Sentences Generator
And
Your saved sentences

No sentences have been saved yet

284 Sentences With "songbooks"

How to use songbooks in a sentence? Find typical usage patterns (collocations)/phrases/context for "songbooks" and check conjugation/comparative form for "songbooks". Mastering all the usages of "songbooks" from sentence examples published by news publications.

type: All Declarative Interrogative Exclamative

structure: All Simple Compound Complex Compound-Complex

length: All <=10 words 10-20 words 20-30 words 30-50 words

Her interpretation of various Broadway and jazz songbooks was second to none.
But even within the 237-member House GOP conference, lawmakers were singing Tuesday from different songbooks.
Never big on extended spoken-word material or solo-acoustic remakes of exalted songbooks, I'm impressed.
This was two years before, so what all rock groups did at the time was songbooks.
Most of the pieces here are war horses from the songbooks of Parker, Taylor or Mazurek.
Many such musicals use the songbooks to tell the life stories of the artists that made them famous.
Harrison will play music from the Richie Havens and the Grateful Dead songbooks alongside the Everett Bradley Choir.
Fall Preview New York stages will bop to the songbooks of Bob Dylan, Alanis Morissette, Tina Turner and David Byrne this season.
This legendary Cuban karaoke place sports walls filled with Florida Keys boating ephemera, a pool table, and songbooks longer than the Torah.
Moga, the modern Japanese woman, red-lipped and bob-haired, appears often in Deco Japan — in paintings, in prints, and on the covers of jazz songbooks.
A guitarist by turns meditative and acerbic, Harrison recently released "Angel Band," the third in a series of albums devoted to works from the American folk and country songbooks.
The Ghost Train Orchestra, a midsize ensemble, explores the music of that period, dipping into both the Dixieland and swing-era songbooks, and offering some nostalgic compositions of its own.
Flags and songbooks are distributed, and the lyrics are shown on a screen in case the words to "Daydream Believer" have escaped a racegoer after several hours of gambling and drinking pitchers of Pimm's.
Ms. Smith became a regular at Manhattan cabarets in the 1980s, singing selections from her years with Mr. Prima and from the songbooks of Sinatra, Count Basie, James Taylor and the songwriters Jerry Leiber and Mike Stoller.
The soldiers had to be ready to ship out to Vietnam at a few hours' notice, but the call never came, and in his downtime—for no good reason that he has ever been able to articulate—Strait bought a battered guitar and some old songbooks and taught himself to play and sing.
In their complaint — filed by the same lawyers behind the "Happy Birthday" and "We Shall Overcome" suits — the group used a detailed timeline of decades-old paperwork and Guthrie's own hand-decorated songbooks to argue that Guthrie had essentially forfeited his copyright to the song decades ago by failing to renew it properly.
The material, which will gradually become available as additions to the existing Lucerna lantern slide database, is incredibly varied, featuring travel photos, reproductions of artworks (which some art history professors might still use today), photographs of museum collections, microscopic views of the natural world, painted comic slides, illustrations for songbooks, snapshots of daily life, and much, much more.
Rich Krueger: NOWThen (Rockink) On his second self-financed album of 2018, an ambitious project Dr. Krueger reports was "as expensive as owning and operating a large yacht"—trifold CD case, 20-page booklet, cameos from 11 studios nationwide—the singing neonatologist juxtaposes selections from his '20163-'98 (Then) and '07-'18 (NOW) songbooks, between which he wrote nothing except an array of scientific papers we'll assume share with his songs both spectacular intelligence and irrepressible verbiage.
It is also part of several other hymnals and songbooks.
Taruskin, p. 24. through numerous songbooks that circulated all over Russia.Taruskin, p. 24.
People tore her songs out of hymnals and songbooks and sent her hate mail.
The Profil songbooks were eight books issued 1972-1975, subtitled Songar frå folkets kamp.
A section with anonymous pieces presents author variants, in poems to be attributed to the compiler. In the Catalan tradition of songbooks, the acronym given by Massó i Torrents is S1. In the Castilian tradition of songbooks, the acronym given by Dutton is BM1.
Valur wrote a number of articles in Church Literature and the series of theology, book chapters and hymns, based on psalms and songbooks.
Dehm has been the director of the Dehm Verlag from 2008, publishing mostly compositions, songbooks, choral books and oratorios of the genre Neues Geistliches Lied.
Under the Tripura Baptist Christian Literature Committee and the Kokborok Christian Literature Committee (KCLC) various songbooks, tracts and study materials are regularly published by the TBCU.
In 2012, Galician scholar Souto Cabo called him "uma das personalides poéticas mais célebres dos nossos cancioneros" ("one of the most famous poets in our songbooks").
The song is part of several other hymnals and songbooks. It was regarded as ecumenical by the but was not included in the Catholic hymnal Gotteslob of 2013.
Retrieved: Oct. 21, 2019. His 1921 and 1922 songbooks are on file at the Minnesota Historical Society. Olle i Skratthult will be forever associated with the song Nikolina.
The Loire Valley chansonniers are a related group of songbooks copied in the Loire Valley region of central France c. 1465-c. 1475 and produced in the context of the French royal court. They consist of five chansonniers: Copenhagen, Dijon, Nivelle, Laborde and Wolfenbüttel. The songbooks, smaller than a modern paperback, personalized and lavishly decorated, are the earliest surviving examples of a new genre which offered a combination of words, music, and illuminations.
His poem Aquella voluntad que se ha rendido, written around 1555 for his beloved Dona Francisca de Aragão, was set to music and included in the songbooks of Elvas and Belém.
Volume 5. The Minnesota Historical Society has his songbooks Variete-kupletter och visor by Lars Bondeson, (Chicago: A.L. Löfström, 1912). Volumes 1-3. and other publications to which he contributed in its collections.
His known compositions are found in the most important songbooks of his time, such as the Cancionero de la Sablonara, which indicates that he probably enjoyed a considerable popularity. He died in Madrid.
Although seven-shape books may not be as popular as in the past, there are still a great number of churches in the American South, in particular Southern Baptists, Primitive Baptists, almost all of the non- instrumental Churches of Christ, some Free Methodists, United Pentecostals, and United Baptists in the Appalachian regions of West Virginia, Ohio and Kentucky, that regularly use seven-shape songbooks in Sunday worship. These songbooks may contain a variety of songs from 18th-century classics to 20th- century gospel music. Thus today denominational songbooks printed in seven shapes probably constitute the largest branch of the shape-note tradition. In addition, nondenominational community singings are also intermittently held which feature early- to mid-20th century seven-shape gospel music such as Stamps-Baxter hymnals or Heavenly Highway.
He authored several school textbooks and songbooks; and also contributed to musical and pedagogical journals in Poland and abroad. Hławiczka also researched works of Fryderyk Chopin. He was awarded Knight's Cross of Polonia Restituta.
The Wilds produces Bible study guides, topical studies, songbooks, recorded music, and books of activity ideas for church youth groups. The Wilds is noted for its recordings of conservative Christian music produced by camp staff.
McCaskey considered his work as editor of the Journal his most important contribution, followed by his compilation of many songbooks which were sold throughout the United States. While he was very well loved and respected by his many students, who called themselves "Jack's boys," he ranked his accomplishments as a teacher and principal below his Journal editorship and songbooks. The most important goal of education, according to McCaskey, was the building of character. The inscription on his tombstone reflects that goal: "Builder of Men".
The album was also recorded in the midst of her epic 'Songbooks' project, celebrating the composers of the 'Great American Songbook' and Broadway. The album features only four songs written by the composers featured in her 'Songbooks', instead concentrating on very famous ballads by lesser known writers. Some songs on the album were also recorded with Armstrong on the albums that they collaborated on from this period. The famous American saxophonist Stan Getz is featured on tenor sax on four tracks, including "Midnight Sun" and "You're Blasé".
Her music has been featured in several Jewish songbooks, such as R'fuah Sh'leimah: Songs of Jewish Healing. Silver also has had an acting role, appearing in Then She Found Me in a scene opposite Bette Midler.
Eighteen years after Key's death, and in indignation over the start of the American Civil War, Oliver Wendell Holmes, Sr. added a fifth stanza to the song in 1861, which appeared in songbooks of the era.
Instead of drawing their lyrics from old Flemish songbooks, they have turned to poetry from William Butler Yeats, Paul Verlaine and Pablo Neruda. In 2009 they released the album Laïs Lenski together with the cellist Simon Lenski.
Songbooks # The Laura Ingalls Wilder Songbook: Favorite Songs from the Little House Books (Harper, 1968), 160 pp., illus. Garth Williams, compiled and edited Eugenia Garson, arranged Herbert Haufrecht, # My Little House Songbook (Harper, 1995), 32 pp., illus.
Despite this, he is considered to have been tremendously influential: having collected over 250 Holocaust songs during his time as a partisan, poet and writer, his songbooks are the source of the majority of surviving pieces of the genre.
His first performance in Asia was in Taiwan, in 2002. He has released ten albums, including a compilation album, and two songbooks. He also has released a Japan-only CD and songbook, as well as another album only in Asia.
These sorrowful tales were a departure from his usual lighthearted fare. In addition to his records Olle i Skratthult published and sold several songbooks. The small pamphlets included songs he had recorded and other material from his live performances.Songbook indexes archive.org.
The national labor organization, the Histadrut, set up a music publishing house that disseminated songbooks and encouraged public sing-alongs (שירה בציבור). This tradition of public sing-alongs continues to the present day, and is a characteristic of modern Israeli culture.
Mele are chants, songs, or poems. The term comes from the Hawaiian language. It is frequently used in song titles such as "He Mele Lahui Hawaii", composed in 1866 by Liliuokalani as a national anthem. Hawaiian songbooks often carry the word in the book's title.
Songbooks and microphones also rest on the bar. They primarily play songs from the Great American Songbook. The bar used to be owned by Jody Kerr, who owned it from the 1940s until her death in 1995. Kerr's relative Jackie Simpkins owns the bar today.
In southern gospel singing schools, convention songbooks are used to teach sight-singing, music theory, and conducting. Some music publishing companies have also published music theory books for use in the schools.See Rudiments of Music and Understanding Harmony, published by jeffress/phillips music co.
By 2019, the hymnal "Sing Out Joyfully" to Jehovah was available in over 200 languages, including several sign languages. In addition to songbooks containing sheet music and lyrics, releases in various audio formats have included vocals in several languages, piano instrumentals, and orchestral arrangements.
A more recent complete edition of the songbook, with the tunes referred to in some 142 songs and found in other songbooks of the period, appeared in 2004 with a double cd by Camerata Trajectina. The Antwerp songbook is the first printed large collection of Dutch songs known, to have survived the centuries. Many songs had been transmitted through oral tradition since the end of the Middle Ages: in those cases, the tune was referred to as an oudt liedeken, an old song. Many songs, printed for the first time in the Antwerp songbook, were already known for centuries by that time and were included in several songbooks and anthologies.
Stern über Bethlehem (Star above Bethlehem) is a German sacred Christmas carol which Alfred Hans Zoller created in 1964 in the genre Neues Geistliches Lied. Used by star singers around Epiphany, it has become a popular song and is part of many German hymnals and songbooks.
Colin Joyce of Consequence of Sound wrote that "Live In Bloomington isn't just a straight-up run through Mount Eerie's greatest hits. It functions as a compelling document of what a Phil Elverum live set can be: a complete deconstruction of one of America's greatest growing songbooks".
Sandercoe also publishes a number of electronic books in .pdf format, including "Practical Music Theory", "The Chord Construction Guide" and "Understanding Rhythm Notation", as well as an ongoing series of instructional songbooks, to which entries include the Vintage Songbook, the Rock Songbook, the Pop Songbook, and the Acoustic Songbook.
She published the songbooks Kom, skal vi synge (three collections, from 1905 to 1918). She wrote the fairytale comedy Aase Fiskerjente, published as a book in 1912 with illustrations by Andreas Bloch. Among her other comedies for children are Askepot, Den nysgjerrige kone and Prinsessen og det halve rike.
Examples are hymns, anthems, and songbooks. Unlike novels and plays, hymns are sung with regularity. Very often, the hymns and songs are sung from lyrics in a book, or more common nowadays, from the work projected on a computer screen. In the US, the Christian Copyright Licensing International, Inc.
Among his book illustrations are Margrethe Munthe's songbooks Kom skal vi synge, Bernhard Stokke's children's book Dag fra skogene, and contributions to various basal readers for primary school. He is represented at the National Gallery of Norway, in Oslo Bymuseum and in Riksgalleriet. He died in Oslo in 1962.
His songbooks included over 1000 sacred and secular songs in German and Estonian. In 1846, he published a catechism. Over 300 000 copies were printed. He published a three-volume history of Saaremaa in German, called Oesel Einst und Jetzt (Saaremaa, then and now) between 1887 and 1915.
Voggenreiter publishes music literature, textbooks for various instruments and songbooks in print and electronic form. It is complemented by musical instruments for beginners. "Voggy's Kinderwelt" is aimed at pre-school and primary school children with books and instrument sets. Instruments such as recorder, harmonica, glockenspiel and other percussion instruments are available.
Hello, Love is a 1959 studio album by the American jazz singer Ella Fitzgerald, recorded over two sessions in 1957 and 1959. The album focuses on well known songs not included in Fitzgerald's epic Songbooks project, and several of the songs are tunes that she had recently recorded in duet with Louis Armstrong.
Their last hymnbook was published in 1908 at Canterbury, New Hampshire.Roger Lee Hall, Invitation to Zion – A Shaker Music Guide (Stoughton, MA: Pinetree Press, 2017). The surviving Shakers sing songs drawn from both the earlier repertoire and the four part songbooks. They perform all of these unaccompanied, in single-line unison singing.
In all, Chediak edited 18 songbooks, featuring artists like Gilberto Gil, Chico Buarque, Djavan, Noel Rosa and Ary Barroso. While nearing completion on a songbook retrospective of João Bosco and writing a biography of singer Tim Maia, Chediak was attacked by robbers and was shot to death. He was 52 years old.
I Love Jerome Kern is an album by pianist Kenny Drew recorded in 1957 and released on the Riverside label.Kenny Drew discography accessed June 8, 2012 The album was rereleased on CD by Lone Hill Jazz coupled with Drew's Pal Joey (Riverside, 1957) as The Complete Jerome Kern / Rodgers & Hart Songbooks in 2008.
The hymn was titled "Die Schönheit der Natur" (The beauty of nature). Several melodies were tried. In 1928, Frieda Fronmüller composed a new melody which was successful with choirs, and was chosen for inclusion in the modern German Protestant hymnal Evangelisches Gesangbuch as EG 510. The hymn also appears in many songbooks.
James Ramsey Murray (1841 - 1905) was an American composer and author including of songbooks. His work includes hymns and Christmas music and was published by Root & CadyLest we Forget: "James Ramsey Murray". Andover Historical Society as well as S. Brainard Sons. His work includes a popular arrangement of "Away in a Manger".
Many variations of the song continued to be printed on broadsides in the United States through the 19th and 20th centuries. Throughout New England, it was passed orally and spread by inclusion in songbooks and newspaper columns, along with other popular ballads such as "The Farmer's Curst Wife" and "The Golden Vanity".
Many of his songs are found in the songbooks Maran ata and Gospel Tones. From the age of 18, Barratt translated and wrote songs and hymns. In 1887 he published the first songbook Evangelical Songs containing 96 of Barratt's own songs. Barratt published the songbook Maran ata in 1911 , with 587 songs.
Otto Riethmüller (26 February 1889 – 19 November 1938) was a German Lutheran minister, writer, and hymnwriter. He was the president of Protestant youth organisations from 1928, published songbooks, and was a leading member of the Confessing Church. He designed the Protestant youth organization's logo, the Cross on the Globe, which is still used today.
Beloff's songbooks and instructional books (arranged by him and other well-known ukulele players), DVDs and promotion and marketing of his family's Fluke and Flea ukuleles have contributed to the popularity of the instrument. He is also a singer-songwriter and has recorded several solo CDs as well as two with his wife, Liz.
In 2008, Warwick began recording an album of songs from the Sammy Cahn and Jack Wolf songbooks. The finished recording, entitled Only Trust Your Heart, was released in 2011. On October 20, 2009, Starlight Children's Foundation and New Gold Music Ltd. released a song that Warwick had recorded about ten years prior called "Starlight".
It became part of the Protestant hymnal Evangelisches Gesangbuch, in Baden- Württemberg as EG 589, and in Rheinland / Westfalen / Lippe as EG 600. It also appears in the German common Catholic hymnal Gotteslob as GL 437, in the section Bitte and Klage (request and lament). The song is part of many other hymnals and songbooks.
Korhan Erel and Tanya Kalmanovitch organized a concert in remembrance of John Cage in his 100th birth year in 2012. The tribute concert included performances of pieces from Cage's Songbooks by Tanya Kalmanovitch, Anthony Coleman, Serra Yılmaz, Tolga Tüzün, Ayşenur Kolivar, Gökçe Akçelik, Şevket Akıncı and Korhan Erel on 29 December 2012 at Borusan Music House.
Her recordings include My Old Flame, Live From the Russian Tea Room, Julie Wilson At the St. Regis, and collections devoted to the songbooks of Cole Porter, Kurt Weill, Harold Arlen, Cy Coleman, Stephen Sondheim, and George and Ira Gershwin. Julie Wilson suffered a stroke on April 5, 2015 in Manhattan and died the same day. She was 90.
Emmett's tardiness registering the copyright for the song allowed it to proliferate among other minstrel groups and variety show performers. Rival editions and variations multiplied in songbooks, newspapers and broadsides. The earliest of these that is known today is a copyrighted edition for piano from the John Church Company of Cincinnati, published on June 26, 1860.
Troubadours performed their own songs. Jongleurs (performers) and cantaires (singers) also performed troubadours' songs. They could work from chansonniers, many of which have survived, or possibly from more rudimentary (and temporary) songbooks, none of which have survived, if they even existed. Some troubadours, like Arnaut de Maruelh, had their own jongleurs who were dedicated to singing their patron's work.
"Dona nobis pacem" (, "Give us peace") is a round for three parts to a short Latin text from the Agnus Dei. The melody has been passed orally. The round is part of many hymnals and songbooks. Beyond use at church, the round has been popular for secular quests for peace, such as the reunification of Germany.
English-language hymnals usually mark it "Traditional". The melody is relatively easy, with the second and third line supplying mostly harmony to the first line, in many long notes versus the flow of the first. The round is part of many songbooks. Thomas Doss composed an fantasy arrangement for brass orchestra with optional vocal parts in 2003.
Ostergaard's novels also reflected a debate in Danish society involving the influences of N. F. S. Grundtvig and George Brandes. Ostergarrd additionally alluded to the Danish intellectual Soren Kierkegaard.Kristian Ostergaard's A Merchant's House (John Mark Nielsen, University of Nebraska-Lincoln) Ostergaard also wrote many songs and hymns. He published two songbooks: Børnesangbogen (1898) and Den dansk-amerikanske Højskolesangbog (1901).
These included chamber music and song cycles. After that she came in contact with youth groups, for whom she also wrote individual pieces. She then became the cantor of the Reformed church community of Hilversum. Because of this she was very busy with church music. She wrote 14 melodies for the church songbooks that appeared in 1973.
Songbooks have been produced since the 1975 by Liberator, and in 2009 the 20th edition of the Liberator Songbook was published - the 27th songbook in its publishing history.The Liberator Song Book, 2009, Liberator, p.49. It is often combined with the Liberal Revue, a series of sketches consisting mostly of in-jokes and irreverent takes on political matters.
"Einer ist unser Leben" (One is our life) is a poem in five stanzas, written by Lothar Zenetti in 1973. It became a Christian hymn of the genre Neues Geistliches Lied (NGL) with a 1971 melody by Jean Liesse. The song is part of many hymnals, both Catholic and Protestant, and of songbooks, remaining popular in the 21st century.
Pope Gregory the Great was well known for being the father of Roman Christianity in England, believed to have started the constitution of liturgy, and the compilation of musical service-songbooks used in the church. Gregory focused the end section of his homily on why angels didn't wear white robes at the Incarnation but did at the Ascension.
400px The Cancioneiro de Elvas (in English: Elvas Songbook) is one of the four Renaissance songbooks of Portuguese music from the 16th century - along with the Lisbon Songbook, the Belém Songbook, and the Paris songbook. It is one important source of secular music from the Iberian Renaissance. The songs are composed in Portuguese and Spanish languages.
The date of southern gospel's establishment as a distinct genre is generally considered to be 1910, the year the first professional quartet was formed for the purpose of selling songbooks for the James D. Vaughan Music Publishing Company in Lawrenceburg, Tennessee. Nonetheless, the style of the music itself had existed for at least 35 years prior—although the traditional wisdom that southern gospel was "invented" in the 1870s by circuit preacher Everett Beverly is spurious. The existence of the genre prior to 1910 is evident in the work of Charles Davis Tillman (1861–1943), who popularized "The Old Time Religion", wrote "Life's Railway to Heaven" and published 22 songbooks. Some of the genre's roots can be found in the publishing work and "normal schools" or singing schools of Aldine S. Kieffer and Ephraim Ruebush.
"Sailing, Sailing" is a song written in 1880 by Godfrey Marks, a pseudonym of British organist and composer James Frederick Swift (1847–1931). It is also known as "Sailing" or "Sailing, sailing, over the bounding main" (the first line of its chorus). The song's chorus is widely known and appears in many children's songbooks. The preceding verses are little known.
EMC is both a publisher and distributor of sheet music covering all types of music genres. EMC is a leading player in the field of educational music publications. A variety of songbooks of well-known Dutch artists is also published, including Nick & Simon, Marco Borsato and Boudewijn de Groot. As a distributor, EMC represents 50 national and international publishing houses.
For a description of Wizard Oil, see Hamlin's Wizard Oil and site tabs. Note its association with songbooks. In 1887 he focused his career more on his church and musical talents, singing first tenor in a church male quartet and establishing his own church-related music publishing company in Atlanta.William Jensen Reynolds, Companion to Baptist Hymnal (Nashville: Broadman Press, 1976), p.
Some 2,600 poems or fragments of poems have survived from around 450 identifiable troubadours. They are largely preserved in songbooks called chansonniers made for wealthy patrons. Troubadour songs are generally referred to by their incipits, that is, their opening lines. If this is long, or after it has already been mentioned, an abbreviation of the incipit may be used for convenience.
Lars Bondeson (1865-1908) was the stage name of Carl Jansson-Öhlin, who was one of the founders of Swedish bondkomik (rustic humor). Born in Örebro in 1865, he was a singer, storyteller, lyricist and music publisher. His songbooks were a major influence on countless entertainers in Sweden and America.På Nöjets Estrader by Uno Myggan Ericson, (Stockholm: Bonnier, 1971) pp. 30-45.
Between 1927 and 1929 Kylander released twenty songs on the Victor label.Ethnic Music on Records by Richard K. Spottswood, (University of Illinois Press, 1990) Volume 5, pp. 2581-2582. He also published several songbooks with the title of Humoristisia Lauluja (Comic Songs).Songs about Work by Richard A Reuss and Archie Green, (Bloomington: Folklore Institute, Indiana University, 1993) pp. 268-271.
Santha experienced monetary problems after being terminated from Radio Ceylon. His songbooks were plagiarised, his songs were sold without consent or royalties by copyright violators. He tried his hand at various trades like photography, selling clothes and electronics over the next few years. In 1953 Santha started a small school at the Maradana Newton building, vowing to teach 10 pupils for free.
He started the James D. Vaughan Music Publishing Company in 1900 in Minor Hill, Tennessee, and in 1910 moved to Lawrenceburg, Tennessee. He taught shape note singing schools. He was the first to establish a professional quartet and put them on the road for the purpose of selling songbooks. The Vaughan School of Music was formed in 1911 in Lawrenceburg.
Becoming popular through songbooks, such as those published by R. E. Winsett of Dayton, Tennessee, southern gospel was and is one of the few genres to use recordings, radio, and television technologies from the very beginning for the advancements of promoting the genre.See, e.g., J. Bazzel Mull. One of the longest-running print magazines for southern gospel music has been the Singing News.
Jennifer Lynette Pattrick (née Priestley, born 1936) is a New Zealand novelist, known primarily for her historical fiction. Her first novel, The Denniston Rose (2003) and its sequel Heart of Coal (2004) became two of New Zealand's best-selling novels. She has published nine novels, and also writes and publishes songbooks for children. The Denniston Rose has been optioned by Bohemia Group Originals.
Noetzel, Wilhelmshaven, 2007, , p. 1017–1018. It was the songbooks of the German Youth Movement at the beginning of the 20th century, that procured the song's popularity. On the other hand, this effectuated its transformation from the pilgrimage to the supposedly popular Advent hymn. In 1910, the song appeared in the well-known today three-stanza version initially published in the Jugenheimer Liederblatt.
Fitzgerald's memorable series of eight Songbooks, together with the duet series (notably Armstrong-Peterson, Fitzgerald-Basie, Fitzgerald-Pass and Getz-Peterson) achieved wide popularity and brought acclaim to the label and to the artists. Granz was also the manager of Oscar Peterson, another lifelong friend. In 1959, Norman Granz moved to Switzerland. In December 1960, Verve Records was sold to Metro-Goldwyn-Mayer.
The nearby Sax–Zim Bog area is home to one of the world's best birdwatching places and the site of the annual Sax–Zim Winter Birding Festival held in February. The bog was named for Zim and the nearby community of Sax. Zim is home to noted rock music transcriber Jordan Baker, who has authored songbooks for Dream Theater, Steve Vai and Metallica.
In 1918, Dann took a leave of absence from Cornell to serve as the Army Song Leader in Louisville, Kentucky. He edited and compiled the first Army Song Book. He is perhaps best known as the author and editor of numerous songbooks and music teacher manuals. He authored the eight-volume Hollis Dann Music Course and five-volume Hollis Dann Song Series.
Harriet Elizabeth "Hally" Wood (September 29, 1922 – July 22, 1989) was an American musician, singer and folk musicologist. She worked with John and Alan Lomax and participated in the publication of songbooks for the works of artists like Lead Belly and Woody Guthrie. She also performed as a singer and recorded solo and collaborative albums with folk singers such as Pete Seeger.
På Nöjets Estrader by Uno Myggan Ericson, (Stockholm: Bonnier, 1971) pp. 71-82. Lindström's 1908 recording of Chikago achieved popularity on both sides of the Atlantic. The song, whose music and lyrics he wrote, has been recorded by many artists since then and published in Swedish and American songbooks. Chicago was one of the major urban centers for Swedish immigrants.
Traditional among a number of songs commonly played and sung at various times such as commencement, convocation, and athletic events are "Carmina Universitatis Novi Brunsvici", "Alma Mater" (1904), and "UNB Anthem", with words by A.G. Bailey and music by D.V. Start.Green, R. College Songbooks and Songs – University of New Brunswick. Encyclopedia of Music in Canada. Historia. Retrieved on: August 30, 2008.
"Joy In My Heart," sometimes titled "I've Got the Joy, Joy, Joy" is a popular Christian song often sung around the campfire and during scouting events. It is often included in Gospel music and a cappella concerts, songbooks, and Christian children's songbooks.For example, it is number 140 in Bobb, Barry All God's People Sing. St. Louis: Concordia Publishing House, 1992, 316 pp.
Ella Fitzgerald Sings Sweet Songs for Swingers is a 1959 album by the American jazz singer Ella Fitzgerald, recorded with a studio Orchestra arranged and conducted by Frank DeVol. Ella focuses on well known jazz standards by lesser known songwriters, a useful counterbalance to her continuing songbooks project, which at this time found her in the midst of recording the epic George and Ira Gershwin Songbook.
The hymn appears, with slightly modernised text, in the modern German-language hymnals for both Protestants and Catholics, in the Evangelisches Gesangbuch of 1993 as EG 288, and in the Gotteslob of 2013 as GL 144. The Catholic version uses a different doxology stanza. The psalm song is also part of Swiss hymnals, and of many songbooks, including collections for families, children and young adults.
While in Manila, Poethig pursued what would be a lifelong interest in the role of music in spiritual life. Her research as a hymnodist resulted in her first published works, songbooks for a younger generation that explore Filipino hymns: Everybody I Love You (1971) and Let's Sing Christmas (1972).Poethig, Eunice Blanchard and J. Dadap, Jan Deats. Let's Sing Christmas, Quezon City, Philippines: New Day Publishers, 1972.
The Pirin Folk Ensemble (, Folkloren ansambal „Pirin“) (also Pirin Folk Song and Dances State Ensemble) is a Bulgarian performance group. It consists of a folk orchestra, a dance troupe, and a women's choir. The ensemble strives to preserve Bulgarian culture by performing traditional music and dance from throughout Bulgaria. It has performed over 6500 concerts in 50 different countries, and produced numerous LPs, CDs, videos, and songbooks.
The format of these songbooks was intended to be performed with a solo voice and an accompaniment, but some did include variations for multiple voices and additional instruments. It is possible that lute songs were composed before these books were published, but the written record of such songs starts with John Dowland.Chew, G., Mathiesen, T., Payne, T., & Fallows, D. (2001, January 01). Song. Grove Music Online.
John Olof "Olle" Widestrand (9 July 1932 – 25 March 2018), was a Swedish parish-musician, teacher and composer. He is represented in Den svenska psalmboken 1986 with two works (number 61 and 90) and several other hymnals with one hymn. He has written several children's songs and published songbooks and educational materials for schools.Olle Widestrand i Libris He lived in the town of Jönköping until his death.
"Meine engen Grenzen" ("My narrow limits") is a Christian poem by Eugen Eckert, written in 1981, and made a hymn of the genre Neues Geistliches Lied with a melody and setting by Winfried Heurich the same year. The song, bringing one's shortcomings and limitations before God and praying for a broader perspective, is part of the common German Protestant and Catholic hymnals, and of other songbooks.
Bellman 1, p 36Bellman 2, p 20 Ja, må han (hon) leva (Yes, may he (she) live) is a Swedish birthday song. It origins from the 18th century, but the use as well as its lyrics and melody has changed over the years. It is a song that "every Swede" knows and it is therefore rarely printed in songbooks. Both lyrics and melody are of unknown origin.
Her first Danish album was Viser er så meget, released in 1968. Her folk album Nordlysun (1972), in cooperation with Geirr Tveitt, earned her a Spellemannprisen. Other albums from the 1970s are Viser i vinden (1972), Ej Blot til Børn (1973), Ord over grind (1977), and Songs of Scandinavia (1978). She published the songbooks Fra Birgitte Grimstads repertoar in 1969 and Menneskeviser in 1972.
Scheffel originally wrote the song as a hiking song in order to capture the wanderlust literarily in 1859. Back then, the writer, who was born in the Grand Duchy of Baden, spent a couple of weeks at the Franconian Banz Castle, located near the Staffelberg. Various versions of the song exist on the internet and in songbooks. The lyrics themselves also contain inconsistencies in regard to content.
In 1919, Ludwig Voggenreiter and established the publishing house Der Weiße Ritter (The White Knight) in Potsdam. When Habbel left the company in 1924 it was renamed Ludwig Voggenreiter Verlag. The program comprised mainly song- and logbooks as well as books for adolescents and fiction. After Voggenreiters death in 1947, his brother Heinrich continued the company, publishing bestselling songbooks such as Der Turm and Der Kilometerstein.
Between 1994 and 1999, Jeffrey produced a series of five new concerts titled Broadway Songbooks, which originated at Kennedy Center. These national tours starred Melba Moore, Carol Lawrence, Mimi Hines, Diahann Carroll, Marilyn McCoo, and Billy Davis, Jr. and celebrated the songbooks of Irving Berlin, Cole Porter, Rodgers and Hart, and Duke Ellington. Additional national and international tours produced by Jeffrey Finn Productions from 1999-2003 include The Who's Tommy, A Few Good Men...DANCIN', Leader of the Pack starring Mary Wilson, Promises, Promises, Company, and Chess. Prior to his time working as the Vice President of Theater Producing and Programming, Jeffrey produced many shows at the Kennedy Center, including Andrew Lloyd Webber's Tell Me on a Sunday starring Alice Ripley (2003), The Music of Andrew Lloyd Webber (2005, 2008) and a revival of the Pulitzer Prize-winning drama The Subject Was Roses starring Bill Pullman and Judith Ivey (2006).
They have since disappeared.Philip O'Brien, "An Aussie Christmas carol", The Canberra Times, 18 December 1999, Panorama, p. 20 Outback themes were common in his secular songs as well, in compositions such as Bush Song at Dawn, familiar to many Australian children of the 1950s and 1960s through the school songbooks of the period. Other compositions by James have rustic English themes (A Warwickshire Wooing) or claim Māori inspiration (Six Maori Dances).
The Stamps-Baxter Music Company was an influential publishing company in the shape note Southern gospel music field. The company issued several paperback publications each year with cheap binding and printed on cheap paper. Thus, the older books are now in delicate condition. These songbooks were used in church singing events, called "conventions," as well as at other church events, although they did not take the place of regular hymnals.
With his brother-in-law, Aldine Silliman Kieffer, he founded the Kieffer-Ruebush music company in Dayton, Virginia. This became one of the largest and most influential gospel music companies of its day, printing songbooks into the 1940s. He died on November 18, 1924, and is buried in Dayton. Jacob Henry Hall, an author of books on gospel music and a book on gospel songwriters, was associated with the company.
The classical poetic meters are strictly observed, leading humanistic schoolteachers to use them as examples. In about 1540, Fries edited a collection of evangelical songs and psalms that included his own poem "Der hat ein Schatz gefunden" (based on Proverbs 31:10) set to the tune of "Entlaubet ist der Walde." The setting was popular enough to be frequently reprinted in Swiss songbooks through the end of the century.
Clausnitzer wrote the text "" in 1663, as a prayer for illumination. It was often sung before a sermon in a church service, and also at the beginning of school lessons. The hymn is part of the German Protestant hymnal Evangelisches Gesangbuch, as EG 161. In is part of the German Catholic hymnal Gotteslob of 2013, as GL 149 in the section Eröffnung (Opening), and of many other hymnals and songbooks.
He was best known as a composer of choral music and church music, and wrote songbooks and musicological articles on the genre.List of publications in BIBSYS He was also a known singer, among others performing at the YMCA World Congress of 1900. He was a fellow of the Royal Norwegian Society of Sciences and Letters, and a board member of the Norwegian Seamen's Mission. He died in June 1933.
The Red Fox Chasers were formed at the 1927 Union Grove Fiddler's Convention in western North Carolina. A.P. “Fonzie” Thompson and Bob Cranford had already been singing partners, as they grew up together in Surrey County. Both had learned the rudiments of harmony by attending church singing schools in the area, where they learned to sing from seven-shape note songbooks. Both also sang in local Gospel quartets.
Within two years, the group had become so successful that G.T. Speer decided to make the group full-time. In the late 1920s, the group established a working relationship with the James David Vaughan Music Company, selling songbooks. However, the group's success proved to be insufficient to support two families' budgets. In 1925, Logan and Pearl Claborn left the group; Logan returned to his job as a carpenter.
In light of the national importance of creating a new Hebrew repertoire, the effort received support of national institutions. The Histadrut Labor Union, which, prior to the founding of the state of Israel served many of the functions of a government, created the "Merkaz LeTarbut" (Cultural Center), which published many songbooks, and subsidized the composition of works by Hebrew composers.Regev and Seroussi (2004), p. 30 Public singalongs were actively encouraged.
It helped link teachers and students across the country, and published many songs in its pages. Kieffer taught singing schools and used his songbooks in the schools. One of Kieffer's most popular song books was The Temple Star, published at Singer's Glen in 1877. One of his most popular songs was his poem Twilight is Stealing, set to music by B. C. Unseld in 1877 and published in the Temple Star.
The Iverson Brothers published songbooks in 1931, 1937 and 1939. All three are on file at the Minnesota Historical Society. Ernest and Clarence acknowledged their Norwegian roots with songs like Ungdoms Mynder (Memories Of Youth) and Jeg Er Saa Glad Hver Julekveld (I Am So Glad Each Christmas Eve). Just as easily they could poke fun at themselves and their countrymen with Scandinavian Hot Shot or John Johnson’s Wedding.
S. Brainard Sons (also known as S. Brainard's Sons and S. Brainard & Sons) was a music publisher, music periodical publisher, and musical instrument retailer based in Cleveland, Ohio and then Chicago, Illinois. The company was founded in 1836 by Silas Brainard with Henry J. Mould. The business published music and songbooks including political and patriotic music. Brainard also published the periodical Western Musical World which was eventually renamed Brainard's Musical World.
A facsimile edition of Leveridge's songbooks and of miscellaneous printed scores of his songs and other music, with an introduction by Olive Baldwin and Thelma Wilson, is available as Richard Leveridge: Complete Songs (with the music in Macbeth), Music for London Entertainment 1660–1800. Series A. Music for plays 1660–1714 ; vol. 6. (Stainer and Bell, London 1997), : reviewed by R. Shay, Notes, Vol 59 no. 2, December 2002.
The company produces sheet music, songbooks, and method book (with audio) packs, and band, orchestra, and choral arrangements, reference books, instructional videos, and instrumental accompaniments.In addition, they distribute other brands, such as Gibraltar, Gretsch Drums, Avid, Blue Microphones, and many more. In 1989, Hal Leonard acquired Jenson Publications and its catalog of band, orchestra, and choral titles. In 1995, Hal Leonard began distributing Homespun Music Instruction instructional video and audio materials.
Song lyrics refer to a pastry chef. The final lines were originally; Och har du pengar så kan du få, men har du inga så får du gå. Elsa Beskow, who illustrated many of Alice Tegnér's songbooks, is said to have disliked this, and proposed instead the lyrics with snäller and stygger. The song is heavily associated with Saint Lucy and Christmas, with references to "Christmas tree" decorations and "gingerbread".
The primary painters were Nuno Gonçalves, Gregório Lopes and Vasco Fernandes. In music, Pedro de Escobar and Duarte Lobo produced four songbooks, including the Cancioneiro de Elvas. In literature, Sá de Miranda introduced Italian forms of verse. Bernardim Ribeiro developed pastoral romance, plays by Gil Vicente fused it with popular culture, reporting the changing times, and Luís de Camões inscribed the Portuguese feats overseas in the epic poem Os Lusíadas.
"Hail to the Purple" has been an essential song for the fraternity's chapters ever since. The original version, "Hail to the Orange," was first sung by a fraternity quartet at the 1911 Post- Exam Jubilee. It grew in favor through continued presentations at various glee contests. The song quickly became an essential symbol of school spirit, being published in several official university songbooks and sung at hundreds of university events.
Manfred Siebald (born 26 October 1948 at Alheim-Baumbach) is a German singer- songwriter and Lecturer in American Studies in Mainz. Siebald is best known as a Christian singer-songwriter, who writes and speaks on contemporary worship music. His songs of the genre Neues Geistliches Lied (NGL) have gained a firm place in the songbooks of many different Christian denominations and are sung in fellowships and youth groups throughout Germany.
He translated many songs, compiled songbooks and composed original songs, melodies and poetry. He also wrote original works in Esperanto.Josip Pleadin, Ordeno de Verda Plumo ("Order of the Green Plume", a biographical lexicon of Esperanto authors and translators), Grafokom, 2006: Đurđevac, 272 pp. A collection of his science fiction works appeared in 1976 under the title Vage tra la dimensioj (次元の間をさまよって, "Rambling through the dimensions").
Literary historian Kristian Elster characterized Bersøglis- og andre Viser as Sivle's most outstanding poetry collection. His story collection Sivle-Stubbar was published in 1895, the poetry collections Skaldemaal in 1896 and En Fyrstikke og andre Viser in 1898, and the stories Folk og Fæ in 1898. His last poetry collection was Olavs-Kvæde from 1901. Two of his songs that have found their way into songbooks are "Lerka" (from Skaldemaal) and "Den fyrste song".
In England, the lute song was usually called an "ayre", possibly borrowed from the French word, air. The first written record of the lute songs or ayres, called First book of Songes or Ayres, was written and composed by John Dowland in 1597. This is considered the beginning of the popularity of the lute songs, that set the standard for other composer’s songbooks of English ayres.Fortune, N., Greer, D., & Dill, C. (2001, January 01).
Wright moved to Toronto in 1955, where he composed scores for films and TV and published a number of choral and popular songbooks for use in school music programs. He was the musical director for the Denny Vaughn Show, Wayne and Schuster, and Holiday Ranch. Most of Wright's success came from this era where he earned the nickname of "The Jingle King". He acted as musical director for several Canadian Broadcasting Corporation (CBC) Documentaries.
Valentin Triller, a Protestant vicar, published a reworked version of the hymn with an additional introductory stanza in 1555, reverting to the "" melody. This version, known by its new first line, "Es kam ein Engel hell und klar", found its way to Catholic songbooks in the 16th century, although such printings of the song would not always contain all eighteen stanzas of Triller's version and would also start to adopt Luther's 1539 singing tune again.
Tillman's emendations have characterized the song ever since, in the culture of all southerners irrespective of race.See the "Old Time Religion" article. The SATB arrangement in Tillman's songbooks became known to Alvin York and is thus the background song for the 1941 Academy Award film Sergeant York, which spread "The Old-Time Religion" to audiences far beyond the South.William Shiver, "Stories behind the Hymns: Old Time Religion" in Lincoln Tribune (Lincolnton, North Carolina), 2008 August 17.
At times he was also a music critic, including for Berlingske Tidende, Denmark's oldest newspaper, in the years 1903–1914, and choral conductor of the Copenhagen Workers' Choir, which he founded in 1915. Most of his musical composition are forgotten today. He is most associated with one of his first songs, Den spillemand snapped fiolen fra væg, with text by Holger Drachmann (1846–1908). The song still appears in new Danish songbooks and is recorded by today's artists.
A few days after finishing his apprenticeship, Zapf left for Frankfurt. He did not bear a journeyman's certificate and thus would not be able to get a work permit at another company in Nuremberg, as they would not have been able to check on his qualifications. Zapf went to the Werkstatt Haus zum Fürsteneck, a building run by Paul Koch, son of Rudolf Koch. He spent most of his time there working in typography and writing songbooks.
In 1955 he became the music director at The Potomac School in Washington, DC, and later taught at Shady Hill School in Cambridge, Massachusetts. He wrote twenty-five books, including the Caldecott Medal- winning Frog Went A-Courtin'. He hosted the BBC-TV Schools programme Making Music for five years, and produced a series of videos called Making Music with John Langstaff for parents and teachers. He also published songbooks, teacher's guides, and production guides for the Revels.
Numerous songbooks are printed in shaped notes for this market. They include Christian Hymnal, the Christian Hymnary, Hyms of the Church, Zion's Praises, Pilgrim's Praises, the Church Hymnal, Silver Gems in Song and Harmonia Sacra. Some African-American churches use the seven-shape note system. Oak Grove Baptist Church, Elba, Alabama, African American 7-shape note gospel singing, 11 October 2003 The four-shape tradition that currently has the greatest number of participants is Sacred Harp singing.
Anderson has released more than a dozen solo albums, instructional CDs, and DVDs through TrueFire and Homespun, and songbooks published by Hal Leonard, Mel Bay, and Zen-On Japan. Her compositions include commissioned classical works for the Nashville Chamber Orchestra and Vox Caelestis Women's Choir. She is a member of the advisory board for Mel Bay. She started All Star Guitar Night, which donates its money to the Music for Life Alliance, a charity she founded.
Good copies after the painting were highly sought after during the Early Modern period and young artists could earn money for an Italian journey by selling copies of The Transfiguration. One of the best painted copies ever was made by Gregor Urquhart in 1827.Dohe, Leitbild Raffael, pp. 128-129. At least 52 engravings and etchings were produced after the painting until the end of the 19th century, including illustrations for books like biographies and even for Christian songbooks.
They soon appeared on the Wheeling Jamboree radio barn dance show on AM station WWVA. Clifton published a songbook in 1955 called 150 Old Time Folk and Gospel Songs, which soon became one of the most influential songbooks of its time. His songbook included many songs such as "Little Maggie", "I'll Be All Smiles Tonight", "Long Journey Home", and "Little Whitewashed Chimney". Because of the popularity of Clifton's songbook, these songs quickly became recognizable standards in the bluegrass world.
For the benefit of those unable to read music, the notes in the books were numbered in correspondence to a numbered and color-coded foil strip above the keyboard. The Optigan's songbooks were written and arranged by Optigan Corporation's music director, Johnny Largo. Largo, an accordionist and session musician, was a contemporary of Johnny Marks, a composer best known for his popular mid-20th century Christmas melodies. As such, many of the songs in the Christmas books were Marks compositions.
During the 1960s, Broadside put out three folio-sized trade paperback songbooks, Broadside Volume 1 (Oak Publications, 1964), Broadside Volume 2 (Oak, 1968, ), and Broadside Volume III (Oak, 1970, ). Each contained slightly under 100 songs, photo-reproduced from the original magazine. The first volume had a sewn binding, although the latter two used the glued binding more common for trade paperbacks. Each volume featured a foreword, the first by Cunningham, the second by Friesen, and the third by Irwin Silber.
Varm korv boogie is a song written by Owe Thörnqvist. Describing a hot dog (varm korv in Swedish) salesman at Fyristorg in Uppsala, who turns to rock music after his business is closed down by the local health department, it is one of the earliest Swedish rock songs. Becoming one of his most famous songs, it has appeared in many songbooks at school in Sweden , and is common at sing- along events. Owe Thörnqvist recorded the song on the 1959 single Svartbäckens ros.
"Gott, der du warst und bist und bleibst" (God, you who were and are and will be) is a Christian hymn with text by Eugen Eckert and a melody by Herbert Heine. It is also known by the title of its refrain, "Wir haben hier keine bleibende Stadt" (We have no lasting residence here). The song was written in 1993, in the genre Neues Geistliches Lied (NGL). It appears in several regional sections of the German Catholic hymnal Gotteslob, and in other songbooks.
In 1975 Dreksler founded a music school, which he directed for five years. He has also written various textbooks on pop and classical guitar and piano/keyboard and an electronics encyclopedia. He has written arrangements for folk, pop and jazz songs and he published songbooks and books on guitar and keyboards. As of 1983 Dreksler also wrote the music or lyrics for songs performed by artists including Charles Aznavour, Heino, Tony Marshall, Roland Kaiser, Mike Krüger, Die Flippers, Costa Cordalis, and Milva.
The Cancioneiro de Paris (in English: Paris Songbook - École Nationale Supérieure des Beaux-Arts, manuscript Masson 56) is one of the four Renaissance songbooks of Portuguese music from the 16th century. It is one important source of secular music of the Portuguese Renaissance and the largest one of Portuguese secular Renaissance music. It contains 130 secular villancicos and cantigas. Out of them, 55 works are polyphonic (2, 3 and 4 voices), while the other 75 works have only their melody copied.
This included a record breaking five flags in the 1997 season. Off the field, the club had two Rhodes Scholars in S.R. (Sam) Nickless in 1992 and A.P. (Anthony) Roediger in 1996. Bob Neil fever remained as strong as ever, with songbooks, badges and merchandise, as well as the occasional guest appearance and keg-tapping demonstration by the legend himself at Hold Your Bowlies. By the end of the 1990s, the Blacks were in great shape, having addressed a myriad of challenges.
In 2017, Alastair McDonald released the album "The Rebels Ceilidh" which features a nineteen songs which were in the Songbooks, mostly ones contributed by Morris Blythman. The front cover also features Jimmy Dewar's illustration from the front cover of "The Rebels Ceilidh Song Book No.2" The Original Rebels Ceilidh Song Book and Rebels Ceilidh Song Book No.2 sit in the Library of Congress Washington DC. The first book is also available in the New York Public Library system.
The opening four-bar phrase of the song is taken from Handel's aria Lascia ch'io pianga from the opera Rinaldo, although the subsequent melody differs from that of the aria. The name of the song is derived from the refrains: "Juanita" appears in numerous songbooks and has been recorded many times. Early successes were by Frank C. Stanley (1905) and by Emilio de Gogorza in 1919. The song was included in the Jo Stafford and Gordon MacRae album Memory Songs (1955).
Earlier, Toulouse-Lautrec, van Gogh, and Henri Matisse had studied and worked there. His older brother Jacques Brissaud was a portrait and genre painter and his uncle Maurice Boutet de Monvel illustrated the fables of La Fontaine, songbooks for children and a life of Joan of Arc. A first cousin was the celebrated artist and celebrity portrait painter Bernard Boutet de Monvel. Brissaud is known for his pochoir (stencil) prints for the fashion magazine Gazette du Bon Ton published by Lucien Vogel, Paris.
He has produced or played on over 190 recordings. He has published music books, several of which are his transcriptions of his music, and has transcribed songbooks for Chick Corea. He composed and performed a guitar concerto with the Grossmont Symphony Orchestra in May 2000 and with the San Diego Symphony in May 2002 and performed a number of times at Jazz at Lincoln Center in New York City. He has toured in Europe and Japan with vocalist Dianne Reeves.
Through this literary group, founded in 1772, Miller became acquainted with Matthias Claudius, Gottfried August Bürger, Ludwig Christoph Heinrich Hölty, Johann Heinrich Voss, and Friedrich Gottlieb Klopstock. In 1774 he accompanied Klopstock from Göttingen to Hamburg. In 1774 and 1775 he studied in Leipzig. Monument on Miller's grave at the Old Cemetery, Ulm leftDuring his years in Göttingen, Miller mainly wrote folk songs, many of which were set to music during his lifetime and are still found in different songbooks today.
The San Antonio Beethoven Männerchor was organized in 1867 by Wilhelm Thielepape, assistant conductor of the San Antonio Männergesang- Verein. After the surrender of the Confederacy in 1865, Thielepape raised the Union flag of the "Stars and Stripes" over the historic Texan battle site and former church mission, the Alamo in San Antonio and distributed wine and songbooks. The all-male Houston Sängerbund was founded on 6 October 1883 and chartered in 1890. It affiliated itself with Der Deutsch-Texanische Sängerbund.
He met up with various Ukrainian intellectuals, who as a result of his queries about dumy, purchased books and songbooks. He chose a literate lead boy specifically in order to have him read out the texts of dumy and historic songs. "I came to the conference not so much to be a participant, but more so to learn something"—he told me. Now he knows nine dumy, many historic songs (one of theme about Morozenko he will perform this evening).
"Maggie May" was widely performed in the late 1950s, and was adapted to the skiffle craze of the era. In this period Lime Street was established as her favoured haunt. A. L. Lloyd recorded it in 1956 on the album English Drinking Songs, describing it in the liner notes as "last fling of sailor balladry. It is a song that has found its way into every ship but none of the songbooks." Liz Winters and Bob Cort released a skiffle version in 1957.
The album Outo elämä from 1998 is widely considered the breakthrough of YUP. After that the music has become somewhat lighter and easier to approach, which has upset some hard-core fans. Their compilation album reflects this trend, the album being called Helppoa kuunneltavaa 2004 ("Easy Listening"), accompanied by the DVD Helppoa katseltavaa ("Easy Watching") and the songbooks Helppoa soiteltavaa ("Easy Playing") and Helppoa soiteltavaa II ("Easy Playing II"). The band's eleventh studio album, Vapauden kaupungit, was released June 21, 2008.
Love and music often went hand in hand in the 17th century, especially with the presence of a musical duet between a man and a woman. Playing music with one another was one of the few activities where young people of the opposite sex could socialize. The two in the painting were likely part of the haute bourgeoisie, which meant that they were worldly and educated when it came to music, and each likely had a personal collection of songbooks.
In addition to lead vocal and writing credits on Jeff Beck's Epic/Legacy release Beckology, Lawrence's most notable coup was composing "Prisoner (Love Theme from Eyes of Laura Mars)", performed by Barbra Streisand. Over four times platinum, the song has been identified in songbooks as one of the one hundred best love songs. Blue by Nature was formed in March 1993, when Lawrence and her collaborator of 14 years, rhythm guitarist Fred Hostetler, joined up with longtime friend Rick Dufay.
Few poems have survived from the Consistori's contests, preserved in chansonniers with other troubadour songs. The Cançoner dels Masdovelles is one of the most important songbooks, yet only three songs can be connected to the Consistori de Barcelona with any certainty. Gilabert de Próxita wrote Le souvenirs qu'amors fina me porta, a secular song on love, in the manner of the troubadours. According to its forty-second line, it was presented al novell consistori (to the new consistory), probably the re-creation of Martin the Humane.
Whilst principally concerned with Britain, the library also has a major collection on Irish history from the late 18th century onwards, derived initially from the libraries of two historians; C. Desmond Greaves and T. A. Jackson. The collection includes diverse cultural material including poetry, novels, prints, playscripts, songbooks and audio-visual material. Since 1985, the WCML has been the official archive of the GMB union. It also has a large collection of material from the engineering and the various textile unions, especially the North west regional branches.
While there are reports of the song dating back to British soldiers in the Crimean War (1853–1856), it certainly dates to at least World War I (1914–1918), when it was sung by American and British soldiers, and was collected in various World War I songbooks of the 1920s. The key line "the worms crawl in, the worms crawl out" appears in some versions of the otherwise unrelated song "There was a lady all skin and bone", and may date to 1810 or earlier.
Roman Urdu Bibles are used by many Christians from the South Asian subcontinent Urdu was the dominant native language among Christians of Karachi, Uttar Pradesh, and Rajasthan in the 20th century and is still used today by some people in these states. Pakistani and Indian Christians often used the Roman script for writing Urdu. The Bible Society of India publishes Roman Urdu Bibles, which enjoyed sale late into the 1960s (though they are still published today). Church songbooks are also common in Roman Urdu.
Davies main field of study was the Golden Age of Spanish poetry, but was also interested in nineteenth-century Spanish literature, the Spanish songbooks of the German Romantics and other Spanish and Argentine works, having himself visited Welsh Patagonia. As a translator, Davies found the works of fellow countryman David Rowland of interest. Rowland had translated the anonymous Spanish text, La vida de Lazarillo de Tormes y de sus fortunas y adversidades, in 1586, and Davies edited a 1991 version published by Gregynog Press.
Her first book, Historien om Tamar og Trine from 1958, is a story about a sailor's family who has adopted children from different parts of the world. The book contained the song "Jorden snurrer rundt og rundt med barn på alle kanter" (), which found its way into songbooks for schoolchildren. The sequels Tai-mi, Tamar og Trines søster and Tom Tangloppe, bror til Tamar, Trine og Ta-mi, were published in 1959 and 1960, respectively. From 1964 she wrote several television shows for children.
It was released as a single on July 1, 1966, reaching number 10 in the UK Singles Chart, but was not released as a single in the U.S. Although "Goin' Back" was not included on any of Dusty Springfield's studio albums during the 1960s, it can be found on a number of her compilations, including Greatest Hits, Goin' Back: The Very Best of Dusty Springfield, Songbooks, Complete A and B-sides: 1963–1970, Live at the BBC, and the UK version of Golden Hits.
Staines has recorded 22 of his own albums, 15 of which were still in print as of 2005. Staines's songs have been published in four songbooks, If I Were a Word, Then I'd Be a Song; River; Music to Me: The Songs of Bill Staines, and All God's Critters Got a Place in the Choir. Staines is left-handed and plays a right-handed guitar upside-down, with the bass strings on the bottom. Consequently, he has developed his own fingerings and picking style.
It was included in collections before 1900, such as Ludwig Erk's Singvögelein – Ein-, zwei- und dreistimmige Lieder (Little songbird – songs for one, two and three voices) which appeared in 1883 in its 59th edition, and in 1895 in Franz Magnus Böhme's Volksthümliche Lieder der Deutschen im 18. und 19. Jahrhundert (Folkloric songs of the Germans in the 18th and 19th centuries). When the Wandervogel youth movement was founded in 1905, the song became part of many of its songbooks but not of the standard '.
Claudius added his own melody to the poem. In the 19th century, Johann André composed a new melody and chose eight of the stanzas for a version which appeared in both Protestant and Catholic hymnals, often sung in schools. Other melodies were also created for a song which became popular. The melody still used in current songbooks is attributed to Johann Abraham Peter Schulz, and was published first in 1800 in Hanover in the second edition of a collection Melodien für Volksschulen (Melodies for elementary schools).
Sarmanto has released around 40 recordings, numerous published scores, and songbooks, as well as having several film scores to his credit. He has collaborated with jazz musicians such as Sonny Rollins, Art Farmer, Helen Merrill, George Russell and Jeannine Otis in addition to his work in the classical arena with baritone Jorma Hynninen, the Finnish Radio Symphony Orchestra and the Tapiola Children's Choir. In September 1998 Sarmanto was appointed Artistic Director of the UMO Jazz Orchestra. Pekka Sarmanto, who is also a jazz musician, is Sarmanto's brother.
The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957 at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957 at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18). This album is typical of Ella's concert repertoire in the mid 1950s, singing swing standards, and songs referencing her recent 'Songbook' series, in this case, the Cole Porter and Rodgers and Hart songbooks.
Janice Kapp Perry in 2019 Janice Kapp Perry (born 1938) is a composer, songwriter, and author. She is most notable for her work related to her membership in The Church of Jesus Christ of Latter-day Saints (LDS Church). She has written over 3,000 songs, some of which appear in the church's official hymnal, Children's Songbook, and many personal albums, songbooks, and musicals. Some of her most well-known songs include "I Love to See the Temple", "I'm Trying to Be Like Jesus", and "A Child's Prayer".
Once again, he left and instead formed a new group, "The Band of Arthurs", in Decatur, Alabama with his daughter Lavonne and some other musicians all named Arthur. In the early 1940s, Smith joined the "Bailes Brothers," and published two songbooks, Songs From the Hills of Tennessee and Arthur Smith's Original Song Folio no.1. In the following years, he performed with artists like Rex Griffin and Jimmy Wakely. This led to an invitation from Hollywood in 1944 to appear in some low budget westerns.
Zenetti wrote the text in 1971, based on the biblical parable of The Grain of Wheat. With a 1972 melody by Johann Lauermann, it was included in the German Catholic hymnal Gotteslob of 1975 as GL 620, and in the 2013 edition as GL 210, designated as a song for communion or as thanks for communion. It was also printed in the Protestant hymnal of 1995 Evangelisches Gesangbuch, as EG 579, and in other songbooks. It is popular, and is regarded as Zenetti's signature work.
The Nazis claimed the title, and it had to be renamed Michael in 1935, and was banned in 1936. Thurmair worked on two songbooks of the Jungmännerverband, ' and Das gelbe Singeschiff. From 1934, Thurmair was an editor of the youth journal Die Wacht, which first published in 1935 his hymns "Nun, Brüder, sind wir frohgemut" (known as the Altenberg pilgrimage song) and "Wir sind nur Gast auf Erden", which was first called a Reiselied (travel song). He was interrogated by the Gestapo and included in a Liste der verdächtigen Personen (list of suspicious persons).
Ross Andrew Hannaford was born in Newcastle on 1 December 1950, his family moved to Melbourne one year later. Hannaford and Wilson first teamed up in the hometown of Melbourne in early 1965, in the R&B; band The Pink Finks, which enjoyed moderate local success. This was followed by the more progressively-oriented The Party Machine, They released a single "You've All Gotta Go" in 1969; their printed songbooks were confiscated and burned by the Victorian Vice Squad for being obscene and seditious. The Party Machine disbanded in 1969, with Wilson travelling to London.
The business employed as many as 110 workers. In its first 18 years, it issued more than 128 million periodicals. It is credited with being the first publisher of the old songs of Negro slaves, and it produced more than 25 songbooks and hymnals by 1921, including Golden Gems: A Song Book for the Church Choir, the Pew, and Sunday School (1901) and The National Baptist Hymnal (1903). The board's publications are considered to have played a key role in establishing an African American Baptist religious and racial identity in the United States.
Lars Bondeson called himself "Sweden’s original rustic comic". At the same time that Jödde i Göljaryd (Karl Peter Rosén) was establishing the wardrobe and repertoire for a new form of entertainment, he was appearing at the Alhambra Variety Theatre in Stockholm. Bondeson — in contrast to Jödde i Göljaryd — took rustic humor into the world of commercial entertainment via vaudeville, dance halls and folk parks. He collected tunes and songs, which he had discovered or in some cases written himself, and published them in ten songbooks. He died in 1908, having seldom performed in later years.
Codex Martínez Compañón (ca. 1782). The mixed religious or secular music appears since the 16th century in Spanish and indigenous languages. Baroque music imported from Spain but with European and African instruments (such as drums and congas) appears. The Spanish also introduce a wider musical scale than the indigenous pentatonic, and a melodic and poetic repertoire, transmitted by writings such as songbooks, common of it is the sung voice, common in the European baroque music, the mixed aesthetics are the fruit of diverse contributions indigenous, African and especially, Spanish and European.
Gery Scott (5 October 1923 – 14 December 2005) was a jazz and cabaret entertainer and teacher, whose performing career spanned 26 countries and over 60 years. She was noted for her powerful stage persona and engaging delivery, with material ranging from the songbooks of Cole Porter, George Gershwin, Irving Berlin, Harold Arlen, Lorenz Hart, Cy Coleman and all the "standards" as well as Noël Coward and some pop material. Whilst she was well known to British audiences during the later part of the Second World War, she achieved most of her fame outside the UK.
For 10 years, Alden taught school, and for three years, she served as a member of the school board of her native town. She was left alone by the death of her mother in 1884. In July, 1890, she married Lucius David Alden (1835-1898), an early schoolmate who had relocated to the Pacific coast, but she continued to live at her father's homestead. Her poetic, and far more numerous prose, writings appeared in various newspapers of Springfield, Boston, Chicago, and Minneapolis, in several Sunday school songbooks, and in quarterly and monthly journals.
Jewish Brigade soldiers dancing the Hora The first efforts to create a corpus of music suitable for a new Jewish entity that would eventually become Israel were in 1882.Shahar (1999), p 495. This was the year of the First Aliyah, the first wave of Jewish immigrants seeking to create a national homeland in Palestine. As there were no songs yet written for this national movement, Zionist youth movements in Germany and elsewhere published songbooks, using traditional German and other folk melodies with new words written in Hebrew.
Resonet in laudibus, Hymns and Carols of Christmas. Accessed 27 November 2010. There is no definitive version of the Latin text, and there are many variations and parodies in various sacred songbooks, as well as extended, embellished versions (for example motets by the Franco- Flemish composer Orlande de Lassus or the Slovenian-German composer Jacobus Gallus).[ Jacobus Gallus's version], All Music Guide, accessed 27 November 2010 Georg Wicel, a contemporary of Martin Luther, referred to the carol as "one of the chief Christmas songs of joy" in 1550.
"Silent Worship" is featured in the 1996 film adaptation of Jane Austen's novel Emma, where it is sung by Gwyneth Paltrow (as Emma) and Ewan McGregor (as Frank Churchill). Although Somervell's 1928 English adaptation of the 1728 Handel aria was done more than a century after Austen's 1815 novel, the original Italian aria was recorded in Jane Austen's own handwritten songbooks.Emma: Non-soundtrack Music Notes from site on Emma adaptationsJane's Hand: The Jane Austen Songbooks (CD and MP3) In the film, Somervell's piano introduction to the song is shortened.
In the Diocese of Limburg, it appeared in the 1975 first edition as GL 939, and in the 2013 edition as GL 798. In the Protestant hymnal Evangelisches Gesangbuch, it is EG 522. It is also part of other hymnals and songbooks, such as the collection Durch Hohes und Tiefes of the congregation of Protestant students, and morning has broken / Pop-Chorbuch zum EG, a pop choral book for the Evangelisches Gesangbuch. Due to its general theme, the song has been recommended for several occasions, including preparation of the gifts and Easter.
Nearly all the poems belong to the three principal genres of secular cantigas: the cantigas de amigo, cantigas de amor and cantigas de escárnio e maldizer. Even though the texts were meant to be sung, there is no musical notation—nor space left for it (see Cancioneiro da Ajuda). The Cancioneiro da Vaticana, together with the Cancioneiro da Biblioteca Nacional (kept in Lisbon), were copied from an earlier manuscript (or manuscripts) around 1525, in Rome Italy at the behest of the Italian humanist Angelo Colocci. The two songbooks are either sister manuscripts or cousins.
NYCOS (formerly known as National Youth Choir of Scotland or NYCoS) is a youth arts organisation, dedicated to providing high-level singing opportunities for Scotland's young singers aged 0–25. Led by Artistic Director, Christopher Bell, NYCOS provides a national infrastructure for young people, teachers and choir directors to support and develop choral singing in Scotland. NYCOS activities currently include four National Choirs, a growing network of Regional Choirs across Scotland, Mini Music Makers classes and a broad range of educational projects. NYCOS also commissions and publishes a range of publications, songbooks and educational resources.
He has given classes and seminars throughout the United States, including the Isabella Stewart Gardner Museum, the Chamber Music Society of Lincoln Center, Arizona State University, Duke University, the Cincinnati Conservatory, the Chamber Music and Composer's Conference of the East, Wake Forest University, and Memphis State University. An accomplished pianist, Frazelle often collaborates with UNCSA faculty member soprano Marilyn Taylor. She premiered both “Appalachian Songbooks,” “Vanishing Birds,” and “Return,” which she recorded with Robert Brewer in 2001.“Return: Art Songs from Carolina.” Marilyn Taylor, soprano, and Robert Brewer, piano.
Kare was also known as a science fiction fan and filksinger. He was a regular attendee and program participant at science fiction conventions starting in 1975. He was an editor of The Westerfilk Collection: Songs of Fantasy and Science Fiction, an important filksong collection, and later a partner in Off Centaur Publications, the first commercial publisher specializing in filk songbooks and recordings. Kare won two Pegasus Awards for his filk songs, Best Classic Filk Song in 2010 for "Fire in the Sky" and Best Writer/Composer in 2017, as well as seven additional nominations from 1987 onwards.
David Curtis Glover (October 7, 1939 – May 29, 2019), better known as Tony "Little Sun" Glover, was an American blues musician and music critic. He was a harmonica player and singer who was most notably associated with "Spider" John Koerner and Dave "Snaker" Ray in the early 1960s folk revival. Together, the three released albums under the name Koerner, Ray & Glover. Glover was also the author of diverse "harp" (blues harmonica) songbooks and a co-author, along with Ward Gaines and Scott Dirks, of an award-winning biography of Little Walter, Blues with a Feeling: The Little Walter Story.
He has tramping songs included in ephemeral songbooks such as the Tararua Songbook (1971) and collections distributed by New Zealand tramping clubs and student organisations.Cleveland, p. 22. Gretton’s songs were popular with these tramping organisations from the 1950s to the 1970s. In 1967, Gretton’s tramping songs were included in Shanties by the Way: A Selection of New Zealand Popular Songs and Ballads, collected and edited by Rona Bailey and Herbert Roth; with musical arrangements by Neil Colquhoun. In 1984, his song ‘A Fast Pair of Skis' appeared in A Thousand Mountains Shining: Stories From New Zealand’s Mountain World edited by Ray Knox.
When Breitkopf developed the first typeface for music in 1755, Enschedé wanted to improve on the idea, and hired Fleischman to create a more flexible and accurate system. Soon after, the first Haarlem songbook Haerlemsche Zangen was published with this font. Previous songbooks had had their music engraved on copper plates by musicians. The new font was designed to be used by publishers in the same way that typeface could be used to print words, but this idea was not successful, as the musicians who wrote the music needed training in order to use the font.
In Norway the ballad is generally known as Villemann og Magnhild and catalogued as Norske mellomalderballadar (NMB) no. 26. ed., Norske mellomalderballadar There are some 100 variants, although this count tallies up many fragmentary redactions only a few stanzas long.Variant 96 given in Villemann og Magnhild, Dokumentasjons-prosjektet Some variants are known by other titles: Harpespelet tvingar nykken in Leiv Heggstad's collection, and two specimens called Gaute og Magnild and Guðmund og Signelita in the anthology compiled by Landstad (1853). The version most often met in Norwegian songbooks today is Knut Liestøl and Moltke Moe's 32-stanza reconstructed text (1920).
"Bright College Years" is one of the traditional songs of Yale University, and the university's unofficial but undisputed alma mater. It was written to the tune of "Die Wacht am Rhein" in 1881 by Henry Durand. In some old songbooks and publications, the song can be found under the name "Dear Old Yale", possibly a reference to the closing words of another popular Yale song, Neath the Elms: "Jolly, jolly are the days neath the elms of dear old Yale!" During World War I and shortly afterward, "Bright College Years" was nearly banned for its German heritage.
For unknown reasons, the film variant of this game nearly always features a reference to Bring Me the Head of Alfredo Garcia (e.g. at the Gardeners' Film Club, "Bring Me the Shed...", or in the Golfer's Film Club, "Bring Me the Wedge..."), invariably uttered by Graeme Garden. Other variants of this game include themed songbooks (using song titles, where Barry Cryer will almost invariably come up with some variation on Supercalifragilisticexpialidocious) and Radio Times (with radio and television programmes). In the latter, any version of I'm Sorry I Haven't a Clue itself is, of course, guaranteed to produce a round of applause.
Baxter ran the company's Chattanooga, Tennessee office until Stamps's death in 1940; following this Baxter moved to Dallas, Texas to run the main office. Baxter's interest in school teaching led him to publish shape-note songbooks and sponsor a Stamps-Baxter School of Music, both of which contributed to the popularity of Gospel music. Baxter also composed Gospel songs himself; his works include "Try Jesus", "Travel the Sunlit Way", "Something Happens (When You Give Your Heart to God)", "I Have Peace in My Soul", "Living Grace", and "I Want to Help Some Weary Pilgrim". He died on January 29, 1960 in Dallas, Texas.
It was recommended as a Psalmlied, a hymn suitable to be sung instead of a psalm between the first and second reading in the liturgy, although it is no paraphrase of a specific psalm. In the 2013 version of the hymnal, the hymn appears only in regional sections, such as the Diocese of Limburg, which has it as GL 767 in the section Österliche Bußzeit (Fastenzeit), which translates to: Time of penitence before Easter (Lent). The song is part of several songbooks. Zils set his text to a melody which Ignace de Sutter had composed in 1959.
The next verse enters Ciara walking in the room apparently angry at Iglesias. As she sings her verse, she proceeds to pick up a jacket that reads "From C, with Love" and heads to the pool and throws the jacket in the water. What ensues shortly after is a back and forth argument involving the two destroying the house, from Iglesias throwing dishes and glasses out of the refrigerator, to Ciara burning songbooks and pouring paint on top of his car. Then, the two briefly meet in the dining room of the house, where they obviously still have feelings for one another.
Glaser has released 24 albums, as well as four collections of lyrics and poetry, four musicals, five sheet music songbooks of his Jewish music and an SATB choral book, Kol Haneshama. He is a 7 time winner of the ASCAP Award and has won Parent's Choice, John Lennon and International Songwriting Competition awards. He produces his music through his own record company Glaser Musicworks as well as producing scores for film and television. He has served as in house composer for the WB Network and has scored for ESPN, Warren Miller Films and TV, PBS and the Sports Channel.
In these traditions, the custom of "singing the notes" (syllables) is generally preserved only during the learning process at singing schools and singing may be to an instrumental accompaniment, typically a piano. The seven-shape system is also still used at regular public singings of 19th-century songbooks of a similar type to the Sacred Harp, such as The Christian Harmony and the New Harp of Columbia. Such singings are common in Georgia, North Carolina, Tennessee, Mississippi, and Alabama, and generally preserve the singing school custom of "singing the notes". The seven-shape (Aikin) system is commonly used by the Mennonites and Brethren.
Later collections were assembled from songbooks, but the attribution of some anonymous poems and arias remains disputed. Stub's literary works have a wide variety of topics, comprising philosophical and religious poetry as well as drinking songs, love poems and occasional poems. His Du deylig Rosen-Knop (Thou beautiful rosebud) can be read as a commitment to virtuousness: the withering rose is a symbol for perishable beauty, and only virtue persists. One of Stub's more famous poems Den kiedsom Winter gik sin Gang (The bleak winter went his way), is found in a truncated version in the anthology Højskolesangbogen.
In further recruitment efforts, Pease went on to offer spots in the band to musicians at Piedmont Virginia Community College. Pease was given university songbooks from 1907 upon his arrival, and at the 2004 debut featured such University fight songs as "The Orange and the Blue" and "The Virginia Yell Song." The band performs new halftime shows at every home football game and travels to one or two road games per season (depending on distance and available funding), as well as occasionally performing in exhibition at high school competitions. In its inaugural season, the Cavalier Marching Band had 170 members.
Moller was born in Diepholz, a descendant of an old Norwegian family of clergy, who were known in the 17th century for publishing protestant songbooks. His father, Levin Adolf Moller, grew up in Westphalia and became a notary in Celle, and from 1777 worked as an advocate and attorney-at-law in Diepholz. Moller's mother, Elisabeth von Castelmur, originated in an old Swiss family of nobility from the Upper Engadin district of Switzerland. Therefore, Moller grew up in a well-situated family. In 1800, after finishing secondary school Moller began studying architecture with Christian Ludwig Witte in Hannover.
In 2013 he arranged his music for the 61-piece Traditional Russian Orchestra of Krasnoyarsk and performed with them in Kansk, Siberia, alongside other members of Secret Chiefs 3. He has performed regularly with John Zorn and has arranged two releases of works from Zorn's Masada Songbooks for Secret Chiefs 3: "Xaphan" in 2007, and "Beriah". He contributed guitar and tubular bells to two albums by the drone metal band Asva, with whom he toured the US and Europe. He also recorded with Patton and Faith No More on their 1995 album King for a Day... Fool for a Lifetime.
Like Oscar Peterson, whom Previn admired a great deal,Frédéric Döhl: André Previn. Musikalische Vielseitigkeit und ästhetische Erfahrung, Stuttgart 2012, p. 127. and Bill Evans, Previn worked a lot as a trio pianist (usually with bass and drums). Following his performance on Shelly Manne's recording Modern Jazz Performances of Songs from My Fair Lady in 1956, Previn released several albums of jazz interpretations of songs from broadway musicals as well as several solo piano recordings focussed on the songbooks of popular composers (André Previn Plays Songs by Vernon Duke, 1958; André Previn Plays Songs by Harold Arlen, 1960; Ballads.
Religious and secular music were closely connected at this time, and documentation of the former grew with the publication of many songbooks filled with free psalm paraphrases called lauds, facilitating the practice of communal singing among the nascent Protestant churches. This conflation of religious and secular song was much criticized from the pulpit, from both the Protestant and Catholic churches. The latter allowed popular songs after a 1564 edict from Ferdinand I, which allowed the bishops to use them only after close scrutiny. They were again banned in 1611, however, and a Catholic collection of Hungarian church songs was not agreed upon until 1629, at the Synod of Nagyszombat.
This is a small Scouting store operated by Sequassen staff. It is well known for the slushies and candy sold there, but also offers other merchandise such as Sequassen frisbees, shirts, hats, belts, walking sticks, joke books, cookbooks, songbooks, knives, playing cards, bumper stickers, mugs, water bottles, carabiners and patches as well as official Boy Scout Merit Badge books and socks. At the waterfront, Scouts can go swimming or take boats such as canoes, kayaks and row boats out into West Hill Pond. Also, Platt Field, located in North Sequassen, is where Scouts can participate in rifle shooting, paintball, and archery (both trap shooting and regular).
These quantitative metres were based on classical models and should be viewed as part of the wider Renaissance revival of Greek and Roman artistic methods. The songs were generally printed either in miscellanies or anthologies such as Richard Tottel's 1557 Songs and Sonnets or in songbooks that included printed music to enable performance. These performances formed an integral part of both public and private entertainment. By the end of the 16th century, a new generation of composers, including John Dowland, William Byrd, Orlando Gibbons, Thomas Weelkes and Thomas Morley were helping to bring the art of Elizabethan song to an extremely high musical level.
Carlo Donida began his musical career as a pianist of the musical group "The Dandies". He was then hired as an arranger by Casa Ricordi, which at that time had just created a pop music section. Entered into the "songbooks," he decided to put on paper pentagramma, his first songs, with the assistance of Gian Carlo Testoni wherein the songs "Tell Me I Love You" and "Under the Almond Tree" debuted on the radio and received warm reception from the public. Then came the binomial Donida - Pinchi that gave rise to such hits as Vecchio Scarpone ("Old Boot") and Canzone da due soldi ("Song of Two Money") which had international success.
During this time, he also illustrated a book of children's poetry, Nothing at All Rhymes, published by Paul Hamlyn in London (1969) and later in Sydney (1971). In the mid-1970s, Stomann took over from Tony Oliver as illustrator of the children's songbooks published annually by the Australian Broadcasting Corporation to accompany a radio series used as a teaching aid in primary schools. Stomann illustrated all of the editions of this songbook between 1976 and 1986 (except for two 1982 editions, both illustrated by Bob Graham) in the distinctive and colourful style that became his trademark. Around 1980, he began to regularly contribute cartoons and illustrations to the Australian Women's Weekly.
Siem studied piano with Nils Larsen, Erling Westher and Ivar Johnsen. He made his concert debut as pianist in 1938, and toured widely in Norway and internationally until his playing career was interrupted by an injured elbow. He started writing music for film and theatre, worked as kapellmeister and conductor, contributed to the Norwegian Broadcasting Corporation, and was a columnist for the newspaper VG. An active participant in the , he co-edited several songbooks, jointly with Thorbjørn Egner and Yukon Gjelseth. His publications further include the cookbook Kåres nam-nam-bok for kløner og duster (1974) and the memoir books Bingo (1978) and Klokkene ringer for meg (1979).
Dick Burnett did find a way to profit from their records. He bought many copies wholesale from Columbia and sold them at his performances, just as he had previously sold his ballets and songbooks. Burnett and Rutherford were invited to the Columbia's next Atlanta sessions in April and November 1927. The ten numbers included Dicks' autobiographical Song Of The Orphan Boy, which was not issued, a record with two sides of dance tunes without a vocal (enlivened by Dick's "monkey business" in the form of kazoo and jew's harp imitations), and a version of Hesitation Blues backed by Dick's adaptation of the well-known Danville Girl.
The Pilgrams' songster; or, A choice collection of spiritual songs. A. Wright & A. Wolliscroft The Camp-meeting Chorister (1830) and The Golden Harp (1857) Many of these songs were republished in shape note songbooks such as A Supplement to the Kentucky Harmony (1820),Some camp meetings songs from Davisson's Supplement have been republished in the Shenandoah Harmony (2013); for example, recordings of 319 Salutation are easily found on YouTube. the Sacred Harp (1844), and dozens of other publications; they can typically be distinguished by the reuse and re-arrangement of certain lines of lyrics from other songs, re-set to a new melody and sometimes containing new lyrics.
Scripture in Song Recordings Limited was the name of a recording company registered in 1973 by Dave and Dale Garratt of New Zealand, with the aim of better incorporating scripture into contemporary worship music. The Garratts produced a series of albums and songbooks of the same name, and became leading musicians and songwriters in the Charismatic movement in the 1970s and 80s. They have gone on to become leading figures in the global school of ethnodoxology, a discipline which helps indigenous cultures understand and express Christian doctrine in their own musical forms. The company was struck off by the New Zealand Companies Office in 2002.
The Industrial Workers of the World (IWW), an anarchistic trade union in the United States and Canada, had a strong singing tradition, and many of its American Finnish communities also had songs in Finnish. These songs had all but been forgotten, when musicologist Saijaleena Rantanen found three Finnish language IWW songbooks in the Immigration History and Research Center archive in Minneapolis and at the Lakehead University archive in Thunder Bay, Canada. Of these three books, only one had a known copy in Finland, whereas of the two others, only individual pages had remained. The songs had last been heard possibly a hundred years previously at the American Finn halls.
The songbooks only contained the words of the songs, no sheet music. Finding the melodies took some deduction and detective work. It was easy to connect the song Solidaarisuutta aina to an English song called Solidarity Forever, but the melody of the song Langenneen laulun (‘the song of the fallen woman’) was more difficult to find. In the end, Rantanen found the sheet music of this song for the piano at the Library of Congress in Washington D.C.. The authors of many of the texts are unknown, as the authors would have been likely to have been faced with discrimination at their work places.
Page in Playography Ireland database at the Irish Theatre Institute website. Retrieved 3 June 2015 However, he very quickly noticed that a burgeoning folk scene was emerging, centred around the Baggot Street–Merrion quarter of Dublin's city centre. "As soon as I found my feet there, I thought, 'That's it, goodbye acting!'". After discovering Irish music through Séamus Ennis on Peter Kennedy's BBC programme As I Roved Out and through Ciarán Mac Mathúna on Raidió Éireann, Irvine studiously spent many hours at the National Library, scouring old songbooks like the Child Ballads and Sam Henry's Songs of the People, as well as A.L. Lloyd's Penguin Book of English Folk Songs.
The Ahnenerbe had several different institutes or sections for its departments of research. Most of these were archeological but others included the Pflegestätte für Wetterkunde (Meteorology Section) headed by Obersturmführer Dr Hans Robert Scultetus, founded on the basis that Hanns Hörbiger's Welteislehre could be used to provide accurate long-range weather forecasts, and a section devoted to musicology, whose aim was to determine "the essence" of German music. It recorded folk music on expeditions to Finland and the Faroe Islands, from ethnic Germans of the occupied territories, and in South Tyrol. The section made sound recordings, transcribed manuscripts and songbooks, and photographed and filmed instrument use and folk dances.
The National Baptist Publishing Board became the principal source of religious publications for black Baptists worldwide. By 1906, it grew to become the largest African American publishing company in the United States. It is credited with being the first publisher of the old songs of Negro slaves, and it produced more than 25 songbooks and hymnals by 1921, including Golden Gems: A Song Book for the Church Choir, the Pew, and Sunday School (1901) and The National Baptist Hymnal (1903). Its publications are considered to have played a key role in establishing an African American Baptist religious and racial identity in the United States.
The Blackwood Brothers Quartet were formed in 1934 in the midst of the Great Depression when preacher Roy Blackwood (1900–71) moved his family back home to Choctaw County, Mississippi. His brothers, Doyle Blackwood (1911–74) and 15-year-old James Blackwood (1919–2002), already had some experience singing with Vardaman Ray and Gene Catledge. After adding Roy's 13-year-old son, R.W. Blackwood (1921–54), to sing baritone, the brothers began to travel and sing locally. By 1940, they were affiliated with the Stamps-Baxter Music Company to sell songbooks and were appearing on 50,000-watt radio station KMA (AM) in Shenandoah, Iowa.
Psalm 1 from the Genevan Psalter of 1562 Music in worship was abolished altogether by Ulrich Zwingli in Zurich in 1523 based on a belief that the Bible did not allow for it and that physical means could not lead to spiritual edification. A number of German cities published Protestant songbooks before Martin Luther's Geystliche gesangk Buchleyn, including Nuremberg and Erfurt.Trocmé- Latter, p. 84. The reformed Church in Strasbourg, under the leadership of Martin Bucer, was one of the first to institute congregational singing to replace choral singing, and produced many psalms and hymns for this purpose, including some (such as 'Gott sei gelobt') by Luther.
1700 During the 18th century, some of the students at colleges such as those in Sárospatak and Székelyudvarhely were minor nobles from rural areas who brought with them their regional styles of music. Whilst the choirs in these colleges adopted a more polyphonic style, the students' songbooks indicate a growth in the popularity of homophonic songs. Their notation, however, was relatively crude and no extensive collection appeared until the publication of Ádám Pálóczi Horváth’s Ötödfélszáz Énekek in 1853. These songs indicate that during the mid to late 18th century the previous Hungarian song styles died out and musicians looked more to other (Western) European styles for influence.
"Easter Song" is a song written by Annie Herring of the Jesus music group the 2nd Chapter of Acts that tells of Jesus Christ's resurrection and the elation Christians feel about this resurrection on Easter. It was first recorded in 1974 and released on the band's debut album, With Footnotes. It continues to be performed, appearing in church hymnals and Easter songbooks as well as on Wow Gold CD. It has been covered by several other artists, including GLAD and Keith Green. According to Tori Taff of CCM Magazine, "The opening notes to 'Easter Song' just may be the single most recognizable intro in contemporary Christian music".
German music was a much stronger influence on the music of the Catholic Church and in the songbooks of Mihály Bozóky. The playwright Elemér Szentirmay (also known as János Németh) was very popular in his time, known for his "form of expression and scale of popular character" whose "works surpassed in popularity everything written by his contemporaries". The Hungarian operetta first appeared in the 1860s, popularized by Ignác Bognár, Geza Allaga and Jeno Huber, followed by Elek Erkel and György Bánffy; in the early 20th century, the Viennese style predominated in the work of Huszka, Pongrác KacsóhKacsóh, Buttykay, Jacobi, Kálmán and Lehár. Aside from the popular operetta, the field of Hungarian opera reached fruition in the 19th century.
For the majority of the 1950s, Billie Holiday was signed to jazz producer Norman Granz's Clef Records, which was later absorbed into the newly founded Verve Records by 1956. All of her work for Norman Granz consisted of small jazz combos, reuniting her with musicians she recorded with back in the 1930s when she made her first recordings with Teddy Wilson. There were talks in the early 1950s of Holiday making albums, or songbooks, dedicated to composers such as George and Ira Gershwin and Jerome Kern, but they fell through and ended up going to Ella Fitzgerald when she signed to Verve. By 1957, Holiday had recorded twelve albums for Granz and was unhappy.
He teaches strategic corporate research and campaigns to a variety of union, community and environmental groups. Juravich continues to write about the contemporary labor movement in recent articles, including “Constituting Challenges in Differing Arenas of Power: Workers’ Centers, the Fight for $15 and Union Organizing.” He also builds on his work in labor history and union culture that he began with Commonwealth of Toil: Chapters in the History of Massachusetts Workers and Their Unions (with Jim Green and William Hartford) with his recent “Bread and Roses: The Evolution of a Song, Labor Songbooks, and Union Culture.” He is also co-editor with his colleagues at the UMass Labor Center of Labor in the Time of Trump.
Located at the head of Music Row, the museum was erected on the site of a small Nashville city park. At this point, artifacts began to be displayed and a small library was begun in a loft above one of the museum's galleries. Early in the 1970s the basement of the museum building was partially complete, and library expansion began, embracing not only recordings but also books and periodicals, sheet music and songbooks, photographs, business documents, and other materials. At the outset, CMA staff had run the museum, but by 1972 the museum (already governed by its own independent board of directors) acquired its own small staff, which has steadily increased to over 150 full-time professionals.
Bell was the Juno Awards' first winner in the Best Gospel Album category in 1998. That category was created from the former Blues/Gospel Album category, which represented the industry's recognition of Contemporary Christian Music in Canada. Since then, Bell has gone on to release 20 albums, 4 concert DVDs, 5 songbooks, a co- authored book on the Psalms, and a 7-book series on the Christian calendar called Pilgrim Year. His work has earned him two JUNOs, four Western Canadian Music Awards, three Prairie Music Awards, eleven Gospel Music Association Covenant Awards (including Male Vocalist of the Year, Recorded Song of the Year, Album of the Year, and the 2018 Lifetime Achievement Award), and many more nominations.
From 1971 he performed and toured with the group, and composed numerous works for it. During this period, fifteen of Eastman's earliest works were performed by the Creative Associates, including Stay On It (1973), an early augury of postminimalism and one of the first art music compositions inspired by progressions from popular music, presaging the later innovations of Arthur Russell and Rhys Chatham. Although Eastman began to teach theory and composition courses over the course of his tenure, he left Buffalo in 1975 following a controversially ribald performance of John Cage's aleatoric Songbooks by the S.E.M. Ensemble under the aegis of Morton Feldman. It included nudity and homoerotic allusions interpolated by Eastman.
It included the definitive versions of nearly 200 of Veloso's songs. In 1991, Almir Chediak launched his publishing house of CDs "Lumiar Discos" and the Songbooks were now accompanied by CD's that had new and innovative versions of the songs performed by other leading names of Brazilian popular music. He produced those albums, and was widely praised for rescuing obscure songs and for persuading artists to record songs that were thought to be at odds with their usual styles or public images. Now everyone in Brazil and outside the country would be able to sing and play the songs, with their proper harmonies whenever they want, and that was never before done until Chediak starts his enterprises.
On his own and together with his brother Israel Goldfarb, Samuel collected and composed hundreds of Jewish songs, publishing a number of songbooks, the most popular being the two-volume The Jewish Songster — המנגן, which was used in Jewish schools throughout the US and underwent many editions from 1918 to 1929. These works earned him the epithet "the father of Jewish music in America". Among his best-known songs are "I Have a Little Dreidel" and "Oh, Once There Was a Wicked Wicked Man". Although the bulk of his compositions consisted of Jewish songs and choral works for the Sabbath and holiday liturgies, he also composed secular Yiddish and English and vocal music, sacred and secular instrumental music.
The Fender Music Foundation relies solely on charitable donations from the public and funds raised through the selling of music memorabilia. Memorabilia sales are made online through the foundation's own e-store and marketed through fan sites. Items such as signed posters, guitars, songbooks and records are all sold to raise money for music programs. Artist memorabilia includes artists such as The Eagles, The Black Label Society, Guns N' Roses, Ozzy Osbourne, Zakk Wylde, KISS, New Found Glory, Lynyrd Skynyrd, Hank Williams Jr., John Mayer, James Blunt, The Beach boys, Green Day, Elvis Costello, Carrie Underwood, Def Leppard, Iggy Pop, Fiona Apple, Alice in Chains, Pantera, Jimi Hendrix and his sister Janie Hendrix.
"Cindy" ("Cindy, Cindy") is a popular American folk song. According to John Lomax, the song originated in North Carolina. In the early and middle 20th century, "Cindy" was included in the songbooks used in many elementary school music programs as an example of folk music. One of the earliest versions of "Cindy" is found in Anne Virginia Culbertson's collection of Negro folktales (At the Big House, where Aunt Nancy and Aunt 'Phrony Held Forth on the Animal Folks, Bobbs-Merrill, 1904) where one of her characters, Tim, "sang a plantation song named 'Cindy Ann'," the first verse and refrain of which are: As with many folk songs, each singer was free to add verses, and many did.
"Panzerlied" was a German military marching song of the Wehrmacht armored troops (Panzerwaffe), composed in 1933.The Music came before the Lyrics and the first recording of the Panzerlied was an Instrumental, released way before the lyrics were created and it was publishee by Telefunken under the name “Die Eiserne Schar” Nazi imagery from Taiwan stems from ignorance, not hate, analysts say, Los Angeles Times The NSKK (Nationalsozialistisches Kraftfahrkorps) also made their own take on the Panzerlied, but with a different variation called the Panzerwagenlied. In 2017, the Bundeswehr was banned from publishing songbooks containing Panzerlied and other marching songs by the Minister of Defence Ursula von der Leyen as part of new efforts at denazification.
Their performances have been featured on All Songs Considered and Fiona Ritchie's The Thistle & Shamrock on public radio. Atwater regularly runs workshops at places like the John C. Campbell Folk School, as well as performing and teaching clogging and flat-footing dance, derived mainly from dance steps learned in Appalachia and the southeast U.S. They were one of the earlier musical groups to be on the web, after one of their fans worked with Atwater to put a site up in 1995. They have released 13 albums, several books of poetry, and two songbooks. Atwater was selected to serve as Artist-in- residence at the Grand Canyon National Park in May–June 2011.
The tracks were arranged and conducted by Axel Stordahl and his orchestra, on both dates consisting of a string quartet and four-piece rhythm section, augmented by flutist John Mayhew in July, and, given the part he played with Sinatra at Columbia in the early 1950s, oboist Mitch Miller in December. Sinatra recorded most of these songs again at later stages in his career. Certain critics have claimed The Voice to be the first concept album. Beginning in 1939, however, singer Lee Wiley started releasing albums of 78s dedicated to the songs of a single writer, Cole Porter for example, a precursor to the Songbooks sets formulated by Norman Granz and Ella Fitzgerald in 1956.
As this photo shows, popular music genre bands use acoustic instruments (such as sax and drums) and electric instruments (such as electric bass), all of which are amplified through a PA system of speakers. Pictured are the Yellowjackets, a jazz-rock fusion band. This is a list of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music.
In 1985 Sprague accepted teaching positions at both the Musicians Institute (Hollywood) and the California Institute of the Arts (Los Angeles) and for three years taught students from all over the world. Connections at those schools landed him a two-year job where he would fly to Buenos Aires, Argentina, play concerts for a couple of weeks, then teach at a music camp in Las Lenas. Compiling the material he'd created and accumulated for his teaching, he published a theory book, The Sprague Technique. He then drew on the many transcriptions he'd made for himself over the years to publish several songbooks of both his own solos and the solos of some of his favorite other jazz musicians.
Theatre Square in Warsaw between 1890 and 1905 It was in the new theatre that Stanisław Moniuszko's two best-known operas received their premieres: the complete version of Halka (1858), and The Haunted Manor (1865). After Frédéric Chopin, Moniuszko was the greatest figure in 19th-century Polish music, for in addition to producing his own works, he was director of the Warsaw Opera from 1858 until his death in 1872. While director of the Grand Theatre, Moniuszko composed The Countess, Verbum Nobile, The Haunted Manor and Paria, and many songs that make up 12 Polish Songbooks. The theatre's interior Also, under Moniuszko's direction, the wooden Summer Theatre (seating 1,065) was built close by in the Saxon Garden.
His first stories were published in 1915. In 1916 on the initiative of A.A.Shakmatov the Academy of Sciences commissioned Boris Shergin to Shenkursky District of Arkhangelsk Province to research local dialects and collect folklore pieces. In 1917 upon graduating from the Stroganov’s School he returned to Arkhangelsk to work in the local Society for Studies of the Russian North and later in arts and crafts workshops. He made a major contribution into revival of northern handicrafts. Shergin was also into archaeography: he collected antique books, poetry albums, songbooks, old sailing directions, and skippers’ notebooks. In 1922 Boris Viktorovich moved back to Moscow to work for Children’s Reading Institute under People’s Comissariat for Education.
His songbooks — like those of his contemporary Lars Bondeson — were highly influential and an important source of material for the next generation of bondkomiker (rustic comics). America's foremost Swedish comedian, Olle i Skratthult, had three songs and three stories by Jödde i Göljaryd in his first songbook Viser å Hikstorier samlade tå Olle i Skratthult, (Minneapolis: Hjalmar Peterson, 1908). and went on to record four of Jödde's songs in the 1920s: Alundavisan, Beväringsvisa, I Värmeland där ä dä så gutt, gutt, gutt and Ja' gick mig ut en sommardag.Ethnic Music on Records: A Discography of Ethnic Recordings Produced in the United States, 1893-1942 by Richard K. Spottswood, (University of Illinois Press, 1990) LCCN 89-020526.
Granz and Holiday chose familiar items from the Great American Songbook of classic pop for the album, Holiday singing in the context comfortable for her, that of a small jazz band. The original album consisted of six standards, five of which by songwriters who would be categorically tackled by Ella Fitzgerald on her Songbooks series. The sessions reunited Holiday with trumpeter Harry Edison and saxophonist Ben Webster, both of whom the singer had worked with during the 1930 and 1940s, Edison as a member of the Count Basie Orchestra during her brief stay as the band's girl singer, and Webster from the recordings under her own name for Vocalion Records and Okeh Records.
That same year he traveled to Cuba and México, participating in a series of television programs, as well as later trips to Japan (1976), Colombia (1978), Cuba, Canción Protesta Encuentro (1967), Cuba (1979), Panama (1980). In 1980 he moved to Madrid, where he lived until his death, working as a journalist at Radio Exterior de España. In 1987 he began collaborating in preparing a series of LP record albums called Espana en su Folklore, a collection of songbooks from Spain and America. In 1989 he taught a seminar on African culture in Santo Domingo (Dominican Republic) and the following year participated in the expedition Adventure 92, touring ports in Mexico and Central America.
Haack's failing health slowed Dimension 5's musical output in the early 1980s, but Nelson and Pandel kept the label alive by publishing songbooks, like Fun to Sing and The World's Best Funny Songs, and re-released selected older albums as cassettes which are still available today. In 1982, Haack recorded his swan song, a proto hip-hop collaboration with Def Jam's Russell Simmons, entitled "Party Machine". Haack died in 1988 from heart failure, but his label and commitment to making creative children's music survives. While Dimension 5's later musical releases — mostly singalong albums featuring Nelson — may lack the iconoclastic spark of the early records, Nelson and Pandel's continued work reveals the depth of their friendship with Haack, a distinctive and pioneering electronic musician.
Woman with a Lute, also known as Woman with a Lute Near a Window, is a painting created about 1662–1663 by Dutch painter Johannes Vermeer and now at the Metropolitan Museum of Art in New York. The painting depicts a young woman wearing an ermine-trimmed jacket and enormous pearl earrings as she eagerly looks out a window, presumably expecting a male visitor. "A musical courtship is suggested by the viola da gamba on the floor in the foreground and by the flow of songbooks across the tabletop and onto the floor," according to a web page about the work at the Metropolitan Museum of Art website. The tuning of a lute was recognized by contemporary viewers as a symbol of the virtue of temperance.
Part of them were descendants of German, Polish, Latvian and Lithuanian deportees and part are citizens of other states (diplomats, workers of international organisations). On the other hand, it is necessary to mention that for the whole time of existence of the Catholic Church in Bishkek (it was officially registered already in 1969), there took place no one christening of any Kyrgyz. On 18 March 2006, there was found the apostolic administration in Kyrgyzstan (region under administration of any clergyman authorised by pope), now under administration of bishop Nicolas Messmer, which was born (similarly as his predecessor in the administration of Kyrgyzstan Alexander Kan) in Kazakhs Karaghanda. The relationship to Kazakhs bishopric was always very strong; also the Catholic literature or songbooks are printed in Kazakhstan.
Mike and Michelle Jackson were an Australian multi-instrumental duo principally known as children's entertainers. Between 1979 and 1986, the pair featured in a national TV Show (Playmates on ABC Television),The Sydney Morning Herald, March 26, 1984, The Guide - p. 7 created ten albums (three Gold and one Platinum),Australian Recording Industry Association (ARIA) Accredited Awards - April 1993 Playmates ARIA accredited Platinum Disk, May 1993 Bunyips Bunnies and Brumbies ARIA accredited Gold Disk, January 1995 Dances for Little Kids ARIA accredited Gold Disk, November 2007 Ain't it Great to be Crazy ARIA Accredited Gold Disk produced three songbooks and they teamed up with Western Australian author/storyteller Kel Watkins to create an instructional book, String Games for Beginners.Published 1986.
He also often performed as a duo with Ray and with Koerner, Ray & Glover reunion concerts. In 2007, he produced a documentary video on the trio, titled Blues, Rags and Hollers: The Koerner, Ray & Glover Story. Glover was the author of several blues harp songbooks and a co-author, along with Ward Gaines and Scott Dirks, of an award-winning biography of Little Walter, Blues with a Feeling: The Little Walter Story, published in 2002. Glover was a prolific rock critic, having written articles for the Little Sandy Review (1962–1963), Sing Out! (1964–1965), Hullabaloo/Circus (1968–1971), Hit Parader (1968), Crawdaddy (1968), Eye (1968), Rolling Stone (1968–1973), Junior Scholastic (1970), Creem (1974–1976), Request (1990–1999), Twin Cities Blues News (1996-2006), MNBlues.
Ludwig Schödl (31 October 1909 – 20 February 1997), born in Berlin, was a brilliant militant of the Workers' Esperanto Movement in Germany as well as abroad between the 1920s and the 1930s. In the second post war, he strongly supported and influenced in the process of restoration of the Esperanto Movement in the German Democratic Republic, and became one of its mainstream militants. He supported the Esperanto's diffusion among the children, and was a prolific writer, which allowed him to have registered the first Esperanto textbook issued in the GDR and published by the state: the famous Wir lernen Esperanto sprechen. In the same way, he organized correspondence courses, wrote songbooks, multiple conferences and abundant translations from German to Esperanto.
Bo'ness Rebels Literary Society (known as Bo'ness Rebels Literary Club until they began to publish songbooks in the early 1950s), was a Scottish nationalist organisation, and song collective, operating in Bo'ness, Scotland, between 1948 and 1976, with close links to the Scottish National Party, and its (now defunct) publications department. It was chaired by Mr William Kellock, who was an officer at the bank of Scotland in the town. Following their inaugural event in January 1948, they held events roughly every fews months, which were frequented by many famous Scots associated with the advancement of Scottish independence, the Scottish Renaissance and the Scottish Folk Revival. Namely Thurso Berwick (Morris Blythman), Hamish Henderson, Hugh MacDiarmid, Wendy Wood and Dr. Robert Mcintyre, among others.
Liner notes to Nani Nani (1995), Tzadik: New York. Tzadik enabled Zorn to maintain independence from the mainstream music industry and ensured the continued availability of his growing catalog of recordings, allowing him to prolifically record and release new material, issuing several new albums each year, as well as promoting the work of many other musicians.Gordon, T., (2008), John Zorn: Autonomy and the Avant-Garde, accessed November 15, 2013. Zorn has led the hardcore bands Naked City and Painkiller, the Jewish music-inspired jazz quartet Masada, composed 613 pieces as part of the three Masada songbooks that have been performed by an array of groups, composed concert music for classical ensembles and orchestras, and produced music for opera, sound installations, film and documentary.
But there are many other traditions that are still active or even enjoying a resurgence of interest. Among the four-shape systems, the Southern Harmony has remained in continuous use at one singing in Benton, Kentucky, and is now experiencing a small amount of regrowth. The current reawakening of interest in shape note singing has also created new singings using other recently moribund 19th- century four-shape songbooks, such as The Missouri Harmony, as well as new books by modern composers, such as the Northern Harmony. Of a hybrid nature, in terms of reviving Ananias Davisson's Kentucky Harmony but taking the further step of incorporating songs from 70 other early tunebooks, along with new compositions, is the Shenandoah Harmony (2013).
A member of several learned societies, this humble man also published several songbooks in his hometown of Rouen, although he was much better known in Paris. Lebreton's great work is his Biographie normande ; recueil de notices biographiques et bibliographiques sur les personnages célèbres nés en Normandie et sur ceux qui se sont seulement distingués par leurs actions et par leurs écrits et sa Biographie rouennaise ; recueil de notices biographiques et bibliographiques sur les personnages célèbres nés à Rouen qui se sont rendus célèbres ou qui se sont distingués à des titres différents. He also wrote Corneille chez le savetier, scène historique de la vie de Pierre Corneille, in collaboration with M. Beuzeville presented at the Théâtre des Arts de Rouen 29 June 1841.
Ross Hannaford (guitar, bass, vocals) and Ross Wilson (guitar, vocals, harmonica) formed pop / R&B; Melbourne-based group The Pink Finks in 1964 while they were still attending highschool in the south eastern Melbourne suburb of Beaumaris, Victoria, they later attended the senior campus of Sandringham College. They recorded a version of Richard Berry's "Louie Louie" in 1965 which led to a recording contract and three more singles. In 1967 they formed The Party Machine, which had a more radical sound (influenced by Frank Zappa and Howlin' Wolf), the band included Mike Rudd (later in Spectrum) on bass guitar. They released a single "You've All Gotta Go" in 1969; their printed songbooks were confiscated and burned by the Victorian Vice Squad for being obscene and seditious.
The origins of the song were traced by D. K. Wilgus, a music scholar and professor at UCLA, to a mid-nineteenth century broadside ballad printed by Catnach press in London, entitled "Standing on the Platform", with the subtitle "Waiting for the train". The song recounted the story of a man who met a woman at a railway station, who later falsely accused him of assaulting her. Modified versions of the ballad appeared in diverse songbooks of the era, such as Billy Newcomb's San Francisco Minstrels' Songster (1868), Billy Cottons Ethiopian Songster (1870), a sheet music published by S. Brainard Sons (1870) and Coming Through the Rye (1871). In the 1880s, a version called "Wild and Reckless Hobo" was published.
Hugh MacDonald (11 July 1929 – 3 December 2013), also known as Uisdean MacDonald, was a Scottish nationalist activist. Born in the Possilpark area of Glasgow to parents who both worked in bottling factories, MacDonald learned Gaelic at night school at a young age. He worked initially as an electrical engineer, then later as an advertising salesman, first for the Evening Citizen, then for the Glasgow Herald group.Hugh MacDonald, "Hugh (Uisdean) MacDonald", The Herald, 9 December 2013 MacDonald joined the Scottish National Party (SNP), and was involved with various activities in the party prior to the electoral successes of the 1960s, including co-authoring the early songbooks of the Bo'ness Rebels Literary Society. He stood unsuccessfully in Glasgow Maryhill at the 1966 general election, taking 11.5% of the vote.
At the same year, he launched his second book "Methods of Harmony and Improvisation". Both of his works are widely used in Brazil and have been influential in training the generation of young Brazilian musicians now entering their prime. In 1988 Almir Chediak introduced the Songbook series of Brazilian Popular Music elaborating the precise transcription of the complete lyrics, melodies and harmonies of leading composers for publication in songbooks establishing a written library to guarantee Brazilian music would survive for future generations to study and enjoy. The idea was born when Chediak was giving guitar lessons to the son of Caetano Veloso in the mid-1980s and found that Veloso was often at a loss to remember what chords he had played or the words he had sung on a particular song.
Mike and Michelle, both singers and multi-instrumental musicians, met on stage at the 1979 Kapunda Celtic Music Festival and married soon after. They toured Australia, New Zealand, Canada and the U.S. almost non-stop for 7 years and in between tours they created three songbooks, co-wrote an instruction book for string figure novices and recorded ten albums - two collections of Australian folk music for adults and eight for children. The bulk of their thousands of performances together were Arts in Education performances designed to introduce children to a wide range of unusual instruments and encourage them to play music. Mike and Michelle's children's albums were a huge success with their second, Playmates going Platinum and the rest of their first four kids' discs going 'Gold' in Australia.
By the year 2000 most Catholic songbooks preferred contemporary Catholic liturgical music, some hymnody, and a very small collection of chant (which had once been the sine qua non of Catholic Church Music). Besides its spread within the Catholic community, a number of pieces from the late 20th century Catholic corpus became commonplace among American mainline Protestants. This is true of Lutherans – particularly the Evangelical Lutheran Church in America – where both the more hymn-like assembly songs, as well as portions of Mass and psalm settings, can be found among recent hymnals such as Evangelical Lutheran Worship and With One Voice. Marty Haugen, a Lutheran and one of the commonly known composers, creates both Roman Catholic and Lutheran versions of his Mass settings, as well as writing pieces for specifically Lutheran rites.
Frontispiece and title page to The Merry Thought: or, The Glass-Window and Bog-house Miscellany,The Merry Thought: or, The Glass-Window and Bog-house Miscellany which claimed to include "the Lucubrations of the Polite Part of the World, written upon walls, in Bog- Houses" such as the one at left of the tavern shown Throughout the 18th century, the miscellany was the customary mode through which popular verse and occasional poetry would be printed, circulated, and consumed. Michael F. Suarez, one of the leading authorities on miscellanies, states: Including songbooks, the New Cambridge Bibliography of English Literature lists almost 5000 verse miscellanies which were printed between 1701 and 1800.George Watson (ed.), The New Cambridge Bibliography of English Literature, 5 vols. (Cambridge: Cambridge University Press, 1971), II, cols. 341–429.
Samuel Francis Smith wrote the lyrics to "America" in 1831 while a student at the Andover Theological Seminary in Andover, Massachusetts. The church-music composer Lowell Mason, a friend, had asked him to translate the lyrics in some German school songbooks into English, or to write new lyrics for the same tunes. The "God Save the Queen" melody in Muzio Clementi's Symphony No. 3 (also called "The Great National", written as a tribute to Clementi's adopted country) caught Smith's attention at the time; rather than translating lyrics from the German, he wrote his own American patriotic hymn to the melody, completing the lyrics in thirty minutes. Smith gave Mason the lyrics he had written, and the song was first performed in public on July 4, 1831, at a children's Independence Day celebration at Park Street Church in Boston.
In 1923 he moved to Reno, Nevada, where he played organ and piano at the Majestic Theater, and became cantor and choir director at Temple Emanu-El, but he returned to New York in 1925 to devote his life to Jewish music and was soon appointed head of the Music Department of the incipient Bureau of Jewish Education, in New York (now the Jewish Education Project), a position he retained for about 13 years. His duties included teaching and entertaining hordes of Jewish children with stories and songs in Extension Schools on Sundays; conducting courses and concerts and evaluating music teachers at Talmud Torah schools; collecting and writing Bible songs; and comparing the work of his music teachers with public- school music curricula. It was also during this period that he and his brother Israel published most of their songbooks.
In 1957, Riddle and his orchestra were featured on The Rosemary Clooney Show, a 30-minute syndicated program. In 1962, Riddle orchestrated two albums for Ella Fitzgerald, Ella Swings Brightly with Nelson, and Ella Swings Gently with Nelson, their first work together since 1959's Ella Fitzgerald Sings the George and Ira Gershwin Song Book. The mid-1960s would also see Fitzgerald and Riddle collaborate on the last of Ella's Songbooks, devoted to the songs of Jerome Kern (Ella Fitzgerald Sings the Jerome Kern Song Book) and Johnny Mercer (Ella Fitzgerald Sings the Johnny Mercer Song Book). In 1963, Riddle joined Sinatra's newly established label Reprise Records, under the musical direction of Morris Stoloff. In 1966, Riddle was hired by television producer William Dozier to create the music for the Batman television series starring Adam West.
It is included in songbooks in many religious congregations in the United States. At various times in the more than one hundred years that have elapsed since the song was written, particularly during the John F. Kennedy administration, there have been efforts to give "America the Beautiful" legal status either as a national hymn or as a national anthem equal to, or in place of, "The Star-Spangled Banner", but so far this has not succeeded. Proponents prefer "America the Beautiful" for various reasons, saying it is easier to sing, more melodic, and more adaptable to new orchestrations while still remaining as easily recognizable as "The Star-Spangled Banner". Some prefer "America the Beautiful" over "The Star- Spangled Banner" due to the latter's war-oriented imagery; others prefer "The Star-Spangled Banner" for the same reason.
The second volume of Cluer and Creake's Pocket Companion, which contained several arias from Giulio Cesare for voice, harpsichord and flute For Handel's previous London operas, the scores and selected arias had been made available to the public by the printer and publisher John Walsh. These had proved to be popular and were an extra source of income. Even when printed copies of Handel's works were unavailable, Handel—through the offices of his assistant Christopher Smith on Dean Street—would authorise copies to be made in answer to requests from musical societies that wished to mount performances. In the case of Giulio Cesare, following the positive public response to the performances, Handel decided to use the printers Cluer and Creake in order to produce pocket-sized vocal scores and songbooks in high quality copper engravings, a time-consuming process.
Cluer and Creake produced a first official edition of the vocal score in July 1724. In May 1724, however, an unauthorised edition had appeared printed by Daniel Wright, advertised as being available in "Musick Shops": Wright, probably acting on behalf of Walsh, had printed the score using a quicker but inferior stamping process on pewter: as a softer metal than copper, pewter could be stamped without raising its temperature. Later in 1724, several arias or "favourite songs" from the opera were included in the second of two pocket songbooks, "A Pocket Companion for Gentlemen and Ladies", printed by Cluer and Creake and edited by Richard Neale. The texts were provided in Italian mostly with English translations by Carey, so that the arias could be sung, played on the harpsichord or, in a transposed version, on the transverse flute.
After the recapture of Vilna, Kaczerginski returned home to recover the hidden cultural works and founded the first post-Holocaust Jewish museum in Europe; he quickly became disenchanted with the Soviets and communism and developed into an ardent Zionist. After some time in Łódź, he moved to Paris before eventually relocating to Buenos Aires, where he was killed in a plane crash at the age of 45. Renowned during his lifetime as a poet and writer, Kaczerginski dedicated much of his time after the start of the Second World War to collecting pre-war Yiddish songs and songs of the Holocaust in order to save Yiddishkeit from destruction. The author, editor or publisher of most of the first post-Holocaust songbooks, Kaczerginski was responsible for preserving over 250 Holocaust songs – the majority of those still known.
He took up residence in northwestern China for more than 50 years since then, and devoted his time there to transcribing, adapting, collecting and revising western Chinese folk songs. In all, Wang wrote seven operas and edited six songbooks, and published some 700 Xinjiang-style songs, the most famous of which include "Alamuhan" (阿拉木汗, inspired by a Uyghur song), "Awariguli" (also supposedly an Uyghur song), "Flowers and Youth" (pinyin: Hua'er Yu Shaonian, a Hui Muslim folk song), "In that place wholly faraway" (a song from Qinghai Province), "Lift Your Veil" (掀起你的盖头来), "Duldal and Maria" (a Kazakh folk song), "Mayila", and "The Crescent Moon Rises" (半个月亮爬上来; pinyin: Ban Ge Yueliang Pa Shang Lai). Wang began to win accolades for his work towards the end of his life.
Beginning probably around the middle of the thirteenth century, the songs, known as cantares, cantigas or trovas, began to be compiled in collections known as cancioneiros (songbooks). Three such anthologies are known: the Cancioneiro da Ajuda, the Cancioneiro Colocci-Brancuti (or Cancioneiro da Biblioteca Nacional de Lisboa), and the Cancioneiro da Vaticana. In addition to these there is the priceless collection of over 400 Galician-Portuguese cantigas in the Cantigas de Santa Maria, which tradition attributes to Alfonso X, in whose court (as nearly everywhere in the Peninsula) Galician-Portuguese was the only language for lyric poetry (except for visiting Occitan poets). The Galician-Portuguese cantigas can be divided into three basic genres: male-voiced love poetry, called cantigas de amor (or cantigas d'amor) female-voiced love poetry, called cantigas de amigo (cantigas d'amigo); and poetry of insult and mockery called cantigas d'escarnho e de mal dizer.
With this confidence, he composed more and more songs, which increased his earning power in two ways: they added novelty to his performance; and he could earn extra by selling the lyrics. For the most part he had individual song lyrics printed on cards he called "ballets", but occasionally he compiled songbooks such as his 1913 compilation of six songs. Some of these were from other singers, dealing with disasters such as the sinking of the Titanic and the wreck of the FFV but two were notably personal: the autobiographical Song of the Orphan Boy, which was later recorded but not released, and the semi-autobiographical Farewell Song, with its opening line "I am a man of constant sorrow". Burnett himself never recorded the song, but his friend Emry Arthur learned it and recorded it accompanied his brother Henry using the opening line as title.
Initial sessions for the album occurred on 26 July 1968 when the band recorded "Wild Child" and "Wishful Sinful" ("Easy Ride" was a Waiting for the Sun leftover, captured on 3 March 1968). In September 1968, the group played dates in Europe, along with Jefferson Airplane, before ending their long, grueling touring schedule with nine concerts back in the US. While the 1968 tours managed to capitalize on the chart success of Waiting for the Sun, it also left little time for the Doors to compose new songs for The Soft Parade, having already exhausted all the material from Morrison's songbooks. Morrison, a self-professed "acid-evangelist of rock", had been fascinated with the public media outlets and frequently coined buzzwords and phrases to generate attention for the Doors. The band's rise to stardom and publications drawing Morrison as a sex symbol, however, drastically modified his outlook on pop culture.
Wakely is currently developing multiple television projects based on various other music catalogues for which he has acquired the rights. Wakely secured for Grace the rights to international music icon Bob Dylan’s entire 600-plus song catalogue, and is creating a television drama series based on his music. Building on the popularity of Beat Bugs and the added success of the Dylan deal, Wakely secured additional groundbreaking deals for Grace, locking in the rights to the Jobete and Stone Diamond catalogues that comprise hundreds of Motown's greatest hits and Universal Music Group’s (UMG) vast collection of recorded master and publishing catalogues to create scripted entertainment based on the characters and themes found within these hallowed songbooks. With extensive access to UMG's illustrious collection of catalogues, Wakely is also currently developing three television series: 27, Tropical Melody Island, and Mixtape (all working titles), all based on the music found within these catalogues.
They have also published multiple Carrier-translated short stories, texts, and oral transmissions meant to facilitate language learning that, like the dictionaries and primers, are available in several different Carrier dialects. Many of these texts are available for purchase at the CLS bookstore based in Fort St. James, which also includes multiple Carrier and English-Carrier bilingual workbooks, CDs and DVDs, songbooks, and storybooks. The Carrier Linguistic Society also worked in collaboration with Nak’azdli Elders and the First Peoples' Cultural Council to establish an online Dakelh language archiving, teaching, and learning platform on the website FirstVoices. The CLS has also played a large role in the curriculum development and the implementation of Carrier language classes being taught at eight local schools and worked in collaboration with the University of Northern British Columbia to establish Carrier language classes and the Education Diploma in a First Nations Language and Culture (Dakelh / Carrier) at the University of Northern British Columbia.
"Vaggssång till Jesus", "Somna nu lilla barn" or "Vaggsång för en liten timmerman" is a 1971 Swedish Christmas song, with lyrics by Britt G. Hallqvist and music by Bertil Hallin. The song was originally published in the 1971 songbook "Det visste inte kejsarn om" at Verbum Förlag AB. The compilation consists of 20 songs talking about people and incidents in the New Testament about the life of Jesus. The songs were recorded by Ulla Neuman, and the record was released in Denmark, Norway and Sweden. The song has also been published in Barnens svenska sångbok (1999), Nya barnpsalmboken (2001) and circa 20 other songbooks. The song is written as a lullaby that Mary sings for Jesus, as she thinks Jesus will one day become a timberman just like Jesus’ Earthly father Joseph, but meanwhile she thinks of what the angel said according to the Bible, and the gifts from the Three Wise Men.
Château de Valençay On December 2, 2000, UNESCO added the central part of the river valley, between Chalonnes-sur-Loire and Sully-sur-Loire, to its list of World Heritage Sites. In choosing this area that includes the French départements of Loiret, Loir-et-Cher, Indre-et-Loire, and Maine-et-Loire, the committee said that the Loire Valley is: "an exceptional cultural landscape, of great beauty, historic cities and villages, great architectural monuments - the châteaux - and lands that have been cultivated and shaped by centuries of interaction between local populations and their physical environment, in particular the Loire itself." The Loire Valley chansonniers are a related group of songbooks attributed to the composers of the Loire Valley and are the earliest surviving examples of a new genre which offered a combination of words, music, and illuminations. A new Contemporary Art offer is developing all along the Loire River from Montsoreau to Orléans with such places as Château de Montsoreau-Contemporary Art Museum, CCCOD Tours, the Domaine Régional de Chaumont sur Loire and the Frac Centre Orléans.
He was among the first to publish Christmas carols and songs in his songbooks, and included was "Jolly Old St. Nicholas," the verses of which Lancastrians incorrectly believed he had written. (Emily Huntington Miller wrote the text as a poem, "Lilly's Secret", which appeared in December 1865 in The Little Corporal; it was set to music most likely by James Ramsey Murray.) One of McCaskey's brothers, William Spencer McCaskey, entered the U. S. Civil War at age 17, serving for its duration and fighting in many of the largest battles; he went on to have an illustrious career in the U. S. Army, retiring in 1907 as a major general. His life is recounted in a 2014 biography, Last Man Standing: William Spencer McCaskey, by Dennis Farioli, Ron Nichols, and Lee Noyes; J. P. McCaskey's life is chronicled in a 2015 biography, Lancaster's Good Man, John Piersol McCaskey, by Dolores Parsil. McCaskey died at his home in Lancaster on September 19, 1935, just weeks shy of his 98th birthday.
In the Spanish Golden Age, dramatists like Lope de Vega and Tirso de Molina already included songs and dances of Latin American influence.BLAS VEGA, José: Magna Antología del Cante, Introduction booklet, Hispavox, CD Edition 1992 (First Edition 1982) There is also evidence of their popularity in the 19th century: many examples still remain of printed songbooks and sheets, often mixing Andalusian and Latin American songs, which were sold in the streets, and Baron Charles Davillier, in his trip in Spain in 1862 described a fiesta (party) in these terms: > […] and a young Gypsy […] danced the American tango with an extraordinary > grace. Another widely known music in Andalusia is the Punto de la Habana, > whose name indicates its origin, and it is used to accompany the décimas > sung between dances in parties.Quoted in BLAS VEGA, José: Magna Antología > del Cante, Introduction booklet, Hispavox, CD Edition 1992 (First Edition > 1982) The exchange of musical influences was particularly important at the end of the Spanish–American War in 1898, when the United States gained control over Cuba, the last Spanish territory in Latin America.
Simon Mckerrel of Newcastle University argues that Bo'ness is one of the key sites in the history of the folk revival in Scotland. He makes the point that this growth in the 1950s and 1960s may have been instrumental in the upsurge of Scottish nationalism during this time which ultimately led to the 1979 referendum. The Bo'ness Rebels are often cited in books looking at the Scottish folk revival. On 17 February 2011, the ‘Lets Get Lyrical’ festival in Edinburgh, featured a show called ‘Rebel Shenanigans’, which was an event which would “re-create the sounds of the Bo’ness Rebels Ceilidhs of the 1950s, a movement in favour of a Scottish Republic.” In 2016, a show called “From Thurso to Berwick” celebrating the songs and poetry of Morris Blythman (aka Thurso Berwick) who wrote many of the songs in the Ceilidh Songbooks was put on at the Scottish Storytelling centre in . He also wrote the ‘Sangs O the Stane’ songbook which as mentioned earlier was available in Bo’ness.
Arktos Recordings Limited, 2003 Some of the composer's most performed pieces incorporate instrumental and vocal music from the Blue Ridge Mountains. Sixteen folksongs are collected in “Appalachian Songbook I” and “Appalachian Songbook II.” Though Frazelle's ancestors are from Eastern North Carolina, they knew much of the same English balladry found in the Appalachians, and the composer has integrated their words and tunes into “Playing the Miraculous Game” and the Appalachian Songbooks. His “Fiddler’s Galaxy,” first performed by Joseph Swensen and Jeffrey Kahane on the radio program “Saint Paul Sunday,” is often broadcast on American Public Media's “Performance Today.” The flutist Paula Robison has commissioned and championed Frazelle's “Blue Ridge Airs II,” both in its flute and orchestra version (1992) and in its flute and piano arrangement (2001). The later was recorded in 2008 with pianist Timothy Hester.“Paula Live!” Paula Robison, flute, and Timothy Hester, piano. Pergola Recordings, 2008. A reviewer in the American Record Guide wrote “One of the best mixes of classical disciplines, useful dissonances, and an Americana atmosphere that I’ve ever heard.
Previn made dozens of jazz recordings, as both leader and sideman, primarily during two periods: from 1945 to 1967, and from 1989 to 2001, with just a handful of recordings in between or afterward. He also did crossover recordings with such classical singers as Eileen Farrell, Leontyne Price and Kiri Te Kanawa, as well as several easy- listening records with piano and orchestra in the 1960s (beginning with Like Young: Secret Songs for Young Lovers, 1959, with David Rose and His Orchestra). Following his performance on Shelly Manne's recording Modern Jazz Performances of Songs from My Fair Lady in 1956, Previn released several albums of jazz interpretations of songs from broadway musicals as well as several solo piano recordings focused on the songbooks of popular composers (André Previn Plays Songs by Vernon Duke, 1958; André Previn Plays Songs by Harold Arlen, 1960; Ballads. Solo Jazz Standards, 1996; Alone: Ballads for Solo Piano, 2007), the late recording of songs by Harold Arlen with singer Sylvia McNair and bass player David Finck (Come Rain or Shine: The Harold Arlen Songbook, 1996), and his TV shows with Oscar Peterson (1974) – which Marlon Brando simply called "one of the greatest hours I ever saw on television"As quoted in Frédéric Döhl: André Previn.

No results under this filter, show 284 sentences.

Copyright © 2024 RandomSentenceGen.com All rights reserved.