More sinisterly, Mark David Chapman carried it when he shot John Lennon.
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More sinisterly, you could accuse Apple of deliberately making its cheaper phone look worse.
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When they're in little spirals in some of the stories, they're not exactly behaving sinisterly.
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The FPO's leaflets, somewhat sinisterly, show a European flag proudly flying from a barbed-wire fence.
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Fring's return was teased in Saul's Season 2 finale and Esposito appearing in this sinisterly sweet ad confirms it.
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Owen's status as an outsider is hammered home by his exclusion from a portrait of his sinisterly preppy, loafer-wearing family.
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Her "Judge" was goofy, charming and sinisterly unreadable — perhaps her strongest-ever flexing of her ability to embody multiple personalities concurrently.
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The episode ends with Kenny laughing sinisterly on his way to talk to the "short stacked Southern piece of garbage" that is Lee.
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In a Season 14 episode of KUWTK, Kris dressed up as an even more sinisterly glam Miranda for a lunch with her daughters.
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More sinisterly, Saint-Pierre is the site of the only use of a guillotine in North America, back in 1889, to do away with a murderer.
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Bannon is obsessed with the rise of China and believes that Beijing will become a hegemon — sinisterly dominating America — if the U.S. doesn't aggressively confront it.
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Recently, this event has given rise to the sinisterly named blood moon, because the moon becomes a dark reddish-brown as it's consumed by Earth's shadow.
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Yes, Jun Takahashi at Undercover created sinisterly beautiful black suits with spider webs creased into their surfaces, as though making uniforms for a sect of stealth assassins.
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In both tweets, which have been deleted, scholars say Omar was echoing the tropes, the themes of anti-Semitism through the ages, painting Jews as disloyal, sinisterly powerful financiers.
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"Keep the pin in," Mao said, smiling sinisterly, his face tinted orange as it was the last time I saw him in his glass sarcophagus in Tiananmen Square in Beijing.
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The mystery at the Sunspot Solar Observatory in New Mexico has been solved, and it had nothing to do with extraterrestrial life — the culprit, it turns out, was something far more sinisterly human.
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Facebook's new corporate logo is, in a word, bland, leading to plenty of goofs across the internet making fun of the uninspiring font that appears both boring and sinisterly corporate at the same time.
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" And in December as President-elect, Trump lashed out at "SNL" again, calling it "horrible" for the way it mocked of him, adding sinisterly "who knows how long that show is going to be on.
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But in addition, and perhaps more sinisterly, I think that Trump is raising an army, whether or not he would describe it as such, and whether or not those being involved recognize their own conscription.
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The song Mac is about to sing, the 24 "Snakeskin Cowboys," by the hard rocker and N.R.A. board member Ted Nugent, is sinisterly homophobic, warning guys with too-fancy shoes to get off the dance floor.
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Not only does Hap have a new British accent, but in this world, he and Prairie are more than just "partners," as he so sinisterly calls his obsession with her multi-dimensional talents — he claims they are married.
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Starring a young Gwyneth Paltrow, a devilishly dishy Jude Law as trust-fund baby Dickie Greenleaf, and a sinisterly messed-up Matt Damon as the sociopathic Tom Ripley, the movie is a chilling journey through Italy's Ischia with a murder-mystery plot.
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Nana Rose calls the school and gets Toni on the line in order to tell Toni that Cheryl is "with the Sisters" before the line goes dead and we see Claudius (Barclay Hope) sinisterly standing over his mother with the cut phone line.
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Heroically, like a girl in a film, she made her way alone through the next-door room, where the pale horse gleamed sinisterly; she jumped when something moved, thinking it was a flutter of stuffed birds, but it was only her own reflection in the foxed mirror.
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Within half an hour of Husafell, there's the Hraunfossar "lava waterfalls," and the more sinisterly named Barnafoss, "children's waterfalls" (a tribute to the long-ago minors who fell to their deaths crossing it), Iceland's largest lava cave and one of the biggest thermal springs in Europe.
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As the happy couple leave the centre, the last shot is of Ranvir, looking sinisterly at them, implying that he is pretending to be in a mental state.
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Living in Roy's empty South Kensington house, Banks finds himself digging into the life of the brother he never really knew, nor even liked. And as he begins to uncover a few troubling surprises, the two cases become sinisterly entwined...
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David Leader investigates a seemingly senseless murder, and in the course of it is drawn into the labyrinth of a sinisterly unique wealthy family. The family seems to revolve around its own beautiful and mysterious daughter, Emma Burgess, and soon Leader is deeply within her orbit as well.
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The book starts with a 4:37 a.m. phone call from Mike Daniels to Kathryn (Kate) Telman. He has been drugged, and about half of his teeth randomly and expertly extracted, just before an important meeting in Japan. The Business is a powerful (yet democratic) multinational commercial organisation, secretive (but not too sinisterly so), and very long-lived.
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Before Leonardo can portal Big Mama out, she got cut off. The Foot Recruit, furious that her master was enslaved, sinisterly told Big Mama that she was about to lose everything and advised her to run. The Shredder then destroyed the Grand Nexus Hotel, flying out into the city with the Foot Recruit on his back.
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Michael, however, overhears them, and threatens to tell Packer of the deception. But, after Packer insults Holly, Michael decides against it, letting Packer leave for Florida. As Michael and Holly witness Packer driving his Corvette out of the parking lot from Michael's office, Michael tells her that Packer is "an ass". To Jim and Dwight's horror, Packer returns in "Tallahassee", sinisterly confronting them at the orientation meeting.
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Music Guest of Honor was Tom Smith. Toastmaster was Rob Pyatt Ph.D. Fan Guests of Honor were Melissa Anelli, editorial director for Harry Potter fan site the-leaky- cauldron.org; and Emerson Spartz, creator of Mugglenet.com. Featured guests included Lou Harry, Steve Latshaw, Richard Propes, Mark Racop, Stuart Sayger, Michael West, Gary L. Wood, Indiana Ghost Trackers, Sinisterly Bad Theater and filk band Wild Mercy.
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Unfortunately later that day, the girl dies, thus upsetting Sam. Rajan claims to have extrasensory perception (ESP) and can predict the future with uncanny precision. Sinisterly enough, all his predictions turn out to be true, and Sam, who is a rational person, begins to believe him. At one point, Rajan informs Sam that he would die in less than a week: on 10 August 2007.
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In 2000 Kim Newman of Empire Online praised Hour of the Wolf as "one of the most sinisterly beautiful black-and-white horror films you will ever see". Time Out London called it "a brilliant gothic fantasy". In the British Film Institute's 2012 Sight & Sound polls, Hour of the Wolf received three critics' votes and 11 directors' votes, placing it at 44th in the latter poll.
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The sum is delivered via Dilsher, who uncannily and sinisterly puts a hidden sum in the same red bag. Sometime later, Dilsher shifts to the construction site where Tulsi Ram works. Surya is angry but much to his shock, Gurcharan orders his assistant Ajmani to arrange a room beside on his own estate for Dilsher. Surya takes Dilsher to a party, where he meets Amira.
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Jonas Chuzzlewit is the mean-spirited, sinisterly jovial son of Anthony Chuzzlewit. He views his father with contempt and wishes for his death, so that he can have the business and the money for himself. It is suggested that he may have hastened the old man's death. He is a suitor of the two Miss Pecksniffs, wins one, then is driven to commit murder by his unscrupulous business associations.
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He also decides to give up the liquor business by handing over the entire power to his employees which shocks his enemies and friends alike. Karimbanadan Sunny, his close buddy and budding politician, who was aiming Chackochi's business empire joins with Kadayadi group a day before the auction of spirit. He sinisterly sells out Hussein, who is now under the custody of the Kadayadis. Hussein is beaten brutally, but he never reveals the business secrets of Chackochi.
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Before Lady Sylvia can execute her evil plan, Angus and James rescue Eve and destroy both Lady Sylvia and the giant snake. However, Lady Sylvia bites Angus before she dies, and Angus finds himself cursed to carry on the vampiric, snake-like condition, after he finds, to his shock, that the snake anti-venom he used was actually a new form of arthritis medication he got by mistake. When Lord D'Ampton invites for a dinner celebration, Angus sinisterly smiles and accepts his offer.
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Suddenly, a private rushes in to tell both of them to come outside. Sgt. Robard, a soldier with whom Geist has gotten into a fight, lies twitching on the floor with both arms severed, Wong quite sinisterly sees it as proof of Geist's efficiency. The next morning, Stanton and his men are preparing to begin their mission, only to be halted when Wong and Geist suddenly show up. Once again, Stanton refuses to accept Geist, especially after what happened yesterday, keeping him as a reserve without armor.
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He then proceeds to confront Dogen and murders him and Lennon, allowing the Smoke Monster into the Temple to kill those who didn't defect. When Ilana's group rushes in to rescue the "candidates" (Jacob's choice of people to replace him as leader of the Island), Ben attempts to coax Sayid to leaving with them, but Sayid sinisterly replies otherwise. Ben runs off. The "infection" Dogen had spoken of appears to be a type of mind control that the Man in Black has placed over Sayid.
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The character has often been referenced in popular culture due to his famous "You talkin' to me?" monologue. The scene was listed by IGN as the 4th best moment in film history when counting their top 100. Bickle sinisterly utters the line while he stands in front of the mirror, clad in an USMC jacket, threatening his unseen foes with the gun up his sleeve. The line has been parodied multiple times throughout film history, including by De Niro himself in the film The Adventures of Rocky and Bullwinkle.
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Doing so makes visible how much we take the body for granted. While text, images, audio, and video all provide valuable means for developing a virtual presence, the act of articulation differs from how we convey meaningful information through our bodies. This process also makes explicit the self-reflexivity that Giddens argues is necessary for identity formation, but the choices individuals make in crafting a digital body highlight the self-monitoring that Foucault so sinisterly notes.See David Buckingham’s introduction to this volume for a greater discussion of this.
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Elaine becomes angry, partly because of the comments, but also, bizarrely, because Peggy addresses her as "Suze" rather than Susie. When Peterman overhears, he wants to resolve the conflict and demands a meeting between Peggy, Elaine, and "Susie". Elaine becomes so tired of pretending to be Susie that, while driving in the car one night, Jerry tells her that she should "eliminate her". Mike (trapped in the trunk) overhears this, and believing Susie to be a real person, becomes even more terrified of Jerry, thinking that he is a killer, especially when Jerry and Elaine both start to laugh sinisterly (though they are really just laughing at a funny bumper sticker).
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" More critically, he thought that the plot's "glaring flaw" was the immediate transposition of events from Egypt to India, also believing that the inclusion of British colonialists as the antagonists made "partial amends" for the colonialist attitude displayed by Tintin in Tintin in the Congo. Michael Farr thought that Tintin was "a maturer hero" in Cigars, being more of a detective than a reporter. He thought that the dream sequence was "one of the most imaginative and disturbing scenes" in the series, illustrating Hergé's "growing virtuosity with the medium." He also praised the scenes set in the Indian colonial bungalow, commenting that it was "claustrophobic and sinisterly dramatic" and worthy of the work of Agatha Christie, opining that the car chase provided "a highly cinematic ending.
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One is claustrophobic, intense, something to escape: the other reached by risky passage, but where safety is hardly guaranteed and worse terrors may lurk." Dave Sholin from Gavin Report stated, "This haunting ballad proves they haven't changed course as they deliver a melody that has true staying power." Another editor wrote that "this female duo gives a once-in-a-lifetime performance of a moody and deliberate song about staying power in a relationship." Chuck Campbell from Knoxville News- Sentinel described it as a "disarmingly sweet ballad" and added that it "segues into a stern warning ("I'll go anywhere with you/I'll do anything it takes/But if you try to go it alone/Don't think I'll understand") then concludes rather sinisterly.
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The bandstand in Battersea Park where "Going Out" and "Late in the Day" were filmed. The music video, directed by Dom and Nic, was filmed on a bandstand in Battersea Park (the same bandstand is pictured in the video for "Late In The Day"), and features Supergrass in coats and scarves (due to the cold) playing the song in question. As the middle eight begins, the camera shows a framed photo of Gaz Coombes with Ronnie Biggs (the infamous train robber), which then pans out to Rob Coombes with a thermos flask at his side. Rob is also reading a newspaper entitled the "Evening Rooster", with the headline "SUPERGRASS EAT ROAST DINNERS" and a picture of the band underneath that; he looks over the edge of his newspaper sinisterly as the camera focuses on him.
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The Adam Foundation Prize in Creative Writing was set up in 1996 by Denis and Verna Adam (through the Victoria University Foundation), to further their wish of encouraging and supporting the development of creative writing in New Zealand. Denis and Verna Adam were art collectors and philanthropists who established the Adam Foundation in 1975 to house their art collection and later to support the arts in general, believing that art “nurtures the finer instincts of human beings”. Denis Adam died in October 2018, aged 94. In 2009, the Prize was awarded for the first time to a work of creative non-fiction and in 2014, a young adult novel, described by Mal Peet as “richly imagined, sinisterly futuristic and morally complex,” was the first of its genre to win the award.
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In one of the most ostentatious scenes of the movie, Liszt then experiences a hallucination where the women of Princess Carolyn's court assail him but then become seduced by his music which strokes his libido and gives him a 10-foot erection. Carolyn sinisterly observes from afar as the women celebrate his giant erection with a chorus line. The women then drag Liszt and his erection to a guillotine in which Carolyn reveals that the bargain for Liszt's newfound musical prolificity is the forfeiture of his libertinism. The next scene shows Liszt in Dresden during the May Uprising, conflicted about not supporting his friends in the revolt and spending all his time isolated to compose music (it is also heavily implied that Marie and his two youngest children have been killed).
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The ONA describe their occultism both as "Traditional Satanism", and as a "mystical sinisterly-numinous tradition". According to Jesper Aagaard Petersen, an academic specialist of Satanism, the Order present "a recognizable new interpretation of Satanism and the Left Hand Path", and for those involved in the group, Satanism is not simply a religion but a way of life. The Order postulates Satanism as an arduous individual achievement of self-mastery and Nietzschean self-overcoming, with an emphasis on individual growth through practical acts of risk, prowess and endurance. Therefore, "[t]he goal of the Satanism of the ONA is to create a new individual through direct experience, practice and self-development [with] the grades of the ONA system being highly individual, based on the initiates' own practical and real-life acts, instead of merely performing certain ceremonial rituals".
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"Biodrowski, Steve (2009). The Tenant (1976), Cinefantastique, 11 December 2009 In his review of the film for The Regrettable Moment of Sincerity, Adam Lippe writes of Trelkovsky's surroundings sinisterly shaping him into an echo of the past: "Coming from a Nazi-occupied childhood, Polanski no doubt uses his character's identity crisis to illustrate society's ability to shape and mold the uniqueness of its members, whether they like it or not." Similarly, Dan Jardine of Apollo Guide writes: "Polanski seems to be studying how people, in our isolating world, increasingly mould themselves to their environment, sometimes to the point where their individual identity is absorbed into the world around them. The longer he is in the building, the more Trelkovsky begins to lose sight of where his internal sense of his 'self' ends, and his social identity begins.
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The single was generally well received critically and commercially. Team Rock ranked the song as the band's fourth best of all time in 2010, praising the song's duality, stating "Listen while half-distracted and you’ve got a pleasant melody that embeds itself in your brain; pay full attention, and it’s full of APC’s trademark creepiness." Artist Direct also placed it in their group of top ten A Perfect Circle songs, praising it for "Keenan's signature croon makes for one of the group's most melodic and majestic ruminations" and "Howerdel's playing feels downright cinematic as everything collides on that sinisterly sweet hook." AllMusic highlighted it as one of the songs that best illustrated the band's newer, more mellow and atmospheric sound on the album, and stating that it "features a kind of barely restrained menace caught in a trap by rock & roll vulnerability".
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