses should not be "handed out like pretzels".

Kember recruited new musicians Richard Formby, who had previously contributed guitar and keyboards to Sonic Boom's side of the final Spacemen 3 album 'Recurring', and Mike Stout for the group Spectrum in 1991. Initial Spectrum releases carried on from the sound of late- period Spacemen 3, featuring conventional songs and a regular band. First single "How You Satisfy Me" was an original composition by Kember and Formby reminiscent of 1960s garage bands, based as it was upon the Chip Taylor-penned pop hit "Can't Let Go". 1992's Soul Kiss (Glide Divine) album was split between songs and longer experimental pieces featuring drones and repetition.

As a means to make the official, unedited version available to fans, Jane's Addiction released the "videomentary" Soul Kiss on Valentine's Day 1989. In addition to the "Mountain Song" video, the VHS also features footage of the band performing comedic sketches and footage of the band performing a song called "City" which wouldn't appear on an album until the Kettle Whistle compilation in 1997. Angelo Moore of the band Fishbone can be briefly seen in the video. The first video for the song was created without the band's knowledge, involvement or input by Andrew Doucette in September 1988 from existing performance footage provided to him by Warner Bros. Records.

Sketches by journalist Marguerite Martyn at the Olympic theatre, St. Louis, Missouri, 1909 In November 1907, Genée sailed to the USA to perform in The Soul Kiss at the New York Theatre. The producer, Florenz Ziegfeld, described her on the posters as "The World's Greatest Dancer." In the United States at that time, many people were entirely unfamiliar with ballet, so a ballet performance needed to be presented as part of a musical spectacular. For several years, Genée alternated between a season in London and one in America, although after her marriage to Frank S. N. Isitt in 1910 she gradually reduced the frequency of her appearances.

Anderson Jones from Entertainment Weekly called it a number "that has set disco balls spinning across Europe". Dave Sholin from the Gavin Report commented that "excitement about this uptempo winner is spreading fast and one listen should explain why." John Hamilton from Idolator noted the song as "a confident pop-soul kiss-off", adding that "its funky sax and Small’s pissed-off vocals combined to create nothing short of a club classic, one that provided ample opportunity for gay and straight clubbers alike to bust a move on dancefloors across the nation." Australian music channel Max placed "Moving On Up" at number 565 in their list of "1000 Greatest Songs of All Time" in 2011.

Unlike the previous Rafferty albums such as City to City and Night Owl there is considerable use of synthesisers and drum programming, some of the latter done by Christopher Neil, along with contributions from British session musicians including Hugh Burns, Mo Foster, Liam Genockey, Kenny Craddock, Maurice Pert and Mel Collins. Some tracks also feature members of Dire Straits, keyboardist Alan Clark and drummer Pick Withers; the following year, Rafferty would provide vocals for Dire Straits leader Mark Knopfler's soundtrack to the film Local Hero. The album was reissued as a 2-CD set with Snakes and Ladders by EMI in August 2012. The track "The Right Moment" from this album was later recorded by Olivia Newton-John in 1985 for her Soul Kiss album.

He also designed costumes for Jane Annie at the Savoy (1893) and for the Olympia, London spectacles Nero (1889) and Venice (1891). A design for As You Like It Wilhelm was, perhaps, best known for his work for the Empire Theatre, London, from 1887 to 1915, where he designed both scenery and costumes for (and sometimes produced) numerous ballets, many of which starred Adeline Genée, and which established a fashion for stage design and were much imitated. His later costume designs included The New Aladdin (1906); Edward German's opera Tom Jones (1907); Peter Pan (the famous mermaid costumes for the 1905 revival); and The Arcadians (1909) and The Mousmé (1911), among other musical comedies. Wilhelm's costume designs were seen on Broadway in Ruddigore (1887), A Runaway Girl (1898–99), The Toreador (1902), Three Little Maids (1903), The Babes and the Baron (1905–06), The Red Mill (1906–07), The Soul Kiss (1908), The Silver Star (1909–10), The Old Town (1910), The Arcadians (1910), The Girl in the Train (1910), The Lady of the Slipper (1912–13), Chin Chin (1914–15), The Yankee Princess (1922), Stepping Stones (scenic and costume design, 1923–24), Madame Pompadour (1924–25).