This can be healing—Neptune smooths over harsh realities—but it can teeter on dissociation.
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Speaking of which, the LX 21 smooths over real-life bumps similarly to the Land Cruiser.
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This accentuates in all the right places, and smooths over or hides the not-so-favorite places.
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And as the production grows troubled, she smooths over his clashes with his producer Cy Feuer (Paul Reiser).
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This demonstration smooths over many of Omote's kinks, and showcases the projections interacting with facial structure like never before.
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Easterbrook, the author of several books, often airbrushes or smooths over history; temporary reversals are missed or their consequences minimized.
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He conjures a world that, for all its surreal touches, has a zany beauty that gently smooths over Schumann's dramatic flaws.
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That's because a lot of people get offended when you forget their names, and nothing smooths over this blow to the ego.
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Parents and children should have the opportunity to work and learn in a way that smooths over the awkward incongruities of our daily schedules.
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The vibe smooths over on July 8, when the Sun connects with your other ruling planet, Neptune, and creates a romantic and creatively inspired atmosphere.
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Her buoyant personality smooths over the shortcomings of a movie that brings together the various strands of her life in a warm if slightly disjointed manner.
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The LX 23 as a whole is a controversial design to say the least, but a rich color like this certainly smooths over some of the bumps.
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The fresh-smelling formula smooths over skin like a rich cream — immediately providing a protecting barrier and dewy sheen — but then fully soaks in, leaving behind soft, balanced skin that is perfectly radiant.
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Ivanka isn't anything like an Offred, though she is a dead ringer for the Handmaid's Tale character Serena Joy, the wife of Offred's owner who smooths over her husband's brutality with her smiling, immaculately coiffed blondeness.
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As a sheer foundation, this isn't going to entirely cover blemishes, dark spots, or red blotches, but it smooths over all types of imperfections, gently improving the look of your complexion without a heavy or mask-like appearance.
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Here, on the chorus — "Don't call me baby unless you mean it/Don't tell you me you need me if you don't believe it" — Mr. Sheeran shows off the grit in his voice that he too often smooths over.
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Mayhew, Robert. "We the Living '36 and '59". Susan Love Brown countered that "Mayhew becomes an apologist for Rand's denials of change and smooths over the fact that Rand herself saw the error of her ways and corrected them." Nearly everyone who reads We the Living today reads the second edition.
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The yacht captain smooths over the situation, and brings Keith to the island where the wreck is located. There he meditates on the fate that has brought him so far, takes many pictures, erects a headstone, and salvages the yacht's engine, which he arranges to ship back to Britain to sell. After an amusing incident where Ferris's much-married daughter, Dawn, runs off with Jack Donelly, the yacht proceeds to Washington State. Keith spends several days visiting Hirzhorn, helping him with his model.
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His partner is Nicholas Browne. ;Olivia "Lovey" Saltzman: Michael and Deanna's landlady in Toronto. Lovey has a warm friendship with Michael and Deanna from the start of their tenancy, often helping out the couple by preparing meals and babysitting. Olivia is also the one who smooths over the problems with Michael and his mother-in-law, Mira Sobinski, by revealing to Mira that she has had problems with her own daughter, who decided to move with her family to Seattle to distance herself from her mother's constant, but unwanted, advice.
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Since parts of the text have distinct stylistic differences from other portions--appearing as a list, as a series of character introductions, or as a flowing narrative--Some suspect that the passages may themselves be compiled from multiple source documents. Further, as 2 Samuel 23:23–24 reads "... David put him in command of his bodyguard. Asahel, brother of Joab. Among the thirty were...", the text is regarded as corrupted, and the middle of verse 23:24 (between the words Joab and Among) is generally presumed to have been lost (some translations move Among the thirty were to be before Asahel, which smooths over the issue).
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The story arc Superman Reborn smooths over the discrepancies between the two versions of the character. According to Mr. Mxyzptlk, the creation of the New 52 caused Superman to be separated into two people: the New 52 character that served as the protagonist of the Superman books in 2011-2015 and the pre- Flashpoint character that took part in the Convergence event and sired Jon. Thanks to Jon, the new Superboy, the two Supermen merge into one complete version of Superman, rearranging their shared histories and accommodating them into the restored DC Universe. This complete Superman features a new suit that combines elements from the two eras.
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Match cuts form the basis for continuity editing, such as the ubiquitous use of match on action. Continuity editing smooths over the inherent discontinuity of shot changes to establish a logical coherence between shots. Even within continuity editing, though, the match cut is a contrast both with cross-cutting between actions in two different locations that are occurring simultaneously, and with parallel editing, which draws parallels or contrasts between two different time-space locations. A graphic match (as opposed to a graphic contrast or collision) occurs when the shapes, colors and/or overall movement of two shots match in composition, either within a scene or, especially, across a transition between two scenes.
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Also thanks to Emsworth's distracted nature, Freddie accidentally gives Veronica his wife's expensive diamond necklace (while the pendant he had bought for her was sent to Aggie in Paris). Gally smooths over a resurgence of jealousy in Plimsoll on seeing Vee in the necklace, by claiming it is false, and Plimsoll gives it to Prudence for the church jumble sale. With Freddie desperate to get the necklace shipped over to his increasingly irate wife, and threatening to disrupt Plimsoll and Vee's happiness, Gally proposes to hold the family to ransom, getting the family's blessing for Prudence and Lister's marriage in return for the jewels. Lister, lurking in the gardens, glimpses an overjoyed Prudence on a balcony, but cannot catch her attention, so he fetches a ladder and climbs to the balcony.
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The Radio Times called it "a well-written, nicely shot squalor fest"; Allmovie called it an "unsavory British programmer"; Britmovie noted a "Sixties’ backstreets bedroom drama adapted from Nan Maynard's rather middling novel. Director Sidney Hayers fashions an interesting drama amid the sordid squalor of London and creates a number of genuinely sympathetic characters. Ian Hendry giving a performance of compelling magnetic brilliance as the jack-the-lad charmer capable of turning from seducer to scoundrel and back again in the blink of an eye"; and TV Guide wrote, "The even direction smooths over the ugly plot of a mean little womanizer...Hendry and Ritchie exude interesting chemistry together, and the movie spins right along while they are on the screen." Halliwell describes it pithily as an “unremarkable low-life drama”.
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Antonio Badalamenti, a Sicilian who has been settled for many years in Northern Italy and is employed in a car factory in Milan, takes a vacation with his family, leaving behind the modern conveniences of his home in northern Italy, to visit his childhood village in Sicily and introduce his blond, northern-Italian wife, Marta, to his mother, father and other relatives back home. While his wife suffers in the comparatively rustic conditions of her husband's hometown and has trouble adapting to the culture of Sicily, Antonio becomes reacquainted with his childhood friends. He also pays a visit to the local don, Don Vincenzo, who is a crime boss. The don smooths over some problems Antonio had with a deal to buy some property on the island, and in return, Antonio is tasked with carrying out a hit for the mob.
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These feminist theorists believed that "international" put more emphasis on nation-states as distinct entities, and that "global" speaks to liberal feminist theories, like Robin Morgan's concept of "global sisterhood", without taking into consideration race, class, culture, or colonialist and imperialist histories. In Women's studies on its own: a next wave reader in institutional change, Inderpal Grewal and Caren Kaplan claim they do not think the term "transnational" is better than either "international" or "global", but that it is useful inasmuch as it is free from the implications that other terms may have: Criticisms against the term "transnational" claim that because it de-emphasizes the borders between nations and emphasizes the similar concept of global capital flows, it deceptively smooths over large inequalities between nations. Transnational Feminism in practice can be noted as a means of studying the "other", a western concept of people not strictly related to the global north. This is the attempt to understand what factors make up their identities and struggles and a way of acknowledging that these experiences have their own complex natures, unique geographically and how this is interpolated by those examining and theorizing.
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