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51 Sentences With "slavering"

How to use slavering in a sentence? Find typical usage patterns (collocations)/phrases/context for "slavering" and check conjugation/comparative form for "slavering". Mastering all the usages of "slavering" from sentence examples published by news publications.

Meanwhile, in the under-quarters of their ship, something is slavering.
His slavering followers are champions of racial purity, among other horrors.
I'm currently slavering over the catalog for the Dior exhibition at the Louvre.
Nor is it really about slavering over money, at least in its early sections.
Among the movie's pleasures is a creature design that at last breaks with H. R. Giger's slavering aliens.
Some are slavering over his body, sending nude photos, suggesting hookups and, in one case, requesting photos of his naked feet.
The idea that the future of sex will be slavering over custom-made silicon replicas is as interesting as it is unlikely.
Role-players who loved Vampire: The Masquerade (and its million multimedia offshoots) and can't get enough vampire political discourse and angry werewolf slavering.
His reputation, however, resides in earthly paradise, with two blockbuster exhibitions this year, drawing tens of thousands to admire his slavering, fluttering, waddling abominations.
But much like the slavering, ferocious-looking dog that enters barking in the opening shot, and which Marcello gently soothes into submission, Simone seems containable.
In Werewolves Within, wihch is inspired by the popular Mafia party game, you lie to friends and strangers alike about being a slavering, flesh-hungry beast.
As wolves go, he seems neither slavering nor scheming, and, as he ushers us through the rest of the film, his eyes glow with curiosity and pity.
We were like dogs slavering after a piece of meat, but we weren't in the wild eating for survival: We were participants in a dog show, prancing for medals.
But for Tibor Ferko, a young butcher from Usti nad Labem, a city in the northern Czech Republic, it is the chocolate that leaves him slavering at the chops.
Goon Squad includes, for instance, a fake celebrity profile that at once lampoons the form and pays tribute to the slavering a journalist must do in order to write one.
Start slavering over it below: It's like looking at a really nice ice cream, one of those proper ice creams you see in Italian ice cream places near Convent Garden.
Its most lurid tale described a Russian peasant fleeing wolves on a sled, who—unable to outpace the slavering pack—escaped by hurling her children, one by one, to their deaths.
Can the herbivorous power of the past, which has long delighted in the soft tools of diplomacy, trade and aid, really transform itself into a slavering, armed-to-the-teeth carnivore?
With Star Wars: The Last Jedi, writer-director Rian Johnson made a point of answering questions set up by The Force Awakens, and giving fans some answers they were slavering for.
After so many years of killing off the slavering beasts — what most of humankind became due to a mad-cow-like disease — the four had come to discern some differences among them.
OK, it's not the same as the Mueller report, but the Apple report, due Monday in Cupertino, California, has the tech world slavering with anticipation, with the entertainment world in a similar lather.
Tents are barely pitched before the one with the weakest bladder is stalked and disemboweled (Jerry Constantine's special-effects team doesn't mess around), the attacker resembling a slavering, hairless hybrid of man and coyote.
Set once upon a time, the movie spins a legend that never was: Every 60 years, slavering creatures emerge from beyond to sharpen their teeth on human bones and stuff their bellies on meat.
As made evident by his slavering over such brutal autocrats as Vladimir Putin and Kim Jong-un, Mr. Trump believes that effective leadership is all about crushing anyone who stands in your way, collateral damage be damned.
But it's not just hardcore gamers who are slavering over the prospect of finally blasting off into the game's procedurally generated space, in search of discovery and adventure on a scale that this medium has rarely delivered.
Perhaps that's because the FX show set up a chess-like battle between the plucky humans and slavering Strigoi, while AMC's juggernaut has lurched about exploring man's inhumanity in a lawless world, turning its zombies into a shadowy afterthought.
In Heiner Müller's celebrated 1995 production at the Berliner Ensemble, for instance, Martin Wuttke, as Ui, entered as a dog, bare-chested and slavering on all fours, his tongue painted a lurid red, his black hair slicked into Hitler's side part.
Roland, by contrast, lives in Mid-World, an incoherent realm of foggy woods, digital boogeymen, cinematic allusions, slavering nods to Mr. King's voluminous oeuvre and some geological formations that may cause you to uselessly flash on images from John Ford westerns.
MICHELLE MALKIN, HOST, "MICHELLE MALKIN INVESTIGATES": Well, I think that Alexandria Ocasio-Cortez is everything that&aposs wrong with overpriced liberal ivory towers plus extreme radical identity politics plus a slavering liberal media advocacy machine that is waiting for you the next savior.
But whether Donald Trump is making a decision based on the impulsive needs of his enormous and slavering ego, or based on a careful analysis that this is the best thing for Trump in the long run, ego is the deciding factor either way.
The game's set in the same universe as multiplayer shooter Killing Floor, a game made special for its ballistics model — a chunky and powerful thing that makes landing an accurate shot on a slavering zombie feel more satisfying than in most first-person shooters.
It's no wonder moviegoers and other virtual tourists can map it in their heads without visiting it, even if the Los Angeles they probably know is little more than an aerial view of the Hollywood sign, a cutaway to a clogged freeway and a slavering look at a bountiful blonde.
Just after Christmas, he had finally decided to join Borussia Dortmund — picking the club from a long, slavering queue of would-be suitors, ranging from Manchester United to RB Leipzig — in part because of the prospect of playing in front of what is, arguably, the most iconic terrace in European soccer.
But switch around the current reality — a hulkingly massive platform attached to a relatively tiny (in resources terms) business operation — and the slavering jabberwocky that Zuckerberg is now on a personal mission to slay might well cease to exist, as multiple messy human challenges get cut down to a more manageable size.
Without King, we wouldn't have one of the most iconic and recognizable images in cinema history — Andy Dufresne standing in the rain after escaping from Shawshank prison — nor would we have the enduring horror of Pennywise the Clown, Cujo the slavering St. Bernard, or Kathy Bates's pitch-perfect stalker fan in Misery.
Directed by Zhang Yimou, from a script credited (absurdly, given its generic contours) to a half-dozen writers, "The Great Wall" perhaps inevitably sags a bit toward the end, as it seems to be making up elements on the fly in an effort to craft a credible way of beating back the slavering horde.
Some of it will probably be the odd guest star in prosthetic makeup – presumably the queue of Hollywood stars slavering for a guest bit in a Labyrinth sequel is already a mile long – but there's no reason Serkis can't pull his usual motion-capture magic and breathe life into an endless parade of equally cute and creepy magical creatures.
METROPOLITAN A cover article this weekend about the life of the editor and writer Norman Podhoretz misstates the context for a quotation by Norman Mailer regarding the publication of Mr. Podhoretz's book "Making It." When Mailer described it as "brutal — coarse, intimate, snide, grasping, groping, slavering, slippery of reference, crude and naturally tasteless," he was characterizing the critical reception to Mr. Podhoretz's book, not critiquing it himself.
Corrections: March 2212, 2556 METROPOLITAN A cover article this weekend about the life of the editor and writer Norman Podhoretz misstates the context for a quotation by Norman Mailer regarding the publication of Mr. Podhoretz's book "Making It." When Mailer described it as "brutal — coarse, intimate, snide, grasping, groping, slavering, slippery of reference, crude and naturally tasteless," he was characterizing the critical reception to Mr. Podhoretz's book, not critiquing it himself.
" In a chapter about internet porn, one that includes a fascinating history of both female-directed porn and anti-porn feminism, she turns her focus to the men attending a live filming of a kink porn shoot, where the audience is expected to actively participate in the sexual humiliation of the female performer: "These men I would divide into two groups: the openly slavering, confident about the righteousness of their lust, and the self-conscious, worried about breaking the taboos of touching and insulting a woman.
Was Galloway's permanent rage going to be banked by a great gungy outpouring of slavering goodwill?
The couple's taciturn grounds man Peter (Al Cliver) is happy enough looking after the slavering pack of dogs the couple own. But the maid Maria (Carla Cassola) is becoming more and more suspicious of her sinister employers that they are hiding something. Sure enough, she discovers the dead bodies of a money-grabbing nephew (Paolo Bernardi) and his wife (Francesco De Rose) lying preserved in open coffins in the wine cellar. Maria is gorily killed by the elderly Sarah in the greenhouse the next morning while announcing her plans to quit.
Sample of goods brought via Manila Galleon in Acapulco Manila Galleon (c. 1590 Boxer Codex) Indios (Native Filipinos) (Tipos del País Watercolor by José Honorato Lozano) A Scene of Economic Life in Spanish Colonial Philippines (Tipos del País Watercolor by José Honorato Lozano) Ilocano Merchants in Spanish Colonial Philippines (Tipos del País Watercolor by José Honorato Lozano) The natives were slavered among them by other tribes like Lapu-Lapu which forced other islands to pay taxes. The arrival of the Spanish removed this slavering system. Miguel Lopez de Legazpi with Tlaxcaltecs from Mexico conquered and unified the islands.
Cora stated that the Feri tradition had "a code of honor and sexual morality which is as tough and demanding as the Bushido of Japan and of Shinto". She added that while Christian missionaries would understand Feri as a "sex cult", "we do not behave like a bunch of slavering mad dogs in heat". Initiation into Feri was a sexual act, and according to Cora "in initiation you literally marry the Goddess, her dual consort and the Gods, whether you are male or female". It involved a male priest giving the female initiate the names of the God and Goddess upon orgasm.
The perpetrators seemed both omnipresent and invisible. Their only calling card: the symbol of a black hand. The crimes whipped up the slavering tabloid press and heated ethnic tensions to the boiling point. Standing between the American public and the Black Hand’s lawlessness was Joseph Petrosino – dubbed the "Italian Sherlock Holmes" he was a famously dogged and ingenious detective, and a master of disguise. As the crimes grew ever more bizarre and the Black Hand's activities spread far beyond New York’s borders, Petrosino and the all-Italian police squad he assembled raced to capture members of the secret criminal society before the country’s anti-immigrant tremors exploded into catastrophe.
In his mythological poem Metamorphoses, Ovid tells how the herb comes from the slavering mouth of Cerberus, the three-headed dog that guarded the gates of Hades.Ovid, Metamorphoses 7.406 ff.. The story is first attested by Euphorion of Chalcis, fragment 41 Lightfoot (Lightfoot, pp. 272-275). As the veterinary historian John Blaisdell has noted, symptoms of aconite poisoning in humans bear some passing similarity to those of rabies: frothy saliva, impaired vision, vertigo, and finally a coma. Thus, some ancient Greeks possibly would have believed that this poison, mythically born of Cerberus's lips, was literally the same as that to be found inside the mouth of a rabid dog.
Simba, the last surviving lion of the pride, follows the chained Ursus to Ajak's city, trying to remain close to Ursus in the event that an opportunity to help him arises. At the climax of the film, Ajak orders that a group of innocent townspeople be dragged into a raging pyre by a group of elephants to which they are chained. Ursus manages to free himself from the king's dungeon and kill Ajak's henchman Lothar by throwing him into a kennel of ferocious, slavering hyenas. Ursus then makes his way to the grand arena and physically holds back the elephants, saving the condemned civilians from a fiery death.
The scene ends when Head is startled to see the next scene coming, as it presumably looks to him like a young woman with four breasts. #"Girls in Bikinis" (S2, E9): Sexy young women are seen posing in bikinis to the sound of lecherous male slavering, which ends abruptly when the camera pans to Cleese reclining on a desk in a pink bikini and bow tie saying the phrase, "And now for something completely different." #"Wanna Come Back to My Place?" (S1, E13): A man (Palin) tells a police inspector (Cleese) of a theft, and after an awkward silence, decides to invite said policeman to come back to his place, presumably for sex.
On Tuesday, September 23, 2003, Vincent was honored with a Norfolk's Legends of Music Walk of Fame bronze star embedded in the Granby Street sidewalk. Writing for AllMusic, Ritchie Unterberger called Vincent 'an American rockabilly legend who defined the greasy-haired, leather-jacketed, hot rods 'n' babes spark of rock and roll'. Village Voice critic Robert Christgau was less impressed by the musician's career, saying 'Vincent was never a titan — his few moments of rockabilly greatness were hyped-up distillations of slavering lust from a sensitive little guy who was just as comfortable with "Over the Rainbow" in his normal frame of mind'. However, said critic included Vincent's compilation album, The Bop That Just Won't Stop (1974), in his 'basic record library', published in Christgau's Record Guide: Rock Albums of the Seventies (1981).
Five British columns set out after Baji Rao II in full cry, slavering at the thought of the 'prize money' that lay at the end of the chase. After running for five months from one fort to another, awaiting the promised help from Scindias, Holkars, and Bhosles that did not come, Baji Rao II surrendered to Sir John Malcolm. Much to the chagrin of the Company's Governor-General Francis Rawdon-Hastings, 1st Marquess of Hastings (no relation to Warren Hastings, the first Governor-General of India), Malcolm was prepared to keep Baji Rao a lifelong prince, allow him to retain his personal fortune, and pay him an annual pension of £80,000 (£100,000 according to some sources) every year. In return, Baji Rao II would have to live in a place assigned by the British along with his retainers on the condition that he would never return to his homeland at Poona.
" The critic Camille Paglia wrote in Sexual Personae (1990) that while The Hunger comes close to being a masterpiece of a "classy genre of vampire film", it is "ruined by horrendous errors, as when the regal Catherine Deneuve is made to crawl around on all fours, slavering over cut throats", which Paglia considered an inappropriate focus on violence rather than sex. The critic Elaine Showalter called The Hunger a "post-modernist vampire film" that "casts vampirism in bisexual terms, drawing on the tradition of the lesbian vampire...Contemporary and stylish, [it] is also disquieting in its suggestion that men and women in the 1980s have the same desires, the same appetites, and the same needs for power, money, and sex." On the review aggregator website Rotten Tomatoes, The Hunger holds a 52% approval rating based on 31 reviews, with an average rating of 5.61/10. The consensus reads: "Stylish yet hollow, The Hunger is a well-cast vampire thriller that mistakes erotic moments for a satisfying story.

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