314 Sentences With "simultaneity" | Random Sentence Generator

The vessel's unsettled surface speaks not of historicism but historical simultaneity.

The camera, choosing what you see, diminishes the feeling of simultaneity.

In Newtonian mechanics, this object is foliated by these planes of absolute simultaneity.

Another characteristic of Cunningham dance theater, the nature study above all, is simultaneity.

The poem tunnels through concepts and emotions, while the simultaneity of everything pulses and gathers.

I think that there's circumstances when the fact that there is some kind of simultaneity counts.

This phenomenon, which Bloch called the "simultaneity of the non-simultaneous," helped bring down the Weimar Republic.

His sense of history deals more with the episodic and consecutive than with the gaiety of simultaneity.

He deployed modernist innovations such as cubist simultaneity but, unlike European examples, he looked beneath the surface.

I'm prepared to witness a disease and cure in simultaneity, but beyond that I'm interested in growth alone.

The simultaneity of these emotions and experiences can be confusing, even as it expresses something earnestly thoughtful and reflective.

Though often I wish I could forget, Mr. Jackson, Freddie Jackson, that endless simultaneity, recover those flurries of forgetfulness.

" In these moments Bradford arrives at what he went on to define as "the simultaneity of thinking and making.

Myles's poems make us reconsider what is experience, and does it have an order or is it a simultaneity?

" Non sequitur, she writes, "is lively, volatile, skirmishing, suggesting (at its best) simultaneity or multiplicity, loosing a flurry of questions.

But at the same time the simultaneity of the different self-destroying trends is a brute fact of American life.

Maybe you're like Allie and Noah from The Notebook, temporarily estranged but destined to die in peaceful simultaneity while holding hands.

But Gold insisted on it, because it allows for simultaneity, so that the stage imitates the page of a graphic novel.

All of which fed the suspicion in Bonn that the simultaneity of these hate crimes hinted at something more than grim coincidence.

They were installed according to findings from the historical research to more accurately recreate the simultaneity, intensity, and density of Miro's workspace.

An illusion of simultaneity is produced by repeating certain moments from different perspectives and by punctuating the action with recurring sights and sounds.

This simultaneity of presence and absence of the surrounding buildings and their spatiality has an equally destabilizing effect on the viewer's sense of permanence.

There is a presence and simultaneity of all personal histories in Rowe's characters; even the memories most glancing, hated or secret make their ripples.

"My work explores the previously overlooked simultaneity of the 60s American space race and the Civil Rights Movement," writes Dunn in the exhibition catalog.

The special American contribution to legend-making has not been speed so much as absolute simultaneity, with the life and the legend developing together.

FEMINIST AVANT-GARDE of the 1970s is a timely and provocative exhibition that argues its points with care, precision, and a magical sense of simultaneity.

In his upcoming project, the artist is partnering with digital artist, Alessio De Vecchi, to create a dimension-defying series, titled Hyper Planes of Simultaneity.

Such independence and simultaneity make sense of a title like "Night of 100 Solos" even when dancers touch one another or light on fleeting unison.

When it captures the acute simultaneity of human experience, the ways life simultaneously holds grace and terror and grief and hope and wonder and weirdness.

Manifesto also valorizes multiplicity and simultaneity as an organizing principle, suggesting that even the most self-serious manifesto only truly belongs alongside other self-serious manifestos.

But for now, Ray is here, and in a place "that has darker hues and far more energy and simultaneity of places and events," Hollander said.

The real key here is the simultaneity of the transition of the U.S. role in the Middle East and the emergence of China's economic and diplomatic clout.

When Zimmermann spoke of pluralism and the "sphericity of time," he was making a claim about the essential simultaneity of experience, not about doing whatever one liked.

The almost impossible challenge Goffman thus set before herself is the representation of both these views — of drive as manhunt and drive as ritual — in all their simultaneity.

It is that with which he cannot be reconciled even when he evades sequential time in favor of a pretense—the creation of a virtual universe of simultaneity.

In the large-scale recent canvases comprising most of "Suh Seung Won: Simultaneity" at the Korea Society, those rhombuses have become overlapping bursts of diaphanous yellow and pink.

In Spell Reel, her visual method is that of simultaneity: she often presents the archival images as smaller windows within larger frames that, in turn, contain present-day footage.

You must manage the strange simultaneity of making someone aware of a grim diagnosis, even as you also know you do not have the means to properly remedy it.

Thickened and hardened white gypsum cement describes the simultaneity of sensation experienced from both sides of the skin, inside and out, where awareness arises from the accumulation of incremental fingerings.

In the societies where I had lived, the morality was set at many different speeds — what the German political scientist Ernst Bloch calls "the simultaneity of the non-simultaneous," i.e.

Indeed, the 6900s gave us a new word, "stagflation," referring to the simultaneity of stagnant growth and surging prices; the inflation rate hit double digits in both 2628 and 28503.

It's like, direct relationships, force A interacts with force B. But this is more on that bizarre spooky shit, where it's like, particles do stuff they ain't supposed to do, simultaneity.

There were many moments when the simultaneity of movement and music — flickering beats of the legs matching rapid passagework in the strings — was so judicious, so felicitous, as to seem heart-stopping.

SIGHT LINES By Arthur Sze The sight lines in Sze's 10th collection are just that — imagistic lines strung together by jump-cuts, creating a filmic collage that itself seems to be a portrait of simultaneity.

The near simultaneity of Cohen's death and Trump's election felt tragic and enormous in scope, a generational passing of the torch from the earnest artist to a world whose corruption and brokenness had been laid bare.

She mind-blowingly explains that in Dada, simultaneity operated not only synchronistically (absorbing the multiple contradictory qualities of modernity) but also diachronistically (engaging modern phenomena as it changes over time), which is such a psychedelic perception.

That such simultaneity defines the vagaries of daily life is hardly new; nor is the idea that women might be particularly well schooled — via the open-admission reality of sexism — to navigate these dualities in creative ways.

I wanted this simultaneity of voices, so that one could see the echoes in and multiplicity of different women's voices, sort of echoed by Flo Kennedy's statement about which would you rather: one lion or 500 mice?

So live interestingly pushed a little bit ... it does have that idea that a lot of people are connected to the same thing simultaneously, and to your point before, that idea of simultaneity itself, maybe there's something there.

These translate into a bracing simultaneity between near and distant objects, as in "La Crau with Peach Trees in Blossom" (1889), in which the viewer seems to be suspended over the landscape, as if parachuting slowly downward into it.

Virginia representative Bob Goodlatte contended that, compared to a platform like YouTube, the speed and simultaneity of livestreaming presents a slew of challenges when it comes to taking down, say, a pirated UFC stream before the damage is done.

In addition to his more widely circulated theories about outer space, Ra's thinking about time will shape Copeland's discussion of the work of artists including Mai-Thu Perret, Edgar Arcenaux, and Glenn Ligon, and the notions of simultaneity and cyclical time linking them.

"Dada's dedication to the nonsensical and to the simultaneity of contradictions is not only an endeavor to be realized within art but an attempt to confront reality in its true state," wrote art historian Dorothée Brill in Shock and the Senseless in Dada and Fluxus.

And there's a sequence in which the arms circle vertically, in opposition, while the dancer slowly wheels one leg around from back to front while advancing: That kind of tricky simultaneity of upper and lower body movement is something that abounds in Ashton's ballets.

The bit about the simultaneity of contradictions rings especially true today: The sensory overload brought about by industrialization and compounded by war during the 20th century has turned into a cascade of digital information and seemingly coexistent but contradictory universes of "fact" in the 21st century.

Dunne, a slight man with a "good big head," according to Priestley, believed that everything had already happened and that everybody was immortal—that time was a paradise of somehow slightly spongy simultaneity that was accessible, albeit imperfectly, via a close study, every waking morning, of one's dreams.

It's built around the same pieces as her previous recordings—those swirling horns, foreboding whispers, and delirious guitar lines—but it feels a more assured treading of those conceptual borders, as if in her sleep deprivation and boundless new love, she truly understood the cacophonous simultaneity her work has always evoked.

And that simultaneity does not feel like just a coincidence, just correlation without entanglement — especially when you include other indicators, collapsing birthrates and declining marriage rates and decaying social trust, that all suggest a society suffering a meaning deficit, a loss of purpose and optimism and direction, a gently dehumanizing drift.

" To make a leap from the Civil War to the Hughes Brothers, whose film, like Walker's art, combines formal elegance with head-snapping eruptions of brutality, underscores her work's simultaneity between past and present; every action is pregnant with history, and William Faulkner's much-quoted line, "The past is never dead.

Any kind of arrangement of form and mass could be considered sculptural, from broken mirrors to wooden planks to streams of water, but the difference here lies in the fact that the creative force behind Morelle's structure is not an act of construction, but rather the simultaneity between construction and destruction.

"Time Regained" lacks the majestic screwiness of Ruiz's earlier fun house labyrinths, like "Three Crowns of the Sailor" and "Life Is a Dream," but finds all manner of visual equivalents to its source — not just the circular narrative or modernist, multiple-perspective simultaneity but also the way that movies themselves are predicated on physiological memories.

It also offers a lesson in the disorienting arrhythmias of simultaneity: Thomas Mann is at work in sunny Pacific Palisades while survivors gasp for life in Bergen-Belsen; a woman is avoiding getting raped while a British soldier in northwest Germany writes quite cheerfully to his parents that they don't need to send him any more chocolate.

Their looser, more kinetic and improvisational rhythms drawn from black vernacular speech and the ebb and flow of consciousness itself — "Mind is bebop" was a Ginsberg epigram — led directly to Kerouac's invention of "spontaneous prose," an explosively lyrical style of anarchic simultaneity that in turn, as Ginsberg always acknowledged, made his own outbreak into originality possible.

And I wanted to see how far I could push using the seduction of the imagery from television and computer graphics without going over the edge…by having multiple channels in Total Recall, I started discovering things that we were saying to ourselves — about a nostalgia for an American heartland that never was; about a simultaneity of the past, present and future; how nothing ever dies.

In a parallel, literary fashion, In Search of Lost Time narrates a young man's development as an only child under the aegis of his parents, recovering a kind of simultaneity of past, present, and future by rebuilding talismanic moments from his past and finding correspondences in the lived moments that involve others — his extended family and various love interests — and all the obsessions, jealousies, aspirations, and disappointments to be found within an expanding and contracting aristocratic social orbit.

And—before you start trotting out made-up "statistics" about how nuclear missiles are more likely to be used on a relative than on an intruder—yes, we store our arsenal on a shelf out of the kiddies' reach, and of course we're teaching them responsible nuclear-missile protocol, requiring two-person key-turning simultaneity, choosing a launch code with at least six letters and numbers plus a special character, and keeping the safety on when they play Kennedys and Khrushchevs.

"Weather" is a novel reckoning with the simultaneity of daily life and global crisis, what it means for a woman to be all of these things: a mother packing her son's backpack and putting away the dog's "slobber frog," a sister helping her recovering-addict brother take care of his infant daughter, and a citizen of a possibly doomed planet that might be a very different place for the son whose backpack she is packing, when he packs his own son's backpack decades from now, or certainly when that someday-son does the same for his own children.

Thus, a simultaneity succession is a succession of simultaneities. Similarly, simultaneity succession is a more general term than chord progression or harmonic progression: most chord progressions or harmonic progressions are then simultaneity successions, though not all simultaneity successions are harmonic progressions and not all simultaneities are chords.

Generally speaking, simultaneity occurs in the dynamic model just like in the example of static simultaneity above.

In physics, the relativity of simultaneity is the concept that distant simultaneity – whether two spatially separated events occur at the same time – is not absolute, but depends on the observer's reference frame.

The analysis of heterogeneous indirect effects is complicated because of simultaneity issues arising from social interactions.

It may be difficult to see where simultaneity came into the Doppler shift calculation, and indeed the calculation is often preferred because one does not have to worry about simultaneity. As seen above, the ship twin can convert his received Doppler-shifted rate to a slower rate of the clock of the distant clock for both red and blue images. If he ignores simultaneity, he might say his twin was aging at the reduced rate throughout the journey and therefore should be younger than he is. He is now back to square one, and has to take into account the change in his notion of simultaneity at the turnaround.

In music the linear aspect is succession, either intervals or melody, as opposed to simultaneity or the vertical aspect.

The second clause is simply a Simultaneity clause which happens to contain a negative element but is not contrafactive.

It may be observed in passing that togetherness in time or compresence in it includes both simultaneity and succession.

Dordrecht: Kluwer, pp. 187 -231. In the philosophy of physics Sarkar is known for controversially defending the conventionalism of simultaneity in special relativity (with John Stachel)Sarkar, S. and Stachel, J. 1999. Did Malament Prove the Non- Conventionality of Simultaneity in the Special Theory of Relativity? Philosophy of Science 66: 208 -220.

On this CD, Hirs investigates polyglot language and the simultaneity of streams of meaning in three electroacoustic works using original texts in English.

How can the bar pass through the ring? The resolution of the paradox again lies in the relativity of simultaneity (Ferraro 2007). The length of a physical object is defined as the distance between two simultaneous events occurring at each end of the body, and since simultaneity is relative, so is this length. This variability in length is just the Lorentz contraction.

"The practice of harmony typically involves both simultaneity...and linearity."Hijleh, Mark (2012). Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music Across Human Cultures, chapter 4, . Ashgate. . A simultaneity succession is a series of different groups of pitches or pitch classes, each of which is played at the same time as the other pitches of its group.

Since theoretical physics plays a major role in identifying the parameters of nuclear physics, Siddiqui started the work on special relativity's complex applications, the 'relativity of simultaneity'. His Mathematical Physics Group undertook the research and performed calculations on the 'relativity of simultaneity' during the process of weapon detonation, where multiple explosive energy rays are bound to release in the same isolate and close medium at the same time interval.

This makes an end of the causal explanation as well, > for "effect" cannot be understood as anything except a phenomenon of energy. > Therefore it cannot be a question of cause and effect, but of a falling > together in time, a kind of simultaneity. Because of this quality of > simultaneity, I have picked on the term "synchronicity" to designate a > hypothetical factor equal in rank to causality as a principle of > explanation.Jung, Carl. 2014 [1952].

The coincidence factor is the reciprocal of the diversity factor. However, differing sources define the simultaneity factor to be identical to either the coincidence factor or the diversity factor. The International Electrotechnical Commission defines the coincidence and simultaneity factors identically with the diversity factor being the reciprocal. Since the only change in definition is to take the inverse, all one needs to know is if the factor is greater than or less than one.

In music, a simultaneity is more than one complete musical texture occurring at the same time, rather than in succession. This first appeared in the music of Charles Ives, and is common in the music of Conlon Nancarrow and others. In music theory, a pitch simultaneity is more than one pitch or pitch class all of which occur at the same time, or simultaneously: "A set of notes sounded together."Cucker, Felipe (2013).

Regarding to the lecturer himself, he finds a certain satisfaction in the older views, that the aether has at least some substantiality, that space and time can be strictly separated, that one can speak about simultaneity without further specification. Regarding the latter, one can probably refer to the ability that arbitrary great velocities can at least imagined by us. By that, one comes very near to the concept of absolute simultaneity. or in 1912 (published 1922).

An event that is simultaneous with another event in one frame of reference may be in the past or future of that event in a different frame of reference, which negates absolute simultaneity.

D. Malament, 2005. "Classical General Relativity" (gr-qc/0506065, to appear in Handbook of the Philosophy of Physics, eds. J. Butterfield and J. Earman, Elsevier) online Regarding whether simultaneity in special relativity, the Einstein synchronisation is conventional, Malament argues against conventionalism and is regarded by some as having refuted Adolf Grünbaum's argument for conventionalism. Grünbaum,A. Grünbaum. David Malament and the Conventionality of Simultaneity: A Reply, online as well as Sahotra Sarkar and John Stachel, don't agree, whereas Robert Rynasiewicz sides with Malament.

Huìwén (慧文) Huiwen (慧文) is considered to be the first patriarch of the Chinese Buddhist School Tiantai. He derived from the Gao (高) family in the current Bohai region of Shandong, under the Northern Qi Dynasty (which ruled northeast China between 550 and 577). Huiwen´s doctrine on the 'simultaneity of the mind in the three wisdoms' (一心三智 yīxīn sānzhì) was later developed by his disciple Huìsī in 'simultaneity of the minds in the three consciousnesses'.

This conventional model presents a number of difficult philosophical problems, and seems difficult to reconcile with currently accepted scientific theories such as the theory of relativity. bar and ring paradox is an example of the relativity of simultaneity. Both ends of the bar pass through the ring simultaneously in the rest frame of the ring (left), but the ends of the bar pass one after the other in the rest frame of the bar (right). Special relativity eliminates the concept of absolute simultaneity and a universal present: according to the relativity of simultaneity, observers in different frames of reference can have different measurements of whether a given pair of events happened at the same time or at different times, with there being no physical basis for preferring one frame's judgments over another's.

He incorporated into the painting his concepts of multiple perspective, simultaneity, and time, according to his belief that the fourth dimension was crucial to the new art that could compete with the classical French tradition.

Philosopher of science Dean Rickles disagrees in some sense, but notes that "the consensus among philosophers seems to be that special and general relativity are incompatible with presentism." Christian Wüthrich argues that supporters of presentism can only salvage absolute simultaneity if they reject either empiricism or relativity. Such arguments are raised by Dean Zimmerman and others, in favor of a single privileged frame whose judgments about length, time and simultaneity are the true ones, even if there is no empirical way to distinguish this frame.

This is an example of too much information hurting a player. In Cournot competition, it is the simultaneity of the game (the imperfection of knowledge) that results in neither player (ceteris paribus) being at a disadvantage.

It also deals with the structure of narratives on a more systematic basis, accounting for flash- forward, simultaneity, as well as possible, if rarely used, effects. These disarrangements on the level of order are termed 'anachrony'.

As an artist of communication and organizer of events, his actions include the telephone, video, fax, Internet, radio, installations, symposiums and seminars. His main themes are ubiquity, simultaneity, interactivity, collective actions, events, ephemeral and the trace.

A non-isolated system is constantly exchanging energy–momentum with its surroundings. Even when the net rate of exchange of energy–momentum with the environment is zero, differences in the definition of simultaneity cause the total amount of energy–momentum contained within the system at a given instant of time to depend on the definition of simultaneity that is adopted by the observer. This causes the invariant mass of a non-isolated system to depend on one's choice of coordinates even in special relativity. Only an isolated system has a coordinate-independent mass.

The Salon Cubists used the faceted treatment of solid and space and effects of multiple viewpoints to convey a physical and psychological sense of the fluidity of consciousness, blurring the distinctions between past, present and future. One of the major theoretical innovations made by the Salon Cubists, independently of Picasso and Braque, was that of simultaneity, drawing to greater or lesser extent on theories of Henri Poincaré, Ernst Mach, Charles Henry, Maurice Princet, and Henri Bergson. With simultaneity, the concept of separate spatial and temporal dimensions was comprehensively challenged.

Neuromantic is a philosophical concept defined by anthropologist Bradd Shore as the cybernetic frame of mind among excited computer enthusiasts. These emerge as these individuals experience what Michael Heim called "the all-at- once simultaneity of totalizing presentness".

Similar examples of such relations can be found in which-questions and, with relevance to this study, in tense and agreement. Avrutin (2000) argued that agreement is a purely morphosyntactic system, with no discourse operations involved and, therefore, it establishes a binding relation whereas tense requires access to the discourse representation and, therefore, it establishes a discourse linking relation. Zagona (2003) reasoned that present tense indicates simultaneity between evaluation time and event time (binding relation). Past tense, on the other hand, lacks this simultaneity and indicates a need for establishing a relation between speech time and an earlier event (discourse linking).

New York: St. Martin's Griffin p.337. . Robert Heinlein in Time for the Stars (1958) employed instantaneous telepathic communication between identical twin pairs over interstellar distances, and like Le Guin provided a technical explanation based on a non-Einsteinian principle of Simultaneity.

"The Slow Media Manifesto". They said that Slow Media are not a rejection of speed and simultaneity in digital media but rather "an attitude and a way of making use them."Köhler, Benedikt, David, Sabria and Jörg Blumtritt (2010). "The Slow Media Manifesto".

He studied the philosophy of Hägerström and Phalèn, and describes also their opinions about Einstein's theories in his book, together with reviews of many other contributors. His book, Relativity, Time and Reality, is a controversial critique of Albert Einstein's concepts of time and simultaneity in Special Relativity. His arguments have been generally considered invalid. The primary objection in the first part of his critique is that Einstein's concept of simultaneity, while seemingly not depending on Newtonian time, nevertheless presupposes it: Nordenson was a member of the upper house of the Parliament of Sweden from 1938 to 1953, representing the National Organization of the Right.

Deferral also comes into play, as the words that occur following "house" or "white" in any expression will revise the meaning of that word, sometimes dramatically so. This is true not only with syntagmatic succession in relation with paradigmatic simultaneity, but also, in a broader sense, between diachronic succession in History related with synchronic simultaneity inside a "system of distinct signs". Thus, complete meaning is always "differential" and postponed in language; there is never a moment when meaning is complete and total. A simple example would consist of looking up a given word in a dictionary, then proceeding to look up the words found in that word's definition, etc.

The concepts of space and time were separate in physical theory prior to the advent of special relativity theory, which connected the two and showed both to be dependent upon the reference frame's motion. In Einstein's theories, the ideas of absolute time and space were superseded by the notion of spacetime in special relativity, and curved spacetime in general relativity. Absolute simultaneity refers to the concurrence of events in time at different locations in space in a manner agreed upon in all frames of reference. The theory of relativity does not have a concept of absolute time because there is a relativity of simultaneity.

This relativity of simultaneity means that switching from one inertial frame to another requires an adjustment in what slice through spacetime counts as the "present". In the spacetime diagram on the right, drawn for the reference frame of the Earth-based twin, that twin's world line coincides with the vertical axis (his position is constant in space, moving only in time). On the first leg of the trip, the second twin moves to the right (black sloped line); and on the second leg, back to the left. Blue lines show the planes of simultaneity for the traveling twin during the first leg of the journey; red lines, during the second leg.

A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves, swings, balances, pivots, jumps and leaps, dance steps, and lifts. The International Federation of Aesthetic Group Gymnastics (IFAGG) was established in 2003.Lajiesittely , Suomen Voimisteluliitto.

Historically, centenarian floods did extensive damage in the Isere valley. In October 1859, it rained continuously for five days. A warm wind melted the snow, and the temperature suddenly increased from 12 to 19 degrees on 2 November. The simultaneity of those two events resulted in an exceptional flood.

In philosophy, the Rietdijk–Putnam argument, named after and Hilary Putnam, uses 20th-century findings in physicsspecifically in special relativityto support the philosophical position known as four-dimensionalism. If special relativity is true, then each observer will have their own plane of simultaneity, which contains a unique set of events that constitutes the observer's present moment. Observers moving at different relative velocities have different planes of simultaneity, and hence different sets of events that are present. Each observer considers their set of present events to be a three-dimensional universe, but even the slightest movement of the head or offset in distance between observers can cause the three-dimensional universes to have differing content.

Poincaré also noted that the propagation speed of light can be (and in practice often is) used to define simultaneity between spatially separate events: > The simultaneity of two events, or the order of their succession, the > equality of two durations, are to be so defined that the enunciation of the > natural laws may be as simple as possible. In other words, all these rules, > all these definitions are only the fruit of an unconscious > opportunism.Galison (2003) In some other papers (1895, 1900b), Poincaré argued that experiments like that of Michelson and Morley show the impossibility of detecting the absolute motion of matter, i.e., the relative motion of matter in relation to the aether.

As of 2015, there have been few linguistic studies on Inuit Sign Language, notably done by Schuit (2012) wherein they looked primarily at verb agreement and classifier use. Schuit makes note that at this early stage of research, they cannot say the absolute word order of the language; they plan to pursue further studies in negation and morphological typology later. Moreover, preliminary findings dictate that Inuit Sign Language does not exhibit a large amount of non-manual simultaneity, but that manual simultaneity certainly exists. As well, there exists limited verb agreement within the language, but all types of verbs found in sign languages (plain, agreement and spatial) can be found in Inuit Sign Language.

Then one comes to the same results, as if one (following Einstein and Minkowski) deny the existence of the aether and of true time, and to see all reference systems as equally valid. Which of these two ways of thinking one is following, can surely be left to the individual. 1913 (published 1914),Lorentz 1914, p. 23: If the observers want to see the concept of time as something primary, something entirely separated from the concept of space, then they would certainly recognize that there is an absolute simultaneity; though they would leave it undecided, whether simultaneity is indicated by equal values of t, or by equal values of t′, or maybe neither by that or the other.

These ambitious works are some of the largest paintings in the history of Cubism. Léger's The Wedding, also shown at the Salon des Indépendants in 1912, gave form to the notion of simultaneity by presenting different motifs as occurring within a single temporal frame, where responses to the past and present interpenetrate with collective force. The conjunction of such subject matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà; themselves made in response to early Cubism. Cubism and modern European art was introduced into the United States at the now legendary 1913 Armory Show in New York City, which then traveled to Chicago and Boston.

Manifold Mirrors: The Crossing Paths of the Arts and Mathematics, p.191. Cambridge University. . Simultaneity is a more specific and more general term than chord: many but not all chords or harmonies are simultaneities, though not all but some simultaneities are chords. For example, arpeggios are chords whose tones are not simultaneous.

Ikeda moved from Tokyo, Japan to Rome in the 1970s. There he attended Venanzo Crocetti's lectures at the Academy of Fine Arts where he graduated in 1977. In the eighties he met Simonetta Lux, who invited him to participate in the collective exhibition named "Simultaneity - New Directions Japanese Contemporary Art" at Palazzo Braschi, (1991).

He also worked at the field of the transition metals and fusions superconductivity in particular he studied the problem of simultaneity of ferromagnetism and paramagnetism. He was the founder of the Ural scientific school in ferromagnetism and metals physics. Ural Branch of the Russian Academy of Sciences instituted Vonsovsky Gold Medal in his honour.

When World War I broke out he returned to Lisbon with his friend Amadeo de Souza Cardoso and other fellow Portuguese. He spent 1915-16 working with the Orphist painters Robert and Sonia Delaunay in Vila do Conde. He was fascinated by their experiments in simultaneity. Viana's painting were a mirror of the life of his country.

The notion of time used in Esterel differs from that of non-synchronous languages in the following way: The notion of physical time is replaced with the notion of order. Only the simultaneity and precedence of events are considered. This means that the physical time does not play any special role. This is called multiform notion of time.

The ladder is said to fit into the garage if both of its ends can be made to be simultaneously inside the garage. The paradox is resolved when it is considered that in relativity, simultaneity is relative to each observer, making the answer to whether the ladder fits inside the garage also relative to each of them.

By conceptualizing transnational social fields as transcending the boundaries of nation-states, individuals within these fields are, through their everyday activities and relationships, influenced by multiple sets of laws and institutions that exist within many states and cross their border.Levitt, Peggy and Nina Glick Schiller. 2004. “Conceptualizing Simultaneity: A Transnational Social Field Perspective on Society.” International Migration Review, Fall.

There is one modal suffix. It is used in conjunction with a negative modal prefix to indicate a Provisional meaning. It is written joined to the verb root (ɛ̀tàhàzɩ̀tá "he has not swept yet"). The verb phrase can also be extended by means of the suffix -náʋ̀ to indicate instrumentality, accompaniment, manner, simultaneity or conformity (ɛ̀hàzɩ́nàà "he swept with").

Cambridge, MA: Harvard University Press. and was given unconditional authority to furnish it. For inspiration Bohr hung in his office a large painting by Jean Metzinger, La Femme au Cheval,Abraham Pais, Niels Bohr's Times: In Physics, Philosophy, and Polity, Clarendon Press, 1991, p. 335, one of Metzinger's most conspicuous early examples of 'mobile perspective' implementation (also called simultaneity).

To get the full multi-dimensional effect, the viewer is asked to activate their own viewing space ...as you move and change vantage point, negative space is held in balance, unleashed, then restrained again. The image resolves itself. Foreground to background shifting, space dissolving, volume folds in, energy pushes out ...Neate’s compositions are mapped by sensations of simultaneity.

There is no absolute time. When we say that two periods are equal, the statement has no meaning, and can only acquire a meaning by a convention. 3. Not only have we no direct intuition of the equality of two periods, but we have not even direct intuition of the simultaneity of two events occurring in two different places.

Minulescu's moment of glory was unusual in its European context. Paul Cernat, who interprets Aprindeți torțele! as a Symbolist work inspired by the ideas of French cultural critic Remy de Gourmont, notes that, despite the movement's goal of reaching simultaneity with Western culture, the moment of its publication came twenty years after France's original Symbolist Manifesto.Cernat, p.

This is in analogy to the 4/3 problem of the electromagnetic mass of electrons, where similar methods were employed by Enrico Fermi (1921) and Fritz Rohrlich (1960): In the standard formulation of relativistic dynamics the hyperplanes of simultaneity of any observer can be used, while in the Fermi/Rohrlich definition the hyperplane of simultaneity of the object's rest frame should be used.Janssen (2008), see further reading According to Janssen, deciding between Laue's standard model and such alternatives is merely a matter of convention. Following this line of reasoning, Rohrlich (1966) distinguished between "apparent" and "true" Lorentz transformations. For example, a "true" transformation of length would be the result of a direct application of the Lorentz transformation, which gives the non-simultaneous positions of the endpoints in another frame.

Kalb is the founding editor of anthropology journal Focaal: Journal of Global and Historical Anthropology, as well as the current FocaalBlog editor. Focaal focuses primarily on intersecting anthropological and historical debates examining local case studies within a global context. According to the journal's website, Focaal advocates for "an approach that rests in the simultaneity of ethnography, processual analysis, local insights, and global vision".

The Angela Y. Davis Reader, John Wiley, , 1998, p. 313. In Roderick Ferguson's book Aberrations in Black, the Combahee River Collective Statement is cited as "rearticulating coalition to address gender, racial, and sexual dominance as part of capitalist expansion globally." Ferguson uses the articulation of simultaneity of oppressions to describe coalition building that exists outside of the organizations of the nation- state.

In Western jurisprudence, concurrence (also contemporaneity or simultaneity) is the apparent need to prove the simultaneous occurrence of both actus reus ("guilty action") and mens rea ("guilty mind"), to constitute a crime; except in crimes of strict liability. In theory, if the actus reus does not hold concurrence in point of time with the mens rea then no crime has been committed.

Timelines are often used in education to help students and researchers with understanding the order or chronology of historical events and trends for a subject. When showing time on a specific scale on an axis, a timeline can be used to visualize time lapses between events, durations (such as lifetimes or wars), and the simultaneity or overlap of spans and events.

The contemporative mood is used to construct subordinate clauses with the meaning of simultaneity and is used only if the subject of the subordinate clause and of the main clause are identical. If they differ, the participial mood or the causative mood is used. The contemporative can also be used to form complement clauses for verbs of speaking or thinking.Bjørnum(2003) pp.

The use of the participle mood (at present tense, inherited from the Latin gerondive) has almost completely fallen out of use in modern French for denoting the continuous aspect of verbs, but remains used for other aspects like simultaneity or causality, and this participle mood also competes with the infinitive mood (seen as a form of nominalisation of the verb) for other aspects marked by nominal prepositions.

Proper length or rest length is the length of an object in the object's rest frame. The measurement of lengths is more complicated in the theory of relativity than in classical mechanics. In classical mechanics, lengths are measured based on the assumption that the locations of all points involved are measured simultaneously. But in the theory of relativity, the notion of simultaneity is dependent on the observer.

On spaceships, map-clocks may look unsynchronized. Event B is simultaneous with A in the green reference frame, but it occurred before in the blue frame, and will occur later in the red frame. Events A, B, and C occur in different order depending on the motion of the observer. The white line represents a plane of simultaneity being moved from the past to the future.

If the hidden variables can communicate with each other faster than light, Bell's inequality can easily be violated. Once one particle is measured, it can communicate the necessary correlations to the other particle. Since in relativity the notion of simultaneity is not absolute, this is unattractive. One idea is to replace instantaneous communication with a process that travels backwards in time along the past light cone.

At Lycée Martin V in Louvain-la-Neuve (Belgium), he was fellow with writer . Their novels manifestly maintain close relations: often choral novels, written in the present of the indicative, very numerous and recurring characters from one book to another, always staged in urban areas (Paris, Rome, Brussels, Madrid, Prague, Barcelona, etc.), with a predilection for the representation of the simultaneity of destinies in an urban context.

The Prometheus scale is so called because of its prominent use in Alexander Scriabin's symphonic poem Prometheus: The Poem of Fire. Scriabin himself called this set of pitches, voiced as the simultaneity (in ascending order) C F B E A D the "mystic chord". Others have referred to it as the "Promethean chord". You can think of it as C Lydian b7 without the 5th degree.

A spacetime diagram showing the set of points regarded as simultaneous by a stationary observer (horizontal dotted line) and the set of points regarded as simultaneous by an observer moving at v = 0.25c (dashed line) The equation t' = constant defines a "line of simultaneity" in the (x', t' ) coordinate system for the second (moving) observer, just as the equation t = constant defines the "line of simultaneity" for the first (stationary) observer in the (x, t) coordinate system. From the above equations for the Lorentz transform it can be seen that t' is constant if and only if t – v x/c2 = constant. Thus the set of points that make t constant are different from the set of points that makes t' constant. That is, the set of events which are regarded as simultaneous depends on the frame of reference used to make the comparison.

By contrast, coordinate time is the time between two events as measured by an observer using that observer's own method of assigning a time to an event. In the special case of an inertial observer in special relativity, the time is measured using the observer's clock and the observer's definition of simultaneity. The concept of proper time was introduced by Hermann Minkowski in 1908, and is a feature of Minkowski diagrams.

The Penguin Guide to Jazz awarded the album 3 stars stating "This drummerless band moves through the charts like information through a printed circuit, and there is an impressive simultaneity to some of the cues which suggests that at least that some of this music was predetermined and meticulously rehearsed". The Rolling Stone Jazz Record Guide said "what should be a good band doesn't come up with much".

Numerous experimental findings suggest that temporal order judgments of actions preceding effects can be reversed under special circumstances. Experiments have shown that sensory simultaneity judgments can be manipulated by repeated exposure to non-simultaneous stimuli. In an experiment conducted by David Eagleman, a temporal order judgment reversal was induced in subjects by exposing them to delayed motor consequences. In the experiment, subjects played various forms of video games.

Stephen Kern, The Culture of Time and Space, 1880-1918: With a New Preface, Harvard University Press, Nov 30, 2003Jay, Bill, Eadweard Muybridge, The Man Who Invented Moving Pictures, Little, Brown, and Company, 1972 There is also a scientifique nomenclature offered to the spectator (the relativity of simultaneity), that artists themselves, art critics and art historians have not failed to notice. Some have attempted to refute such connections and others have embraced them. Though the name Einstein was not yet a household word in 1912, there has been a rapprochement of the concept of multiplicity described above and the concept of relativity in the Einsteinian sense. While, as Einstein writes, the physicist can generally limit herself to one system of coordinates for the description of physical reality, the Cubist (particularly Gleizes and Metzinger) attempted to show the simultaneity of several such views, or, at the very least, they were unwilling to commit themselves to a single coordinate system.

In this work, Iolini crafts "lost sounds from Sydney's past, media archives and scripted dialogues" into a sonic essay on the loss of identity as a result of disappearing buildings and architecture. The Sound of Forgetting was nominated for the 2005 Karl Sczuka Prize. Iolini completed a Master of Arts degree in Advanced Composition under the supervision of Professor Richard Vella in 1998. The title of the thesis was Simultaneity in Music.

On the other hand, from the point of view of an observer moving with the ladder, the ladder will not be contracted, and it is the building which will be Lorentz contracted to an even smaller length. Therefore, the ladder will not be able to fit inside the building as it passes through. This poses an apparent discrepancy between the realities of both observers. This apparent paradox results from the mistaken assumption of absolute simultaneity.

We see that, as simultaneity is relative, the two doors did not need to be shut at the same time, and the ladder did not need to fit inside the garage. The situation can be further illustrated by the Minkowski diagram below. The diagram is in the rest frame of the garage. The vertical light-blue band shows the garage in space-time, and the light-red band shows the ladder in space-time.

The book addresses the topic of the authority of texts and their transmission, as well as different strategies of narration in ancient texts. The book also provides extensive treatment of issues such as linearity, temporality and simultaneity of historical texts, whilst working to examine four core themes. First, the narrator and his strategies in the historiography of the Hellenistic period. Secondly, Jewish historical thought as expressed in the 1 Book of Maccabees.

If two events happen at the same time in the frame of the first observer, they will have identical values of the t-coordinate. However, if they have different values of the x-coordinate (different positions in the x-direction), they will have different values of the t' coordinate, so they will happen at different times in that frame. The term that accounts for the failure of absolute simultaneity is the v x/c2.

In the pilot, Brian Kinney spots 17-year-old Justin Taylor on a street corner outside the gay nightclub Babylon. He proceeds to take Justin home and take his virginity. In the same episode, his son, Gus, is born to a lesbian couple, Lindsey and Melanie. Because of the simultaneity of these two pivotal events, Brian often associates Gus with Justin, referring to both as "sonny boy," Jack's nickname for Brian himself.

Principle of Simultaneity – change begins from the moment we ask a question about a thing. The heart of AI is an unconditional positive question. For example, – what was the best thing that has happened to you in the last week? iii. The Poetic Principle - as the topic of inquiry is on what is good about the individual or the environment, this helps open a new chapter in the life of the child.

In this part,This part was probably not part of the original text, but added by some unknown editor, pp. 69—70 Aristotle sets forth four ways things can be said to be opposed. Next, the work discusses five senses wherein a thing may be considered prior to another, followed by a short section on simultaneity. Six forms of movement are then defined: generation, destruction, increase, diminution, alteration, and change of place.

These actions occur in a turbulent simultaneity of time and space. In Nómadas del Tiempo (Nomads of Time) (2005), Morales deals with the same problems, but this time inquires whether love is necessarily bound to age and space. He develops the story by having two couples travel to parallel dimensions, in which they change their ages and circumstances. Although it may not seem so at first glance, quantum aesthetics has no relation with science fiction.

Barbara Smith relates this combination by stating, "The concept of the simultaneity of oppression is still the crux of a Black feminist understanding of political reality and, I believe, one of the most significant ideological contributions of Black feminist thought." Both intersectionality and triple oppression show the neglect and subordination of many experiences of Black women and these played a vital role in the multitude of movements that prospered out of this.

Using conventional explosive techniques with blasting caps, progress towards achieving simultaneity to within a small fraction of a microsecond was discouraging. Alvarez directed Johnston to use a large capacitor to deliver a high voltage charge directly to each explosive lens, replacing blasting caps with exploding-bridgewire detonators. This detonated all thirty-two charges within a few tenths of a microsecond. The invention was critical to the success of the implosion-type nuclear weapon.

Figure 4: Scenario in the garage frame: a length contracted ladder passing through the garage Figure 5: Scenario in the ladder frame: a length contracted garage passing over the ladder. Only one door is closed at any time The solution to the apparent paradox lies in the relativity of simultaneity: what one observer (e.g. with the garage) considers to be two simultaneous events may not in fact be simultaneous to another observer (e.g. with the ladder).

The sport requires physical qualities such as flexibility, balance, speed, strength, coordination and sense of rhythm where movements of the body are emphasized in the flow, expressive and aesthetic appeal. A good performance is characterized by uniformity and simultaneity. The competition program consists of versatile and varied body movements, such as body waves and swings, balances and pivots, jumps and leaps, dance steps, and lifts. The length of the competition program should be 2.15-2.45 minutes.

While other schools of art seemed to concentrate on playing with reality in displaced or symbolic ways, Gorsline sought a solution that allowed his subjects their true actuality, their true features — all the more true in that they are seen in a state of movement. Technical and emotional values are joined in each canvas. Meanwhile one can see the expression of a sequential simultaneity, a succession of realities, which coexist, in our lives and in the world at large.

"The modern designer … recognizes the simultaneity of the artifact's aesthetic and practical functioning….often denies his aesthetic, defending his choices and actions solely on the basis of utility." As part of the (secondary) aesthetic evaluation of the object, an artist might consider innovation of either the form or the decorative elements, however that will subordinate to the object's functionality. Innovation will also mainly occur in dialogue with their customers, with agreement on the balance between tradition and innovation.

Due to superficial application of the contraction formula some paradoxes can occur. Examples are the ladder paradox and Bell's spaceship paradox. However, those paradoxes can simply be solved by a correct application of relativity of simultaneity. Another famous paradox is the Ehrenfest paradox, which proves that the concept of rigid bodies is not compatible with relativity, reducing the applicability of Born rigidity, and showing that for a co-rotating observer the geometry is in fact non-Euclidean.

One of the most interesting aspects of sharp waves is that they appear to be associated with memory. Wilson and McNaughton 1994,Wilson & McNaughton, 1994 and numerous later studies, reported that when hippocampal place cells have overlapping spatial firing fields (and therefore often fire in near-simultaneity), they tend to show correlated activity during sleep following the behavioral session. This enhancement of correlation, commonly known as reactivation, has been found to occur mainly during sharp waves.Jackson et al.

Lorentz 1922, p. 125: We thus have the choice between two different plans: we can adhere to the concept of an aether or else we can assume a true simultaneity. If one keeps strictly to the relativistic view that all systems are equivalent, one must give up the substantiality of the aether as well as the concept of a true time. The choice of the standpoint depends thus on very fundamental considerations, especially about the time.

In both views there is no symmetry between the spacetime paths of the twins. Therefore, the twin paradox is not a paradox in the sense of a logical contradiction. Starting with Paul Langevin in 1911, there have been various explanations of this paradox. These explanations "can be grouped into those that focus on the effect of different standards of simultaneity in different frames, and those that designate the acceleration [experienced by the travelling twin] as the main reason".

The rate he can calculate for the image (corrected for Doppler effect) is the rate of the Earth twin's clock at the moment it was sent, not at the moment it was received. Since he receives an unequal number of red and blue shifted images, he should realize that the red and blue shifted emissions were not emitted over equal time periods for the Earth twin, and therefore he must account for simultaneity at a distance.

Routines have various organisational roles – first, they coordinate and control. Coordination is when the simultaneity of action is enabled after which it leads to regularity, consistency and predictability and it can easily change into control. Second, routines also reflect a truce in that they are developed on a micro-political stability that enables their free functioning. Nelson and Winter explained that such an aspect of routines have been largely ignored although it is crucial in terms of evolutionary theory outcomes.

Biota is a longstanding American experimental electronic music ensemble that has released a growing number of elaborate musical-visual projects and albums since their beginnings in the late 1970s. Biota is known for its highly detailed and often radical approach to composition and arrangement, founded largely upon principles of studio-based co-composition, simultaneity, and meticulous electronic processing of mostly acoustic sound sources — creating an unconventional continuum of traditional and nontraditional musical forms, including folk, jazz, chamber, rock, and occasional balladry.

That is, the "input" to the model is a spectrum that can be a single complex tone, or any simultaneity such as a chord. The psychoacoustic effects of auditory masking are then taken into account before a "template" of the harmonic series is compared with the input spectrum. In Parncutt's approach, this comparison yields a number of properties of the sound, including tonalness, multiplicity, and salience. Tonalness is the degree to which a sound evokes the sensation of a single pitch.

In 2005 the company made a phone with dual SIM-slot which could operated simultaneity in both GSM and CDMA-based mobile networks, which was the first manufacturer in the world to invent it. In 2012, Coolpad was one of the major brands that Chinese would buy in the domestic market, along with Chinese brands Lenovo, Huawei and ZTE (The big 4) and import brands Samsung, Apple Inc. and Nokia. China Wireless was officially renamed Coolpad Group Limited at the end of 2013.

In his Brooklyn Rail review of Vu’s solo show at Von Lintel Gallery in New York, Gandalf Gavan proposes that Vu's works references Michel Foucault's concepts of order and disorder, of an > 'incongruous space,' a place where traditional knowledge, as established > through the process of identification, is replaced by a state of > simultaneity and non-definition. Elisa Decker writes in her Art in America review, > each picture possesses its own disquieting beauty and is a world unto itself > that one penetrates only slowly.

Yet in relativity theory the constancy of light velocity in all inertial frames in connection with relativity of simultaneity and time dilation destroys this equality. In the first method an observer in one frame claims to have measured the object's endpoints simultaneously, but the observers in all other inertial frames will argue that the object's endpoints were not measured simultaneously. In the second method, times T and T_0 are not equal due to time dilation, resulting in different lengths too.

The pictorial motifs convey both cheerful and gloomy atmospheres that paraphrase utopian and dystopian scenarios. The staging of the pictorial space using things from different times and places illustrates the simultaneity of virtual distance resolution. The geometric frameworks of the pictorial contents result from the most Miscellaneous perspectives and spatial representations. Each picture is based on a system that is constructed like a construction kit or puzzle and illustrates the playful concept of modularity – the variable combination, transformation, and ever new composition.

As mentioned above, Herman Minkowski exploited the idea of four dimensions to discuss cosmology including the finite velocity of light. In appending a time dimension to three dimensional space, he specified an alternative perpendicularity, hyperbolic orthogonality. This notion provides his four-dimensional space with a modified simultaneity appropriate to electromagnetic relations in his cosmos. Minkowski's world overcame problems associated with the traditional absolute space and time cosmology previously used in a universe of three space dimensions and one time dimension.

A final issue with this explanation is that there appears to be no delay between the flicking of the wrist and the movement of the image on the moon, a process that is expected if the photon resolution is correct. This does not invalidate the resolution of the paradox. The apparent simultaneity is a result of the large magnitude of the speed of light, and the observers inability to detect changes that fast. In ideal conditions the expected delay would be noticeable.

In literary nonsense, certain formal elements of language and logic that facilitate meaning are balanced by elements that negate meaning. These formal elements include semantics, syntax, phonetics, context, representation, and formal diction.Tigges, "Anatomy," p. 47. The genre is most easily recognizable by the various techniques or devices it uses to create this balance of meaning and lack of meaning, such as faulty cause and effect, portmanteau, neologism, reversals and inversions, imprecision (including gibberish), simultaneity, picture/text incongruity, arbitrariness, infinite repetition, negativity or mirroring, and misappropriation.

Effects of non-Euclidean geometry were used to convey a psychophysical sense of fluidity of consciousness. Du "Cubisme" introduced the concept of 'simultaneity' into the theoretical framework of Cubism. It was in part a concept born out of a conviction based on the authors understanding of Henri Poincaré and Bergson that the separation or distinction between space and time should be comprehensively challenged. It was based both on philosophical and scientific ideas, on Riemannian geometry and the relativity of knowledge, contradicting notions of absolute truth.

This test brought bad news: magnetic measurements of the simultaneity of the implosion seemed to indicate that the Trinity test would fail. Bethe worked through the night to assess the results, and reported that they were consistent with a perfect explosion. Assembly of the nuclear capsule began on July 13 at the McDonald Ranch House, where the master bedroom had been turned into a clean room. The polonium-beryllium "Urchin" initiator was assembled, and Louis Slotin placed it inside the two hemispheres of the plutonium core.

Roundtrip radar-time isocontours. The Lorentz- transform calculation above uses a definition of extended-simultaneity (i.e. of when and where events occur at which you were not present) that might be referred to as the co-moving or "tangent free-float-frame" definition. This definition is naturally extrapolated to events in gravitationally-curved spacetimes, and to accelerated observers, through use of a radar-time/distance definition that (unlike the tangent free-float-frame definition for accelerated frames) assigns a unique time and position to any event.

Signs consist of units smaller than the sign. These are often subdivided into parameters: handshapes with a particular orientation, that may perform some type of movement, in a particular location on the body or in the "signing space", and non-manual signals. These may include movement of the eyebrows, the cheeks, the nose, the head, the torso, and the eyes. Parameter values are often equalled to spoken language phonemes, although sign language phonemes allow more simultaneity in their realization than phonemes in spoken languages.

This concept of time and simultaneity was later generalized by Einstein in his special theory of relativity (1905) where he developed transformations between inertial frames of reference based upon the universal nature of physical laws and their economy of expression (Lorentz transformations). The definition of inertial reference frame can also be extended beyond three-dimensional Euclidean space. Newton's assumed a Euclidean space, but general relativity uses a more general geometry. As an example of why this is important, consider the geometry of an ellipsoid.

There is a similar idea of time dilation occurrence in Einstein's theory of special relativity (which involves neither gravity nor the idea of curved spacetime). Such time dilation appears in the Rindler coordinates, attached to a uniformly accelerating particle in a flat spacetime. Such a particle would observe time passing faster on the side it is accelerating towards and more slowly on the opposite side. From this apparent variance in time, Einstein inferred that change in velocity affects the relativity of simultaneity for the particle.

Of course, the singers' own artistic intelligence and sense for style also play a significant part. Here, one has the result of sustained work, with which such a fine gradation of sound has been reached that one scarcely has the impression that four people are performing. And yet, despite all the humble subsuming of the individual to the group, the individuality of each artist can be recognized. The ensemble technique (rhythmic precision, dynamics, simultaneity of initial and final consonants) leaves nothing to be desired.

In this process, the simultaneity of stabilization and destabilization creates a disturbance that allows participants to repeatedly fall out, and then fall back into rhythm.Flatischler (1996), Participants are guided into the experience of rhythm archetypes, rhythmic images anchored deep in human consciousness.Stroh (1997), Stroh (1997), According to Flatischler, the support of the group allows the individual participant to go into his or her own process, building deep musical and personal trust. TaKeTiNa is used in academic and clinical settings and in corporate trainings worldwide.

Cross-cutting is an editing technique most often used in films to establish action occurring at the same time, and usually in the same place. In a cross- cut, the camera will cut away from one action to another action, which can suggest the simultaneity of these two actions but this is not always the case. Cross-cutting can also be used for characters in a film with the same goals but different ways of achieving them. Suspense may be added by cross-cutting.

In Macfarlane's paper there is an effort to produce "trigonometry on the surface of the equilateral hyperboloids" through the algebra of hyperbolic quaternions, now re-identified in an associative ring of eight real dimensions. The effort is reinforced by a plate of nine figures on page 181. They illustrate the descriptive power of his "space analysis" method. For example, figure 7 is the common Minkowski diagram used today in special relativity to discuss change of velocity of a frame of reference and relativity of simultaneity.

A composer of his time, Goué perfectly understood the evolution of musical language and developed his own technique, which he called "chromatic simultaneity", a variant of polymodality on the same tonic. The infinite resources of contrapuntal writing allowed him a multitude of combinations of subjects. In his quest for perfection, his fascinating theoretical reflections on form extend those of Vincent d'Indy. His temperament as a builder concerned with unity made him prefer the use of a single theme generating the whole work, following Bach's example.

He also denies the existence of absolute simultaneity. It is certainly remarkable that these relativity concepts, also with respect to time, have been incorporated so quickly. The evaluation of these concepts belongs largely to epistemology to which we can left the judgment, trusting that it can consider the discussed questions with the necessary thoroughness. But it is sure that for a large part it depends on the way of thinking to which one is accustomed, whether one feels attracted to the one view or the other.

The theory Shevek is working on in the novel seeks to tie together the seemingly contradictory natures of Simultaneity and Sequentiality in temporal physics. This is also described, in the banter at a party, as being linear time versus circular time. Shevek is aware of the concept of an ansible, which would allow for instantaneous communication across space, and how his theory would allow for its development. But the implications of that theory might also allow for "the instantaneous transferral of matter across space".

In 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der Blaue Reiter. Macke's meeting with Robert Delaunay in Paris in 1912 was to be a sort of revelation for him. Delaunay's chromatic Cubism, which Apollinaire had called Orphism, influenced Macke's art from that point onwards. His Shops Windows can be considered a personal interpretation of Delaunay's Windows, combined with the simultaneity of images found in Italian Futurism.

The general relativity solution for a static homogeneous gravitational field and the special relativity solution for finite acceleration produce identical results. Other calculations have been done for the traveling twin (or for any observer who sometimes accelerates), which do not involve the equivalence principle, and which do not involve any gravitational fields. Such calculations are based only on the special theory, not the general theory, of relativity. One approach calculates surfaces of simultaneity by considering light pulses, in accordance with Hermann Bondi's idea of the k-calculus.

It will be seen as a tree whatever the pattern of inspection. In fact there is little or no evidence for what might be termed a canonical scanpath, or "right way of looking", for a given object. Obviously, particular words convey particular meanings, but the fact that the medium (printed text) is spatially extended means that these meanings can be allocated to specific locations in space. The problem of multiple simultaneous representations disappears once it is accepted that their "simultaneity" is spatial, rather than temporal.

Hence, as Peter Collins highlights, it is absurd to state that Cubist sculpture, like painting, was not limited to a single point of view. The concept of Cubist sculpture may seem "paradoxical", writes George Heard Hamilton, "because the fundamental Cubist situation was the representation on a two-dimensional surface of a multi-dimensional space at least theoretically impossible to see or to represent in the three dimensions of actual space, the temptation to move from a pictorial diagram to its spatial realization proved irresistible". Albert Gleizes, 1912, Paysage près de paris, (Paysage de Courbevoie, Landschaft bei Paris), oil on canvas, 72.8 x 87.1 cm, missing from Hannover Germany since 1937 Now liberated from the one- to-one relationship between a fixed coordinate in space captured at a single moment in time assumed by classical vanishing-point perspective, the Cubist sculptor, just as the painter, became free to explore notions of simultaneity, whereby several positions in space captured at successive time intervals could be depicted within the bounds of a single three-dimensional work of art.Mark Antliff, Patricia Dee Leighten, Cubism and Culture, Thames & Hudson, 2001 Of course, 'simultaneity' and 'multiple perspective' were not the only characteristics of Cubism.

Sidney was instrumental in having her brother's An Apology for Poetry or Defence of Poesy, put into print, and she circulated the "Sidney–Pembroke Psalter" in manuscript at about the same time. The simultaneity suggests a proximate relationship in their design: both argued, in formally different ways, for the ethical recuperation of poetry as an instrument for moral instruction — particularly for religious instruction. Sidney also took on the editing and publishing her brother's Arcadia, which he claims to have written in her presence as The Countesse of Pembroke's Arcadia.

The Game of Contemporaneity or dojidai gemu (同時代ゲーム) is a 1979 novel by the Japanese writer Kenzaburō Ōe. The Game of Contemporaneity was originally inspired on Diego Rivera’s mural 'Dream on a Sunday Afternoon in the Central Alameda'. Oe's approach to history and story-telling, like in the mural, exposes the themes of simultaneity, ambiguity and thus complexity. The story centres itself around the alternative world of the dissident samurai, as opposed to that of the Emperor. The samurai turn into demons after being chased into the forest.

In a 1997 paper on the effect of police hiring on crime rates, Levitt used the timing of mayoral and gubernatorial elections as an instrumental variable to identify a causal effect of police on crime. Past studies had been inconclusive because of the simultaneity inherent in police hiring (when crime increases, more police are hired to combat crime). The findings of this paper were found to be the result of a programming error. This was pointed out in a comment by Justin McCrary published in the American Economic Review in 2002.

Spinelli developed a pictorial code characterized by vivid chromatics, dynamism, a wide freedom and complexity in composition, determined by simultaneity and disruption of perspective, where the figure emerges from an abstract spatiality. Spinelli's language is considered expressionist in nature, but where a visionary spirit superposes or coexists with the tragic element. In her last period, her color-light rarefies to a metaphysical dimension of pure light, transparency and lightness. Her novel approaches, the sense of freedom and of expressive possibilities together with a constant poetic and ethical tension mark her contribution to the art world.

The radar-time definition of extended-simultaneity further facilitates visualization of the way that acceleration curves spacetime for travelers in the absence of any gravitating objects. This is illustrated in the figure at right, which shows radar time/position isocontours for events in flat spacetime as experienced by a traveler (red trajectory) taking a constant proper-acceleration roundtrip. One caveat of this approach is that the time and place of remote events are not fully defined until light from such an event is able to reach our traveler.

Euclidean orthogonality is preserved by rotation in the left diagram; hyperbolic orthogonality with respect to hyperbola (B) is preserved by hyperbolic rotation in the right diagram In geometry, the relation of hyperbolic orthogonality between two lines separated by the asymptotes of a hyperbola is a concept used in special relativity to define simultaneous events. Two events will be simultaneous when they are on a line hyperbolically orthogonal to a particular time line. This dependence on a certain time line is determined by velocity, and is the basis for the relativity of simultaneity.

A fuller explanation of the concept of coordinate time arises from its relationships with proper time and with clock synchronization. Synchronization, along with the related concept of simultaneity, has to receive careful definition in the framework of general relativity theory, because many of the assumptions inherent in classical mechanics and classical accounts of space and time had to be removed. Specific clock synchronization procedures were defined by Einstein and give rise to a limited concept of simultaneity.S A Klioner (1992), "The problem of clock synchronization - A relativistic approach", Celestial Mechanics and Dynamical Astronomy, vol.

Aboudia's multi-layered paintings offer a simultaneity of images and meanings that conduct a continuous discourse with each other and with the viewer. The surfaces deploy fragments, cuttings, from bits of comic strips, magazine ads, newspaper images, set into the paintings' overall compositions so as to suggest current events cohering through the imagination into a troubled and troubling vision. " My style shifted from one that was classic and academic in nature, as well as highly influence by the African culture and decoration, into one increasingly influence by wall scribbles." His main subject was mural art.

Metzinger in 1911 described Gleizes' painting as 'a great portrait'. Portrait of Jacques Nayral, one of Gleizes' first major Cubist works,Daniel Robbins, MoMA, From Grove Art Online, Oxford University Press, 2009 while still 'readable' in the figurative or representational sense, exemplifies the mobile, dynamic fragmentation of form characteristic of Cubism at the outset of 1911. Highly sophisticated in theory and in practice, this aspect of simultaneity would soon become identified with the practices of the Section d'Or. Here Gleizes deploys these techniques in a radical, personal and coherent manner.

To speak of "the shape of the universe (at a point in time)" is ontologically naive from the point of view of special relativity alone: due to the relativity of simultaneity we cannot speak of different points in space as being "at the same point in time" nor, therefore, of "the shape of the universe at a point in time". However, the comoving coordinates (if well-defined) provide a strict sense to those by using the time since the Big Bang (measured in the reference of CMB) as a distinguished universal time.

That year, together with Friedrich Hist (1900–1941) and Felix Randel (1901–1977, named Johansen until 1936) he formed the Group of Estonian Artists in Tartu. This group was able to organize a whole series of exhibitions dedicated to Cubism experimentation, although Ole himself never became totally non-figurative, retaining a strong link with the material world. Their work was primarily distinguished by modest geometricized abstraction and decorative colourism suggested by Synthetic Cubism, rather than by explorations of simultaneity or collage. A good example of this phase is the work Natüürmort kitarriga (') of 1925.

A census is the procedure of systematically acquiring and recording information about the members of a specific given population. It is a regularly occurring and official count of a particular population. The term is used mostly in connection with national population and housing censuses; other common censuses include agriculture, business, and traffic censuses. The United Nations defines the essential features of population and housing censuses as "individual enumeration, universality within a defined territory, simultaneity and defined periodicity", and recommends that population censuses be taken at least every 10 years.

McLuhan argues that as "sequence yields to the simultaneous, one is in the world of the structure and of configuration". The main example is the passage from mechanization (processes fragmented into sequences, lineal connections) to electric speed (faster up to simultaneity, creative configuration, structure, total field).p.13 Howard Rheingold comments upon McLuhan's "the medium is the message" in relation to the convergence of technology, specifically the computer. In his book Tools for Thought Rheingold explains the notion of the universal machine - the original conception of the computer.

The theory transformed theoretical physics and astronomy during the 20th century, superseding a 200-year-old theory of mechanics created primarily by Isaac Newton. It introduced concepts including spacetime as a unified entity of space and time, relativity of simultaneity, kinematic and gravitational time dilation, and length contraction. In the field of physics, relativity improved the science of elementary particles and their fundamental interactions, along with ushering in the nuclear age. With relativity, cosmology and astrophysics predicted extraordinary astronomical phenomena such as neutron stars, black holes, and gravitational waves.

When a signal is sent from one location and received at another location, then as long as the signal is moving at the speed of light or slower, the mathematics of simultaneity in the theory of relativity show that all reference frames agree that the transmission-event happened before the reception-event. When the signal travels faster than light, it is received before it is sent, in all reference frames. The signal could be said to have moved backward in time. This hypothetical scenario is sometimes referred to as a tachyonic antitelephone.

Both quantum mechanics and special relativity begin their divergence from classical mechanics by insisting on the primacy of observations and a refusal to admit unobservable entities. Thus special relativity rejects the absolute simultaneity assumed by classical mechanics; and quantum mechanics does not permit one to speak of properties of the system (exact position, say) other than those that can be connected to macro scale observations. Position and momentum are not things waiting for us to discover; rather, they are the results that are obtained by performing certain procedures.

In this case, where g is the acceleration of the traveling observer during turnaround and h is the distance to the stay-at-home twin. The rocket is firing towards the stay-at-home twin, thereby placing that twin at a higher gravitational potential. Due to the large distance between the twins, the stay-at-home twin's clocks will appear to be sped up enough to account for the difference in proper times experienced by the twins. It is no accident that this speed-up is enough to account for the simultaneity shift described above.

Simultaneous equations models are a type of statistical model in which the dependent variables are functions of other dependent variables, rather than just independent variables. This means some of the explanatory variables are jointly determined with the dependent variable, which in economics usually is the consequence of some underlying equilibrium mechanism. For instance, in the simple model of supply and demand, price and quantity are jointly determined. Simultaneity poses challenges for the estimation of the statistical parameters of interest, because the Gauss–Markov assumption of strict exogeneity of the regressors is violated.

Cortez currently teaches in the Central American Studies department at California State University, Northridge. According to Cortez's, her work explores "simultaneity, life in different temporalities and different versions of modernity, particularly in relation to memory and loss in the aftermath of war and the experience of migration". Cortez has been honored with the 2018 Rema Hort Mann Foundation Fellowship for Emerging Artists, the 2017 Artist Community Engagement Grant, and the 2016 California Community Foundation Fellowship for Visual Artists. Beatriz Cortez is represented by Commonwealth and Council, Los Angeles.

The three Duchamp brothers, Marcel Duchamp, Jacques Villon and Raymond Duchamp-Villon, and another artist known as Picabia took part in the exhibition. Following this salon Metzinger wrote the article Notes sur la peinture,Jean Metzinger, Note sur la peinture, Pan (Paris), October–November 1 in which he compares the similarities in the works Picasso, Braque, Delaunay, Gleizes and Le Fauconnier. In doing so he enunciated for the first time what would become known as the characteristics of Cubism: notably the notions of simultaneity, mobile perspective. In this seminal text Metzinger stressed the distance between their works and traditional perspective.

The special theory of relativity can be viewed as the introduction of operational definitions for simultaneity of events and of distance, that is, as providing the operations needed to define these terms. In quantum mechanics the notion of operational definitions is closely related to the idea of observables, that is, definitions based upon what can be measured. Operational definitions are often most challenging in the fields of psychology and psychiatry, where intuitive concepts, such as intelligence need to be operationally defined before they become amenable to scientific investigation, for example, through processes such as IQ tests.

Although in music instruction certain styles or repertoires of music are often identified with one of these descriptions this is basically added music (for example, Gregorian chant is described as monophonic, Bach Chorales are described as homophonic and fugues as polyphonic), many composers use more than one type of texture in the same piece of music. A simultaneity is more than one complete musical texture occurring at the same time, rather than in succession. A more recent type of texture first used by György Ligeti is micropolyphony. Other textures include polythematic, polyrhythmic, onomatopoeic, compound, and mixed or composite textures .

Intentionality refers to the notion that consciousness is always the consciousness of something. The word itself should not be confused with the "ordinary" use of the word intentional, but should rather be taken as playing on the etymological roots of the word. Originally, intention referred to a "stretching out" ("in tension," from Latin intendere), and in this context it refers to consciousness "stretching out" towards its object. However, one should be careful with this image: there is not some consciousness first that, subsequently, stretches out to its object; rather, consciousness occurs as the simultaneity of a conscious act and its object.

On the other hand, companies that focus only on exploitation may accept status quo performance and products and fail to reach optimal levels of success. Organizational ambidexterity is defined broadly, and several other terms are also highly related or similar to the construct of ambidextrous organization, including organizational learning, technological innovation, organizational adaptation, strategic management, and organizational design. Things such as reconciling exploitation and exploration, the simultaneity of induced and autonomous strategy processes, synchronizing incremental and discontinuous innovation, and balancing search and stability also tend to refer to the same underlying construct as ambidextrous organization.Raisch, S., & Birkinshaw, J. (2008).

Au Vélodrome, also known as At the Cycle-Race Track and Le cycliste, illustrates the final meters of the Paris–Roubaix race and portrays its 1912 winner. Metzinger's painting was the first in Modernist art to represent a specific sporting event and its champion. He incorporated into the painting his concepts of multiple perspective, simultaneity, and time, according to his belief that the fourth dimension was crucial to the new art that could compete with the classical French tradition. The painting was acquired by Peggy Guggenheim in 1945 and is now permanently on view in the Peggy Guggenheim Collection museum in Venice.

Their motto is: "Make bubbles, not war." This concept is uncommon for three reasons: the complete autonomy of the bubble; a voluntary return to geographic proximity — promoting encounters and bonding among participants — a playful simultaneity between virtual and real exchanges. In this way, while Internet has abolished to some extent physical distances, Wifipicning, conversely, is the fusion of the cordless network and the local physical world. The initiators of the project have also spoken to this effect about Web 3.0, which would be the total fusion of Internet with its spatial and social environment, as well as that of individuals with their avatars.

A series of one-way measurements were undertaken, all of them confirming the isotropy of the speed of light. However, only the two-way speed of light (from A to B back to A) can unambiguously be measured, since the one-way speed depends on the definition of simultaneity and therefore on the method of synchronization. The Poincaré- Einstein synchronization convention makes the one-way speed equal to the two- way speed. However, there are many models having isotropic two-way speed of light, in which the one-way speed is anisotropic by choosing different synchronization schemes.

Equivalent to the original ? No. Test theories of special relativity are flat space-time theories which differ from special relativity by having a different postulate about light concerning one-way speed of light vs two-way speed of light. Different postulates on light result in different notions of time simultaneity. There is Robertson's test theory (1949) which predicts different experimental results from Einstein's special relativity, and then there is Edward's theory (1963) which cannot be called a test theory because it is physically equivalent to special relativity, and then there is the Mansouri-Sexl theory (1977) which is equivalent to Robertson's theory.

A visualisation of the present (dark blue plane) and past and future light cones in 2D space. The original intent of the diagram on the right was to portray a 3-dimensional object having access to the past, present, and future in the present moment (4th dimension). It follows from Albert Einstein's Special Theory of Relativity that there is no such thing as absolute simultaneity. When care is taken to operationalise "the present", it follows that the events that can be labeled as "simultaneous" with a given event, can not be in direct cause-effect relationship.

System dynamics is a methodology and mathematical modeling technique to frame, understand, and discuss complex issues and problems. Originally developed in the 1950s to help corporate managers improve their understanding of industrial processes, SD is currently being used throughout the public and private sector for policy analysis and design. Convenient graphical user interface (GUI) system dynamics software developed into user friendly versions by the 1990s and have been applied to diverse systems. SD models solve the problem of simultaneity (mutual causation) by updating all variables in small time increments with positive and negative feedbacks and time delays structuring the interactions and control.

The faceted treatment of physical objects and space blurred the distinctions (by means of 'passage') between subject and abstraction, between representation and non-objectivity. Effects of non-Euclidean geometry were used to convey a psychophysical sense of fluidity of consciousness. These preoccupations are in tune with Jules Romains’ theory of Unanimism, which stresses the importance of collective feelings in the breaking down of barriers between people. One major innovation made by Gleizes and Metzinger was the inclusion of the concept of simultaneity into not just the theoretical framework of Cubism, but into the physical paintings themselves.

Wendy Sandler Wendy Sandler is an American-Israeli linguist who is known for her research on the phonology of Sign Languages. Sandler earned her PhD in linguistics from the University of Texas-Austin in 1987, with a dissertation entitled "Sequentiality and simultaneity in American Sign Language." A revised version of her dissertation was published in 1989 under the title, "Phonological Representation of the Sign: Linearity and Nonlinearity in Sign Language Phonology." After her dissertation, Sandler took up a position at the University of Haifa, Israel, where she became a Professor of Linguistics in the Department of English Language and Literature.

Both of these paradoxes involve thought experiments which defy traditional common sense assumptions about time and space. In particular, the effects of time dilation and length contraction are used in both of these paradoxes to create situations which seemingly contradict each other. It turns out that the fundamental postulate of special relativity that the speed of light is invariant in all frames of reference requires that concepts such as simultaneity and absolute time are not applicable when comparing radically different frames of reference. Another paradox associated with relativity is Supplee's paradox which seems to describe two reference frames that are irreconcilable.

For two identical clocks moving relative to each other without accelerating, each clock measures the other to be ticking slower. This is possible due to the relativity of simultaneity. However, the symmetry is broken if one clock accelerates, allowing for less proper time to pass for one clock than the other. The twin paradox describes this: one twin remains on Earth, while the other undergoes acceleration to relativistic speed as they travel into space, turn around, and travel back to Earth; the traveling twin ages less than the twin who stayed on Earth, because of the time dilation experienced during their acceleration.

Shevek's life attempts to answer this question. In addition to Shevek's journey to answer questions about his society's true level of freedom, the meaning of his theories themselves weave their way into the plot; they not only describe abstract physical concepts, but they also reflect ups and downs of the characters' lives, and the transformation of the Anarresti society. An oft-quoted saying in the book is "true journey is return."Said by Shevek near the end of Chapter 13 The meaning of Shevek's theories—which deal with the nature of time and simultaneity—have been subject to interpretation.

The latter sense of the term causes some overlap with the concept of complications. For example, in longstanding diabetes mellitus, the extent to which coronary artery disease is an independent comorbidity versus a diabetic complication is not easy to measure, because both diseases are quite multivariate and there are likely aspects of both simultaneity and consequence. The same is true of intercurrent diseases in pregnancy. In other examples, the true independence or relation is not ascertainable because syndromes and associations are often identified long before pathogenetic commonalities are confirmed (and, in some examples, before they are even hypothesized).

Les Baigneuses, while still 'readable' in the figurative or representational sense, exemplifies the mobile, dynamic fragmentation of form and multiple perspective characteristic of Cubism at the outset of 1912. Highly sophisticated, both in theory and in practice, this aspect of simultaneity would soon become identified with the practices of the Section d'Or group. Gleizes deploys these techniques in "a radical, personal and coherent manner".David Cottington, Cubism in the Shadow of War: The Avant- Garde and Politics in Paris, 1905-1914, Yale University Press, 1998 Purchased in 1937, the painting is exhibited in the permanent collection of the Musée d'Art Moderne de la Ville de Paris.

Therefore, Lorentz's theorem is seen by modern authors as being a mathematical transformation from a "real" system resting in the aether into a "fictitious" system in motion. The work of Lorentz was mathematically perfected by Henri Poincaré, who formulated on many occasions the Principle of Relativity and tried to harmonize it with electrodynamics. He declared simultaneity only a convenient convention which depends on the speed of light, whereby the constancy of the speed of light would be a useful postulate for making the laws of nature as simple as possible. In 1900 and 1904 he physically interpreted Lorentz's local time as the result of clock synchronization by light signals.

This exhibition was supported financially by the manufacturer and art collector Bernhardt Köhler.Erster Deutscher Herbstsalon, Berlin, 1913, list of artists and works displayed Apollinaire described the Herbst salon of 1913 as the first Orphist Salon. There were many works by Robert and Sonia Delaunay, in addition to abstract works by Picabia and Cubist works by Metzinger, Gleizes, Léger and a large number of Futurist paintings. This exhibition was a turning-point in Apollinaire's artistic strategy for Orphism. After becoming entangled through some remarks in an argument between Delaunay and Umberto Boccioni about the ambiguousness of the term ‘simultaneity’ he did not use the term Orphism again in his art related articles.

In the fall of 1922 Bergson's book Durée et simultanéité, a propos de la theorie d'Einstein (Duration and Simultaneity: Bergson and the Einsteinian Universe) was published.Canales J., The Physicist and the Philosopher: Einstein, Bergson and the Debate That Changed Our Understanding of Time, Princeton, Princeton Press, 2015. Earlier in the spring Albert Einstein had come to the French Society of Philosophy and briefly replied to a short speech made by Bergson.Minutes of the meeting:Séance du 6 Avril 1922 The book has been often considered as one of his worst, many alleging that his knowledge of physics was insufficient, and that the book did not follow up contemporary developments on physics.

Press, 1964.) It was not published in the 1951 Edition du Centenaire in French, which contained all of his other works, and was only published later in a work gathering different essays, titled Mélanges. Duration and simultaneity took advantage of Bergson's experience at the League of Nations, where he presided from 1920 to 1925 over the International Committee on Intellectual Cooperation (the ancestor of UNESCO, and which included Einstein, Marie Curie, etc.).On the relation between Einstein and Bergson in this Committee, see Einstein, Bergson and the Experiment that Failed: Intellectual Cooperation at the League of Nations . On the involvement of Bergson (and Einstein) in the Committee in general, see .

In 1974, the TPG scientists engaged in the calculations for the implosion mechanism and completed the work on Fast neutron calculations. The work was submitted to the Office of Science and Technology (now known as Ministry of Science and Technology), and Abdus Salam review the work done by the TPG. Later, Abdus Salam led the work on simultaneity where the TPG finished the calculations on how weapon would be detonated from several points at same time. In 1977, the TPG scientists completed the theoretical work on the design of an atomic bomb. In 1978, the TPG took calculations on Neutron emission – a type of radioactive decay.

The French philosophy and its theory of "Death of the Author" (Roland Barthes) make this its influence significantly, as the "personal style" of Bose as a "hopefully soon to be overcome relic of the 19th Century". Significant for Bose's creativity in general, and Slaughterhouse 5 in particular, is the treatment of temporal complexity. The linear understanding of time is replaced by simultaneity, zeitspastischen analogous to the understanding of the protagonist Billy Pilgrim. Bose also permits the findings from the chaos theory, neurobiology and astrophysics polymorphic in his understanding of time are introduced, through the music out into the structuring of the libretto were implemented.

Because Maxwell's equations implied the same speed of light in the vacuum of free space for all inertial frames, inertial frames now were found to be related not by Galilean transformations, but by Poincaré transformations, of which a subset is the Lorentz transformations. That posit led to many ramifications, including Lorentz contractions and relativity of simultaneity. Einstein succeeded, through many clever thought experiments, in showing that these apparently odd ramifications in fact had very natural explanation upon looking at just how measurements and clocks actually were used. That is, these ideas flowed from operational definitions of measurement coupled with the experimental confirmation of the constancy of the speed of light.

In music a time point or timepoint (point in time) is "an instant, analogous to a geometrical point in space".Jonathan D. Kramer, The Time of Music: New Meanings, New Temporalities, New Listening Strategies (New York: Schirmer Books; London: Collier Macmillan Publishers, 1988): p. 454\. . Because it has no duration, it literally cannot be heard,Kramer 1988, p. 97 but it may be used to represent "the point of initiation of a single pitch, the repetition of a pitch, or a pitch simultaneity",Milton Babbitt, "Twelve-Tone Rhythmic Structure and the Electronic Medium", Perspectives of New Music 1, no. 1 (Fall 1962): 49–79.

Exit triggered voice, and both worked in tandem. Moreover, Hirschman's scheme assumes a model of nation-states as a jigsaw puzzle of clearly delimited "containers", and migration as the process of unidirectionally moving from one container to another. The emergence of transnational migration diagnosed since the 1990s has challenged this assumption. As emigrants increasingly maintain strong social ties (loyalty) to their country of origin, including a claim to have a say in its public affairs (voice) – Hoffmann argues – in transnational migration exit, voice and loyalty are no longer exclusive options; the nature of migrant transnationalism is defined precisely by the overlapping and simultaneity of these categories.

According to Marshall McLuhan, this paradigm shift was due to the passage from the era of mechanization, which brought sequentiality, to the era of the instant speed of electricity, which brought simultaneity. Multidisciplinary approaches also encourage people to help shape the innovation of the future. The political dimensions of forming new multidisciplinary partnerships to solve the so-called societal Grand Challenges were presented in the Innovation Union and in the European Framework Programme, the Horizon 2020 operational overlay. Innovation across academic disciplines is considered the pivotal foresight of the creation of new products, systems, and processes for the benefit of all societies' growth and wellbeing.

Since the late 1970s, a permanent Seminar of the Aesthetics of Media and Communication has been directed by its founder Mario Costa at the University of Salerno. The basic principles of the aesthetics of technological communication were identified and conceptualized in 1983.The history of the "aesthetics of communication", especially upon its debut in the 1980s, is recorded in the book by Mario Costa,The Aesthetics of Communication. Aesthetic use of simultaneity at a distance, Rome, Castelvecchi, 1999; its basic principles, formulated by Costa, were expressed for the first time in News and Notes, published by the International Center of Aesthetic Communication, Salerno, 1986.

Although primarily an activist organization, concepts developed by TWWA's members in the course of political organization contributed much to feminist theory. TWWA's ideas of "double jeopardy" and "triple jeopardy" which were elaborated on by scholars as "simultaneity of oppression" and "both/and," advanced the understanding of the intersectionality of race, class, and gender in the women's movement. It also contributed to the experience of building "third world" and "black/brown" unity in opposing racism and sexism. The orientation of TWWA towards the "third world" brought the struggles, condition, and status of women in Latin America, Asia, Africa, and the Middle East to the forefront.

The episode plays upon relativity, simultaneity, and conjunction. Upon a high ridge of St. Helena, Mason wanders as he wonders whether Dixon has landed safely on the Cape and what he might be about at that minute. Dixon, it turns out, is spending a large amount of time avoiding the consequences of the Vroom daughters' fascination with Mason, who, rumors in town have it, became involved with all of the daughters, the mother, and a slave during his stay on the Cape. Dixon is able to stop Cornelius Vroom from shooting him as a substitute for Mason, and the two spend an evening at The World's End, Vroom's local watering hole.

Her work highlights the vernacular, situated cosmopolitanism of rights activists, trade unionists and feminists in the global south, transnational labour migrants and Sufis. She rejects, however, optimistic views of transnationalism as effacing national boundaries, and argues for the need to recognise the illusion of simultaneity, disguising the ruptures that transnational movement engenders. On diaspora she argues that diasporas are internally heterogeneous, imaginatively constructed, transnational moral communities of co- responsibility. The materiality of diaspora is manifested both affectively and aesthetically, and its members are willing to mobilize politically and economically across borders in response to the sufferings of fellow diasporans or crises in the ‘home’ country.

Today some physicists want to adopt a new convention. It is not that they are constrained to do so; they consider this new convention more convenient; that is all. And those who are not of this opinion can legitimately retain the old one in order not to disturb their old habits, I believe, just between us, that this is what they shall do for a long time to come." Also Lorentz argued during his lifetime that in all frames of reference this one has to be preferred, in which the aether is at rest. Clocks in this frame are showing the "real“ time and simultaneity is not relative.

On 2 February 2007, police officer Filippo Raciti was killed outside the Stadio Angelo Massimino, Catania, in football-related violence during the Sicilian derby between rivals Catania and Palermo."Italian league halted by violence". The match, originally scheduled for 4 February at 3pm, was exceptionally advanced on Friday at 6pm under request of Catania because of the simultaneity with the St. Agatha local celebrations. The dramatic Sicilian derby events, which followed the murder of Ermanno Licursi, an amateur club manager, beaten to death during a riot in a Terza Categoria league match, led Commissioner Luca Pancalli to call a stop to all football matches in Italy, including Serie A fixtures.

Einstein (The Meaning of Relativity): "Two events taking place at the points A and B of a system K are simultaneous if they appear at the same instant when observed from the middle point, M, of the interval AB. Time is then defined as the ensemble of the indications of similar clocks, at rest relative to K, which register the same simultaneously." Einstein wrote in his book, Relativity, that simultaneity is also relative, i.e., two events that appear simultaneous to an observer in a particular inertial reference frame need not be judged as simultaneous by a second observer in a different inertial frame of reference.

Many philosophers have argued that relativity implies eternalism, the idea that the past and future exist in a real sense, not only as changes that occurred or will occur to the present. Philosopher of science Dean Rickles disagrees with some qualifications, but notes that "the consensus among philosophers seems to be that special and general relativity are incompatible with presentism." Some philosophers view time as a dimension equal to spatial dimensions, that future events are "already there" in the same sense different places exist, and that there is no objective flow of time; however, this view is disputed. bar and ring paradox is an example of the relativity of simultaneity.

Einstein's theory of special relativity, like Newtonian mechanics, postulates the equivalence of all inertial reference frames. However, because special relativity postulates that the speed of light in free space is invariant, the transformation between inertial frames is the Lorentz transformation, not the Galilean transformation which is used in Newtonian mechanics. The invariance of the speed of light leads to counter- intuitive phenomena, such as time dilation and length contraction, and the relativity of simultaneity, which have been extensively verified experimentally. Extract of page 27 The Lorentz transformation reduces to the Galilean transformation as the speed of light approaches infinity or as the relative velocity between frames approaches zero.

During the same time, he collaborated with Hafeez Qureshi to assist in designing the tamper and further helped conclude the calculation of the neutron energy's distributive ranges and the power produced by the neutrons, after the detonation process. In 1973, Mubarakmand commenced the work on calculations involving the 'relativity of simultaneity'– a key concept involving investigating detonation of the weapon from several points at the same time. However, the work was passed to the Theoretical Physics Group (TPG) as as it involved complex ideas of theoretical physics and Albert Einstein's Special and General relativity. In 1978, Mubarakmand built a linear particle accelerator at PINSTECH to conclude solutions in the neutron generator.

Instead, she often structured her compositions as single, powerful arches, slowly evolving in time, gradually increasing their gripping intensity of emotion. Her penchant for musical drama and intensity of emotion found a suitable expression in her music for stage. The ‘intuitive constructivism’ coupled with a heightened emotional intensity of her music is well-suited for highlighting dramatic situations. Kulenty’s mastery of time and her ability to structure her musical material into layers moving inexorably, inevitably towards powerful climaxes brings a symphonic dimension to her other theatrical compositions. Kulenty’s latest compositional technique of the ‘polyphony of time dimensions’ emphasizes the circularity of time and the simultaneity of time-events occurring on different temporal planes.

In flat spacetime, proper velocity is the ratio between distance traveled relative to a reference map frame (used to define simultaneity) and proper time τ elapsed on the clocks of the traveling object. It equals the object's momentum p divided by its rest mass m, and is made up of the space-like components of the object's four-vector velocity. William Shurcliff's monographWilliam Shurcliff (1996) Special relativity: the central ideas (19 Appleton St, Cambridge MA 02138) mentioned its early use in the Sears and Brehme text.Francis W. Sears & Robert W. Brehme (1968) Introduction to the theory of relativity (Addison- Wesley, NY) LCCN 680019344, section 7–3 Fraundorf has explored its pedagogical valueP.

Dhammajoti (2009), p. 75. The doctrines of Sarvāstivāda were not confined to 'all exists', but also include the theory of momentariness (ksanika), conjoining (samprayukta) and causal simultaneity (sahabhu), conditionality (hetu and pratyaya), a unique presentation of the spiritual path (marga), and others. These doctrines are all inter-connected and it is the principle of 'all exists' that is the axial doctrine holding the larger movement together when the precise details of other doctrines are at stake. In order to explain how it is possible for a dharma to remain the same and yet also undergo change as it moves through the three times, the Vaibhāṣika held that dharmas have a constant essence (svabhāva) which persists through the three times.

It is worth noting here a general feature of relativity: we have deduced, by considering the frame of the garage, that we do indeed trap the ladder inside the garage. This must therefore be true in any frame - it cannot be the case that the ladder snaps in one frame but not in another. From the ladder's frame, then, we know that there must be some explanation for how the ladder came to be trapped; we must simply find the explanation. The explanation is that, although all parts of the ladder simultaneously decelerate to zero in the garage's frame, because simultaneity is relative, the corresponding decelerations in the frame of the ladder are not simultaneous.

Cover of BÏF§ZF+18 by Ardengo Soffici, 1915 BÏF§ZF+18 Simultaneità e Chimismi lirici (BÏF§ZF+18. Simultaneity and Lyrical Chemistry) is a poetry book and artist's book published in 1915 by the Italian futurist Ardengo Soffici. Despite its rarity, the book has become famous as one of the finest examples of futurist 'words-in-freedom', and has been described as 'absolutely the most important book that came out of Florentine Futurism'.The Italian Futurist Book by Maurizio Scudiero Originally printed in an edition of 300,Vallecchi retrieved 22-04-09 the original book became even scarcer when the River Arno flooded in 1966, destroying many of the remaining copies.

OSPD is characterized by the simultaneity of two forms of openness: product openness (the development of open source hardware products as defined by the Open Source Definition) and process openness (the possibility for any interested person to take part in the collaborative development process). Generally, OSPD processes are relevant for complex products, whose definition requires the collaborative integration of inputs from multiple contributions. This, however, does not excludes the existence of OSPD processes for simple products. In that sense, OSPD specifies the concept of "open source innovation" as defined by HuizinghHuizingh, Eelko K. R. E. 2011. “Open Innovation: State of the Art and Future Perspectives.” Technovation, Open Innovation - ISPIM Selected Papers, 31 (1): 2–9.

Marx was born in Saarbrücken, Germany, where she studied visual research and graphic design from 1957 to 1962 at the Staatliche Werkkunstschule, Saarbrücken notably with professor Oskar Holweck,Papier als künstlerisches Medium an artist belonging to the ZERO group in Germany (Günther Uecker, Otto Piene, Heinz Mack). His work and his teaching would have a profound influence on her own work. In 1962 Ellen Marx went to Paris and two years later established an atelier 40 km from Paris where she still lives and works. After the research work of E.Chevreul, Johannes Itten and Josef Albers, Marx has quantified objectively, for the first time, color relativity in her book Optical Color and Simultaneity.

If the second observer investigates the length of another object with endpoints moving along the -axis and a parallel line passing through C and D he concludes the same way this object to be contracted from OD to OC. Each observer estimates objects moving with the other observer to be contracted. This apparently paradoxical situation is again a consequence of the relativity of simultaneity as demonstrated by the analysis via Minkowski diagram. For all these considerations it was assumed, that both observers take into account the speed of light and their distance to all events they see in order to determine the actual times at which these events happen from their point of view.

He also showed that the definition of simultaneity of events at different places is only a convention. Based on those conventions, but within the framework of the now superseded aether theory, Poincaré in 1900 proposed the following convention for defining clock synchronisation: 2 observers A and B, which are moving in the aether, synchronise their clocks by means of optical signals. Because of the relativity principle they believe themselves to be at rest in the aether and assume that the speed of light is constant in all directions. Therefore, they have to consider only the transmission time of the signals and then crossing their observations to examine whether their clocks are synchronous.

John Cage composed this piece as a way of celebrating the work of Jean Arp on the occasion of the centenary of his birth. Jean Arp, an artist in which John Cage found much inspiration in the period the piece was composed in, created paintings and collages, circa 1915–1930, including maneuvers of chance, like dropping cutouts of paper or strings and cementing them where they fell. John Cage attempted to recreate the spirit of simultaneity and subtlety of the works by Jean Arp. Its long title comes from one of the letters sent as response to one of John Cage's letters made by Greta Ströh, the director of the Arp Foundation at the time.

This and Marinescu's related films are considered early documentary films. The professor called his works "studies with the help of the cinematograph," and published the results, along with several consecutive frames, in issues of "La Semaine Médicale" magazine from Paris, between 1899 and 1902. As photography became the dominant source of accurate depiction of life, art no longer necessarily had to capture life. Now liberated from the one-to-one relationship between a fixed coordinate in space captured at a single moment in time assumed by classical vanishing-point perspective, the artist became free to explore notions of simultaneity, whereby several positions in space captured at successive time intervals could be depicted within the bounds of a single painting.

This marked the beginning of the TPG, reporting directly to Salam. The TPG, in PAEC, was assigned to conduct research in fast neutron calculations, hydrodynamics (how the explosion produced by a chain reaction might behave), problems of neutron diffusion, and the development of theoretical designs of Pakistan's nuclear weapon devices. Later, the TPG under Riazuddin began to directly report to Salam, and the work on the theoretical design of the nuclear weapon was completed in 1977. In 1972, Salam formed the Mathematical Physics Group, under Raziuddin Siddiqui, that was charged, with TPG, with carrying out research in the theory of simultaneity during the detonation process, and the mathematics involved in the theory of nuclear fission.

Most of the works from the France period show thematically legendary scenes in which abstracted figures seem to be involved in a superpersonal, tragic or euphoric event. Even the titles, such as "Eduard's Death I-IV" (1943, WV 311-314) or "The Angel" (1944, WV 323), reflect the simultaneity of near-death and fullness of life. The peculiarly shaped head shapes and the eyes marked as closed by a stroke are reminiscent of skulls ("Liegende", 1943, WV 316). In contrast, the harmonious- warm color scheme of these images, in which Nay now for the first time selects yellow as the dominant color and often combined with bright red, thereby achieving a bright, vivid color sound.

For, whether there is an aether or not, electromagnetic fields certainly exist, and so also does the energy of the electrical oscillations. If we do not like the name of "aether," we must use another word as a peg to hang all these things upon. It is not certain whether "space" can be so extended as to take care not only of the geometrical properties but also of the electric ones. One cannot deny to the bearer of these properties a certain substantiality, and if so, then one may, in all modesty, call true time the time measured by clocks which are fixed in this medium, and consider simultaneity as a primary concept.

Przywara presented the Catholic concept of God in terms a mysterious simultaneity and interplay of divine immanence and transcendence. From Dionysius he came to emphasize God's "dazzling darkness", thereby giving his doctrine of analogy a final, apophatic stress.Analogia Entis, p. 233. From Aquinas, beginning with his study of Thomas's De ente et essentia, he appropriated the fundamental ontological distinction between essence and existence and the equally important distinction between primary and secondary causality (secondary causation). Finally, from Newman he appropriated the idea of "opposite virtues", as seen, for example, in the complementarity of "loving fear" and a "fearing love,"Kenneth Oakes "Three Themes in Przywara's Early Theology", The Thomist 74:2 (2010), pp. 283-310.

Similar arguments can be made to support the theory of egocentric presentism (or perspectival realism), which holds that there is a distinguished, present self. In modern theory of relativity, the conceptual observer is at a geometric point in both space and time at the apex of the 'light cone' which observes the events laid out in time as well as space. Different observers may disagree on whether two events at different locations occurred simultaneously depending on whether the observers are in relative motion (see relativity of simultaneity). This theory depends upon the idea of time as an extended thing and has been confirmed by experiment, thus giving rise to a philosophical viewpoint known as four dimensionalism.

Just before turnaround, the traveling twin calculates the age of the Earth- based twin by measuring the interval along the vertical axis from the origin to the upper blue line. Just after turnaround, if he recalculates, he will measure the interval from the origin to the lower red line. In a sense, during the U-turn the plane of simultaneity jumps from blue to red and very quickly sweeps over a large segment of the world line of the Earth-based twin. When one transfers from the outgoing inertial frame to the incoming inertial frame there is a jump discontinuity in the age of the Earth-based twinWheeler, J., Taylor, E. (1992).

The Abhidharmakośakārikā approach is Vasubandhu's Abhidharma commentary text in the Sarvāstivāda school (c. 500 CE). It has four intricate causal conditioning constructions with the: 1) root cause, 2) immediate antecedent, 3) object support, and 4) predominance. Then, the six causes are: 1) instrumentality (kāraṇahetu), deemed the primary factor in result production; 2) simultaneity or coexistence, which connects phenomena that arise simultaneously; 3) homogeneity, explaining the homogenous flow that evokes phenomena continuity; 4) association, which operates only between mental factors and explains why consciousness appears as assemblages to mental factors; 5) dominance, which forms one's habitual cognitive and behaviorist dispositions; and 6) fruition, referring to whatever is the actively wholesome or unwholesome result.

It mirrored the attitudes of the "artists of Passy", which included Picabia and the Duchamp brothers, to whom sections of it were read prior to publication. The concept developed in Du "Cubisme" of observing a subject from different points in space and time simultaneously, i.e., the act of moving around an object to seize it from several successive angles fused into a single image (multiple viewpoints, mobile perspective, simultaneity or multiplicity), is a generally recognized device used by the Cubists.David Cottington, 2004, Cubism and its Histories, Manchester University Press The 1912 manifetso Du "Cubisme" by Metzinger and Gleizes was followed in 1913 by Les Peintres Cubistes, a collection of reflections and commentaries by Guillaume Apollinaire.

At the beginning of the Spanish transition in 1976, a group of socialist economists in Valencia, which included Ernest Lluch and Dolors Bramon, adopted the name María Cambrils. They wrote several articles in the weekly Dos y Dos about women in the economic context of the time and the necessary simultaneity of feminism and socialism. In Bilbao, the Euskadi Information, Children's, Youth, and Women's Center is named after her. The exhibition 100 mujeres españolas que abrieron el camino a la igualdad (100 Spanish Women Who Opened the Way to Equality) organized by the Women's Institute of Spain dedicated a reference to her, though it contained very little information beyond the cover of her book.

On one hand, the technical means were insufficient; on the other (and mainly), there seemed to be no effective way of directly measuring the obtained data with quantitative criteria. The simultaneity of both systems, whatever meaning is attributed to it,As an example, if a married man light-years away dies, his wife becomes a widow ipso facto, regardless of the time it takes to become aware of the event could only be observed by comparing two distant measurements, within the constrains of the speed of light. The simultaneity's influence cannot be causal, nor can it transmit information (which amounts to the same thing). This property is therefore compatible with the theory of relativity, according to which no information can travel faster than the speed of light.

Donal Henahan, writing in The New York Times, said that it "fell somewhat short of being the total-environmental trip that was promised… the night summed up most of the esthetic ideas now in the air: incongruity, simultaneity, games theory, the put-on, the parody, the Trip… and the effort to create a 'Total Environment' in which all the senses can come into play." Henahan asserted that the concert's commercial success showed a breakdown in the separation of classical and popular audiences.Henehan 1967. Bruno's interest in jazz apparently diverged from Walker's interest in folk music, and by July 1968 the band had broken up and Walker was appearing at the Bitter End in Greenwich Village, sharing a bill with Joni Mitchell.

The Japanese title connects the date of the rebellion (1860, the first year of the Man'en era, and also the year of Japan's first embassy to the US) with the American influence on Japan represented by the Japan-US Mutual Security Treaty of 1960 and by the (American) football with which Takashi begins his own uprising. Ōe in a later essay compared the imagination of the writer to a clamp connecting the horizontal narrative with the vertical relationship between the two eras.Ōe Kenzaburo, ‘The Football of Simultaneity’ (Doujisai no futtoboru) in The Enduring Volition (1968) p. 403. Ōe also drew a parallel between the back and forth motion of the football being passed and the reciprocal relationship between the stories of the two eras.

David Cottington, Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914, Yale University Press, 1998 Jacques Nayral (a pseudonym for Joseph Houot) was a young modernist poet, dramatist, publisher and occasional sports writer,Daniel Robbins, 1964, Albert Gleizes 1881 – 1953, A Retrospective Exhibition, Published by The Solomon R. Guggenheim Foundation, New York, in collaboration with Musée National d'Art Moderne, Paris, Museum am Ostwall, Dortmund who shared with Gleizes a passion for the theories of Henri Bergson. He was a friend of Gleizes and married his sister Mireille in 1912. Gleizes began work on his portrait in 1910. The interfusion and interrelation between the sitter and the background of the painting reflect Bergson’s concepts about the simultaneity of experience.

"Quoted in Heynick 1983, p.43. Spatial distance and temporal distance between any two events was now replaced by a single absolute distance in spacetime. Heynick points to several passages in Whorf's writings on the Hopis which parallel Einsteinian concepts such as: > "time varies with each observer and does not permit of simultaneity" > (1940)Quoted in Heynick 1983, p.42. > "The Hopi metaphysics does not raise the question whether the things at a > distant village exist at the same moment as those in one's own village, for > it ... says that any 'events' in the distant village can be compared to any > events in one's own village only by an interval of magnitude that has both > time and space forms in it.

The first derivations of relativity of simultaneity by synchronization with light signals were also simplified.Bjerknes (2002) Daniel Frost Comstock (1910) placed an observer in the middle between two clocks A and B. From this observer a signal is sent to both clocks, and in the frame in which A and B are at rest, they synchronously start to run. But from the perspective of a system in which A and B are moving, clock B is first set in motion, and then comes clock A – so the clocks are not synchronized. Also Einstein (1917) created a model with an observer in the middle between A and B. However, in his description two signals are sent from A and B to the observer.

58–65For example, Many introductions to relativity begin with the concept of velocity and a derivation of the Lorentz transformation. Other concepts such as time dilation, length contraction, the relativity of simultaneity, the resolution of the twins paradox and the relativistic Doppler effect are then derived from the Lorentz transformation, all as functions of velocity. Bondi, in his book Relativity and Common Sense, (Also published in 1965 in Great Britain by Heinemann, and reprinted in 1980 by Dover.) first published in 1964 and based on articles published in The Illustrated London News in 1962, reverses the order of presentation. He begins with what he calls "a fundamental ratio" denoted by the letter k (which turns out to be the radial Doppler factor).

The main difference between the Milne model of an expanding universe, and the current (Einstein's) model of an expanding universe was that Milne did not assume a priori that the universe has a homogeneous matter distribution. He did not include the gravitation interaction into the model either. Milne argued that under the context of Einstein's special relativity, and the relativity of simultaneity, that it is impossible for a nonstatic universe to be homogeneous. Namely, if the universe is spreading out, its density is decreasing over time, and that if two regions appeared to be at the same density at the same time to one observer, they would not appear to be the same density at the same time to another observer.

Linear perspective developed during the Renaissance was vacated. The subject matter was no longer considered from a specific point of view at a moment in time, but built following a selection of successive viewpoints, i.e., as if viewed simultaneously from numerous angles (and in multiple dimensions) with the eye free to roam from one to the other. This technique of representing simultaneity, multiple viewpoints (or relative motion) is pushed to a high degree of complexity in Metzinger's Nu à la cheminée, exhibited at the 1910 Salon d'Automne; Gleizes' monumental Le Dépiquage des Moissons (Harvest Threshing), exhibited at the 1912 Salon de la Section d'Or; Le Fauconnier's Abundance shown at the Indépendants of 1911; and Delaunay's City of Paris, exhibited at the Indépendants in 1912.

There are many examples of when a particular idea, almost on the same period, arises in different disciplines. One case is the shift from the approach of focusing on "specialized segments of attention" (adopting one particular perspective), to the idea of "instant sensory awareness of the whole", an attention to the "total field", a "sense of the whole pattern, of form and function as a unity", an "integral idea of structure and configuration". This has happened in painting (with cubism), physics, poetry, communication and educational theory. According to Marshall McLuhan, this paradigm shift was due to the passage from an era shaped by mechanization, which brought sequentiality, to the era shaped by the instant speed of electricity, which brought simultaneity.

The well received project has seen more than a million combined streams and downloads via the online mixtape site DatPiff. Monster standout "Commas" was released as an official commercial single in March 2015 and spent 20 weeks on the Billboard Hot 100 chart, peaking at number 55, simultaneity earning an RIAA gold certification further cementing Southside's career boost. In 2015, Southside continued to push his trap sound in the hip hop industry ubiquitously, especially on various songs produced by him and his 808 Mafia collective. Luellen was responsible for producing a significant portion of Future's album, DS2, as well as being responsible for producing nine of the ten tracks of Future's mixtape, 56 Nights, in which Southside made the entire project's worth of beats in only one night.

As with much of Ashbery's poetry, Self-Portrait was influenced by contemporary developments in modern art, particularly painting. Since his early career, he felt poetry lagged behind the other arts, and sought to appropriate the techniques and effects of avant-garde painting, such as Cubism's "simultaneity" and abstract expressionism's "idea that the work is a sort of record of its own coming-into-existence", though he emphasized that his method was not random "like flinging a bucket of words on the page, as Pollock had with paint." Ashbery was receptive to the idea that his poems could be understood as works of Mannerism—the Late Renaissance style that included Parmigianino's eponymous painting—but only the "pure novelty" of early Mannerists like Parmigianino, not the artificiality associated with the movement's later period.

' The Herbst salon (Erster Deutscher Herbstsalon, Berlin) of 1913, organized by Herwarth Walden of Der Sturm, exhibited many works by Robert and Sonia Delaunay, Jean Metzinger's L'Oiseau bleu (1913, Musée d'Art Moderne de la Ville de Paris), Albert Gleizes' Les Joueurs de football (1912-13, National Gallery of Art), paintings by Picabia, and Léger, along with several Futurist paintings. This exhibition marked a turning-point in Apollinaire's relation with R. Delaunay (which would cool markedly), following some remarks in an argument with Umberto Boccioni about the ambiguity of the term 'simultaneity'. This would be the last time Apollinaire used the term Orphism in his critical analyses of art; as he turned his attention increasingly towards Picabia and Alexander Archipenko, but most of all towards the Futurists. Robert Delaunay, Champs de Mars.

He commented that "whether there is an aether or not, electromagnetic fields certainly exist, and so also does the energy of the electrical oscillations" so that, "if we do not like the name of 'aether', we must use another word as a peg to hang all these things upon". He concluded that "one cannot deny the bearer of these concepts a certain substantiality".Lorentz wrote: "One cannot deny to the bearer of these properties a certain substantiality, and if so, then one may, in all modesty, call true time the time measured by clocks which are fixed in this medium, and consider simultaneity as a primary concept." However, he went on to say that this was based on his conception of "infinite velocity", which according to his own theory is not physically realizable.

Roubaud's fiction often suppresses the rigorous constraints of the Oulipo (while mentioning their suppression, thereby indicating that such constraints are indeed present), yet takes the Oulipian self-consciousness of the writing act to an extreme. This simultaneity both appears playfully, in his Hortense novels, Our Beautiful Heroine, Hortense in Exile, and Hortense is Abducted, and with gravity and reflection in The Great Fire of London, considered the pinnacle of his prose. The Great Fire of London (1989), The Loop (1993), and Mathematics (2012) are the first three volumes of a long, experimental, autobiographical work known as "the project" (or "the minimal project"), and the only volumes of "the project", at present, to have been translated into English. Seven volumes of "the project" have been completed and published in French.

In European traditions, there are also some examples of heterophony. One such example is dissonant heterophony of Dinaric Ganga or "Ojkavica" traditions from southern Bosnia, Croatia and Montenegro that is attributed to ancient Illyrian tradition. Another remarkably vigorous European tradition of heterophonic music exists, in the form of Outer Hebridean Gaelic psalmody. > Thai music is nonharmonic, melodic, or linear, and as is the case with all > musics of this genre, its fundamental organization is horizontal... Thai > music in its horizontal complex is made up of a main melody played > simultaneously with variants of it which progress in relatively slower and > faster rhythmic units... Individual lines of melody and variants sound in > unison or octaves only at specific structural points, and the simultaneity > of different pitches does not follow the Western system of organized chord > progressions.

"Optical Color and Simultaneity" Van Nostrand Reinhold, New-York In parallel to the publication of the book in 1983, a solo exhibition took place at the Centre Georges Pompidou in Paris.Catalogue of the CNAC (juillet-aout 1983 N°16) The color reliefs in this exhibition were interactive and changed constantly with the view point of the spectator. Numerous other group and solo exhibitions were held in Europe, notably Relief Concrete in Germany today"Relief Konkret in Deutschland heute" with the German artists of Concrete Art in the Modern Gallery of the Museum of the Saar, Germany in 1981. In 1989 Marx's French editor Pierre Zech published in the collection "Le Temps Apprivoisé" her book "Méditer la couleur"Méditer la couleur which examines in great detail the phenomenon of successive contrast.

Notably, this extinction pulse eliminated all Neotropic migrants to North America larger than about 15 kg (the size of a big porcupine), and all native South American mammals larger than about 65 kg (the size of a big capybara or giant anteater). In contrast, the largest surviving native North American mammal, the wood bison, can exceed 900 kg, and the largest surviving Nearctic migrant to South America, Baird's tapir, can reach 400 kg. Paleo-Americans and †Glyptodon Baird's tapir, Tapirus bairdii, the largest surviving Nearctic migrant to South America The near- simultaneity of the megafaunal extinctions with the glacial retreat and the peopling of the Americas has led to proposals that both climate change and human hunting played a role. Although the subject is contentious, a number of considerations suggest that human activities were pivotal.

Paul Getty Trust, University of Washington Press) > We feared the dogmas and hermetic ideas, destructive acts disguised as new > constructions, before they appeared as we knew they would. Rejecting > nothing, we sketched out a traditional curve in French painting from Courbet > to ourselves as the latest arrivals, persuaded that the new order cannot be > created independently of the permanent order. (Albert Gleizes, 1917)Albert > Gleizes: La Peinture Moderne, in 391, No. 5, New York, June 1917Two > Philosopher-Painters, Albert Gleizes and Kasimir Malevich Gleizes' Football Players exemplifies the principle of mobile perspective and simultaneity elaborated upon in the Cubist manifesto Du "Cubisme", written with Jean Metzinger. Football Players exemplifies, too, the general freedom of the artist to interpret the subject matter without producing photograph resemblance or ‘realistic’ portrayal of an object or event.

Therefore, at first sight, it might appear that the thread will not break during acceleration. This argument, however, is incorrect as shown by Dewan and Beran and Bell. The distance between the spaceships does not undergo Lorentz contraction with respect to the distance at the start, because in S, it is effectively defined to remain the same, due to the equal and simultaneous acceleration of both spaceships in S. It also turns out that the rest length between the two has increased in the frames in which they are momentarily at rest (S′), because the accelerations of the spaceships are not simultaneous here due to relativity of simultaneity. The thread, on the other hand, being a physical object held together by electrostatic forces, maintains the same rest length.

In his interpretation of Hopi time Whorf was influenced by Albert Einstein's theory of relativity, which was developed in the first decades of the century and impacted the general Zeitgeist. Whorf, an engineer by profession, in fact made occasional reference to physical relativity, and he adopted the term "linguistic relativity," reflecting the general concept of the different but equally valid interpretations of some aspects of physical reality by different observers due to differences in their (for Einstein) physical circumstances or (for Whorf) their psychological-linguistic circumstances. The most salient points involve the concepts of simultaneity and spacetime. In his 1905 Special Relativity paper, Einstein maintained that two given events can legitimately be called simultaneous if and only if they take place at the same point in time and in the same point in space.

Micropolyphony is a kind of polyphonic musical texture developed by György Ligeti which consists of many lines of dense canons moving at different tempos or rhythms, thus resulting in tone clusters vertically. According to David Cope, "micropolyphony resembles cluster chords, but differs in its use of moving rather than static lines"; it is "a simultaneity of different lines, rhythms, and timbres" . Differences between micropolyphonic texture and conventional polyphonic texture can be explained by Ligeti's own description: The earliest example of micropolyphony in Ligeti's work occurs in the second movement (mm 25–37) of his orchestral composition Apparitions . His next work, Atmosphères for orchestra, the first movement of his later Requiem, for soprano, mezzo-soprano, mixed choir, and orchestra, the unaccompanied choral work Lux aeterna, and Lontano for orchestra, also use the technique.

The Theoretical Physics Group took research in fast neutron calculations — how neutrons moved in a nuclear chain reaction – the theory simultaneity — how would fission weapon would detonated from several points at the same point during the detonation process – and hydrodynamics – how the explosion produced by a chain reaction might behave – and what kind of and how much fissile material and reflectors would be used. Salam had attracted theoretical physicists who worked under Riazuddin despite his younger age. Riazuddin was among the scientists who attended the Multan meeting that was managed by Salam and convened by Pakistan President Zulfikar Ali Bhutto. After the meeting, Salam took Riazuddin, with Munir Ahmad Khan, to Bhutto's residence in Islamabad where the scientists briefed Bhutto about the development of the nuclear weapons programme.

75: Provided that there is an aether, then under all systems x, y, z, t, one is preferred by the fact, that the coordinate axes as well as the clocks are resting in the aether. If one connects with this the idea (which I would abandon only reluctantly) that space and time are completely different things, and that there is a "true time" (simultaneity thus would be independent of the location, in agreement with the circumstance that we can have the idea of infinitely great velocities), then it can be easily seen that this true time should be indicated by clocks at rest in the aether. However, if the relativity principle had general validity in nature, one wouldn't be in the position to determine, whether the reference system just used is the preferred one.

Relativity of simultaneity: Event B is simultaneous with A in the green reference frame, but it occurred before in the blue frame, and occurs later in the red frame. Einstein showed in his thought experiments that people travelling at different speeds, while agreeing on cause and effect, measure different time separations between events, and can even observe different chronological orderings between non-causally related events. Though these effects are typically minute in the human experience, the effect becomes much more pronounced for objects moving at speeds approaching the speed of light. Subatomic particles exist for a well known average fraction of a second in a lab relatively at rest, but when travelling close to the speed of light they are measured to travel farther and exist for much longer than when at rest.

Causality is a fundamental principle of physics. If tachyons can transmit information faster than light, then according to relativity they violate causality, leading to logical paradoxes of the "kill your own grandfather" type. This is often illustrated with thought experiments such as the "tachyon telephone paradox" or "logically pernicious self-inhibitor." The problem can be understood in terms of the relativity of simultaneity in special relativity, which says that different inertial reference frames will disagree on whether two events at different locations happened "at the same time" or not, and they can also disagree on the order of the two events (technically, these disagreements occur when the spacetime interval between the events is 'space-like', meaning that neither event lies in the future light cone of the other).

Kim Kyungrin is a poet who participated in literary coteries Sinsiron and Hubangi (후반기),Son, Ja-yeong, “A Study on Modernism as a Literary Theory in 1950s Korea,” Ph.D diss., Ewha Womans University, 2012. which were at the forefront and the center of Korean modernist poetry. He saw poetry as an “undeniable fact that is developing toward a single historical ‘course’”Kim, Kyungrin, “Maehogui yeondae,” edited by Kim Kyungrin, Hanguk modeoniseum siundong daepyo dongin siseon (한국 모더니즘 시운동 대표 동인 시선 Selection of Poems from the Literary Coteries Leading the Modernist Poetry Movement), Apseonchaek, 1994, 33. and believed that “true modern poetry should be found in intellectual view of the world based on tradition and reality in the global simultaneity.” His poetic orientation remains consistent throughout the early literary modernism movement to the literary postmodernism movement.

Smith and the Combahee River Collective have been credited with coining the term identity politics, which they defined as "a politics that grew out of our objective material experiences as Black women."Harris, Duchess. "From the Kennedy Commission to the Combahee Collective: Black Feminist Organizing, 1960–1980", in Sisters in the Struggle: African American Women in the Civil Rights-Black Power Movement (2001), p. 300. In her essay "From the Kennedy Commission to the Combahee Collective: Black Feminist Organizing, 1960–1980", Duchess Harris credits the "polyvocal political expressions of the Black feminists in the Combahee River Collective (with) defin(ing) the nature of identity politics in the 1980s and 1990s, and challeng(ing) earlier 'essentialist' appeals and doctrines..." The Collective developed a multidimensional analysis recognizing a "simultaneity of oppressions"; refusing to rank oppressions based on race, class and gender.

During the mid-1950s Brant came to the conclusion that (as he himself put it) "single-style music … could no longer evoke the new stresses, layered insanities, and multi-directional assaults of contemporary life on the spirit." In pursuit of an optimal framework for the presentation of a music which embraced such a simultaneity of musical textures and styles, Brant made a series of experiments and compositions exploring the potential for the physical position of sounds in space to be used as an essential compositional element. As well as producing works for the concert hall, Brant worked as an orchestrator for many Hollywood productions, including the Elizabeth Taylor movie Cleopatra (1963), one of many collaborations with composer Alex North. Brant helped with the orchestration of North's score for 2001, and due to North's stress-induced muscle spasms, Brant had to conduct the recording session for the film score.

Brians argues that "You can't eat your cake and have it too" is a more logical variant than "You can't have your cake and eat it too", because the verb-order of "eat-have" makes more sense: once you've eaten your cake, you don't have it anymore. Ben Zimmer, writing for the Language Log of the University of Pennsylvania, states that the interpretation of the two variants relies on the assumption of either sequentiality or simultaneity. If one believes the phrase to imply sequentiality, then the "eat-have" variant could be seen as a more logical form: you cannot eat your cake and then (still) have it, but you actually can have your cake and then eat it. The former phrase would demonstrate an impossibility better, while the latter phrase is more of a statement of fact, arguably making it less suitable as an idiomatic proverb.

The Teatro Regio in Turin, where Klavierstück XIII was premiered Klavierstück XIII (1981) was originally composed as a piano piece and, with the addition of a bass singer, became scene 1 ("Luzifers Traum") of Samstag aus Licht . The work was written for the composer's daughter Majella, and the solo piano version was premiered by her on 10 June 1982 in the Teatro Regio in Turin . The key components of this piece are sounded at the very start: one upward-leaping major seventh in the lowest register, the same interval as a simultaneity in the middle register, and a single very high note establish five tonal layers within which the whole composition unfolds . These five contrapuntal layers are developed from the three-layer Licht superformula in three steps. First, the three layers of the sixth, "Saturday" segment (bars 14–16) are extracted for the background structure of the opera Samstag aus Licht.

When we say the ladder "fits" inside the garage, what we mean precisely is that, at some specific time, the position of the back of the ladder and the position of the front of the ladder were both inside the garage; in other words, the front and back of the ladder were inside the garage simultaneously. As simultaneity is relative, then, two observers disagree on whether the ladder fits. To the observer with the garage, the back end of the ladder was in the garage at the same time that the front end of the ladder was, and so the ladder fit; but to the observer with the ladder, these two events were not simultaneous, and the ladder did not fit. A clear way of seeing this is to consider the doors, which, in the frame of the garage, close for the brief period that the ladder is fully inside.

Martina Löw developed the idea of a "relational" model of space, which focuses on the “orderings”Löw, Martina (2008), »The Constitution of Space: The Structuration of Spaces Through the Simultaneity of Effects and Perception«, in: European Journal of Social Theory, 1, 11 of living entities and social goods, and examines how space is constituted in processes of perception, recall, or ideation to manifest itself as societal structure. From a social theory point of view, it follows on from the theory of structuration proposed by Anthony Giddens,Giddens, Anthony (1984), The Constitution of Society. Outline of the Theory of Structuration. Cambridge: Polity whose concept of the “duality of structure” Löw extends sociological terms into a “duality of space.” The basic idea is that individuals act as social agents (and constitute spaces in the process), but that their action depends on economic, legal, social, cultural, and, finally, spatial structures.

2, p. 3 about the influence of the fourth dimension on avant-garde painting; describing how the artists' employed "harmonic use of forms" distinguishing between the "representation or rendering of space and the designing in space": > If we still further add to design in the third dimension, a consideration of > weight, pressure, resistance, movement, as distinguished from motion, we > arrive at what may legitimately be called design in the fourth dimension, or > the harmonic use of what may arbitrarily be called volume. It is only at > this point that we can appreciate the masterly productions of such a man as > Cézanne.Jill Anderson Kyle, Cézanne and American Painting 1900 to 1920, The > University of Texas at Austin, 1995 Cézanne's explorations of geometric simplification and optical phenomena inspired the Cubists to experiment with simultaneity, complex multiple views of the same subject, as observed from differing viewpoints at the same time.

Simultaneous policy requires governments in all jurisdictions at once, worldwide, to implement a policy shift at once, so that none is disadvantaged or unfairly advantaged. The idea of the need for simultaneity of sovereign state action is not itself a new idea - it is the basis of treaty and United Nations initiatives that nothing can be done on certain problems, such as disarmament, until all major players agree to a common timetable of implementing solutions. However, according to the process offered by ISPO, what appears to be new is that citizens who "adopt" the Simultaneous Policy (Simpol) take the formulation of global policy into their own hands. Furthermore, according to ISPO, their adoption of Simpol represents their pledge to vote in future elections, not for a particular politician or political party, but for ANY politician or party - within reason - that pledges to implement Simpol's package of policies alongside other governments.

Jean Metzinger, Note sur la peinture, Pan (Paris), October–November 1910 In France, offshoots of Cubism developed, including Orphism, Abstract art and later Purism.Hajo Düchting, Orphism, MoMA, Grove Art Online, Oxford University Press, 2009Magdalena Dabrowski, Geometric Abstraction, Heilbrunn Timeline of Art History, The Metropolitan Museum of Art, New York, 2000 The impact of Cubism was far-reaching and wide-ranging. In France and other countries Futurism, Suprematism, Dada, Constructivism, Vorticism, De Stijl and Art Deco developed in response to Cubism. Early Futurist paintings hold in common with Cubism the fusing of the past and the present, the representation of different views of the subject pictured at the same time, also called multiple perspective, simultaneity or multiplicity,Christopher Green, 2009, Cubism, Meanings and interpretations, MoMA, Grove Art Online, Oxford University Press, 2009 while Constructivism was influenced by Picasso's technique of constructing sculpture from separate elements.

This is usually accounted for by the replacement of horizontal (or contrapuntal) composition, common in the music of the Renaissance, with a new emphasis on the vertical element of composed music. Modern theorists, however, tend to see this as an unsatisfactory generalisation. According to Carl Dahlhaus: Descriptions and definitions of harmony and harmonic practice often show bias towards European (or Western) musical traditions, although many cultures practice vertical harmony In addition, South Asian art music (Hindustani and Carnatic music) is frequently cited as placing little emphasis on what is perceived in western practice as conventional harmony; the underlying harmonic foundation for most South Asian music is the drone, a held open fifth interval (or fourth interval) that does not alter in pitch throughout the course of a composition. and Catherine Schmidt Jones, 'Listening to Indian Classical Music', Connexions, (accessed 16 November 2007) Pitch simultaneity in particular is rarely a major consideration.

In his search to incorporate the philosophy of Simultaneity within western musical systems, Wyer returned to a frequent inspiration; birdsong; struck by the endless combinations and re-combinations of the songs of the dawn chorus he began considering ways to create systems that would enable simultaneous solos that combined in musically intelligent, coherent ways - that necessarily moved away from the western convention of counting a beat for each bar. In 2005 Wyer made his first Time Structured Maps using the same basic scores as might be used for an orchestra but where each bar-line represented a period of 30 seconds rather than a count and each ‘bar’ consisted of a set of instructions for how to improvise during that time period, which might be very specific or left ambiguous. The result was a system that enabled musicians from all backgrounds to play together, and to incorporate other forms such as dance, speech etc. within a score.

Henry Corbin in contrast believed that the question of historicity is irrelevant admitting that the idea of the hidden Imam was shaped by the person of twelfth and considering the extensive body of literature about him, saw the birth and his occultation as archetypal and symbolic, describing it as "sacred history". In his History of Islamic Philosophy He writes: "The simultaneity of these (birth and occultation) is rich in meanings from the mystical point of view… here above all, our approach should be that of the phenomenological: we must discover the aims of Shi’ite awareness...". There was a hadith that was already present in orthodox Sunni collections wherein Muhammad declares that he will be followed by twelve caliphs (alternative versions have qayyims) from his descendants all from his tribe, the Quraysh. The hadith appears in both Bukhari (as amirs Bab al- istakhlaf, 7062) and Muslim (as "caliphs", Bab al-nas taba l-Quraysh, 4667).

In the science of tephrochronology, the Saksunarvatn tephra is volcanic ejecta that formed an ash layer that is useful in dating Northern European sediment layers that were laid down during the Boreal period, the warm climate phase that followed the cold snap of the Younger Dryas as the earth made the transition from the last Pleistocene glaciation to the current interglacial, or Holocene. This was a period of rapid climatic transitions around the North Atlantic, some of which took place during a matter of decades. Similar effects are evident in independent palaeoclimatic reconstructions obtained from pollen zones, marine and ice-core records, but these sequences cannot be reliably calibrated with one another. The ash layer from a specific volcanic event, deposited simultaneously over wide areas, provides a common reference point or time marker called a horizon, which establishes simultaneity in the sequences wherever that layer is found: this set of techniques is called tephrochronology.

In Schoenberg's Variations for Orchestra, Op. 31, tone row form P1's second half has the same notes, in a different order, as the first half of I10: "Thus it is possible to employ P1 and I10 simultaneously and in parallel motion without causing note doubling" . left left Featuring hexachordal combinatoriality between its primary forms, P1 and I6, Schoenberg's Piano Piece, Op. 33a, tone row contains three perfect fifths, which is the relation between P1 and I6, and a source of contrast between "accumulations of 5ths" and "generally more complex simultaneity" . For example, group A consists of B-F-C-B, while the "more blended" group B consists of A-F-C-D Schoenberg's significant compositions in the repertory of modern art music extend over a period of more than 50 years. Traditionally they are divided into three periods though this division is arguably arbitrary as the music in each of these periods is considerably varied.

The fact that the two frames disagree about the order of the events of the signal being sent and received is an example of the relativity of simultaneity, a feature of relativity which has no analogue in classical physics, and which is key to understanding why in relativity FTL communication must necessarily lead to causality violation. Bob is assumed to have sent his reply almost instantaneously after receiving Alice's message, so the coordinates of his sending the reply can be assumed to be the same: x = 360, t = 450 in Alice's frame, and x′ = 0, t′ = 270 in Bob's frame. If the event of Alice receiving Bob's reply happens at x′ = 0, t′ = 243 in her frame (as in the earlier paragraph), then according to the Lorentz transformation, in Bob's frame Alice receives his reply at position x′' = (1/0.6)×(0 − 0.8×243) = −324 light-days, and at time t′ = (1/0.6)×(243 − 0.8×0) = 405 days.

Based on the definition of Neumann, Heinrich Streintz (1883) argued that in a coordinate system where gyroscopes do not measure any signs of rotation inertial motion is related to a "Fundamental body" and a "Fundamental Coordinate System". Eventually, Ludwig Lange (1885) was the first to coin the expression inertial frame of reference and "inertial time scale" as operational replacements for absolute space and time; he defined "inertial frame" as "a reference frame in which a mass point thrown from the same point in three different (non-co-planar) directions follows rectilinear paths each time it is thrown". In 1902, Henri Poincaré published a collection of essays titled Science and Hypothesis, which included: detailed philosophical discussions on the relativity of space, time, and on the conventionality of distant simultaneity; the conjecture that a violation of the relativity principle can never be detected; the possible non-existence of the aether, together with some arguments supporting the aether; and many remarks on non- Euclidean vs. Euclidean geometry.

Between the mirrors a light signal is bouncing, and for the observer resting in the same reference frame as A, the period of clock A is the distance between the mirrors divided by the speed of light. But if the observer looks at clock B, he sees that within that clock the signal traces out a longer, angled path, thus clock B is slower than A. However, for the observer moving alongside with B the situation is completely in reverse: Clock B is faster and A is slower. Also Lorentz (1910–1912) discussed the reciprocity of time dilation and analyzed a clock "paradox", which apparently occurs as a consequence of the reciprocity of time dilation. Lorentz showed that there is no paradox if one considers that in one system only one clock is used, while in the other system two clocks are necessary, and the relativity of simultaneity is fully taken into account.

Einstein (1908) tried – as a preliminary in the framework of special relativity – also to include accelerated frames within the relativity principle. In the course of this attempt he recognized that for any single moment of acceleration of a body one can define an inertial reference frame in which the accelerated body is temporarily at rest. It follows that in accelerated frames defined in this way, the application of the constancy of the speed of light to define simultaneity is restricted to small localities. However, the equivalence principle that was used by Einstein in the course of that investigation, which expresses the equality of inertial and gravitational mass and the equivalence of accelerated frames and homogeneous gravitational fields, transcended the limits of special relativity and resulted in the formulation of general relativity.Pais (2000), 177-183 Nearly simultaneously with Einstein, also Minkowski (1908) considered the special case of uniform accelerations within the framework of his space-time formalism.

For example, one such method that would that would give the class it appears in the same behavior as the return value of `f()` above would be void Deconstruct(out string a, out int b) { a = "foo"; b = 1; } In C and C++, the comma operator is similar to parallel assignment in allowing multiple assignments to occur within a single statement, writing `a = 1, b = 2` instead of `a, b = 1, 2`. This is primarily used in for loops, and is replaced by parallel assignment in other languages such as Go.Effective Go: for, "Finally, Go has no comma operator and ++ and -- are statements not expressions. Thus if you want to run multiple variables in a for you should use parallel assignment (although that precludes ++ and --)." However, the above C++ code does not ensure perfect simultaneity, since the right side of the following code `a = b, b = a+1` is evaluated after the left side.

Another example is Bell's spaceship paradox: If the endpoints of a body are accelerated with constant proper accelerations in rectilinear direction, then the leading endpoint must have a lower proper acceleration in order to leave the proper length constant so that Born rigidity is satisfied. It will also exhibit an increasing Lorentz contraction in an external inertial frame, that is, in the external frame the endpoints of the body are not accelerating simultaneously. However, if a different acceleration profile is chosen by which the endpoints of the body are simultaneously accelerated with same proper acceleration as seen in the external inertial frame, its Born rigidity will be broken, because constant length in the external frame implies increasing proper length in a comoving frame due to relativity of simultaneity. In this case, a fragile thread spanned between two rockets will experience stresses (which are called Herglotz–Dewan–Beran stresses) and will consequently break.

As mentioned above, an "out and back" twin paradox adventure may incorporate the transfer of clock reading from an "outgoing" astronaut to an "incoming" astronaut, thus entirely eliminating the effect of acceleration. Also, according to the so-called "clock postulate", physical acceleration of clocks doesn't contribute to the kinematical effects of special relativity. Rather, the time differential between two reunited clocks is produced purely by uniform inertial motion, as discussed in Einstein's original 1905 relativity paper, as well as in all subsequent kinematical derivations of the Lorentz transformations. Because spacetime diagrams incorporate Einstein's clock synchronization (with its lattice of clocks methodology), there will be a requisite jump in the reading of the Earth clock time made by a "suddenly returning astronaut" who inherits a "new meaning of simultaneity" in keeping with a new clock synchronization dictated by the transfer to a different inertial frame, as explained in Spacetime Physics by John A. Wheeler.

The concept comes from the Japanese word dochakuka, which means global localization. It had referred to the adaptation of farming techniques to local conditions. It became a buzzword when Japanese business adopted it in the 1980s.Habibul Haque Khondker, "Glocalization as Globalization: Evolution of a Sociological Concept," Bangladesh e-Journal of Sociology. Vol. 1. No. 2. July, 2004 The word stems from Manfred Lange, head of the German National Global Change Secretariat, who used "glocal" in reference to Heiner Benking's exhibit Blackbox Nature: Rubik's Cube of Ecology at an international science and policy conference. "Glocalization" first appeared in a late 1980s publication of the Harvard Business Review. At a 1997 conference on "Globalization and Indigenous Culture", sociologist Roland Robertson stated that glocalization "means the simultaneity – the co-presence – of both universalizing and particularizing tendencies." The term entered use in the English-speaking world via Robertson in the 1990s, Canadian sociologists Keith Hampton and Barry Wellman in the late 1990sBarry Wellman and Keith Hampton, "Living Networked On and Offline" Contemporary Sociology 28, 6 (Nov, 1999): 648-54.

The Boo Hoo Bible has been described as "requiring its reader to transcend the personal in an act that simultaneously simulates and dissimulates, establishing and overcoming the ironic.... present[ing] a cosmology of simultaneity, which Kleps considers essential to psychedelic experience. A radical solipsism emerges that sees all conscious and unconscious life as part of one dream where meaning-making becomes completely associative"; it also includes the declaration that the ultimate goal of mankind is (or should be) the bombardment and destruction of the planet Saturn (which hoped-for event was depicted on the book's cover). The Boo Hoo Bible was supplemented or superseded by Kleps' later book Millbrook: A Narrative of the Early Years of American Psychedelianism (1975, with new editions in 1977 and 2005) which provides an account of Kleps' founding of the organization along with a narrative of his experiences at the Hitchcock estate in Millbrook, New York, between 1963 and 1970, and describes the church's principles and doctrine as of the date of publication. Millbrook also includes philosophical interpretations of psychedelic experience and synchronicity and social and political commentary on aspects of the psychedelic movement.

The first significant work for the system was for the Orchestra of the Swan with a Time Structured Map (TSM) based work called Traveller, There Are No Paths, Paths Are Made By Walking created in the summer of 2005. A second, much more ambitious work, Four Bridges, was performed in November 2005, it combined the ideas of Simultaneity with the Time Structured Mapping system: the Orchestra of the Swan played from the score in England while pianist Burkhard Finke in Frankfurt, microtonal vocal specialist Toby Twining in Boston and Indian Classical singer Anand Thakore in Mumbai performed simultaneously from the same score, without hearing each other – each performance was recorded and later combined into a work for 8 speakers, which was later broadcast on WNYC New Sounds. In 2009, Time Structured Mapping was used for the creation of the one-hour Insomnia Poems for BBC Radio 3 (Jazz On 3) BBC Radio 3 Jazz On 3. which combined post-beat poet Steve Dalachinsky with a five-piece band consisting of soprano, Evelyne Beech, electronics and processing, Mike Cross, clarinets and saxes, Chris Cundy, bass, Robert Perry and Pete M Wyer on guitar, piano with found sounds and manipulations – each performing with a synchronized stopwatch.