The occasional car skulks by on the leafy street outside.
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" The animal skulks away before Svenja, the director, shouts "End scene!
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He skulks around in search of weak-willed men or sawdust.
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Batman skulks around, using his detective skills and training to foil villains.
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"Jordskott," the latest moody Scandinavian thriller, with yet another stoic female police officer, skulks onto Shudder.
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Or "Being a Beast," in which the author, a British veterinarian, burrows, swims and skulks alongside nonhuman animals.
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Lady Mary's blackmailer skulks off with just £50 after Lord Grantham threatens to turn her in to the police.
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The fearsome predator skulks the ocean's dimly lit "twilight zone," which is about 600 to 3000 feet below the surface.
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He skulks around, the bad apple who goes from town to town abusing women, smashing his fists into saloon doors.
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Instead of enjoying her fête, Nadia does several shots and desperately skulks around the room hunting for someone to leave with.
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As she skulks under her sheets talking to what is essentially a robot, she realizes she has no friends and no relationships.
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Wherever Andy skulks, tension-raising, warbling leads follow; during the starkly staged kill scenes, synths whirr themselves up into a buzzing, deafening atonal frenzy.
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When he appears, dressed in ass-less chaps and heeled thigh-high boots, he skulks down a plexiglass runway purpose-built for the show.
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Meanwhile, Cookie Monster (Olander Wilson) silently skulks about, placing hats made of plastic bags atop the heads of audience members, as if raising an army.
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This Kong just sort of skulks around Skull Island, fighting monsters when needed, salving wounds from battle, and knocking back the occasional giant squid for sustenance.
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But as Euron skulks away promising to do mischief to appease his queen, we know we will never hate him like we did previous heel Ramsay Bolton.
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Mr. Law, who played Watson in Mr. Ritchie's "Sherlock" flicks, takes on mustache-twirling duties as Vortigern, a louche pouter who skulks around in black, doubtless dreaming of Richard III.
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The movie's got a little too much plot, with complications involving a closing of a beloved theater and a Lorne Michaels-like character who skulks around like the angel of death.
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Bourdain jets off to exotic or otherwise underexplored sites (Libya, Borneo, New Jersey), skulks about in a black leather jacket, pounds beers, and, as the show ends, delivers shrewd cultural commentary via voice-over.
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The threat of advertising skulks outside the periphery of every free site or service, but the more terrifying thought is that, to paraphrase "Scary Stories to Tell in the Dark," the ads are coming from inside the house.
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Just a couple of hours ago I finished a review of the new stealth game Styx: Shards of Darkness, in which a tiny goblin skulks about slitting the throats of guards three times his size, the chance of death never farther away than his pervading stench.
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Krysten Ritter skulks around as a tormented gumshoe with an alcohol problem, who's living in Hell's Kitchen and has put her superhero past behind her, mostly — except to get at her tormentor, a mutant with a special kind of mind control who can make women do what he wants.
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At the British Museum, one skulks in the grand cases of the Enlightenment Gallery, a reminder of how early museums often classified the weird alongside the precious, while the mermaid at the Buxton Museum and Art Gallery has long hair and the sultry pose of a siren (although is still terrifying).
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What follows is not so much a comedy set as an act of absurdist outsider art; Midge mocks men coming out of the bathroom, skulks around the stage like a Valkyrie and veers between pathos and one-liners so wildly that the crowd isn't sure whether to laugh or flee.
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Mae finds herself entranced by the stability and optimism of the place, but then, spurred on by a secretive company founder named Ty (Boyega), who skulks around and warns of menace at every corner, she begins to grow wary of the company's new product, SeeChange, which allows tiny cameras to see everything, everywhere, at all times.
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The flower, however, is caught by a self-assured Cary Grant, while crestfallen young Hardy skulks away.
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She skulks, pouts, clams up, looks out the window, and yet falls in love with the Transporter. Some perfectionists will no doubt criticize her acting. I say the hell with her acting. Look at those freckles.
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The chorister robin-chat is generally solitary. This robin-chat skulks in dense foliage in the forest canopy. In winter it may forage on ground, but usually gleans insects from leaves. It also follows other fauna in its habitat that might disturb insects, which it then hawks.
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Scotsmen are presented as stingy, mean, dumb and feisty kilt-wearing skulks, who act against common sense just to save a small amount of money. Russians: : A poor Russian fisherman catches a little fish which grants him three wishes. The first wish was "A big vodka". The wish is granted and the fisherman drinks it, then asks the fish for another one.
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The next day, Parrish's health takes a turn for the worse, and he is taken to the hospital. After the ambulance goes, Lucy skulks around Parrish's quarters in the guest house. Looking out one of his windows, she sees one of Ian's sculptures of a mother and child. The expression on her face suggests that she has had an epiphany.
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Like the rufous-vented grass babbler, this species skulks low in grass tussocks, hopping and threading its way through, often in small groups, feeding on insects. It usually holds its tail slightly cocked. When it flies, something that is hard to cause, it goes only to a nearby tussock. It is easiest to find in the breeding season, when it sings in the mornings and evenings.
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The Indian blue robin is insectivorous and feeds mainly on the ground. It skulks in undergrowth and hops on the ground, frequently flicking and fanning its tail. The breeding season is May to July and the nest is a large cup of vegetation placed on the ground between the roots of large fir tree or in depression. The nest is lined with roots, hair and down.
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Four to seven eggs are laid in a nest on or near the ground in thick vegetation or in a tussock of grass. This is a species which skulks in the undergrowth, creeping through bushes and low foliage, and which is very difficult to see except sometimes when singing from a prominent position. The song, which gives this species its name, is a monotonous mechanical insect- like reeling, often given at dawn or dusk.
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Flashman in the Great Game begins with Flashman at Balmoral as a guest of Queen Victoria. Here he meets with Lord Palmerston, who recruits him to go to Jhansi in India and investigate rumours of an upcoming rebellion among the Sepoys. Flashman skulks through India in various disguises, narrowly avoiding death several times and witnessing first-hand the carnage of the Sepoy Mutiny. Flashman in the Great Game covers the years 1856 to 1858.
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The broad-tailed grassbird (Schoenicola platyurus) is a species of Old World warbler in the family Locustellidae. It is endemic to the Western Ghats of India with a possibility of occurrence in Sri Lanka. A small, mostly brown bird, it has a broad rounded and graduated tail. It is found only on the higher altitude grassy hills where it usually skulks, except during the breeding season when males fly up into the air to sing in their display.
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He taunts them and says that the wolf pack will decide as he skulks away, angered by her defiance. Meanwhile, Tabaqui runs around the whole jungle and tells all the animals that a wolf pack has adopted a human. A moment later, Bagheera, the melanistic Indian leopard, is minding her business when Tabaqui appears to tell her the news. Bagheera scolds him for spreading malicious falsehoods, then puts up quite a display that causes Shere Khan to walk away with hatred.
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Forages by gleaning from foliage and bark, actively searching among dead, curled-up leaves, crevices in bark, and holes in twigs. Secretive; skulks among dense vegetation, easily overlooked if not singing. Joined a large variety of frugivorous and insectivorous species attracted to stand of fruiting Euclea Divinorum trees in Tanzania. Sounds and Vocal Behavior Male song, from exposed perch, mainly during the breeding season, a loud, varied series of trills and whistles, lasting 6–20 seconds, typically containing a number of repeated elements, song uttered every c.
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He decides to take a one-week vacation in San Francisco, but this does not sit well with Paula Gibson (Pamela Britton), his confidential secretary and girlfriend, as he does not want her to accompany him. Bigelow accompanies a group from a sales convention on a night on the town. At a "jive" nightclub called "The Fisherman," unnoticed by Bigelow, a stranger in a distinctive coat and scarf swaps his drink for another and skulks away. The nightclub scene includes one of the earliest depictions of the Beat subculture.
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Nolan and Niles return to Defiance, but Mercado is displeased with how the mission went and orders Niles to go to the Dakota Reach as a punishment, while the Viceroy will take over the town. Tommy wants to talk to Irisa about him leaving Defiance and he follows her while she skulks after a Castithan man. He sees her during the moment that Irzu takes over her body, and he believes that she has killed the Castithan. Irisa tells him that she did not and she convinces him to wait and see that the man will wake up and be fine.
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The atheistic Dr. Henry Jekyll (Lewis) embarks on a series of experiments determined to segregate the two sides of the human personality, good and evil, in an attempt to disprove the existence of God. His experiments cause his fiancée Bernice to call off their engagement, and in a rage, he manages to unleash the darkest part of his personality as Mr. Hyde. As the first transformation into Hyde begins, Jekyll's butler exclaims that Jekyll is now "the Apostle from Hell!" Hyde, complete with fangs and scraggy hair, skulks through the city committing such heinous acts as stealing a woman's purse and killing people.
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As he makes his boast, he sees a whore, a pupil, and a French governor come forward, and the devout Bentley skulks away. The French governor attempts to speak to Dulness but cannot be heard over the French horn sound that emerges, so the pupil tells his story. The "governor" is an English nobleman who went to school and college without learning anything, then went abroad on the Grand Tour, on which "Europe he saw, and Europe saw him too" (B IV 294). He went to Paris and Rome and "[...] he saunter'd Europe round,/ And gather'd ev'ry Vice on Christian ground" (B IV 311–312).
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A reclusive and shabby-looking monk skulks the streets of Jinan, reciting aloud sutras and begging for alms; however, he rejects everything people offer to him, be it food or water. Enquiries on the reason for such, as well as suggestions to relocate to a less-populated area, are ignored, until one day the monk angrily stresses that: "This is the transformation I'm seeking." Some time afterwards, the monk is spotted lying near the southern border, motionless to the extent of being corpse-like. The locals try to get a reaction from him, with some criticising the monk; enraged, he gets up and disembowels himself with a short knife.
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Darlene and Stash spend the night aboard God's yacht, with Stash getting word back to Flo and his friends about their location, and a coded plea for help. As the hippies mount a rescue, Tony and Fred build a makeshift balloon from discarded freezer bags and garbage cans, dump the whole supply of stationery into the prison's lunch, and fly out of the prison as everyone below begins to freak out. As it happens, both the hippies (led by Flo, who sings "Skidoo" as they storm the yacht) and the balloon arrive on God's hideaway at the same time. Feeling trapped, God adopts a stooped "Groucho posture", skulks into a closet in his cabin and closes the door.
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He reminded the House that the campaign continued in northern Norway, at Narvik in particular but he would not be drawn into giving any predictions about it. Instead, he attacked the government's critics by deploring what he called a cataract of unworthy suggestions and actual falsehoods during the last few days: Churchill then had to deal with interruptions and an intervention by Arthur Greenwood who wanted to know if the war cabinet had delayed action at Trondheim. Churchill denied that and advised Greenwood to dismiss such delusions. Soon afterwards, he reacted to a comment by Labour MP Manny Shinwell: This produced a general uproar led by the veteran Scottish Labour member Neil Maclean, said to be the worse for drink, who demanded withdrawal of the word "skulks".
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In 2008, Slant Magazine published a review of the Mickey Rourke film The Wrestler which commented on the similarities between that and Johnny Handsome: > There is a moment, early on in the film, when he staggers down the street, > through a bleak New Jersey morning, a great hulk of a man, too big for his > clothes. His face looks battered and puffy, and suddenly, out of nowhere, I > got an acute and clear memory of his performance as the deformed criminal in > 1989's Johnny Handsome. In the opening shots of that film, "Johnny Handsome" > skulks down the street; his face has a ballooning forehead, a bulbous nose, > a cleft palate. We know it is Mickey Rourke because he is the star of the > film, but we cannot tell it is him.
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Adam Silverstein of Digital Spy wrote that Evil Eye' soldiers on with the short, snappy stomp and delves into the psyche of a paranoiac ('It looks so clean but I can see the crawling, crawling creatures'), all via a groove that pays homage to Queen's 'Another One Bites the Dust'." AllMusic's Heather Phares noted that "Evil Eye" is one of the songs on the album that "feel like direct descendants of the band's debut", and said that it "gives the gut- punching beats of 'Take Me Out' a campy twist with mischievous keyboards destined to make it the coolest song on the Halloween party playlist." According to Dan Stubbs of NME magazine, "there's a freshness to the sound" on "Evil Eye", and the song is "essentially Snoop Dogg's 'What's My Name?' via Rockwell's 'Somebody's Watching Me' – creepy, jumpy and as funky as James Brown's ghost." Pitchfork's Ian Cohen wrote that "The chorus of 'Evil Eye' slinks and skulks enough to recall a time when Franz Ferdinand sounded sleazier and more dancefloor-oriented than your average rock band, but it has to fight through a verse filled with bothersome vocal filters (an indulgent byproduct of their self-production) to do so.
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