39 Sentences With "singing saw" | Random Sentence Generator

Singing Saw Cool instruments don't come from Home Depot. 34.

We had Teague Cullen playing a bunch of weird instruments, like the pianolin, the singing saw.

Singing Saw is a force of a listen, and the most complete body of work of his career to date.

Kevin Morby, "Destroyer" "Destroyer" is one of several back-half highlights on Kevin Morby's new album Singing Saw, a dreamy ballad that takes a while to reach its full potential.

The former Woods member and one-half of the Babies released his complicated third (and excellent) solo record Singing Saw a few weeks ago, and it's been nothing but up.

I'm 31 now, but at some point in my twenties I remember right around my record Singing Saw, she just came into my life in a couple of different ways.

The autobiographical Singing Saw is most directly connected to this time in LA, a triumphant, introspective album laden with Aesopic takes on love, disillusionment, and American identity, often all at once.

On Kevin Morby's 2016 LP Singing Saw, the one-time Woods bassist and long-time solo singer-songwriter dealt with God and poetry like Bob Dylan microdosing LSD in the desert.

As she played a mammoth pedal board and singing saw while breathing into a contact mic, I found myself tapping my foot to melodies generating out of the thick cloud of buzzing radios.

In hindsight, it seems like something he maybe needed to get out of his system in order to arrive at Singing Saw, a project on which Morby says he finally feels in complete control.

Love, heartbreak, and existential free-fall would follow, his newfound seclusion inspiring solitary stretches of songwriting that would spawn two albums: Last year's acclaimed breakthrough Singing Saw, and its counterpart, City Music, out today on Dead Oceans.

Inspired by the eclectic themed tapes he and his friends would make each other in high school, Morby traded the studio musicians and polished orchestration of Singing Saw for his touring band's road-honed sound and callbacks to his punk roots.

In the winter, Julian Koster performed some Music Tapes songs on a caroling tour (see Julian Koster for more information). Merge also released The Singing Saw at Christmastime on October 7. The album featured 12 Christmas songs performed on singing saw and was released under Julian Koster's name rather than The Music Tapes.

Singing Saw is the third studio album by American indie rock musician Kevin Morby, released on April 15, 2016 on Dead Oceans.

Koster was a founding member of Major Organ and the Adding Machine. He appeared in the Major Organ and the Adding Machine film which was shown on the Holiday Surprise tour and was later released with an expanded edition of the 2001 album in 2009. In 2008, Koster released The Singing Saw at Christmastime, a collection of Christmas carols played on the singing saw. This was followed by a caroling tour, on which he played songs from The Singing Saw at Christmastime and selected tracks from Music Tapes for Clouds and Tornadoes for free wherever fans invited him to play.

"Song Premiere: Kevin Morby - Parade", KEXP. Retrieved on 2014-08-26."WATCH // Kevin Morby Shares Trailer For ‘Singing Saw,’ Out April 15th ", Dead Oceans. Retrieved on 2016-02-22.

The album was once again produced by Barbato and released on October 14, 2014. Morby worked with Sam Cohen (Apollo Sunshine, Yellowbirds) on his third album, titled Singing Saw, which was released on April 15, 2016.

Paul Lovens (born 6 June 1949) is a musician. He plays drums, percussion, singing saw, and cymbals. He has performed with the Aardvark Jazz Orchestra and Berlin Contemporary Jazz Orchestra. In the early 1970s he was part of a trio with pianist Alexander von Schlippenbach.

Kevin Robert Morby (born April 2, 1988) is an American musician, singer, and songwriter. He has released six studio albums: Harlem River (2013), Still Life (2014), Singing Saw (2016), City Music (2017), Oh My God (2019), and Sundowner (2020)."Kevin Morby announces debut solo lp stream first track ", Woodsist. Retrieved on 2013-12-24.

Acclaimed Music ranks it as the 11th highest rated album of 2001, 104th of the 2000s, and 845th of all time.alt=Singer-songwriter American singer-songwriter Kevin Morby's third studio album Singing Saw was inspired by The Glow Pt. 2. Jason Lipshutz of Billboard chose "Instrumental" the sixth track as one of the "greatest interludes of all time".

Koster joined Jeff Mangum, Scott Spillane and Jeremy Barnes to record the second Neutral Milk Hotel album, In the Aeroplane over the Sea, on which he played bass, banjo and singing saw. The success of the album, however, took its toll on Mangum, and the band went on hiatus shortly after its release. They reunited in 2013 for a worldwide tour.

Gallons also works as a producer and engineer, including The Music Tapes' album Music Tapes for Clouds and Tornadoes, Julian Koster's The Singing Saw at Christmastime, Circulatory System's album Signal Morning,Circulatory System (Will Hart) :: The AD Interview. Aquarium Drunkard. Retrieved on 2012-04-28. and the Hot New Mexicans epononymous LP. In 2014, Gallons debuted as an actor, in the film Present.

Mangum's vocals are accompanied by acoustic guitars, a singing saw played by Julian Koster, Scott Spillane's saxophone, and minimal percussion. The song is in the key of G major, and for the most part follows a simple I-vi-IV-V chord progression. It is in the 6/8 time signature and has a A A B1 A B2 A form.

A busker playing a musical saw in Prague 14-second sample A musical saw, also called a singing saw, is a hand saw used as a musical instrument. Capable of continuous glissando (portamento), the sound creates an ethereal tone, very similar to the theremin. The musical saw is classified as a plaque friction idiophone with direct friction (132.22) under the Hornbostel-Sachs system of musical instrument classification.

The Pine Hill Haints are an American traditional bluegrass/folk/honky tonk/country band from Alabama, though the band members themselves describe their unique southern roots music as "Alabama Ghost Music." The Haints are composed of Jamie Barrier on guitar and vocals, Katie "Kat" Barrier on mandolin, singing saw, and washboard, Stevie LaBlanc on washtub bass, Justin Ward on accordion and trombone, and Brian "Zero" Borden on snare drum.

Patrick Fleming still continues to play guitar and sing lead vocals in the 13-piece pop rock band Poison Control Center (the band includes a number of back-up singers as well as unusual instruments, such as a singing saw). Their single and EP, The Go-Go Music Show, garnered some press as the "Gem of the Month" on Todd Mundt's NPR program. They still continue to tour across the midwest. Hefley and Johnson are now in the band Like Knives.

It was recorded at Basement 247 in Allston, MA. It garnered favorable reviews, being called "smart and textured indie-folk" by the Boston Phoenix and "somehow comfortable, yet unsettling...like a Cadillac someone died in" by engineer Jack Younger. ECA Review The lyrics are philosophical, having been inspired by theorists like Hélène Cixous, Louis Althusser and Marshall McLuhan. ChristiansandLions.com It is the musical equivalent of a warm fire on a cold winter night. An album full of memorable melodies and lavish instrumentation, including brass, organ, and singing saw.

In the Aeroplane Over the Sea is the second album by the American rock band Neutral Milk Hotel, released on February 10, 1998 by Merge Records. Characterized by a lo-fi sound influenced by indie rock and psychedelic folk, it contains guitars and drums paired with less conventional instruments such as a singing saw, zanzithophone, and uilleann pipes. The album's tempo sometimes abruptly shifts from song to song, while heavy layers of distortion permeate the tracks. The lyrics are surrealistic and opaque, with themes ranging from nostalgia to love.

Julian Koster (born July 26, 1972) is an American multidisciplinary artist. As a musician he is a member of the Elephant 6 Collective, the leader of The Music Tapes, and a member of Neutral Milk Hotel. He is known for writing, directing, and acting in audio fiction The Orbiting Human Circus (of the Air), and for performing with the theatrical troupe of the same name. He is also known for his heavy use of the musical saw in recordings, even releasing The Singing Saw at Christmastime, his only solo album released under his own name, in 2008.

The Music Tapes is an experimental pop music and performance art project of Elephant 6 member Julian Koster (also of Neutral Milk Hotel). The Music Tapes is characterized by unusual orchestrations (such as singing saw and bowed banjo), the use of musique concrète and narrative storytelling, vintage home- recording practices, and musical inventions (like the 7-foot Tall Metronome and Static the Singing Television). They are also known for their unique live performances, such as the Caroling and Lullaby tours that bring them into the homes of fans, and theatrical shows like The Traveling Imaginary, which takes place in a circus tent.

About this, Julian stated: "An official release shall be arranged for, but it's not yet as, in truth, I've been too wrapped up in making new things." The album was eventually released in July 2017 through Koster's podcast The Orbiting Human Circus. Another long-rumored record is the as-yet-untitled 'singing saw symphony' with Julian's father on flamenco guitar, though this has yet to see the light of day, and is under slow progress. Lastly, though certainly not least, is a film project, for which Julian was working with director John Cameron Mitchell, known for his film Hedwig and the Angry Inch.

After Neutral Milk Hotel, Koster began to concentrate on his own solo project, The Music Tapes, for which he contributed banjo, singing saw, chord organ, and vocals, among other instruments. 1st Imaginary Symphony For Nomad was released in 1999. Koster, together with Brian Dewan, recorded the story album The 2nd Imaginary Symphony for Cloudmaking, which was distributed by Koster on CD but never officially released for 15 years. After this, nothing was released by The Music Tapes until 2008, when Music Tapes for Clouds and Tornadoes arrived, followed by extensive touring (including the Elephant 6 Holiday Surprise Tour) and an unprecedented level of public appearance by the formerly reclusive Koster.

American singer-songwriter Kevin Morby's third studio album Singing Saw (2016) was inspired by The Glow Pt. 2, taking inspiration from the title track in particular. Fellow singer-songwriter David Longstreth cited it as one of the best albums of the 2000s. American musician Jack Tatum of Wild Nothing noted that the album "challenged my whole notion of what recorded music was supposed to be", with him calling it one of his favourite albums and "The Moon" his favourite song. In a review of the album's 2008 reissue, Brian Howe of Pitchfork stated that The Glow Pt. 2 remained Elverum's "crowning achievement" and that "seven years of imitation have done nothing to dull its impact—it sounds as unaccountably grand now as it did in 2001".

Mangum (right) in Pittsburgh, 2008 In August 2005, Mangum appeared onstage with the Olivia Tremor Control at New York City's Bowery Ballroom to sing "I Have Been Floated". He made no further public appearances until October 2008, when he took part in the Elephant 6 Holiday Surprise reunion tour, performing the Neutral Milk Hotel song "Engine" at several shows accompanied by Julian Koster on singing saw. In December 2009, Mangum contributed a cover of "Sign the Dotted Line" to a Chris Knox tribute album titled Stroke: Songs for Chris Knox. This was followed by an appearance at a Knox benefit show on May 6, 2010 at Le Poisson Rouge, where Mangum performed a number of acoustic Neutral Milk Hotel songs.

Similar to "Then They Came For Me", the song's "singing saw sound" was created on guitar. "Boredom" has been described as being hip hop- influenced with lyrics that "(name-drop) welfare states and Islamic caliphates, prophecising the imminent death of the 'cradle of civilisation' – the Middle East" as well as "describing the drivers of young people joining terrorist organisations, specifically IS" from the perspective of a Muslim teenager living in the Western Suburbs (according to The Monthly, the track is "partly told from the viewpoint of Jake Bilardi [...]"). The chorus on the track has been noted for being similar to "Boredom" by Buzzcocks. The song "Sometimes", featuring lead vocals from Fiona Kitschin, has been described as the "hypothetical missing link between Massive Attack and FKA Twigs", with lyrics that critique modern consumer culture.

Since 2000, Michael Blake's work has taken something of a new direction and revealed a postmodern sensibility. This watershed in Blake's life is exemplified in two works: String Quartet No 1, written for his long-standing friends and collaborators the Fitzwilliam String Quartet in 2001 and premiered in Cambridge for Blake's 50th birthday celebrations, and Ways to put in the salt, an uncompromisingly stark interpretation of musical bow harmonics written in 2002 for John Tilbury. In these and other works that followed, an African sensibility is subsumed into the fractured narratives that have become a feature of his recent work, such as the Piano Concerto (2007), Piano Sonata ‘Choral’ (2008), and Postcolonial Song (2009). A passion for unusual timbres and instrumental combinations saw the realisation of two more commissioned works in 2007: Shoowa Panel for vibraphone and marimba (premiered in South Africa) and Rural Arias for singing saw and eleven players (premiered in Vienna).

Hille worked for a year as a lounge musician. She began writing music in 1990, and self- released a cassette, Songs About People and Buildings, in 1992. She started performing locally, and later across Canada. Hille set up her own label, Ball of Flames, and in 1994 released her first CD, Path of a Body with Stephen Nikleva, Steve Lazin, and Martin Walton; next was a pop album, Spine, recorded with various Canadian musicians. By 1997 she had assembled a band and had toured in Canada, the US, and Germany. Two performances in Bremen, Germany were recorded and released in 1997 as Live at Women in (E)Motion. In 1997 Hille began working with Martin Walton (bass, lap steel, ukulele), Ford Pier (guitar, organ, French Horn), Peggy Lee (cello), Barry Mirochnick (drums, xylophone, singing saw, and found instruments), and later Patsy Klein (vocals, flute). The members of this group have performed in many shows and festivals together, and have collaborated on five records.