Toboggan building, for him, was just a sidelight; seasonal work.
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The political danger is real—but it's ultimately a sidelight to a senseless human tragedy.
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It would be a central part of their campaign — not a "take for granted" sidelight.
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The Thursday afternoon phone call from the Oval Office was a curious sidelight to the fast-moving events.
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Environmental regulations are hardly the only partisan sidelight in the debate over how to respond to the Zika virus.
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As a sidelight, Dr. Sauvage and Dr. Stoddart used their techniques to create molecules that twisted in complicated knots.
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Her work with Grambling's student-athletes began as a sidelight while she was teaching at the college's laboratory high school.
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Bernie Sanders seemed like a sidelight: Nearly everyone else could name the first issue they'd push as president but he couldn't, or wouldn't, choose.
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And a sidelight on the wall proposal: Details disclosed at the trial of the drug lord known as El Chapo suggests it wouldn't have inconvenienced him very much.
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Devoted as Mr. Chayet was to "Looking at the Law," it was always a sidelight; through all the years he remained a well-connected lawyer, lobbyist and lecturer.
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The single most interesting sidelight in the Senate fights is watching embattled swing state Republicans trying to avoid revealing who they support for president of the United States.
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But, it's funny, at the Times — and this may be too in the weeds — but technology was covered as just an eddy and sidelight of business, and what technology is is covering life.
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On a holiday-shortened week in the United States, the anticipation of a presidential tweet has become an "interesting sidelight" that people have an eye on, said J.J. Kinahan, chief market strategist at TD Ameritrade.
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The towering black walnut front door is framed in bronze with a glowing onyx sidelight, and the custom bronze handle from E. R. Butler & Company mimics the shape of the tapering building, designed by the architect Jean Nouvel.
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Morrison was the rich son of peer, a Tory grandee, and grand's the word: One comical sidelight on that distant age is how often senior Tories were absent at critical moments because they were away pheasant-shooting, Morrison among them.
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Its main facade is five bays wide, with the main entrance at the center, framed by fluted pilasters and a corniced entablature, and flanked by wide sidelight windows. The ground floor interior retains original wide floorboards and fireplaces. The house was built about 1772. It is a well-preserved local example of Georgian architecture, with its most unusual distinctive feature being the double-wide sidelight windows.
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The side-hall front door is flanked by full-length sidelight windows and pilasters. The house was listed on the National Register of Historic Places in 1982.
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Its windows have molded surrounds, and the main entrance is flanked by sidelight windows. The house was listed on the National Register of Historic Places in 1984.
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The front entry is surrounded by sidelight and transom windows, and flanked by pilasters. The house was listed on the National Register of Historic Places in 1989.
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The VL4000 BeamWash provided backlight, sidelight, and bright-and-bold effects. Around 214 Solaris Flares were used in pixel mode, including the wash features and the strobe lights.
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The entry surround is Greek Revival, with sidelight and transom windows, and a dentillated pediment. The house was listed on the National Register of Historic Places in 1989.
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The main entrance has a Greek Revival surround with sidelight windows, wide pilasters, and an entablature. The house was listed on the National Register of Historic Places in 1986.
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Goldblum Enters Equity Guilt Plea New York Times October 9, 1974 An important sidelight was the filing of insider trading charges against whistleblower Dirks. The ensuing case of Raymond L.
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A fourth gable extends over the main entry, which has a twelve-light door with flanking sidelight windows. The house was listed on the National Register of Historic Places in 1984.
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The main entry is framed by sidelight windows and panelled stiles, and is topped by a decorative panel. On October 7, 1983, it was added to the National Register of Historic Places.
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The front entry is topped by an entablatured with a compressed frieze, and is flanked by three-quarter sidelight windows. The house was listed on the National Register of Historic Places in 1989.
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The main architectural detail is the front door surround, which features sidelight windows and recessed, paneled pilasters supporting a tall entablature. The house was listed on the National Register of Historic Places in 1984.
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The front entry is framed by sidelight windows and pilasters. It is the only surviving Thompson design (of seven known) in Helena. The house was listed on the National Register of Historic Places in 1982.
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Both the main entry and the balcony door are flanked by sidelight windows, and the main entry is topped by a fanlight window. The house was listed on the National Register of Historic Places in 1976.
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Light-coloured face brick walls with concrete lintels to windows and terracotta tile roof. Two-storey portico on western facade. Internally, leadlight panel and sidelight to front doors. Painted joinery except for staircase in polished Queensland Maple.
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The main entrance, flanked by leaded sidelight windows, is set under a porch with patterned red and gray slate roof, and a projecting gabled section. The house was listed on the National Register of Historic Places in 1986.
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A stone stringcourse separates each of the floors from the next. The main entrance has an elaborate Federal surround, with sidelight windows and a large half-round transom window. The interior of the house retains original Federal period finishes.
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The main entrance is flanked by sidelight windows and fluted pilasters, supporting an entablature with high capitals, but is somewhat obscured by the 19th century porch. The house was listed on the National Register of Historic Places in 1984.
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The main entrance projects slightly in a surround that includes sidelight windows, pilasters, and a corniced entablature. The interior has a typical central stair plan, and retains most of its original woodwork, which is in a heavy late Georgian style.
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The entrance is flanked on one side by a sidelight window, and both sides by pilasters, which rise to an entablature and pedimented gable. Modern wings extend to the rear of this building, giving the building a rough W shape.
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It is flanked by sidelight windows and topped by a semi-elliptical fanlight window. A wood frame ell extends to the building's rear. The interior has retained significant original handiwork despite its adaptation for use as professional offices. and Built c.
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The Reed house is distinctive because of its brick end walls and its excellent example of a Federal style door surround, with sidelight windows and an elliptical fanlight. The district was added to the National Register of Historic Places in 1989.
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A single story wraparound porch has square Ionic columns, and the front door surround is flanked by half-length sidelight windows and topped by a fanlight transom. The house was listed on the National Register of Historic Places in 1984.
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The entrance is flanked by sidelight windows and topped by a rounded transom window. A series of ells extends to the rear of the main block. The house was probably designed by architect Alexander Rice Esty, and built c. 1860 for Paul Gibbs.
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The corner boards are pilastered, and the front entry is flanked by half-length sidelight windows and topped by a pedimented lintel, above which is a round fanlight window. The house was listed on the National Register of Historic Places in 1984.
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Surrounding the inset door are eleven transom windows and three sidelight windows. The sidelights are set above wooden panels. The house stands on a limestone foundation, with some concrete added after the building was moved, and the cedar shingled roof features a central chimney.
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Door with sidelights A sidelight in a building is a window, usually with a vertical emphasis, that flanks a door or a larger window. Sidelights are narrow, usually stationary and found immediately adjacent doorways.Barr, Peter. "Illustrated Glossary", 19th Century Adrian Architecture, accessed June 17, 2009.
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Its entrance is framed by sidelight windows, and sheltered by a flat-roof porch with turned posts. The front windows are elongated in the Greek Revival style. A single- story wing is set back and extending to the main block's left side. The c.
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It is a -story wood-frame structure, five bays wide, with a side gable roof and a hip-roofed wraparound porch. Its main entrance is flanked by sidelight windows. It was built c. 1835–45, and features rare original fluted Doric columns supporting its porch.
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It is a 2-1/2 story wood-framed structure, with a front-facing gable roof and clapboard siding. The building corners are pilastered, and it has a wide cornice. The front entry is flanked by sidelight windows and pilasters. The house was built c.
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The main entrance is framed by sidelight and transom windows, with pilasters and an entablature. The house was built in 1905 to a design by noted Arkansas architect Charles L. Thompson. The house was listed on the National Register of Historic Places in 1976.
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Robert J. Chandler. The Release of the Chapman Pirates: A California Sidelight on Lincoln's Amnesty Policy, Civil War History, Volume 23, Number 2, June 1977, pp. 129-143 In 1864 Pool became one of the leaders of Captain Ingram's Partisan Rangers based in the Santa Cruz mountains.
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There is a single story porch, supported by Tuscan columns, that wraps around both sides of the house. The front entry is flanked by sidelight windows and pilasters supporting an entablature. The house was listed on the National Register of Historic Places on December 9, 1994.
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Nielson, Karla J. Window Treatments, (Google Books), John Wiley and Sons, 1989, pp. 92-93, (). When approaching building security sidelights can factor into entrance security. For instance, for proper security a sidelight should only be installed on the side of the door without the door knob or handle.
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The entrance is located in the rightmost of the front facade's three bays, and is framed by sidelight and transom windows. The building's corners are pilastered, and an entablature encircles the building below the roof. The house was listed on the National Register of Historic Places in 1985.
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The main facade has a center entrance, sheltered by a portico supported by paired Tuscan columns. The entry is framed by sidelight windows and topped by a transom window. The interior has been restored to a c. 1860 appearance, and is decorated with period furnishings and Wilson memorabilia.
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Exposed steel trusses over main space. Enclosed verandah along north facade added and wider door and sidelight installed in south wall (date unknown). Exposed-duct air conditioning introduced with bulkhead at eastern end of hall. External ducting and plant for air conditioning at west end of hall intrusive element.
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Ornamentation was not just restricted to the roof; wood, glass and tiles were the other main modes of decoration. The influence of Art Nouveau is displayed throughout the house and can be seen in the plaster ceiling of the drawing room and entry hall. In the design of windows and doors, plants are depicted in leadlight with the vegetation, such as leaves and flowers buds, twining from the base of the design towards the top. Where a door has a fanlight and sidelight (the two main entry doors), the vegetation envelopes the door itself by twining from the base of the sidelight and making its way to the other side of the fanlight.
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This also incorporated a new design of headlamp with the sidelight lamp being integral with the main headlamp unit, allowing the space previously used for the separate sidelight to be used to fit a pair of high-intensity driving lamps. Inside the SVX models gained Recaro bucket seats in the front row, alloy gearlever knobs and a Garmin GPS navigation system. The drivetrain was the standard 2.4-litre diesel and six-speed manual permanent four-wheel-drive transmission. The SVX edition was available as a 110 (only available outside the UK), a 90 and a brand-new design of 90 soft top- the first time a soft-top model had been available through showrooms in the UK since 1992.
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The entrance is flanked by sidelight windows and topped by wooden panels. The interior retains most of its original Greek Revival woodwork, and has ten distinctive period fireplace mantels. It has been subdivided into apartments. The house was built about 1830; its first documented owner was businessman Mark Nason, in 1838.
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It is a 1-1/2 story Cape style house, three bays wide, with a central chimney. The main entrance is centered on the northern facade, and is flanked by sidelight windows and pilasters, with an entablature above. The corners of the building are pilastered. A series of outbuildings stand nearby.
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Above on the porch is a low railing with paired pillars (matching the support columns in position) topped by urns. The front door is flanked by Ionic pilasters, then sidelight windows, and then another pair of pilasters. The house was listed on the National Register of Historic Places in 1989.
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The main entry exhibits Federal styling probably added by Farnum, with 3/4 length sidelight windows and a segmented fanlight above. The right-side bays on the first floor have been replaced by a 20th- century bay window. The house was listed on the National Register of Historic Places in 1974.
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A sidelight of his Wesleyan career was the inauguration of President William A. Shanklin. Vanderbilt was one of the inauguration speakers, along with U. S. President William Howard Taft, and then startled Taft by showing up later as a waiter at the inaugural dinner. Vanderbilt then attended Columbia University School of Law.
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The main entrance is in the right-most bay, flanked by sidelight windows. The interior has retained much of its original woodwork. Built about 1840, the house is a fine local example of Greek Revival architecture. Its original parcel of land (now subdivided into residential plots), extended from Broadway to Medford Street.
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The front entry is flanked by half-length sidelight windows, with sash windows in the other four bays. It was built for Calvin Rand, about whom nothing is known, and was later occupied by a local schoolteacher. The house was listed on the National Register of Historic Places on September 4, 1986.
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It was thereafter converted back into a single family residence. The double front entrance has typical Greek Revival features, including sidelight windows and pilasters, while the massing of the house, and its dentiled and bracketed cornice, are distinctly Italianate. The house was listed on the National Register of Historic Places in 1985.
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Quoted in Wilson, p. 240. In Robey's obituary in The Spectator, Compton Mackenzie called the comedian "one of the last great figures of the late Victorian and Edwardian music-hall.""Sidelight: Compton Mackenzie", The Spectator (archive), 10 December 1954, p. 18. In December 1954, a memorial service for Robey was held at St Paul's Cathedral.
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The James Perry House is a historic house at 121 Perryville Road in Rehoboth, Massachusetts. This 1-1/2 story cottage was built c. 1860 by James Perry, a wealthy manufacturer, and is one of Rehoboth's finest Italianate houses. Its center entry is flanked by sidelight windows and pilasters, topped by a narrow entablature.
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The John Gibbs House is a two-story, five-bay, Greek Revival with a low hip roof. It sits on a foundation finished with rounded cobblestones laid in horizontal rows. he center entrance is surrounded by a sidelight-and-pilaster front entranceway. The house has simple, six-over-six windows and a denticulated entablature.
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The main facade is three bays wide and finished with flushboarding, and has the entrance in the right bay, framed by sidelight and transom windows. The building corners are adorned with plain pilasters. The interior retains many original features, including the main staircase, and fireplace surrounds. The house was built in 1838 for Josiah Wilcox.
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Between the fourth floor and the attic, the building is faced in buff-colored brick. A beltcourse separates the main section from the attic. The Bagley Avenue entrance has three doorways, with a revolving door flanked by plate glass doors. The two glass doors have a sidelight, and all three have transom windows above.
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Its roof has a large shed-roof dormer, above which there are two eyebrow windows. The roof slopes down over a porch, and is supported by large rustic concrete columns. The main entrance is traditional in appearance, with flanking sidelight windows and a fanlight above. Twin rubblestone chimneys rise from the sides of the house.
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The main entrance is flanked by paired pilasters surrounding sidelight windows, topped by an entablature. The house was built by Charles Hyde, and was involved in property disputes attending the construction of tunnels in the area in the mid-19th century. The house was listed on the National Register of Historic Places in 1986.
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The entrance surround includes sidelight windows and a half-round fan. The porch is supported by fluted columns and pilasters rising to an entablature on the sides, and has a modillioned eave. The porch is likely a later 19th century addition. The house was built about 1804 for Ephraim Cutter, owner of Arlington's largest mill.
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This is done to guarantee that neither mother, nor experimenter bias the infant's response. During each trial, one sidelight flashes, urging the infant to look at it. Once the infant turns his or her head and looks at the light, the sound stimulus is played. The stimulus continues to play until the sound finishes or the infant looks away.
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The entrance is flanked by sidelight windows, and has a simple trim surround. The interior retains significant original finishes, with a major restoration in the 1980s replacing some elements. The oldest portion of the house, its rear ell, was built in 1759. In 1803 the property was acquired by Ezra Wood, who built the main house.
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Its central entrance is flanked by sidelight windows. The house originally stood at a location on Prospect Hill in what is now Lawrence, where it was used for the first town meetings beginning in 1726. It was moved in 1808 to its present location. The house was added to the National Register of Historic Places in 1984.
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The House at 23 East Street in Methuen, Massachusetts is a well preserved Greek Revival cottage. Built in c. 1840, it is a 1-1/2 story three bay wood frame structure with a side hall entry and a front-facing gable end. The main entrance is flanked by full-length sidelight windows and topped by a transom window.
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Both the main section and the addition have entrances at their respective centers. That of the main house is elaborate, with sidelight windows, pilasters, transom window, and entablature. A large brick chimney rises at the center behind that entrance. The interior retains many original 18th-century features, including wainscoting on the walls and paneled fireplace surrounds.
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The entrance, a modern replacement, is flanked by sidelight windows. The second floor is three bays across, with equally spaced sash windows. The house was built about 1664, and originally stood facing the Windsor Green at the corner of Broad and Elm Streets. It was probably moved once around 1805, and again to its present location in 1897.
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The main facade is five bays wide, with sash windows and a central entrance. The entrance is flanked by wide sidelight windows. The house is set on about along with a barn, corn crib, and garage. The structure was built in 1803 by Medad Stone, along what was then a proposed new route for the Boston Post Road.
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The 1-1/2 story wood frame house was built c. 1850, and is a detailed example of a Greek Revival workers' cottage. The gable end is pedimented, and an entablature wraps around the house, supported by corner pilasters. The main entrance is flanked by sidelight windows and panelled pilasters, and topped by antransom window and entablature.
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The main block of the house is a 2-1/2 story wood frame structure, five bays wide, with a large central chimney. The main entrance is centered on the facade, and features sidelight windows and a louvered fan above. It is framed by pilasters supporting a pediment and Doric columns and entablature. The cornice is studded with modillions.
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One sidelight of Alger's career in the McKinley Administration was his personal vendetta against former Confederate partisan Col. John Singleton Mosby. Mosby was the former United States Consul at Hong Kong and an executive for the Southern Pacific Railroad. As a close associate of President McKinley, Mosby hoped for a good position with the new administration.
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The House at 269 Green Street in Stoneham, Massachusetts is a well-preserved Greek Revival cottage with unusual layout. Unlike most small Greek Revival houses, the roof slope faces front, and shelters a cutaway porch supported by square Tuscan columns. Built c. 1810, it has typical Greek Revival features, including corner pilasters and an entry framed by sidelight windows.
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Shortly after altering course, City of Rome spotted the submarine's red sidelight and realized that they were on collision courses. She turned and backed her engines, but it was too late. Twenty-two minutes after first spotting the submarine's masthead light, the steamer rammed her at the position .New York Times, 27 September 1925, Section 1, pages 5–8.
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The house is oriented perpendicular to the street, and has matching facades on its long sides. Both are symmetrical, with an elaborate entrance flanked by sidelight windows and pilasters, and topped by a corniced entablature. The building corners are pilastered. An ell with a cross gable roof extends from the east (back) side of the building.
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The Johnson House is a historic house at 315 Martin Street in Pine Bluff, Arkansas. It is a two-story wood frame structure, with a side-gable roof with clipped ends, and overhanging eaves with exposed rafter ends. A gabled porch projects from the left front, supported by brick piers. The entrance is framed by sidelight and transom windows.
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The main entry is sheltered by a portico supported by paired Doric columns, with small modillions lining the fully pedimented gable. The entry is flanked by sidelight windows and pilasters, which echo pilasters at the building corners. The doorway is topped by a semi-oval fanlight window, as are the sidelights. The interior has well-preserved high-quality woodwork.
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Its exterior is quite plain, with sash windows in rectangular openings, and a central entrance flanked by sidelight windows. The main block is flanked by small single-story ells to the east and west. The interior retains period woodwork and finishes, including fireplace mantels, doors and wainscoting. The central stairway underwent some alterations in the 19th century.
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The facade is asymmetrical, featuring two 12-paned windows, three French windows opening onto the front verandah and a main four panelled door with sidelight. Stone steps, with masonry piers either side, lead up to a wide entrance door. Glass transom lights, timber & glass side panels. Other windows are double-hung, with six panes in the top frame.
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The J. Peirce House is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof and a central entry with sidelight windows. The form is basically Federal, but the decorative trim elements are Greek Revival in style, except for the early 20th-century entry hood. This house was built c. 1830.
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The front entry is framed by half-length sidelight windows and pilasters supporting an entablature. The interior has retained much of its original woodwork and finish. The land this house stands on was originally granted to Increase Nowell, who never lived on his grant. By 1651 Richard Gardner was living on this land, which he purchased in 1659.
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The Edward Oakes House is a historic house at 5 Sylvia Road in Medford, Massachusetts. It is a 2-1/2 story timber frame house, five bays wide, with a gambrel roof, wood shingle siding, and a brick foundation. A rear leanto section gives the house a saltbox appearance. The main entrance is flanked by sidelight windows.
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The dominant feature of the house is its porch, which extends across the front and around the right side. Its roof is supported by bulky Tuscan columns, with a balustrade of turned spindles. The main entrance is framed by sidelight and transom windows, with slender Tuscan columns flanking its outer edges. The interior features high quality period woodwork that is largely unaltered.
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The two story wood frame house was built c. 1790, and is a fine local example of Federal styling. It has an L shape, with intersecting hip roofs, and two interior chimneys. The main entry is centered on the five-bay front facade, and is elaborately framed with sidelight windows and a fanlight, and is sheltered by a portico with Tuscan columns.
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The James Smith House is a historic colonial house in Needham, Massachusetts. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof and clapboard siding. Its front facade is symmetrical, with a center entrance with a Greek Revival surround consisting of flanking sidelight windows and a flat entablature above. The house was built c.
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Its main facade is five bays wide, with a center entrance flanked by sidelight windows. The interior follows a typical center-chimney plan, with an narrow entrance vestibule, parlors on either side of the chimney, and long kitchen behind the chimney. It retains original period fireplace surrounds and other woodwork. There are modern additions extending to the south and northeast.
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The entrance has a Greek Revival surround, with sidelight windows and Doric pilasters rising to an entablature and dentillated cornice. A single-story ell extends to the left of the main block, and another of unknown date extends to the rear. With The house was built in 1757. It underwent a substantial updating about 1840, when the entryway surround was added.
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The two-story wood-frame house was built c. 1768 by Samuel Jackson, the great-grandson of Edward Jackson, one of Newton's early settlers. The five-bay facade is typical of Federal style houses, as are the rear twin chimneys. The front porch, with its fluted columns, is a 19th-century addition, as are the sidelight windows flanking the front door.
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The N. S. Mason House is a historic house at 58 Tremont Street in Taunton, Massachusetts. Built in 1865, the -story Italianate-style side-hall-plan house features decorative porch and window moldings and bracketed gables and eaves. A large wraparound porch is highlighted by a corner cupola. Its main entrance is flanked by sidelight windows and framed by a molded surround.
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The Clyde Carter house has a flat, parapet roof, with a decorative course of brick. The façade is clad in stucco, and the base is scored to mimic a stone finish. The main entrance has a sidelight and is flanked by two single-pane windows. The elaborate metal storm door and front porch balustrade are obvious cues of the Spanish Eclectic style.
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The main facade is three bays wide, with a symmetrical appearance. The main entry is accessed by a walk lined with brick walls the join to the house walls. The entry, recessed into the brick wall, is flanked by sidelight windows. The outside of the recess is framed by pilasters and topped by an entablature and a segmented-arch pediment.
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The entablature is continued around the sides of the building. The facade behind the portico is finished in flushboard, and the windows there have eared corner mouldings. The main entrance, at the center of the facade, is framed by sidelight and transom windows, with a corniced architrave above. The house was built about 1841 by Benjamin Kent, a local carpenter.
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The windows are set in rectangular openings, with brick sills and brick soldier courses above. The entrance is flanked by sidelight windows and topped by a transom, with a keystoned brick arch pattern above. Some of the garage bays on each side have been enclosed and adapted to other uses. The upper level of the building houses two detention cells and storage space.
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The front facade is symmetrical, with a pair of entrances flanking a central window. Each entrance is flanked by sidelight windows and framed by plain trim. The entrances lead into separate small vestibules, which give way to a single large chamber. Interior lighting is provided by kerosene lamps and chandelier, and the space is lined with bench pews facing a raised pulpit area.
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It is constructed of masonry block painted to match the brick. On the west elevation of the west wing are Palladian windows with fluted pilasters dividing the taller windows from the shorter ones. Its entrance, on the small north arm, has a glass door with a curved broken pediment and sidelight. The roof parapet is topped by brown stone coping.
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A triangular louver occupies the center of the gable. The main entrance is in the rightmost bay, framed by sidelight windows and pilasters, with a corniced entablature above. To the left (as seen from the road) is a single-story ell with similar styling, including corner pilasters. The right ell includes what is probably the oldest part of the house.
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It is a 2-1/2 story wood frame structure, two bays in width, with a front-facing gable roof and a porch extending across the front supported by Ionic columns. The entrance is flanked by sidelight windows and wide pilasters. The house was built c. 1848, and is one of the earliest houses built when Auburndale was subdivided for development.
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The House at 1 Woodcrest Drive in Wakefield, Massachusetts is a well-preserved late 18th-century Federal-style house. Built c. 1789, the -story timber-frame house has a typical five-bay front facade with center entry, and two interior chimneys. The doorway is framed by a surround with -length sidelight windows and flanking pilasters, topped by a modest entablature.
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It has two brick chimneys, one placed near the center, and another at the west end. The main facade is five bays wide, with sash windows arranged symmetrically on either side of the center entrance. The entry door is flanked by sidelight windows. A single-story ell, its front flush with that of the main block, extends to the right.
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The House at 19 Tremont Street is the smallest extant 19th century worker's cottage in Stoneham, Massachusetts. Built c. 1850, it is a stylistically vernacular single-story wood frame structure, four bays wide, with a side gable roof, clapboard siding, and a brick foundation. Its only significant decorative features is its entry, which has sidelight windows typical of the Greek Revival period.
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The main entrance has an elaborate Corinthian surround with sidelight and transom windows beneath a corniced entablature. The house was built c. 1845, and is one of Worcester's most elaborate Greek Revival houses. Its original location and builder are unknown (although the later may be the locally prominent Elias Carter, based on stylistic evidence) but believed to be closer to the downtown area.
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The facade has three bays, which do not quite align within the bays created by portico columns. The main entrance is in the rightmost bay, flanked by sidelight windows and topped by a Federal style fanlight. A two-story ell and single-story shed project to the rear. The interior of the house is decorated with modest Federal period elements.
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The Charles Williams House is a historic house at 108 Cross Street in Somerville, Massachusetts. The 2-1/2 story wood frame Italianate house was built c. 1848 for Charles Williams, a hat dealer. The central projecting section has a Palladian window on the second floor, above a recessed entranceway where the door is surrounded by sidelight and transom windows.
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The main entrance is in the rightmost bay, framed by sidelight and transom windows, and topped by a peaked lintel stone. The mortar in the walls appears to be original. The interior of the house follows a typical side-hall plan, and retains much original woodwork, which is typically Greek Revival or vernacular. The house was built in 1850 for Henry B. Bissell.
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The 1-1/2 story, timber-framed house has a side gable roof, a large central chimney, and a solid granite foundation. The main facade is five bays wide, with a center entrance flanked by sidelight windows and pilasters. An ell and sunporch extend to the rear of the original main block. The house was built around 1784 by John Wade, a tanner.
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Both the porch and the main building have corner pilasters, with pilasters also present between pairs of windows on the porch. They rise to an entablature and modillioned cornice. The main entrance is at the center of the porch, flanked by wide sidelight windows, and a transom window above with ten small lights. The building interior retains high quality original workmanship.
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It has a typical three-bay side-hall plan, with corner pilasters and a main entry surround consisting of long sidelight windows framed by pilasters and topped by an entablature. The windows are topped by shallow pedimented lintels. Charles Manning was a longtime Reading resident and part of its woodworking community, building parlor desks. Reading's Manning Street is named for him.
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It is a -story brick structure, three bays wide, with a side-gable roof and a single end chimney. The entrance, located in the rightmost bay, is in a recess flanked by sidelight windows. The recess is framed by a Greek Revival surround with pilasters and entablature. Built in 1831, this house is a locally rare example of late Federal style architecture with a side-hall plan.
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The Heywood House is set facing south on the north side of Maine Street, overlooking the Penobscot River. It is a 2-1/2 story brick structure, with a side gable roof, four end chimneys, and a dressed granite foundation. The main facade is five bays wide, its windows featuring splayed sills and lintels. The main entrance is flanked by sidelight windows and topped by fanlight window.
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The Wyeth-Smith House is an historic house in Cambridge, Massachusetts. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof. Its only significant decorative element is the entrance, which is flanked by sidelight windows and pilasters, with an entablature above. It was built in 1820 by Jacob Wyeth, and leased to Ebenezer Smith, a tenant farmer.
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The Frauenthal House is a historic house at 2008 Arch Street in Little Rock, Arkansas. It is a two-story stuccoed structure, three bays wide, with a terra cotta hip roof. Its front entry is sheltered by a Colonial Revival portico, supported by fluted Doric columns and topped by an iron railing. The entrance has a half-glass door and is flanked by sidelight windows.
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The three story brick house was built in 1809 for Thomas March Woodbridge, owner of a local tannery. Its construction has been attributed to noted Salem builder Samuel McIntire, based on its similarity to other McIntire works. It is square, with five bays on each side. The front door is centered on the main facade topped by a semi- elliptical fanlight and flanked by sidelight windows.
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The entrance is sheltered by a narrow portico, which has paired Corinthian columns rising to an entablature and bracketed full pediment. The library's name appears on the entablature. The entry is set in a round-arch opening, with flanking sidelight windows and a half-round transom window above. The interior has fine decorative woodwork, and is laid out with a central librarian's desk and flanking reading rooms.
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The house's corners are quoined. The main entry is flanked by slender columns supporting an architrave, and then by sidelight windows topped by a transom window. A Palladian window stands to the right of the door, and a bay window with a center transom of colored glass stands to the left. The house was listed on the National Register of Historic Places in 1983.
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The front entrance is at the center, flanked by sidelight windows and pilasters. It is sheltered by a shed-roof portico with slender round columns. A Palladian window is set above the entrance, with pilasters articulating its elements. The house was built in the 1820s by John Glover Noble, a descendant of one of New Milford's founders, and remained in the family for several generations.
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The pediment houses a small sash window. Under the portico the facade is two bays wide, with the entrance in the left bay. The entry is flanked by sidelight windows and pilasters and topped by an entablature. The house was built in 1849 by James Sullivan Wiley, a native of Mercer who became principal of Foxcroft Academy after graduating from Waterville (now Colby) College in 1836.
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In the center is a sidelight front entrance with a tripartite window located above. Double hung six over six windows with sandstone lintels and caps are on each side, with the lower windows running to floor length. A wide front porch spans the entire width of the house front. There are three other porches, two on the one side and one on the other.
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The 2-1/2 story wood frame house was built in the 1840s, and is an exceptional example of a modest Greek Revival house. The first floor area under the wraparound porch is flushboarded, and the front entry is flanked by sidelight windows and cornerboards. The house has pilastered corner boards and a full entablature. Houses of this type were once quite common in Newton.
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The roof is pierced by segmented-arch dormers on the projections, and a gabled dormer at the center, each with bracketed moulded surrounds. Windows in the bays have similar surrounds, with projecting segmented-arch moulded projections above. The porch is supported by square posts, and projects forward beyond the flanking bays and outward to encompass their inner faces. The entrance is flanked by sidelight windows.
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The main entrance is in the center bay, with flanking sidelight windows and a half-round transom window. On the second floor above there is a Palladian window. On the interior, it has a standard center hall with staircase, with public rooms in front and service rooms in back. A two-story wing extends to the north, and a single story wing extends further from that ell.
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The front facade is three bays wide, with the main entrance in the rightmost bay. It is sheltered by flat-roof portico, and has sidelight and transom windows, with flanking pilasters. The ground floor windows are elongated, and the second-floor windows are of a more typical sash size, with sills and lintels of brownstone. On the side elevations there are small windows in the attic level.
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Entrances at each level are located at the center, with flanking sidelight windows and pilasters, and fanlight windows above. In 1787, the state of Georgia granted George Walton 100 acres outside Augusta for his services to the state. Walton had "College Hill" built on this land in 1795, moving there from Meadow Garden. The house has been in the hands of his descendants (named Harper) since then.
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The house is a large three-story wood frame structure, set on a lot roughly in size, built in 1791 for Colonel Joseph Nightingale. Its main facade is five bays wide, with a central projecting section. The center entrance is framed by sidelight windows and topped by an elliptical fanlight window. This framing is one of the earliest known uses of such windows in the United States.
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The main entrance is in the rightmost bay, sheltered by a hip-roof portico supported by fluted Doric columns. The door is framed by sidelight and transom windows with leaded lights. A two-story ell extends to the rear of the main block, with a shed/garage beyond. The interior is not as sophisticated as the exterior, with a modest open staircase and cast iron fireplace surrounds.
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The roof of the front section has elongated eaves, extending over side porches supported by square columns. The front facade is three bays wide, with a recessed entrance in the right bay. The recess has paneled sides, and the door is flanked by sidelight windows. The north and south sides each have secondary entrances, and the interior is arranged in a cruciform hall plan.
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The Bedford Brown Bethell House is a historic house at 2nd and Curran Streets in Des Arc, Arkansas. It is a 2-1/2 story wood frame structure, with a hip roof and weatherboard siding. The main facade is symmetrical, with a single- story hip-roofed porch that wraps around the left side. The main entrance is framed by sidelight windows, and topped by a transom.
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It has en elaborate entrance surround, with sidelight windows, pilasters, and a corniced entablature. Above the entrance is a Palladian three-part window that is probably a later addition. The interior follows a central hall plan, and has a particularly fine carved central staircase. This large Federal style house was built in 1820 by Elias Boardman, a builder who had worked extensively in Boston.
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The Tyler Mowry House is an historic house in North Smithfield, Rhode Island. It is a 2-1/2 story wood frame structure, five bays wide, with a gable roof and two interior chimneys. The entry is centered on the main (south-facing) facade, with sidelight windows and pilasters supporting a complex entablature and cornice. A 1-1/2 story ell extends to the east.
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The Suell Winn House is a historic house at 72-74 Elm Street in Wakefield, Massachusetts. The house was built c. 1813 for Major Suell Winn, a local farmer, and is one of the best representatives of Federal-style architecture in Wakefield. It is a -story wood-frame structure, with two interior chimneys, a five-bay facade, and an elegant doorway with sidelight windows and an architrave.
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The entrance is flanked by sidelight windows and topped by an elaborate multipart semi-oval fanlight window. The interior retains high quality woodwork, including elaborate hand- carved fireplace mantels in the parlor and dining room. The showpiece of the house is its central staircase. It stands free in the center of the hall, rising to a landing where it reverses on both sides without any visible support.
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The entrance itself is flanked by sidelight windows and topped by a half-oval fanlight window, with pilasters matching the columns where the portico joins the wall. The rounded bays have curved three-part windows, with narrow sashes flanking large picture windows. Three hip-roof dormers pierce the front roof line. The main block of the house is flanked on either side by lower wings.
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The main facade, facing the street, is five bays wide, with windows arranged symmetrically around the center entrance. The entrance is set in a recess with paneled sides, and sidelight and transom windows. It originally had an entrance on the north side, but it has been closed up and a bathroom placed in its stead. Much of the original interior finish work has been preserved.
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The entry is sheltered by a gabled porch with turned posts, and is flanked by sidelight windows. One brick chimney rises off-center through the rear roof face, and another is set at one end. Attached to this main block are a connecting ell and garage of modern construction. The house was built about 1812, probably by Oliver Brooks around the time of his marriage.
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The main block is three bays wide, with the main entrance set in a recessed opening in the right bay, flanked by sidelight windows. The door and windows are set in rectangular openings with stone sills and lintels. There are two sash windows on the attic level, with a diamond-shaped brickwork pattern nearer the gable. The cornice edge of the gable consists of corbelled brickwork.
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The Houghton House stands south of St. Albans's central business district, on the west side of South Main Street opposite the Bellows Free Academy. It is a two-story wood-frame structure, with a low-pitch hip roof and clapboarded exterior. The front facade is five bays wide and symmetrical, with a center entrance flanked by sidelight windows. Above the entrance is a Palladian window.
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The doorway is recessed from the facade in a paneled opening, and is flanked by sidelight windows and topped by a transom window. The opening is flanked by fluted pilasters with elaborately-carved capitals, supporting a flat-roofed architrave. The roof is surrounded by a "chinese balustrade", a restoration of a feature the house was known to have earlier. Although long believed to have been built c.
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The entry is flanked by sidelight windows and framed by simple Greek Revival trim. A single-story shed-roof porch extends across the front, supported by fluted Doric columns. Its entablature extends around the sides of the porch, giving them a partially pedimented appearance. The main roof's side gables are also fully pedimented, with a narrow entablature extending around the building, and simple pilasters at the corners.
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Its hip roof is supported by Tuscan columns, and it has shingled skirts topped by low metal balustrades. Its two entrances are in the two center bays, each doorway flanked by sidelight windows; they share a molded lintel. Windows are topped by slightly projecting moulded cornices. The interior is divided into roughly symmetrical side-by-side units, each retaining some original 19th- century woodwork.
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The entry is framed by sidelight and transom windows with tracery. The interior also retains high quality wood work from its period of construction. The house was built about 1830 to a design by John Kutts, a prominent Boston-based architect. The house is of particular note because its original architectural drawings survive, as do contractor bills and other documents related to its construction.
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The Alfred Vinton House is a historic house at 417 Main Street in Winchester, Massachusetts. It is a two-story wood frame structure, three bays wide, with a side gable roof that has bracketed eaves. The front is symmetrically arranged, with a center entrance flanked by sidelight windows, and set under an elaborately decorated front porch. A round-arch window stands above the entrance.
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The Richard Sanger III House is a historic house in Sherborn, Massachusetts. It is a 2-1/2 story timber frame house, five bays wide, with a side gambrel roof and clapboard siding. The windows of the front facade are symmetrically placed, but the door is slightly off-center, flanked by sidelight windows and topped by a gabled pediment. The house was built c.
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The porch has a flat roof, and is supported by turned posts with decorative brackets, and has turned balusters. The main entrance is in the rightmost bay, and is framed by sidelight and transom windows. The other bays have simple sash windows, and are topped by relatively plain projecting cornices. The side elevation has a projecting polygonal bay, with small recessed panels above and below its windows.
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The C.R. Breckinridge House is a historic house at 504 North 16th Street in Fort Smith, Arkansas. It is a large two-story structure, with a hip roof, stuccoed walls, and a fieldstone foundation. A porch extends across the front facade, supported by seven box columns, with an open veranda above. The main entrance is flanked by sidelight windows and topped by a half-oval transom window.
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The Collison House is a historic house at 260 North Main Street in Bald Knob, Arkansas. It is a 1-1/2 story brick structure, with a side gable roof. It is a traditional linear ranch house with Colonial Revival features, including its main entry, which has sidelight windows and a fanlight above. The house was designed by Estes W. Mann and built in 1950 for Mrs.
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The Stannard House is located on the north side of downtown Burlington, at the northwest corner of George and Pearl Streets. It is a 2-1/2 story brick building, with a gabled roof. Its main facade is four bays wide, with the bays asymmetrically placed around a centered entrance. The entrance is set in a recess, with a columned entablature and full-length sidelight windows.
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The Sargent house consists of a 1-1/2 story main block, three bays wide, with a long ell. The main block is oriented to the southwest, with its centered entry framed by sidelight windows and pilasters, and topped by a simple entablature. The flanking windows are replacement sash windows, as are those on the other elevations. The house is finished in clapboards, completely obscuring the log structure.
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The gable above the porch has modillion blocks in the eaves, and a Federal style fan at the center of the pediment. The facade facing South Street is five bays, with a center entrance flanked by sidelight windows and sheltered by a gabled porch with a similar valance and turned posts. Most windows are sash, set in rectangular openings. The walls consist of quarried square-cut hammered stone blocks.
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It has a three-bay facade with the entrance at the center, framed by sidelight and transom windows. The new vestry is built against the rears of these two buildings. A Free Will Baptist congregation was established in what is today Ashland in 1818, when it was still part of Holderness. By 1830, the congregation had grown large enough to warrant a dedicated sanctuary, which was built in 1834.
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The Cate House is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof and twin interior chimneys. Its main entry centered on the main (east- facing) facade, has sidelight windows and a semi-elliptical fanlight window. A two-story ell extends to the rear. The interior has a central hall plan, with an elegant carved stairway and a unique curved door.
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The Captain Daniel Bradford House is a historic house in Duxbury, Massachusetts. The 2-1/2 story wood frame house was built in 1808 by Captaian Daniel Bradford, on land belonging to his father, Colonel Gamaliel Bradford. It is five bays wide and three deep, with a hip roof and large central chimney. The front entry is flanked by sidelight windows and pilasters, above which are a fanlight and a gable.
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The J.A. Noyes House is an historic house at 1 Highland Street in Cambridge, Massachusetts. It is a three-story wood frame structure, five bays wide with a gambrel roof and clapboard siding. The second floor hangs slightly over the first floor in a reminder of the early colonial garrison style. The main entrance is flanked by short sidelight windows and topped by a narrow semi- oval fanlight.
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The openings on the ground floor are topped by blind arches. The main entrance is set in a wider arched opening, with flanking sidelight windows exhibiting tracery, and a multilight arched transom window above. The interior retains original Federal period woodwork, including paneling, chair rails, and a partially hung circular staircase in the main hall. with The house was probably built not long after Jedediah Strong purchased the land in 1815.
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The entry is recessed, with sidelight windows immediately flanking the door, and pilasters with peaked lintels outside the recess. The building corners also have pilasters, which rise to an entablature which spans the front. A smaller single-story ell extends to the left at a recess to the main block. The house was built about 1860, most likely by John Chandler, a prolific local builder of plank-frame houses.
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The Eaton House is set on the north side of Sanford Road (Maine State Route 109), just west of the High Pine Baptist Church in northwestern Wells. The main block is a 1-1/2 story wood frame structure, five bays wide, with a central chimney and clapboard siding. Attached ells extend to the west, joining the house to a barn. The front entrance is simply styled, with sidelight windows.
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The Holmes-Crafts Homestead is a two-story wood frame structure, five bays wide, with a hip roof and two chimneys placed near the rear. A gable-roofed ell extends to the rear of the main block. The house has retained a large amount of is exterior finish, including original clapboards and windows. The main entrance has a Federal style surround with sidelight windows and a carved panel above.
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The Marwood Apartments is a U-shaped four- and-a-half-story, Neoclassical multi-tone red brick building. It has a flat roof and a raised basement. The U shape creates a narrow courtyard in the center, which leads to the building entrance at the back of the courtyard. The entrance is located in a projecting, one-story pavilion, and consists of a door with surrounding sidelight and transom.
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It is a 2-1/2 story masonry structure, five bays wide, with a side gable roof. Wood-framed ells extend to the rear, which are finished in weatherboard. The front roof is pierced by four gabled dormers, and the entrance, set in at the center of the front facade, is recessed in an opening with flanking sidelight and transom windows. The opening is topped by an entablature with cornice.
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The Montague House is a two-story brick structure with a broad, symmetrical facade, including a projecting, veranda-fronted central section. It has square-head windows and a simply detailed transom-and-sidelight entrance, giving the house a Greek Revival look. However, the broadly projecting eaves of the house and hip roof show an Italianate influence. The house serves as the office for Western Michigan University's Association of American University Professors.
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Auburn is a two-story brick building, with a central core and flanking symmetrical wings. A four-column temple front adorns the center of the block, with modified Ionic columns supporting an entablature and fully pedimented gable. The gable has modillioned cornices and an oval window at its center. The main entrance is set in a segmented-arch opening along with flanking sidelight windows and a transom window above.
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It is oriented with its main facade facing roughly south, and a secondary side elevation toward the road. The main facade is five bays wide, with a center entrance. The entry is flanked by unusual sidelight windows which include a sliding sash, with pilasters outside rising to an entablature. Windows are set in rectangular openings with delicate Federal moulding, the second-story windows smaller than those on the first floor.
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The Ives House is a 3-1/2 story brick structure, with a hip roof surrounded by a low balustrade. The front facade and sides are laid in Flemish bond, while the back wall is laid in American bond. The front is five bays wide, with a single-story circular porch (an 1884 addition) sheltering the centered entry. The doorway is flanked by sidelight windows and topped by an elliptical fanlight.
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Each sidelight is flanked by two columns or pilasters and topped by a small entablature. The entablatures serve as imposts supporting the semicircular arch that tops the central light. In the library at Venice, Sansovino varied the design by substituting columns for the two inner pilasters. To describe its origin as being either Palladian or Venetian is not accurate; the motif was first used by Donato BramanteAckerman, Jaaes S. (1994).
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The Crowninshield House stands at the southwest corner of Marlborough and Dartmouth Street. It is a four-story brick building, featuring a variety of trim in black brick, brownstone, and decorative green and blue tiles. It has a mansard roof, and a projecting two-story entrance section at the center of the main facade. The entry is flanked by sidelight windows and sheltered by a semicircular wrought iron hood.
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The main entrance door has leaded glass sidelight and transom windows. The interior has high-quality oak woodwork, and an oak fireplace with Italian tile. There is a bay window above the main entrance, and a two-story bay on the side. The house was designed by Fall River architect Edward I. Marvell for Francis L. Gardner, a descendant of the Gardners for whom Gardner's Neck is named.
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The main entry is flanked by sidelight windows and pilasters, and is topped by an entablature. The building's corners are also pilastered, rising to an entablature that extends across the front at the eave. A 1-1/2 story ell extends to the right, set back from the main block. It also has a central chimney, and a recessed porch in its left side, supported by a square column.
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The main facade is symmetrical, with a pair of entrances, each flanked by pilasters, sidelight windows, and outer pilasters, and topped by entablatures and peaked cornices. Windows on the second level also have peaked cornices. and Tuftonboro's Methodist congregation first met in 1804, and its first church building was constructed in 1820. The present building was erected sometime between 1849 and 1854; the congregation ascribes its construction to 1853.
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It has a particularly elaborate Greek Revival front entry surround, with sidelight windows and fluted moulding. The main block is joined to a 19th-century barn by a series of smaller ells. The house was built in 1843, and is one of a cluster of locally significant plank- frame houses. This house belonged to Walter Nelson, who was the first to identify and document Goshen's numerous plank-framed houses.
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The library is a single-storey wood frame structure, with a hip roof, walls sheathed in wood shingles, and a granite foundation. A slightly-projecting gable hangs over the entrance, which is centered the three-bay main facade. The doorway is flanked by sidelight windows with diamond panes, echoing a feature in the elliptical hood which surmounts the door. The gable is supported by a pair of console brackets.
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Its formal facades face east (toward the street) and west (toward the harbor); both are five bays wide, with a center entrance flanked by sidelight windows and topped by a narrow cornice. A single-story ell extends to one side. Monhegan Island was purchased in 1777 by Henry Trefethern, a native of Kittery, Maine. After his death in 1806, the island was divided among his heirs, and property ownership diversified thereafter.
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It has four chimneys rising from its exterior side walls. Its center entry is flanked by sidelight windows, topped by a fanlight window, and sheltered by a portico supported by paired Ionic columns. The window above the entry is a 1968 alteration salvaged from a house of similar vintage in Pawtucket. The interior has retained much of its original woodwork, despite the numerous uses the house has seen.
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The Fuller-Weston House stands on the east side of Summer Street, a largely residential street north of the city's downtown. It is oriented facing south. It is a two-story wood frame structure, with a hip roof, clapboard siding, and granite foundation. It has a five-bay main facade, with a center entrance flanked by sidelight windows and pilasters, and topped by a Federal style louvered fan.
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The porch wraps around the sides of the house, and has a hip roof. The main entrance is in the middle bay of three, and is flanked by sidelight windows and topped by a four-light transom window. The upper level of the house has a side-gable roof, with three dormers facing front. The central dormer is larger, with a gable roof, while the flanking dormers have hip roofs.
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The entrance is framed by sidelight windows and topped by a semi-oval fanlight window. An enclosed hip-roof porch extends across the right side. The house had an associated 19th-century barn into the late 20th century; a modern block of condominiums extends to the rear over its site. The house was most likely built sometime before 1792; it exhibits high- quality Federal styling despite the application of modern siding.
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The Henry Pyeatte House is a historic house near Canehill, Arkansas. Located on a rise west of Arkansas Highway 45, it is a vernacular wood-frame I-house structure, two stories high, with single-story ells attached to the eastern and western sides. A front-gable portico projects over the centered entrance, supported by box columns. The entrance is framed by sidelight windows, with a transom window above.
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The Daniel Aldrich property is located on the south side of Aldrich Street in a rural area of central southern Uxbridge. The house is a 1-1/2 story brick structure, with a side gable roof and end chimneys. The front facade is laid in stretcher bond, while the other sides are laid in common bond. The front has five bays, with a center entrance flanked by sidelight windows.
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The main entrance is at the center, flanked by sidelight windows and topped by an entablature and granite lintel. Windows are set in rectangular openings, with granite sills, and granite lintels on the first floor windows. The street-facing east facade has a pedimented brick gable with a deep recess at the center and ogee crown moulding along the rake edge. The house was built by Charles Graham about 1836.
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The church is a rectangular brick structure, set well back from Main Street, with a gable roof whose end faces the street. It exhibits modest Federal styling, with a pair of entry doors on the front facade, each with narrow sidelight windows and topped by a decorative fan. Above each door is a single sash window, with 12 over 8 lights. The gable pediment also has a decorative fan.
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The house's main block has a five- bay front facade, articulated by brick pilasters with granite capitals. Windows are rectangular sash, set in openings with granite sills and lintels. The window above the entrance is a three-section window, with narrow side windows in the Palladian style. The entrance is recessed in a rectangular granite-lined openings, with flanking sidelight windows and round columns, and a large transom window above.
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The Joseph Parker House is a historic house at 107 Grove Street in Reading, Massachusetts. The 2.5 story wood frame house was probably built around 1795, when it first appeared on local maps. It is predominantly Federal in its styling, with smaller second-story windows and boxed cornices. Its center entry surround is a Greek Revival feature, with an architrave surround with corner blocks and half-length sidelight windows.
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The main entrance is set under a broad modillioned pediment, which is supported by four pilasters, with wide sidelight windows between the outer pairs. First-floor windows are framed by pedimented lintels and bracketed sills, while the second-floor windows have flatter cornices. The main roof line is modillioned, as is the gable above, which has a round window at its center. The interior follows a plan known in Charleston as a "double house".
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The Blacklock House is set on the southern edge of the College of Charleston campus in central Charleston, on the north side of Bull Street. The house is a two-story brick house, set on a high brick basement. Its roof is hipped, with a gable above the center entrance. The entrance is reached by a double flight of stairs with iron railings, and is flanked by sidelight windows, with a fanlight window above.
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The entrance is flanked by sidelight windows and is topped by a molded hood; there is a sash window in the gable above. The house was built about 1837 and expanded twice, the last time about 1900. Edith Marion Patch purchased the house, which sat on a parcel of land more than in size, in 1913. She sold off the land across College Avenue, and lived in this house with her sister Alice.
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The farmhouse is set on the east side of the road facing west, and is a 2-1/2 story brick I-house with Greek Revival features. Doors and windows are set in openings with marble sills and lintels. The main entrance is flanked by sidelight windows and topped by a transom window with X-shaped dividers. A wood-frame ell, like the main block topped by a gable roof, extends to the rear.
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The Prince House stands in far western Yarmouth, on the northeast side of Greely Road, just north of Maxfield Brook. It is a -story wood-frame structure, with a side-gable roof, central chimney, clapboard siding, and a granite block foundation. A long single-story ell extends to the rear. The main facade is five bays wide, with a central entrance that is framed by sidelight windows and pilasters, with an elliptical fanlight above.
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The entrance is flanked by sidelight windows and sheltered by a projecting portico with Ionic columns. John Cook, a local tailor and merchant, purchased land for the house in 1805 and 1806, and built it soon afterward. It is one of the oldest stone buildings in New Haven; Timothy Dwight reported in 1800 that the city had none. Cook sold the house in 1814 to Captain James Goodrich, a privateer in the War of 1812.
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The center entry is framed by sidelight windows and topped by an entablature. The first-floor windows are typical 6-over-6 sash windows, while there are small 3-over-3 windows set in the kneewalls of the second floor. The rear ell, a similar -story structure with slightly extended height, is oriented with its gable perpendicular to that of the main house. It is joined at the other end to a small barn.
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Its main facade, facing south, is symmetrically arranged, with a center entrance flanked by sidelight windows and sheltered by a gabled porch. Deacon Timothy Kingsbury purchased the land on which this house stands in 1702, and was one of the leaders of the effort to incorporate Needham, which succeeded in 1711. He is known to have built a house on his land c. 1710, and local historians typically ascribed that date to this house.
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The Davis Mills House is a historic house at 945 Central Avenue in Needham, Massachusetts. It is 2-1/2 story wood frame house, five bays wide, with a side gable roof, two interior chimneys, and clapboard siding. It has a Greek Revival entrance, flanked by sidelight windows and pilasters and topped by an entablature. The house was built in 1834 by Davis Mills, member of one of Needham's major landowning families at the time.
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The front facade, facing north to the street, is symmetrically arranged, with a center entry framed by sidelight windows and topped by a fanlight window. Above the entrance on the second level is a Palladian window; the remaining windows are rectangular sash windows, set below blind semi-oval transoms. The interior retains significant original woodwork and hardware. The house was built in 1807-09 by Theophilus Crawford, a local farmer and sawmill owner.
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The Mathis-Hyde House is a historic house at 400 North Second Street in Augusta, Arkansas. It is a single-story wood frame structure, three bays wide, with a front facing gable roof and a temple-front porch sheltering its centered entrance. The entrance is flanked by sidelight windows and topped by a three-light transom window. The porch has a wide freeze and pedimented gable, and is supported by round columns with simple capitals.
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It is recessed in a paneled opening, which is framed by pilasters and topped by a peaked gable. Within the recess, the door, a modern replacement, is flanked by sidelight windows. A two-story ell extends to the rear. The area where the Clarke-Glover house was built was primarily farmland until the early 19th century, when South Street began to be lined by houses of established and well-to-do families on spacious lots.
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The John Woodward House is a historic house at 50 Fairlee Road in Newton, Massachusetts. Built sometime before 1686, it is one of the city's oldest surviving buildings. It is a -story timber-frame structure, with a large central chimney, and is four bays wide and one deep. Its front entry has sidelight windows that were probably added in the 19th century, and the entry is enclosed in a Colonial Revival portico.
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The main facade is five bays wide, with a central entry set in a round-arch opening with flanking sidelight windows. The house was built in 1832 by Levi Sewall, owner of a granite quarry located on Pigeon Cove. Stone for this house was hauled from the quarry by teams of oxen. Sewall was one of Rockport's leading quarry owners, his business operating independently until its merger in 1921 with the Rockport Granite Company.
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The central block is five bays wide beneath a steeply pitched, end gable, slate roof. There are shed roof dormers on both the east and west sides of the roof, and one interior brick chimney. Windows are 12/12 original double-hung sash on the first floor and 8/8 in the dormers. There is a glass-and-aluminum replacement entry on the east with a single leaf door and sidelight beneath a transom.
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The Witter House is located in the roughly linear village of Chaplin, on the west side of Chaplin Street a short way south of its junction with Tower Hill Road. The 2-1/2 story brick structure is a late example of Georgian architecture. It is five bays wide, with paired chimneys at the ends of the hip roof. The centered entrance is flanked by arched sidelight windows, and has a fanlight above.
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It is five bays wide, with a central entry on the main (eastern) facade that is flanked by sidelight windows and topped by a transom window. On the second floor above this entry is another door, which (unlike the present main door) is probably original to the house. The house was listed on the National Register of Historic Places in 1993, at which time it was reported to be in deteriorating condition.
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A single-story porch extends across the front, with rounded projections in the side bays, and clustered columns mounted on moulded blocks for support. The main entrance is flanked by pilasters and sidelight windows, and toppedy by a decorative rounded fanlight; there are carved wooden oak leaves in the spandrels above the fanlight. The interior features relatively unaltered original woodwork and plaster. A period two-story ell extends to the rear of the main block.
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The roof's peak is truncated, the flat top section ringed by a low balustrade. The front face of the roof has two dormers, topped by gabled roofs and covering round-arch windows. The main facade is five bays wide, with sash windows set in rectangular openings, with stone sills and splayed stone lintels. The main entrance is at the center, with flanking sidelight windows and pilasters, and a large half-round transom window above.
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The Edmund Fowle House is located northeast of Watertown Square, on the south side of Marshall Street between Spring and Mount Auburn Streets. It is a two-story wood-frame structure, with a hip roof, central chimney, and clapboarded exterior. It has a five-bay front facade, with a center entrance sheltered by a projecting enclosed flat-roofed vestibule. The vestibule entry is flanked by sidelight windows and framed by fluted moulding.
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Closely spaced pairs of sash windows are found on the outer bays, with the entrance in the center bay, flanked by sidelight windows and topped by a semi-oval fanlight window. At the second level above the entrance is a sash window with flanking sidelights. Ells extend the house to the rear. The house is noted in part because it was decorated by the itinerant muralist Jonathan D. Poor, probably sometime in the 1830s.
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The main body of the house is clad in weatherboard, while the enclosed dogtrot is flushboarded, with a porch in the rear and a projecting gable-roofed entry in the front. The entry is particularly elaborate for surviving period Greek Revival buildings, with both sidelight and transom windows. It is the only surviving antebellum house in the small town. The house was listed on the National Register of Historic Places in 1992.
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The porch is supported by four square columns, with an entablature with round- arch connections to the posts. The center entry has sidelight windows. The right (southeast) side of the house has a single-story projecting bay window, and a two-story ell with garage projects from the north rear of the house, creating an L shape. Horatio Alger was a prolific writer of somewhat formulaic upbeat rags-to-riches stories aimed primarily at boys.
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The Ira Loomis Jr. House is located in southern Windsor, on the west side of Windsor Avenue, between Giddings Avenue and Ludlow Road. It is a 2-1/2 story brick structure, with a front-facing gabled roof. There are two brick chimneys remaining of four that were originally symmetrically placed. The main facade is three bays wide, with the main entrance in the leftmost bay, framed by sidelight and transom windows.
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The Caleb Lothrop House is a historic house at 14 Summer Street in Cohasset, Massachusetts. The two-story hip-roof wood-frame house was built in 1821, and is the only brick-ended houses in the town. The house is a well-preserved example of Federal styling, featuring a center entry that is flanked by sidelight windows and pilasters. The house served for a time as the headquarters of the Cohasset Historical Society.
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It is one of a series of buildings characterized by flat fronts and stone trim. The facade is two bays wide, with the left bay narrower than the right. The left bay has the entrance on the first floor, recessed under a round arch whose exterior is faced in stone and whose interior walls are finished in wood paneling. The doorway is flanked by sidelight windows and topped by a fanlight window.
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All windows have black shutters, and are topped by lintels with a keystone. The main entrance is sheltered by an elliptical portico supported by four Corinthian columns. The doorway is framed by sidelight windows and an elliptical fanlight, with pilasters rising to the base of the portico top. The house interior features lavishly-carved woodwork in the public spaces on the first floor, including fireplace mantels, cornices, internal window shutters, and the stairway balustrades.
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Each section is covered by a hip roof. The main facade is three bays wide, with a shallow project central gabled section supported by paired Doric columns. Ground floor windows are set in segmented-arch openings with limestone keystones, and second-floor windows are set in rectangular openings with splayed lintels and keystones. The entrance is a double-leaf door with flanking sidelight windows and a large semi-oval transom window above.
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The porch is currently supported by grouped square columns with simple capitals; these are replacements for 19th-century columns that were more ornate. The main entrance is flanked by sidelight windows, and is framed by a molded surround rising to form a trefoil pattern. The corners of the house are quoined, a feature removed and later restored. Above the main entrance is a projecting oriel window, which is a 20th-century addition.
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The entrance is flanked by sidelight windows and topped by a transom. The wood used in construction is virgin cypress, some of it planed to a width of . The house was built on land acquired by Robert Harris in 1853, part of which was granted by President John Quincy Adams. The land was still in the hands of Harris' descendants in 1976, when it was listed on the National Register of Historic Places.
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The Valentine Wightman House stood in western Southington, on the west side of Mount Vernon Road at its junction with Whitman Road. It was a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its front facade was five bays wide, with a central entrance flanked by sidelight windows and narrow moulding, and topped by a peaked lintel. The gable ends slightly overhung the sidewalls.
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Its main facade is five bays wide, with a center entrance framed by sidelight windows. The house was built in 1828-30 by John Mead, Sr., an Englishman who settled here in the early 1800s. In 1828, his house was destroyed by a freak windstorm, and he decided to build a house that was capable of withstanding such events. It is the only house known in western Maine that uses English masonry methods.
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The two center units have single-story projecting rectangular bays, while the units flanking those have projecting rounded bays. The deeply recessed entries were originally Queen Anne in style, with sidelight and transom windows, but have modernized. The rowhouse was built in 1887 by William Claflin, a Newtonville resident and former Governor of Massachusetts. He was also one of Newtonville's principal real estate developers, owning a number of commercial and residential properties in the village.
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The Old Scott County Jail is a historic former county jail at 125 West 2nd Street in Waldron, Arkansas. It is currently home to the Scott County Historical and Genealogical Society. The building is a two-story structure, built of fieldstone covered in concrete, with a flat roof and a stone foundation. It has a single entrance, which has sidelight windows, and its windows now have decorative shutters rather than iron bars.
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It was extensively altered at the time, giving it an unusual five-bay front-gable Greek Revival appearance. A single story porch with fluted Doric columns spans the main facade, and the slightly-projecting central entry is flanked by sidelight windows. The house is one of several associated with the Sanderson family, who were early settlers of the area. The house was listed on the National Register of Historic Places in 1989.
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The main entrance was framed by sidelight windows and pilasters, with a fanlight window above. This entrance assembly was sheltered by a half-round portico supported by Doric columns and topped by a low balustrade. Most of the windows were regular sash, but that above the entrance was topped by a half-round window, and had more elaborate trim. The interior retained original period woodwork and plaster finishes, as well as wide pine floors.
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The Edward Little House stands on the west side of Main Street, south of Auburn's downtown area, at the corner of Vine Street. It is a -story wood- frame structure, five bays wide, with a center entry flanked by sidelight windows and topped by a fanlight. A two-story ell extends from the southern part of the rear. The interior is well preserved, its Federal period details including a handsome curving central staircase.
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The Dr. Albert H. Tribble House is a historic house at 100 Trivista Right Street in Hot Springs, Arkansas. It is a 3-1/2 story brick building, with a gabled roof and Classical Revival styling. Its main facade is symmetrical, with tall ground-floor windows flanking the main entrance, which has an arched transom and sidelight windows. It was built in 1938, and is possibly a design of Hot Springs architect Iven Donald McDaniel.
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The William Bland House near Glendale, Kentucky was built in 1850 by builder John Y. Hill. It was listed on the National Register of Historic Places in 1988. It is a two-story central passage plan brick house with elements of Federal style including its main entrance with three sidelight windows on each side and six transom windows, the only such entrance in Hardin County. The brick is laid in Flemish bond.
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Both of these facades are five bays wide, with a center entrance that has a distinctive surround. The south facade entry has flanking sidelight windows and pilasters, and is topped by a transom window and entablature, all in the Greek Revival style. The eastern entry has a simpler treatment, with no windows and an entablature with gabled pediment. The interior has retained much of its original late 19th-century woodwork and hardware.
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The south facade is four bays wide, two windows to the left of the entrance and one to its right. There are four windows on the second level, three on the third, and one at the attic level, the upper two levels both within the gable. The entrance projects slightly, and is flanked by sidelight windows. On the west facade is a larger gable-roofed entry projection with more elaborate decoration around the door.
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The current farm property consists of , a remnant of the purchased by Nathaniel Bennett in 1790. The house is a fairly typical south- facing five-bay Federal style wood frame structure, with a pair of interior brick chimneys. The central doorway is framed by sidelight windows and fluted pilasters, and topped by a wide frieze and cornice. An ell extends from the rear of the house, connecting it to an English barn.
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The main facade is three bays wide on the first floor and four on the second, with entrance at the center, framed by sidelight and transom windows. A single-story porch extends across the front, supported by latticed square posts. The house was probably built in the 1850s, when the Newton Corner area was dotted with country estates of wealthy Boston businessmen. In 1874 it was home to Seth Adams, one of Newton's wealthiest residents.
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The Kimball Farmer House is a historic house in Arlington, Massachusetts. This two-story wood-frame house was built in 1826 by Kimball Farmer, a farmer. The chimneys of this Federal style house are placed at the rear, a local variant, and its front entry is framed by sidelight windows topped with Gothic-style lancet tracing in the entablature. The property was owned by three generations of Farmers, and now houses commercial offices.
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The S. B. White House is a historic house at 8 Stevens Street in Winchester, Massachusetts. The 1-1/2 story wood frame house was built in the early 1850s, and is one of the finest local examples of Gothic Revival architecture. Its exterior is finished in clapboards, and its steeply-pitched gables are decorated with icicle-like vergeboard. Its entry is flanked by sidelight windows and sheltered by porch added later.
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The Danville Junction Grange hall is located in a rural area of northeastern Poland, on the north side of Harris Hill Road, just east of its junction with Poland Corner Road. It is a long rectangular wood frame structure, with a hip roof, clapboard siding, and a concrete foundation. The short front facade is symmetrically arranged, with three bays across. The entrance is at the center of the ground floor, with flanking sidelight windows.
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The Godfrey Ludwig House stands on the west side of SR 32 in northern Waldoboro, roughly midway between the town center and that of neighboring Jefferson. The house is a 1-1/2 story brick Cape style house, with a side gable roof, end chimneys, and a granite foundation. The brick walls are painted white. Its street-facing front facade is five bays wide, with a center entrance flanked by recessed sidelight windows.
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The Lithgow House stands northeast of the village of Dresden Mills, on the north side of Blinn Hill Road near the local cemetery. It is a 2-1/2 story wood frame structure, with a side gable roof pierced by two brick chimneys, and clapboard siding. The main facade faces south, and consists of three slightly asymmetrical bays. The entrance is in a gabled vestibule projecting from the center bay, flanked by sidelight windows.
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The main block is 7 bays wide, with an enclosed and pedimented entry that is flanked by sidelight windows and topped by a fanlight. To the east is a large wing, and an arcaded porch runs along the west side. The south facade faces the river, and has a bowed central section that rises to interrupt the roof's balustrade. Outbuildings on the property include a caretaker house, tea house, and service structures.
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The Prentiss-Payson House is a historic house in Arlington, Massachusetts. This 2-1/2 story clapboarded wood frame house was built in 1856 for two women named Prentiss and Payson. Its massing and some of its styling is Italianate, but the front door surround, with sidelight and transom windows, pilasters, and triangular pediment, is distinctly Greek Revival in character. A later resident was Prentiss Payson, organist at a local church and a music teacher.
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There are pilasters on the corners, and the front entry has a somewhat tall Federal style high entablature, with sidelight windows and plain side molding supporting a corniced entablature. A single-story ell extends to the rear of the main block. The house was probably built in the early 1850s. Benjamin Beard, its first owner, was the town's first jeweler, opening a store in 1847 after having previously worked for a local clock- and watchmaker.
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The Barnard House is a three-story brick structure, five bays wide and three deep, with a side gable roof. The entrance is centered on the front facade, and is sheltered by a portico supported by paired fluted Ionic columns. The entrance is flanked by sidelight windows and pilasters, and topped by a semi-circular four leaf transom window and an entablature. The only other significant exterior styling is the modillioned cornice below the roof line.
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The Tarbell House is a vernacular two-story, wood-frame structure, with a side gable roof, clapboard siding, and stone foundation. It is three asymmetrical bays wide, with a central brick chimney. The entrance is in the rightmost bay, with sidelight and transom windows and a shed-roofed portico supported by Doric columns and pilasters. The main block has been extended by a number of additions, most of which predate Ida Tarbell's ownership of the property.
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The Micajah Martin House stands in a rural setting in eastern Dublin, at the western end of Old Peterborough Road near its junction with New Hampshire Route 101. It is a -story timber-frame structure, with a gabled roof, clapboarded exterior, and large central chimney. Its main facade is five bays wide, with a center entrance that is framed by sidelight windows. A series of ells extend to the rear, joining the house to a barn.
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It has a low-pitch gabled roof, which is surrounded by a low balustrade, and is set on a granite foundation. Its main facade faces north, and is distinguished by a semicircular portico projecting over the center of five bays, supported by smooth Doric columns. This portico shelters the main entrance, which is flanked by sidelight windows and topped by a round arch. The round arch is repeated in the immediately flanking bays over sash windows.
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The porch is supported by Doric columns with differing details on the first and second floors. The main entrance is at the center of the five-bay facade, flanked by sidelight windows and pilasters, with a porch entrance directly above which has similar pilasters. An integral ell extends to the rear of the building. Both the main block and ell retain original features on the interior, including woodwork and door hardware, fireplace surrounds, and stencilwork on the walls.
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The main entrance is a six-panel wooden door with stained glass sidelight and transom. It opens onto a central hall, decorated with early Art Nouveau style wallpaper in an embossed floral pattern, running nearly the length of the house, giving access to parlors and other rooms paneled in cherry. A walnut staircase with turned balusters rises to the second floor. Doors at the west end of both hallways have stained glass in the pattern of the hall decoration.
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It has Greek Revival window treatments, and a Greek Revival door topped by a Federal style frieze and flanked by sidelight windows. The interior retains a similar combination of original woodwork. To the house's northwest are two barns of 19th-century construction, one of which may be older than the house. with The farm property is part of land acquired around the turn of the 19th century by Jesse Martin, a veteran of the American Revolutionary War.
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The Captain Oliver Bearse House stood south of Main Street in downtown Hyannis, on the west side of Pearl Street. It was a 2-1/2 story wood frame structure, with corner pilasters and an entablature that wrapped around the main block. Its entry was flanked by sidelight windows and pilasters, and topped by a heavy lintel and entablature. A five-bay two-story ell extended to the left, with a separate entrance at its center.
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The main entrance is in the rightmost bay of the 3-bay facade, recessed with sidelight and transom windows in an opening framed by pilasters and an entablature. The interior has largely been modernized, but three original fireplaces surviving, including one of locally quarried black marble. with Samuel Paddock Strong purchased the land for this house in 1832, and probably built the house not long afterward. Its designs are based in part on the published patterns of Asher Benjamin.
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ELTO outboards were made in a variety of sizes from the Cub, Pal and Ace, to the Ruddertwin and Lightwin. Elto Cub 0.5 HP - 8 lbs Elto Pal 0.9 HP - 1.1 HP Elto Ace 1.4 to 1.8 HP Produced for only two years, the Elto Cub is an interesting sidelight to the venerable history of the outboard motor industry. Weighing only 8.5 pounds, this .5 horsepower motor was advertised as the "world's lightest outboard" when introduced in 1939.
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The Marston House is a historic house at 429 Main Street in Clarendon, Arkansas. It is a single-story wood frame structure, five bays wide, with a side gable roof and a projecting gabled portico sheltering the center entrance. The portico is supported by paired columns, and the entrance is flanked by sidelight windows and topped by a transom. Built in 1870, this is one of Clarendon's oldest surviving houses, and a fine local example of Greek Revival architecture.
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The Jonathan Buck House (571 Woburn Street, c. 1795-1820) is an excellent local example of Federal architecture, and one of only a few period hip roofed houses in the town. It is the typical five bays wide and two deep, with a central doorway flanked by full-length sidelight windows and pilasters supporting a narrow entablature. The remaining contributing houses to the district were built later in the 19th century: the Henry Sheldon House (603 Woburn Street, c.
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The house is distinctive for having "Beverly jogs" on both sides of the house; this is a portion of the rear section that projects from the side of the house. The house was supposedly built by Roger Buck, an early colonial settler, and his son Ephraim, and was originally occupied by two families. Its exterior was restyled c. 1770 to give it Federal period styling, including a front door entry with 3/4 length sidelight windows and an entablature.
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The main facade is five bays wide, with the center entrance set in a recess with flanking sidelight windows and pilasters, and a transom window above. The house was built in about 1840, and is one of the city's oldest Greek Revival buildings. It was built for Orson Wells, who first settled in North Adams in the 1810s and established an acid production facility nearby. The Wellses were also involved in textile production that developed in nearby Braytonville.
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The building corners are pilastered, and the entrance features a Colonial Revival surround, with sidelight windows, pilasters, and a corniced entablature. The interior is finished in a blend of Federal, Greek Revival, and Colonial Revival styles, representing at least three different periods of construction and alteration. The house was built about 1795 by Thomas Harward, a Bowdoinham native whose first ship was built c. 1790 on Swan Island, located opposite Pork Point in the Kennebec River.
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The main facade is five bays wide, with sash windows flanking a center entrance. The entry has a six-panel door and full- length sidelight windows, and is sheltered by a gabled portico. Shed dormers adorn the front and rear roofs, and there is a garage extending to the left and a single-story enclosed porch to the rear. This house was built about 1860, and is one of the finer examples of the town's plank-frame houses.
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The main entrance is framed by sidelight windows and pilasters, which support an entablature with cornice. The house has traditionally been given a construction date of 1830, based on the carving of that number on one of its main beams. Land records suggest that it was built sometime before 1830 by James Palmer, whose son Hezekiah is recorded as its owner in 1852. Its transitional Colonial/Greek Revival styling and construction methods suggest an earlier date.
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The entrance is framed by sidelight windows, with a fanlight window above. A three-part window is on the second level above the entrance, and there is a gabled dormer-like section on the roofline, which has a decorative carved fan. The roof is encircled by a low balustrade. Attached to the rear (east) of this block is a 2-1/2 story five-bay hip-roof block that is the oldest part of the house.
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The W.H. Goulding House is located north of downtown Worcester, at the northeast corner of Dix and Lancaster Streets. It is a 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. Its main facade is three bays wide, with the entrance in the leftmost bay, flanked by sidelight windows and pilasters, and topped by a transom window. The front porch extends across the entire front, its hip roof supported by fluted Doric columns.
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After the race, the Malia had a significant impact on the historical development of the racing canoe. According to Tommy Holmes: > An interesting sidelight of the first Catalina-to-Newport race in 1959 was > the alleged pirating of a fiberglass plug of the Malia. This shell, > reportedly taken without authorization while the Malia awaited shipment back > to Hawaii, was later made into a mold. From this mold, and the hulls that > came from it, other molds were made.
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The South Sutton Meeting House is sited atop a knoll overlooking the village, on the west side of Meeting House Hill Road. Facing south, it is a 1-1/2 story wood frame structure, with a gabled roof. Its walls are sheathed in clapboards and rest on a granite foundation. Its main facade has two entries, each of which is flanked by sidelight windows and framed by a moulded casing based on designs published by Asher Benjamin.
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The Webster Congregational Church is a historic Congregational church off NH 127 on Long Street in Webster, New Hampshire, United States. The church was built in 1823 by George Pillsbury, a local builder, with interior joinery by William Abbot, another experienced church builder, and is an excellent representation of late Federal styling. The main facade has three entrances, each topped by a semicircular fanlight with reeded soffit. The central doorway has sidelight windows, while the flanking doors do not.
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The main entrance, sheltered by the porch, has Federal style sidelight windows and woodwork. The interior retains a number of original period features, although the main chimney and associated fireplaces have been removed. Two of the rooms in the house have early period stencilwork on the walls, and many rooms still have wide plank flooring. The tavern was built by Thomas Peabody, whose uncle Oliver was one of the first white settlers in the Gilead area.
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The Perry County Courthouse is located at Main and Pine Streets in the commercial heart of Perryville, Arkansas, the seat of Perry County. It is a two-story brick building, with a hip roof. It is very simply styled, with rectangular two-over-two windows set in unadorned openings (some in pairs). Its main entrance is deeply recessed in an opening framed by pilasters and an entablatured, with multi-light sidelight windows to either side of the door.
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The Veasey-DeArmond House is a historic house on Arkansas Highway 81, south of Monticello, Arkansas, near Lacey. It is one of the county's finest vernacular Greek Revival houses. The single-story wood-frame house was built in the 1850s on land granted to Abner Veasey by President James Buchanan, and follows a roughly Georgian-style center hall plan with parlor. The front entry is framed by sidelight windows, with a transom above, and pilasters flanking the windows.
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The Mary Alice Hammond House is a historic house on the southern outskirts of Searcy, Arkansas. It is located on the south side of Lee Lane (County Road 839), just west of its junction with Arkansas Highway 367. It is a single- story single-pile house with a side gable roof, and a porch extending across its front (north-facing) facade. Its front entrance is flanked by sidelight windows, and topped by a transom, with a molded hood surround.
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The house is set on the west side of Manning Street, in the northeastern part of the rural town of Holden. The main house is a 1-1/2 story wood-frame structure, four bays wide, with a side gable roof, central chimney, and stone foundation. Modern additions extend the house to the right and rear. The main entrance, in the bay second from left, is flanked by sidelight windows, with otherwise simple framing topped by a cornice.
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The main facade faces east, and has a center entrance with flanking sidelight windows that have oval tracery, and narrow pilasters, with a rectangular transom and entablature above. A square-headed Palladian window is set directly above the entrance. A Colonial Revival porch projects from the north gable end, and a 1-1/2 story ell extending to the building's rear. A 1-1/2 story Bungalow-style guest house stands just west of the house, and a c.
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The Dowley-Taylor House is set on the north side of Main Street, south of Worcester's downtown business district. It is a large two story rectangular block with a hip roof topped by an oversized cupola with a surrounding porch. Its front facade consists of a full height portico supported by Corinthian columns. The front door is centered on the five-bay facade, surrounded by sidelight and transom windows and topped by an elaborate entablature supported by pilasters.
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The Captain John Gunnison House is located in a rural setting of central Goshen, on the north side of Goshen Center Road about east of New Hampshire Route 31. It is a two-story wood frame structure, with a hip roof and clapboarded exterior. Its main facade has five bays, with the door centered, with flanking sidelight windows and a false fanlight above. A single-story porch extends across the center three bays, supported by round columns.
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The main entrance is centered on the front (west- facing) facade; it features sidelight windows and a broad elliptical fanlight, framed by pilasters and topped by a cornice. The interior of house has been modernized, but its principal showcase, murals in the central hall and stairwell, have been preserved, as has some of its woodwork. These were painted, probably c. 1830, by the itinerant artist Rufus Porter, and show harbor and woodland scenes typical of his work.
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The Hill–Physick–Keith House stands in the southern part of Philadelphia's Center City, freestanding on a parcel bounded by Delancey, Cypress, and South 4th Streets. It is a three-story brick building with Federal styling. It is covered by a hip roof, and has a three- bay main facade whose levels are separated by stone stringcourses. The main entrance is in the center bay, flanked by sidelight windows and topped by a large half-round transom window.
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The Peacock Tavern stands on the east side of US 201 in rural Richmond, opposite the entrance to Peacock Beach State Park. It is a two-story wood frame structure, with a hip roof and clapboard siding. It is seven bays wide, with a typical five-bay facade augmented by asymmetrically placed windows to the left. The front entrance is flanked by sidelight windows and pilasters, and topped by a decorative carved entablature and dentillated cornice.
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The main entrance is at the base of the projection, flanked by sidelight windows and topped by a half- round transom. Sash windows are placed in the other bays, framed by moulded surrounds. The construction date of this house is traditionally given as 1757, but there is no significant architectural evidence supporting a construction date before about 1800. Portions of the house (a stairway and some posts) appear to have been recycled from an older house.
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The entrance is itself asymmetrical, with a sidelight window on the left side and a transom window above. This is topped by a round-arch brick pattern set in the wall, with a projecting marble keystone. The wings are wood-framed and clad in vinyl siding; that on the left was originally used for customs inspections, but has been converted entirely into office space. Behind the main building is a World War II-era concrete block truck inspection facility.
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Built in the 1830s or 1840s, the 2.5 story wood frame house is a rare local example of a house transitional between Federal and Greek Revival styling. The side hall, front gable plan is typically Greek Revival, but some details are Federalist, such as the narrow corner boards, and a doorway flanked by sidelight windows and surrounded by an architrave with corner and center blocks. The house was listed on the National Register of Historic Places in 1980.
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It has sash windows on either side of a center entrance, which is flanked by sidelight windows. The door and windows both butt against the roof eave, a clear echo of how these types of houses were built in the 18th century. The interior is little altered since its construction, and includes a fireplace with paneled surround. The house was built in 1932, and is a rare local example of a well- preserved Colonial Revival cottage.
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The Zadock Taft House stands south of the center of Uxbridge, on the west side of South Main Street just north of its junction with Newell Road. It is a 2-1/2 story wood frame structure, with a side gable roof, two interior brick chimneys, and a clapboarded exterior. A single-story porch extends across the front facade. The building corners are pilastered, and the main entrance is framed by sidelight windows, pilasters and a corniced entablature.
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The Elwin Chase House stands a short way south of the village of East Topsham, on the east side of the Topsham-Corinth Road. It is a 2-1/2 story wood frame structure, with a front-facing gabled roof and clapboarded exterior. The main facade, facing toward the street, is three bays wide, with the entrance in the leftmost bay. It is flanked by sidelight windows and pilasters, and is topped by a transom window and entablature.
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The Carleton House is a 2-1/2 story wood frame structure, with a gable roof, two interior chimneys near the side walls, and a granite foundation. The main facade, facing south, is five bays wide, with a central entry that has flanking sidelight windows, and a Federal-style surround that has pilasters supported in an entablature with cornice. The windows are uniformly 12-over-12 sash. A single-story ell, probably an early addition, extends to the north.
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The Rockwell Kent Cottage and Studio occupy two discontiguous parcels of land on the north side of Horn Hill Road, overlooking the village on Monhegan Island. The cottage is a Cape style single-story wood-frame structure, with a side gable roof and shingled exterior. Short ells extend to either side from the gable ends. The main facade faces south, and is three bays wide, with the entrance in the rightmost bay, framed by sidelight windows.
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The Whittier House stands in a rural area of southern Danville, on the west side of Greenbanks Hollow Road a short way north of the Greenbanks Hollow Covered Bridge. It is a single-story wood-frame structure, with a gambrel roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with plain cornerboards and a narrow frieze. The center entrance has a Georgian surround, with sidelight windows and pilasters beneath a corniced entablature.
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The Charles Russell House is a historic house at 993 Main Street in Winchester, Massachusetts. The 2.5 story wood frame house was built by Charles Russell in 1841, on a site that was one of the first settled in what is now Winchester. The five-bay facade has a center entry that is framed by sidelight and transom windows, and is sheltered by a portico with fluted Ionic columns. The house also has corner pilasters and a high entablature.
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Walls have single-skin vertical boarding with external cross- bracing, and gable ends have weatherboard cladding and timber finials. The building is entered via central front steps and a panelled cedar front door with glass sidelights and fanlight. The rear verandah has been enclosed and provides access to the rear wing, but retains verandah fittings and features a similar central door, sidelight and fanlight assembly to the front. Each room has a two cedar sash windows to the verandahs.
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The Philip Leach House stands on the west side of the village of East Vassalboro, on the north side of Bog Road just west of the public library. It is a 1-1/2 story wood frame structure, with a gable roof and clapboarded exterior. Its main facade is five bays wide, with a central entrance flanked by sidelight windows. The parlor, located on the left side of the building, has been extensively adorned with stencilwork.
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Its date of construction is uncertain, but appears to fall within the period of Greek Revival popularity in Reading, between 1831 and 1857. The house has side gables (unlike the more typical Greek Revival front gable forms), with a gabled dormer above the center entry. The door is flanked by full-length sidelight windows and pilasters, which support a tall entablature. The house is believed to be associated with J.B. Leathe, a local shop owner and civic leader.
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The Luther Elliott House is a historic house in Reading, Massachusetts. The modestly sized 1.5-story wood-frame house was built in 1850 by Luther Elliott, a local cabinetmaker who developed an innovative method of sawing wood veneers. The house has numerous well preserved Greek Revival features, including corner pilasters, and a front door surrounded with sidelight windows and pilasters supporting a tall entablature. The house was listed on the National Register of Historic Places in 1984.
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The E. H. Brabrook House is an historic duplex house in Cambridge, Massachusetts. It is a two-story wood frame structure, six bays wide, with a side gable roof and a porch extending across its front facade. It was built in 1849 by Ezra Brabrook, a local furniture dealer. It is one of the first Italianate houses in Old Cambridge, retaining distinctive Greek Revival characteristics such as its corner pilasters and front door sidelight windows, while including an Italianate wide cornice and brackets.
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Clerestory ribbon windows here separate the wall plane from the roof, creating the effect of a floating roof The dark cedar wood of the walls contrasts with the white of the roof planes. A flush front door flanked by a floor-to-ceiling sidelight is covered by a roof extension, supported by columns, for protection. The interior contains approximately 2,200 square feet on one floor. It has a generally open plan, with the public areas defined by partitions and built-in furnishings.
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The H. Langford Warren House is an historic house at 6 Garden Terrace in Cambridge, Massachusetts. It is a three-story structure, with a stuccoed exterior and a brick foundation. Its entry is sheltered by a Renaissance Revival hood supported by columns, and is flanked by sidelight windows. The windows are generally uniform in size and shape, but the number of lights varies, and they are grouped in places (for example, the stairwell above the main entrance) to provide additional lighting.
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The Williams House is not the only Federal style house in Hudson, but it is significantly different from the others, most of which are located in the opposite end of the city, near the Hudson River. Williams' house used common bond for the entire house, while the other houses did the front in Flemish bond. It also lacks the sidelight or elliptical fanlight commonly surrounding the main entrance of a Federal house. These changes may reflect the different regional origins of their builders.
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The cornice on the main block is dentillated; that on the ell is plain. The main entrance is centered on the front facade, with sidelight windows on either side and a fanlight window above. The entry is sheltered by a portico supported by clustered square columns; this portico is a replacement to the original, made when the house was moved. There is a secondary entrance in the ell, which is sheltered by a closed-in porch dating to c. 1920.
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The Turnpike House was a historic house at in Methuen, Massachusetts. It was a 1-1/2 story wood frame structure with a side gable roof and a granite foundation, with two interior chimneys. The main entrance was flanked by full- length sidelight windows, and a two-story wing was added to its rear early in the 20th century. It was built, probably in 1806, after the construction of Essex Turnpike through Methuen, and was one of the city's oldest buildings.
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The Josiah Bronson House is located northeast of the village center of Middlebury, in a rural-suburban setting on the north side of Breakneck Hill Road. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with a symmetrical arrangement of windows around its main entrance. The entrance is unusually wide, with flanking sidelight windows; it was at one time sheltered by a wide portico.
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Gilchrest is located in a rural setting of eastern Harrisville, on the west side of New Hampshire Route 137, about south of its junction with Sargent Camp Road, and a short way north of Glenchrest, one of the other early farmsteads. It is a 1-1/2 story wood frame structure, with a gabled roof, end chimneys, and clapboarded exterior. Its main facade is five bays wide, with windows arranged symmetrically around the center entrance. The entry is flanked by sidelight windows.
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The Israel Whitney House is a historic house at 963 Central Avenue in Needham, Massachusetts. It is a two-and-a-half story wood frame house, five bays wide, with a side gable roof and clapboard siding. Its front facade is symmetrical, with a center entrance flanked by sidelight windows and pilasters, and a corniced entablature on top. The house was built in 1830 by Israel Whitney, who had married Mary Fuller, a descendant of one of Needham's early settlers.
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The Inness–Fitts property stands on the south side of Main Street (Massachusetts Route 109) in the Medfield's village center. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof clapboard siding, granite foundation, and a single off-center chimney. The front (north- facing) facade is symmetrically arranged, with a recessed central entrance flanked by sidelight windows. The sides of the recess are framed by simple pilasters, and topped by a cornice.
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The center bay has the main entrance on the ground floor, flanked by wide sidelight windows, with pilasters between windows and door, and on the outside of the entry surround. The pilasters rise to an entablature and projecting cornice with a gable peak at the center. Above the entrance is a Palladian window, its side windows also articulated by pilasters and crowned by a corniced entablature. The Federal style building was constructed in 1803 and the school incorporated the same year.
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The Philip Eames House is located in rural eastern Washington, at the southwest corner of Summit Hill Road and Stone House Road. It is a 2-1/2 story masonry structure, built out of irregularly cut granite, with a gabled roof and brick chimneys. Its main facade is five bays wide, with its center entrance set in a segmented-arch opening framed by pilasters and a keystoned arch. The entry is flanked by sidelight windows and topped by a fanlight transom.
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The main facade is five bays wide and symmetrical, with the main entrance at the center of the ground floor, and an elaborate Palladian window above it on the second floor. The entrance is flanked by wide sidelight windows, and is sheltered by an early 20th-century Colonial Revival gabled porch. The interior has well-preserved original details, including a fine central staircase and fireplace surrounds. with John Strong was a native of Connecticut who moved to the area in 1765.
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The structure is estimated to have been built around 1820 by Nicholas Powers, one of the first settlers of the area. It consists of a pair of story Cape style buildings that have been joined, offset by about . The main entrance is in the southern section, framed by sidelight and transom windows; there are secondary entrances on the north section's facade. It was originally a farmhouse, whose farm was by the late 19th century supplying fresh goods to the area's large resort hotels.
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The Parker House is a historic house at 52 Salem Street in Reading, Massachusetts. It is a -story vernacular Federal-style wood-frame house, five bays wide, with a side gable roof, clapboard siding, and a granite foundation. Its center entrance is particularly fine, with tall sidelight windows flanked by pilasters, and topped by an entablature with a shallow hood. The house was built in 1792, although its center chimney may date from an older house built on the site in 1715.
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The main block has a three-bay front facade, with 8-over-12 sash windows arranged symmetrically around the entrance. The entrance is framed by sidelight windows and topped by a peaked entablature. With The house is estimated to have been built sometime between 1785 and 1815 based on its construction. In contrast, its style is mainly that of a somewhat older period, appearing to date the 1720s; one major sign of later construction is the arrangement of windows on the side elevations.
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The Beardsley–Mix House stands on the south side of Rockledge Drive, a residential street just east of South Main Street and south of downtown West Hartford. It is a 2-1/2 story wood frame structure, with a side gable roof, central chimney, and clapboarded exterior. Its main facade faces north, and is five bays wide, with a slightly overhanging second story. The centered entry is flanked by sidelight windows and pilasters, which support an entablature and gabled pediment.
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The Mann House is a historic house at 422 Forrest Street in Forrest City, Arkansas. Designed by Charles L. Thompson and built in 1913, it is one of the firm's finest examples of Colonial Revival architecture. The front facade features an imposing Greek temple portico with two story Ionic columns supporting a fully pedimented gable with dentil molding. The main entrance, sheltered by this portico, is flanked by sidelight windows and topped by a fanlight transom with diamond-pattern lights.
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It is a 2-1/2 story, wood-framed house, with a typical Georgian five-bay wide front facade and a large central chimney. Its main entrance, centered on the front facade, has sidelight windows and is topped by a Federal period elliptical fan. Built in about 1779, it is one of the older well-preserved houses in northern Swansea. In the early 20th century, it was owned by Benjamin Norton, part owner of a jewelry manufacturing business in nearby Barneyville.
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The Kistler House is a historic house at 945 Beacon Street in Newton, Massachusetts. The 2 1/2 story wood frame house was built in 1893, and is one of Newton Center's most elaborate Colonial Revival houses. It has a veranda that wraps around two sides of the house, although a porch shelters the front facade. The porch is supported by clusters of slender columns, with a projecting central section framing the main entrance, which has leaded glass sidelight windows.
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The Cochran House is set back from the north side of Burnham Road, just east of its crossing of some railroad tracks. It is a rectangular brick structure, 2-1/2 stories high, with a side gable roof and twin interior chimneys. A large modern addition has been built to the right of the original structure that rivals it in size. The windows are six-over-six sash, with granite lintels, and the center entry is flanked by sidelight windows.
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The Squire William B. Canedy House is a historic house at 2634 N. Main Street in Fall River, Massachusetts. It is a 2-1/2 story wood frame structure, five bays wide, with a side-gable roof, twin end chimneys, and wooden shingle siding. The center entrance is flanked by sidelight windows and pilasters, and is topped by a semi-elliptical solid fan. The house was built in 1806 and added to the National Register of Historic Places in 1983.
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The 1-1/2 story Greek Revival cottage was built in 1848 by Levi Lincoln, Jr., and is a well-preserved and relatively unaltered instance of what was then a widely popular form. The house has a typical side hall plan, with an entry framed by sidelight windows, with full-length windows to the entry's right. The front-facing gable end is fully pedimented, and the porch is supported by fluted Doric columns. The house's first occupant was Alexander Marsh, a piano dealer.
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The Jethro Wood House is located on the south side of Poplar Ridge Road, west of the village center of Poplar Ridge in Ledyard, New York. It is a large 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. It has a five-bay front facade, with sash windows arranged symmetrically around the main entrance. The entrance is sheltered by a gable-roof portico supported by metal fixtures, and is framed by sidelight and transom windows.
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The Farrington House is located on the southern fringe of Concord's downtown commercial area, at the northwest corner of South Main Street with Fayette Street. It is a 2-1/2 story wood frame residence, with a gabled roof, brick end chimneys, and a mainly clapboarded exterior. The exterior is a conservative Greek Revival design, with side-gable roof flanked by paired chimneys on the sides. A gabled pavilion extending the full two stories shelters the recessed main entry, which has sidelight windows.
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On the first floor, the middle three bays are outlined by slightly-projecting arches, the central bay (where the entrance is) being slightly wider. The entry consists of a single door, flanked by pilasters and sidelight windows embellished with oval tracery, and topped by a semi- elliptical fanlight with similar tracery. The entry is sheltered by a portico supported by four Corinthian columns, with a latticework balustrade on top. Above the central projecting arches, four fluted Corinthian pilasters rise to the roof level.
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It is a 1-1/2 story, Cape style structure, with a central entry flanked by sidelight windows. The interior has been somewhat modified (by the removal of a wall and the addition of a bathroom, among others) but its original layout is readily discerned. The house may have been built by L. Bowen, probably a son of Nathan Bowen, whose house also stands nearby. The house was listed on the National Register of Historic Places on June 6, 1983.
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The main entry is flanked by sidelight windows and a carved woodwork surround, and there is a latticework porch above. The entry portico and wide entry section are 19th-century alterations, and there have been significant interior alterations, accommodating the building's 20th-century use as an office. The house was built in 1783 for Samuel Huntington, one of Norwich's leading citizens. Born in Scotland, Connecticut, he came to Norwich in 1763, where he soon represented the town in the colonial legislature.
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The Asa Gillett House stands on the east side of South Main Street, south of downtown West Hartford and a short way north of the Noah Webster House. The front of its property is lined by a low brownstone retaining wall. The house is a 2-1/2 story wood frame structure, five bays wide, with a large central chimney. The main entrance, centered on the front facade, is flanked by sidelight windows and pilasters, and topped by an entablature.
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The Brown Tavern stands facing Burlington's triangular town green, on the south side of George Washington Turnpike at the green's western end. It is a 2-1/2 story wood frame structure, with a front-facing gable roof and clapboarded exterior. The main facade is five bays wide, with an elaborate Federal style entrance surround at the center. The entry is flanked by sidelight windows and pilasters, and is topped by a half-round transom window and shallow gabled hood.
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The Sarah Whitman Hooker House is located in southern West Hartford, on the south side of New Britain Avenue (Connecticut Route 71), just east of its junction with South Main Street. It is a 2-1/2 story wood frame structure, five bays wide, with two interior chimneys and a centered entrance. It is set at the busy southeast corner of New Britain Avenue and South Main Street. The main entrance is flanked by sidelight windows and framed by a molded surround.
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The South Danbury Christian Church is located in the rural village of South Danbury, on the east side of US 4 just north of its junction with Challenge Hill Road. It is a single-story wood frame structure, with a gabled roof and clapboarded exterior. A gabled entry pavilion projects from the front facade, which is unadorned except for the entry and pedimented gable. The entry is a double- leaf door, flanked by sidelight windows and framed by simple moulding.
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The main facade is five bays wide, with a center entrance flanked by sidelight windows and pilasters and sheltered by a gabled portico. First-floor windows are topped by projecting cornices, and the main roof cornice has a line of dentil moulding. The house was built in 1790 to a design by William Sprat, a Connecticut designer whose residential credits include houses in both Connecticut and Vermont. The house was built by Colonel Henry Champion for his son, also named Henry.
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The Woodruff House stands east of downtown Southington, on the south side of Berlin Street (Connecticut Route 364) between Pleasant Street and Butternut Lane. It is a 1-1/2 story wood frame structure, with a gable roof, central brick chimney, and clapboarded exterior. Its front facade is five bays wide, with corner pilasters rising to an entablature that runs beneath the eave. The centered entrance is flanked by sidelight windows and pilasters, and is topped by a corniced entablature.
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The Stephen Parsons House is located in a rural setting, at the end of Old Mill Road southwest of the village center of Edgecomb. The house is oriented facing south, with Parsons Creek just to the west. It is a 2-1/2 story wood frame structure, with a hip roof, two interior chimneys, and clapboard siding. The main facade is five bays wide, with a center entrance flanked by sidelight windows and topped by a semi-oval Federal period fan.
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There are two identical entrances, each framed by sidelight windows and a simple architrave. The township that became Dixmont was granted in 1794 to Bowdoin College, which sold it in 1801 to Dr. Elijah Dix. In 1808 Dix gave the budding town funds for the construction of five district schools, of which this is the only one to survive. It was probably built with only modest vernacular styling of that period, its Greek Revival exterior probably the result of 1836 alterations.
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Built in 1839, the 1-1/2 story wood frame house has a roof that is cantilevered over the front of the house, where it is supported by Doric columns. Doors and windows both have architrave surrounds, and both the front door and the side door have sidelight windows. The house was built by Abel Hutchinson, a shoemaker, and remains in the hands of his descendants. The house was listed on the National Register of Historic Places on July 6, 1989.
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The main entry is sheltered by a porch supported by paired Tuscan columns. The paneled door is flanked by sidelight windows and topped by a transom window. Despite its location in a fashionable neighborhood of the city and the relatively high quality of its construction, the house was used as a rental property, passing through a large number of nonresident owners until 1907. Frank J. Tyler, who subdivided his property and built it on speculation, was a Boston-based manufacturer of agricultural machinery.
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The Perez Smith House is a historic house at 46 Lincoln Street in Waltham, Massachusetts. The 2½ story wood frame house was built in 1851 and is one of the city's finest transitional Greek Revival/Italianate houses. It has a typical Italianate three-bay facade, deep cornice with decorative brackets, and round-arch windows in the gable. It also has Greek Revival pilastered cornerboards, and its center entry is flanked by sidelight windows and topped by a transom window and paneled sunburst.
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The Frierson House is a historic house at 1112 South Main Street in Jonesboro, Arkansas. It is a two-story wood frame structure, with a hip roof pierced by gabled dormers. The main facade is covered by a two-story porch with Ionic columns, with a single-story porch on the side with Doric columns. The main entrance is flanked by sidelight windows and topped by a multilight transom, and is set in a recessed paneled entry framed by pilasters.
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The Joseph Stanton House (also known as the Wilcox Tavern) is a historic house at 5153 Old Post Road (U.S. Route 1) in Charlestown, Rhode Island. The main house is a 2-½ story wood frame structure built some time before 1739 by Joseph Stanton II, and it is where his son Joseph Stanton, Jr. was born. The exterior has a relatively plain finish except for its front door surround, a 19th-century Greek Revival alteration with sidelight windows and pilasters supporting an entablature.
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The main block of the Osgood House is a two-story wood frame structure, five bays in width and depth, with a hip roof and a granite foundation. A two-story gable-roofed ell extends to the west, ending in a small shed which replicates an earlier, similar structure. The main entrance, facing east, is flanked by sidelight windows and topped by a louvered fan. A secondary entrance is centered on the south facade, framed by pilasters and a transom window and entablature.
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The northeast and southwest verandahs have been enclosed with multi-paned windows and hardboard panelling. Hatherton is frontally symmetrical, with a slightly projecting gabled porch accessed by a short flight of steps with an arched valance above. The gable has a fretwork panel, decorative bargeboard and finial, and the main entry consists of an arched fanlight and sidelight assembly of etched glass with carved timber mouldings and panelled timber door. Step out sashes, with incised architraves, open to the verandahs on both levels.
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These are 19th century additions to the structure. A 20th century addition, on the west side of the kitchen, forms an enclosed terrace. This terrace addition reaches to the south wall of the stable/library, helping to create and enclose the hall between the two additions. The double-hung windows on the principal facade on the first and second floors consist of a main panel three by three rectangular panes wide, with sidelight panels two over two vertical rectangular pane wide.
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The main block is three bays wide, with an elaborate center entrance that has sidelight and transom windows, and pilasters supporting and an entablature with a shallow gable. To its left is a single-story projecting window bay. The building's cornices are bracketed, and there is a porch extending along part of the ell, supported by bracketed chamfered posts. The house was built about 1883 for George McGlashan, a Scottish immigrant who was a part owner of the Maine Red Granite Quarry Company.
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The entrance is sheltered by a projecting portico, which has round Tuscan columns supporting a corniced entablature. The entrance is a single door, set in a large segmented-arch opening with flanking double-width sidelight windows. The building has a rear projection that was designed to house a vault for the town documents. Hanover's first lending library, a private endeavour, was established in 1801, and it and later similar organizations were based in the centrally located Etna village through the 19th century.
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It has a gabled roof, with a short gable-roofed ell extending to the west. The front facade is three bays wide, with a center entrance flanked by sidelight windows and pilasters, and topped by an entablature. The interior has a center hall plan, with an early 20th-century kitchen in the western ell. The mill complex, a small collection of wood frame buildings (now partially rebuilt after suffering extensive weather-related damage), was established in the late 1840s by Dr. Horace Barrows.
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The Aaron Taft House is an historic house at 215 Hazel Street, in Uxbridge, Massachusetts. Built about 1749, it is one of five surviving gambrel-roofed 18th-century houses in the town. It is 1-1/2 stories in height, with a side- gabled gambrel roof, clapboard siding, and central chimney. The main facade is asymmetrical, with three window bays, one to the left of the entrance, which is off center, and is adorned with sidelight windows, pilasters, and a simple entablature.
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The building corners are pilastered, and the entry is framed by sidelight windows and a heavy entablature with a slightly peaked gable. The ell has a single gabled dormer on its front roof face. The house was built about 1855 for Elbridge Bemis, a member of the locally prominent Bemis family, who operated a sawmill nearby with his brother George. Its form is one typical of houses built in Harrisville at the time, of which only a few representative examples now survive.
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The Washington Mooney House stands in central New Hampton, on the north side of New Hampshire Route 104, just east of the northbound I-93 onramp. It is a 2-1/2 story wood frame structure, with a side gable roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with a symmetrical arrangement. The main entrance is at the center, with an entrance surround of sidelight windows flanked on both sides by narrow pilasters, and a projecting cornice above.
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The Sewall House is located on the north side of Crystal Road (Maine State Route 159) just west of the Island Falls Post Office in the village center. It is a 2-1/2 story wood frame structure, three bays wide, with a side gable roof, twin interior chimneys, and clapboard siding. A single-story hip-roofed porch extends across the south-facing front and around the right side, supported by square posts. The front entrance is flanked by sidelight windows and pilasters.
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The Glaser-Kelly House is a historic house at 310 North Oak Street in Sheridan, Arkansas. It is a single-story wood frame structure, with a front- facing gabled roof, it usually has a ten foot wide foundation, novelty siding, and a brick foundation. Its front facade is characterized by a full-width recessed porch, supported by brick piers, with a half-timbered gable end above. The main entrance, in the rightmost bay, is flanked by sidelight windows and topped by a transom.
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The Colony House is located a few blocks west of Keene's central green, at the southeast corner of West Street and School Street. It is a brick two story structure with a hip roof. The exterior has modest Federal styling, predominantly in its main entry, with half-length sidelight windows topped by a half-oval fanlight and sheltered by a modest portico. The interior of the building has well-preserved woodwork that took its inspiration from the publications of Asher Benjamin.
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The south side of the house was accessible via a door on the ground level, and on the main level by a pair of matching spiral staircases. The paired spiral stairs were unique to this area but not extraordinary in Palladio's designs. The grand room on the main level opened to a porch with flat, parapeted flat roof. The main level entrances on both the north and south sides of the central block were three panel double-doors with glazed sidelight sashes.
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The Chase Octagon House is set amid oak trees on a knoll near the confluence of the Little Ossipee River with the Saco River on the east side of Limington, Maine. It is a two-story wood frame structure, with an octagonal roof that is topped by a cupola. The eight sides are roughly equal in size, and are finished with clapboards. The entrance faces west, away from the rivers, and consists of a heavy door flanked by narrow sidelight windows and pilasters.
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The front facade is five bays wide, with sash windows topped by shallow cornices, and the centered entrance framed by wide sidelight windows and topped by a less shallow cornice. There is a three-part window above the entrance. The first ell is a 1-1/2 story Cape style structure which was probably built first. The interior of these spaces follow typical period arrangements, except that the ell and main block were apparently designed to each house a separate family. .
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The Knight-Corey House stands in the village center of Boothbay, occupying a triangular lot formed on the northeast by Back River Road and on the south by Corey Lane. It is a large 2-1/2 story timber frame structure, with a gabled roof, large central chimney, clapboard siding, and fieldstone foundation. Its main facade faces south, and is a symmetrical five bays across. The centered entrance is flanked by sidelight windows and topped by a Federal style fan.
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It is five bays wide and three deep, with windows topped by low entablature, and a center entrance flanked by sidelight windows and pilasters, and topped by gabled cornice. A 1-1/2 story wing extends to the west. Further from the road stand two English bank barns, joined together in an L shape. with The land for this farm was purchased by Josiah and Lydia Shedd in 1816; it is unknown if the land was cleared before their ownership.
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The Marshall Symmes House stands at the southwest corner of Symmes Street and Main Street (Massachusetts Route 38) in southern Winchester. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, clapboard siding on the front and rear, and brick side walls. The house corner boards are pilastered, and the central front door is framed by sidelight and fanlight windows. It is sheltered by a gabled portico supported by round columns. Rev.
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A hip-roof porch extends across its front facade, supported by turned posts with decorative brackets. The main entrance, a 20th-century replacement, is flanked by sidelight windows and pilasters. The tavern was built in 1844 by Amzi Libby, a native of Limerick, Maine, and primarily served lumbermen working further up the Passadumkeag River in the Nicatous Lake area. Jeremiah Page, its second owner, was prominent in local civic affairs, serving as selectman, town clerk, and justice of the peace.
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The Batchelder House stands in a residential area of northern Reading, at the southeast corner of Pearl and Franklin Streets. It is a 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. It has a large central chimney and a symmetrical five-bay front facade, which is oriented facing south. At the center of the facade is the main entrance, which has a Greek Revival surround of sidelight windows and pilasters supporting an entablature and peaked cornice.
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The Williams House is set on the north side of High Street, a short, predominantly residential, side street near Bangor's central business district. The house is a 2-1/2 story brick structure, five bays wide and three deep, with a side gable roof and four side chimneys. The centered entry is recessed in a wide opening with a granite lintel, with paneled sides, sidelight windows, and a fan above. Windows are plain sash windows with granite sills and lintels, and with shutters on the front facade.
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The Parley Davis House stands in the village of East Montpelier Center, on the north side of Center Road. The main block is a two-story wood frame structure, with a hip roof and clapboarded exterior, to which an older Cape-style frame house is attached to the rear as an ell. The main block exhibits quality Federal woodwork, including an elaborate front entry with pilasters and sidelight windows beneath a half-round transom and gabled pediment. A Palladian window is above the entry.
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The Barrows-Steadman House is a 2-1/2 story timber-frame structure, resting on a fieldstone foundation. It is sheathed in clapboard siding, and has a gable roof pierced by two large internal chimneys. Its main facade, facing Main Street to the northwest, is five bays wide, with a center entry flanked by sidelight windows and Doric pilasters and topped by a fanlight and entablature. The secondary entry is on the southwest side, facing Stuart Street, and is centered on a three-bay facade.
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The main entrance is the house's most elaborate Greek Revival feature, with full-length sidelight windows and a peaked lintel. The ell has a secondary entrance, sheltered by a shed-roof porch, and a second single-story ell extends further to the right. The house was built in 1845 by John Needham, and is locally significant for its unusual entry styling. The house has been owned by a number of locally prominent families, including that of Prentiss Greenwood, a postmaster of the village of Pottersville.
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There is evidence that the doorway originally had sidelight windows; these appear to have been covered over or removed in a 20th-century re-siding of the structure. The door is topped by a slightly triangular header, a vernacular nod to Greek Revival styling popular at the time of the building's construction. A small addition, containing a privy and woodshed, extends north from the main block. The interior of the building is an open hall with a small separated kitchen area in the southwest corner.
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The Jabez Townsend House is located in eastern Harrisville, on the west side of Cherry Hill Road just south of its junction with Hancock Road. It is a 1-1/2 story L-shaped wood frame structure, with a gabled roof and clapboarded exterior. Its main block is rectangular, with single-story ells extending to the rear and right. Its main facade is three bays wide, with the entrance in the rightmost bay, flanked by sidelight windows and pilasters, and topped by a peaked architrave.
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The 1-3/4 story wood frame house was built sometime in the 1820s, and is a well-preserved side-hall entry Greek Revival house with a 1-1/2 story wing. It has wide corner boards supporting a fascia with dentil moulding. The main entry is flanked by sidelight windows and pilasters supporting a full entablature; a side entrance in the wing is similarly styled except for the windows. The house was listed on the National Register of Historic Places on March 13, 1987.
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The entrance is sheltered by a gabled portico, and is framed by sidelight and transom windows. Nearby stands the birthplace cottage, a modest structure originally built as a plantation office, that was refurbished as a bridal suite for Arthur Henley Keller's second wife, who bore him Helen Keller in 1880. In between the two buildings stand the well and pump that played a key role in Helen Keller's development. The main house at Ivy Green was built in 1820 by David Keller, Helen Keller's grandfather.
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A gabled entry projects near the center of this section, with a porch supported by round columns sheltering an entry with flanking sidelight windows. To the left of the entrance are row of stepped fixed-pane windows, marking the presence of a staircase. The interior includes an auditorium with stage, smaller meeting spaces, and two rooms used by the local historical society, in addition to the library facilities. The original portion of the building was completed in July 1911 and publicly dedicated a month later.
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The Sampson House is set on the northwest side of Old King's Road, just north of its junction with Sampsons House Knob. It is a large two-story wood frame structure, whose main block has a hip roof topped by a monitor section. That block is five bays wide, symmetrically arranged, with a central entrance flanked by sidelight windows and topped by a simple cornice. The building's corners are trimmed with quoining, a detail repeated on the three- bay ell that extends to the left.
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The 2-1/2 story, wood-framed house was begun in 1843 by Abiathar King Williams, member of the locally prominent Williams family, and finished by his brother George. It has simple vernacular Greek Revival styling, mainly in its front door surround, which has sidelight windows, and pilasters supporting an entablature. The Williams family were an economically significant force in the area, and their descendants still owned this house in 1984. The house was listed on the National Register of Historic Places on July 5, 1984.
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The library building is a multi- section wood frame building, with gabled roof lines and clapboard siding. Its most prominent feature is a tetrastyle Greek Revival temple front, with four fluted Doric columns supporting a broad entablature and a fully pedimented triangular pediment, with a louvered fan at its center. The building corners at the back of this front feature paneled pilasters, and the center entrance is framed by sidelight windows and pilasters, and topped by an entablature. Ells extend the building to the right side.
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In an interesting historical sidelight, American and National were also producing paper money for the Confederacy at the same time. 100 pesos Banco Italiano del Uruguay (1887) American Bank Note Company, Share certificate (1944) Following the initial production of U.S. currency by the government's Bureau of Engraving and Printing in 1862, ABNCo sought a new source of demand for its services. They found it in foreign lands. The company would eventually go on to supply security paper and bank notes to 115 foreign countries.
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The Townsend Farm is located in a rural setting in eastern Dublin, on the east side of East Harrisville Road a short way north of its junction with Cobb Meadow Road. The house is a rambling multi-section wood frame structure, oriented roughly perpendicular to the road. Nearest the road is a -story gable-roofed section with Greek Revival features. It has the main building entrance in the rightmost bay of the south facade, flanked by sidelight windows and topped by a corniced lintel.
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The Richard Strong Cottage is located on the north side of Gowing Lane, a now dead-end lane that was historically part of the main highway between Dublin and Peterborough (now bypassed by New Hampshire Route 101). It is a modest -story frame structure, with a gabled roof, central chimney, and clapboarded exterior. It has a five-bay front facade, with sash windows arranged symmetrically around the entrance. The entrance is flanked by sidelight windows and topped by a modern Federal style wooden fan.
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The Hibbard House is also 2-1/2 stories in height, and is less elaborately finished. It has a square cupola at its center, and an arched entrance surround with sidelight and transom windows. With The Hibbard House was built in 1864, and the Granniss House was built by 1868, both placed on a parcel that had just been divided for separate development. Design of both houses has been attributed to New Haven architect Henry Austin, based on their stylistic similarity to some of his other works.
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The William Perrin House is a historic house at 464 River Road in western Andover, Massachusetts. It was built between 1850 and 1852 by William Perrin on land owned by his wife's family. The house features Greek Revival and Gothic Revival details, including corner pilasters, an entablature below the roofline, and a dramatic entry portico with attenuated columns, sidelight windows, and a transom window. The sophistication of the styling is relatively uncommon for what was at the time of its construction a rural agricultural setting.
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The front of the main block has five bays on the first level, with paired sash windows flanking a center entry. The entry has sidelight windows, and is sheltered by a porch deck that is accessible from the middle gable of three gable dormers that line the main block's upper level. This deck, like that above the rear of the house, is lined with a railing consisting of posts connected by top rails and lower rails forming an X. The barn stands just north of the house.
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J. P. Singh Deo, op.cit. But this was also for a short period as in succeeding phase it assumed a distinct name Trikalinga. By the 9th–10th centuries the region including Western Odisha, Kalahandi, Koraput and Bastar was known as Trikalinga.M.N.Das(Ed)Sidelight on History and Culture of Orissa, 36 The Somavamsi king Mahabhavagupta I Janmejaya (925 – 960) assumed the title Trikalingadhipati.Orissa District Gazetteers, Kalahandi, 46–49 Trikalinga was short lived and Chindakangas carved out a new kingdom called Chakrakota Mandala or Bramarakota Mandala,ibid.
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The Cox House is a historic house on Bridge Street in Morrilton, Arkansas. It is a small but architecturally eclectic single-story wood frame house, with a gable roof and weatherboard siding. It has a projecting gabled porch, with bargeboard on the gable rake edges, brackets on the eaves, low-pitch gabled cornices over the front windows, and a broad two-leaf entrance with sidelight windows. It was built in 1875 by Hance Wesley Burrow, a farmer and veteran of the American Civil War.
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The right tower arch is combined with a window whose glazing bars denote a door fanlight, upper sidelight windows and line up vertically with a cut in the brick wall to either side of its double door. The recessed middle bay houses the former postal hall at ground floor level and the open verandah of the quarters above. The postal hall has three brick segmental- headed double-hung sash windows, embedded in a broad, shallow and slanted sill. The stiles of the upper sash are tapered.
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The main entrance is flanked by sidelight windows and topped by an elliptical fanlight. The interior follows a typical Federal plan, with an expansive central hallway flanked by two rooms on each side. An archway with a leaded fanlight separates the immediate entry area from the spiral staircase that provides access to the second floor. The parlor to the right of the entry is the finest chamber, decorated with original Chinese-style wallpaper and elaborate woodwork, said to be the design of John Holden Greene.
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The Dudley House occupies a prominent position on the east side of Front Street in downtown Exeter, nearly across the street from both the Congregational Church and Exeter Town Hall. It is a three-story wood frame structure, with a hip roof and two interior brick chimneys. The main facade is five bays wide, with a center entrance sheltered by a gabled portico supported by two columns. The entrance is flanked by sidelight windows and fluted pilasters, and is topped by a transom window.
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The entry is an eight-panel door, flanked by sidelight windows and topped by a transom. A basement entrance stands below the center bay of the house. Windows are rectangular sash on the first two levels and at the basement level, and there are a pair of round-arch Italianate windows in the attic level. This block appears to have been built in 1857, when Polly Johnson (in Nathan's absence) sought permission to move the original older house to the back of the lot.
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Liberty Farm is a 2-1/2 story Federal style brick house, built around 1810, and now stands in a suburban area of western Worcester, Massachusetts. Its main block is five bays wide, with a center entry sheltered by a portico supported by Doric columns. The doorway is flanked by sidelight windows and topped by a fanlight. A wood-frame addition extends to the right of the main block, and another extends to the rear; these were apparently added in the early 20th century.
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The entrance is also in a rounded opening, with sidelight windows and a half-round transom above. The entry is sheltered by a projecting half-round portico, supported by round columns and fluted pilasters. The interior has original marble floors and oak paneled walls that have pilasters rising to entablatures beneath a coved plaster ceiling. The building was completed in 1913 to a design by architect Guy Lowell, with funding provided by the Kimball brothers, who were prominent local businessmen, and land donated by Frank Gerrish.
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The entry consists of a six-panel door, flanked by half-length sidelight windows and topped by a half-oval fanlight louver. This assembly is framed by pilasters set on plinths, rising to support a broad entablature and cornice. The interior of the house has a typical center-chimney plan, with well-preserved Federal and Greek Revival styling. The house is generally believed to have been built in 1833, the year in which Almond Gushee, Jr., part owner of a local mill, married Elvira Drake.
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The Samuel Wyatt House is located in an area just south of Dover's downtown area, known historically as Tuttle Square, the city's commercial center during the first half of the 19th century. It is located on the north side of Church Street at its junction with Academy Street. The house is 2-1/2 stories in height, with a front-gable roof and clapboarded exterior. It is three bays wide, with a side hall entry flanked by sidelight windows and topped by a fanlight.
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The Adams Library building is located in Kingston's village center, on the east side of Summer Street (Massachusetts Route 3A) at its junction with Green Street. It is a 1-1/2 story masonry structure, with a gabled roof and walls of brick with stone trim. The main facade is five bays wide, with a dentillated cornice and a stringcourse of stone at the top of the windows and entry. The entrance is framed by wide sidelight windows and sheltered by a four-column Corinthian portico.
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Joseph Manigault House, gatehouse The Manigault House is located near the center of the Charleston peninsula, at the corner of Meeting and John Streets. It is a three-story brick structure, set on a raised brick foundation. The main facade has a two- story porch across the center three bays, with elaborate doorways on both floors featuring slender pilasters and sidelight windows. A semicircular stairwell projects from one sidewall, and a bowed porch from the other, giving the house the rough shape of a parallelogram.
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The Hamilton Mill Brick House on the west side of High Street, just south of Main Street and west of High Street's junction with Ash Street. Facing south, the house is a 2-1/2 story brick structure, five bays wide, with a side gable roof and single off-center brick chimney. It has a granite sills and lintels, and a recessed front door with sidelight and transom windows. A secondary entrance on the north side, which is three bays wide, is sheltered by a gabled porch.
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The entrance is flanked by sidelight windows and wide Doric pilasters, and is topped by an entablature and projecting cornice. A two-story ell extends to the right of the main block, and a 20th-century garage is located at the rear of the property. With The house was built about 1810, probably by Linus Robinson shortly before he sold it to John Hobart and Edmund Palmer. It remained in the Palmer family through most of the 19th century and has since been subdivided into two units.
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The Marsh House farmstead stands on the north side of Quechee Main Street, near a point where the Ottauquechee River, just across the street, bends south with Dewey's Pond just to the east. The complex includes the main house, three barns, and a wagon shed/hen house. The main house faces south, and consists of a 2-1/2 story main block with a series of ells extending to the rear. The house has modest vernacular Federal styling, with a recessed entry flanked by sidelight windows.
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McKenstry Manor is located in a rural area of northern Bethel, on the west side of Vermont Route 12. Set on originally associated with it, the house is a 2-1/2 story wood frame structure, with a hip roof, clapboarded sides, and stone foundation. It is five bays wide and three deep, with its entrance centered on the east- facing facade. The entrance is flanked by sidelight windows and pilasters, and is topped by a half-round transom window and a broken gabled pediment.
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The Dr. J. Porter House stands in what is now a rural-suburban area south of Southington center, on the east side of Belleview Avenue just east of its junction with Meriden Avenue. It is a 2-1/2 story wood frame structure, with a side gable roof, central chimney, and clapboarded exterior. It has a five-bay front facade, with the second floor projecting slightly beyond the first. The main entrance is at the center, flanked by sidelight windows and sheltered by a Greek Revival portico.
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The main facade is five bays wide, with a wide center entrance that is slightly recessed. It is flanked by sidelight windows and Greek Revival pilasters, and topped by Doric entablature. A two-story wing extends to the right side of the main block, and a two-story shed-roof addition projects from the center of the rear facade, supported by posts at the basement level. The interior of the house, which follows a typical post-colonial center hall plan, has retained much of its original finish.
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Wallingford Hall is set on a property on the north side of York Street, near the western edge of Kennebunk's village center. The main house is a 2-1/2 story wood frame structure, five bays wide, with a hip roof, end chimneys, clapboard siding, and a granite foundation. The roof is ringed by a low wooden balustrade. The front (south-facing) facade is slightly asymmetrical, with the entrance at the center, with flanking sidelight windows and a leaded semi-oval fanlight window above.
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The John Moore House stands in a rural part of northern Edgecomb, on the east side of Cross Point Road. The house is a connected farmstead, with a 1-3/4 story main block, and an elongated 1-1/2 story ell joining it to a barn. It is finished in wooden clapboards and its parts are covered by gabled roofs. The main block has a central chimney, and its facade is five bays wide, with a center entrance framed by sidelight windows and a cornice above.
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The Turner House, also known as the Turner-Fulk House, is a historic house at 1701 Center Street in Little Rock, Arkansas. It is a two-story wood-frame structure, with a gabled roof, clapboarded exterior, and brick foundation. Its most prominent feature is a massive two-story temple portico, with a fully pedimented and modillioned gabled pediment supported by fluted Ionic columns. The main entry is framed by sidelight windows and an elliptical fanlight, and there is a shallow but wide balcony above.
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The Marcus Hobbs House is located in a densely built residential area a short way west of downtown Worcester, on the north side of William Street west of Linden Street. It is a 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. Its front facade is three bays wide, with the main entrance in the left bay flanked by sidelight windows. A single-story porch extends across the front and around to the left side, supported by fluted Doric columns.
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The Jonas Cowdry House is located on the north side of Prospect Street, just west of Nichols Street, in what is now a residential area of northwestern Wakefield. The house is a 2-1/2 story wood frame structure, three bays wide and four deep, with a side gable roof. The brick chimney rises at the ridge line in the center, with the main entrance located in the leftmost bay. The entrance is flanked by sidelight windows, and topped by a Federal style entablature.
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The John Davis House stands on the west side of River Road (Maine State Route 9) in the rural community of Chelsea, opposite its junction with Pushard Lane. It is a 2-1/2 story brick building, with a gable roof and four irregularly placed chimneys. The main facade is five bays wide, with a center entrance flanked by sidelight windows and topped by a semi-elliptical transom window. The remaining bays are filled with sash windows, set in rectangular openings, with granite sills and lintels.
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The Powers House stands on the west side of West River Road (Maine State Route 104), in a rural setting of southern Sidney. It is a two-story wood-frame structure, with a hip roof pierced by two large interior chimneys, and a clapboarded exterior. Its east-facing front facade is five bays wide, with a center entrance flanked by sidelight windows and topped by an entablature and cornice. A secondary entrance is located on the south side, at the center of the three-bay facade.
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The Reuben Lamprey Homestead is located on the north side of Winnacunnet Road, a busy east-west through road, between Presidential Circle and Nathaniel Way. The main house is a 2-1/2 story wood frame structure, with a side gable roof, center chimney, and clapboarded exterior. The main facade is symmetrical, with five bays, and is simply trimmed except for the centered entrance. That is flanked by sidelight windows and recessed paneled pilasters, and is topped by a seven- light transom window and entablature.
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Both have Federal period surrounds with pilasters and a corniced entablature; the one on the left also has half-length sidelight windows. The oldest portion of the house is believed to be the southernmost three bays, which were built as a "half house" about 1736 by Ebenezer Bartlett, who owned about of land. Bartlett and his wife Anne raised seventeen children in the house, expanding it to five bays. Bartlett's son Elisha increased the farm to , and served in the local militia during the American Revolutionary War.
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The McLaughlin House is a 2-1/2 story wood frame structure, three bays wide, which is set close to busy Main Street in South Paris. The main entrance is in the center bay, flanked by sidelight windows and topped by a fanlight, with a sheltering hood supported by heavy Italianate brackets. The bay to the left of the entry has a projecting polygonal bay. A two-story wing is recessed from the main block, and joins the house via a connecting ell to a period barn.
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The Spink Farm is a historic farm at 1325 Shermantown Road in North Kingstown, Rhode Island. The only surviving element of the farmstead on this farm is the main house, a 2-1/2 story five-bay wood frame structure built in 1798 by Isaac Spink. The house exhibits modest Federal styling, its doorway flanked by small sidelight windows and simple pilasters, and topped by a shallow hood. The interior follows a typical center-chimney plan, with its original Federal period fireplace mantels intact.
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The entrance has a fine Federal style surround, with sidelight windows and an original period half-oval transom window. The interior is arranged in a traditional center hall manner, with single rooms on either side of the center hall, where the stairs to the second floor are located. A 1-1/2 story ell extends to the rear, housing additional rooms. The house was probably built sometime between 1811 and 1813, when Jacob Thompson, a native of nearby Holland, Massachusetts, moved to the town.
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The doorways are in the innermost bays, flanked by sidelight windows and topped by a fanlight. The left side, 55 Beacon Street is named for William Hickling Prescott, a nearly blind historian from a prominent Boston family, who lived there from 1845 to 1859. Prescott had celebrated novelist William Makepeace Thackeray as a houseguest. That unit was acquired in 1944 by the Massachusetts chapter of the National Society of the Colonial Dames of America for use as its headquarters, a role it still serves.
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The Union Meetinghouse stands at the southern end of a cluster of civic and municipal buildings that constitute the town center of Kensington, at the junction of Amesbury and Osgood Roads. It is a single-story wood frame structure, with a gabled roof and clapboarded exterior. Its main facade has a pedimented gable and a pair of doorways, each flanked by sidelight windows and topped by an entablature. The church tower has two stages, and is topped by Gothic pinnacles at the corners (a later addition).
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The main facade is three bays wide, with doubled casement windows set in segmented-arch openings on either side of the main entrance. The entrance is also set in a large segmented-arch opening along with sidelight windows. The house was designed by Joseph Everett Chandler, a noted Boston architect who oversaw the restoration of the Paul Revere House and the House of Seven Gables, and built in 1933. The house has elements of English Revival, resembling in some ways a Cotswold cottage, however with Italian features.
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The south-facing main facade is five bays wide, with paired windows flanking a center entrance with window above. The entrance is set in a recess that is demarcated by pilasters, and includes sidelight windows and a rectangular multi-light transom window. The corners have paneled pilasters, which rise to an entablature and cornice that encircle the building. A hip- roofed, single-story porch extends across the front and around to the east, with a geometrically patterned railing and square posts with scroll-cut brackets.
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A semi-oval fanlight window is located in the center of the recessed tympanum at the gable's center. The front facade behind this temple front has pilasters at the corner and dividing its three bays, with its center entrance flanked by sidelight windows. The side walls are essentially identical, each with a pair of brick chimneys rising above. The house was built in 1832 for Zebulon Smith, about whom nothing is known; it is surmised that he was a substantial businessman, given the grandeur of the house.
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The C.H. Brown Cottage stands in a residential area one block west of Stoneham's Central Square, on the west side of Wright Street midway between Maple and Lincoln Streets. It is a small 1-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. Its front facade is two bays wide, with pilastered corners and a narrow entablature on the sides. The main entrance is in the right bay, flanked by full-length sidelight windows and pilasters, which support an entablature and cornice.
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The Gregg House is a historic house at 412 Pine Street in Newport, Arkansas. It is a two-story brick-faced structure, three bays wide, with a side gable roof, twin interior chimneys, and a two-story addition projecting to the right. The front facade bays are filled with paired sash windows, except for the entrance at the center, which is sheltered by a gable-roofed portico supported by box columns. The entrance is flanked by sidelight windows and topped by a lintel decorated with rosettes.
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The Jason Skinner House stands on the south side of Wintergreen Circle, a loop of public housing adjacent to the municipal office and library complex in central Harwinton. It is a 2-1/2 story wood frame structure, with a side gable roof, interior brick chimneys, and a clapboarded exterior. It has wide corner pilasters rising to an entablature. The main facade is five bays wide, with a center entrance flanked by sidelight windows and pilasters, and topped by a transom window and cornice.
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The entrance is in the left bay of the three-bay front, flanked by sidelight windows and pilasters. The interior retains period woodwork and hardware, including original oak floors with inlaid mahogany, and two fine black marble fireplaces. The house was built in 1840 by Israel Washburn, Jr., not long after his marriage, and was his home until 1863. Washburn was born into a politically prominent family, entered the legislature in 1851, and served two terms as Governor of Maine during the American Civil War.
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The Burgess Houses is a typical New England wood- frame connected homestead, consisting of a main block and two ells, which in this instance connect the main house to a modern one-car garage rather than the more typical barn or carriage house. The main block is a 1-1/2 story Cape style structure, five bays in width, with a large central chimney. Its centered entry is flanked by sidelight windows and topped by a louvered transom. The flanking bays contain sash windows with louvered shutters.
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The entrance is a 20th-century Colonial Revival feature, with sidelight windows and a large gabled hood. A two-story ell extends to the left, and a screen porch to the right. The house is thought to have been built sometime around 1742, on land that belonged to the family of Jacob Chamberlain, an early settler, but it has also been attributed to equally early members of the Flagg family. By 1800 the house belonged to Elisha Flagg, whose wife was from the Chamberlain family.
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The first-floor bays have fluted Doric columns at each side, topped by carved wreaths. The center bays house the two unit entrances, and the outer bays have full-length windows; these all have flanking sidelight windows, and the window bays have wrought iron railings across the front. The upper level window bays also have ornate railings across the bays. The first floor of each side has a rounded window bay topped by a railing similar to the second-floor railings of the front.
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The Nathan Allen House stands on the west side of Vermont Route 30, a few miles north of Pawlet's central village, in the fertile plains on the east side of the Mettawee River. It is a 2-1/2 story brick structure, with single-story wood frame ells attached to the right and rear. It rests on a rubblestone foundation, and has trim elements of dressed marble and wood. The main block is five bays wide, with a center entrance flanked by sidelight windows.
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The eaves of the main roof and projecting gable are adorned with paired brackets in the Italianate style. The main entrance is at the center of the front facade, flanked by sidelight windows and topped by a gabled pediment. with The academy was established in 1853, during a period in state history when a number of private academies were established. This one was created by a local citizens' group and funded by subscription, and in part by in-kind donations of supplies and labor.
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The door is flanked by sidelight windows, and is topped by a transom window. A gabled two-story bay projects from the east side, with a lunette window in the gable, and a two- story ell and garage extend to the rear. The Locke family history on this land dates to 1699, when James Converse bought a large tract of land in this area (then part of Woburn). Locke's descendants include Samuel Locke, who served as President of Harvard College in the 18th century.
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The ground floor is divided into two parts, each having a three-part picture window on the right and an entrance on the left. The leftomst entrance is particularly elaborate, with sidelight windows, pilasters, and a multi- paneled header. The original main block of the building is extended by a two- story ell with a slightly lower roof pierced by broad shed-roof dormers. with The block was built about 1870, on a site that has seen retail activity since the late 18th century.
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The Jonathan Warner House is located in a rural-suburban area of eastern Chester, at the northeast corner of East King's Highway and Middlesex Turnpike (Connecticut Route 154). It is a two-story wood-frame structure, five bays wide, with a side-gable roof, two interior chimneys, and clapboarded exterior. The central bay of the front is framed by two-story Ionic pillars supporting a small flat projecting roof. The main entrance is flanked by pilasters supporting an entablature, and sidelight windows outside the pilasters.
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The Nathaniel Batchelder House stands in a residential area of northern Reading, on the north side of Franklin Street just east of its junction with Pearl Street. It is a 2-1/2 story timber frame structure, with a side gable roof, two interior chimneys, clapboarded exterior, and stone foundation. Its main facade is five bays wide, with a center entrance framed by sidelight windows, pilasters, and a tall corniced entablature. Its upper-floor windows are set butting against the eave, a typical Georgian feature.
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The main facade is five bays wide, with a center entry framed by sidelight windows and pilasters, and topped by a reproduction entablature. The upper floor windows butt against the eaves, and the gable ends lack returns, both conservative Georgian features. The house was built about 1806, in an area traditionally called "Pratt Row" for the large number of that family who settled the area. This house was built on land originally belonging to the Symonds family, which came into the Battell family by marriage.
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The Muschenheim House is a long, rectangular, five-bay concrete block and steel frame structure built on three levels. It has a low shed roof and curtain walls made from concrete block at the bottom, vertical colored cement siding, aluminum windows, and fascia and copper coping at the roof line. The street facade has a carport with a primary entrance through a wooden door with a large jalousie sidelight located nearby. A second door is within the carport, and a third door is located at the upslope end of the elevation.
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Additional patents issued to Mr. Benjamin cover speed control devices for gasoline engines, carburetors, safety devices for punch presses, laundry machinery safety devices, radio condensers, and automatic temperature control devices for flatirons. The most interesting sidelight on the man is the novel way he approached a new invention. It is exactly the opposite of Edison’s method, according to reports of the working practices. When Edison got interested in a new idea it is said that, first, he researched to find out what has already been done to solve the problem.
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The Moses Kent House stands in a rural setting just south of the Lyme-Orford border, on the east side of River Road north of Clay Brook. It is a 2-1/2 story wood frame structure, with a gabled roof, two interior chimneys, and a clapboarded exterior. It is five bays wide and two deep, with a symmetrical front facade that has windows arranged symmetrically around the center entrance. The entrance has a fine Federal period surround, set in a shallow recess with flanking narrow pilasters and sidelight windows.
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The front entrance is covered by a small Greek Revival portico measuring about , topped with a pediment supported by wooden Doric columns and engaged columns at the wall. The front porch is flanked by modest wooden handrails and balusters on its left and right sides. The front entrance is post and lintel (trabeated) construction, with a six-pane transom and two three-pane sidelight windows around the doorway. Zimmerman suggests that "Big Jim" Parsons embellished his home's front entrance to assert his "wealth and status" and provide "an honored welcome to visitors".
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The Laura Richards House stands in a residential area just south of downtown Gardiner, at the southern corner of Dennis and School Streets. It is a 2-1/2 story wood frame structure, with a hip roof, interior end chimneys, and clapboard exterior with denticulated cornice. The main facade faces northeast toward Dennis Street, and is five bays wide, with the center entrance framed by sidelight windows and pilasters, and topped by a half-round transom with entablature above. The interior has a typical Federal period central hall layout.
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Across the driveway further to the left are two small rectangular utility buildings that are former farm outbuildings. The main entrance, in the left bay of the main block, has a Greek Revival surround with sidelight windows, simple pilasters, and a corniced entablature. Other buildings on the property The cottage was built before 1830 by Obadiah Adams, and is said by longtime residents to have originally stood at a location now occupied by the Mid-Cape Highway. It was moved to this location in 1831 by John Blossom, who had acquired the Adams estate.
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The Rufus Piper Homestead is located in a rural setting southeast of Dublin village, on the west side of Pierce Road, about one-quarter mile north of Windmill Hill Road. It is a rambling four-section wood frame structure, oriented perpendicular to the road. Its main block is a 2-1/2 story gable- roofed block, presenting three window bays and the gable end to the street, and a two-bay facade to the south. The entry is in the left bay, flanked by sidelight windows and topped by a Federal style half-round fan.
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The Old Sullivan County Courthouse is located in downtown Newport, on a rise east of Main Street, behind later civic buildings and across Main Street from a cluster of later 19th-century commercial blocks. Its main block is a -story brick structure, with a gabled roof and end chimneys. It has a five-bay front facade, with the center bay taken up by an entry topped by a tower. The entry is two stories, with the main entrance framed by sidelight windows and a half-round transom window.
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Azed solvers do not just send in the completed puzzle and a clue. Many also write him letters about the puzzle and his clues, perhaps commending the ingenuity of one clue, asking for an explanation of another or revealing an unexpected sidelight to the competition's clue-word.Azed Slip 1771Azed Slip 1831 In his comments, Azed may respond to these or reveal the problems that month's competitors experienced, often using anonymous unsound submissions to illustrate his points.Azed Slip 1845 He also gives news of forthcoming cruciverbal events or publications and deaths of long-standing competitors.
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The Elmer McCollum House is located in the Forest Park region of northwestern Baltimore, at the northeast corner of Monticello Road with Windsor Hills Road. The house is believed to have been built around 1920, and has no intrinsic architectural value apart from its value as an exemplar of the vernacular of its time. It is a 2½ story structure with a dormered hip roof, a front porch supported by round columns, and entrance surround with sidelight windows. The interior has a side hall plan, and has been divided into three apartments.
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The southeast side has a secondary entrance which features sidelight windows and a Federal period entablature. The interior follows a typical early Federal period central chimney plan, with the main stairway in front of the chimney, with the parlor to the left, dining room to the right, and a now-modernized kitchen extending across the rear. A second staircase is located next to the side entrance. Woodwork on the interior is a mix of Greek Revival and Federal styles, with a particularly fine fireplace mantel surround in the parlor.
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In 1969, under the ownership of British Leyland, the Mini was given a facelift by stylist Roy Haynes, who had previously worked for Ford. The restyled version was called the Mini Clubman, and has a squarer frontal look, using the same indicator/sidelight assembly as the Austin Maxi. The Mini Clubman was intended to replace the upmarket Riley and Wolseley versions. A new model, dubbed the 1275 GT, was slated as the replacement for the 998 cc Mini Cooper (the 1,275 cc Mini Cooper S continued alongside the 1275 GT for two years until 1971).
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The Martin Chittenden House stands in a rural area of southwestern Jericho, on the west side of River Road (VT 117) overlooking the Winooski River. It is a 2-1/2 story brick building, five bays wide and three deep, with a side gable roof and end chimneys. The brick of the front is laid in Flemish bond, while the sides are laid in Flemish cross bond, giving a diamond cross pattern to those surfaces. The main entrance is at the center of the north- facing front facade, recessed with sidelight windows.
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The Crowell–Smith House is set on a small residential lot between Main and South Streets in central Hyannis, a village of Barnstable. It is a two-story wood frame structure, five bays wide, with a hip roof, twin chimneys on the rear wall, and wood shingle siding. A 1-1/2 story gable-roof ell extends to the rear. The main entry has a Greek Revival surround with sidelight and transom windows, and an architrave with lintel above. Fenestration is uniformly 12-over-12 sash with shutters.
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The Daniel Weston Homestead stands at a bend in the road of SR 32, on the north side of the road opposite its junction with Shore Road. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, clapboarded exterior, and fieldstone foundation. The main portion is L-shaped, with a shed and barn extending west and then south. The original main entrance is on the five-bay east facade, with a vertical-board door framed by sidelight windows and pilasters, and topped by an entablature with dentillated cornice.
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Unlike the other similar stations, there are not dormers on both sides of the roof, rather there is a shed roof dormer on the west side of the roof only, and one interior brick chimney. Windows are 12/12 vinyl replacement sash on the first floor and 8/8 vinyl replacement sash in the second floor dormer. There is a glass and aluminum replacement entry on the east with a single leaf door and sidelight beneath a transom. The wings are four bays long and one bay wide under hipped, slate covered roofs.
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The William K. Eastman House stands in near the center of Conway Village, on the north side of Main Street (New Hampshire Route 16), a short way west of its crossing of the outlet of Pequawket Pond. It is a 2-1/2 story wood frame structure, with a side gable roof and clapboarded exterior. It has a symmetrical five-bay front facade, with a center entrance framed by sidelight windows, pilasters, and an entablature. It is sheltered by a Victorian hip-roof porch three bays wide, with turned posts and decorative jigsawn brackets.
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An entrance is located in the center of the main five bays, topped by a transom window and gabled pediment, and flanked by sidelight windows. The interior, which has undergone much alteration due to varied uses of the house, still retains some of its original features. The house is most notable as the home of Edward Rutledge, a signer of the United States Declaration of Independence. Rutledge, a South Carolina native, was trained in England in the law, and had by the time of the American Revolution established a law practice in Charleston.
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The entry is flanked by sidelight windows and topped by a fanlight window. Above the entry on the second level is a Palladian window. The roofline has a bracketed cornice, and there is a low balustrade ringing the roof whose posts are surmounted by urns. The interior has a central hall plan, with high-quality woodwork in the public rooms of the first floor. Constructed in 1800-1801 for shipping magnate Major Hugh McLellan, the brick mansion was designed by John Kimball, Sr. (1758-1831), an architect/housewright originally from Ipswich, Massachusetts.
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The main entrance is flanked by sidelight windows, each placed in a separate opening. The town of Ashford has a long history, having been incorporated in 1714, but its town center was lost to Eastford when that town was incorporated in 1847. The town, largely agricultural for much of its history, remained without a well-defined town center until this building was erected in 1924. It was a gift of Charles Knowlton, an Ashford native who made a large fortune in business associated with a textile mill in Putnam.
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The Philemon Sage House is located in a rural setting of southwestern Sandisfield, at the southwest corner of Sandy Brook Turnpike and Rood Hill Road. It is a 2-1/2 story wood frame structure, with a five-bay facade, side gable roof, twin chimneys on the center ridgeline, and clapboard siding. The front is symmetrical, with a center entrance flanked by sidelight windows and topped by a simple corniced entablature. A 1-1/2 story addition, the oldest portion of the house, juts from the rear of the house.
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The Thomas Shepard House is located in a rural setting of eastern New Marlborough, on the north side of East Hill Road, west of its junction with Windemere Road. It is a two-story wood frame structure, with a hip roof, two interior chimneys, and a clapboarded exterior. The main facade is five bays wide, with a center entrance framed by sidelight windows and a corniced entablature. Most windows are rectangular sash, topped by projecting cornices, while that above the entrance is a three-part window with narrow sash windows flanking a larger central one.
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The Eber Sherman Farm is located on the south side of State Road (Massachusetts Route 2) in western North Adams, near the town line with Williamstown. The main house is a 2-1/2 story wood frame structure, with a gabled roof, two interior brick chimneys, and a clapboarded exterior. It has a five-bay main facade, with a center entrance flanked by sidelight windows and topped by a transom window. The entry is sheltered by a flat-roof portico with a bracketed frieze supported by fluted columns.
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The Manning House is a two-story wood frame structure, five bays wide, with a hip roof, and two large interior chimneys. It is joined via a connecting ell in the rear to a barn, and a second ell extends from the side. The main entry is centered on the front (east) facade, and is flanked by sidelight windows and topped by a fanlight window. The interior has a fairly typical Federal period arrangement, with a central hall separating two rooms on each side, with a kitchen behind.
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Both the main entrance and the doorway to the porch have flanking sidelight windows. The house was built 1856-68 by William Connor, one of the proprietors of the main lumber mill in Fairfield, and a major area landowner. Connor's son Seldon (1839-1917), served as a brigadier general in the Union Army during the American Civil War, and was Governor of Maine 1876-78. The house was sold out of the family in 1939, to William T. Bovie, a surgeon who is credited with invention of the cauterizing "Bovie knife".
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The Johnson House is a historic house at 8 Ditson Place in Methuen, Massachusetts. It is a 2-1/2 story wood frame house, five bays wide, with a hip roof and end chimneys. The two bays to the right of the entrance have been replaced by a projecting bay window with Italianate paired brackets at its cornice, and the windows left of the entrance have a curved cornice from the same period. The main entrance portico is also an Italianate addition, with jigsawn entablature and an elaborate door surround with diamond-light sidelight windows.
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The Purchase- Ferre House is set on the east side of Main Street (Massachusetts Route 159), south of Agawam's town center. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, clapboard siding, a large central chimney, and a sandstone block foundation. The main facade, facing west, is symmetrically arranged, with the entrance in the central bay, flanked by sidelight windows and pilasters, and topped by a dentillated entablature. The present door is a replacement, but the original house door survives.
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The Webb House stands near the very center of Bridgton's commercial Main Street, on the south side of Main Street, between the Bridgton Public Library and Stevens Creek. It is a 2-1/2 story wood frame structure, with a gabled roof, wooden clapboard siding, and a granite foundation. It is stylistical Federalist, with some Greek Revival elements. It has narrow trim at the corners and around the windows, and a comparatively elaborate recessed entry, with sidelight windows in the recess, and framing pilasters and entablature around the recess.
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The Abel H. Fish House is located in the rural setting of northeastern Salem, near the junction of Buckley Hill and Rathbun Hill Roads. It is set well south of Buckley Hill Road, about down a lane that used to be a public road, and is oriented facing south, away from the road. It is a -story wood-frame structure, with a gabled roof, four-bay facade, and clapboarded exterior. It has Greek Revival features, including an entry flanked by sidelight windows and pilasters, and topped by a transom window and entablature.
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Many decades later, with the advent of plumbing and electricity, the milk cooler (which stood behind the kitchen and had also served earlier as a grain room) was converted into a full bathroom, which is still in use to this day. The two-story frame house features a shallow gabled roof that is covered with slate. The three-bay southwest (front) facade incorporates a central door flanked by one sidelight and is sheltered by a large gabled central porch. The porch is supported by four two-storied paneled columns.
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The Hulett Farm complex is located primarily on the west side of US 7, roughly north of its junction with Dugway Road. The house, which is the only major surviving element of the farmstead, is a 2-1/2 story wood frame structure, with a gable roof and a saltbox profile. The main facade faces west (toward the road), and is a symmetrical five bays, with a center entrance framed by wide sidelight windows and topped by an entablature and cornice. The saltbox extension to the rear is a 20th-century addition.
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Its main facade behind the colonnade is five bays wide, with the main entrance in the center bay, flanked by sidelight windows and topped by an arched transom window. Above the entrance is a second door with similar styling, which opens onto an iron balcony. The interior of the house follows a typical Federal period center hall plan, with a pair of rooms on each side on each floor. The front parlors on the main floor have exceptionally high quality woodwork with elaborate details, while other rooms have simpler detail but still high quality.
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The Libby-MacArthur House is located on the north side of Sokokis Avenue, just west of the junction with Cape Road (Maine State Route 117) that defines the center of Limington. It is a 2-1/2 story wood frame structure, five bays wide, with a gambrel roof, central chimney, and narrow clapboard siding. The main facade, facing south, is symmetrically arranged, with its center entrance set in a Greek Revival vestibule with gable roof. The Federal period entrance surround has been retained inside the vestibule, with sidelight and transom windows.
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The William Ingersoll Bowditch House stands in a residential area northeast of the commercial area of Brookline Village, on the east side of Toxteth Street near its southern end. It faces west toward Linden Square. It is a 1-1/2 story wood frame structure, with an L-shaped plan, cross-gabled roof, and clapboarded exterior. A single-story shed-roof porch is located in the crook of the L. The windows under the porch are of full length, and the main entrance, also under the porch, has flanking full- length sidelight windows.
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A single-story porch extends across the center three bays of the main facade, supported by octagonal tapered columns rising to a richly carved entablature. The main entrance is framed by sidelight and transom windows. The interior retains original plaster and woodwork of high quality, including a straight-run central staircase whose railings run continuously up to the attic level. The oldest portion of the house is believed to be its kitchen ell, which was probably built about 1820 by a member of the Wood family, who had owned the property since 1779.
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The Nathaniel Treat House is set on the east side of Main Street (United States Route 2), just north of its junction with Westwood Drive. It is a 2-1/2 story brick structure, with a side-gable roof, four symmetrically placed end chimneys, and a five bay front facade. The main entrance is centered, with a sheltering portico supported by fluted Doric columns and pilasters, whose interior has been glassed in. The doorway is slightly recessed in the wall, with flanking sidelight windows, and a half-round fanlight above.
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The main entrance is flanked by full-length sidelight windows and pilasters. The Foster house has had an addition built in the corner between the main block and the ell, which includes a projecting bay window on the front facade. The Cleaves house has a somewhat more decorated facade: the cornice is deeper than that of the Foster house, and it is studded with brackets. The gable end has a full round-arch window, while that of the Foster house has a rectangular window with a round fanlight decoration.
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The Lord Mansion is set at the northeast corner of Pleasant and Green Streets, both residential streets in the town's main village. It is a stately three story wood frame structure, rising to a flat roof topped by a cupola. Its main facade is five bays wide, with a center entrance flanked by sidelight windows and sheltered by a hip-roof portico. Windows are six-over-six sash on the first two floors, except for a central three-part window above the entrance, and smaller three- over-three windows on the third level.
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The Captain Richard Charlton House is located in Norwich's Norwichtown neighborhood, on the northwest side of Mediterranean Lane north of East Town Street. It is a 1-1/2 story wood frame structure, five bays wide, with a side gable roof and a large central chimney. The front door, centered on the main facade, is framed by sidelight windows with reproduced bullseye glass panes and pilasters. The interior has a typical central chimney plan, with an entry vestibule that also houses a narrow winding staircase to the attic.
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Hardscrabble Farm is located south of the village center of Searsmont, on the east side of Maine SR 131 near its junction with Appleton Ridge Road. The main farm complex has as its main house a 1-1/2 story wood frame structure, oriented facing west toward the road, with a side gable roof and central chimney. The main facade is symmetrical, with a recessed center entrance flanked by sidelight windows and wide pilasters, with an entablature above. A series of ells, telescoping in size, join the house to a 19th-century barn.
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The John Halloran House is a historic house at 99 E. Squantum Street in Quincy, Massachusetts. This two-family wood frame house was built in 1910 for John Halloran, a local police officer. It is a well-preserved Colonial Revival example of duplexes that were commonly built in the Atlantic neighborhood of Quincy, with a fine balustraded porch, and an entrance with long sidelight windows and oval window in the door. Bay windows project on the right side of the front, and a low hip-roof dormer projects from the roof.
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The house is located in the village center of Mount Vernon, on the west side of Pond Road a short way north of its junction with Main Street. It is a 1-1/2 story, wood-framed Cape, with a gabled roof, end chimneys, and clapboard siding. Its east-facing front facade is asymmetrical, with two window bays to the left of the centered entrance, and a projecting rectangular two-window box to its right. The entrance is flanked by sidelight windows and pilasters, and is topped by a large Federal style fan.
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The Rose Tavern is located at the end of a long private drive off Long Sands Road, which runs just east of, and parallel to, the main access road to York High School. It is a two-story L-shaped wood frame structure, with a hip roof, clapboard siding, and granite foundation. Its main facade, which faces east, is roughly symmetrical, five bays wide, with a center entrance set in an enclosed projecting gabled vestibule. The door is flanked by sidelight windows, which are separated from the door and the vestibule corners by pilasters.
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The Pistol Factory Dwelling is located in eastern Hamden, set on a knoll above Whitney Avenue just north of its junction with Mather Street. It is a 2-1/2 story wood frame structure, with a side gable roof, two asymmetrically placed brick chimneys, and a clapboarded exterior. The main facade is five bays wide, with windows in a slightly asymmetrical placement around the main entrance. The entrance is flanked by fluted boards that resemble pilasters, sidelight windows, and another set of fluted boards, and is topped by a half-round transom window.
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The Captain Samuel Woodruff House is located east of Southington's town center, facing north on the south side of Old State Road, an old alignment of the main Berlin road, which now passes just south of the property. It is a 2-1/2 story wood frame structure, roughly square in shape, with a hip roof, central chimney, and clapboarded exterior. The main facade is three bays wide, with wide pilasters at the corners rising to an entablature. The main entrance is in the rightmost bay, framed by sidelight and transom windows.
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The Jotham Woodruff House stands in what is now a suburban residential area east of downtown Southington, on the south side of Woodruff Street at its junction with Alyssa Court. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. The gable ends have broad fascia boards and returns that are a 19th-century modification. Its main facade is five bays wide, with a center entrance flanked by sidelight windows and pilasters, and topped by a broad corniced entablature.
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The main facade is five bays wide, with a center entrance flanked by sidelight windows and pilasters, and topped by an entablature and projecting cornice. Windows are rectangular sash, set in openings framed by corniced moulding. Ells extend to both the right side and rear of the main block; the right-side ell is modern, while the rear ell is possibly older than the main block. The interior of the house retains original period features, including wide flooring, doors with period hardware, and a narrow winding staircase in the front vestibule.
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The Rosebud Hotel is a historic former hotel building at 7 Circle Drive in Rosebud, South Dakota, the government center of the Rosebud Indian Reservation. It is a 2-1/2 story wood frame structure, three bays wide, with a hip roof and multiple chimneys. A single-story hip-roofed porch extends across the central portion of the main facade, sheltering a doorway flanked by sidelight windows. The hotel was built in 1879, one year after the reservation was established, to house visiting government officials and unmarried employees of the Bureau of Indian Affairs.
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The General Jedidiah Huntington House is located in the Norwichtown part of Norwich, one its earliest areas of settlement. It is located at the northeast corner of East Town Street and Huntington Lane, on a lot fringed at the sidewalk by a low stone retaining wall. It is a 2-1/2 story wood frame structure, five bays wide, with a gable roof, twin brick chimneys, clapboard siding, and a stone foundation. The entry is particularly elaborate, with sidelight windows and pilasters flanking the door, and a semi-elliptical transom window and simple cornice above.
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The Brewster House is set on the north side of Brewster Lane, a short road that forms a triangular island with Maine State Route 112 and United States Route 202. It is a two- story wood frame structure, five bays wide, with a low-pitch hip roof, clapboard siding, and a granite foundation. The main facade has a center entry, which is flanked by sidelight windows and topped by a recessed arch. This is sheltered by a Greek Revival portico, with square columns at the front and pilasters at the rear.
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The George W. Eddy House is a historic house at 85 Bigelow Road in Newton, Massachusetts. The 2.5 story stucco-clad house was built in 1913 for George W. Eddy, a merchant, to a design by the noted area firm of Chapman & Frazer. It is Newton's finest example of Craftsman styling; its slate hip roof includes curved sections above paired windows, a detail that is repeated in dormers that pierce the roof. A shed-style roof along a portion of the main facade shelters a recessed main entrance, whose flanking sidelight windows contain leaded glass.
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The House at 15 Davis Avenue in Newton, Massachusetts, is a well-preserved modest Italianate house. It is a 2-1/2 story wood frame structure, whose features include paired brackets in the eaves, bracketed lintels above the doors and windows, and paneled corner pilaster strips. The main entrance is flanked by sidelight windows and topped by a transom. Likely built in the 1850s, this was probably one of the first houses built when Seth Davis (whose house stands on Eden Avenue) began to sell off some of his landholdings.
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The William Colburn House is located north of Orono's downtown, on the west side of Bennoch Road (Maine State Route 16), between Noyes and Winterhaven Drives. It is set on a terrace above the road, and would at one time have had views of the Stillwater River. The house is a 1-1/2 story Cape style wood frame structure, five bays wide, with a side gable roof, two interior brick chimneys, clapboard siding, and a granite foundation. The center bay contains an unusually wide doorway, that includes flanking sidelight windows and a fanlight.
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It is a two-story wood frame structure, with a hip roof, twin interior chimneys, clapboard siding, and a stone foundation. Its main facade is five bays wide, with a center entrance flanked by sidelight windows and topped by a delicate fanlight. At the center of the group stands the house of Moses Jacobs, which was probably identical to that of his brother at its construction, which was between 1820 and 1826. Its entrance was altered when the house was converted to a duplex, so it now has two doorways sharing an entablature.
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The Richardson House is located at the southeast corner of Main and Summer Streets in northern Wakefield, just east of Lake Quannapowitt. It is a 2-1/2 story wood frame structure, with Greek Revival styling, distinctive for being five bays wide while presenting a gabled roof end to the street. It has a particularly elaborate Greek Revival entry treatment, deeply recessed, with flanking sidelight windows and fluted pilasters, and a transom window above. The front gable has a window at its center, which is topped by a dummy fanlight.
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The John Sanderson House is a historic house at 564 Lexington Street in Waltham, Massachusetts. Built in 1826, this 2-1/2 story wood frame house is one a few Federal style houses in the city, and the only one with a brick end wall. It has well-preserved period features, including rear-wall chimneys, simple moulded window surrounds, and a centered entry with half-length sidelight windows. It is one of a cluster of houses in the immediate area with connection to the Sanderson family, who were early settlers of the area.
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Through the assistance of sympathizers, they eventually made it to safety in the South. Coincidentally, the same day Morgan escaped, his wife gave birth to a daughter, who died shortly afterwards before Morgan returned home. Though Morgan's Raid was breathlessly followed by the Northern and Southern press and caused the Union leadership considerable concern, it is now regarded as little more than a showy but ultimately futile sidelight to the war. Furthermore, it was done in direct violation of his orders from General Braxton Bragg not to cross the river.
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The entry has sidelight windows, and originally had a more elaborate Greek Revival framing. An ell, possibly once a small barn, extends to the west of the main block at a recess, with a covered porch in front. The house was built about 1835, and is one of a cluster of houses built using this unusual construction method in Goshen. Its sophisticated Greek Revival entry surround was one of just two identified in the town during an architectural survey performed in the 1980s (the other is the Burford House).
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The Briggs Homestead is set at the southwest corner of Turner and Church Streets in northern Auburn, just east of Lake Auburn. Turner Street was historically the main route through this area, having been supplanted by the current alignment of Maine State Route 4 in the 20th century. The house is a 1-1/2 story wood frame structure, five bays wide, with a central chimney and clapboard siding. Its main facade is symmetrical, with a center entrance that has a Federal period surround of sidelight windows, pilasters, and entablature above.
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The R.A. Pickens II House is a historic house at 1 Pickens Place in Pickens, Desha County, Arkansas. It is a 2-1/2 story brick structure, with a side gable roof that projects over the front facade to form a porch supported by square wooden columns with Doric elements. The main entrance is centrally located, with a keystoned semicircular transom and matching sidelight windows. The house was built about 1940 using elements of the former Pickens plantation house, which had been built on the site in the 1880s.
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The William Rossiter House stands in a residential area west of downtown Clarement, on the west side of Mulberry Street roughly midway between Myrtle and Sullivan Streets. It is a 2-1/2 story timber frame structure, with a gabled roof and clapboarded exterior. The house's five-bay facade is fronted by a massive two-story Greek Revival temple portico, with fluted Ionic columns rising to a full entablature. Its main entrance is framed by sidelight and transom windows, and has flanking pilasters and a projecting cornice above.
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The entrance is flanked by sidelight windows and topped by a transom window and eared architrave. Period interior features include a unique stairway which ascends in a series of double flights and bridge-like landings to an observatory on the rooftop that offered views of the plantation. and In 1840, Armstead Barton, a native of Tennessee, moved to the area and purchased , on which he began construction of this house. The house remained unfinished at the time of his death in 1847 and was completed two years later under his widow's supervision.
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The brake and clutch pedals on left hand drive cars were also of an improved pendant design, instead of the earlier floor- hinged type. On right hand drive cars the floor-hinged pedals were retained, as there was no space for the pedal box behind the carburetors. Externally, the series 2 1750 GTV is identified by new, slimmer bumpers with front and rear overriders. The combined front indicator and sidelight units were now mounted to the front panel instead of the front bumper, except again on the 1971-72 US/Canadian market cars.
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The Brown House is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof and two interior chimneys, on the north side of High Street, a short way west of Main Street. It is clad in weatherboard and rests on a granite foundation. An ell extends to the rear of the house, connecting it to a perpendicularly-oriented single-story carriage barn. The main entrance, centered on the south-facing facade, has a Federal-style pilastered surround, with sidelight windows and a transom window.
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The exposed section of the basement is concealed by lattice screening. The west half of the facade features a wide, wood-panel door within a wood enframement flanked by double-hung, eight-over-twelve wood- frame windows. In the east section, a similar door has a single sidelight to the east and two double-hung, twelve-over-twelve wood-frame windows in the easternmost bays. The east and west elevations each feature one window in the south bay of the first story and two windows in the half story.
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The main entrance is in one of the center bays of the main block, framed by sidelight windows and a multilight transom window; there is a similar second entrance at the front of the side wing. The interior of the house also has modest Federal styling. The house was built in 1809 for Dr. John Willard and Emma Willard; he was 50 and she 22 when they married that year. Emma Hart Willard was born in 1787 and educated at home, developing an interest in teaching at an early age.
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The Blake Daniels Cottage stands in a residential area of eastern Stoneham, at the southwest corner of Elm Street and Duncklee Avenue. It is a tall 1-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. A single-story ell, possibly of earlier construction than the main house, extends to the west. The main block has a three bay facade, with the main entrance in the right bay, flanked on one side by a sidelight window, and framed by pilasters and a corniced entablature.
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The Whipple House is located on a residential street in the village of Ashland, on the west side of Pleasant Street south of Main Street. It is a 1½-story brick building, with a gabled roof, two end chimneys, and a wood- frame ell to the rear. Its front facade is five bays wide, with sash windows arranged symmetrically around the center entrance, and a pair of gabled two- window dormers in the roof face. The entrance is recessed under a segmented- arch opening, along with flanking sidelight and transom windows.
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The Benjamin Rowe House stands at the southern edge of Gilford's town center, on the east side of Belknap Mountain Road. It is located within a loop of the access road for the Gilford Elementary School, and is oriented with its main facade to the south and a side gable to the street. It is a single-story Cape style house built of brick, with a wood-frame ell to the rear. It is five bays wide and four deep, with a central entrance flanked by sidelight windows and topped by a granite lintel.
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The Guilford Country Store is set on the east side of the junction of Coolidge Highway and Guilford Center Road, in the center of Guilford's main village. It is a 2-1/2 story wood frame structure, with a side gable roof, clapboard siding, and a foundation that is mainly stone. It is set close to the road, with its main facade facing west toward the road. The front is a symmetrical five bays wide, and the former main entrance has simple Federal period styling, with sidelight windows and a simple cornice.
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The Amos Lawrence House stands in central Manchester, on the east side of the Battenkill River, between railroad tracks to the west and Richville Road to the east, just south of its junction with Green Mountain Road. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, two interior brick chimneys, and clapboard siding. Its main facade faces east, and has a center entrance set in a recess with sidelight windows. The recess opening is flanked by pilasters, which support an entablature and projecting cornice.
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The building corners are pilastered, and the entry is framed by sidelight windows and a heavy entablature with a slightly peaked gable. The ell has a single gabled dormer on its front roof. This house is one of a pair built in the 1850s for the Bemis brothers, who owned a sawmill and woodworking business in Chesham. The houses are among a handful of well-preserved examples of mid-19th century Greek Revival architecture in the town, and are significant for their association with the Bemises, who were a significant economic force within the town.
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The Canal Street Schoolhouse stands southwest of downtown Brattleboro, on a rise above the south side of Canal Street (United States Route 5), a major thoroughfare. It is a two-story stone structure, topped by a hip roof and set on a stone foundation. Its front half is nearly bisected by a projecting square tower, which is capped by an open octagonal belfry and cupola. The main facade, facing Canal Street, is symmetrical, with the main entrance in the tower base, flanked by sidelight windows, and sheltered by a semicircular portico supported by Doric columns.
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The Parson Smith House is located on the east side of River Road in southernmost Windham, just north of its junction with Anderson Road. It is set at the top of a rise, overlooking former farmlands (now partly wooded) of the old Maplewood Farm property. The house is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, two end chimneys, and clapboard siding. The main entrance is framed by sidelight windows and molded trim, the latter also surrounding the building's sash windows.
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The Michael Reade House stands on the southern fringe of Dover's central business district, on the east side of Main Street opposite the Cocheco Mills complex. It is a 2-1/2 story wood frame structure, with a side gable roof, central chimney, and clapboarded exterior. Its main facade is five bays wide, with the outer bays symmetrically placed and the center bay, where the entrance is located, skewed slightly to the left. The entry is flanked by sidelight windows and is sheltered by a mid-to-late 19th century Victorian bracketed hood.
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The Sophia Sweetland House stands in northern Windsor, on the east side of Palisado Avenue (Connecticut Route 159) a short way north of its junction with Bissell Ferry Road. It is a 2-1/2 story brick structure, with a front-facing gabled roof. The main facade is three bays wide, with the entrance in the right bay, framed by sidelight and transom windows. It is sheltered by a porch with slender columns and brackets that form arched openings, and has a low-pitch roof with extended eaves supported by decoratively cut brackets.
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The History House is set on the south side of Elm Street, between it and the Kennebec River, at the junction of Elm with Norridgewock Avenue and Pleasant Street. It is a two-story brick structure, five bays wide, with a side-gable roof and two end chimneys. The brick is laid in a modified English bond, with seven rows of stretchers followed by a course of headers. Its Greek Revival styling includes a simple cornice and returns at the gable ends, sidelight windows and pilasters flanking the main entrance, and granite sills and lintels.
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The entry of the house is in a projecting gable-roofed enclosed vestibule, which features a detailed Greek Revival surround including sidelight windows, pilasters, and a full gable pediment. Exterior Greek Revival details are also evident on the barn, whose gable ends have full returns, although most of the remaining trim is Federal. Interior trim is predominantly Greek Revival in style, although the front winding staircase retains Federal period newel posts and handrail. The main house was built about 1815, and would originally have had Federal period styling.
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The Chadwick-Brittan House is located in a mixed residential-commercial area northeast of downtown Worcester, on the east side of Lincoln Street (Massachusetts Route 70) at Shaffner Street. It is a 2-1/2 story wood frame structure, with a gabled roof, two interior chimneys, and a clapboarded exterior. It has a five bay center entrance facade, typical of the period, although the entry has been given Greek Revival treatment, with sidelight windows and a portico supported by round columns. The dormers in the roof are a c.
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The Best House is set on the north side of Old County Road in the village of West Pembroke in Down East Maine. The main portion of the house is a 2-1/2 story wood frame block, three bays wide, with a front-facing gable roof and clapboard siding. The entrance, set in the leftmost bay of the southwest-facing front, is flanked by sidelight windows and topped by an entablature. Southeast of the main block, a 1-1/2 story ell has a secondary entrance with a gable-roof dormer above.
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He not only shared victories with fellow aces Marcel Marc Dhome and Emile Regnier, but with several other pilots. An interesting sidelight on de Turenne's victory list is that he had only two solo victories, and there were no fewer than fifteen other pilots sharing one or more of the other thirteen triumphs. He was promoted to the temporary rank of captain on 17 July 1918, and this was made permanent on 25 December. His achievements were not just personal ones; his squadron was cited in General Orders for their accomplishments under his command.
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The Peters House is set at the center of what is now called Peters Point, off Steamboat Wharf Road east of the main village of Blue Hill. The house is a 2-1/2 story structure, with a side gable roof. Its main block has brick walls on three sides, and wood frame sections to the northeast and southwest at the gables. The block has twin chimneys at the sides, and a five-bay facade with a front entry that has a simple Greek Revival surround with sidelight windows and pilasters.
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The Drake House is located southwest of downtown Leominster, on the north side of Franklin Street, on a lot that extends between the street and Monoosnoc Brook, the principal source of water power for the city's 19th-century industries. It is a 1-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. The front facade is three bays wide on the ground floor, with the entrance in the left bay. It is set in a recess with sidelight windows; the outside of the recess is framed by post and lintel moulding.
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Its timbers are hand-hewn and joined by mortise and tenons, the lath used in the walls is made of split wood. The front entry is framed by sidelight windows and pilasters, and topped by an entablature and gabled pediment. The house has a construction history dating to 1763 when John Perkins, a native of York, Maine, moved here with his bride. The house Perkins built was located on what is now Court Street, and initially consisted of a single-story structure corresponding to the rear ell of the house.
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One of the units has a later 19th-century two-leaf door, while the others have single doors flanked by sidelight windows. The row houses were built in 1835 by Nathaniel and Eli Hamblen, developers who were active in push the city's development westward from the port area. The only known block of similar age in the state is located in Bangor, and has been significantly altered. The Hamblen's development of the area continued with the buildings to the west of this one, which together form the Hamblen Development Historic District.
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The main entrance is at the center of the facade, set in a recess with sidelight windows; the recess is framed by pilasters and a corniced entablature. The rear sections of the house are finished in a combination of Colonial and Greek Revival elements that blend with the features of the main block. The interior of the house is finished in a variety of styles, reflecting the building's long life and a variety of uses. With The exact construction date of the house's oldest portion is not known with certainty.
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The main gable and a cross gable on the long south facade are both decorated with carved vergeboard trim with drop pendants at the ends, and there are finial protrusions at the peak of each gable. Windows on the west-facing front facade are framed by drip moulding, and the entrance is flanked by sidelight windows and decorative wood panels. The interior retains many of its original decorative elements, including wall paneling and distinctively cut doors. The house was built in 1850 by William F. Grant, a Scottish immigrant.
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The Deacon Symmes House is located at the southern junction of Grove and Main Streets, at a five-way interchange involving those two streets, Bacon Street, and Everell Road. This area is known as Symmes Corner for its association with that family, which began settling the area about 1650. This house is a two-story wood frame structure, five bays wide, with a hip roof, twin rear wall chimneys, and clapboard siding. The entrance is centered and flanked by sidelight windows, with a sheltering shallow hip-roof portico. Rev.
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The front portico has simple round columns supporting a roof with a low balcony, while the entry is flanked by sidelight windows and pilasters, and is topped by a fanlight window. The house was built about 1864 by Thomas Ayer, a local businessman and politician. It was built at a time when Winchester was just beginning to undergo a transition from an agricultural to a residential suburban area. Ayer was prominent in civic affairs, raising funds and materials for the American Civil War effort, and serving on various town committees.
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The facade is three bays wide, with a center entrance framed by sidelight and transom windows, topped by a projecting cornice. The house was originally thought to be built around 1904, before the Rayburn family purchased the property. Subsequent research later determined the date to be 1916, since Sam Rayburn's brother Tom took a lien on the property without the house on it. As originally built, the house was smaller and had a hip roof; its present configuration is the result of a major expansion commissioned by Rayburn from Dallas architect W.B. Yarborough.
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The house at 26 Center Avenue is located in a residential area southwest of downtown Reading, on the south side of Center Street near its junction with Maple Avenue. It is 1-1/2 stories in height, of wood frame construction, and resting on a brick foundation set on an artificially raised mound. This latter feature was one commonly used during Reading's real estate development during the Greek Revival period. Its front facade is three bays wide, with the main entrance in the rightmost bay, framed by sidelight windows, pilasters, and a corniced entablature.
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The Cleaves House is located on the west side of South High Street, between Bridgton Hospital and Tuttle Lane. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, two interior chimneys, clapboard siding, and granite foundation. Its main facade is symmetrical, with a center entrance flanked by sidelight windows and topped by a segmental louvered fan. A hip-roofed porch extends across the southern facade, and a telescoping series of ells extend from the rear of the main block to join it to a large barn.
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The former Richford Primary School building stands in a residential area on the west side of Richford's main village, on the east side of Intervate Avenue overlooking the Missisquoi River. It is a roughly square 2-1/2 story brick building, with a gabled roof that has the gable end facing the street. The main facade, four bays wide, faces north toward the parking lot, with the main entrance in the leftmost bay, sheltered by a gable-roofed porch. The entrance is set in a round-arch opening, and is flanked by sidelight windows in narrow segmented- arch openings.
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The porch balustrade, composed of urn-like balusters, extends fully across the second floor, and is open between the center columns on the first floor. The main facade is five bays wide, with long sash windows on both main levels, and a centered entry which is flanked by sidelight windows and pilasters, and topped by a transom window and entablature. In the gable tympanum there are two sash windows with a single half-round window centered near the apex of the gable. The side elevations are six bays long, and roof has four equally spaced gable dormers on each side.
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Cushman Tavern is a large 2½ story wood frame house standing at the southwest corner of Webster Corner Road and Middle Road (Maine State Route 9) on a parcel that straddles the town lines of Lisbon and Sabattus. The main block of the house has a side-gable roof and twin interior chimneys. It is attached by a series of ells (one two stories, the next one) to a barn. The main facade faces west, and has a center entrance flanked by sidelight windows and topped by an entablature that is interrupted by a half-round transom.
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Its main block is L-shaped, with prominent five-bay facades facing both south and east. The eastern (street- facing) entry is more elaborate, with the door flanked by pilasters and sidelight windows, and topped by an entablature and cornice, while the southern entry is simpler, with a plain surround and four-light transom window. The interior of the house retains original fireplaces and woodwork in many places, although some rooms have been either modernized or repurposed. The crook of the L is filled with a single-story ell, to which further modern additions extend to the west.
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By 9th or 10th century the region including Western Orissa, Kalahandi, Koraput and Bastar was known as TrikalingaM.N. Das (Ed) Sidelight on History and Culture of Orissa, 36 along with Kalinga, Utkal and Dakshina Kosala Kingdom. The Somavamsi king Mahabhavagupta I Janmejaya (925 AD - 960 AD) assumed the title Trikalingadhipati.Orissa District Gazetters, Kalahandi, 46-49 The period between 10th and 13th centuries was a period of great political disturbance in kalinga, utkala, South Kosal and Trikalinga area due to continuing warfare between Saomavansi, Kalachuri, Chindaka Naga, Chola and Ganaga dynasties and Kalahandi became marching route of army and battle field of many battles.
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The Riverview House stands on the east side of US 201, a short way south of its junction with Cushnoc Street, a former alignment of the main road paralleling the Kennebec River to the north. The house is a single-story wood frame Cape, set on a granite foundation, with a side gable roof and clapboarded exterior. An ell extending to the rear appears to be an original part of the house. The front facade is three bays wide, with windows in the outer bays and the entrance in the center, with flanking sidelight windows and a semi-oval transom window above.
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Glenchrest is located in a rural setting of eastern Harrisville, on the west side of New Hampshire Route 137 about south of its junction with Sargent Camp Road, and a short way south of Gilchrest, a similar period farmhouse. It is a 1-1/2 story wood frame structure, with a gabled roof and clapboarded exterior.. It has a five bay facade, with windows arranged symmetrically around a center entrance. The entrance is flanked by sidelight windows. A gabled dormer projects from the roof above the entrance, and there is also a 1970s side ell extending to the left side.
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The Benjamin Marshall House is located in eastern Dublin, standing prominently at the northwest corner of New Hampshire Route 101 and Brush Brook Road. It is a rambling wood frame structure, with a large -story main block, and a series of ells that extend west along the road, and to the building's rear. The main block presents a gable end to the street, with a five-bay ground floor, three-bay second floor, and a single window in the attic level. The main entrance is framed by sidelight windows, with secondary entrances in the two ells to the west.
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The Asa and Sylvester Abbot House stands in what is now a residential area, south of downtown Andover and the Phillips Academy campus, on the northwest side of Porter Road, just north of its junction with Karlton Circle. It is a 2-1/2 story wood frame structure, with a side gable roof, two central chimneys (one on each side of the roof ridge), and a clapboarded exterior. The front facade is symmetrical and six bays across, with entrances in the outer bays. Each entrance is recessed with sidelight windows, and the recess is framed by pilasters, entablature, and gabled pediment.
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The entrance is flanked by sidelight windows and pilasters, which rise to a corniced entablature. The eastern facade has windows placed irregularly, with two entrances that have simpler styling but a similar entablature. A modern kitchen ell has been added in the crook of the L. John Brewer came to the area in 1739, in response to an offer from the owners of the township to establish a mill in exchange for a large land grant. His first house (no longer standing) was probably the first in the town, built on a land grant of that includes the present town center.
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The Welch Homestead is set on the north side of Middle Street, just east of its junction with Cross Street and several miles east of the village center. It is a wide 1-1/2 story wood frame structure, with a metal roof, clapboard siding, and a stone foundation. The roof is pierced by two brick chimneys, each set on the ridge line, slightly to one side of one of the two front-facing entrances. The house is eight bays wide, with six unadorned windows asymmetrically placed, and two entrances, each with flanking sidelight windows and an entablature above.
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The main entrance is framed by sidelight windows and topped by a fanlight. The interior retains high quality original Adamesque woodwork. Marshlands The house was built about 1814 for Dr. James Robert Verdier, and is noted among Beaufort's houses for its distinctive blend of Adam style elements with those from the West Indies, the latter including the arcaded basement and the single-story porch (when typical Beafort houses have two-story porches). Dr. Verdier was noted for discovering early treatments for yellow fever; his house was used during the American Civil War as the headquarters for the United States Sanitary Commission.
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The Henry E. Durfee Farmhouse is located south of downtown Southbridge, in a rural-residential area at the northeast corner of Eastford and Durfee Roads. Its basic plan is a 1-1/2 story three bay side hall configuration; the front facade has significant Greek Revival detailing, including corner pilasters and a recessed doorway with corniced lintel as well as transom and sidelight windows. There is a major addition on the left facade, extending two full stories. The ell extending to the rear has a large gabled dormer with similar features, and a shed-roof porch across its south side.
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The front facade is three bays wide, with the entrance in the left bay and two sash windows to its right; another two sash windows are found in the gable above. The entrance is framed by sidelight and transom windows, slight recessed in an opening with flanked by slender paneled pilasters. A single-story porch extends across the front, with chamfered square posts rising to decorative jigsawn brackets. The 1-1/2 story Greek Revival cottage is estimated to have been built in 1850, probably for a J. Comins, who was listed as its owner in 1855.
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The E.B. Cummings House is located in a residential area northwest of downtown Southbridge, at the southwest corner of Marcy and Edward Streets. It is the smallest but best preserved house of those at this corner, which was a fashionable residential area in the mid to late 19th century. The house is a 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. Despite a construction date well past the typical period for Greek Revival styling, the house has paneled corner pilasters, and sidelight and transom windows around the door, elements characteristic of that style.
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Dr. Job Holmes House is located on the south side of Main Street (United States Route 1), a short way east of the downtown area. Just to its east stands the Holmes Cottage, also a property of the St. Croix Historical Society. It is a 2-1/2 story wood frame structure, three bays wide, with a side gable roof, asymmetrically-placed interior brick chimneys, clapboard siding, and a granite foundation. Its entrance is centrally located on the northeast-facing front, with an ornate bracketed hood sheltering the entrance, and a broader hood sheltering the flanking sidelight windows as well.
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The Wentworth House is located on the west side of Wentworth Street (Maine State Route 103) in the village of Kittery Foreside, shortly after the road makes a sharp turn to the north. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, single off-center chimney, clapboard siding, and a brick foundation. The building corners are pilasters, and the eave has a wide frieze board with paired decorative brackets. The main facade, facing east, is symmetrical, with the center entrance flanked by sidelight windows and narrow pilasters.
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The main entrance, centered on the facade, is recessed in a paneled archway, topped by a semi-elliptical fanlight and framed by very thin columns and leaded sidelight windows. The building has a richly decorated entablature, and its roof perimeter has a low balustrade, interrupted by brick piers. The building was built for Joseph Ensign, a local businessman, in 1917 to a design by the Hartford architectural firm of Smith & Bassette. In addition to housing the Simsbury Bank and Trust Company (founded 1916), it also housed local telephone company offices for many years, as well as a variety of retail tenants.
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The Bradford Center Meetinghouse stands in what is now an out-of-the-way location south of the modern town center, on the north side of Rowe Mountain Road a short way east of its junction with Center, West and County Roads. It is set among other trappings of the early town center: a grassy common and the town's first cemetery. The building is a typical rural 19th-century New England church, a wood frame building resting on a granite foundation. The front facade of the church features a pair of doorways, each flanked by sidelight windows and pilasters supporting an entablature.
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The bays each house a building entrance with sidelight windows on the ground floor, and sash windows at the gallery level. A square two-stage wood frame tower rises above the facade. The church was built in 1838 by a Unitarian congregation, which sold a half interest in the building to the First Baptist Society before the building was completed. It is the earliest in a series of brick churches built at the time in New Hampshire in the Connecticut River valley region, probably built under the influence of earlier work of Lebanon, New Hampshire native Ammi Burnham Young.
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The George Cowles House is located on the northwest side of Main Street (Connecticut Route 10) in geographically central Farmington, between Smith Drive and Pearl Street. It is a roughly square 2-1/2 story brick structure, four bays wide, with a side- gable roof and a rear two-story ell. The main entrance is slightly recessed in the load-bearing brick wall, and is flanked by sidelight windows and topped by a semi-elliptical transom window. The side elevation is notable for a pair of Palladian windows in the central bay, which are set higher than the flanking sash windows.
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Despite the application of siding, it retains a number of well-preserved Colonial Revival features, including pillared supports and turned balusters on its two-level porch, flanking projecting bays on both sides of the porch, and an extended cornice; modillions once found on the cornice have been removed. The two entrances are identical, with doors that have oval windows framed by sidelight windows. The house was built in 1913 for Henry Milesky, a resident elsewhere on Charles Street, and has historically been a rental property. Most of its documented occupants have been in working-class professions.
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Stony Farm is in southern Holden, set on the east side of Salisbury Street, a historic roadway connecting Holden center and Worcester to the south. The property associated with the farm, now just under , once extended to more than , includes stone walls and other typical New England farmland features, as well as a barn, garage, and several sheds. The main house is 2-1/2 stories in height, oriented facing west, with a side gable roof, two interior chimneys, clapboard siding, and a stone foundation. Its five-bay front is symmetrical, with flanking sidelight windows and an entablature above.
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The Baxter House stands on the west side of South Street, a short way south of the town center, and immediately north of the Baxter Memorial Library. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, a single off-center interior chimney, and clapboard siding. The (east-facing) front is symmetrical, with a central entrance flanked by short sidelight windows and pilasters, and topped by a Federal style semi-oval fan. A pair of small gabled dormers project from the roof, whose cornice has widely spaced pairs of brackets.
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The Dr. Thomas Simpson House is a historic house at 114 Main Street in Wakefield, Massachusetts. It is a -story timber-frame house, in a local variant of Georgian style that is three bays wide and four deep, with a side gable roof. Its primary entrance, facing west toward Lake Quannapowitt, has sidelight windows and pilasters supporting an entablature, while a secondary south-facing entrance has the same styling, except with a transom window instead of sidelights. The core of this house was built by Dr. Thomas Simpson sometime before 1750, and has been added onto several times.
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The Joseph Andrews House stands in a residential area just east of the campus of Bentley University, on the west side of Linden Street between Floral Drive and Linden Circle. It is a 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. It has Italianate styling, featuring wide eaves with paired brackets, paneled corner boards, and an entry framed by sidelight and transom windows. The area that is now Linden Street was developed by Charles Harrington, who acquired land from the Lyman Estate 1845, and laid the street out through its middle.
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The Plain Farm House is an historic house at 108 Webster Avenue in Providence, Rhode Island. It is a 2-1/2 story wood frame structure, five bays wide, with a central entry flanked by sidelight windows and topped by a semi-elliptical fan. The house was probably built in the early 19th century, based on its Federal styling, and on the opening of the nearby Norwick Pike (now Plainfield Street, Rhode Island Route 14) in 1803. At the time of its construction the area was part of Johnston, and was annexed to Providence in 1898.
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The house stands in rural central Vassalboro, on the north side of Bog Road, a short way west of its junction with Weber Pond Road. It is a 2-1/2 story brick structure, with a side gable roof and end chimneys. Its main facade is five bays wide, with sash windows set in rectangular openings, and the centered entrance flanked by sidelight windows and topped by a Federal style semi-oval fan. An ell extends to the rear, and a second ell extends right (east) from that one, not quite reaching to the property's 19th-century barn.
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The Merrill House stands in a rural area of southern Cumberland, on the northwest side of Winn Road between Range Road and Maine State Route 9. It consists of a 1-1/2 story Cape style house, connected via a single-story ell to a barn, stretching along the road. The main house is five bays wide, with a central entrance that is flanked by sidelight windows and pilasters, and is topped by a broad entablature. An enclosed porch extends to the right, while the ell to the left also has five bays, with a secondary entrance at the far right.
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The Horace Franklin Rogers House is a historic house at 2900 Rogers Avenue in Fort Smith, Arkansas. It is an architecturally eclectic three-story house, fashioned in 1904 out of distinctive white glazed bricks fashioned in the brickyard of its builder, Horace Franklin Rogers. The front has Classical elements including four posts with Doric and Corinthian elements set on high stone piers supporting the porch, and a front entry that is flanked by large sidelight windows and topped by a stained-glass semi-oval window, and flanked by tall pilasters. Window framing varies stylistically by floor.
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The Caleb Wiley House is set on the north side of North Street, a major east-west route through residential areas of northwestern Stoneham, amid 20th-century residential houses that are mostly on smaller lots. It is a 2-1/2 story wood frame house, five bays wide, with a side-gable roof, twin rear-wall chimneys, clapboard siding, and a granite foundation. Window and door surrounds are simple, with the second-floor windows butting against the cornice, a typical Federal period feature. Its front door is sheltered by a portico that is early 20th century in appearance, and has flanking sidelight windows.
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Rosalie is located southwest of Natchez's downtown area, overlooking the Mississippi River at the junction of Orleans and South Broadway Streets. It is a basically cubical three-story brick building, with a truncated hip roof encircled by a low balustrade. Its front facade has a monumental four-column Tuscan portico, with entablature and a gabled pediment with a semi-oval window at its center. Broad entrances in the center bay provide access to the house on the ground floor and a balcony on the second; both have double-leaf doors, sidelight windows, and semi-oval transom windows.
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A single-story porch extends across the building width, with fluted Doric columns rising to an entablature beneath a shallow hip roof. The front facade is three bays wide, with the entrance in the right bay, flanked by sidelight windows and narrow pilasters, and topped by an entablature. The house was built in 1846, and typifies the houses that were built in the immediate area in the 1840s, although it is now one of the few houses left from that period. Most of the houses from that period have been replaced either by later residential construction or commercial buildings.
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The Farnsworth House is set on the west side of SR 117, between the Lakewood Pines Campground and the road's junction with North Bridgton Road. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, end chimneys, clapboard siding, and stone foundation. The main (east-facing) facade is symmetrically arranged, with a wide central bay housing the main entrance, which is flanked by sidelight windows and topped by a fanlight. A single-story porch extends across the southern facade, supported by Doric columns; it has been partially enclosed.
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The library is set on the east side of Maine State Route 186, about south of its western junction with United States Route 1, and immediately adjacent to the West Gouldsboro Union Church. It is a small single-story Tudor Revival structure, with a tall fieldstone foundation and a stuccoed exterior. It has a side-gable roof with chimneys at the sides, and a front-facing gable that projects slightly at the center of the main facade. The entrance consists of a single door flanked by sidelight windows with diamond lights, with paneling below that matches the door.
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Windows on the first two floors are set in similar openings, and the main entrance is set in a large segmented-arch opening, flanked by slender pilasters and sidelight windows, and topped by an arched transom window. The interior is reflective of several periods, having undergone a Colonial Revival redecoration in the early 20th century. Most notable is the stencilwork on the walls of two rooms, which has on a stylistic basis been attributed to the itinerant New Hampshire artist Moses Eaton. with The house was built in 1827 for John Wilder, a Massachusetts native who moved to Weston in 1825.
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The main entrance features a Greek Revival surround, with sidelight windows and pilasters flanking the door, and a broad entablature above. The interior retains period woodwork, although the original large central chimney has been removed, and its space converted into a food storage area.Watkins, Douglas; Mitchell, Christi (2006). NRHP nomination for Edmund and Rachel Clark Homestead; redacted version available by request from the National Park Service The property on which the Clark Homestead stands was settled in 1774 by Edmund and Rachel Clark, Quakers who were among the early settlers of China along with other members of their family.
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The Goshen Church is located in a rural upland area of western Bradford, on the east side of Goshen Road a short way south of its junction with Upper Rogers Road. It is a single- story wood frame structure, with a gabled roof and clapboarded exterior. Its front facade is symmetrical, with two identical entrances, each framed by sidelight windows and topped by a triple tympanum with a central Gothic louver flanked by smaller similar ones. Above each entry is a sash window, also topped by a Gothic louver, and a similar opening, now sided over, is set in the gable end.
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The street facade has a commercial storefront on the ground floor, with rectangular display windows flanking a now-disused recessed entrance. Above this on the second floor is a hip-roofed porch with turned posts and balustrade in the Victorian style. The library entrance on the side has flanking sidelight windows, and is sheltered by a deep gabled hood, supported by simple angle brackets. with The building has a complex building history, originating in the construction of a single-story Cape style building that was attached to what is now known as the J.R. Darling Store, just to the west.
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The main facade is five bays wide, with a central entrance that has early 19th-century Federal style features, with sidelight windows above recessed panels, and a broad louvered fan above. The main block was extended in the early 20th century with 1-1/2 story Colonial Revival wings on either side, each with four round-arch windows. The wing on the right joins the house to a 1-1/2 story shed and garage, which were probably originally detached from the house. The interior of the main block has retained much of its original material.
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The Randall-Hildreth House stands in a rural area east of the Topsham village, set on the west side of Foreside Road, close to its junction with Pleasant Point Road. It is a two- story wood frame structure, with a hip roof, twin interior chimneys, clapboard siding, and a granite foundation. The house is set at the edge of a terrace, exposing the basement wall at the rear. The main facade faces southeast, and is five bays wide, with the center entrance, flanked by sidelight windows and pilasters, and sheltered by an eclectically styled Victorian porch.
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The Aiken Stand Complex stands in what is now a comparatively remote and rural area of eastern Barnard. At the southeast corner of Royalton Turnpike and Sayer Road stands the main building, a 2-1/2 story wood frame structure, with a side gable roof, large central chimney, clapboarded exterior, five-bay front facade, and rubblestone foundation. Its interior and exterior are predominantly Federal in their style. Across the turnpike to the west stands a 1-1/2 story Cape style structure, with a similar exterior, but with Greek Revival features, including sidelight windows flanking the entrance.
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The Paul Family Farm is located at the southern corner of Depot Road and Goodwin Road (Maine State Route 101), in a rural area northeast of the Eliot village center. The main house is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, central chimney, and clapboard siding. The front, facing east toward Goodwin Road, is symmetrically arranged, with a center entrance that has a Greek Revival surround with sidelight windows, pilasters, and corniced entablature. A hip-roof porch extends across most of the northern facade, and there is a two-story ell extending westward.
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The Chase House is set at the southwest corner of US 202 and Kanokolus Road in the center of Unity. Set back from the main road, it is a 2-1/2 story brick structure, five bays wide, with a side gable roof, end chimneys, and a stone foundation. The main facade is symmetrically arranged, with a center entrance flanked by sidelight windows and topped by a fanlight window. A 1-1/2 story wood frame ell extends to the rear, and there is a barn near the rear of the property that was once connected to the house via a shed.
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The Colburn House stands on a rise overlooking the Kennebec River to the west. It is set south of the First Congregational Church of Pittston, on the west side of Arnold Road, an old alignment of Maine State Route 27, which runs just to the east. The house is a 2-1/2 story timber frame structure, with a side gable roof, central brick chimney, and clapboard siding. The front facade is five bays wide, with slightly irregular spacing of windows, and a comparatively elaborate front door surround consisting of flanking sidelight windows and pilasters supporting a corniced entablature.
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The main (south-facing) facade is symmetrical, with a central entrance set in a slight recess, framed by sidelight windows and pilasters supported a corniced entablature. The interior of the building houses open chambers on both floors, with vestibule areas in the front and a staircase in the front right corner. with The building was constructed sometime after 1858, when the association that owns the meeting house granted the town permission to build on its land. Along with the meeting house and the Stagecoach Inn (located just across US 7), this assemblage of buildings represent a quintessential Vermont small-town 19th-century crossroads village center.
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The Old Stone House stands a short way east of Winooski's central Rotary Park, on the north side of East Allen Street between Cascade Way and Abenaki Way. It is a 2-1/2 story structure, built out of rough-cut stone and capped by a side gable roof. It has a five-bay front facade, with sash windows in the outer bays set in rectangular openings. The front entrance is at the center, flanked by wide sidelight windows, and there is a second doorway above on the second level, set at a recess with an iron balustrade across the lower part of the opening.
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The David Sumner House occupies a prominent position in the main village of Hartland, set in the southeast crook of a bend in United States Route 5 at its junction with Vermont Route 12 and Quechee Road. Its main block is a two-story brick structure, from which a two-story and single-story ell, both of 20th-century construction, extend to the rear. The main block is five bays wide and two deep, with the main entrance at the center of the north-facing front facade. It is flanked by sidelight windows and is topped by a multilight arched transom with a projecting overhang above.
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The Osterville Baptist Church is set prominently in the center of Osterville on the north side of the junction of Main Street and Wianno Avenue. It is rectangular single-story wood frame structure, with a gable roof, vinyl siding, and a brick foundation. Its exterior features a mix of Greek Revival and Gothic Revival styling, with corner paneled pilasters rising to entablatures running along the sides of the building, and lancet-arched panels above its windows. Its facade is symmetrically arranged, with a pair of entrances, each framed by sidelight windows and pilasters, with an entablature and cornice on top, and sash windows above.
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The Sterling Homestead is a historic house at 2225 Main Street in Stratford, Connecticut. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof and two interior chimneys. A front-facing cross gable, decorated with a fan louver, stands centered above a Palladian window and the front entry, which is framed by sidelight windows and pilasters topped by an entablature. This house was probably built around 1790 for Abijah McEwen, and is most prominent for its association with John W. Sterling, a major local landowner and ship's captain engaged in the China trade, who purchased it in the mid-19th century.
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The Barnes-Hill House is located in a rural-residential area of northern Spencer, on the north side of North Brookfield Road a short way west of its junction with North Spencer Road. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, central chimney, clapboard siding, and stone foundation. A two-story wing extends to the left, and a 1-1/2 story wing extends to the right and partially to the rear, giving the house a partial saltbox profile. The main entrance has a Greek Revival surround, with sidelight windows, fluted pilasters, and a corniced entablature.
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Its most prominent feature is a three-level porch, the first two levels spanning the full width of the front facade, and the third set in a curved-ceiling recess under the gable. The building's walls are locally made brick laid in American bond, and the sills and lintels are soapstone. The main entrance is at the center of the front facade; it is a double door of late Victorian vintage, which replaced an original Federal period entrance with sidelight windows. A wood frame ell 1-1/2 stories in height extends to the building's rear, and a 20th-century garage stands on the property as well.
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The Hamilton House is set on of land overlooking the Salmon Falls River, the border between South Berwick and Rollinsford, New Hampshire. It is a 2-1/2 story wood frame building, with a hip roof, clapboard siding, four brick chimneys symmetrically placed in its outside walls, and gabled dormers on all four elevations. It has entrances on its north, south, and east sides, each flanked by pilasters and topped by a gabled pediment; that on the north side has a more elaborate treatment, with sidelight windows and a second pair of pilasters. On the north and east facades, there are Palladian windows above the entrances.
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Moody Farm is located on of land in a rural area of eastern Searsmont, with the farmstead complex located at the junction of Lawry Road and Maine State Route 173. The farmhouse stands in the interior of the V created by the two roads with its barn and other farm outbuildings located across Lawry Road. The farmhouse is a 1-1/2 story wood frame structure, five bays wide, with a side gable roof, central chimney, clapboard siding, and stone foundation. It has restrained vernacular Federal period styling, with the centered entrance flanked by sidelight windows and pilasters, and topped by a modest entablature.
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Murtaugh works with Riggs and Internal Affairs officer Lorna Cole (Rene Russo) to destroy the cartel. As a comical sidelight, Murtaugh also helps Riggs quit smoking by giving him dog biscuits instead; he does show some hostility towards Riggs, however, when he believes that Riggs is becoming romantically involved with his daughter Rianne. However, Riggs opens up to him, admitting that he sees Murtaugh's family like his own family, the kids like his own children. In the midst of it all, Murtaugh enlists the help of Getz to sell his house, but in the end decides to keep the house when he decides not to retire.
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Williams's ashes were carried back to England by Jane, where eventually, she became the wife of another friend of Shelley, Thomas Jefferson Hogg. On her death his ashes were buried with her in Kensal Green Cemetery. Whilst in Italy, Williams kept a brief journal, which has since provided another sidelight on the lives of Shelley, Byron and Edward John Trelawny. The closeness of the relationship between the Williamses and Shelleys is shown in many contemporary documents, including Williams's Journal, Mary Shelley's Journal, Trelawny's Recollections, the Letters of the Shelleys and Byron, and also in many biographies about the members of Shelley & Byron's Pisan Circle.
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The main facade has bands of windows on either side of the center entrance, which has sidelight windows articulated by brackets supporting a projecting cornice, which transitions to a half-round shape that houses a transom window. The exterior is finished in stucco applied over rubblestone walls The interior is richly decorated with Arts and Crafts features. The house was built in 1913–14 as the residence of [Leland Powers], and was severely damaged by an anarchist bomb attack in 1919. Powers, at the time a state legislator, was active in legislating against the rise of anarchist activity; his family moved out of the house in 1921.
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Eleven properties line this piece of road, with another two on Simpson and Elden completing the district inventory. The oldest house, the Elden family homestead, stands on the south side of Elden Road, and is a fine Federal-style estimated to date to the 1790s. The Came-Marshall House, located just northwest of the junction, is probably the most impressive house in the district: it is a 2-1/2 story Federal-style brick structure, with an elaborate entry that has sidelight windows and a semi-circular fanlight. Most of the houses in the district, however, were built between 1825 and 1850, and are Greek Revival in character.
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The Williams house is a 2-1/2 story wood frame structure, five bays wide and two deep, with a side gable roof, twin interior chimneys, and clapboard siding. Its main entrance, centered on the front facade has a Greek Revival surround, with sidelight windows and pilasters flanking the door, topped by a cornice with a carved elliptical arch. A single-story ell extends to the rear of the house. The interior follows a center hall plan, and retains original features, including fireplace mantels (although most of the fireplaces have been closed up), and wide pine flooring.. The house's construction date and original owner are not known.
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The Simeon Smith House stands in a rural area of far eastern West Haven, on the north side of Main Road, a short way west of its junction with Vermont Route 22A, the principal north-south route in the area. The house is a 2-1/2 story I-house, built of wood, with a gable roof, clapboard siding, and rubblestone foundation. The main facade faces the road to the south, and has a central entrance flanked by sidelight windows and topped by a cornice. Windows are 19th-century two-over-two sash, with flanking shutters, and the roof line has a modillioned eave.
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The former Cobb School building stands in a rural area of central northern Hardwick, on a wooded lot at the west side of the junction of Cobb School and Bridgman Hill Roads. It is a single-story wood frame structure, with a front-facing gabled roof, clapboarded exterior, and a foundation of large granite slabs. A square open belfry rises from the center of the roof ridge, capped by a pyramidal roof. The main facade is three bays wide, with outer bays housing small fixed- pane square windows, and the centered entrance flanked by sidelight windows and topped by a hood with large plain angled brackets.
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The Telephone Trophy started during a 1959 Game featuring Iowa State and Missouri when the field phones were tested prior to the game, it was found that both teams could hear each other. The problem was solved by game time, but not without considerable worry on the part of the coaches. The Northwestern Bell Telephone Co. of Ames had a trophy made and presented it to Iowa State to be awarded each year to the team winning the game. An odd sidelight to the whole affair was that the same thing happened to Missouri later in the year in a game played at Columbia.
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The Foss House is a three-story wood frame house with a stuccoed exterior, quoined corners, and a red ceramic tile hip roof. The main facade, facing south, is a symmetrical three bays, with a central entry flanked by rounded bays that are two stories in height. The entry is sheltered by a portico topped by a segmented-arch pediment and supported by paired Corinthian columns. The doorway is flanked by sidelight windows and topped by a triangular pediment The cornices of the portico, doorway pediment, and roof are all modillioned, as are the roof lines of the hip-roof dormers piercing the roof.
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Dormammu attacks Eternity in a Ditko "Dr. Strange" panel from Strange Tales #146 (July 1966). Ditko createdIn a 1963 letter to Jerry Bails, Marvel writer-editor Stan Lee called the character Ditko's idea, saying, "The first story is nothing great, but perhaps we can make something of him-- 'twas Steve's idea and I figured we'd give it a chance, although again, we had to rush the first one too much. Little sidelight: Originally decided to call him Mr. Strange, but thought the 'Mr.' bit too similar to Mr. Fantastic...." the supernatural hero Doctor Strange in Strange Tales #110 (July 1963).DeFalco "1960s" in Gilbert (2008), p.
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The former Hathaway's Tavern house stands near the northern city limit of St. Albans, on the east side of North Main Street south of Lakeview Terrace. The building is prominently situated on top of a low knoll near the road, a contrast to both surrounding commercial development to the north and west, and to residential development to the south that is generally set further back from the street on level lots. It is a two-story wood frame structure with a hip roof and clapboarded exterior. The roof cornice is decorated with modillions, and the centered front entrance is flanked by sidelight windows and sheltered by a gabled Colonial Revival portico.
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The Aldrich family were Quakers and their community included their homes, businesses including the Jacob Aldrich Farm (and Orchard) at 389 Aldrich Street which is a light colored brick home made in a kiln nearby on River Road. The Jacob Aldrich Farm and Orchard is located on Massachusetts Route 98, in a village of similar homes from the 18th and 19th century. The house is 2-1/2 stories in height, with end chimneys and a side gable roof. The main facade is five bays wide and symmetrical, with a center entrance flanked by sidelight windows and narrow pilasters, which rise to a semi-oval Federal- style fan.
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That facade is five bays wide, with an open single-story piazza extending across the center three bays, supported by round columns, and steps descending to the ground across its width and sides. The main entrance is flanked by sidelight windows and topped by a Federal style fanlight window, into which the date "1785" has been etched. The interior of the house retains elegant Federal period finishes, including two staircases, fireplace mantels, and wooden wainscoting, which on the ground floor consists of single planks of pine, in width. The house was built in 1785 by John Brewer, a prominent local shipbuilder, who also served as the local postmaster.
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The main entrance is in the angled side just left of the front facade, is flanked by sidelight windows and Doric pilasters, and is topped by an entablature and cornice. with The house was built sometime between 1854 and 1858 by H.T. Pressey, inspired by the works of Orson Squire Fowler, who promoted the design and construction of octagonal houses, which were a fad for about thirty years. Since many were built later in the period of the fad, they tend to have Italianate or Late Victorian features; this one, built during the earlier years of the fad, is unusual for having Greek Revival features.
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The Burnell Tavern is located in West Baldwin, a dispersed rural area. It is set on the west side of the Pequawket Trail (Maine State Routes 5, 113 and 117), historically the principal route between the coast of southern Maine and Fryeburg, which was the location of the Native American community known as Pequawket. Its main block is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, two asymmetrically placed chimneys, clapboard siding, and a stone foundation. The front, facing east, is symmetrically arranged, with the entrance set in a gable-roofed vestibule projecting at the center, flanked by sidelight windows.
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The George Batchelder House stands in northern Reading, on the north side of Franklin Street just east of its junction with Main Street (Massachusetts Route 28). The house was originally oriented facing Main Street, and was moved a short distance to its present location in 1947. It is a 2-1/2 story wood frame structure, with a side low-pitch gable roof, two interior chimneys, and a clapboarded exterior. The house exhibits a few more high-style Federal period details than are typical for surviving houses in Reading of the period, including an elaborate entrance surround with tapered pilasters, sidelight windows, and a half-oval starburst louver above.
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In September he halved the size of the protectorate by proclaiming the Crown colony of British Bechuanaland, its northern border following the Molopo and Nossob rivers. Warren was recalled in September 1885. An interesting sidelight on the expedition is related by Jose Burman, who writes that when Warren’s force reached Orange River station (at that stage the terminus of the railway line to Kimberley, as the bridge over the river had not yet been built) the general had a transport problem. “At this stage Warren’s difficulties were solved by a number of farmers who arrived at the river and offered their services as transport riders.
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The Deep River Town Hall is located near the southern end of the main village of Deep River, located in a triangular plot on the south side of the junction of Connecticut Routes 80 and 154, with a west-bound one-way street immediately to its south. In contrast to other village architecture, it is a three-story brick building, set up against the sidewalk on the main roads. A single bay faces the intersection, housing the main entrance in an arched recess, flanked by sidelight windows and topped by a semicircular transom window. The side elevations are nine bays, divided into groups of three; some of these groups have doors at the center, while others have windows.
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Before the 1959 match-up between the two schools, which took place in Ames, Iowa, field testing showed that the telephones the two schools used to communicate with their coaches in the coaches box were wired so that either school could hear what was happening on the other sideline. The problem was fixed before the game, but neither of the two coaches knew that. Northwestern Bell Telephone Company of Ames then decided to have a trophy made to commemorate the incident, and thus the Telephone Trophy was born."Telephone Trophy ""Mascot & Football Traditions " An odd sidelight to the whole affair was that the same thing happened to Missouri the following year in a game played in Columbia, Missouri.
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McDermott was a prime mover, with James Hendler and others, behind the AI Planning Systems Conference, which, after merging with the European Conference on Planning, became the annual International Conference on Automated Planning and Scheduling (ICAPS). He also helped start the International Planning Competition, which is held semiannually in conjunction with ICAPS. He led the group that molded the Planning Domain Definition Language from several predecessor notations in order to provide a standard notation for input to planning systems. A sidelight of his work has been an interest in the philosophy of mind, stemming from his realization as a child that "electronic brains" do not have a "part that thinks", and that therefore biological brains probably don't either.
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The Crooker House stands at the northwest corner of South and Middle Streets, in what was in the mid-19th century a fashionable upland neighborhood on the Bath's south side. It is a 2-1/2 story wood frame structure, with a gabled roof, clapboard siding, and ells extending the main block to the north side. The house is oriented facing east (toward Middle Street), and has a two-story colonnade of fluted Corinthian columns across its five-bay front facade. The main entrance is in the center bay, flanked by sidelight windows, and there is a glass door with flanking sidelights above it on the second floor, giving access to a wrought iron balcony.
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The main block of the house is a rectangular wood-frame structure 2-1/2 stories tall and five bays wide, with a side gable roof, twin interior chimneys, and a granite foundation. A single-story hip-roof porch extends across the southern gable end, whose wall is flush with that of the rear ell. The main entrance is in the east-facing facade; it is framed by sidelight windows and a semi-elliptical transom window with a cornice above. The interior follows a typical central hall plan, with parlor and living room on either side of the hall in front, and the kitchen (which extends into the ell) and a bedroom in the rear.
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Running, faking and pivoting beautifully, he averaged 7 yards a crack for 13 carries and completed 14 out of 24 pitches for 188 yards … which gave him a new total offense record of 279 yards for the classic." A sidelight of the Rose Bowl was the Rose Bowl Queen nomination of Ann Gestie, the future wife of Bob Chappuis, which was against the tradition of having a queen from Pasadena, California. Buck Dawson, the manager of the Michigan Yearbook who would go on to marry the daughter of Matthew Mann, was the proponent of the nomination. Although tradition was upheld, Gestie's photograph appeared on the front page of the Los Angeles Times along with the caption "Overlooked Michigan Beauty.
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The Manor House is located on the south side of United States Route 302, several miles north of the town center of Naples, at a location that would have historically had a view of Long Lake to the north. The house is a 2-1/2 story wood frame structure, five bays wide, with a low- pitch hip roof, brick side walls, clapboarded front and back walls, and a stone foundation. The main entrance is centrally located, with flanking pilasters and sidelight windows, and a semi-oval transom window above. A Palladian window with a half-round central window and narrow side windows is set on the second floor above the entrance, also articulated by pilasters.
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The property had for generations been in the hands of the Raynes family, but only had a small summer cottage (built about 1939) on it when it was acquired by the Hosmers in 1949. The pond also existed at that time, but was significantly reworked by the Hosmers as part of their landscaping activities. The main house is a two-story wood frame structure, clad in stone veneer, with a hip roof and a partial concrete foundation. The house is five bays wide, with sash windows in most of the bays, and a central entrance flanked by sidelight windows, and topped by a transom window, all set under a segmented-arch pediment.
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The main entrance is flanked by sidelight windows and pilasters, which rise to an architrave and an iron-balustraded balcony for the second floor. The interior of the house retains many fine finishes, although some of its upstairs bedrooms have been converted into meeting spaces, and much of the eastern outer wall was removed to provide access to the large meeting wing. Josephus Daniels, for whom the house was built in 1920, was one of the most important US Secretaries of the Navy in the 20th century, serving from 1913 to 1921 under President Woodrow Wilson. Daniels brought the Navy to a wartime footing during World War I, and oversaw many improvements and reforms in its operations and practices.
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The Esbon Sanford House is an historic house at 88 Featherbed Lane in North Kingstown, Rhode Island. It is a 1-1/2 story wood frame structure, five bays wide, with a central chimney and simple Federal-Greek Revival transitional styling. The main entry, centered on the front facade, is framed by small sidelight windows and pilasters, and is topped by an entablature. The most unusual feature of the house relates to its chimney: despite its central location, the interior of the house is organized in a central hall plan, with the flues of the flanking chambers rising at an angle and joining in the attic space to form the single chimney seen outside.
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Juniper Hill Farm stands atop the crest of a hill northwest of Windsor's main village and is accessed via a winding drive on the north side of Juniper Hill Road. The main house is a large U-shaped 2-1/2 story wood frame structure, oriented with the open end of the U to the north, facing terraced landscaping. The central portion of the U is covered by a dormered hip roof, while the wings are only two stories in height, also covered by hip roofs. The original main entrance is at the center of the southern facade, sheltered by a small gabled portico; it has flanking sidelight windows and a semi-oval transom window.
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The Whitney House is set at the southeast corner of Pleasant and Sawyer Streets, opposite Sawyer Street from the Union Church. The house is a rambling structure, with a 2-1/2 story side-gable main block, a long single-story ell extending to the rear, which joins to a square two-story carriage house with a cupola-topped hip roof. The main facade is five bays wide, with a central entrance flanked by sidelight windows and topped by a wooden fan set in an elaborate entablature in the Federal style. The rear ell was built in two stages, the first being integral to the house construction and the second added later.
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The Oxford Congregational Church is a T-shaped wood frame structure, sheathed partially in clapboard and partially in aluminum siding, with gable roofs on both sections of the T. The main sanctuary is fronted by a colonnade of four paneled posts, above which is an enclosed area housing a gallery. The main entrance, centered on this facade, consists of a set of double doors, flanked by sidelight windows with diamond lights. The gallery area has two symmetrical placed sash windows, and pilasters continue the supporting posts up to the fully pedimented gable end. Above the entrance rises a square tower, whose stages have pilastered corners, parapeted edges, and spires at the corners.
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The Herndon Home is located in Atlanta's Vine City neighborhood, adjacent to the campus of Morris Brown College (formerly the campus of Atlanta University) on the north side of University Place NW. It is a two-story rectangular structure, faced in brick, with a flat, balustraded roof, porches projecting from the sides, and a massive neoclassical entrance portico, supported by large paired columns. The entrance is framed by wide sidelight windows and topped by a semi-oval transom, all windows displaying etching and tracery. The building is capped by a full entablature and modillioned cornice. The flat roof is usable as an open terrace, although it was reported to be in poor condition in 2000.
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The house, on the west side, is a 1-1/2 story Cape style wood frame structure, with a side gable roof and central front cross gable, with a 1-1/2 story ell extending to the rear to join to an attached carriage barn. The house has Greek Revival styling, its entrance flanked by sidelight windows and pilasters, and topped by an entablature with cornice. At the top of the U stands the main barn, a large two-story bank barn with the gable oriented east-west. Its main entrance is on the west side, with a large sliding door topped by a two-tier transom window and a gabled Greek Revival entablature.
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The Whitmore House is located in a remote part of rural northwestern Ashburnham, at the end of Daniels Lane, a short road off Tuckerman Road. The rambling Federal style wood frame house is estimated to have been built in the second decade of the 19th century, probably after the 1818 marriage of Enoch Whitmore to Clarissa Willard, and the sale of the land on which it stands by Isaac Whitmore to his son. The house consists of a main block, which is a typical Federal period five bays wide and 2-1/2 stories high, and a series of additions on the back of the house. The main facade is five bays wide, with a center entrance flanked by sidelight windows and topped by a modest entablature.
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The district was listed on the National Register of Historic Places in 2003. The oldest portion of the Ephraim Buck House is believed to have been built c. 1704, with a second section added in the 1740s. Its exterior was restyled c. 1770 to give it Federal period styling, including a front door entry with 3/4 length sidelight windows and an entablature. The Daniel Eames House at 584 Woburn Street may also have been built by Ephraim Buck, c. 1714-23, and is a fairly typical early Georgian house. A third 18th century house, that at 604 Woburn Street, was originally believed to be 17th century in origin, but is more likely a Federal period construction from c. 1785-91.
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Bellerofonte was the son of a king of Corinth, but his birthright was usurped by one Clearco. Without a kingdom of his own, Bellerofonte is not deemed an appropriate candidate for marriage to a royal princess. Bellerofonte proves his worthiness by slaying the monster that plagues Ariobate’s kingdom with a yearly demand for the sacrifice of a noble virgin, but Ariobate accedes to the marriage of Argene and Bellerofonte only after an unexpected turn of events in the third act: news arrives that the usurper Clearco has been overthrown and Bellerofonte may re-claim the kingdom of Corinth. In a sidelight, the virgin Briseide, slated for sacrifice to the monster, is saved from death and finds a lover to marry in the "second tier" of romantic involvements.
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The left five bays have the entrance at their center, flanked by sidelight windows and pilasters, and topped by an entablature and cornice. The interior rooms at the front of house have retained a significant amount of Federal period styling, including woodwork and fireplaces, although many of latter have been blocked or had inserts placed in them. When the property was purchased in 1817 by William Chaloner, there was almost certainly already a house standing on it; this was either a three-bay or five-bay structure, that may or may not have had the saltbox addition to the rear. Chaloner had eleven children by two wives between 1810 and 1835, and was likely responsible for enlarging the house he purchased to its present size.
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In its early days it was known for its use of advanced mining and transport systems (not all of which worked very well) including the Dashaveyor, a high speed transportation system, and what was at the time the world's largest hard rock tunneling machine to be sold to a mining company. It was also one of the earlier mines to use rubber tired mining equipment on a large scale. An interesting sidelight was that about 70% of the workforce was of Finnish descent, which in some ways was not surprising given the similarity between the countryside around the mine and rural Finland. Louisiana Land and Exploration bought Copper Range in 1977, then sold the operation to Echo Bay Mines Limited in 1983.
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The remote release for the boot (trunk) lid, located on the inside of the door opening on the B-post just under the door lock striker, was moved from the right hand side of the car to the left hand side. The location of this item was always independent of whether the car was left hand drive or right hand drive. Early (Series 1) 1750 GTV's featured the same bumpers as the Giulia Sprint GT Veloce, with the front bumper modified to mount the indicator / sidelight units on the top of its corners, or under the bumper on US market cars. The Series 2 1750 GTV of 1970 introduced other mechanical changes, including a dual circuit braking system (split front and rear, with separate servos).
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The Bray House is set on the south side of Pepperell Road (Maine State Route 103), on a site overlooking the mouth of the Piscataqua River. It is a 2-1/2 story wood frame residential structure, whose main block is five bays wide, with a side gable roof, large central chimney, clapboard siding, and granite foundation. The entrance, centered on the river-facing south facade, is flanked by sidelight windows and pilasters and topped by an entablature. A former two-story extension to the east added two bays, and a narrow connecting segment joined the main house to a second 2-1/2 story house, oriented perpendicular to the main block, that was moved to this property in the early 20th century.
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The entrance is the only portion of the exterior retaining significant Greek Revival features: it has flanking half-height sidelight windows, and is set in a slight recess flanked by pilasters and topped by a corniced entablature. The entry was virtually identical to that of the Charles Newton House (another period house in the city), and is derived from examples published by Asher Benjamin in 1830. Due to the house's location remote from the city center, little is known of the property prior to 1851, when Ezra Beamon Rice is recorded as living here. Rice is likely a member of the Beamon family that was historically prominent in the affairs of West Boylston, and is poorly documented in Worcester records.
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The main block of the Wiley House is a 2-1/2 story wood frame structure, five bays wide, with a large central chimney, side gable roof, and a cut granite foundation. The main entrance is centered on the front (southeast-facing) facade, and is flanked by sidelight windows and pilasters, which support an entablature that includes a fan in a keyed arch. A two-story ell extends to the east of the main block, fronted by a single-story porch, and a single-story shed extension connects the house to a barn. The oldest portion of the house is the two-story ell, whose first floor was built in 1772 by Benjamin Wiley, one of Fryeburg's first proprietors and early settlers.
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It was built with four covered porches, including the main south entry, the north side entry from the detached garage, and two interior covered porches, one which opened from a second-floor guest bedroom and the main porch one which spreads the entire width of the home on the east side, overlooking downtown Muskogee to the east. The open covered porch on the east side of the home had its own source of water supply and was large enough to accommodate a full-size hammock. The home has a full walkout basement, with several separate rooms. The large foyer entry way inside the main entry door on the south side has dual sidelight clear lead-glass windows with beveled panes behind carved stone benches which straddle the front porch.
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The crew conceded starts to their rivals in most heats but were so much faster they soon worked their way to the lead with precision sailing. Dave Porter (KB) was the only Australian to threaten the New Zealand contingent, finishing second overall with a last race win and three second-place results, but never had any chance of beating Travelodge New Zealand. An unfortunate sidelight to this contest was the news that Roger Welsh, who had shown such ability during previous challenges, was suffering from an incurable disease and was near death as this regatta was being sailed. After being runner-up in the previous two Giltinan Championship contests, Dave Porter finally won the title when he successfully steered KB to victory in the 1975 series on the Brisbane River.
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The Lightle House, a historic house at 605 Race Avenue in Searcy, Arkansas contains two stories, a full basement, and a full attic. Its brick facade attaches to a reinforced concrete foundation which supports a tile hip roof with 1924 Ludovici tiles. Designed by Charles L. Thompson, it has plans dated December 1923, so construction started in 1924 and continued until the Edward Lightle family moved in on April 1925, a date documented on the underside of a garden urn presently located under a wrought iron gazebo in the back yard. The house is an elongated version of a somewhat standard Colonial Revival plan produced by Thompson and Harding, with a porte-cochere at one end, and an elaborate entry, with sidelight windows, and pilasters supporting an entablature and arced pediment.
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Marketing itself as 'A Friend Who's Always Near' and 'The Sound of Home', Radio Tees offered unique and distinctive local output with a wide variety of programming and an emphasis on community involvement. Many of its presenters, such as Alastair Pirrie, Mark Page, John Simons, Mark Matthews and Graham Robb, derive from the local area. Alongside specialist soul, blues and country music shows, Radio Tees programmes included the hi-fi show Sounds Superb, the motoring show Sidelight and the holiday show Trains and Boats and Planes in which Radio Tees presenters would travel to destinations around the world and record reports interviewing local people and giving tourist advice and information. Radio Tees also met and interviewed artists over the years both in mainstream and specialist music genres including soul music legend Bobby Womack interviewed in 1985 by the then Nightlife show presenter, Mike Prior.
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Types include the eyebrow window, fixed windows, hexagonal windows, single-hung and double-hung sash windows, horizontal sliding sash windows, casement windows, awning windows, hopper windows, tilt and slide windows (often door-sized), tilt and turn windows, transom windows, sidelight windows, jalousie or louvered windows, clerestory windows, lancet windows, skylights, roof windows, roof lanterns, bay windows, oriel windows, thermal, or Diocletian, windows, picture windows, Rose windows, emergency exit windows, stained glass windows, French windows, panel windows, double/triple paned windows, and witch windows. The Romans were the first known to use glass for windows, a technology likely first produced in Roman Egypt, in Alexandria ca. 100 AD. Paper windows were economical and widely used in ancient China, Korea and Japan. In England, glass became common in the windows of ordinary homes only in the early 17th century whereas windows made up of panes of flattened animal horn were used as early as the 14th century.
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Many units also have directional "collectors", "reflectors" or even Fresnel lens devices that assist in collecting additional directional light down the tube. In 1994, the Windows and Daylighting Group at Lawrence Berkeley National Laboratory (LBNL) developed a series of horizontal light pipe prototypes to increase daylight illuminance at distances of 4.6-9.1 m, to improve the uniformity of daylight distribution and luminance gradient across the room under variable sun and sky conditions throughout the year. The light pipes were designed to passively transport daylighting through relatively small inlet glazing areas by reflecting sunlight to depths greater than conventional sidelight windows or skylights.LBNL:The Design and Evaluation of Three Advanced Daylighting Systems: Light Shelves, Light Pipes and SkylightsLBNL:Advanced Optical Daylighting Systems: Light Shelves and Light Pipes A set-up in which a laser cut acrylic panel is arranged to redirect sunlight into a horizontally or vertically orientated mirrored pipe, combined with a light spreading system with a triangular arrangement of laser cut panels that spread the light into the room, was developed at the Queensland University of Technology in Brisbane.
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With its already dominant roles in the Afghanistan Cartographic Institute, the Afghanistan Geological Survey, and many other ministries, the USSR was in a position in the early 1980s to completely take over all resource extraction in Afghanistan. Indeed, they did pump much natural gas across the northern border of the Amu Darya into the USSR where the gauges to measure delivered volumes were located, and plans were made for development of other resources.Shroder, 1983; Shroder and Assifi, 1987; Shroder and Watrel, 1992 In addition, the Aynak copper deposit near Kabul was investigated in detail and a smelter scheduled for installation in the mid 1980s. In an interesting sidelight of these times in the early 1980s, a Soviet-Afghan convoy from Aynak was assaulted by the Mujahideen and the captured documents that were sent to co-author Shroder by British sources proved that the Aynak copper lode was one of the largest in the world, as proved by a plethora of kilometer-deep boreholes that allowed the Soviets to sample the deposit extensively.
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