Cohn was representing a sleazy nightclub owner for income tax evasion.
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A Brief History of Their Love Story: Michael* and Julia* first met on the dance floor of a "sleazy" nightclub in Brooklyn, New York.
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The hobgoblins quickly make their fantasies come true, but with dire consequences. The quiet, prudish Amy's fantasy leads her to the sleazy nightclub, Club Scum, where it turns out that Amy's deepest fantasy is to lose her sexual inhibitions and be a stripper. Kevin and the others follow her there. The nightclub erupts into chaos while Kevin and his friends try to kill the rampaging hobgoblins.
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He lets her off. He sees her again one day when he visits the sleazy nightclub run by his older brother, Ivan. Ivan is a crime boss and runs a popular club with a drag revue, funding his business through a stolen-auto ring headed up by Jimmy, who is Juliette's brother. The encounter between the siblings on opposite sides of the law is tense, they barely get along.
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The car crashes as Billy attempts to wrest the gun away and both men are killed. Billy finds himself in the afterlife which resembles the backstage area of an extremely sleazy nightclub. His agent Max explains that he must audition on stage and that his performance will determine whether he goes to heaven or hell. A stage manager pushes him onto a stage in front of a bored-looking audience.
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Chrissy arrives in 1960s Philadelphia with the dream of becoming a successful dancer. Desperation leads her to a job at a sleazy nightclub called Big Tom's Boom Boom Room. While working at the nightclub, she explores love and sex with a variety of unsuitable partners of both genders and forms a friendship with a gay neighbor. She tries to resolve troubling issues in her life, including her mother who had wanted an abortion and memories of sexual abuse by her father .
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Set and filmed in Brunswick, a Melbourne suburb, it deals with a humble chef, Carl (Neill) who gets a job at a sleazy nightclub owned by Yanni Voulgaris (Nicholas Papademetriou). He begins a relationship with the Greek-Australian barmaid, Sophie (Zoe Carides), which soon brings him into trouble with his employers and her strict father. His drug dealing Turkish-Australian co-worker, Mustafa (Nick Lathouris), is beaten up by the Greek-Australian owners. Thinking Carl told them, Mustafa attacks Carl.
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Eddie nonetheless loses his job because of the arrest. His wife takes a job at a sleazy nightclub, where Eddie finds her, to his fury; in desperation, he finally accepts the offer of his persistent brother Walter to participate in a big heist. Walter gathers accomplices for the heist, but it becomes evident they had framed Eddie for the shopkeeper's murder, and mistrust grows. The thieves get away with $1 million in platinum bars, Eddie & Walter hiding the loot in a truck.
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Four years later, Dave is working at a car wash and Sylvie is working as a waitress at a sleazy nightclub; both are now sober and Sylvie attends regular AA meetings. One day at work, Dave gets a phone call informing him that Kenny is getting released early. That night, he goes to pick up Sylvie at work, and it is revealed that they have been dating for some time and Sylvie is pregnant with Dave's child. Sylvie wants to tell Kenny about their relationship, but Dave is reluctant.
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The destabilization efforts continue as Julian Makombe, the President of Nyanga, is shot and badly wounded. The chief of police immediately makes a series of arrests and discovers that some of the suspects are drug addicts from Dakar, in neighboring Senegal. Carter travels to Dakar and investigates the Hop Club a sleazy nightclub that supplies heroin and discovers it is a front for Chinese agents. At the recommendation of Rufus Makombe, the President's brother, Carter also visits the Kilimanjaro nightclub in Dakar and has a liaison with the club's singer, Mirella.
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In a different circumstance, the producers of the Broadway revival of Cabaret wished to maintain the atmosphere of a sleazy nightclub at its Studio 54 venue, and insisted on handing out Playbills after the performance (instead of before). Playbill, sensing missed exposure for its advertisers, offered the show's producers "Showbill" instead. Additionally, Playbill responded further by producing publications for classic arts venues, aggressively courting many venues that were once Stagebill clients. In the spring of 2002, Playbill signed a contract with Carnegie Hall; this milestone was bookended by the earlier acquisition of the valuable Metropolitan Opera program and the ensuing contract with the New York Philharmonic—both tenants of Stagebill's erstwhile stronghold Lincoln Center.
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