"Predictions and Sortileges" is a series of canvases, executed in white acrylic on brightly painted backdrops, about fortune telling.
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Pepe also featured, along with Andrés Segovia, in a French television film titled Sortileges du Flamenco. During his career, Martínez played guitars by Arcángel Fernández, Marcelo Barbero and Manuel Reyes. It was Pepe Martínez who introduced the young Manuel Reyes to the workshop of Marcelo Barbero. His pupil, Prof.
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He has directed on occasion in the theatre as well as film and television. Productions include “Hamletmachine” and “No, to the Yes-sayer” (Jasager/Neinsager); both at St. Stephens Theatrespace in Cardiff. “The Man with the Foot-soles of Wind”; Almeida Opera. “Earth and the Great Weather”; Almeida Opera. “ L’Heure Espangnol” & L’Enfant et Les Sortileges”; Opera Zuid.
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Antony McDonald is a British opera and theatre designer and director. In 2013, McDonald won the Set Design Award at the International Opera Awards. He won the Golden Mask for best costume design in a musical production (Russia) for L'Enfant et les Sortileges at the Bolshoi Moscow, and the Irish Times Best Costume design award for Gerald Barry's opera The Importance of Being Earnest.
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Devereaux was classically trained in operatic voice, drama and ballet. She also attended the same private school as Ginger Snaps co-stars Katharine Isabelle and Emily Perkins. At the age of fifteen, she returned to her native France and performed with the Opéra National de Paris in productions of L'enfant et les sortileges ("The Bewitched Child"), Manon and Pénélope. At seventeen, Lollie became one of the youngest performers to lecture at the Bibliothèque-Musée de l'Opéra National de Paris.
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Her debut with Wexford Festival Opera was as Pachole in Maria Polish Opera by Roman Statkowski. She has performed roles including Hänsel in Hänsel und Gretel, Rosina in Il barbiere di Siviglia, Count Orlofsky in Die Fledermaus, La Ciesca in Gianni Schicchi, Endimione in La Calisto, The Wife in Paradise Moscow (Cheryomushki), L'Enfant in L'Enfant et les Sortileges and Zerlina in Don Giovanni. She has performed roles in The Cunning Little Vixen by Janáček. She is the sister of Australian musicologist Andrew Greenwood.
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The following year, Gutteridge wrote and directed the ITV ice ballet Sleeping Beauty, with Robin Cousins,Stage and Television Today, 2 April 1987, Production NewsBrewer, Stacey, Yorkshire Evening Press, 19 February 1987, TV Talk: 'Ice One, Robin' which also won Best Director at the International Monitor Awards. Also in 1987 he directed a film of the Ravel opera 'L'Enfant et Les Sortileges' at Glyndebourne, conducted by Simon Rattle. In 1990, he directed the full-length David Bintley ballet Hobson's Choice with the Birmingham Royal Ballet. In 1991 Gutteridge directed an hour-long comedy special for ITV Lenny Go Home with Lenny Henry.
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In 2010, she made her Seattle Opera debut creating the title role in Amelia by Daron Hagen, and also sang Nicklausse and the role of Nancy in Albert Herring at the Santa Fe Opera. She has also performed at the Boston Lyric Opera and the Wolf Trap Opera. She has also made numerous concert performances. She performed the roles of the Female Cat and the Squirrel in Ravel's L'Enfant et les sortileges at Carnegie Hall with the New York Philharmonic, conducted by Lorin Maazel, and sang the Elliott Carter song cycle In the Distances of Sleep at Tanglewood with James Levine.
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She received critical acclaim as the lead role in Maurice Ravel's opera L'Enfant et les Sortileges with Andre Previn; that 1981 recording was reissued in 1995 on the EMI Eminence label. Ms. Wyner made her Metropolitan Opera debut as Woglinde in Das Rheingold under Erich Leinsdorf, on October 8, 1981. She also recorded Erwartung, in 1981. As a soprano Susan Davenny Wyner had an international career, performing as a soprano soloist with the Boston Symphony Orchestra, Cleveland Orchestra, Israel Philharmonic Orchestra London Symphony Orchestra, Metropolitan Opera, New York City Opera, New York Philharmonic Orchestra, Los Angeles Philharmonic Orchestra, and many others.
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For Glyndebourne Festival and Touring Companies, she has sung 3rd Lady (debut), Celia (La Fedeltà Premiata), Sméraldine (L'Amour des Trois Oranges), Maman/Chatte (L'Enfant et les Sortilèges), Baba the Turk (The Rake's Progress), Sesto (La Clemenza di Tito) and Mme Larina (Eugene Onegin). For English National Opera, roles include Fyodor, Siebel (Faust), Kitchen Boy (Rusalka), Sonya (War and Peace), Diana (Orpheus in the Underworld), Frou-Frou (La Belle Vivette) and Orlofsky (Die Fledermaus). For Opera North, roles include Hansel (debut), Mercedes(Carmen), Rosalind (The Mines of Sulphur), Nicklaus (The Tales of Hoffmann), Julie (Showboat), Olga (Eugene Onegin), Baba the Turk and Maman/Tasse Chinoise/Libellule (L'Enfant et les Sortileges). For Scottish Opera, roles include Clori (L'Egisto)(debut), Schoolboy (Lulu), Olga, Flosshilde (Das Rheingold), Meg (Falstaff), Marcellina (Figaro's Wedding) and Mrs Chin (A Night at the Chinese Opera).
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Shin made her opera debut as Susanna in Le nozze di Figaro in the 1989 Spoleto Festival USA. Shin has appeared regularly at the Metropolitan Opera since 1991 in a variety of roles including Gilda in Rigoletto (including two international radio broadcasts), title role in Lucia di Lammermoor, Zerlina in Don Giovanni, Elvira in I Puritani, Oscar in Un Ballo in Maschera with and Adina in L’Elisir D’Amore, the title role of Stravinsky's Le Rossignol, the Nightingale in L’Enfant et les Sortileges among others. She has also sung in the Metropolitan Opera's New Year's Eve Millennium Gala, the 2001 Gala honoring Giuseppe Verdi and the World Trade Center Relief Benefit. In 2005 and 2006, she sang Un Ballo in Maschera at the Metropolitan Opera in addition to Lucia di Lammermoor and Rigoletto. She sang the title role of Braunfels’ Die Vogel at the Spoleto Festival USA.
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She toured North America with the NBC Opera Theatre singing Barbarina in Le nozze di Figaro with Phyllis Curtin as the Countess and Walter Cassel as the Count. In 1957 she made her debut with the Santa Fe Opera (SFO) as Cio-Cio-San in Madama Butterfly with Regina Sarfaty as Suzuki and Loren Driscoll as Pinkerton. She made several more appearances with the SFO over the next ten years, including portraying Isabella Linton in the world premiere of Carlisle Floyd's Wuthering Heights in 1958. Her other roles at the SFO included, Mimi in La bohème (1958, 1967), Despina in Così fan tutte (1958), Nannetta in Falstaff (1958), Adele in Die Fledermaus (1959), Cio-Cio-San (1959, 1963, 1965), Alexandra Giddens in Marc Blitzstein's Regina (1959), Susanna in Le nozze di Figaro (1960, 1965), Anne in The Rake's Progress (1960), Zerlina (1963), La Chauve-Sourris in L'Enfant et les sortileges (1963), St. Margaret in Arthur Honegger's Joan of Arc at the Stake (1963), and Costanza in Hans Henze's The Stag King (1965).
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