Sentences Generator
And
Your saved sentences

No sentences have been saved yet

25 Sentences With "snowscapes"

How to use snowscapes in a sentence? Find typical usage patterns (collocations)/phrases/context for "snowscapes" and check conjugation/comparative form for "snowscapes". Mastering all the usages of "snowscapes" from sentence examples published by news publications.

Image: GettyCypress Hill loves badass animals, big puffs of steam, and snowscapes.
The sunken city features clear blue waters, lovely hazy sunsets, and crisp mountain snowscapes.
But this winter, Janulis finally got to shoot something he'd been waiting for all year—aerial snowscapes.
Like their Hallmark counterparts, the Netflix movies are lovely to look at, with lots of snowscapes and great interiors.
They can also see UV bands of light, which is very important in the 'snowscapes' of winter in the Arctic.
Outside, the chill winds of winter were beginning to blow, and he was almost put in mind of long-ago snowscapes and forgotten moments with family.
She also appeared in the official music video for the song, frolicking through animated snowscapes in a furry beige jump suit with a matching floor-length mink coat.
"Tardigrades are fascinating little beasties," said Sandra McInnes, a tardigrade researcher with the British Antarctic Survey, who has been studying species that occur in the frozen snowscapes of Antarctica since 1980.
Most of the game is in third-person, as you control a simple avatar—a sort of globe with pedals—through low-poly mountain passages, deceptively open snowscapes and stylized city streets.
Born in Wales but destined for the vast snowscapes of the Canadian Atlantic coastline, Mr. Davies, founder of the International Fund for Animal Welfare ("Awful name," he says, grimacing), seems loath to believe that his fight might be unwinnable.
The fact that Matt wanted to go even deeper out away from civilization, shooting in the wilds of Canada, and having these big snowscapes and these big vistas; places where doing this kind of highly technical sort of work is hard.
"Downhill" replicates many of the touches that made "Force Majeure" so powerful, alternating between long, static images of chilly snowscapes with more intimate scenes of heated psychodrama, and ratcheting up that tension with occasional, gunshot-like explosions in the distance that accompany the release of pressure on the slopes by avalanche management equipment.
Perry spent the next two years in convalescence in Charleston, South Carolina. During this time she found new inspiration for her landscape theme and executed works such as Road from Charleston to Savannah and A Field, Late Afternoon, Charleston, South Carolina. It was also during her time in Charleston that Perry found a new theme for her landscapes, what she referred to as "snowscapes." Two examples of her snowscapes include A Snowy Monday (1926) and After First Snow (1926).
A Cart on the Snowy Road at Honfleur () is an oil-on-canvas snowscape painting by French impressionist Claude Monet. The painting depicts a man on a wooden cart travelling along a snow-laden road in Honfleur. A Cart on the Snowy Road at Honfleur is one of nearly 140 snowscapes painted by Monet. It is believed to be his first completed snowscape, and is similar to other snowscapes by him such as The Road in Front of Saint-Simeon Farm in Winter, The Magpie, Snow at Argenteuil, and The Red Cape.
Monet chose an earth tone color scheme and increased the number of shades of blue to highlight reflections on the snow. Monet followed A Cart on the Snowy Road at Honfleur with a notable series of snowscapes in 1867 including Road by Saint-Simeon Farm in Winter.
The painting is thought to be heavily influenced by the snowscapes of Japanese artist Utagawa Hiroshige (1797–1858), such as Ochanomizu and Clear weather after snow at Kaneyama (1797–1858). Aspects such as the single vanishing point and varied colors of snow can also trace their influences back to Japan.
In this period a Scottish "grand tour" developed with large number of English artists, including Turner, flocking to the Highlands to paint and draw. From the 1870s Farquharson was a major figure in interpreting Scottish landscapes, specialising in snowscapes and sheep, and using a mobile heated studio in order to capture the conditions from life. In the same period McTaggart emerged as the leading Scottish landscape painter.
His themes were predominantly empty vistas, mountain scenery, snowscapes and glassy lakes. He also did portraits, cartoons and a series of rally cars and industrial scenery in Silesia. The great hiatus of his life was leaving his family and his beloved Zakopane in 1939. Three years later he had settled in Canada having travelled through Southern Europe and Brazil, where his palette responded to the colour and light.
His first snowscape, A Cart on the Snowy Road at Honfleur, was painted sometime in either 1865 or 1867, followed by a notable series of snowscapes in the same year, beginning with The Road in Front of Saint-Simeon Farm in Winter. The Magpie was completed in 1869 and is Monet's largest winter painting. It was followed by The Red Cape (1869–1871), the only known winter painting featuring Camille Doncieux.Moffett et al.
Madeline Francis Jane Marrable, née Cockburn (20 July 1833 – 26 April 1916) was a prolific London based watercolourist and oil painter specialising in landscapes with a preference for mountains and snowscapes. She traveled widely to places including Austria, France, Italy, Ireland, Switzerland and Venice. Noted works include: Ancient Cedars at Ankerwycke, Staines, Moonlight at Chiavenna and The Diligence Halting. She exhibited both in Britain and abroad, including at the Royal Academy between 1864 and 1903.
R. Billcliffe, The Glasgow Boys (London: Frances Lincoln, 2009), , p. 27. From the 1870s Farquharson was a major figure in interpreting Scottish landscapes, specialising in snowscapes and sheep, and using a mobile heated studio in order to capture the conditions from life. In the same period McTaggart emerged as the leading Scottish landscape painter. He has been compared with John Constable and described as the "Scottish Impressionist", with free brushwork often depicting stormy seas and moving clouds.
Art historians believe that a series of severe winters in France contributed to an increase in the number of winter landscapes produced by Impressionists.; ; For the range of 63 major works produced from 1867–1893, see Moffett et al. 1999. This arbitrary time period was established for the first Impressionists in Winter: Effets de Neige exhibition, based on historical reports of severe winters collected by curators. The Magpie is one of approximately 140 snowscapes produced by Monet.
It was realised early in production that there was insufficient space at Bray for the sets depicting the snowscapes of the Himalayas and so production shifted to Pinewood. Each element of the set was built on a wheeled rostrum so the set could be reconfigured to show many different panoramic backdrops. The set was decorated with artificial snow made of polystyrene and salt. Matching the footage shot in the Pyrenees with the scenes filmed in Pinewood represented a major challenge for Guest and his editor Bill Lenny.
R. Billcliffe, The Glasgow Boys (London: Frances Lincoln, 2009), , p. 27. From the 1870s Farquharson was a major figure in interpreting Scottish landscapes, specialising in snowscapes and sheep, and using a mobile heated studio in order to capture the conditions from life. In the same period McTaggart emerged as the leading Scottish landscape painter, he has been compared with John Constable and described as the "Scottish Impressionist", with free brushwork often depicting stormy seas and moving clouds.Chilvers, The Oxford Dictionary of Art and Artists, p. 376.
Colored shadows can be directly observed in nature, particularly in the type of snow scene presented by Monet.; ; In his study of Impressionism, art historian John Rewald observed that artists used snowscapes to "investigate the problem of shadows". The problem is summarized by Fred S. Kleiner in Gardner's Art Through the Ages: > After scrutinizing the effects of light and color on forms, the > Impressionists concluded that local color—an object's true color in white > light— becomes modified by the quality of the light shining on it, by > reflections from other objects, and by the effects juxtaposed colors > produce. Shadows do not appear gray or black, as many earlier painters > thought, but are composed of colors modified by reflections or other > conditions.

No results under this filter, show 25 sentences.

Copyright © 2024 RandomSentenceGen.com All rights reserved.