She said exactly what she thought needed to be said, without skirting the issue or trying to be polite.
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It also came about the time on Thursday afternoon when the White House was offering Mr. Moore little support and Mr. Trump was largely skirting the issue.
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French Montana knows knows how to walk a tightrope ... skirting the issue Kanye raised in song ... whether someone married to a Kardashian thinks about banging the other Kardashians.
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Debt investors are increasingly citing ESG criteria as reasons to join deals or not, and private equity firms' limited partners also have sustainability targets, but private equity firms are skirting the issue as they try to deploy record amounts of cash.
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Newton and Weiss, Skirting the Issue, p. 48. Goth and her younger sister, Genevieve (1890–1961), a former Indianapolis schoolteacher who also became a painter, maintained a close relationship throughout their lives.Newton and Weiss, Skirting the Issue, pp. 53, 283.
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Stillson trained as a painter and did not began wood-block printing until the age of thirty-one.Newton and Weiss, Skirting the Issue, p. 241.
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It was also a family gathering place, with their two sons and children from the neighborhood were welcome to play.Newton and Weiss, Skirting the Issue, pp. 90–91.
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In addition, Adams rented studio space in downtown Indianapolis with Steele and Gruelle to exhibit their work.Newton, Eckert, Eckert, and Gerdts, pp. 104–06.Newton and Weiss, Skirting the Issue, pp. 84–85, 87.
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Letsinger-Miller, pp. 123–24, 131. Marie grew up in Indianapolis, where she attended a local elementary school and graduated from Manual Training High School about 1906.Newton and Weiss, Skirting the Issue, pp. 282–83.
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Newton and Weiss, Skirting the Issue, p. 51.Letsinger-Miller, pp. 106, 113. The specific reasons for their decision to remain unwed are unknown, but some sources suggested that it may have been due to religious differences.
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If women artists married, Forsyth thought they should focus on family life. Hazelrigg and Brown ignored Forsyth's advice and married while they were still students at Herron.Newton and Weiss, Skirting the Issue, pp. 88, 223, and 261–62.
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The Browns spend the remainder of their lives together and continued their careers as painters and art educators. They also had two sons, Hillis Alvin (1919–1983) and Folger Wescott (1922–??).Newton and Weiss, Skirting the Issue, pp. 88 and 262.
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See Both of Goth's parents were musicians. Her mother was a vocalist, while her father played bass violin with the Indianapolis Symphony Orchestra and was co-owner of the Crown Monument Company, a successful monument business in Indianapolis.Newton and Weiss, Skirting the Issue, pp. 53–56.Letsinger-Miller, p. 105.
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Cariani was a devout Catholic, while Goth was raised as a Christian Scientist.Newton and Weiss, Skirting the Issue, pp. 54–55.Letsinger-Miller, p. 113. Goth returned to Indianapolis in 1919 to begin her career as a portrait painter; Cariani left the Art League in 1917 to enlist in the military.
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In 1926 Goth became a charter member of the Brown County Art Gallery Association and served for two years as its first president. After the group split into two organizations, Goth became a cofounder of the Brown County Art Guild in 1954.Newton and Weiss, Skirting the Issue, pp. 58–59.
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Sales from her paintings helped supplement the family income after he retired from teaching and his painting career was curtailed because of his failing eyesight. Francis Brown died in 1971, and Beulah Brown continued painting in the home studio she had shared with him.Newton and Weiss, Skirting the Issue, p. 91.
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The trial began on June 22, 1897, and Mary Jane Heaster was Preston's star witness. He confined his questioning to the known facts of the case, skirting the issue of her ghostly sightings. Perhaps hoping to prove her unreliable, Shue's lawyer questioned Mrs. Heaster extensively about her daughter's visits on cross-examination.
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Francis and Beulah Brown remained Muncie residents until their deaths.Newton and Weiss, Skirting the Issue, pp. 88 and 261–62. During the Great Depression, Beulah Brown's widowed mother moved in with the family to assist with the housework and childcare, allowing Beulah and her husband to continue painting and earning an income from teaching.
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Newton and Weiss, Skirting the Issue, p. 91 and 93. Brown's distinctive style later led to her inclusion in the "Group of Twelve," contemporary Indiana women artists whose works blend physical, intellectual, and emotional intensity. In addition to Brown, this group of artists include, among others, Betsy Stirratt, Charlene Marsh, Karen Thompson, and Bonnie Sklarski.
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Beulah Elizabeth Hazelrigg was born on November 24, 1892, in Napoleon, Indiana, and grew up in Mitchell, Indiana. Hazelrigg became a student of art in 1915, after spending two years as an art and music teacher at a school in Oolitic, Indiana, and graduating from the Cincinnati Conservatory of Music in 1913.Newton and Weiss, Skirting the Issue, pp. 88 and 261.
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Newton and Weiss, Skirting the Issue, pp. 88 and 261. In 1932, the Browns had an art studio added to the rear of their home, where they worked on their art. The studio was also a gathering place for their two sons and their friends.Newton and Weiss, Skirting the Issue, pp. 90–91. Brown was a professor and director of Ball State's Fine Arts Department from 1925 to 1957, when he retired as Professor Emeritus. He was also director of the Ball State Art Gallery until 1946. As Brown pursued a career as an art educator, his artistic progress earned him recognition as a talented painter. Brown regularly exhibited his art at Hoosier Salon shows between 1922 and 1964, where he won a number of cash awards for his oils, pastels, and watercolors in 1925, 1926, 1928, 1929, 1937, and in 1945.
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Goth also studied at the Art Academy of Cincinnati while spending a summer with relatives.Newton and Weiss, Skirting the Issue, p. 50. Goth applied for and received a scholarship to attend the Art Students League of New York in 1909. With additional scholarships, part-time employment, and financial support from her sister, Goth continued her studies at the Art Students League for ten years.
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The minutes of London Yearly Meeting do not mention the petition directly, apparently skirting the issue. The practice of slavery continued and was tolerated in Quaker society in the years immediately following the 1688 petition. Some of the authors continued to protest against slavery, but for a decade their efforts were rejected. Germantown continued to prosper, growing in population and economic strength, becoming widely known for the quality of its products such as paper and woven cloth.
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Aldrich puts forth a series of definitions of vague objects and sensum, and then argues that any empiricist must account for vague sensum every bit as much as clear sensum, without skirting the issue. He takes there to be many kinds of vagueness—importantly, there is vagueness of symbols and vagueness of senses. Here symbols are anything which is used to refer, including verbal words, signs, pictures, and more. Vagueness regarding symbols can be the same as the vagueness which regards the senses.
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Beulah Brown died on March 26, 1987, at Muncie, Indiana.Newton and Weiss, Skirting the Issue, p. 261. Her art has been exhibited at shows in Mitchell, New Castle, and Hanover, Indiana; Ball State University in Muncie; Earlham College in Richmond; in public libraries in Richmond and New Castle, Indiana; at the Indiana State Fair; and in 1958 and 1964 at the Hoosier Salon exhibition in Indianapolis, Indiana.Brown's art is also included in the collection of the Richmond Art Museum in Richmond, Indiana.
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Burnet, p. 169.Newton and Weiss, Skirting the Issue, p. 87. During the summer, Adams and his family spent time at their cottage in Leland, Michigan, and at the Hermitage, near Brookville, Indiana, which served as a gathering place for his fellow artists and friends, including Stark, Steele, Forsyth, Lewis Henry Meakin, and George Jo Mess. Stark also accompanied Adams on several trips to Leland, as well as excursions to New Smyrna, Florida, where Adams had a studio built in 1922 and purchased property in 1923–24.
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During World War I he served in the American Expeditionary Forces, Twenty-eighth Infantry Division, 103rd Trench Mortar Battery. Cariani suffered from shell shock as a result of his wartime experience and had trouble reacclimating to daily life. Hoping to restore his health after his return to the United States, Goth's father offered Cariani a job as a stone carver at the monument company he co-owned in Indianapolis,Newton and Weiss, Skirting the Issue, p. 53. and Genevieve purchased one of his sketches to fund his travel to Indianapolis.
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Newton and Weiss, Skirting the Issue, p. 262. See also: Francis Brown was a professor and director of Ball State's Fine Art Department from 1925 to 1957, when he retired as Professor Emeritus. Beulah Brown also taught to supplement the family's household income, becoming supervisor of occupational therapy and a teacher of art and music at the New Castle State Hospital in New Castle, Indiana. In 1932, the Browns had an art studio added to the rear of their home, where Beulah and Francis often worked on their art projects.
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Stillson taught art and painting from 1920 to 1934 at John Herron Art Institute (a forerunner to the Herron School of Art and Design at Indiana University–Purdue University at Indianapolis and the Indianapolis Museum of Art, present-day Newfields). She also taught art at Shortridge High School from 1928 to 1939 and Butler University in the evenings beginning in 1933.Newton and Weiss, Skirting the Issue, pp. 241–44."Biographical Sketch," in Stillson exhibited her paintings and woodcuts at numerous art shows, including the Hoosier Salon's annual shows from 1925 to 1928 and at the Indiana State Fair from 1920 to 1927.
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Newton and Weiss, Skirting the Issue, pp. 147, 180–81, 190–91 Adams's years in Muncie coincided with the community's growing interest in the arts, especially among its prominent citizens during the period 1870 to 1892. In a town that was primarily an agricultural and industrial community, Adams's presence in the late nineteenth century, along with its art schools and the local Art Students League, helped stimulate awareness of the visual arts. Further development continued after the turn of the century with the formation of the Muncie Art Association in 1905, the reopening of the Indiana State Normal School–Eastern Division in 1918 (renamed in Ball State University in 1965), development of the college's art curriculum, and the formation of other local arts institutions.
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