Ridiculously attuned to her reactions, he dragged his hips back and forth in short strokes.
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It was "final lapse" by Mnuchin in May, it was "short strokes" with you on November 15th.
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With its short, stiff "bristles," the needles will pull out of the carpet quickly with short strokes toward you.
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O'Brady said that the terrain had a bit of glide, and that allowed him to use short strokes with his skis.
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Working in short strokes straight from the bullet, fill lips with color, being careful not to draw too close to the edges Step 2.
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I swept the brow gel on before my workout, carefully focusing short strokes along my upper arches and toward the front of my brows for definition.
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So while quick short strokes will pop up in Illustrator almost instantly, a long continuous stroke (like writing out your name, for example) won't appear until you've finished.
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I would stay with "short strokes," but I would add the word "intense," because there is so much at stake here, when you go through the various categories.
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The abstract figure with a blue square for a head is made of distinct marks, which the artist has repeated in short strokes throughout the center of the canvas.
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By all appearances, the willful, tenacious, and stubborn family pet has finally obliged, eagerly picking up paintbrushes with his mouth and making short strokes on canvases in exchange for treats.
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Use short strokes to ensure a clean application, and when you get to the "v" shape at the top of your upper lip, overline it slightly to add an exaggerated, bee-stung effect.
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Once a week, try Dermaflash ($150), a manual microblading device that carefully removes dead skin with a sterile blade and sonic vibrations (it might sound scary, but the process is entirely painless; just hold your skin taut and use short strokes).
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U.S. officials have used phrases like "short strokes" and "millimeters away" to emphasize that a deal is in the home stretch — without indicating what, exactly, is left to negotiate of the deal that was announced as complete on Oct. 11.
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They waved from their wrists, in quick, short strokes, as if scrubbing out a spot in the air; to wave any bigger would have burned through the muscle energy required to keep their arms in constant motion for the duration of the twenty minute procession.
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Where Cézanne composes his women and the landscape alike, often with short strokes of color, and where Degas arranges his three women in ungainly poses, with (in one case) the legs cut off by the left edge, Renoir sets his models in filmy land- and seascapes.
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Common types include clevises, trunnion mounts and spherical bearings. Because these mounts allow a cylinder to pivot, they should be used with rod-end attachments that also pivot. Clevis mounts can be used in any orientation and are generally recommended for short strokes and small- to medium-bore cylinders.
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Varieties exist: for example, Amarna letter EA 271 shows 4 hortizontal long strokes, with 2 short strokes, between the two long ones, (see here, 2nd line from bottom (tablet Obverse): . The Hittite language version of tu, (and ideogram TU) is identical in common form to the Sumerian.Held, Schmalstieg, Gertz, 1987. Beginning Hittite.
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Letters in this script have long vertical lines with broad spacing. The name, meaning "third," is in reference to the x-height, which is one-third of the 'alif. #Reqa is a handwriting style derived from Naskh and thuluth, first appeared in the 10th century. The shape is simple with short strokes and small flourishes.
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Technical lettering is the process of forming letters, numerals, and other characters in technical drawing. It is used to describe, or provide detailed specifications for, an object. With the goals of legibility and uniformity, styles are standardized and lettering ability has little relationship to normal writing ability. Engineering drawings use a Gothic sans-serif script, formed by a series of short strokes.
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Technical lettering is the process of forming letters, numerals, and other characters in technical drawing. It is used to describe, or provide detailed specifications for an object. With the goals of legibility and uniformity, styles are standardized and lettering ability has little relationship to normal writing ability. Engineering drawings use a Gothic sans-serif script, formed by a series of short strokes.
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The painter superficially distributed stylized shapes on the surface of the painting, avoiding empty areas and animating them using characteristic colour signs. These are short strokes in the shape of dots, blots, broken and parallel lines, circles or rhombus. The artist thereby intensifies the strength of experience by employing raw tint. His colour is not a coat but the texture.
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The wingspan is 12–13 mm. The forewings are brown, with three indistinct dark-brown dots, two of these at the middle and at the end of the cell, and the third at the anal fold. There are also two light-grey short strokes and a thicker costal one, as well as a dorsal one before the tornus. The hindwings are grey.
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Some of the drawings are on vellum. Neyts was, along with Jan Siberechts and Lucas van Uden, one of the most accomplished artists in the use of both watercolours and bodycolours in his drawings,. His penwork is delicate and characterized by the use of numerous dots and short strokes of the pen, sometimes accompanied by long sinuous meandering lines. Occasionally Neyts added grey wash or watercolour.
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Powerbands can surpass 14,000 RPM in motorcycles and some racing automobiles, such as Formula One cars. Such high speeds are reached by using lightweight pistons and connecting rods with short strokes to reduce inertia, and thus stresses on parts. Advances in valve technology similarly reduce valve float at such speeds. As an engine grows larger (its stroke in particular), its power band moves to lower speeds.
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In later works he used paint dissolved in turpentine and applied this in short strokes using a square brush. His palette in any one painting was limited but intense - his technique often giving a luminous or shimmering effect. He exhibited at the Vienna Secessionist Exhibition of 1902 and in the Whitechapel Art Gallery, London, in 1914. A Centenary Exhibition was held by Kelvingrove Art Gallery, Glasgow in 1964.
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In the Caravan in the mountains past Schliat, the influence of Seurat is unmistakable. His Gate of Mansour-El-Hay in Meknès (1887) and Morocco (the great souk) (1887) are also painted in pointillist style, but still with short strokes and not with points. These are among the rare pointillist paintings of Morocco. When he had finished these paintings, he stopped completely with this Moroccan period in his life.
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Over time the design, of both the oars and the blades, has significantly changed. Typically, the oars part that is inboard of the rowlock stayed the same length but the outboard part got shorter. The different lengths of the oars affect both the energy that the rower has to put in as well as the performance, in terms of speed of the rowboat. A short oar makes quick but short strokes possible.
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He had a preference for linen of a rather coarse texture. He was capable of painting the rigging of his ships meticulously on this comparatively rough surface. The ‘rigging’ brush he used for this purpose, made of sable hair, allowed him to apply only a small quantity of paint each time – resulting in short strokes joined together – but this technique cannot be detected in the final result, in which the lines seem to be continuous.
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The clothes and accessories show the two women to be members of the upper class spending their free time in the summer with mild temperatures and light winds.Begoña Torres González: Sorolla, 2009, S. 326 Mother and daughter stand a few meters from the sea on an ocher expanse of sand in the foreground at the bottom. Unlike the people depicted, the sand surface is depicted in short strokes. Behind the two women is a seamless transition from the beach to the sea.
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The bright cloud edges are painted with bristly brushes in short strokes that depict their round shapes perfectly. The concluding outlines (webby sections of the foam dissolving in the waves, water flowing from the rocks, etc.) are painted in translucent bleach scumbles. The foam of the waves is depicted with fine floating zigzags that oftentimes thicken into diverse bunches (on brighter surfaces). The human figures in gliding blue, emerald green, red, and ochre strokes are portrayed in a generalised manner depicting a common zeal for survival.
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The güiro () is a Latin American percussion instrument consisting of an open- ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines along the notches to produce a ratchet sound. The güiro is commonly used in Puerto Rican, Cuban and other forms of Latin American music, and plays a key role in the typical rhythm section of important genres like son, trova and salsa. Playing the güiro usually requires both long and short sounds, made by scraping up and down in long or short strokes.
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Dragonflies generate lift in at least four ways at different times, including classical lift like an aircraft wing; supercritical lift with the wing above the critical angle, generating high lift and using very short strokes to avoid stalling; and creating and shedding vortices. Some families appear to use special mechanisms, as for example the Libellulidae which take off rapidly, their wings beginning pointed far forward and twisted almost vertically. Dragonfly wings behave highly dynamically during flight, flexing and twisting during each beat. Among the variables are wing curvature, length and speed of stroke, angle of attack, forward/back position of wing, and phase relative to the other wings.
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Egevadluq Ragee’s interest in art began in 1959 while living in Tikerak when two other artists, Sheowak and Napatchie Pootoogook encouraged her to start drawing. From there Ragee began creating her early works, which were often drawn with graphite pencil on paper. Her drawings primarily feature mythical creatures, bird-animal-human transformations and scenes of traditional life in the Inuit. As her art developed, Ragee began experimenting with new mediums including acrylics, pen and ink, printmaking and wax crayon. Ragee’s drawing style has been recognized for its use of small, short strokes used to shade large spaces, which was uncommon for artists of this period.
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Barela began working as a cartoonist in 1976, producing an untitled comic strip for Cycle News. This led to strips such as "Just Puttin" for Biker magazine (1977-1978), "Short Strokes" for Cycle World (1977-1979), "Hard Tale" for Choppers (1978-1979), "The Adventures of Rickie Racer," "The Adventures of Eric Enchilada," and "The Puttin Gourmet...America's Favorite Low-Life Epicurean" for Biker Lifestyle, and FTW News (1979). In 1980 he developed for possible syndication a comic strip titled "Ozone," which included a gay character named Leonard who had a "roommate" named Larry. The strip was unsuccessful, and he pitched another strip featuring those two characters to LGBT news magazine The Advocate which also turned it down.
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