Also selling Tuesday was Marlon Brando's stainless-steel Rolex GMT-Master, which he signed on the back and which wore during the filming of Apocalypse Now.
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This edition was numbered on the front and hand signed on the back. It was reissued on 23 September 2003 under the title Les Bourgeois as part of the 16-CD box set Boîte à Bonbons by Barclay (980 816-9).
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One of the etchings shown in the documentary is signed on the back along with names "Josef Santen" and "Frans Verpoorten" written in such a way that the name of town "Santpoort" can be read. Both men were colleagues of Heyboer before he spent some time in a psychiatric institution in Santpoort. The collection is still untraced, but were returned to Knubben and Simon, who still firmly believe they are genuine.
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The finished drawing is then scanned and digitally colored in Photoshop. Color proofs are created to ensure consistency and to check details. When in art school, her professor Thomas Woodruff told the class it can look inappropriate when an illustrator includes a signature on commissioned work, and her work remains unsigned because of this influence. If someone purchases an original work from Shimizu, it is signed on the back.
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They are signed on the back with the date and RWS, one of the few occasions in his professional life that he used his middle initial. In 1988 / 89 he participated in a two-person show at the OK South Gallery in Miami. His death in 1990 coincided with the sale of his first painting, "Stripes", through Ivan Karp's OK Harris Gallery in New York and the publication of his fourth book "Rethinking the Forms of Visual Expression".Mennekes, Friedhelm (1987).
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Anne Bricollet was a French painter and pastellist active between 1786 and 1797. To date, Bricollet is known only from two works. The earlier is a Pietà in oil, signed and dated 1785 and located in Bourg-en-Bresse Cathedral. The other is a pastel portrait of Marie-Claude-Clémence Martin, later the wife of deputy Louis Sirand; this piece is signed on the back as being by "Mlle Bricollet", and described as having been finished on April 23, 1797.
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In one cell there were the five officers and five men; the officers taught the men bridge, and the men taught the officers solo whist. Cards were forbidden, but they managed to play in the evenings by leaving a man standing by the door so that the peephole was covered. Later, when released, each man in the cell kept one card as a souvenir, signed on the back by all the others.Commander Fraser - The Hobart Mercury 4 February 1921 On St. George's Day, red, white and blue rosettes were made from a signalman's flag.
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At the summit he shared a bottle of wine with the guides and then sat down to write a short letter to his sister. The letter, still preserved today and signed on the back by all six guides, is one of the most evocative items in the Archives of the Alpine Club.Archives of the Alpine Club Auldjo's 1828 written account of the ascent, with his own illustrations, was a success and ran to three editions. In 1830, he made the decision to remain in Europe by giving power of attorney over his Canadian properties to his lawyer, Thomas Kirkpatrick.
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Cosway's finest miniatures are signed on the back; there is but one genuine signed on the face; very few bear even his initials on the front. George Engleheart (1750–1829) painted 4,900 miniatures, and his work is stronger and more impressive than that of Cosway; it is often signed E or G.E. Andrew Plimer (1763–1837) was a pupil of Cosway, and both he and his brother Nathaniel Plimer produced some lovely portraits. The brightness of the eyes, wiriness of the hair, exuberance of colour, combined with forced chiaroscuro and often very inaccurate drawing, are characteristics of Andrew Plimer's work. John Smart (c.
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He used a peculiar varnish on his pictures, which Murillo compared to crystal. He was a great collector of academic figures, drawings, models, and sketches of celebrated artists. He was one of the founders of the Academy at Seville in 1660, and according to art historian Juan Agustín Ceán Bermúdez, continued to support it until his death, which took place in that city in 1680. In his few known works was a drawing of St. Joseph with the Christ Child signed in 1685 (Kunsthalle, Hamburg) issued by August L. Mayer, who noted the Murillo stylistic closeness, and four paintings with motifs of the infancy of Christ preserved in private collections and signed on the back with the notation that they were sold for 180 reales each.
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Mary, her doctor, and Bastian were arrested while out hunting near Chartley Castle on 11 August 1586 A letter of the conspirator Charles Paget, who was part of the Babington Plot to free (or incriminate) Mary, gives an insight to Bastian's status, showing he was an intimate of the Queen, but not an essential member of her secretariat. Paget wrote to Mary on 4 January 1586 that he would try to introduce a Catholic priest into the house under the name of Master Alisson. Alisson's innocent letter of introduction would be brought to Bastian or Christine, because if there was a problem the secretaries would not be compromised. Paget's letter was intercepted, deciphered, copied, and signed on the back by Burghley, Hundsdon, Cobham, Shrewsbury and Walsingham.
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As legal documents are of great importance in the problems dealt with in the three Babas, chapter 10 contains regulations concerning the writing of such documents. Of these one peculiarity may be mentioned; namely, the difference between get pashut, a simple, unfolded document, and get mekushar, a folded document. The latter was prepared in the following way: When a line or two had been written the parchment was folded and one witness signed on the back of the document; this operation was repeated as many times as the parties concerned liked. This method, requiring a longer time for the execution of the document, is said to have been originally introduced for the writing of a letter of divorce in the case of hasty and passionate husbands (especially priests who were prevented by law from remarrying their divorced wives), to give them time to calm down.
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