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44 Sentences With "solipsist"

How to use solipsist in a sentence? Find typical usage patterns (collocations)/phrases/context for "solipsist" and check conjugation/comparative form for "solipsist". Mastering all the usages of "solipsist" from sentence examples published by news publications.

This is a bad, narcissistic, destructive solipsist and the pardon was outrageous.
Given all this, the idiot can be defined as such: a prepubescent, parasitic solipsist who talks only to himself.
It's a cringe-worthy spectacle of the sort that occurs when a solipsist free-floating through the universe collides with an actual human being.
And every character in "A Doll's House, Part 2" is very much a living individual — a solipsist, as we all are, with his or her own firm and self-serving view of things.
Some of that progression may have been caused by a return to the solipsist ideology of the great fighters of antiquity, but it may have been instead an amalgam of the enthusiastic pugilism of Ancient Romans and the efficacious halcyon of the Byzantine military.
More raw and better cast across the board than it was in New York, the play saves some of its choicest aspersions for Hollywood, all the while prompting us to amend our view of Ben as he shifts from spoiled brat to solipsist to someone deeply damaged.
It does, sort of, in the sense that the main characters on this show (with the exception of Elijah, Ray, and maybe Adam these days) are so freaking self-absorbed that there might literally have to be a person screaming for her life in the streets for them to break the solipsist cycle.
Scott Walker was a colossus with (to mix the mythic metaphor) titanic, livable footprints in the islands of both art-minded orchestral pop music and the straight-up avant garde, but I'm hardly a scholar and always a solipsist, so I can only talk about Scott Walker as his music soundtracked my life.
A solipsist may perform a psychological test on themselves, to discern the nature of the reality in their mind – however David Deutsch uses this fact to counter-argue: "outer parts" of solipsist, behave independently so they are independent for "narrowly" defined (conscious) self.Deutsch, David. (1997) Fabric of Reality A solipsist's investigations may not be proper science, however, since it would not include the co-operative and communitarian aspects of scientific inquiry that normally serve to diminish bias.
The album sold 1850 units in its first week. The band’s debut LP, “Solipsist” released April 16, 2016 on Unique Leader Records and was well received amongst the metal community. Solipsist was highly acclaimed and considered to be “Planetary Duality 2” (Planetary Duality is the highly successful 2nd LP by The Faceless) This effort would also produce the band's first music video, for the song Deus Deceptor. Drummer Matthew Paulazzo would depart the band in 2018 to enter film school.
Thoughts and concepts are all that exist, and furthermore, only the solipsist's own thoughts and consciousness exist. The so-called "reality" is nothing more than an idea that the solipsist has (perhaps unconsciously) created.
Alweiss argued that, contrary to a consensus among analytic philosophers, examination of the Logical Investigations shows that Husserl was not a "methodological solipsist". However, she considered it open to debate whether Husserl adopted a position of "internalism".
In October 2015, Tracking Board reported that Mattel has teamed with Solipsist Film to develop a live action Dino-Riders movie with Alissa Phillips and Stephen L’Heureux producing. As of 2018, there is no indication in the media that the film is going forward.
The methodological solipsist believes that subjective impressions (empiricism) or innate knowledge (rationalism) are the sole possible or proper starting point for philosophical construction. Often methodological solipsism is not held as a belief system, but rather used as a thought experiment to assist skepticism (e.g. Descartes' Cartesian skepticism).
His film project Pet, starring Dominic Monaghan, Ksenia Solo, Jennette McCurdy, and Nathan Parsons debuted at the South by Southwest Film festival during March 2016. Writer Brant Hughes brought a film pitch forVisceral to Solipsist Films and, based upon the success of Apartment 143 and Sequence, Torrens was brought aboard the project as director.
The cover art was done by Ken Sarafin, who had also worked with Skinless, The Kennedy Veil, and Archspire. Per figures provided by Metal news site MetalInsider, the album sold 720 units in its first week. Solipsist would be the band's only album to feature drummer Matthew Paulazzo, who would depart the band in 2018 to enter film school.
Descartes and dualism aim to prove the actual existence of reality as opposed to a phantom existence (as well as the existence of God in Descartes' case), using the realm of ideas merely as a starting point, but solipsism usually finds those further arguments unconvincing. The solipsist instead proposes that their own unconscious is the author of all seemingly "external" events from "reality".
Portrait of George Berkeley by John Smybert, 1727 George Berkeley's arguments against materialism in favour of idealism provide the solipsist with a number of arguments not found in Descartes. While Descartes defends ontological dualism, thus accepting the existence of a material world (res extensa) as well as immaterial minds (res cogitans) and God, Berkeley denies the existence of matter but not minds, of which God is one.
He may have done wrong, but David cannot bring himself to hate him. Steerforth's occasional outbreaks of remorse reveal a tortured character (Harvey, 308), echoing a Byronic remorse. Harvey concludes that Steerforth is a remarkable blend of both villain and hero, and exploration of both sides of the Byronic character. Scholars have also drawn parallels between the Byronic hero and the solipsist heroes of Russian literature.
It was designed by Sergei Golubkin and was published by Hobby World. The Metro series was also being developed into films by Michael De Luca and Solipsist Films, but the deal has been cancelled by Glukhosky due to his disapproval to their Americanization of his work. The new and only Russian Metro 2033 film adaptation project was announced in 2019 for the planned 2022 release.
Schmidt was a strict individualist, almost a solipsist. Disaffected by his experience of the Third Reich, he had an extremely pessimistic world view. In Schwarze Spiegel (Black mirrors), he describes his utopia as an empty world after an anthropogenic apocalypse. Although he was not a deist in the conventional sense, he maintained that the world was created by a monster called Leviathan, whose predatory nature was passed on to humans.
Solipsism agrees that nothing exists outside of perception, but would argue that Berkeley falls prey to the egocentric predicament – he can only make his own observations, and thus cannot be truly sure that this God or other people exist to observe "reality". The solipsist would say it is better to disregard the unreliable observations of alleged other people and rely upon the immediate certainty of one's own perceptions.
In February 2019, Leitch and McCormick will produce the adaptation of Nana Kwame Adjei-Brenyah’s short story collection “Friday Black,” with Adjei-Brenyah adapting the script and executive producer On August 1, 2019, 87North will produce the international action thriller “Versus” for Universal. On January 21, 2020, 87North will produce a contemporary feature film version of Kung Fu with creator Ed Spielman and Stephen L’Hereaux producing through his Solipsist Film company.
Solipsist is the debut studio album by Bay Area technical death metal band The Zenith Passage. It was released via Unique Leader Records on April 15, 2016. It is the band's first release for Unique Leader Records, with whom they signed in 2013. The album focuses on the concept of solipsism. The album features a guest vocal appearance by Fallujah’s Alex Hofmann, and guitar solo by Wes Hauch (ex-The Faceless).
In an interview with Moviepilot, Palmiotti is in progressing on a new film. In November 2016, Deadline reports that Jessica Chastain has signed on to star as Jane Vasko in the big screen with Lotus Entertainment's Lenny Beckerman producing along with Solipsist Films' Stephen L’Heureux and Chastain through her Freckle Films banner. Bill Johnson, Jim Seibel, Ara Keshishian and Palmiotti will exec produced the film. In September 2017, Christine Boylan is writing the script.
Extreme metaphysical nihilism, also sometimes called ontological nihilism, is defined as the view that nothing actually exists at all. The American Heritage Medical Dictionary defines one form of nihilism as "an extreme form of skepticism that denies all existence." A similar skepticism concerning the concrete world can be found in solipsism. However, despite the fact that both deny the certainty of objects' true existence, the nihilist would deny the existence of self whereas the solipsist would affirm it.
On the face of it, a statement of solipsism is -- at least performatively -- self-defeating, because a statement assumes another person to whom the statement is made. (That is to say, an unexpressed private belief in solipsism is not self- refuting). This, of course, assumes the solipsist would not communicate with a hallucination, even if just for self-amusement. One response is that the solipsist's interlocutor is in fact a figment of their imagination, but since their interlocutor knows they are not, they are not going to be convinced.
This is thus a resolution to the Fermi paradox – that is, the question of why we have not already encountered extraterrestrial intelligence if it is common throughout the universe. A responseSagan, Carl and Newman, William: "The Solipsist Approach to Extraterrestrial Intelligence", Quarterly Journal of the Royal Astronomical Society, vol. 24, number 113 (1983) came from Carl Sagan and William Newman. Now known as Sagan's Response, it pointed out that in fact Tipler had underestimated the rate of replication, and that von Neumann probes should have already started to consume most of the mass in the galaxy.
Anti-realism is the view of idealists who are skeptics about the physical world, maintaining either: (1) that nothing exists outside the mind, or (2) that we would have no access to a mind-independent reality even if it may exist. Realists, in contrast, hold that perceptions or sense data are caused by mind-independent objects. An "anti-realist" who denies that other minds exist (i. e., a solipsist) is different from an "anti- realist" who claims that there is no fact of the matter as to whether or not there are unobservable other minds (i. e.
Painkiller Jane was made into a made- for-television movie and broadcast on the Sci-Fi Channel in December 2005. The film stars Emmanuelle Vaugier as the titular heroine. The film differed significantly from the comics, notably in regard to the character's origin, but led to a subsequent television series. In an interview with Moviepilot, Palmiotti is in progressing on a new film. In November 2016, Deadline reports that Jessica Chastain has signed on to star as Jane Vasko in the big screen with Lotus Entertainment’s Lenny Beckerman producing along with Solipsist Films’ Stephen L’Heureux and Chastain through her Freckle Films banner.
Rollins discussing his 2014 book Occupants with Thurston Moore Rollins has written a variety of books, including Black Coffee Blues, Do I Come Here Often?, The First Five (a compilation of High Adventure in the Great Outdoors, Pissing in the Gene Pool, Bang!, Art to Choke Hearts, and One From None), See a Grown Man Cry, Now Watch Him Die, Smile, You're Traveling, Get in the Van, Eye Scream, Broken Summers, Roomanitarian, and Solipsist. For the audiobook version of the 2006 novel World War Z Rollins voiced the character of T. Sean Collins, a mercenary hired to protect celebrities during a mass panic caused by an onslaught of the undead.
He also clandestinely commissions a famous virtual reality architect, Malcolm Carter, to build a full scale VR city; outside of Durham's knowledge, Carter secretly hacks two Slum-dwelling Solipsist Nation Copies (Peer and Kate) into this city's machine code. When Maria learns of a computer fraud investigation on Durham, she confronts him. Durham reveals that his self-experiments convinced him that there is no difference, even in principle, between physics and mathematics, and that all mathematically possible structures exist, among them our physics and therefore our spacetime, a belief he refers to as "Dust Theory". The dust theory implies that all possible universes exist and are equally real, emerging spontaneously from their own mathematical self- consistency.
After her album Megiddo was released in 1997, Hoffman spent some time traveling India, Europe and Israel to tour and forego her musical endeavour. She later studied the art of dance and choreography at Virginia Commonwealth University. In 2002 she decided to move forward from the study of dance to pursue her passion of music, while also incorporating her talent as a dancer. With her fellow peers, Hoffman went on to produce several musical and dance video productions for some of her songs, including Solipsist and Another Song About the Darkness — Choreography (2006). The album cover for her EP The Chemist Said It Would Be Alright But I’ve Never Been The Same, was designed by outsider artist Wes Freed.
It featured reworked footage from Ed Wood's 1959 science fiction film Plan 9 from Outer Space. The band signed a multi-album deal with Unique Leader Records on June 24, 2013. On April 15, 2016 the band released their debut LP Solipsist, which featured guest vocals from Fallujah’s Alex Hofmann, and a guitar solo by Wes Hauch (ex-The Faceless) who also co-wrote a portion of the track Hypnagogia, and cover art by Ken Sarafin, who had previously contributed artwork to bands Skinless, The Kennedy Veil, Oceano and Archspire. This would be the band's first effort with ex-Fallujah and All Shall Perish guitarist Rob Maramonte, who joined the band in 2013.
Oldham is known for his "do-it-yourself punk aesthetic and blunt honesty," and his music has been likened to Americana, folk, roots, country, punk, and indie rock. He has been called an "Appalachian post-punk solipsist", with a voice that has been described as "a fragile sort-of warble frittering around haunted melodies in the American folk or country tradition." Oldham first performed and recorded under various permutations of the Palace name, including Palace Brothers, Palace Songs, Palace Music, and simply Palace. Regarding the name changes during this period (1993–1997), Oldham said: Will stated in a 1995 interview with KCRW that the name Palace Flophouse was inspired by reading John Steinbeck's Cannery Row.
In his first play, Eleutheria (unstaged and unpublished during his life), dating back to 1947, the protagonist is Victor Krap, a young man who has decided to retreat from life and do nothing. He has been described as a world-weary anti-hero, a failed writer and seedy solipsist, a clear prototype for the later Krapp.Marius Buning (President, Dutch Samuel Beckett Society), Eleutheria Revisited, public lecture delivered at Teatro Quijano, Ciudad Real, Spain, 2 December 1997. ;Krapp (as a boy) When the thirty-nine-year-old Krapp is talking about his neighbour's ritual singing in the evening he tries to remember if he sang as a boy and is unable to do so.
In general, however, there was a concerted effort to distinguish Fascist "racism", allegedly of "culturalist" variety, from that emanating from the Germanic realm. Giovanni Gentile, for example, despised the introduction of biological racism into Fascism, and the same can be said of the majority of the early theoreticians of intellectual Fascism. Yet a concern for corporate group national identity, as opposed to what Gentile called the "solipsist ego" enshrined by demo-liberal politics, was always part of the Fascist worldview. In any case, it was not unusual, before the outbreak of Second World War, for Fascist intellectuals to oppose themselves to the more excessive and irrational components of Ariosophy-descended National Socialist racism.
In parallel with his systematic work on the above-mentioned topics, Zahavi has also written on phenomenology, especially the work of Edmund Husserl. He has argued that phenomenology is a powerful and systematically convincing voice that contemporary philosophy and empirical science shouldn’t ignore. In addition to offering extensive analyses of Husserl’s analyses of intersubjectivity and self- and time-consciousness, Zahavi has also discussed the nature of Husserl’s transcendental philosophy and the metaphysical implications of phenomenology in various publications. Throughout his work, Zahavi has criticized what he takes to be overly simplistic interpretations of Husserl that depicts the latter as a solipsist and subjective idealist, and instead accentuated the continuity between Husserl’s phenomenology and the work of post-Husserlian phenomenologists, especially that of Merleau-Ponty.
The plot of Murphy follows an eponymous "seedy solipsist" who lives in a soon-to-be-condemned apartment in West Brompton. The novel opens with the protagonist having tied himself naked to a rocking chair in his apartment, rocking back and forth in the dark. This seems to be a habit for Murphy, who in carrying out the ritual attempts to enter a near-if-not- totally-nonexistent state of being (possibly something akin to sensory deprivation), which he finds pleasurable. Later on, Murphy's "meditation" is juxtaposed with conversations he has with his friend and mentor Neary, an eccentric from Cork who has the ability to stop his heart—an ability or condition which Neary calls the "Apmonia" (a play on the Greek word for "harmony"), sometimes referred to as "Isonomy" or the "Attunement".
William M. Thomson, The Land and the Book: Lebanon, Damascus, and Beyond Jordan, vol. 3, 3 vols. (New York, NY: Harper & Brothers, 1886), 3:669; Nelson Glueck, Explorations in Eastern Palestine II, AASOR 15 (New Haven, CT: ASOR, 1935), 378; Nelson Glueck, “Some Ancient Towns in the Plains of Moab,” Bulletin of the American Schools of Oriental Research 91 (1943), 15; J. Maxwell Miller and Gene M. Tucker, The Book of Joshua, The Cambridge Bible Commentary of the English Bible (Cambridge, MI: Cambridge University Press, 1974), 199; R. K. Harrison, “Shittim,” ed. Edward M. Blaiklock, New International Dictionary of Biblical Archaeology (Grand Rapids, MI: Zondervan, 1983), 413; Rami G. Khouri, Antiquities of the Jordan Rift Valley (Manchester, MI: Solipsist, 1988), 76; Burton MacDonald, East of the Jordan: Territories and Sites of the Hebrew Scriptures, ed.
William M. Thomson, The Land and the Book: Lebanon, Damascus, and Beyond Jordan, vol. 3, 3 vols. (New York, NY: Harper & Brothers, 1886), 3:669; Nelson Glueck, Explorations in Eastern Palestine II, AASOR 15 (New Haven, CT: ASOR, 1935), 378; Nelson Glueck, “Some Ancient Towns in the Plains of Moab,” Bulletin of the American Schools of Oriental Research 91 (1943), 15; J. Maxwell Miller and Gene M. Tucker, The Book of Joshua, The Cambridge Bible Commentary of the English Bible (Cambridge, MI: Cambridge University Press, 1974), 199; R. K. Harrison, “Shittim,” ed. Edward M. Blaiklock, New International Dictionary of Biblical Archaeology (Grand Rapids, MI: Zondervan, 1983), 413; Rami G. Khouri, Antiquities of the Jordan Rift Valley (Manchester, MI: Solipsist, 1988), 76; Burton MacDonald, East of the Jordan: Territories and Sites of the Hebrew Scriptures, ed.
The concept of solipsism is also examined prominently, with many less-wealthy Copies attending social functions called Slow Clubs, where socialising Copies agree to synchronise with the slowest person present. Many of these less-wealthy Copies become completely deracinated from their former lives and from world events, or else become Witnesses, who spend their time observing (at considerable time lapse) world events unfold, at the cost of any meaningful relationships with their fellow Copies. A subculture of lower/middle-class Copies, calling themselves Solipsist Nation after a philosophical work by their nominal founder, choose to completely repudiate the "real" world and any Copies still attached to it, reprogramming their models-of-brains and their VR environments in order to design themselves into their own personal vision of paradise, of whatever size and detail, disregarding slowdown in the process. Egan's later novels Diaspora and Schild's Ladder deal with related issues from other perspectives.
If you could take one day and do absolutely anything, piling into a convertible with your best girl and your best friend and taking in a baseball game, an art museum, and a fine meal seems about as good as it gets," wrote Hemingway. Others were less enamored with Ferris, many taking issue with the film's "rebel without a cause" hedonism. David Denby of New York Magazine, called the film "a nauseating distillation of the slack, greedy side of Reaganism." Author Christina Lee agreed, adding it was a "splendidly ridiculous exercise in unadulterated indulgence," and the film "encapsulated the Reagan era's near solipsist worldview and insatiable appetite for immediate gratification—of living in and for the moment...." Gene Siskel panned the film from a Chicago-centric perspective saying "Ferris Bueller doesn't do anything much fun ... [t]hey don't even sit in the bleachers where all the kids like to sit when they go to Cubs games.
The Society of London Theatre. Retrieved 6 November 2007. That year, Pryce had a small but pivotal role as Zarniwoop in the 12th episode of the Hitchhiker's Guide to the Galaxy radio series, one that he reprised for the Quintessential Phase which was broadcast in 2005. In his original role as Zarniwoop, Pryce's character questions the "ruler of the Universe", a solipsist who has been chosen to rule arguably because of either his inherent manipulability, or immunity therefrom, on his philosophical opinions. Around the same time, in 1980, he also appeared in the film Breaking Glass. In 1983, Pryce played the role of the sinister Mr. Dark in Something Wicked This Way Comes, based on the Ray Bradbury novel of the same title. After appearing mostly in films, such as the Ian McEwan- scripted The Ploughman's Lunch, and Martin Luther, Heretic (both also 1983), he achieved a breakthrough with his role as the subdued protagonist Sam Lowry in the Terry Gilliam film, Brazil (1985)."Entertainment Weekly's Top 50 Cult Movies (Brazil #13) ". FilmSite.org. Retrieved 26 November 2007.

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