The twist: the shepherdess is underwater, and her charges are white-tipped reef sharks.
|
|
But why did Mary Berry take over the role of shepherdess for the day?
|
|
There were doctors, paramedics, an Army captain, a shepherdess, a fisherman, and a carpenter.
|
|
Not the pastry dresses anyway (the brocade jean jackets and shepherdess pedal pushers maybe).
|
|
None of that Marie Antoinette-playing-shepherdess donning of the $1,380 Balmain flannel shirt to garden.
|
|
The University of Oklahoma reached a settlement agreement over the restitution of Camille Pissarro's "Shepherdess Bringing in Sheep" (1886).
|
|
The effect is unnerving—a kind of neurotic pastoral—and, like the shepherdess, we're not sure how to react.
|
|
Here in northern Israel, shepherdess Jenna Lewinsky is raising a flock of Jacob Sheep, pictured here, as a religious calling.
|
|
A lovely shepherdess in a flowing white dress tends to her flock in these gorgeous photographs reminiscent of a fairy tale.
|
|
From the charming Arlésienne to the shepherdess in a fairy tale, with faille, piqué, taffeta, tulle, embroidery, lace, the repertoire is inexhaustible.
|
|
On one side of the Dior dress, there is Marie Antoinette as a faux shepherdess; on the other, she approaches the guillotine.
|
|
Title to the 130-year-old painting, "Shepherdess Bringing in Sheep" by Camille Pissarro, will be transferred to the family of Leone Meyer.
|
|
In the celebrated "Alto Giove" from Porpora's "Polifemo," Ms. Hallenberg raptly intones Aci's ravishing prayer of thanksgiving to Jupiter for bestowing on him the shepherdess Galatea.
|
|
In the early summer, a 14-year-old shepherdess was found dead, her throat ripped out by an unknown animal attack, near the village of Langogne.
|
|
" He got the idea for a Shark Shepherdess because, in terms of how they help maintain ecological balance in their habitat, "Sharks are the shepherds of the sea.
|
|
In "Daphnis et Églé" (1753), a shepherd and a shepherdess approach the Temple of Friendship, only to be turned away, because, as Cupid points out to them, they are actually in love.
|
|
Often that took a Catholic turn, as in the divisionist "Vision," by Alphonse Osbert, in which a shepherdess gazes upward while a halo springs from her head and a lamb nuzzles her leg.
|
|
Hence the opening shot, jolting and handheld, in which we share van Gogh's point of view as he approaches a shepherdess and her flock on a country track and asks if he can sketch her.
|
|
A shepherdess who heard the voices of saints in the sound of church bells, she led the French army toward decisive victories in the Hundred Years' War before being tried for heresy, witchcraft and cross-dressing.
|
|
And in a way, the character of Dorinda, a good-hearted shepherdess who harbors an unrequited love for Medoro, is the heart of "Orlando," especially here, with the appealing, warm-voiced soprano Carolyn Sampson in the role.
|
|
Little Jeannette may be a shoddy shepherdess who prefers aimless strolls along the banks of the Meuse to tending listless livestock, but her plein air flânerie is a perfect foil to the film's bursts of campy rapture.
|
|
Inventory is high, buyers are eager to find fault with a property (get a load of that plaid sectional in the living room and the statue of a shepherdess in the foyer!) and quick to find the exit.
|
|
"Jeanne was a shepherdess, but she beat a path to the king," Mr. Macron told hundreds spread out in the plaza in front of the towering 17th-century cathedral in the city where she led the French troops in battle.
|
|
He probably stole the idea from some traveling mystic/guru/swami/qi gong master that he ran into in Vienna in 1768, possibly inviting him (or her) to the performance he'd arranged in his garden of Mozart's one-act singspiel about a duped shepherdess.
|
|
Rihanna has been very good for business, Mr. Pinault said as he settled in to watch what she called, backstage before the show, the garments "Marie Antoinette would wear if she was going to the gym" instead of, you know, pretending to be a shepherdess.
|
|
In a settlement that appears to be the final chapter in a long-running dispute, the university will transfer title to the painting, "La Bergère," or "Shepherdess Bringing in Sheep," to Léone Meyer, the daughter of a businessman, Raoul Meyer, whose collection was looted by the Nazis.
|
|
47 (1905). There are many other similar paintings by Millet depicting a shepherdess who is knitting, though they are not duplicates.The Knitting Shepherdess, Saint Louis Art Museum (via Wikimedia Commons).Shepherdess Knitting, outside the Village of Barbizon, Museum of Fine Arts, Boston.
|
|
Upon this delightful object the shepherdess gazed with an unwearied regard.
|
|
Ravenseat Farm, home of Amanda Owen and family Amanda Owen (born September 1974) is an English shepherd and writer. She lives and farms on a remote farm, Ravenseat, Swaledale in the Yorkshire Dales with her husband Clive Owen and their nine children. Initially best known through her Twitter feed as "The Yorkshire Shepherdess", she has now written three books: The Yorkshire Shepherdess (2015), A Year in the Life of the Yorkshire Shepherdess (2017), and Adventures of the Yorkshire Shepherdess (2019). In August 2017 she appeared on BBC Radio 4's The Museum of Curiosity.
|
|
Meanwhile, Argene arrives in Olympia disguised as a shepherdess, to win back Lycidas.
|
|
Meanwhile, Argene arrives in Olympia disguised as a shepherdess, to win back Licida.
|
|
Meanwhile, Argene arrives in Olympia disguised as a shepherdess, to win back Lycidas.
|
|
Two of China's figurines (a shepherdess and a chimney sweep) stand side by side on a table top. They are in love. Their romance is threatened, however, by the carved mahogany figure of a satyr called "General-clothes-press-inspector-head-superintendent-Goat-legs" living on a nearby cabinet who wants the shepherdess for his wife. The satyr importunes a porcelain Chinaman on the table (who considers himself the shepherdess' grandfather) to give his consent to the marriage.
|
|
The action takes place in India, where queen Aline recognises the newly-arrived ambassador Saint Phar as her long lost lover from a time when she was a mere peasant girl. She disguises herself as a shepherdess and meets Saint Phar before leaving him again to test his love. Resuming her role as queen, she offers herself in marriage to Saint Phar, who declines because he loves the shepherdess. The true identity of the shepherdess is then revealed, and the lovers reunited.
|
|
The village is known for the Marian apparition that occurred to the young shepherdess Veronica Nucci in 1853. The sanctuary of Madonna Addolorata was built in 1846 as a place of pilgrimage. Cerreto, Sorano official site. Cerreto is also known for its typical caciotta cheese, the pastorella ("shepherdess") of Cerreto.
|
|
Marcabru The pastorela (, "little/young shepherdess") was an Occitan lyric genre used by the troubadours. It gave rise to the Old French pastourelle. The central topic was always meeting of a knight with a shepherdess, which may lead to any of a number of possible conclusions. They are usually humorous pieces.
|
|
A Knitter or a Seated Shepherdess Knitting, 1858-60, Louvre, Paris, France (via PBS).Shepherdess with her Flock, Musée d'Orsay, Paris, France.Young Girl Guarding Her Sheep, Clark Art Institute, Williamstown, Massachusetts. Prior to painting the two duplicates, Millet composed a preparatory drawing, which is now located at the National Gallery of Scotland.
|
|
Tucupita is the cathedral see of the Roman Catholic Apostolic Vicariate of Tucupita, with the Cathedral of the Divine Shepherdess.
|
|
Shepherdess Seated on a Rock or The Knitter or Shepherdess Knitting is an 1856 oil on wood painting by Jean-François Millet. It is in the collection of the Metropolitan Museum of Art in New York city. Millet was a leader of the Barbizon school, which emphasized realism, and is noted for his scenes of peasant farmers and for reinvigorating the genre of landscape painting. The shepherdess in this painting is wearing the linen hood and white cloak that were typical of the peasant women in communities of north-central France such as Barbizon.
|
|
"It is a simple story the artist has chosen to tell; but he has set it in a scene of tender and idyllic beauty, thoroughly appropriate to the gentle theme of affection he has selected for the central thought." The theme of the shepherdess is one to which Laugée returned many times. Typical is the Bergère au tricot (Shepherdess Knitting), shown to the right, which like Au printemps de la vie shows Pre-Raphaelite as well as Impressionist influences. Other paintings on the shepherdess theme can be seen in the Gallery below.
|
|
Prince Darling and the shepherdess are then married, and Prince Darling resumes the throne to become a just and beloved ruler.
|
|
The refuge gains its name from that of a young shepherdess, Hélène, living with her father in the meadows of Pré-de-Bar.
|
|
390px Shepherdess with her Flock is an 1864 oil on canvas painting by Jean- François Millet, now in the Musee d'Orsay in Paris.
|
|
The second novel in The Human Predicament trilogy, The Wooden Shepherdess, was published in 1973 by Chatto & Windus: London; it carries on the story to 1934 and the Night of the Long Knives. The third and final novel was left unfinished, but the completed twelve chapters were included in the 2000 New York Review of Books edition of The Wooden Shepherdess.
|
|
While returning in disguise as a shepherdess, Raja Beti meets Kumar. Kumar at first meeting, begins to fall in love with her, but he is unaware that the shepherdess is actually the princess of Jagmer. Raja Beti gives the map to Daljeet. When everything is planned and the army is ready for the war, Daljeet orders an attack on Sultanpur.
|
|
Landscape with Shepherdess and Herd at a Watering Hole, etching, 1760s(?) Domenico Bernardo Zilotti (ca. 1730 - ca. 1780 or 1795) was a Venetian engraver.
|
|
Stanzin Dorjai is an Indian documentary filmmaker from Ladakh. He has won many film festival awards for his film The Shepherdess of the Glaciers.
|
|
Like Andersen's "The Steadfast Tin Soldier" and "The Sweethearts; or, The Top and the Ball", "The Shepherdess and the Chimney Sweep" is a tale about a romance between two household objects. While "The Steadfast Tin Soldier" and "The Sweethearts" end unhappily, "The Shepherdess and the Chimney Sweep" ends happily-ever-after. Other Andersen tales about household objects include "The Shirt Collar" and "The Teapot".
|
|
When they are in bed, the shepherdess says they are now equal. Once they were buried, no one would be able to tell their mould apart.
|
|
During the next couple of months the "Shepherdess" visits some of the 52 parishes of Barquisimeto and arrives back in Santa Rosa in time for Palm Sunday.
|
|
Shepherdess in a Summer Landscape The Angelus Jean Laronze (25 November 1852, Génelard12 February 1937, Neuilly-sur-Seine) was a French painter of rural scenes and landscapes.
|
|
Jacob Huysmans, Queen Catherine of Braganza as Saint Catherine of Alexandria at the Royal Collection of the United Kingdom. His portrait of Queen Catharine as a Shepherdess (c. 1664, British Royal Collection) is one of his most famous paintings, and is the one which Pepys saw in his studio and had caused him to praise Huysmans abundantly. Catherine is depicted in the guise of a shepherdess, sitting by a stream.
|
|
The Italian soldiers, unacquainted with a war they clearly do not sense as theirs, are absorbed into the life, heat and landscape of the idyllic island. The local orthodox priest asks the lieutenant, an amateur painter, to restore the murals in his church. Two soldiers, who are brothers, befriend a lovely young woman, a shepherdess. They eventually consummate their friendship with the shepherdess who in turn - loves them both equally.
|
|
Courtiers at the Palace of Versailles constantly surrounded Marie Antoinette, leaving her in need of a refuge. She escaped the responsibilities and structure of court life to her private estate. The image of Marie Antoinette dressing up as a shepherdess or peasant at the hamlet is a deeply-entrenched and inaccurate myth. There is no contemporary evidence for Marie Antoinette or her entourage pretending to be peasants, shepherdess or farmers.
|
|
The Shepherdess (), also known as The Little Shepherdess, is a painting by William-Adolphe Bouguereau completed in 1889. The title is taken from the Southern French dialect. The painting depicts an idyllic, pastoral scene of a lone young woman in peasant attire posed for the artist, balancing a stick (likely her crook) across her shoulders, standing barefooted in the foreground. In the background are oxen grazing in a field.
|
|
Eurilla, the shepherdess is pursued by Marchese Astolpho. who is to marry Donna Florida, while Eurilla is attracted to Don Calloandro, the son of Don Polibio, the mayor.
|
|
The Cathedral of the Divine ShepherdessCathedral of the Divine Shepherdess in Tucupita or Tucupita Cathedral () is a religious building that is affiliated with the Catholic Church and serves as the seat of the Apostolic Vicariate of Tucupita (Vicariatus Apostolicus Tucupitensis) created on July 30, 1954 by bull Crescit in dies of Pope Pius XII, and it works in the city of Tucupita, Delta Amacuro state capital at the eastern end of the South American country of Venezuela. It is specifically located between Marino, La Paz and Arismendi Avenue streets. As its name indicates is dedicated to the Virgin Mary in its advocation of Divina Pastora (Divine Shepherdess), who is with the Virgin of Coromoto one of the most famous Marian devotions in Venezuela. Although the processions of the Divine Shepherdess usually occur in Lara state in western central Venezuela, the cathedral of the city is dedicated to the Virgen del Carmen, while Tucupita choose to honor the Divine Shepherdess, one of the symbols Catholicism in Venezuela.
|
|
Sitting on the ruins of the castle the next morning, the robot sees one of the Bird's sons trapped in a cage. After freeing the bird, the robot smashes the cage, symbolizing the birds' freedom and the movie ends. Only the early scene in the secret apartment is based on "The Shepherdess and the Chimney Sweep", while the rest of the movie focuses much more on the king and the bird, hence the ultimate title. In Andersen's tale, the shepherdess and the chimney sweep are china figurines, rather than paintings, and a wooden (mahogany) satyr wishes to wed the shepherdess, supported by a Chinaman, rather than a king and a classical statue.
|
|
The shepherdess Eurilla is also in love with Mirtillo, prevents him from killing himself, and offers to try to win Amarilli for him. Eurilla is really only interested in winning Mirtillo for herself. Silvio, the hunter, has no interest in girls or getting married at all, he wishes to remain chaste like his patroness the goddess Diana. Yet another shepherdess, Dorinda, is smitten with Silvio but he rejects her love, to her sorrow.
|
|
See also The Shepherdess, a similar painting by the same artist. This and similar images by the artist attracted collectors in Europe and America because of their nostalgic content. In such works the artist depicted a variety of poses and expressions, in this case showing the mild curiosity of the girl. In portraying a shepherdess Bouguereau is working within the pastoral mode or theme, as developed by ancient Greek and Hellenistic artists and poets.
|
|
All of the external evidence, including the 1656 first edition, assigns the authorship of the play to Thomas Goffe;William John Lawrence, "The Authorship of The Careless Shepherdess," The Times Literary Supplement, July 24, 1924. one modern scholar, however, has argued that this may have been an error for John Gough, author of The Strange Discovery.Norbert F. O'Donnell, "The Authorship of The Careless Shepherdess," Philological Quarterly Vol. 33 (1954), pp. 43-7.
|
|
Fifteen years pass and Polixenes confronts and then secretly follows his son, appearing as he declares his intention to marry a shepherdess. The two lovers seek protection with Leontes, the King of Sicilia. Mourning and repentant for his past actions, Leontes learns the shepherdess is his daughter and blesses the marriage of the lovers. The royal party goes to see a statue of the late queen Hermoine which is revealed to be alive.
|
|
Britten Austin comments that the audience "does not even notice".Massengale, 1979, page 100. Meanwhile, No. 80, Liksom en Herdinna, högtids klädd (Like a shepherdess in her best dress), is a pastorale, almost paraphrasing Nicolas Boileau-Despréaux's French guide to the construction of pastoral verse, starting with "As a Shepherdess splendidly dressed / By the spring one day in June / gathers from the grass's rosy bed / adornments and accents for her dress". The effect is of an "almost religious invocation".
|
|
The girl tells the dog not to go in the house, because it is the Palace of Pleasure, and all the food is poisoned. The dog sees the shepherdess entering the palace and is desperate to save her. At this time, the Fairy of Truth appears and rewards his generosity by turning him into a dove. The dove prince flies around the palace, and through a window he sees the shepherdess, who suddenly vanishes in a puff of smoke.
|
|
These two Vermare works in plaster in Saint-Pé-de- Bigorre. Sainte Bernadette Soubirous is depicted at the moment of her vision at the Lourdes grotto and is dressed as a shepherdess.
|
|
Anglèse de Sagazan (died 1582) was a French shepherdess from Lannemezan who claimed she saw three Marian apparitions in Monléon (70 kilometers away from Lourdes) three times in 1515. Notre-Dame-de-Garaison.
|
|
The play’s eponymous heroine is Clorin, a virgin shepherdess who values chastity and devotion above all. A skilled healer, Clorin has chosen to live in solitude near the grave of her first love. During the course of the play, various couples will find themselves thrown into erotic turmoil, and it is Clorin who heals them and facilitates their reconciliation. In the first storyline, the shepherd Perigot and the shepherdess Amoret are in love, though their love is unconsummated and pure.
|
|
His house on the ranch was prefabricated in England by his wife's relation, Stephen Varder, and shipped to Tierra del Fuego in the 360-ton brigantine Shepherdess. Bridges offered the Selk'nam space on his estancia where they could continue their traditional lives. Also on board the Shepherdess were two carpenters and Edward Aspinall, the new superintendent of the Ushuaia Mission. Aspinall relocated the mission to the Wollaston Islands, which he felt was more centrally placed in the archipelago to reach the Yahgan.
|
|
But they are pursued by a non-cross-eyed painting of the king that also has come to life, deposed the real king and has taken his place. He orders the capture of the shepherdess and the sweep, but the bird is there to help when called upon. Later, the shepherdess and the Chimney sweep find themselves in the lower city, where the inhabitants have never seen the light. Meanwhile, the king summons a robot built for him, and he attacks the village.
|
|
Goffe is also believed by some to have authored The Careless Shepherdess, a pastoral that was probably produced at Christ Church between 1618 and 1629, and later revised and produced by Queen Henrietta's Men around 1638. However, the argument against this belief is that Goffe could not have authored the pastoral because of the statement on the title page of The Careless Shepherdess, which states that it was acted at Salisbury Court, a theatre that did not open until after Goffe died.
|
|
The Pas de la Bergère ("pas of the shepherdess") was a pas d'armes organized in 1449 by René of Anjou in Tarascon, in southern France.About King René and the Tournament Book The event started on May 1, 1449,Le luxe, le vêtement et la mode a la fin du Moyen-Age and lasted for three days. Noblemen dressed as shepherds had to defend in turns a noblewoman dressed as a shepherdess. The winner received a kiss and flowers from this woman.
|
|
In the János-hegy area you will find the In the saddle between Hárshegy and János-hegy is (English:Beautiful shepherdess) the site of the Pauline Monastery where the Pauline Order founded their first friary.
|
|
Self-portrait from the National Gallery of Canada The Little Shepherdess (1892). 160.6 × 114.0 cm. Oil on canvas. Art Gallery of Ontario Paul Peel (7 November 1860 - 3 October 1892) was a Canadian academic painter.
|
|
Generally the song is known as the Herders’ Song (). In southern Albania it is known as the Song of Tana (), while in northern Albania and Kosovo it is known as the Song of the Shepherdess ().
|
|
After the king's death, the fairy appears to Prince Darling, now the king, and gives him a magic ring that will prick his finger whenever he does wrong. Prince Darling continues to follow the instructions of his wise old mentor, Suleiman, but begins carousing at night with power-seeking sycophants who encourage his bad behaviour. Prince Darling meets a young shepherdess and arrogantly announces to her that he will marry her. Instead of being honoured, the shepherdess refuses because of Prince Darling's wicked reputation.
|
|
Catharina Ahlgren reportedly became known as a poet and translator in the 1750s literary world before she had anything formally published. She was a personal friend of the famed poet Hedvig Charlotta Nordenflycht, and their correspondence is preserved. While her friend Nordenflycht wrote under the pseudonym "Herdinnan i Norden" (Shepherdess of the North), Catharina Ahlgren wrote under the name "Herdinnan i Ahl-Lunden" (Shepherdess of the Alder-Grove). She was active as a translator of both poetry and novels from the English, French and German languages.
|
|
Fabre d'Églantine was known both for his songs, such as Il pleut, il pleut, bergère) (It's raining, shepherdess) and for his participation in the writing of the new French Republican Calendar created during the French Revolution.
|
|
"Sea of Voices" was the first single that was released from Worlds, in March 2014. Robinson stated that Astralwerks, the record label he is signed under, wanted to release the EDM-fueled "Shepherdess" as the first single, but Robinson declined. He wanted to do the exact opposite, and release the track that reminded him the least of dance music. He decided to release "Sea of Voices" first, to inspire conversation among his fans about his change in style, and released "Shepherdess" as the bonus track on the vinyl version of his album.
|
|
But finally she came to a river and found herself alone with Ruson. A prince, Constancio, found her there, and she implored a job as a shepherdess. His mother the queen was unhappy with an old shepherdess, and Constancio got the job for Constancia. Constancio was deeply distressed, because he had never been in love before, and Constancia was far too lowly in birth for him to marry; he heard her singing of love, she would not tell him who she sang of, and his jealousy made his love more fierce.
|
|
But her breakthrough role was Dorinda the shepherdess in Handel's Orlando opposite mezzo Marilyn Horne. Her Metropolitan Opera debut came in 1991, as Zerlina in Mozart's Don Giovanni. In 1993, she won the Richard Tucker Music Foundation Award.
|
|
La pastorella nobile (The Noble Shepherdess) is an commedia per musica Though the Amadeus Alamanc refers to the opera as a dramma giocoso. in two acts by Pietro Alessandro Guglielmi. The Italian libretto was by Francesco Saverio Zini.
|
|
The Careless Shepherdess is a Jacobean era stage play, a pastoral tragicomedy generally attributed to Thomas Goffe. Its 1656 publication is noteworthy for the introduction of the first general catalogue of the dramas of English Renaissance theatre ever attempted.
|
|
The play received a lukewarm reception. The following year, Fletcher's Faithful Shepherdess failed on the same stage. In 1609, however, the two collaborated on Philaster, which was performed by the King's Men at the Globe Theatre and at Blackfriars.
|
|
13-14 She grows up as a rich shepherdess and becomes the overseer of twelve Dhangar vadas (pastoral settlements or camps, inhabited by different Dhangar clans). She cares for her sheep, grazes them and learns how to breed them.
|
|
Portrait of Bolle Willum Luxdorph, Danish poet and historian. Boy and Girl Dressed as a Shepherd and a Shepherdess Georg Mathias Fuchs (9 October 1719 in Regensburg – 5 April 1797 in Copenhagen) was a German-born Danish portrait and history painter.
|
|
Similarly, the heroes and heroines of fairy tales written by the précieuses often appeared as shepherds and shepherdesses in pastoral settings, but these figures were royal or noble, and their simple setting does not cloud their innate nobility.Lewis Seifert, "The Marvelous in Context: The Place of the Contes de Fées in Late Seventeenth Century France", Jack Zipes, ed., The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm, pp. 920–1, In Hans Christian Andersen's "The Shepherdess and the Chimney Sweep" (1845), the porcelain shepherdess carries a gilt crook and wears shoes of gilt as well.
|
|
When the Chinaman agrees to the union, the shepherdess and the chimney sweep flee, clambering down a table leg to the floor. They hide in a toy theater, and, when they emerge, discover the Chinaman has fallen to the floor in attempting to pursue them. The lovers then climb with great difficulty through a stove pipe to the roof, sustained in their flight by a star shining high above them. When the shepherdess reaches the rooftop and gazes upon the world before her, she takes fright at its vastness, and wants to return to the table top.
|
|
He takes the shepherdess and captures the chimney sweep, the bird, and a blind organ grinder from the village, putting the organ grinder in a pen of lions and tigers. The King forces the shepherdess to agree to marry him, threatening to kill the chimney sweep if she does not accept. When she does, the King sends the chimney sweep and the bird to paint manufactured sculptures of his head on a conveyor belt. They begin to ruin the sculptures, and are sent to jail, where the lions and tigers have been listening to the organ grinder playing.
|
|
Juanes performs on "El Gato Bandido" ("The Bandit Cat"), a pop rock song about a cat that rebels against his family and leaves home, discovering that things are not easy by yourself, and returns feeling repentant. Aterciopelados performs on "Mirringa Mirronga", which is about a feline mega-party. "El Robanidos" ("The Rob-nests") is a tropipop song performed by Fonseca, Dúo Huellas and the Fundación Batuta Chorus, about a kid that robs a nest and is then eaten by a black cat. Verónica Orozco performs on "Pastorcita" ("Little Shepherdess"), a rock song that tells the story of a little shepherdess that loses her sheep and then finds them.
|
|
Hilken Mancini (born February 5, 1970) is a US female singer, songwriter, musician, author, co-founder of Punk Rock Aerobics, and Girls Rock Campaign Boston. She has been a member of the bands Fuzzy, The Count Me Outs, Shepherdess, The Monsieurs and Band of Their Own.
|
|
Første Bind. Tredie Samling. 1845.). Other tales in the volume include "The Elf Mound" (Elverhøi), "The Jumpers" (Springfyrene), "The Shepherdess and the Chimney Sweep" (Hyrdinden og Skorstensfejeren), and "Holger Danske" (Holger Danske). The tale was republished 18 December 1849 as a part of Fairy Tales. 1850. (Eventyr.
|
|
The final act is introduced by a realist pastoral symphony. Daphné is now the shepherdess La Rouge who is intended for Nicot-la- Braise - Myriame. La Rouge's friend La Sincère has been promised to Le Menu. Meanwhile, Éros is in the form of a wily rascal, Jeannet.
|
|
He transformed her and transported her from the tower. There, she met with the transformed prince, who was now a shepherd. They fell in love. The princess, unable to forget that she was not really a shepherdess, could not bring herself to marry a poor shepherd.
|
|
The Lacemaker Shepherdess and Her Flock at Rest Edmond Antoine Anne Tapissier (14 June 1861, Lyon – 27 April 1943, Treignac)Archives municipales de Lyon en ligne, naissances 1861 1er arrondissement, acte n°649 du 15/06/1861, vue 112/229 was a French painter, illustrator, lithographer and tapestry designer.
|
|
The King Lear- like opening is unusual in type 510B, in which the daughter usually flees because her father wishes to marry her, as in Allerleirauh, The She-Bear, The King who Wished to Marry His Daughter, or Donkeyskin. It also occurs in the French variant, The Dirty Shepherdess.
|
|
The Young Shepherdess is an 1885 painting by William-Adolphe Bouguereau (1825–1905). It is owned by the San Diego Museum of Art. The painting depicts a barefoot young woman in peasant clothing, turned away from but still facing the viewer. She holds a plant in her hands.
|
|
Amélie Le Gall was the daughter of a carpenter."Lisette to Ride in Chicago" Inter Ocean (November 20, 1898): 32. via Newspapers.com She was reportedly working as a shepherdess in Brittany when she was wooed by a male cyclist who married her and trained her in the sport.
|
|
He met Clorinda, the queen of the shepherdess, also out to hunt a deer. She shot one, impressing him, and he invited her to feast with him. After the meal, he asked her to marry him, and she agreed. On the way, eight yeomen tried to steal their deer.
|
|
In 1940, Delano painted Navajo Shepherdess, placed in Monument Valley. In it he placed a saguaro cactus, although it was well outside the naturally occurring area for this plant. It is believed to be the first illustrative use of the plant to symbolize the American West, which has become almost ubiquitous.
|
|
The 60-year old was dressed as a Dresden shepherdess, the 35-year-old in modern female dress; they arrested "for the purpose of exciting others to commit an unnatural offence". The same year a landlady reported her lodger for behaving indecently in parlour window while dressed in women's clothing.
|
|
Mughal troops, in 1561; Rani Roopmati and her companions view the scene from the terrace of the fort. Depicted in the Akbarnama. Baz Bahadur, ever so fond of music, was the last independent ruler of Mandu. Once out hunting, Baz Bahadur chanced upon a shepherdess frolicking and singing with her friends.
|
|
The beggar woman throws off her rags and reveals that she is the Fairy of Truth. She transforms the dove back into Prince Darling. The Prince kneels and begs the shepherdess for forgiveness. The fairy declares that the girl had always loved the prince, but didn't like his bad behaviour.
|
|
Act II is set in Bohemia, some sixteen years later. Perdita has grown up adopted by a shepherd. Polixenes's son Florizel has fallen in love with her. To escape the wroth of Polixenes at his son's attachment to a lowly shepherdess they flee at the suggestion of Camillo to Sicily.
|
|
Mob caps and other "country" styles were worn indoors. Flat, broad-brimmed and low-crowned straw "shepherdess" hats tied on with ribbons were worn with the new rustic styles. Hair was powdered into the early 1780s, but the new fashion required natural colored hair, often dressed simply in a mass of curls.
|
|
Between March and May 1803 Zebra underwent another fitting out at Woolwich. Commander William Beauchamp-Proctor was appointed to command of her in April 1803. On 20 July 1804, Zebra was in the company of hired armed cutter Favorite and some other vessels when Zebra captured Shepherdess. Nine days later, Zebra, captured Postillion.
|
|
The Love of the Plants, however, while opening up the world of botany to the non-specialist and to women in particular, reinforced conventional gender stereotypes. Darwin's images “remained deeply polarized between the chaste, blushing virgin and the seductive predatory woman, the modest shepherdess and the powerful queen.”Browne, p. 618; Shteir, p.
|
|
The story is based very loosely on the mythological figure of Camilla in Virgil's Aeneid. The characters are: Camilla, heiress to the throne of the Volscians, disguised as Dorinda, a shepherdess (soprano); Prenesto, prince of Latium (soprano); Latinus, king of Latium (tenor); Lavinia, his daughter, (soprano); Turnus, king of the Rutuli, disguised as Armidoro, a Moorish slave (soprano); Metius, confidant of Camilla (tenor); Linco, servant of Camilla (bass); Tullia, Lavinia's maid (tenor); and a Hunter (tenor). Act I: Camilla, disguised as a shepherdess, is hiding in the Volscian countryside and plans to overthrow the usurper King Latinus from the throne that is rightfully hers. A group of hunters arrives and one of their number, Prenesto, son of Latinus, is menaced by a boar.
|
|
Tasos is a young shepherd in love with Golfo and intends to marry her. However, the rich shepherdess Stavroula with the help of her father manages to lure him with the promise of a dowry. Eventually he realises his mistake and returns to Golfo, but she has poisoned herself. Driven by guilt, Tasos commits suicide.
|
|
The Faithful Shepherdess is a Jacobean era stage play, the work that inaugurated the playwriting career of John Fletcher.Terence P. Logan and Denzell S. Smith, eds., The Later Jacobean and Caroline Dramatists: A Survey and Bibliography of Recent Studies in English Renaissance Drama, Lincoln, NE, University of Nebraska Press, 1978; pp. 31-2, 55-6.
|
|
The tale was first published by C.A. Reitzel in Copenhagen, Denmark on 7 April 1845 in New Fairy Tales. First Volume. Third Collection. 1845.. "The Elf Mound" was the first tale in the collection that included (in contents order) "The Red Shoes", "The Jumpers", "The Shepherdess and the Chimney Sweep", and "Holger the Dane".
|
|
The legend has also been set by, among others, Vivaldi, Piccinni and Scarlatti. The story is set in 14th century Provence, and concerns the shepherdess, Grisélidis, and a number of attempts by the Devil to lure her into infidelity. Grisélidis' loyalty to her husband, The Marquis, is strong, however, and the devil is vanquished.
|
|
Hackett played timid Tina Reilly in Channel 4 soap Hollyoaks. She played the role for over two years between 3 August 2006, until her character's death on 17 October 2008. She reprised the role for one episode on 20 November 2014. She also appeared in the Liverpool Nativity on 16 December 2007 as a shepherdess.
|
|
The Shepherdess, etching, 1916 Otto Richard Bossert (1874–1919), also known as O. R. Bossert, was a German portrait painter, art teacher and graphic artist. Among his works are portrait etchings of historical figures and color woodcuts. His early works were influenced by Max Klinger. Bossert was born in Heidelberg and studied in Karlsruhe, before settling in Leipzig.
|
|
Marie Antoinette was known to like to dress as a shepherdess. The elaborate coiffure, straw sun hat, and flower-trimmed gown imitate the attire at the French court in Versailles. This extravagant, foreign-influenced costume accentuates the marchioness’s tightly corseted waist, fashionable among Spanish noblewomen. Her erect, regal bearing and aloof gaze derive from Diego Velázquez' royal portraits.
|
|
The bow of the violin has been stuck through diagonally under the fingerboard. To her right is a maple tree. The subject is a model employed by Bouguereau for this and other paintings, including The Shepherdess. It was owned by the Minneapolis Institute of Art until 2004 when it was auctioned by Christie's to benefit the acquisition fund.
|
|
The chimney sweep tries to dissuade her, but, as he loves her greatly, he finally accedes to her wishes and guides her back to the table top. There, the two discover the Chinaman has been repaired in such a way that he cannot press the shepherdess to marry the satyr. The lovers are safe at last.
|
|
The church housing Our Lady of Ludźmierz The Sanctuary of Our Lady of Ludźmierz in Ludźmierz, Poland is home to Our Lady of Ludźmierz, known as the Shepherdess of Podhale or in Polish Gaździna Podhala. The cult of Our Lady of Ludźmierz is strongly identified with the Góral people who live in the surrounding Tatra Mountains.
|
|
The name Amaryllis is taken from a shepherdess in Virgil's pastoral Eclogues, (from the Greek ('), meaning "to sparkle") and also from "Amarella" for the bitterness of the bulb.Linné, Carl von. 1737. Hortus Cliffortianus. p. 135 Although the 1987 decision settled the question of the scientific name of the genus, the common name "amaryllis" continues to be used differently.
|
|
Alligator, of Nantucket, was under the command of Captain Obed Swain and on her fifth voyage as a whaler. She had sailed for the Pacific in 1810 and was returning home with 1600 barrels of spermaceti oil. Two more captures on the Leeward Islands station followed in October and November. On 12 October, Lightning captured the schooner Shepherdess.
|
|
The king also features in "Der junge König und die Schafërin" ("The Prince and the Shepherdess") by German poet Ludwig Uhland.Uhland 209–216. Goldemar's brothers, Alberich or Elberich and Elbegast, feature in other poems. According to a legend recorded by Thomas Keightley in 1850, King Goldemar was a kobold, a type of house spirit in Germanic belief.
|
|
Our Lady of Laus () or Refuge of Sinners denotes Marian apparitions that took place between 1664 and 1718 in Saint-Étienne-le-Laus, France, to Benoite Rencurel, a young shepherdess. They were approved by the Holy See on May 5, 2008. Pope Pius IX granted a Canonical Coronation to her marble image on 23 May 1855.
|
|
She led several tours with the music ensemble Shota in these countries, and also in Israel. In Kosovo, she gained the title Këngëtare e shekullit (Singer of the Century). A song "Baresha" (The Shepherdess), is one of her most popular songs. It was composed by her husband, Rexho Mulliqi and the lyrics were written by Rifat Kukaj.
|
|
The Eagle Tavern in 1841. The Royal Grecian Theatre was a theatre on the corner of City Road and Shepherdess Walk, in Shoreditch, north London. Originally built in 1821 as the Eagle tavern, by 1832 a pavilion had been built in its grounds known as the Grecian Saloon. The saloon was rebuilt in 1841 and became a theatre proper.
|
|
From 2001 through 2005, Mancini played guitar for The Count Me Outs, fronted by Mark Perretta (Folk Implosion) with Winston Braman on bass and Mike Savage on drums. Hilken contributed the story Biker Babe to That Takes Ovaries published by Three Rivers Press in 2002. As Fuzzy went on hiatus, Mancini co-produced and released an album on Kimchee Records in 2005 with bassist/vocalist Chris Colbourn of Buffalo Tom called Hilken Mancini And Chris Colbourn with Winston Braman on bass, drummer Mike Savage from Fudge and Cherry 2000, and guest guitar work by J Mascis of Dinosaur Jr. In 2006, Mancini formed Shepherdess, again with Savage on drums and Braman on bass, adding Emily Arkin on violin. Shepherdess, their eponymous debut album was self-released in 2007.
|
|
SCENE: A small rural village with the castle of Squire Bluebeard prominent King Bobèche, not wanting a girl as his heir, abandoned his daughter Hermia when she was three years old. Now aged eighteen and living as a shepherdess under the assumed name Fleurette, she is in love with the young and attractive shepherd boy Saphir but is not happy that he has not yet proposed marriage to her. The King's chamberlain Oscar discovers that the shepherdess "Fleurette" is really the Princess Hermia and requires her to return to the King's court, which however means she must leave the boy she loves. Squire Bluebeard has recently lost his fifth wife and sends his alchemist Popolani to the village to find a virginal young peasant girl to become his sixth wife.
|
|
The sleepy Statue (who is also a bit senile) talks about how they are not meant for each other based on his own "experience", as it's revealed that the king's portrait has also come to life as well who listens in on their conversation. The star-crossed lovers reach out of their paintings to hold hands, but the king's dog suddenly wakes up and growls; the Chimney Sweep shushes the dog who goes back to bed. As the Chimney Sweep jumps from his painting to the Shepherdess's, the Portrait King unfurls the cloth covering his painting to the shock of the couple; he declares his love for the Shepherdess but denounces the Chimney Sweep and confirms with the Statue that the king always gets the girl, the Statue confirms this and declares that the Portrait King and the Shepherdess will wed when the clock strikes 12 (right before he returns to sleep), as it is revealed that it's 5 minutes until that time. The Chimney Sweep hurls a fruit from the Shepherdess's painting at the Portrait King (blinding him), which he then proceeds to take his ladder and use it to help the Shepherdess and himself escape from their paintings.
|
|
When the play concludes, the Princess expresses mild disapproval, saying that more people are happy in their marriages than are unhappy. Meanwhile, the Monsieurs conclude that the convent cannot be dissolved. Act IV: Lady Happy wanders sadly dressed as a shepherdess, feeling that her love for the Princess is too much. The Princess arrives dressed as a Shepherd and they embrace and kiss.
|
|
Perigot sees Amoret and begs forgiveness; Amoret pardons him, and his hands become clean. In the second storyline, the lustful shepherdess Cloe is seeking a lover. Any lover will do; as she declares, “It is impossible to ravish me, I am so willing.” She first tries to seduce the modest shepherd Daphnis, but finds him too restrained for her taste.
|
|
The song describes a person who saw a young shepherdess sitting alone feeding her sheep near a mountain. The other shepherds did not know where she was at the time. Her lover, Amyntas, goes looking for her and wanders through the hills playing hide and seek. Eventually he finds her, and when he does, they fall down and start kissing.
|
|
182-184 He learned from his master to adequately imitate the palette of Murillo. Father Isidoro de Sevilla, a capuchin missionary, commissioned from him a Virgin in shepherd dress. This painting brought him fame and many similar requests. He so frequently painted the Virgin Mary as a shepherdess that he was called the “painter of shepherdesses ('el pintor de las pastoras').
|
|
She and her husband Michael Walton settled at Kittleyknowe near Carlops in the Pentland Hills, Scotland, where they befriended the shepherdess Jenny Armstrong. In 1973 she had a son and in 1976 a daughter. Her son passed away in 1995. They set up a trust in his name to raise awareness and funds to tackle oral cancers in young people.
|
|
After a time lapse of 15 years, Polixenes confronts his son over his wanderings. He refuses to answer and the king follows him in secret. The prince, disguised as a shepherd, woos the young shepherdess and announces his intention to marry her. The king arrives and forbids it, but a faithful courtier advises them to seek protection of the king of Sicilia.
|
|
Leontes has long mourned and come to regret his past actions. There, the identity that the shepherdess as his daughter is revealed and the marriage is approved. The royal party is invited to Paulina's house to view a statue of the late queen Hermoine. At the party, Hermoine disguised as a statue, extend her hand and surprises the grieving Leontes, who then rejoices.
|
|
Elizabeth Jones, Countess of Kildare, as a shepherdess (Willem Wissing, ca. 1684) Kildare married firstly, Mary, daughter of Henry O'Brien, Lord O'Brien. They had one child, Henry FitzGerald, Lord Offaly (1683–1684), who died as an infant. After Mary's death in November 1683, aged 21, Kildare married secondly, Lady Elizabeth, daughter of Richard Jones, 1st Earl of Ranelagh, on 12 June 1684.
|
|
The mountain has a deep grotto (named Bocca Lorenza) in which according to a local legend a young shepherdess got lost and disappeared. The story looks to be an adaptation of the myth of Pluto and Proserpina.Lucio Puttin Monte Summano: storia, arte e tradizioni Schio, 1977. The content of this section is adapted from the entry Monte Summano of WP Italian.
|
|
A boy, a girl and an old technician get together in an abandoned cinema to invent stories, the boy and the girl play after then made costumes. The three stories are "" ("The Pretty Girl and the Sorcerer"), "" ("The Dancing Shepherdess") and "" ("The Prince of Jewels"). Unlike La Princesse insensible and Ciné si, Tales of the Night is on 35 mm film.
|
|
Procession of the Divina Pastora. Barquisimeto Cathedral The Divina Pastora (Divine Shepherdess) is a statue of the Virgin Mary holding the infant Jesus, with a lamb at her side. It is considered to be one of the most important religious icons of Venezuela. Divina Pastora is the patron saint of the city of Barquisimeto and of the Venezuelan National Militia.
|
|
Resolving to find her, the dove flies all across the land. Eventually he spies her in a remote place, walking with an old beggar woman in rags. He flies down and lights on the shepherdess' finger, cooing. She remarks that it is the most beautiful dove in the world and that if it were a man, she would marry it.
|
|
"The other day along a hedgerow"), the narrator is attracted to a shepherdess for her feisty wit and professes that "country-men want country-women / in places where all wisdom's lacking."In the original Provençal: E•il vilans ab la vilana; / En tal loc fai sens fraitura. From Marcabru, "L'Autrier jost'una sebissa" ("The other day, along a hedgerow"), translated by James H. Donaldson.
|
|
For instance, Our Lady of Laus appeared to a young shepherdess for many years, while Our Lady of Kibeho addressed the leaders of the nation of Rwanda . The appearances of the Blessed Virgin Mary are usually called Marian apparitions. These generally include a vision of the Blessed Virgin, accompanied by brief messages. These are by far the most widely reported form.
|
|
American whaleships cruised for bowhead whales in the bay in the 1840sIndia, of New Bedford, July 16-19, 1849, Old Dartmouth Historical Society. and 1850s. They called it Shepherdess Bay,Pacific, of Fairhaven, July 16-19, 1856, Nicholson Whaling Collection (NWC); Onward, of New Bedford, July 24-25, 1856, NWC. after a Mystic ship that frequented the area at the time.
|
|
A chapel at the site was present before the year 1000, at a site were a shepherdess received a Marian apparition. A church was built in 1399, and consecrated in 1408, to shelter the aedicule with an image of the Madonna. The title of the Madonna is somewhat mysterious. The church has undergone a number of refurbishments, the last in 1692.
|
|
Gavaudan composed two pastorelas customarily dated to around 1200: Desamparatz, ses companho and L'autre dia, per un mati. They are one of the earliest and best examples of a subgenre of pastorela that, picking up on the themes of the earliest pastorelas, in which quaint shepherdesses were easily seduced by noble men, and those of Marcabru and his school, wherein the witty shepherdesses rebuff the oafish knights, intermingled the two earlier themes into one, in which the shepherdess and the knight fall in love. In Gavaudan, the knight and the shepherdess turn to each other in retreat from the dreariness of their normal lives and their love is true, but not courtly love. Gavaudan perceived himself as an innovator, as his poem Ieu no sui pars als autres trobadors ("I am not like other troubadours") indicates.
|
|
Rachel and Jacob by William Dyce Arriving in Haran, Jacob saw a well where shepherds were gathering their flocks to water them and met Laban's younger daughter, Rachel, Jacob's first cousin; she was working as a shepherdess. Jacob was 77 years old,Craig Olson, "How Old was Father Abraham? Re-examining the Patriarchal Lifespans in Light of Archaeology", p.13 and he loved Rachel immediately.
|
|
In 1849, Millet painted Harvesters, a commission for the state. In the Salon of that year, he exhibited Shepherdess Sitting at the Edge of the Forest, a very small oil painting which marked a turning away from previous idealized pastoral subjects, in favor of a more realistic and personal approach.Murphy, p.23. In June of that year, he settled in Barbizon with Catherine and their children.
|
|
Queen Catharine as a Shepherdess Jacob HuysmansAlso known as: Jacob Houseman, Jacob Huisman, Jacob Huysman (c. 1633-1696) was a Flemish portrait painter who, after training in his native Antwerp, immigrated to England before the Restoration. He became a feted court painter and attracted the patronage of the Portuguese born queen Catherine of Braganza, a Catholic like himself, of whom he painted several portraits.Oliver Millar.
|
|
'The Diary of Samuel Pepys, Friday 26 August 1664 Queen Catharine as a Shepherdess (c. 1664, British Royal Collection) and the Queen as St Catherine of Alexandria (of which there are various versions) were among the pictures Pepys saw on that occasion. While he spent the majority of his career in London, Huysmans resided for a while in Chichester in Sussex following the Great Fire of London.
|
|
A subgenre developed in this period was the city comedy, which deals satirically with life in London after the fashion of Roman New Comedy. Examples are Thomas Dekker's The Shoemaker's Holiday and Thomas Middleton's A Chaste Maid in Cheapside. Though marginalised, the older genres like pastoral (The Faithful Shepherdess, 1608), and even the morality play (Four Plays in One, ca. 1608-13) could exert influences.
|
|
The divine shepherdess Bernardo Germán de LlórenteAlso referred to as: Bernardo Germán Llorente and Bernardo Germán y Llorente (1685 – 1757) was a Spanish painter of the late-Baroque period. He was active in Seville where he was one of the followers of Murillo and made a name with his devotional paintings of the Virgin Mary. He also painted portraits and still lifes with trompe-l'œil effects.
|
|
Raja Beti decides to take revenge for the insult by killing the king of Sultanpur's son, Kumar. But in the combat zone she finds herself in love with Kumar and unable to kill him. Although Kumar knows that the shepherdess is really Raja Beti, he doesn't stop loving her. Kumar asks his father for permission to marry Raja Beti, and after a long disagreement, Kumar's father agrees.
|
|
1928 Sonatine, music by Ernesto Halffter. This ballet, a mixture of Old France and Castilla, made Spanish courtly dancing come to life again. With delightful touch, Argentina introduces a shepherdess on stage, gliding and pirouetting imperceptibly. 1928 Le Contrebandier, music by Óscar Esplá, where the future Empress Eugénie meets Prosper Mérimée and where the countess of Teba saves a smuggler who is pursued by two opérette gendarmes.
|
|
Instead, Arlequin falls in love with Silvia, a shepherdess. With the help of the fairy's servant Trivelin, the two manage to trick the fairy and live happily ever after. Its plot and comedic features were strongly influenced by the traditional Italian theatre of the Commedia dell'arte. Arlequin and Trivelin are stock characters of the Commedia dell'arte, and Silvia is a name associated with the female romantic lead.
|
|
Smitten by both her enchanting beauty and her melodious voice, he begged Roopmati to accompany him to his capital. Roopmati agreed to go to Mandu on the condition that she would live in a palace within sight of her beloved and venerated river, Narmada. Thus was built the Rewa Kund at Mandu. Unfortunately, the romance of this Muslim prince and Hindu shepherdess was doomed to failure.
|
|
In 2017, Choenyi Tsering co-starred with Kimba and Siano Dudiom Zahi in Soul on a String as the Qiong, a Tibetan shepherdess. It is based on the short stories Tibet: Soul on a String () and On the Road to Lhasa () by Tashi Dawa. The film premiered at the 19th Shanghai International Film Festival on 15 June 2016, and opened in China on 18 August 2017.
|
|
The poem was a debate on love between a shepherd and shepherdess with a pilgrim as arbiter. However, it sometimes seems to contain a good dose of conventional fiction. During his stay at Tarascon in Provence, René granted Jeanne the barony of Les Baux, which belonged to the Counts of Provence. She exchanged it on 18 February 1475 at Aix-en-Provence for Berre.
|
|
The original paintings were moved to the new monastery in via Castello and include a Madonna of the Roses and Saints Benedict, Peter and Francis of Paola, attributed to Domenico Malpiedi and an altarpiece depicting the Divine Shepherdess (1776), also known as the Madonna of the Roses by Nicola Monti.Tourism office of Macerata, by Fondazione Cassa di Risparmio Provincia di Macerata, entry on the church.
|
|
Beamish, previously named 'Pit Hill', is a village in County Durham, England, situated to the north east of Stanley. The entrance to Beamish Museum. The village is contained within Hell Hole Wood and is home to Beamish Museum, an open-air museum seeking to replicate a northern town of the early 20th century. Its principal public house is the Shepherd and Shepherdess, near the Beamish Museum entrance.
|
|
A subgenre developed in this period was the city comedy, which deals satirically with life in London after the fashion of Roman New Comedy. Examples are Thomas Dekker's The Shoemaker's Holiday and Thomas Middleton's A Chaste Maid in Cheapside. Though marginalised, the older genres like pastoral (The Faithful Shepherdess, 1608), and even the morality play (Four Plays in One, ca. 1608-13) could exert influences.
|
|
For a church of Vico, he painted a canvas of St Ciro and Giovanni and the Virgin. He painted two canvases, one of a Miracle of St Dominic and the Apparition of the Virgin to the Shepherdess, for the church of Rosariello delle Pigne, outside of the Porta di Gennaro. He also made copies of Giordano and Solimena for export.De Dominici 1846, p. 554.
|
|
David Brown, A Shepherdess with Sheep, 1790s. Oil on canvas, 15 1/2 x 12 in., unlocated David Brown (active 1792 ‒ 1797) was a British landscape and genre painter. According to Walter Gilbey, Brown was a house and sign painter who "cherished higher artistic ambitions and had set his heart on learning to painting like George Morland," a British artist famous for his animal paintings and scenes of rustic life.
|
|
A king, driven from his capital by an emperor, was forming an army and demanded that one person from every noble household become a soldier or face a heavy fine. An impoverished nobleman, too old to serve himself, with three daughters was distressed by this news. His oldest daughter offered to go and was equipped. She told a shepherdess whose sheep were in the ditch, that she pitied her.
|
|
Charpentier received many offers from Russia and England for his labour-saving devices, but refused them all. He died as he had lived, in poverty. His chief extant works of his, all prints, are: Education of the Virgin, after François Boucher; Death of Archimedes, after Ciro Ferri; Shepherdess, after Nicolaes Berchem; Descent from the Cross, in colour, after Vanloo. Charpentier was the father of the sculptor Julie Charpentier.
|
|
SolangeA French version of Solemnia, according to J.-M. Barbé, Tous les prénoms (died 10 May, c. 880The tenth of May is the day she is venerated; the year is an approximation.) was a Frankish shepherdess and a locally venerated Christian saint and cephalophore, whose cult is restricted to Sainte-Solange, Cher. Saint Solange was the patron of the traditional Province of Berry, of which Cher is a part.
|
|
Her efforts are hampered by the facts of the matter: Orphée is not the son of Apollo, as in classical myth, but a rustic teacher of music, whose dislike of his wife, Eurydice, is heartily reciprocated. She is in love with the shepherd, Aristée (Aristaeus), who lives next door ("La femme dont le coeur rêve"),Crémieux, pp. 11–12 and Orphée is in love with Chloë, a shepherdess.
|
|
Pretorius wishes to work with Henry to create a mate for the Monster and offers a toast to their venture: "To a new world of gods and monsters!" Upon forcing Henry to help him, Pretorius will grow an artificial brain while Henry gathers parts for the mate. The Monster saves a young shepherdess (Anne Darling) from drowning. Her screams upon seeing him alert two hunters, who shoot and injure the creature.
|
|
The king locked the princess up in the tower. She found a room with stained glass windows, depicting herself in some windows and a slim, charming young shepherdess in others, which she thinks uses her to make the contrast. An old woman appeared and offered her a choice between goodness and virtue; she chose goodness. She found the same cabinet and key as the prince, and the box with the hand.
|
|
Alexander Barclay, writing in c. 1500, refers to "some merry fytte of Maid Marian or else of Robin Hood". Marian remained associated with May Day celebrations even after the association of Robin Hood with May Day had again faded. The early Robin Hood is also given a "shepherdess" love interest, in Robin Hood's Birth, Breeding, Valor, and Marriage (Child Ballad 149), his sweetheart is "Clorinda the Queen of the Shepherdesses".
|
|
This was near a nearby chapel, then in ruins, dedicated to St. Maurice. He warned her that if she remained in that area, the local guards would take her flock if they found it there. St. Maurice told the shepherdess to go to the Valley of Kilns, above Saint-Étienne, where she would see the Mother of God. On May 16 Benoite took her sheep to the Valley of Kilns.
|
|
Clori, Tirsi, e Fileno, Cantata a tre (HWV 96), subtitled Cor fedele in vano speri ("A faithful heart hopes in vain"), is a 1707 comic cantata by George Frideric Handel. The subject is a pretty shepherdess who loves two young men, but loses both when they discover her fickleness. Believed lost for many years, the score is the source of arias in some of Handel's later, more celebrated operas.
|
|
Mazatec shamans crush the leaves to extract leaf juices from about 20 to 80 (about 50g/2 oz to 200g/7 oz.) or more fresh leaves. They usually mix these juices with water to create an infusion or 'tea' which they drink to induce visions in ritual healing ceremonies. Chewing and swallowing a large number of fresh leaves is the other Mazatec method.Harrison. The Leaves of the Shepherdess.
|
|
Scene: a wood with views of the countryside; a hamlet in the distance The shepherd Lisis laments his unrequited love for Délie. Délie offers him only friendship, saying love is merely a fleeting passion. Lisis arouses her jealousy by pretending he has fallen for another shepherdess, Alcyone. Lisis arranges a festival in honour of Alcyone in which the shepherds and shepherdesses play the roles of the gods of the countryside.
|
|
Frans van Everbroeck, Garland of Flowers Surrounding the Holy Family at Hampel Fine Art Auctions Another example of his production in this genre is A cartouche still life of flowers and fruit around a portrait of a lady dressed as a shepherdess (At Sotheby's on 3 May 2017 in London, lot 138).Frans van Everbroeck, A cartouche still life of flowers and fruit around a portrait of a lady dressed as a shepherdess at Sotheby's Van Everbroeck is also known for his vanitas still lifes, a genre of still lifes which offers a reflection on the meaninglessness of earthly life and the transient nature of all earthly goods and pursuits. An example is the composition Memento Mori (At Van Ham Kunstauktionen on 17 May 2013 in Cologne, lot 478).Frans van Everbroeck, Memento Mori at Van Ham Kunstauktionen This composition contains the typical symbolism of vanitas paintings: a skull, soap bubbles, a candle, an hourglass, a watch and a book (symbolising the futility of mankind's higher aspirations).
|
|
Because Hiccup is the last person back, he demands Madguts to sing a love song at the next "Thing" while dressed up as an "ickle pretty shepherdess". It is revealed that in turn for his life, the Northern Wanderers have tattooed Hiccup with the Slavemark, a Viking symbol which now means he is technically a slave. However, he can hide the Slavemark under his helmet and so now will have to wear his helmet forever.
|
|
Forty-four poems are attributed to Marcabru, learned, often difficult, sometimes obscene, relentlessly critical of the morality of lords and ladies. He experimented with the pastorela, which he uses to point out the futility of lust. One tells of how the speaker's advances are reviled by a shepherdess on the basis of class. Another tells of how a man's attempt to seduce a woman whose husband was at the crusades is firmly rebuffed.
|
|
The shepherdess Amarillis, however, is also in love with Perigot, and plots to undermine the happy couple. Amarillis enlists the help of the Sullen Shepherd, a libertine villain willing to go to any lengths to obtain his desires or to break the "plighted troths of mutual souls." With the help of a magic fountain, Amarillis takes on the likeness of Amoret. The disguised Amarillis makes advances on Perigot, convincing him that his Amoret is unchaste.
|
|
His father objects to the marriage, however, and warns Florizel that his inheritance will be revoked if he ever seeks Perdita again. Polixenes objects to the marriage because he believes Perdita is a shepherdess and therefore unworthy of a royal marriage with Florizel. In spite of this, Florizel remains in love with Perdita. With the intervention of Camillo, the dilemma is resolved because Perdita is actually of royal origin (the daughter of King Leontes)..
|
|
Bartrès is a commune in the Hautes-Pyrénées department in southwestern France. The village is famous for its association with St. Bernadette Soubirous. St. Bernadette was sent there in her infancy to a wet nurse, and again in her early teens to work for the same lady as a shepherdess. Today, the village is visited by numerous pilgrims who come to pray at the village church and venerate a relic of the saint.
|
|
"Een speeldoos" ("A musical box") was the Dutch entry in the Eurovision Song Contest 1963, performed in Dutch by Annie Palmen. The song describes the romance between a shepherd and a shepherdess - both of whom are figures on a music box. Palmen explains that, even when the music was played, the duo could not move any closer to each other. After the supernatural intervention of "a fairy", the two became a couple.
|
|
Retrieved on 2013-01-11. The diocese was created on June 3, 1963 from the territory of Archdiocese of Lingayen-Dagupan. It was put under the patronage of St. Nicholas of Tolentine and the Virgin Mary under the title Divine Shepherdess (Divina Pastora) which is popularly venerated in Gapan City every May 1. The seat of the diocese is the St. Nicholas of Tolentine Cathedral in Cabanatuan City with a feast day of September 10.
|
|
The coat of arms of the city is divided into four parts: the upper left shows an allegory of the religious festivals of the divine shepherdess; in the top right are the mountains of Perija; the bottom part shows the fruits and products of agriculture such as coffee, corn and cotton flowing from the horns, like the bows and arrows that make memories to the Yukpa tribe, ancient inhabitants of their territory.
|
|
The story is set in the Spring and Autumn period against the backdrop of the conflict between the states of Wu and Yue in southern China. A team of swordsmen from Wu defeats the best swordsmen of Yue. Fan Li, a Yue royal adviser, discovers Aqing, a young shepherdess, who defeats the Wu swordsmen with ease. It is revealed that Aqing learnt her skills while playing mock sword duels with a white gibbon.
|
|
The women are dressed in typical shepherdess costume. Other traditions are the massacre and the "Judas" celebrated on Easter Sunday in which young people destroy stick figures representing Judas Iscariot made by the locals who hang them from their balconies. Typically houses of Villaralto are characterized by functionality over aesthetics, with granite lintels, and stables and pigsties to store animals. An example of preservation is the splendid Pastor's Museum, opened a few years ago.
|
|
"The Mistress and the Maids", Upstairs, Downstairs, Season One. Accessed 28 October 2013. Her play about the last hour of Virginia Woolf's life, A Nightingale in Bloomsbury Square, was performed in 1973 at the Hampstead Theatre Club, and also featured Vita Sackville-West and Freud as imagined by Virginia. Duffy's BBC radio plays include The Passionate Shepherdess about Aphra Behn (1977) and Only Goodnight (1981) about Edith Somerville and Violet Martin (Martin Ross).
|
|
In some processions, the figure of the Reyna Doctora ("Queen Doctor") also makes an appearance, which may allude to "Mary, Health of the Sick". #Reyna Justícia (Queen Justice) – a personification of the "Mirror of Justice", her attributes are a weighing scale and a sword. #Divina Pastora (Divine Shepherdess) – bears a shepherd's crook. #Reyna de los Ángeles (Queen of the Angels) – bears a bouquet of white flowers, and is escorted by children dressed as angels.
|
|
Bondage fantasies often involve dressing in a role outfit. Typical outfits for the submissive person invoke common icons of passivity or sexual innocence (e.g. a shepherdess, nun or schoolgirl outfit for women, or a leather slave harness and cuffs, thong, or ancient slave outfit for men). In a similar respect, the dominant person's attire often reflect images of power, control, and extreme discipline (a Nazi officer, military officer, police or prison warden uniform).
|
|
In the second act, the two sides are about to sign the peace treaty when Louis is shot by an unknown hand. Clisson, Constable of France, blames Gian Galeazzo for the assassination attempt and war almost breaks out again. Valentina disguises herself as a shepherdess and fetches the old pharmacist Laurencia, who saves Louis' life. Gian Galeazzo appears in Louis' tent and offers to hand over his sword in response to his accusers.
|
|
The score bears the dedication "To my dear teacher N. A. Rimsky- Korsakov". A private performance was given on 27 April 1907 by the St. Petersburg Court Orchestra conducted by H. Wahrlich, in a concert that also included the first performance of Faun and Shepherdess. Stravinsky later recalled that both Rimsky-Korsakov and Glazunov considered the orchestration "too heavy". The first public performance was conducted by Felix Blumenfeld on 22 January 1908.
|
|
Thus every night at family prayer, the shepherdess was not wanting to add a "Pater per ocquelo qu'es ol Palio" (Our Father for that which is hidden in the barn in Occitan ) without anyone understood the meaning of his words. When worship was restored, Mary revealed the presence of the statue which was carried in the parish church Saint-Sauveur, where it remains today. The sanctuary of the hill was only restored in 1854 when the pilgrimages grew again.
|
|
Shepherdess With a Flock of Sheep by Anton Mauve (1838–1888), of the Hague School. The Netherlands did not industrialize as rapidly as Belgium after 1830, but it was prosperous enough. Griffiths argues that certain government policies facilitated the emergence of a national economy in the 19th century. They included the abolition of internal tariffs and guilds, a unified coinage system, modern methods of tax collection, standardized weights and measures, and the building of many roads, canals, and railroads.
|
|
Jean himself begins to predict a coming apocalypse, and claims that the cataclysm has arrived to "save the hearts of man". Martial confides to his colleagues that the comet will strike in 114 days. After Jean is taken to an asylum, Martial and Genevieve listen to his phonographs which instruct Genevieve to abandon her worldly life and help Martial inaugurate a new World Government. Jean's voice tells them they must marry and become the shepherd and shepherdess of humanity.
|
|
The conceited leader of an unnamed European nation comes across a young shepherdess while walking outdoors. He falls in love with her, but Fate has preordained that he must suffer because of the way he has enslaved and mistreated his people. The girl's father turns out to be the leader of a band of revolutionaries who are seeking to overthrow the despot. The plot does not closely follow the Edgar Allan Poe short story at all.
|
|
The bird convinces them to help the shepherdess, saying that her marriage to the King prevents her from tending to the sheep, which the animals eat. The animals break out of the jail and attack the interviewers and king in the chapel. The bird and his sons take control of the robot and start destroying the castle. Once the castle is in rubble, the King tries to attack the couple, but the robot grabs him and blew him away.
|
|
Afra Dickh (also written Afra Dick) was a serving girl at the Frueth farm in Wittersitt, part of the modern-day parish of Ringelai. The accusation made was of poisoning, bedevilment of humans and animals, associating with other witches and dealings with the devil. Co-accused were the 13-year-old shepherdess Maria, who was also in service at the same farm and the widowed farmer Maria Kölbl, a mother of 15 from Neidberg near Ringelai.
|
|
Having already cast the famous actress Nargis in the female lead role, he was on the lookout for a young girl to play the second lead. After observing Nimmi's unaffected and shy behaviour as a guest on the sets of Andaz, he cast the teenaged Nimmi in Barsaat opposite the actor Prem Nath. Nimmi played the role of an innocent mountain shepherdess in love with a heartless city man. Barsaat, released in 1949, made movie history.
|
|
Simone Melchior Cousteau (19 January 1919 – 1 December 1990) was a French explorer. She was the first woman scuba diver and aquanaut, and wife and business partner of undersea explorer Jacques-Yves Cousteau. Although never visible in the Undersea World of Jacques Cousteau series, Simone played a key role in the operation at sea. Acting as mother, healer, nurse and psychiatrist to the all-male crew for 40 years, her nickname was "La Bergère", the Shepherdess.
|
|
They include the Steadfast Tin Soldier, the Mermaid, the Shepherdess and the Chimney Sweep, the Toad, the Darning Needle, the Emperor's New Clothes, the Sea Horse, the Paper Boat, the Flying Trunk and the Wild Swans. There is also a distinctive statue of Andersen in Eventyrparken (The Fairy Tale Park) beside the cathedral. Sculpted by Louis Hasselriis in 1888, it shows the storyteller with a book in his hand, ready to entertain onlookers with his fairy tales.
|
|
The pastoreta, afterwards pastorela, is in general an account of the love adventures of a knight with a shepherdess. All these classes have one form capable of endless variations: five or more stanzas and one or two envois. The dansa and balada, intended to mark the time in dancing, are pieces with a refrain. The aubade, which has also a refrain, is, as the name indicates, a waking or morning song at the dawning of the day.
|
|
Her parents earned their living through agriculture. When Callañaupa was four, her mother began to bring her daughter with her to their chakra (fields) By the time she was six, Callañaupa was trusted to watch a flock of sheep alone. While tending her flock, Callañaupa befriended an elderly shepherdess, Doña Sebestiana, who was a highly skilled spinner. Callañaupa attributes her interest in textiles to Doña Sebastiana, whose work was so fine that young Callañaupa dreamt of spinning at night.
|
|
Although she was not primarily a hunting deity, her name was sometimes invoked by hunters for luck, and the horns of deer and ibex were sometimes offered to her after a successful hunt. Because of these associations, Georgian folklorist Mikheil Chikovani considered her to be the northeastern equivalent of the Svan hunting goddess Dali. Like Dali, she was also a patron of untamed spaces: one Khevsur legend describes a shepherdess accidentally encountering Samdzimari in an untouched clearing.
|
|
A Woman with a Rose by Winslow Homer She was the owner of the watercolor on paper A Woman with a Rose by Winslow Homer, ca. 1879, donated in 1938 to the San Diego Museum of Art. She also owned the watercolor Shepherdesses Resting (1879) and the drawing The Shepherdess (1878). In December 1879 at an auction held by William A. Butters and Company, she bought Man with Plow Horse, currently on loan to the Chicago Art Institute.
|
|
Read's end is mysterious; but his continuing fame is demonstrated by allusions to him, in works from his own and the next generation. In the Praeludium of The Careless Shepherdess (published 1656), one speaker says, ::I never saw Reade peeping through the curtain, ::But ravishing joy entered my heart.R. A. Foakes, "Playhouses and players," in The Cambridge Companion to English Renaissance Drama, A. R. Braunmiller and Michael Hattaway, eds., Cambridge, Cambridge University Press, 2003: p. 45.
|
|
The Monastery of St Lawrence at Buda, also known as the Pauline Monastery of Budaszentlőrinc (), is a former monastery belonging to the Pauline Order. Destroyed by the Ottomans, the remains of the monastery grounds are in an area called (English: Beautiful shepherdess) which is in the saddle between Hárshegy and János Hill in the 2nd district of Budapest. It is where the Pauline Order founded their first friary. Today, only the foundation walls of the monastery remain.
|
|
Tech, Heap improvised a song titled, "The Shepherdess". After the show, Heap made the song available worldwide as a digital download on her website asking for donations per download. All proceeds went to the Great Ormond Street Hospital where Heap was diagnosed with osteomyelitis and underwent life-saving surgery as a little girl. Loving the concept, Heap rolled this out for her North American Tour, donating all the proceeds for each song to a local charity from that city.
|
|
Santuario della Madonna della Bocciola The Santuario della Madonna della Bocciola is in Ameno municipality, Province of Novara, Italy. Photo by Paolo Monti The sanctuary rises up where tradition attributes the setting for a miracle: in 1543 the Virgin Mary appeared to a young shepherdess, Giulia Manfredi, and told her that she would help the village if the inhabitants prayed and did not work on Saturday. The church was progressively enlarged up to the most recent neoclassical architecture.
|
|
Katy Cropper is a Welsh shepherdess and dog trainer. A self-taught sheepdog handler, Cropper told First Women in 2016 that she had been "deliberately marked down or penalised [by men] to keep me from winning". Then, in 1990, she (with her dog Trim) was the first woman to win the BBC's One Man and His Dog sheepdog trials television series (Chirk Castle). Twenty-five years later, her daughter—Henrietta Cropper—was a finalist on the programme.
|
|
During the Middle Ages, , on the southeastern slope of Nagy- Hárs-hegy, was mined for iron ore. In the saddle between Hárshegy and János Hill is (Beautiful shepherdess), the site of the monastery where the Pauline Order founded their first priory. Bátori Cave was the hermitage of Pauline monk , who left the monastic life at the nearby priory to live in the cave for 20 years. In 1847, Gábor Döbrentei proposed a new name for the Germanic "Lindenberg" given to the area.
|
|
Louis was born in Arsy (Oise) on 3 September 1864. Her father was a manual laborer and her mother came from a farmworking background. Louis's mother died on her first birthday and her father, who remarried, also died before she was seven; at which point, she came under the charge of her eldest sister. She first worked as a shepherdess but, by 1881, she was engaged as a domestic worker at the convent of the Sisters of Providence in Clermont, Oise.
|
|
The village contains a public house, "The Belper Arms", which is identified as the oldest pub in Leicestershire. The pub dates back to 1290 when which it was named "The Shepherd and the Shepherdess Inn". During the Second World War, the village was highly affected by German bombing which took place in surrounding villages such as Odstone, Measham and Heather. In 1940, evacuees were escorted to the village notably from Coventry, Birmingham and London to escape the bombing in such cities.
|
|
Orlando comes across Ganymede, who tells him he can teach Orlando how to cure love by pretending to be Rosalind. At the same time, Phoebe (Joan White), a shepherdess, falls in love with Ganymede, though he (she) continually rejects her. Sylvius (Richard Ainley), a shepherd, is in love with Phoebe, which complicates the matter. Meanwhile, Touchstone attempts to marry the simple farmgirl, Audrey (Dorice Fordred), before he can be stopped by Jaques (Leon Quartermaine), a Lord who lives with the exiled Duke.
|
|
Per Krafft studied in Uppsala, where he in 1736 became interested in the arts. From 1739 he was for several years a student of portrait painter Johan Henrik Scheffel in Stockholm . His self- portrait from 1745 and a portrait of his sister Anna Lisa (married Askblom ) shows clear influences from Scheffel. In 1745 Krafft went to Copenhagen, where he came under Carl Gustaf Pilo's influence, as seen in the 1748 autographed portraits of Anna Bohr and a Miss Leijonhufvud as a shepherdess.
|
|
The first weekend in August sees the area host the 'Ard Rock mountain bike festival, which is based in Reeth but uses bridleways and private land in both Swaledale and Arkengarthdale. Since 1950, Swaledale has been the host of the Scott Trial, a British motorcycle trials competition run over an off road course of approximately 70 miles, raising money for the "Scott charities", a range of local non-profit making organisations. Ravenseat, the farm of Amanda Owen ("The Yorkshire Shepherdess"), is in Swaledale.
|
|
The Countess lends Suzanne a pin from her dress to seal the letter, but as she does so, the ribbon from Chérubin falls out of the top of her dress. At that moment, Fanchette enters with Chérubin disguised as a girl, a shepherdess, and girls from the town to give the Countess flowers. As thanks, the Countess kisses Chérubin on the forehead. Antonio and the Count enter—Antonio knows Chérubin is disguised because they dressed him at his daughter's (Fanchette's) house.
|
|
Scene 1 – A mountainous landscape. The shepherdess Eurilla and her father Licone are alarmed by the appearance of a threatening knight, searching for Angelica and Medoro. Eurilla tells him of their love and that they have taken refuge in the nearby castle. The knight reveals himself as Rodomonte, King of Barbary, infatuated with Angelica and intent on protecting her from Orlando’s jealousy. Scene 2 – Angelica’s tower. Angelica laments that she has to live in hiding to avoid Orlando’s mad frenzy.
|
|
Et in Arcadia ego (also known as Les bergers d'Arcadie or The Arcadian Shepherds)Braider, Christopher, Refiguring the Real: Picture and Modernity in Word and Image, 1400–1700, p. 292, 2015, Princeton University Press, is a 1637–38 painting by Nicolas Poussin (1594–1665), the leading painter of the classical French Baroque style. It depicts a pastoral scene with idealized shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb. It is held in the Louvre.
|
|
1, 1847, Old Dartmouth Historical Society (ODHS); Splendid, of Edgartown, Aug. 12-Sep. 6, 1848, Nicholson Whaling Collection (NWC); Shepherdess, of Mystic, May 8–30, 1849, NWC; Hudson, of Fairhaven, Oct. 6, 1857, Kendall Whaling Museum (KWM); Sea Breeze, of New Bedford, Oct. 5–18, 1868, ODHS; Cape Horn Pigeon, of New Bedford, Aug. 23-Sep. 10, 1892, KWM. Three of the ships were wrecked on the islands: two on Urup in 1855Lexington, of Nantucket, May 31, 1855, Nantucket Historical Association.
|
|
La pastorella nobile was first performed at the Teatro del Fondo in Naples on 15 or 19 April 1788 with Irene Tomeoni, the creator of the title role of La bella pescatrice as the shepherdess Eurilla. It was one of Guglielmi's most successful opera. Productions followed in Italy and elsewhere, including London, Paris, Madrid, Dresden and Prague, sometimes under the title L'erede di Belprato. In Germany it was given as Die Schöne auf dem Lande, Die adelische Schäferin and Das adelige Landmädchen.
|
|
The quarto of The Old Law is noteworthy in that it included a list of plays published to that date, an expansion of a list published earlier in 1656 in the first edition of The Careless Shepherdess. These were the first attempts to catalogue the entire field of the printed drama of English Renaissance theatre. The list in The Old Law contains 651 titles. The 1656 lists would later be expanded by Francis Kirkman in his play lists of 1661 and 1671.
|
|
The sycophants tell him that if he won't punish subjects who disobey him, his power will dissolve and the people will depose him. By this time Prince Darling has discarded the magic ring because it was almost constantly pricking him. So he puts the shepherdess in prison to force her consent to the marriage. When she mysteriously vanishes from her cell, the sycophants accuse Suleiman of freeing her, and that he is trying to undermine Prince Darling's authority and take over the kingdom.
|
|
It is one of many paintings by Bouguereau depicting shepherdesses, including one of the same name created in 1881. The subject is a model employed by Bouguereau for this and other paintings, including The Bohemian. The Shepherdess is currently in the permanent collection at the Philbrook Museum of Art in Tulsa, where it has become an emblematic image for the museum. It was the central image of a travelling exhibition about Bouguereau and his students that Philbrook created in 2006.
|
|
This procession is the largest and grandest of its kind in the country. Over 100 images of the Blessed Virgin Mary participate every year which comes from different parishes and families from all over the country. Some of the images include Our Lady of La Naval de Manila, Our Lady of Porta Vaga of Cavite City, Cavite, Our Lady of Divine Shepherdess of Gapan, Nueva Ecija, Our Lady of Caysasay of Batangas and Our Lady of Aranzazu of San Mateo, Rizal.
|
|
Saint Margaret of Antioch is a painting of 1631 by Francisco de Zurbarán in the National Gallery, London, which bought it in 1903. The artist shows the saint Margaret of Antioch as a shepherdess, holding a crook (referring to the legend that she grazed her nurse's sheep). Behind her is the dragon from whose stomach she burst. The eyes and facial features of the model are identified by some art historians with the model for the same artist's Saint Agatha.
|
|
It is possible that upon Rubens' death Thomas was the 'primer official' of Rubens' workshop, i.e. the chief assistant in charge of executing paintings after the designs of the master.Arnout Balis, Rubens and his Studio: Defining the Problem, in: Joost vander Auwera, Rubens: A Genius at Work: the Works of Peter Paul Rubens in the Royal Museums of Fine Arts of Belgium Reconsidered, Lannoo Uitgeverij, 2007, p. 47 Shepherd and shepherdess Jan Thomas became a master in the Antwerp Guild of Saint Luke in 1639/1640.
|
|
Lorette The chapel of Our Lady contains the heart of the Duke, his mother and of his second wife, Marie de Simiane. In the Revolution, the buildings were looted, desecrated and sold as national property. During the looting, a statue of the Virgin Mary was desecrated. A shepherdess, Marie Verlac, the hamlet of Cayrac hidden in the thicket had lost nothing of the scene and hurried to move the statue into a hedge, picking her up at night and hide in a hamlet barn the Calsade below.
|
|
Paul becomes close to a local shepherdess, Iona McLean, but his romantic dreams are temporarily dashed when Iona's former fiancé arrives in the glen. Ewan wonders whether to stay with girlfriend, Zoe, when he takes a shine to Paul's goddaughter, Amy. Molly becomes a mother-like figure to Golly's new son, Cameron, after the death of Meg (who never regained consciousness after giving birth). Jess tries to prove herself to her father when she starts to feel that Golly does not care about her.
|
|
Marguerite Donquichote, who took her mother's name, Audoux, in 1895, was orphaned by age three, following the death of her mother and abandonment by her father. She and her sister Madeleine initially lived with an aunt but ultimately spent nine years in the orphanage at Bourges. In 1877, Andoux was put to work as a shepherdess and farm worker in the region of Sologne. There, she fell in love with a local boy, Henri Dejoulx, but his parents would not permit them to marry.
|
|
"Lucy Munro, Children of the Queen's Revels: A Jacobean Theatre Repertory, Cambridge, Cambridge University Press, 2005; pp. 124. The heroine of the play is the shepherdess Clorin; her love has died, yet she remains loyal to his memory and retains her chastity. This point illustrates the essential flaw and limitation of the play: little actually happens in it. "Fletcher glorifies chaste womanhood in a Spenser-like faery atmosphere...The play is an esthetic, not a moral failure, with lack of plot as its basic fault.
|
|
"Le Satyre impatient" (after Jacques- Philippe Caresme) was engraved under the direction of his teacher, Saint- Aubin. Amongst his early, independent, works were two erotic compositions after Antoine Borel - "Vous avez la clef, mais il a trouvé la serrure" and "La faute est faite, permettez quil la répare" - and "The pleasures of Anacréon", after Jean-Bernard Restout.The pleasures of Anacreon. Not long after the death of King Louis XV's chief mistress, Madame Pompadour, he engraved a portrait of her as a shepherdess after Charles-André van Loo.
|
|
One of the most important patrons of Huysmans was Queen Catherine of whom he painted many portraits. In 1683, Catherine also commissioned an opulent altarpiece and cupola for her Chapel in St James’s Palace in London.Jacob Huysmans, Queen Catherine as a Shepherdess at the Royal Collection Trust The quantity of portraits Huysmans painted of the Queen and her maids of honour suggest that he was her principal painter. Possibly the Queen favored Huysmans to distance herself from her husband's mistress Barbara Villiers, who patronized Lely.
|
|
The first catalogues of plays had been printed by Richard Rogers and William Ley, in their edition of The Careless Shepherdess (1656), and by Edward Archer, in his edition of The Old Law (also 1656). Francis Kirkman issued two subsequent, more complete lists in 1661 and 1671. Langbaine was a friend and confidant of Kirkman; in fact, the strongest criticism mounted against Langbaine is that he accepted Kirkman's attributions with too much credulity. Langbaine's Account of the English Dramatic Poets was extended in subsequent editions.
|
|
The Diana begins with a summary of previous events, telling us that the shepherd Sireno is in love with the shepherdess Diana. She once returned his love, but when Sireno was called away from their village, she was married to another shepherd named Delio. The story begins with Sireno's return after a year's absence, having already learned of Diana's marriage. Over the course of the first three books, Sireno encounters other shepherds and shepherdesses who sing songs and tell stories of their own experiences with frustrated love.
|
|
Joyos de Tolosa (probably late 13th century), whose first named is also spelled Joios, was a troubadour from Toulouse (also Toloza or Tholosa). He has left behind only one pastorela, "L'autr' ier el dous tems de Pascor", in which he names himself as the author. It is three coblas in length and mirrors the poem "Lantelm, qui·us onra ni·us acuoill" by Lanfranc Cigala in structure. Joyos' knight compains to the shepherdess (pastorela) of the mistreatment he receives at the hands of his lady (dompna).
|
|
Caulfield lives with her husband Steve Bell, an ex-serviceman and former builder, who now works as her Office Manager. He is also a Brighton and Hove City Councillor, as well as being active in the voluntary party and was President (2015–16) of the Conservative National Convention, the organizing body of the voluntary party. She is also a member of the Conservative Christian Fellowship. Caulfield is an urban shepherdess, part of an environmental project which uses sheep and cattle to graze public open spaces.
|
|
Millet expressed a desire to paint a work showing a shepherdess with her flock as early as 1862. As his friend Alfred Sensier related, this theme "obsessed the artist's mind" until he exhibited the work at the Paris Salon of 1864, where it was a great success, called a "refined canvas" by some and a "masterpiece" by others. It was particularly estemed by the middle-classes in Paris, who preferred idealised paintings of rural life to caring about the hard life of real peasants.
|
|
Master Luis Felipe Ramón y Rivera explains that the name Tamunangue derives from the name given to the drum used in the interpretation of the characteristic songs of this dance, the tamunango. The Divine Shepherdess is an important religious icon in Venezuela. She is the spiritual patron of the city and is one of the Marian invocations with many followers in the region. Every January 14th a multitudinous procession is held in which this image is carried from Santa Rosa to the Cathedral of Barquisimeto.
|
|
Felix Dupanloup worked relentlessly for the glorification of Joan who, on 8 May 1429 had liberated Orléans, the city of which he became bishop in 1849. Thérèse wrote two plays in honour of her childhood heroine, the first about Joan's response to the heavenly voices calling her to battle, the second about her resulting martyrdom. 1894 brought a national celebration of Joan of Arc. On 27 January, Leo XIII authorized the introduction of her cause of beatification, declaring Joan, the shepherdess from Lorraine 'venerable'.
|
|
The Good Shepherdess and the Evil Princess () is a 1908 French short silent film credited to Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 1429–1441 in its catalogues. A Centre national de la cinématographie guide to Méliès's films, analyzing the film's style, concludes that it was probably directed not by Méliès but by an employee of his, an actor-director known as Manuel. Special effects in the film are worked by stage machinery, pyrotechnics, substitution splices, and dissolves.
|
|
A temple dedicated to Diana Melibeo presides over preliminary rites on a day of sacrifice, assisted by Lindoro and Nerina, whose affair is coming to an end; Lindoro is tired of Nerina and hopes for a liaison with the shepherdess 'Celia'. Lindoro's sister Amaranta, recently arrived in Cumae, comes to worship. She is on the look-out for a lover but startled to hear of the risk in true love. Melibeo suggests that as High Priests are exempt, she might give her attentions to him.
|
|
Later in the decade, he performed in Epicoene and, perhaps, played Humphrey in Francis Beaumont's The Knight of the Burning Pestle. During the same years, he wrote commendatory verses for Jonson's Volpone and Catiline, and for John Fletcher's The Faithful Shepherdess. Field was presumably also among those of the children's company briefly imprisoned for the official displeasure occasioned by Eastward Hoe and John Day's The Isle of Gulls; the latter imprisonment was in Bridewell Prison. Field stayed with a children's company until 1613, his twenty-sixth year.
|
|
Touchstone, meanwhile, has fallen in love with the dull-witted shepherdess, Audrey, and tries to woo her, but eventually is forced to be married first. William, another shepherd, attempts to marry Audrey as well, but is stopped by Touchstone, who threatens to kill him "a hundred and fifty ways". Finally, Silvius, Phebe, Ganymede, and Orlando are brought together in an argument with each other over who will get whom. Ganymede says he will solve the problem, having Orlando promise to marry Rosalind, and Phebe promise to marry Silvius if she cannot marry Ganymede.
|
|
Adriana Ferrarese del Bene who created the role of Eurilla in La cifra Fideling, a Scottish lord, is seeking a lost noblewoman with whom he had fallen in love. Lisotta, the daughter of the town's mayor is betrothed to Sandrino, but is in love with Fideling and believes herself to be the woman he is searching for. Eurilla also loves Fideling but despairs because she is a mere shepherdess. In Act II, before her true identity is revealed, she sings 'Alfin son sola … Sola e mesta' (In the end I am alone... Alone and sad).
|
|
King Meleagro of Aetolia has disguised himself as a shepherd, taking the pseudonym Tirsi, and is enjoying his life in the countryside away from the cares of state. He is very much in love with the huntress "Amarilli", whom he does not realise is the Princess Atalanta. He meets up with Aminta, a real shepherd, who is desperately in love with the shepherdess Irene, who however when she appears, does nothing but pour scorn on Aminta. He declares he is ready to die for his love but will always be faithful to her.
|
|
The story is a dramatization of a traditional genre of medieval French song, the pastourelle. This genre typically tells of an encounter between a knight and a shepherdess, frequently named Marion. Adam de la Halle's version of the story places a greater emphasis on the activities of Marion, her lover Robin and their friends after she resists the knight's advances. It consists of dialogue in the old Picard dialect of de la Halle's home town, Arras, interspersed with short refrains or songs in a style which might be considered popular.
|
|
99, 100, 104–05. See C. Dibdin, The Musical Tour of Mr Dibdin; in which, previous to his embarkation to India, he finished his career as a public character (Author, J. Gales, Sheffield 1788), Letter XXIX, p. 115. Covent Garden productions continued with The Chelsea pensioners, and The Mirror, or, Harlequin everywhere (a pantomime) (both 1779), and in 1780 the comic opera The Shepherdess of the Alps, and the three-act opera The Islanders, most of which was re-presented as a two-act farce called The Marriage Act in 1781.
|
|
Leapman, p. 299. Inigo Jones designed nine sets and eight changes of scene for the mammoth-scale production, which also saw an early use of the proscenium arch in English theatre. (Jones's stage designs for the piece, including some striking forest scenes, still exist.) The work may have had a second performance of 2 February the same year; some of its costumes were later re-used for a revival of John Fletcher's The Faithful Shepherdess. Henrietta Maria then presented the sumptuous masque costumes to the King's Men, who had acted Fletcher's play.
|
|
She also started writing short stories. In 1904, she moved to Cody, Wyoming to write a feature article about the Blackfoot Indians, and settled there. She started writing novels and her second novel, The Lady Doc, was based on life in Cody. In 1918-1919, she lived in Denver, Colorado and worked as a reporter for The Denver Post. In 1919, her novel The Fighting Shepherdess, loosely based on the life of sheepherder Lucy Morrison Moore, was made into a 1920 movie starring Anita Stewart, with uncredited script adaptation by Lenore J. Coffee.
|
|
The first act takes place in a sacred wood in Arcadia. Palémon aims to commit his son Myriame (a shepherd) to Apollo; Chryséa hopes to vow her daughter, Daphné (a shepherdess) to Diane. Myriame and Daphné are in love and with the help of Alphésibée arrange a secret meeting in a wood where hunters are pursuing a she-wolf. Myriame mistakenly believes that the hunters have killed his love and ends his life, but Éros appears and saves the young man, deciding that the two lovers will go through different ages.
|
|
Years before the action begins, Gualtiero, King of Sicily, had married a poor shepherdess, Griselda. The marriage was deeply unpopular with the king's subjects and when a daughter, Costanza, was born, the king had to pretend to have her killed while secretly sending her to be brought up by Prince Corrado of Apulia. Now, faced with another rebellion from the Sicilians, Gualtiero is forced to renounce Griselda and promises to take a new wife. The proposed bride is in fact Costanza, who is unaware of her true parentage.
|
|
Naifeh and Smith (2011) p. 281 According to van Gogh himself, the inspiration for the strong contour line was a woodcut after Millet, La grande bergère assise (left). Later, at Arles, he made a painting, The Shepherdess, F699, of the same subject. However, Hulsker thought the strongest influence was Bargue's Exercices au Fusain (Exercises in Charcoal Drawing), part of his celebrated Cours de Dessin (Drawing Course) published by Goupil (left), which Tersteeg had lent van Gogh in September 1880 and which van Gogh had said in a letter immediately preceding he had completed 'several times'.
|
|
Florindo opens with celebrations to mark Apollo's victory over the dragon Python. Apollo boasts that he is more proficient with the bow than Cupid. This offends the latter, who mischievously wounds Apollo with a drugged arrow which causes him to fall in love with Daphne. She, however, has pledged her love for Florindo, who is at the centre of a complex tangle of infatuations: he is secretly loved by Alfirena and more openly by the scheming shepherdess Lycoris, who in turn is the object of the shepherd Damon's desires.
|
|
The Pastora team was based in the City of Maracaibo and was sponsored by a local dairy company, while adopting the name Lácteos de Pastora (Pastora Milkers). Although Zulia is a petroleum state, dairy farming is also a major industry there. After Maracaibo was founded in 1529, shepherds tended cows and goats for their milk and to make cheese and other dairy products. On one hand, Pastora is the Spanish word for shepherd; on the other hand, the patron saint of the neighbor state of Lara is La Divina Pastora (The Divine Shepherdess).
|
|
Wooded landscape with a shepherdess passing a steep bank He married Maria Sampels with whom he had eight children. Their son Jan Baptist became a landscape painter in the style of his father. Jacques d'Arthois had his own workshop and took on pupils, among them his brother Nicolaes (1617–?), his son Jan Baptist (1638 – after 1657), Alexander van Herssen, Philip van Dapels and Cornelis van Empel. The Antwerp landscape painter Cornelis Huysmans claimed he spent two years in the workshop of d'Arthois but there is no documentary evidence which corroborates this.
|
|
When his flirtations with a shepherdess, a blonde seductress and a waitress fail and he realises that he cannot free himself from the clutches of the pushy witch, he visits his canton Graubünden. Home. There he falls in love with a Turkish employee on his grandmother's farm, which also does not last long. After he was able to parachute to safety from the witch, he is enchanted by another companion, the mermaid in Lara Croft outfit. She becomes his mistress Patricia, with whom Roger finds his new happiness as a lido operator on Lake Geneva.
|
|
Un miracle sous l'inquisition, sold in the United States as A Miracle Under the Inquisition and in Britain as A Miracle of the Inquisition, is a 1904 French short silent film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 558–559 in its catalogues. Méliès appears in the film as the executioner, with a Mademoiselle Bodson as the accused woman. Her distinctive dress, with its four large squares embroidered with animal figures, was reused for Méliès's later films The Witch and The Good Shepherdess and the Evil Princess.
|
|
28-9 La Fontaine had made of the story an artificial pastoral in which Tircis tried to charm the fishes to the hook of the shepherdess Annette but did not succeed until he used a net to catch them. It ended with the cynical reflection that force accomplishes more than charm in the context of statecraft, which echoes the conclusion in Herodotus.The Complete Fables of La Fontaine, trans Craig Hill, Skyhorse 2013, X.11 However, different morals were drawn by other writers. According to Babrius, only when one succeeds is it time to rejoice.
|
|
Years before the action begins, Gualtiero, King of Sicily, had married a poor shepherdess, Griselda. The marriage was deeply unpopular with the king's subjects and when a daughter, Costanza, was born, the king had to pretend to have her killed while secretly sending her to be brought up by Prince Corrado of Apulia. Now, faced with another rebellion from the Sicilians, Gualtiero is forced to renounce Griselda and promises to take a new wife. The proposed bride is in fact Costanza, who is unaware of her true parentage.
|
|
The vocal range covers only the interval of a ninth, from F4 to G5. The piece starts with a 6-bar introduction of the melody of the first line by the piano. The first stanza takes up the next 15 bars. The entry of the shepherdess is marked by a modulation to D major; this is followed by a four-bar segment which summarises the violet's happy mood – and a general pause which precedes the mood swing of the second verse, a change of key to G minor to describe the violet's longing.
|
|
The Italian pastorale Tu scendi dalle stelle, sometimes called "Carol of the Bagpipers" (Canzone d'i zampognari), is a widely popular Christmas carol by St. Alfonso Liguori, and Pietro Yon's Gesù bambino is another. The Swedish poet and performer Carl Michael Bellman's song collection Fredman's Epistles contain several pastorales, including Liksom en Herdinna, högtids klädd (Like a Shepherdess, Solemnly Dressed), which begins with a near-paraphrase of the start of Nicolas Boileau-Despréaux's French guide to the construction of pastoral verse.Britten Austin, Paul. The Life and Songs of Carl Michael Bellman: Genius of the Swedish Rococo.
|
|
Her sculpture of The Faithfull Shepherdess earned Durant a fee of £500. Through de Triqueti, Durant was introduced to members of the British Royal Family and received several commissions from Queen Victoria and, for a time, taught model making to Princess Louise. Durant was commissioned to produce high-relief profiles on polychrome marble roundels of Victoria, Prince Albert and their children for the Albert Chapel in Windsor Castle. Reduced size copies were also cast in metal as official gifts, a set of which are in the collection of the National Portrait Gallery in London.
|
|
This theme is a main element in Angelo F. Coniglio's historical fiction novella The Lady of the Wheel, in which the title refers to a "receiver of foundlings" who were placed in a device called a "foundling wheel", in the wall of a church or hospital. In Shakespeare's The Winter's Tale, a recognition scene in the final act reveals by these that Perdita is a king's daughter rather than a shepherdess, and so suitable for her prince lover.Northrop Frye, "Recognition in The Winter's Tale," pp. 108–109 of Fables of Identity: Studies in Poetic Mythology. .
|
|
The Young Shepherdess (1885) In his own time, Bouguereau was considered to be one of the greatest painters in the world by the academic art community, and simultaneously he was reviled by the avant-garde. He also gained wide fame in Belgium, the Netherlands, Portugal, Spain, Italy, Romania and in the United States, and commanded high prices. His works often sold within days of completion. Some were viewed by international collectors and bought before work had even finished. Bouguereau’s career was nearly a direct ascent with hardly a setback.
|
|
He began to be known on the London stage in the early years of the 18th century. He had tried the law and other professions, which he finally abandoned for the theatre. He had some success as a dramatic author, writing Love in a Hurry (performed in Dublin about 1709) and Pastora, or the Coy Shepherdess, an opera in 1712. For many years he toured the English provinces with his wife and son, producing pieces which he himself wrote, or medleys from various plays fitted together with songs and dialogues of his own.
|
|
Paul Grimault (; 23 March 1905 in Neuilly-sur-Seine – 29 March 1994 in Le Mesnil-Saint-Denis) was one of the most important French animators. He made many traditionally animated films that were delicate in style, satirical, and lyrical in nature. His most important work is Le Roi et l'oiseau, which ultimately took over 30 years to produce. He began it as La Bergère et le Ramoneur (The Shepherdess and the Chimneysweep) in 1948 and it was highly anticipated, but Grimault's partner André Sarrut showed the film unfinished in 1952, against Grimault's wishes.
|
|
Replica of the Gaudí banner that is displayed in the crypt of the Temple of the Sagrada Familia in Barcelona . Rear (Photo: Edith Sciortino). The banner symbolized the appearance of the Virgin to the shepherdess in 1592, after praying when a serious epidemic lashed the city. The tradition tells that the Virgin indicated her that a candle had to be lit on the altar of the church so long that the flame could turn the walls of the city in a procession, and thus the evil would end.
|
|
"El Coche" ("The Car"), performed by Distrito Especial, is about a car that impresses all the people who see it. Lucia Polido performs on "Dios y el Alma" ("God and the Soul"), a joropo song about Pombo's personal perception about the soul. "Juan Chunguero" is about the bagpiper Chunguero, who after angering many people falls in love with a shepherdess. "Simón el Bobito" ("Simón the Little Fool") is performed by Santiago Cruz and H2 El Guajiro, done in the tradition of a popular English nursery rhyme that tells the life of a child called Simon.
|
|
Apparently, Werfel obtained accounts of Bernadette from Lourdes families whose older members had known her. It is possible that a great deal of folklore and legend had been added to the plain facts by the time Werfel heard the tale. Lourdes pilgrims often want to know more about Bernadette and do not realize that, far from being a simple-minded shepherdess, she was a self-possessed young woman who stood by her story in the face of tough church and government inquiry. Werfel was able to work this aspect of her personality into his narration.
|
|
Six years later, in collaboration with the composer Bent Fabricius-Bjerre and the artist and scenographer Bjørn Wiinblad she developed the choreography for various fairy tales by Hans Christian Andersen, starting with The Shepherdess and the Chimney Sweeper (1888). It was followed by Den Grimme Ælling (The Ugly Duckling, 1989), Klods Hans (Blockhead Hans, 1990), Den Lille Havfrue (The Little Mermaid, 1992) and Fyrtøjet (The Tinderbox, 1995). In 1988, she accepted Frank Andersen's invitation to become Deputy Artistic Director of the Royal Danish Ballet. In 1999, she was appointed Director of the Royal Danish Opera, a post she held until 2001.
|
|
As the young lady swings high, she throws her left leg up, allowing her dainty shoe to fly through the air. The lady is wearing a bergère hat (shepherdess hat). Two statues are present, one of a putto, who watches from above the young man on the left with its finger in front of its lips in a sign of silence, the other of pair of putti, who watch from beside the older man, on the right. There is a small dog shown barking in the lower right hand corner, in front of the older man.
|
|
Impressed by Father Soler's charisma as well, as their joint dedication to the path of Francis of Assisi, Fontcuberta decided to join the religious at the school, and left all she had to follow this calling. Thus, in 1850, despite her confessor's concerns, Fontcuberta went to Ripoll, and was formally clothed in the habit of the Capuchins of the Divine Shepherdess. The school opened on 27 May 1850. Despite still being in the novitiateand lacking a formal teaching diploma, less than a month later (on 13 June 1850), Fontcuberta was named the school's superior and formally became such in September 1851.
|
|
Arcadia :Scene: Arcadia, in the Greek countryside, in legendary antiquity. Diana, virgin huntress goddess, has become displeased with Arcadia and has let it be known that only through the marriage of a couple descended from heavenly ancestors, one of whom will be "a faithful shepherd", will her wrath be appeased. The couple who are believed to fit this description are the hunter Silvio, but he has no interest in love, being dedicated to Diana and only interested in hunting, and the shepherdess Amarilli, who however is in love with the shepherd Mirtillo, whose ancestry is unknown.
|
|
Van der Does was born in The Hague, the son of Jacob van der Does by his second wife. He was taught to paint by his father and became in turn the teacher of the later art historian Johan van Gool.Simon van der Does in the RKD He painted Italianate landscapes in the manner of his father.Landscape with shepherdess in the Rijksmuseum Amsterdam According to Houbraken, who got his information from Johan van Gool first hand, Simon van der Does spent time in Friesland and one year in England in his youth, and could paint portraits in the style of Caspar Netscher.
|
|
Télémaque et Calypso (Telemachus and Calypso), also Télémaque or [French: ou] Calypso, is an opera by the French composer André Cardinal Destouches, first performed at the Académie Royale de Musique (the Paris Opera) on 29 November 1714. It takes the form of a tragédie en musique in a prologue and five acts. The libretto is by Simon-Joseph Pellegrin. The plot is taken from Les Aventures de Télémaque by François Fénelon, itself adapted from Homer's Telemachy: Telemachus is shipwrecked while searching for his father Ulysses, and resists seduction by the sea-nymph Calypso because of his love for the shepherdess Eucharis.
|
|
The Captivity of the Jews in Babylon, Millet's most ambitious work at the time, was unveiled at the Salon of 1848, but was scorned by art critics and the public alike. The painting eventually disappeared shortly thereafter, leading historians to believe that Millet destroyed it. In 1984, scientists at the Museum of Fine Arts in Boston x-rayed Millet's 1870 painting The Young Shepherdess looking for minor changes, and discovered that it was painted over Captivity. It is now believed that Millet reused the canvas when materials were in short supply during the Franco-Prussian War.
|
|
During its history, Al Amarja has been colonized and conquered in succession by Greeks, Romans, North African Muslims, Catalans, Castilians, various Italian states and eventually the newly unified Italy. The official history of the island states that on October 7, 1940, Her Exaltedness Monique D'Aubainne, the Current Shepherdess of Al Amarja and president-for-life, drove out the fascists with the aid of her bodyguards, the Loyal Defenders. In reality, she just bought the island from her lover, Benito Mussolini. She founded the new state and legislation after the war using the newly ascendant United States as a model.
|
|
The dates of authorship and first performance for the play are not known with any certainty; the 1619-29 era is usually cited, with "c. 1625" as a common approximation. The play was revived at the Salisbury Court Theatre in 1638, and also was twice performed at Court before King Charles I and Queen Henrietta Maria, in 1629 and 1632. The play was well-enough known to have influenced Ben Jonson as he wrote his final work, The Sad Shepherdess (1637).William Marvel Nevin, Lectures on the History of English Literature, Lancaster, PA, Intelligencer, 1895; p. 223.
|
|
The Careless Shepherdess conforms to many of the conventions of the pastoral form as it existed in the years and decades after Sir Philip Sidney's Arcadia. "The play is not lacking in inventiveness, as, for example, the scene in which a threatened duel between two shepherds is frustrated by the threat of the shepherdesses involved to fight the duel themselves; and in that of the carrying off of all the characters by a tribe of satyrs, led by a banished shepherd turned outlaw."Felix Emmanuel Schelling, Elizabethan Drama 1558-1642, Boston, Houghton Mifflin, 1908; Vol. 2, p. 169.
|
|
The 1656 quarto of The Careless Shepherdess also provides a preface, or "Praeludium," for the 1638 revival that may have been written by Richard Brome; it features a conversation among four figures -- Spruce, a courtier, Spark, an Inns of Court man, Thrift, a London citizen, and Landlord, a country gentleman. The dialogue casts light on the theatrical conditions of the day, and is often quoted and discussed in the scholarly and critical literature on English Renaissance drama.Andrew Gurr, The Shakespearean Playing Companies, Cambridge, Cambridge University Press, 2004, p. 214.Alexander Leggatt, Jacobean Public Theatre, London, Routledge, 1992, p. 95.
|
|
Still, it is not clear that the bombardment did much damage to the French flotilla. On 22 July Merlin captured the Shepherdess, and on 31 July Merlin and the squadron capture the French vessel Papillon. Merlin also shared in the capture, on 15 September, of the Flora de Lisboa, off Havre. Commander Robert Forbes replaced Brenton in January 1805. Merlin was in company with , , and the hired armed cutters Frances and Nelson on 16 April at the capture of the Charlotte Christina. Merlin shared with and Prevoyante in the proceeds from the capture on 11 June of the Prussian ship Edward.
|
|
Under pretence of saving the other children from > the contagion of scrofula she persuaded the father to keep Germaine away > from the homestead, and thus the child was employed almost from infancy as a > shepherdess. When she returned at night, her bed was in the stable or on a > litter of vine branches in a garret. In this hard school Germaine learned > early to practise humility and patience. She was gifted with a marvellous > sense of the presence of God and of spiritual things, so that her lonely > life became to her a source of light and blessing.
|
|
During World War II, Hughes had a desk job in the Admiralty. He met the architects Jane Drew and Maxwell Fry, and Jane's and Max's children stayed with the Hughes family for much of that time. After the end of the war, he spent ten years writing scripts for Ealing Studios, and published no more novels until 1961. Of the trilogy The Human Predicament, only the first two volumes, The Fox in the Attic (1961) and The Wooden Shepherdess (1973), were complete when he died; twelve chapters, less than 50 pages, of the final volume are now published.
|
|
The National Shrine of La Virgen Divina Pastora (; ), known canonically as the Three Kings Parish (; ), is a shrine in Gapan City in the Philippines that was founded in 1589. It is one of the oldest Roman Catholic churches in the country, and the oldest and the biggest colonial church in Nueva Ecija. The church has been a pilgrimage site for two patron saints of Gapan and also of Nueva Ecija; the Three Kings, and the Divina Pastora (Divine Shepherdess). On April 26, 1986, the Catholic Bishops Conference of the Philippines declared the church as a National Shrine.
|
|
J.; Preparatory drawing in chalk. Musée national Magnin, Dijon It shows a scene of a lion allowing its claws to be pared after falling in love with a shepherdess so that he will not endanger her, told in Jean de La Fontaine's fable Le Lion amoureux Le Lion amoureux. In: Les Fables; livre IV, 1. 1668/1694, though the painter adds an erotic undercurrent reminiscent of Delilah cutting Samson's hair as well as a Romantic spin on Beauty and the Beast by making the woman the one to pare the claws, thus portraying female beauty as life-threatening, maddening and ultimately fatal.
|
|
Mary Robinson (1778 - 7 February 1837)Grave of Maid of Buttermere at St Kentigern's Church, Caldbeck was known as "The Maid of Buttermere" and is mentioned in William Wordsworth's "The Prelude". She is the subject of Melvyn Bragg's 1987 novel The Maid of Buttermere, which was adapted into a play by Lisa Evans and premiered at Keswick's Theatre by the Lake in 2009. She was a shepherdess and the daughter of the landlord of the Fish Inn in the village of Buttermere in England's Lake District. She was married bigamously in 1802 to John Hatfield (c.
|
|
"Robin Hood's Birth, Breeding, Valor, and Marriage" is Child ballad 149.Francis James Child, The English and Scottish Popular Ballads, "Robin Hood's Birth, Breeding, Valor and Marriage" It recounts Robin Hood's adventures hunting and a romance with Clorinda, the queen of the shepherdess, a heroine who did not prove able to displace Maid Marian as his sweet heart.Holt, J. C. Robin Hood p 165 (1982) Thames & Hudson. . In his introduction to the ballad, Francis James Child gives its first printing as 1716 in Dryden's Miscellany and remarks on the freedom with which it treats tradition and indeed common sense.
|
|
French fashions in chairs, as with everything else, radiated from Paris. From the late 1720s, fashionable "Louis XV" French chairs were constructed without stretchers, which interfered with the unified flow of curved seatrails into cabriole legs that generally ended in scroll feet. According to strict guild regulations in force until the Revolution, French chairmaking was the business of the menuisier alone, whose craft was conjoined with that of the upholsterer (huissier), both of whom specialized in seat- furniture-making in Paris. A range of specialised seats were developed and given fanciful names, of which the comfortable bergère ("shepherdess") is the most familiar.
|
|
There was no school in Saint-Etienne d'Avançon and so Benoîte never learned to read or write.Dom Antoine Marie osb. Abbey of Saint- Joseph de Clairval, 21 July 2003 At the age of twelve, she found work as a shepherdess."Our Lady of Laus", Catholic Tradition In a homily during a Mass at the Marian basilica in the town of Laus, Archbishop Georges Pontier of Marseille, France, said that Rencurel had first seen Mary after being guided by a strange scent near her home in Saint-Etienne d'Avancon in May 1664 and later experienced a vision of Christ bleeding on the village cross.
|
|
L. Macy (Accessed January 09, 2009), (subscription access) In 1755 Elizabeth traveled to Dublin with Uncle Thomas and Aunt Cecilia Arne to sing the role of Grideline in Thomas's opera Rosamond at the Smock Alley Theatre. The trip proved to be somewhat ill-fated as Thomas and Cecilia's marital difficulties came to a head on this trip, with the end result being that Thomas left his wife. Elizabeth did not stick to blood lines and decided to return to England with her uncle in 1756. The following December she appeared as a shepherdess in her uncle's opera Eliza.
|
|
Sheet music for Carl Michael Bellman's Fredman's Epistle 80, "Liksom en herdinna", a pastorale Liksom en Herdinna, högtids klädd (Like a Shepherdess, dressed for a solemn feast), is one of the Swedish poet and performer Carl Michael Bellman's best-known and best-loved songs, from his 1790 collection, Fredman's Epistles, where it is No. 80. The epistle is subtitled "Angående Ulla Winblads Lustresa til Första Torpet, utom Kattrumps Tullen" (Concerning Ulla Winblad's pleasure-trip to Första Torpet, outside Kattrump Tollgate). The Epistle is a pastorale, starting with a near-paraphrase of Nicolas Boileau- Despréaux's French guide to the construction of pastoral verse.
|
|
John Fletcher's The Faithful Shepherdess, Ben Jonson's The Sad Shepherd and Sidney's The Lady of May are later examples. Some of Shakespeare's plays contain pastoral elements, most notably As You Like It (whose plot was derived from Thomas Lodge's pastoral romance Rosalynde) and The Winter's Tale, of which Act 4 Scene 4 is a lengthy pastoral digression. The forest in As You Like It can be seen as a place of pastoral idealization, where life is simpler and purer, and its inhabitants live more closely to each other, nature and God than their urban counterparts. However, Shakespeare plays with the bounds of pastoral idealization.
|
|
The Secret Message Boucher took inspiration from artists such as Peter Paul Rubens and Antoine Watteau. Boucher's early works celebrate the idyllic and tranquil portrayal of nature and landscape with great elan. However, his art typically forgoes traditional rural innocence to portray scenes with a definitive style of eroticism as his mythological scenes are passionate and intimately amorous rather than traditionally epic. Boucher's paintings of a flirtatious shepherd and shepherdess in a woodland setting, featured in The Enjoyable Lesson (The Flute Players) of 1748 and An Autumn Pastoral (The Grape Eaters) of 1749, were based upon characters in a 1745 play by Boucher's close friend Charles-Simon Favart.
|
|
The King and the Mockingbird (, literally The King and the Bird) is a 1980 traditionally animated feature film directed by Paul Grimault. Begun in 1948 as The Shepherdess and the Chimney Sweep (loosely based on the fairy tale of the same name by Hans Christian Andersen), the film was a collaboration between Grimault and popular French poet and screenwriter, Jacques Prévert. However, the film suddenly stopped production and was released unfinished by its producer in 1952, without the approval of either Grimault or Prévert. Through the course of the 1960s and 1970s, Grimault obtained the rights to the film and was able to complete a new version as they originally intended.
|
|
She is La Divina Pastora, the Divine Shepherdess, a manifestation of the Virgin Mary, to Catholics, and Siparia Mai (Mother of Siparia) to Hindus. Sometimes Sipari Mai is associated with a particular Hindu goddess, such as Kali, and sometimes she is a goddess in her own right. These two religious groups are most commonly associated with her, but persons of many other religions, including Muslims, Spiritual Baptist, Rastafarians, Yorubas (Orishas), Buddhist, Baháʼís and indigenous Warao people have been known to worship the popular saint. The origin of the statue is unknown, but seems to have been in the Siparia area since the 18th century.
|
|
Other notable Renaissance examples are the 16th century Church of Sant'Antonio, and the spectacular Oratory of Sant'Anna, located in the locality of Vacciaghetto, as well as the Sanctuary of the Madonna della Bocciola . The sanctuary recalls the apparition of the Virgin, on a hawthorn bush to a silent shepherdess, Giulia Manfredi, who in 1564 prayed devoutly at the rustic chapel. The girl began to speak, but only for a few days, because according to the testimonies she soon died in church at the foot of the pulpit . A religious festival is celebrated annually on the first Sunday of September and always attracts a large number of people.
|
|
The Shepherdess by Bouguereau, 1889 An idyll (British English) or idyl (American English) ( or ; from Greek , eidullion, "short poem")εἰδύλλιον, Henry George Liddell, Robert Scott, A Greek-English Lexicon, on Perseus is a short poem, descriptive of rustic life, written in the style of Theocritus' short pastoral poems, the Idylls. Unlike Homer, Theocritus did not engage in heroes and warfare. His idylls are limited to a small intimate world, and describe scenes from everyday life. Later imitators include the Roman poets Virgil and Catullus, Italian poets Torquato Tasso, Sannazaro and Leopardi, the English poet Alfred, Lord Tennyson (Idylls of the King), and Nietzsche's Idylls from Messina.
|
|
In these works he showed himself such a faithful follower of Murillo that his Divine shepherdess in the Prado Museum was for years believed to have been painted by Murillo.Llorente, Bernardo Germán at the Prado Museum Wine or Allegory of taste When the Spanish court was residing in Sevilla c. 1730, he was asked by Queen Isabel Farnese to paint a portrait of her son Don Philip. The Portrait of Don Philip at about age 10 shows him dressed in the fashion of the time, in a red coat with rich silver embroidery, the stars of the Holy Spirit and an azure blue sash.
|
|
Waidelich 1997 The story concerns the attempt of Rosamunde, who was brought up incognito as a shepherdess by the mariner's widow Axa, to reclaim her throne. The long-established governor Fulgentius (Fulvio in the revised version), who already has Rosamunde's parents on his conscience, attempts to thwart Rosamunde, initially by intrigue, then by a marriage proposal and finally by an attempt at poisoning. Rosamunde, whose claim is backed by a deed in her father's hand, enjoys the support of Cypriots and the Cretan Prince Alfonso, her intended husband. Finally, all the attempts of Fulgentius fail; he dies by his own poison, and Rosamunde ascends the throne.
|
|
Other artists stated that Dong's earlier works, such as Kazakh Shepherdess (1947) and Liberation (1949), were better examples of the new national style of art. Senior Party leaders, though, approved of the painting, as art historian Chang-Tai Hung put it, "seeing it as a testament to the young nation's evolving identity and growing confidence". Soon after the unveiling, Jiang wanted to arrange an exhibition at which government officials, including Mao, could view and publicly endorse the new Chinese art. He had connections in Mao's inner circle, and Dong and others organized it to be in conjunction with meetings at Zhongnanhai that Mao led.
|
|
Maria Gill was born in October 1961 in Auckland, New Zealand. She was educated at schools in Auckland and Southport, Gold Coast, and also studied by correspondence while her family was living in a caravan and travelling around Australia. After leaving school and doing office work for a few years, Maria worked in a variety of jobs, including barmaid, nanny, shepherdess and grape picker, while she travelled overseas, visiting countries such as England, India, Nepal and China. She returned to New Zealand and studied at the University of Auckland and Auckland College of Education, graduating with a Bachelor of Education degree and Teaching Diploma.
|
|
Sancho and Don Quixote fall in with a group of goat herders. Don Quixote tells Sancho and the goat herders about the "Golden Age" of man, in which property does not exist and men live in peace. The goatherders invite the Knight and Sancho to the funeral of Grisóstomo, a former student who left his studies to become a shepherd after reading pastoral novels (paralleling Don Quixote's decision to become a knight), seeking the shepherdess Marcela. At the funeral Marcela appears, vindicating herself from the bitter verses written about her by Grisóstomo, and claiming her own autonomy and freedom from expectations put on her by pastoral clichés.
|
|
Years before the action begins, Gualtiero, King of Thessaly, had married a poor shepherdess, Griselda. The marriage was deeply unpopular with the king's subjects and when a daughter, Costanza, was born, the king had to pretend to have her killed while secretly sending her to be brought up by Prince Corrado of Athens. Now, after the recent birth of a son has led to another rebellion from the Thessalians against Griselda as a queen, Gualtiero is forced to dismiss her and promises to take a new wife. The proposed bride is in fact Costanza, who is unaware of her true parentage and unknown to Griselda.
|
|
Clorinda survives in some later stories as an alias of Marian. The "gentrified" Robin Hood character, portrayed as a historical outlawed nobleman, emerges in the late 16th century. From this time, Maid Marian is also cast in terms of a noblewoman, even though her role was never entirely virginal and she retained aspects of her "shepherdess" or "May Day" characteristics; in 1592, Thomas Nashe described the Marian of the later May Games as being played by a male actor named Martin, and there are hints in the play of Robin Hood and the Friar that the female character in these plays had become a lewd parody. Robin was originally called Ryder.
|
|
In his substantial career, Cotes was a major producer of play texts of English Renaissance drama. He printed the first quarto of The Two Noble Kinsmen (1634) for publisher John Waterson, and the second edition of Fletcher's The Faithful Shepherdess (1629) for Richard Meighen, who was one of the partners in the Second Folio syndicate. He printed more than a dozen plays for Andrew Crooke and William Cooke, including many by James Shirley; he printed Pathomachia for Francis Constable. His quartos of Pericles, Prince of Tyre (1635) and The Bloody Banquet (1639) were rare instances in which Cotes functioned as both publisher and printer.
|
|
Shepherdess With a Flock of Sheep by Anton Mauve The name "Hague School" was coined in 1875 by a critic, Jacob van Santen Kolff, who used the phrases "a new way of seeing and depicting things", "intent to convey mood, tone takes precedence over color", "almost exclusive preference for so-called 'bad weather' effects", and "gray mood." The Hague School artists were less interested in a faithful portrayal of what they saw than in conveying the atmosphere and impression of the moment. They painted in mostly in subdued colors, with a penchant for gray. That is why the Hague School is sometimes also called the Gray School.
|
|
Retrieved 25 February 2013. The shepherdess' reply in the tornada: "and some will gawk before a painting / while others wait to see real manna."In the original Provençal: Que tals bad' en la peintura / Qu'autre n'espera la mana. From Marcabru, "L'Autrier jost'una sebissa" ("The other day, along a hedgerow"), translated by James H. Donaldson. Retrieved 25 February 2013. serves to "[create] some tension with the enigma she seems to introduce suddenly at the end."Koelb 2008 p. 54. In the original Occitan model, the tornada was a stanza that metrically replicated the second half (sirima) of the preceding strophe (a structural division of a poem containing stanzas of varying length).
|
|
Free ranging allusion is the key. The poem begins in shabby bucolic: :'And as you entered in, a bell would tinkle in the empty shop, a musk :Of soap and turf and sweets would hit you from the gloom.' It takes five pages to get to Dresden, the protagonist having joined the RAF as an escape from rural and then urban poverty. In Carson everything is rooted in the everyday, so the destruction of Dresden evokes memories of a particular Dresden shepherdess he had on the mantelpiece as a child and the destruction is described in terms of 'an avalanche of porcelain, sluicing and cascading'.
|
|
During said event, he unveiled a new song from his upcoming album, "Look at the Sky". On June 14, 2020, one day before his twenty-eighth birthday, Robinson announced that Nurture was on hold, but the album's rollout would resume the following day. The next day, the Anamanaguchi remix of "Get Your Wish" was released, and one week after the release of said remix, he released another remix under the name DJ Not Porter Robinson. On August 12, 2020, the sixth anniversary of the release of his Worlds album, Robinson uploaded a live edit of his song "Shepherdess", which was played during his Worlds Live shows.
|
|
The first one was painted with the image in prayer of the shepherdess Isabel Besora, who according to tradition had the vision of the Virgin Mary. The painting was by Aleix Clapés, painter friend of Gaudí that resided in Reus, who also collaborated with him in the Palau Güell and in the Casa Milà. The back face had the shield of Barcelona painted in gold and silver in very stylized form and superimposed the rose representing Reus, made in bossed platinum. Topping the bamboo stick with metallic applications was the image of the Virgin of Misericordia (Mercy) with spread mantle and flanked by angels, all in polychrome aluminium.
|
|
Shepherd and shepherdess with cattle in mountain landscape by H. van de Sande Bakhuyzen He is known for his Romantic pastoral scenes (especially paintings of livestock) with detailed landscapes, notably inspired by Golden Age artist Paulus Potter and continuing the Realist tradition of that era. He emphasized drawing as essential to truthful painting, quoting the motto le dessin est the probite de l'art (drawing is the integrity of art) after French painter Ingres. He required his students to learn to sketch natural scenes in great detail before permitting them to hold a brush. This emphasis on work en plein air presaged the landscape work of Hague School artists.
|
|
Title page of the collection Heilige Seelen- Lust The full title of the collection is: Scheffler's poem is in eight stanzas of six lines each, with rhyme scheme ABABCC. The shorter final line accents its content. It is part of a 1657 collection of pastoral religious poetry, Heilige Seelen-Lust Oder geistliche Hirten-Lieder Der in ihren JESUM verliebten Psyche (Holy bliss of the soul, or: spiritual shepherd songs of Psyche who is in love with her Jesus), in which the first person (ich) is the shepherdess and Jesus the shepherd. The original header confirm this: "Sie verspricht sich jhn biß in Tod zu lieben" (She promises herself to love him until her death).
|
|
Francia decided to found his own congregation of nuns whom he called Daughters of Divine Zeal, patterned after the inspiration of the Rogate - the expression of the zeal burning in the Sacred Heart of Jesus for the glory of the Father and the salvation of souls. The Institute was given a one-year trial. During that year, he had as a cooperator for his work none other than Melanie Calvat, the famous young shepherdess to whom the Mother of God appeared on the mountain of La-Salette. Melanie remained at the Institute for one year, from September 1897 to September 1898 - a year which, in the words of Francia, was a year of blessing.
|
|
It was completed by 1667 and would become known as The Friary. Queen Catherine as a Shepherdess, by Jacob Huysmans In 1675 the stress of a possible revival of the divorce project indirectly led to another illness, which Catherine's physicians claimed and her husband cannot fail to have noted, was "due as much to mental as physical causes". In the same year, all Irish and English Catholic priests were ordered to leave the country, which left Catherine dependent upon foreign priests. As increasingly harsher measures were put in place against Catholics, Catherine appointed her close friend and adviser, the devoutly Catholic Francisco de Mello, former Portuguese Ambassador to England, as her Lord Chamberlain.
|
|
Internal view of the museum The Basilio Cascella Civic Museum extends over two levels divided into twelve rooms, ten of which are located in the original part of the building and two are located in the new wing. The arrangement of the works dates back to the last restoration that took place during 2018. The art gallery houses about 600 works of the Cascella family, made between the nineteenth and twentieth centuries with various artistic techniques, such as paintings on canvas, ceramics, sculptures, drawings, graphic works and postcards of five generations of artists. A prominent position is occupied by Basilio Cascella's masterpiece entitled Il bagno della pastora (1903), which depicts a young shepherdess in a typically Abruzzese bucolic setting.
|
|
Geraldine Farrar as Suor Angelica and Flora Perini as the Princess in the 1918 premiere The nuns discuss their desires. While the Monitor believes that any desire at all is wrong, Sister Genevieve confesses that she wishes to see lambs again because she used to be a shepherdess when she was a girl, and Sister Dolcina wishes for something good to eat. Sister Angelica claims to have no desires, but as soon as she says so, the nuns begin gossiping - Sister Angelica has lied, because her true desire is to hear from her wealthy, noble family, whom she has not heard from in seven years. Rumors are that she was sent to the convent in punishment.
|
|
Two traumatic events happened: the censorship of his collection of aphorisms Immédiatement (1971) at the request of Roland Barthes (called a "shepherdess") and Maurice Genevoix (presented as a "writer for field mice") and the takeover of L'Herne by Constantin Tacou in favor of financial maneuvers later in 1973. Dominique de Roux began a life of wandering and settled briefly in Lisbon and then in Geneva. Under these conditions he started his new magazine Exil and launched a new book series, Dossiers H, in Éditions L'Âge d'Homme. He published pamphlets and devoted considerable to journalism and television, working as a correspondent in the Portuguese world at the times of implosion and war in its colonies (Guinea-Bissau, Angola, Mozambique).
|
|
" Some aspects of this romantic impulse remain even in the work of more sophisticated playwrights: Shakespeare's last plays, which may well be called tragicomedies, have often been called romances. By the early Stuart period, some English playwrights had absorbed the lessons of the Guarini controversy. John Fletcher's The Faithful Shepherdess, an adaptation of Guarini's play, was produced in 1608. In the printed edition, Fletcher offered an interesting definition of the term, worth quoting at length: "A tragi-comedie is not so called in respect of mirth and killing, but in respect it wants deaths, which is enough to make it no tragedy, yet brings some neere it, which is inough to make it no comedie.
|
|
It seems he has some sorcerous foe against whom no mundane weapon can avail. After saving a shepherdess from the monstrous Manworm, Brak reaches the city of old Lord Strann, who rules the region as best he can but is threatened by the alchemist Nordica and her crony, the wizard Tamar Zed. Much of Strann's army has been lured to Nordica's side in the expectation of riches; Nordica's father possessed the knowledge of how to transmute base metal to gold, a secret for which she is thought to have murdered him. Brak, attempting to aid Strann, is caught by Nordica, joining three other captives--the girl he had previously rescued, an aged sailor, and a duplicitous smith.
|
|
Louis-Pierre Verwee was a landscape and animal painter. His early works are similar to those of his master Verboeckhoven, to the extent that it is often difficult to distinguish their work. Verboeckhoven sometimes painted the figures and animals in Verwee's pictures.Louis-Pierre Verwee, Shepherd with Animals at Maidstone Museum and Bentlif Art Gallery on the site of the National Inventory of Continental European Paintings Wooded river landscape with shepherdess and cattle Verwee's paintings of forests and rivers are in the stereotypical, romantic way that can be found in the landscapes of the painters Andreas Schelfhout (1787–1870), Barend Cornelis Koekkoek (1803–1862), Frans Keelhoff (1820–1893) and Johann Bernard Klombeck (1815–1893).
|
|
On 19 September 1846, about three o'clock in the afternoon, on a mountain about three miles distant from the village of La Salette-Fallavaux, it is related that two children, a shepherdess of fifteen named Mélanie Calvat, called Mathieu, and a shepherd-boy of eleven named Maximin Giraud, both of them uneducated, beheld in a resplendent light a "beautiful lady" clad in a strange costume. Speaking alternately in French and in patois, she passed a message which they were "to deliver to all her people". After complaining of the impiety of Christians, and threatening them with dreadful chastisements in case they should persevere in evil, she promised them the Divine mercy if they would amend.Clugnet, Léon.
|
|
There were 170 guests."Frank Prentiss Deering Weds Mabel Clare Craft," Oakland Tribune, November 22, 1902, image 5 An Oakland Tribune writer said:"Craft-Deering Wedding Today," Oakland Tribune, November 22, 1902, image 6 > No one ever thought that Mabel Craft would have a wedding like the weddings > of everone else, and she didn't disappoint us. Instead of the wedding veil, > which isn't becoming to every style, she wore a very stunning hat on her > pretty brown hair, a flat, Shepherdess shaped affair of white tulle, covered > with white applique lace, and with one white ostrich feather under the brim. Between 1906 and 1939, the couple lived at 2704–2790 Larkin Street, Russian Hill, San Francisco.
|
|
The plot of The Survival of St. Joan was possibly inspired by Operation Shepherdess: The Mystery of Joan of Arc by André Guérin and Jack Palmer White, a revisionist history alleging that Joan of Arc escaped execution and later married a nobleman named Robert des Armoises. An idea rejected by historians, the notion of a legendary Joan who lived on in secret has persisted.Among other sources, see Régine Pernoud's Joan of Arc By Herself and Her Witnesses, pp. 249–254 Certainly inspired by the Vietnam War, the opera tells of the government of France and Pierre Cauchon, Archbishop of Beauvais, releasing Joan of Arc and allowing a double, also believed to be a witch, to burn in her place.
|
|
After the queen died, she learned the princess was threatened with the love of a giant; if she was kept safe until sixteen, she would be safe, but if she saw the giant before then, her fate would be hard. So she decreed wise laws and bore the princess off to an Arcadia, where she was raised as a shepherdess. She had one sheep she particularly loved; she named it Ruson, and it could obey her commands, although it loved a ewe more than her. One day she saw a wolf carrying Ruson off and chased after; this brought her in sight of the giant, who instantly fell in love with her.
|
|
The resulting work—on which Elgar and Atkins worked together—was completed in 1932 and published as Elgar's 'Second Organ Sonata'.Performance by Andrew Dewar, 3 August 2011 Other compositions included a Magnificat and Nunc dimittis in G (which has been recorded by the Choir of Worcester Cathedral),Priory Records PRCD630 (2010) the anthem If Ye then be Risen with Christ (published Novello, 1904),Score at IMSLP the Chorale Prelude on the tune 'Worcester' (published 1924)Score at IMSLP and songs such as The Shepherdess, The Years at the Spring, and Elleen, in Victorian ballad style.Scowcroft, Philip. Garland of British Light Music Composers (2001) He was knighted in 1921 for services to music and was President of the Royal College of Organists from 1935 to 1936.
|
|
While cottagecore arose as a named aesthetic in 2018, similar aesthetics and ideals have a long cultural history. Marie Antoinette was criticised for the expense and self- indulgence of her Hameau de la Reine, a model village where the Queen would host intimate gatherings with friends, and even dress as a shepherdess or milkmaid to play at living a simple life while servants maintained the working farm. This was not a unique folly; it was fashionable in 18th-century Europe for nobles to build picturesque ornamental farms on their country estates in the style of rural villages. The 19th-century Arts and Crafts movement was an approach to art, architecture, and design that embraced 'folk' styles and techniques as a critique of industrial production.
|
|
Amelia Edith Huddleston Barr (March 29, 1831 – March 10, 1919) was a British novelist and teacher. Many of the plots of her stories are laid in Scotland and England. The scenes are from her girlhood recollection of surroundings. Her works include, Jan Vedder's Wife, The Border Shepherdess, Feet of Clay, Friend Olivia, The Bow of Orange Ribbon, Remember the Alamo, She Loved a Sailor, A Daughter of Fife, The Squire of Sanddal Side, Paul and Christina, Master of His Fate, The Household of McNeil, The Last of the Macallisters, Between Two Loves, A Sister to Esau, A Rose of a Hundred Leaves, A Singer from the Sea, The Beads of Tasmer, The Hallam Succession, The Lone House, Christopher and Other Stories, The Lost Silver of Briffault.
|
|
The poet emphasizes the mental struggles of Sarah, the resignation of Abraham to the Divine will, the anxious forebodings of Isaac, and the affectionate sympathy of the servants, in other words, a psychological analysis of the characters. The mainspring of the action is Sarah's fore- knowledge of what is to happen, evidently the invention of the poet to display the power of maternal love. The diction is distinguished by high poetic beauty and by a thorough mastery of versification. Other products of Cretan literature are a few adaptations of Italian pastorals, a few erotic and idyllic poems, like the so-called "Seduction Tale" (an echo of the Rhodian Love-Songs), and the lovely, but ultra-sentimental, pastoral idyll of the Beautiful Shepherdess.
|
|
The monastery is located in a large cave in a sheer cliff, where the western slopes of Mount Chelmos drop down to the gorge of the Vouraikos river, some northwest of the town of Kalavryta. The cave was known in antiquity, and the geographer Pausanias reports that the daughters of Proetus found refuge there during their madness. In the first Christian centuries, Christian hermits occupied the cave. According to tradition, the monastery is one of the oldest in Greece, reputedly founded in 362 by the Thessalonian brothers Symeon and Theodore, who with the help of Euphrosyne (a local shepherdess, honoured as saint for her part in these events) discovered in the cave the icon of the Theotokos painted by Luke the Evangelist.
|
|
The village is named after Saint Maches (Latin: Machuta), a daughter of Saint Gwynllyw or Woolos and sister of Saint Cadoc, who according to tradition lived a humble life as a shepherdess in the 5th century but was killed by robbers stealing her finest ram. Saint Tathan, Abbot of nearby Caerwent, to whom the murderers confessed their crime, built a church on the spot where she was killed,Hando, F.J., (1958) "Out and About in Monmouthshire", R. H. Johns, Newport. which became known as Merthyr Maches and later Llanfaches (the letter m mutating to -f- in Welsh). The parish church largely dates from the 14th century and is dedicated to Saint Dubricius (Welsh Dyfrig), with Bishops Transcripts dating back to 1725.
|
|
Morgan was the author of The Backward Child, a Study of the Psychology and Treatment of Backwardness; A Practical Manual for Teachers and Students (1914), Frienly Shepherdess (1933), Individuality in a collective world (1935), Skeptic's search for God (1947) (reissued in 1949 as Man's restless search). She also contributed articles to The Atlantic, the North American Review, and The Baltimore Sun. Headstone at Norfolk Center Cemetery From 1910 to 1911, she directed the psychological clinic of the Neurological Institute of New York. In 1911, she was featured in a full-page article in The New York Times: "Teaching Backward Children Their A-B-C's by Dancing, Where ordinary methods fails, Miss Barbara Spofford resorts to a novel plan of her own to instill the alphabet into youthful minds".
|
|
Maurice Leblanc's The Green-eyed Lady also featured a secret treasure hidden at the bottom of a lake. The castle is visually influenced by that of the original 1952 unfinished release of The Shepherdess and the Chimney Sweep. Greenberg writes, "Cagliostro also borrowed many narrative and visual elements from Grimault's film: the basic plotline of disrupting the wedding of an evil tyrant and a beautiful innocent girl, the tyrant's luxuriously-decorated palace that is also full of traps, and a gang of henchmen serving the tyrant – both oversized goons and ninja-like assassins..." The staff added personal touches to the film, the most iconic being Lupin's car, the Fiat 500, was the car of head animator Yasuo Ōtsuka. Clarisse's car in the chase scene is a Citroen 2CV, which is Miyazaki's first car.
|
|
In 2006 Jalovcová became a principal singer at the National Theatre, and has since performed a wide variety of roles at that house. Among the roles she has sung in Prague are, Annio in Mozart's La clemenza di Tito, Cherubino in Mozart's Le nozze di Figaro, Dalila in Saint-Saëns's Samson et Dalila, Kate in Dvořák's The Devil and Kate, Meg Page in Verdi's Falstaff, Olga in Tchaikovsky's Eugene Onegin, the Shepherdess in Janáček's Jenůfa, and Turnspit in Dvořák's Rusalka.National Theatre Prague, Artist biography: Kateřina Jalovcová In June 2007, Jalovcová was honored with the Most Talented Young Singer award at the Wexford Festival Opera for her portrayal of the Witch in Rusalka. She returned to Wexford the following year to portray Lel in Rimsky-Korsakov's The Snow Maiden with conductor Dmitri Jurowski.
|
|
Quotation is from A mery geste of Robyn Hoode and of hys lyfe, wyth a new playe for to be played in Maye games very pleasaunte and full of pastyme (c. 1561). Both a "Robin" and a "Marian" character were associated with May Day by the 15th century, but these figures were apparently part of separate traditions; the Marian of the May Games is likely derived from the French tradition of a shepherdess named Marion and her shepherd lover Robin, recorded in Adam de la Halle's Le Jeu de Robin et Marion, circa 1283. It isn't clear if there was an association of the early "outlaw" character of Robin Hood and the early "May Day" character Robin, but they did become identified, and associated with the "Marian" character, by the 16th century.
|
|
Among the most important historians of literature who mentioned Dubravka in their works was Franjo Marković (1888), which interpreted Dubravka as an allegory for contemporary Dubrovnik's politics. Branko Vodnik wrote that pastoral play Dubravka was "an anthem of Dubrovnik's freedom," adding that since the 10th century people of Dubrovnik celebrated Festivity of Saint Blaise as a folk festival and that scenes in Dubravka reminiscent of scenes from these festivities. Vodnik claims that the play's main motive of marriage between the most beautiful shepherd with the most beautiful shepherdess comes from the Venetian custom of the feast of St. Mark, when the Doge symbolically throw a ring into the sea and troth Venice, Queen of the Sea, with the Adriatic. In addition, Vodnik pointed out that Dubrava is an allegory of Dubrovnik.
|
|
Now a widow, the Marquise de Sévigné took her children back to Paris where they came to live with her uncle, l'abbé de Coulanges, in the Marais district. After her mother became well-established in the royal court of Louis XIV, 17-year-old Françoise-Marguerite made her court debut in the Royal Ballets des Arts, dancing a lead role as a shepherdess alongside Louis, himself, as a shepherd. She was a sensation. Isaac de Benserade referred to Mademoiselle de Sévigné as “A dazzling young beauty.” The Marquis de Tréville wrote that she was “a beauty to set the world afire.” The next year, the King's brother, "Monsieur" (Philippe de France, duc d'Orléans), invited her to dance with him in a ballet at the Palais-Royal (he as a water god, she as a nymph).
|
|
Meteor was commissioned in December 1803 under Commander James Masters. In May 1804 Commander Joseph James replaced Masters. She then participated in the bombardments of Le Havre on 23 July 1804 as part of a squadron under Captain R. Dudley Oliver of . At one point during the bombardment Meteor had to resupply two of her fellow bomb vessels, and with shells and powder. Over two days the bomb vessels conducted over four hours of bombardment, firing over 500 shells and carcasses into Le Havre and setting fires in the town. Meteor shared with the rest of the squadron in the prize money after captured the Shepherdess on 21 July, and after Explosion captured the Postilion on 31 July. Next, and 1 August 1804, Meteor participated in a bombardment of Boulogne. She also participated is several actions off Boulogne.
|
|
The French naturalist Pierre Antoine Delalande took art classes from him there.Delalande, Pierre Antoine at JSTOR Global Plants Cows in the pasture with shepherdess and a dog He sent his works to various exhibitions organized in his home country. He sent the Royal Eagle about to snatch a lamb to tbe Brussels Salon of 1811, the Monkey and the Cat to the Ghent Salon of 1812, Dogs and Swans to the Ghent Salon of 1814, Stags and Hinds in a Forest to the Brussels Salon of 1821, a Landscape with an Oxen Cart to the Amsterdam Salon of 1822 and Resting Animals and Figures to the Ghent Salon of 1823. His works fetched high prices and were collected throughout Europe. At the Paris Salon of 1814 he exhibited the painting Romulus and Remus suckled by the she-wolf.
|
|
Procession Each January 14 in Lara state, the Divine Shepherdess statue is carried by 6 to 10 men and women accompanied by a procession of more than 2 million people, some barefoot and carrying crosses, from Iglesia de la Divina Pastora in Santa Rosa near Barquisimeto to the Metropolitan Cathedral of Barquisimeto. It is a festive occasion, with countless street vendors selling anything from food and liquor to small religious figurines along the route of just over 7.5 km that snakes through the city. Beginning at about 11:30 after the 10:00 am Mass at Santa Rosa, the procession lasts nearly 7 hours, making a traditional stop at Macario Yepez square. It culminates in the arrival Mass celebrated far and wide on Avenida Venezuela, with various cultural and musical acts ending a day full of fervor and faith.
|
|
Zhiguai chuanqi, influenced by the tradition from the Six Dynasties, contains ideas from both Buddhism and Taoism. For example, Record of an Ancient Mirror written in Early Tang dynasty tells the story how Wang Du from the Sui dynasty receives an ancient mirror from Hou of Fenyin and slays demons with its help; Liu Yi zhuan by Li Chaowei tells the story how Liu Yi, when passing the north bank of Jing River after failing the examinations, meets a shepherdess, who turns out to be the daughter of the Dragon King, abused by her husband, and helps her send words to her father. In order to give lessons or express satire, Zhiguai chuanqi often write about supernatural beings or another world. The World Inside a Pillow by Shen Jiji and The Governor of Nanke by Li Gongzuo are two examples.
|
|
A group of travelling players tour through Greece putting on a play called Golfo the Shepherdess. The first level of the film shows them setting up, rehearsing, promoting and performing in fustanella this 1893 piece, a bucolic verse drama of love, betrayal and death. In the next level the film focuses on the historical events between 1939 and 1952 as they are experienced by the travelling players and as they affect the communities which they visit: the last year of Metaxas' authoritarian dictatorship, the war against the Italians, the Nazi occupation, the liberation, the civil war between the government and communist insurgents, and British and American intervention in Greek affairs. In a further level the characters live their own drama of jealousy and betrayal, with its roots in the ancient myth of the House of Atreus.
|
|
Although a leader of the Quebec "neo-traditional" scene, the band takes a definitely modern slant on that style, borrowing stories and characters from French Canadian folklore (the devil, the chasse-galerie, the shepherdess, the coureur des bois, drinking songs, etc.) to write about modern themes with a touch of humor. These themes include globalization (Qui nous mène?), politics (Ça va mal), generational conflicts (Dégénérations/Le reel du fossé), over- medicating (Remède miracle), the frenetic pace of modern life (Train de vie/le surcheval, Continuer pareil), recent Quebec history (2096 (chanson à boire)), etc. Some of their songs involve personalities from Quebec history such as "La Corriveau" (La Corrida de la Corriveau), "The Great Antonio" (Antonio) and "Alexis le Trotteur" (Train de vie/le surcheval). The band also wrote humorous songs about Québécois cultural phenomena such as poutine (Hommage en grain).
|
|
His abilities in science allowed him to investigate the healing properties of various plants which he deemed were remedies from God for the cure of various ailments and he often prepared medicines and cured those ill people who came to him for his assistance. He was later sent at some stage to Sanlucar de Barrameda where he encountered marginalized and illiterate women and he decided to aid them from this appalling injustice. He established the Daughters of the Divine Shepherdess on 2 January 1885 for girls – also known as the Calasanzian Institute – and placed emphasis on their education for the promotion of women in life. His order received diocesan approval from the Archbishop of Seville on 12 June 1889 and later received the papal decree of praise from Pope Pius X on 6 December 1910 before receiving his full approval in 1912.
|
|
Together with its competitor, Paul's Children, the Blackfriars company produced plays by a number of the most talented young dramatists of Jacobean literature, among them Thomas Middleton, Ben Jonson, George Chapman, and John Marston. Chapman and Jonson wrote almost exclusively for Blackfriars in this period, while Marston began with Paul's but switched to Blackfriars, in which he appears to have been a sharer, by around 1605. In the latter half of the decade, the company at Blackfriars premiered plays by Francis Beaumont (The Knight of the Burning Pestle) and John Fletcher (The Faithful Shepherdess) that, although failures in their first production, marked the first significant appearance of these two dramatists, whose work would profoundly affect early Stuart drama. The new plays of all these playwrights deliberately pushed the accepted boundaries of personal and social satire, of violence on stage, and of sexual frankness.
|
|
Thomas Humphry Ward, M. Arnold The English Poets: Selections with Critical Introductions 1881 "The same mistake of ascribing popular songs to remote antiquity was made in the case of Ca the Yowes to" It is possible that Burns was not aware that Pagan was the original author, only noting that "this song is in the true Scottish taste, yet I do not know that either air or words were ever in print before." The original text is a pastoral love poem spoken from the point of view of a shepherdess herding her ewes ("yowes"), who has a romantic meeting with a shepherd lad. Burns's revised version is less explicit about the identity of the narrator, but follows a similar theme of love amid the beauty of nature. Both versions include the refrain, "Ca' the yowes to the knowes".
|
|
Entrance to the chapel The site became popular during the rule of King John III of Portugal (1521 - 1557) as one where the Virgin Mary appeared to a young shepherdess. Following earlier attempts to build a chapel after the vision, the present Chapel of Nossa Senhora da Penha was constructed by the monks around a century after the apparition, with financial assistance from King Dom Pedro II and was completed in 1711. Inscriptions inside the chapel on the 1726 grave of the hermit, Pedro da Conceição, and elsewhere, acknowledge his role in building the chapel. The interior of the chapel, which is considered an excellent example of baroque architecture in Portugal, is entirely covered by tiled panels representing scenes of the life of the Virgin Mary, together with representations of the Pentecost and the childhood of Jesus.
|
|
Paul Britten Austin describes Liksom en herdinna as painting a picture much like John Constable's oil paintings (here The Hay Wain) as the "farmer heavy on staggering wheel" trundles through the meadows. Bellman's biographer, Paul Britten Austin, describes the song "with its almost religious invocation of a shepherdess, 'clad for some solemn feast'" as "more lovely in Swedish" than in Boileau's French. He comments that in the Epistle, Bellman depicts the countryside just north of Stockholm like a Constable painting, with "Mark how between meadows all awry/the Cot to the lake descends... Where farmer heavy on staggering wheel/Makes haste to his hearth and evening meal". However he finds "quintessentially Swedish" the mood of high summer, with a swallow flying into the room, the cock crowing outside, and the bell of the village church ringing steadily.
|
|
He spent three months in America (1848), and then settled at Eberfing, near Munich, where he died from an accidental pistol shot. He especially excelled in painting sheep, and there is a Shepherdess by him in the Modern Gallery at Munich. Works : Shepherd with Herd Returning Home (1840) ; Grain Harvest (1848) ; Morning at Weinheim, Leaving the Alp (1849) ; Frightened Sheep, Cattle Returning Home, Sheep Resting (1850) ; Return from the Fields (1851) ; Alp on Benedicten Wall, Goats Starting for Pasture, Sheep Resting at Noon, Evening in Pasture, Sheep Resting and Shepherd Boy (1852) ; Sheep During Storm, Early Snow (1853) ; Shepherd and Sheep (1854) ; Shepherd's Dinner (1855) ; Sheep Driven by Dog (1850) ; Village; in the Morning, Peasant and Shepherd (1857) ; Sheep Driven over Precipice by an Eagle (1858), Carlsrube Gallery ; Village Scene (1859) ; Suabian Shepherd with Herd (1860), New Pinakothek, Munich ; Cows returning from Pasture (1861).
|
|
Originally titled La Bergère et le Ramoneur (The Shepherdess and the Chimneysweep), Grimault and Prévert began the film in 1948 (following their first collaboration, Le Petit soldat (The Little Soldier), also a Hans Christian Andersen adaptation), and it was highly anticipated, but in 1950 the film was taken out of their control, and subsequently the expense of the film caused the failure of the studio (Les Gémeaux). Grimault's partner André Sarrut (the producer) then released the film unfinished in 1952, against Grimault and Prévert's wishes, which caused a rift between partners, and they went their separate ways. In 1967, Grimault regained possession of the film, and spent the next decade trying to finance a new version under his supervision. By 1977 he had arranged financing,Dossier de presse , Le Parc distribution, from Le roi et l'oiseau page and thus the film was completed over the two-year period of 1977–79.
|
|
In 1828 Richmond went to Paris to study art and anatomy, the expenses of the journey being met from money earned by painting miniatures in England before leaving and in France during his stay. He spent a winter in the schools and hospitals, and saw something of the social life of the Paris of Charles X; at Calais he exchanged pinches of snuff with the exiled Beau Brummell. On his return to England he spent some time at the White Lodge, Richmond Park, with Lord Sidmouth, who gave him much valuable counsel, and whose portrait by him in watercolour is now in the National Portrait Gallery. In 1830 his contributions to the academy comprised two poetical subjects, ‘The Eve of Separation’ and ‘The Witch,’ from Ben Jonson's ‘Sad Shepherdess,’ and three portraits. In 1831 he exhibited but one picture, ‘The Pilgrim.’ Watercolour of William Wilberforce, 1833.
|
|
Aside from a very few surviving earlier works, Stravinsky's Russian period, sometimes called primitive period, began with compositions undertaken under the tutelage of Nikolai Rimsky-Korsakov, with whom he studied from 1905 until Rimsky's death in 1908, including the orchestral works Symphony in E major (1907), Faun and Shepherdess (for mezzo-soprano and orchestra; 1907), Scherzo fantastique (1908), and Feu d'artifice (1908/9). These works clearly reveal the influence of Rimsky-Korsakov, but as Richard Taruskin has shown, they also reveal Stravinsky's knowledge of music by Glazunov, Taneyev, Tchaikovsky, Wagner, Dvořák, and Debussy, among others. upright=1.25 In 1908, Stravinsky composed Funeral Song (Погребальная песня), Op. 5 to commemorate the death of Nikolai Rimsky-Korsakov. The piece premiered 17 January 1909 in the Grand Hall of the Saint Petersburg Conservatory but was then lost until September 2015, when it resurfaced in a back room of the city's Conservatoire.
|
|
In nearby Lestelle-Bétharram, only a few kilometres from Lourdes, some shepherds guarding their flocks in the mountains observed a vision of a ray of light that guided them to the discovery of a statue of the Virgin Mary. Two attempts were made to remove the statue to a more prominent position; each time it disappeared and returned to its original location, at which a small chapel was built for it. In the early sixteenth century, a twelve-year-old shepherdess called Anglèze de Sagazan received a vision of the Virgin Mary near the spring at Garaison (part of the commune of Monléon- Magnoac), somewhat further away. Anglèze's story is strikingly similar to that of Soubirous: she was a pious but illiterate and poorly educated girl, extremely impoverished, who spoke only in the local language, Gascon Occitan, but successfully convinced authorities that her vision was genuine and persuaded them to obey the instructions of her apparitions.
|
|
Lise la Cour and Peter Martins in Stemninger (1963) Lise la Cour (1944–2016) was a Danish ballerina, choreographer and dance teacher. After training at the company's ballet school, she premièred at the Royal Danish Ballet in 1961 and went on to star in a series of ballets including Bournonville's Napoli, Balanchine's The Four Temperaments and Flemming Flindt's The Young Man Must Marry. From the late 1970s, she was principally a choreographer, creating ballets based on the fairy tales of Hans Christian Andersen's, starting with Hyrdinden og skorstensfejeren (The Shepherdess and the Chimney Sweep) in 1988. She was Viceballetmester (Associate artistic director) of the Royal Danish Ballet from 1988-1995 and was involved in several large theatre productions in the following years until she was appointed Administrative Director of the Royal Danish Opera from 1999 to 2001, ensuring a smooth transition between the former opera director Elaine Padmore and newcomer Kasper Holten.
|
|
Castilian word that means jocoso - funny, this stamp was introduced by the Spaniards, they represent the social situation of the people, shows characters from various social strata. The Mojiganga can be seen in two moments in the patronal festivities, which takes place every year in July, (1) very early in the mornings run on the main streets of the city inviting the general public to the "paseo de res" (toretes) that will be delivered in the afternoon to one of the devotees (stewards) of the party And (2) in the afternoon when delivering the Paseo de res (toretes) and dance to the beat of cash or Roncador. The characters that are depicted are: the patron and the patrona who are the people who have money and in place, the shepherd and shepherdess representing mestizos or rural people and the Vilches who is the intermediate character, expresses power domain on the cattle. The dresses of the patron and patrona are very luxurious.
|
|
Castilian word that means jocoso - funny, this stamp was introduced by the Spaniards, they represent the social situation of the people, shows characters from various social strata. The Mojiganga can be seen in two moments in the patronal festivities, which takes place every year in July, (1) very early in the mornings run on the main streets of the city inviting the general public to the "paseo de res" (la vaca) that will be delivered in the afternoon to one of the devotees (stewards) of the party And (2) in the afternoon when delivering the Paseo de res (la vaca) and dance to the beat of cash or Roncador. The characters that are depicted are: the patron and the patrona who are the people who have money and in place, the shepherd and shepherdess representing mestizos or rural people and the Vilches who is the intermediate character, expresses power domain on the cattle. The dresses of the patron and patrona are very luxurious.
|
|
The recognition caught the attention of French producers, who cast her in Rage (2003). She subsequently starred in three more films with Wang Quan'an. Jingzhe (2003) earned her Best Actress accolades at the Golden Rooster Award and Paris International Film Festival in 2003; Tuya's Marriage (2006), the Golden Bear winner at the 2007 Berlin International Film Festival, won her the Best Actress prize from the Chicago International Film Festival for her portrayal of a shepherdess who seeks a new husband after her first one falls ill; and Weaving Girl (2009), which won Jury Special Grand prix and the FIPRESCI prize from the 2009 Montreal World Film Festival. Yu Nan has also worked with other major Chinese directors, including Wang Xiaoshuai in In Love We Trust (2008), which won the Best Screenplay Silver Bear prize at the 2008 Berlin International Film Festival, Lee Yun-chan's in My DNA Says I Love You and Ning Hao, in his Chinese Western film, No Man's Land (2013).
|
|
During her first season she was seen as Dorcas in the Mock Doctor, Phillis (the country lass) in The Livery Rake Trapp'd, or the Disappointed Country Lass, Ophelia, Edging in the Careless Husband, Cleora in the Opera of Operas, or Tom Thumb the Great, an alteration of Fielding's Tragedy of Tragedies, Lappet in The Miser, Phædra in Amphitryon, Hob's Mother in Flora, Sylvia in the Double Gallant, Shepherdess in the Festival, Peasant Woman in the Burgomaster Trick'd, and Belina in Miller's Mother-in-Law. Two or three of the last-named parts are original. Her appearance during her first season in so wide a range of parts seems to indicate more experience than she can be shown to possess. Two Miss Vaughans, who might have been her sisters, but neither of whom could have been herself, had previously been heard of. Returning with the company to Drury Lane, she played there, 30 April 1734, Mrs.
|
|
Pinkins won a Tony Award for her performance as Sweet Anita in Jelly's Last Jam. She was nominated for her roles in Play On! and in Caroline, or Change, where she played the title role. Her additional Broadway credits include Merrily We Roll Along, Chronicle of a Death Foretold, The Wild Party, House of Flowers, Radio Golf, A Time To Kill,Playbill News: Her Shining Hour: Tonya Pinkins Sings Arlen and Holler If Ya Hear Me. Pinkins has performed in several Off Broadway productions, including the comic role of Mopsa, the Shepherdess, in The Winter's Tale produced by the Riverside Shakespeare Company at The Shakespeare Center in 1983.For a photo of Tonya Pinkins in the role of Mopsa in The Winter's Tale, see Riverside Shakespeare Company In 2011, Pinkins starred in the world premiere of Kirsten Greenidge's Milk Like Sugar at La Jolla Playhouse, and received a 2012 Craig Noel nomination for Best featured Actress in a Play.
|
|
Manuel Míguez González (24 March 1831 – 8 March 1925) – in religious Faustino of the Incarnation – was a Spanish priest and a professed member from the Piarists as well as the founder of the Daughters of the Divine Shepherdess – better known as the Calasanzian Institute. He gained a rather strong reputation for being a formidable pastor and a man dedicated to both education and science while using his scientific knowledge to concoct natural medicines to aid the ill who came to him for his help. But his religious activism augmented when he saw illiterate women and those who were marginalized and so decided to establish a religious congregation to educate women. The beatification was held in Saint Peter's Square on 25 October 1998 under Pope John Paul II. Pope Francis confirmed his canonization on 21 December 2016; an official date was set at a gathering of the College of Cardinals on 20 April and he was canonized as a saint on 15 October 2017.
|
|
The influence of Viennese Biedermeier portrait and life painting, which preserves the values of the family-centered civic mentality, on family portraits (The Weber Family, 1846, Budapest Gallery; composer Mihály Mosonyi and his wife, Hungarian National Gallery) and on his life paintings (The Children's Room, 1840). In most of his historical compositions he worked on events related to the Hunyadi family (death of John Hunyadi, 1844; invasion of King Matthias to Buda, 1853, Hungarian National Museum). The painting depicting the gallant adventure of (King Matthias and the beautiful shepherdess in Buda, 1845, private property) is an outstanding domestic work of the historical genre painting. His Hungaria, painted in the early 1840s, symbolized the self-consciousness of a glorious past and the hope of a prosperous, peaceful future. In the 1860s, he made lithographs (Béla's answer between crown and sword, 1862) presenting the history of the Huns, the Árpád dynasty and the Hunyadi family for the journal “Az Ország tükre”.
|
|
In a world where toys are living things but pretend to be lifeless when humans are present, a group of toys, owned by a boy named Andy, are caught off-guard when Andy's birthday party is moved up a week, as his family (including his mother and infant sister Molly) are preparing to move the following week. Andy's toys – including Bo Peep the shepherdess, Mr. Potato Head, Rex the dinosaur, Hamm the piggy bank and Slinky Dog – fear that they will be replaced by new toys from the birthday. Sheriff Woody – the toys' leader and Andy's favorite toy – sends out army men, led by Sergeant, to spy on the party and report the gift results to the others with walkie talkies. The toys are relieved when the party appears to end with none of them being replaced by new toys, but then Andy receives a surprise gift – a Buzz Lightyear action figure, who thinks that he is a real space ranger.
|
|
A bergère in the eighteenth century was essentially a meuble courant, designed to be moved about to suit convenience, rather than being ranged permanently formally along the walls as part of the decor.Verlet 1977, "Furniture of comfort and elegance" pp 173ff; the bergère is discussed pp. 177–79. Pair of Louis XVI marquises à oreilles, 1780s The fanciful name, "shepherdess chair", was coined in mid-eighteenth century Paris, where the model developed without a notable break from the late-seventeenth century chaise de commodité, a version of the wing chair, whose upholstered "wings" shielding the face from fireplace heat or from draughts were retained in the bergère à oreilles ("with ears"), or, fancifully, bergère confessionale, as if the occupant were hidden from view, as in a confessional. A bergère may have a flat, raked back, in which case it is à la reine, or, more usually in Louis XV furnishings, it has a coved back, en cabriolet.
|
|
Miskel moved to New York City at the age of 18 and soon made her professional stage début touring with Augustin Daly's famed repertory company that by season's end saw her playing Phoebe, the shepherdess in Shakespeare's As You Like It. She later portrayed Marguerite in Charles Osborne's The Face in the Moonlight opposite Robert B. Mantell. The following season she portrayed Ruth Hardman in Charles H. Hoyt's A Temperance Town, a satiric comedy that opened on September 17, 1893, at Hoyt's Madison Square Theatre and ran for 125 performances. Though by then Miskel was known as a promising young actress with a flair for comedy, she chose to retire from the stage not long after she married Charles Hoyt on March 4, 1894. She returned to the theatre in 1897 to star in Hoyt's new play A Contented Woman, the Broadway premiere of which was anticipated for the next season after a brief shakedown tour of several northeastern cities.
|
|
As early as 1849 whaleships had reached Jonas Island.Henry Kneeland, of New Bedford, July 27, 1849, Old Dartmouth Historical Society (ODHS); Shepherdess, of Mystic, August 8, 1849, Nicholson Whaling Collection (NWC). Between 1852 and 1866 the island's waters were a common hunting ground for ships cruising for bowhead whales — Captain Moses Snell, of the ship Pacific, of Fairhaven, reported seeing as many as forty-five other ships from his masthead just to the south of the island early in June 1855.Charles Phelps, of Stonington, June 8–21, 1852, NWC; Pacific, of Fairhaven, June 3, 1855, NWC; Cicero, of New Bedford, June 18, 1861, Kendall Whaling Museum (KWM); Josephine, of New Bedford, May 3–7, 1864, May 18–23, 1865, May 18–20, 1866, KWM. The fleet would usually reach the area by late May or early June,Daniel Wood, of New Bedford, May 19, 1855, May 30, 1854; Covington, of Warren, May 29, 1855, June 6, 1854; Charles Phelps, of Stonington, June 8, 1852, NWC.
|
|
In 1851, he was named professor of design at the Educandato Regina Coeli di Napoli; in 1860, he began teaching at the Institute of Fine Arts of Naples. Bellisario was prolific, painting may portraits and producing many pictures and copies of sacred subjects. Described as a fervent Catholic, among his religious pictures are: The Prodigal Son ; John the Baptist in the Desert; The Virgin of the Rosary; two Holy Family paintings; two Addolorate; a Deposition; The Apocalypse of St John ; the Dream of Baby Jesus ; The head of St John presented to Delilah; Saint Filomena; The Feeding of Baby Jesus; three St Louis Gonzaga paintings; The Martyrdom of St Bartholemew; St Francis of Assisi; St Jerome; The Divine Shepherdess ; and Christ on the Cross Among his other works are Francesca da Rimini; La Regina Giovanna col suo drudo; The Challenge of Barletta; Isabella Orsini; Famine in Naples; The Massacre of the Naples Police in 1860; Markos Botzaris; Aristide e il Pastore (Aristides of Athens); and Bacchus.Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti, by Angelo de Gubernatis.
|
|
The king sniffs the air then heads over to the mirror looking at his cross-eyed reflection, suddenly the king grabs a candlestick and furiously shatters the mirror into a million pieces! As daylight dims and becomes night, L'Oiseau sings a booming lullaby to his children as they go to sleep; the lights of the palace are turned off as the song ends, then the bird continues on the same chord with a different verse, now mocking the king in his sleep hoping to give him nightmares as the full moon begins to shine; the police on patrol are angered by the bird's continued tom-foolery. In the king's apartment as the fire in the fireplace still burns bright while the king is tossing and turning in bed, it is revealed that the Shepherdess and the Chimney Sweep (along with the Statue of a man on a horse) have come to life. The young lovers talk about their mutual disliking of the king as well as their mutual love for each other.
|
|
Suckling's earliest play, Aglaura was staged in 1637 by the King's Men at the Blackfriars Theatre -- not because they thought it was a good play or a potential popular hit, but because Suckling subsidized its production, reportedly spending between £300 and £400. The acting company was paid with the production's lavish costumes (lace cuffs and ruffs made of cloth of silver and cloth of gold), a form of hand-me-down compensation that the King's men accepted only in the 1630s, at a time when the company's fortunes were in relative decline. (When the same company staged a revival of John Fletcher's The Faithful Shepherdess in 1634, they used the sumptuous costumes that had been created for Queen Henrietta Maria's masque of that year, The Shepherd's Paradise; they were then allowed to keep the costumes.) A 1638 production of Aglaura at the English royal court borrowed Inigo Jones's scenery from Luminalia, the Queen's masque of that year. Again, the hand-me- down nature of the proceedings is a noteworthy departure from the practices of the 1620s and earlier.
|
|
Composers tended to make use of the full extent of Renzi's voice, which spanned from middle C to high B-flat,Schneider, pp. 276–78. and the four surviving non-Monteverdian settings of roles written for her (by Sacrati, Laurenzi, Cesti and Ziani) are characterized by strong dramatic, emotional and stylistic contrasts, probably designed to show off her uncanny command of vocal and expressive means.Schneider, pp. 274–76. Most of the thirteen leading roles she sang, and which were probably all written with her special gifts in mind, feature violent juxtapositions of comic and tragic scenes and moods, and they often involve disguises (in La Deidamia a lamenting princess disguises herself as a charming youth; in Argiope, L'Eupatra and Le fortune di Rodope e Damira a scheming princess or queen disguises herself as an ingenuous shepherdess), or other forms of deceit, such as feigned simplicity (Il favorito del principe and Il Bellerofonte), feigned madness (La finta pazza, L'Eupatra and Le fortune di Rodope e Damira), feigned piety (La finta savia) or feigned amorousness (L'Argia).
|
|
First reading, first saying Ivan Gundulić, telling the story of the obstacles in the way of a happy love of Miljenko and Dubravka, follows the structure of the pastorals characteristic for his time, especially in Italy, unusually popular in the century in which infatuation between shepherd and shepherdess prevailed in literature. Dubravka was formed under the influence of the very popular plays like Guarini's Loyal shepherd, Tasso's "Aminta" and Sanazzarov's "Arcadia", which were at the time considered peaks of pre-Baroque literature. However, Gundulić expanded the structure of love plot with a storyline whose meaning points out the idea about the size of the dignity of Dubrovnik's freedom, freedom in which according to the righteous divine laws noble, beautiful and good govern, and there is no place for those who through their participation in the government want to annul these laws and customs. With the acts of allegorizing mythological-pastoral world of drama, Dubravka expands the meaning of the plot on the contemporary political world of Dubrovnik and also expands with the convention certain limits of the pastoral and pastoral genre itself.
|
|
Jules Chéret, Folies Bergère, Fleur de Lotus, 1893 Art Nouveau poster for the Ballet Pantomime Costume, c. 1900 Located at 32 rue Richer in the 9th Arrondissement, the Folies Bergère was built as an opera house by the architect Plumeret. The métro stations are Cadet and Grands Boulevards. It opened on 2 May 1869 as the Folies Trévise, with light entertainment including operettas, opéra comique (comic opera), popular songs, and gymnastics. It became the Folies Bergère on 13 September 1872, named after a nearby street, rue Bergère ("bergère" means "shepherdess").A Brief History of the Folies-Bergère Art & Architecture Manet's A Bar at the Folies-Bergère In 1882, Édouard Manet painted his well-known painting A Bar at the Folies- Bergère which depicts a bar-girl, one of the demimondaines, standing before a mirror. In 1886, Édouard Marchand conceived a new genre of entertainment for the Folies Bergère: the music-hall revue. Women would be the heart of Marchand's concept for the Folies. In the early 1890s, the American dancer Loie Fuller starred at the Folies Bergère. In 1902, illness forced Marchand to leave after 16 years.
|
|
Miss Universe Calendar of Events. Missuniverse.com. Retrieved on 2012-05-12. In November, she traveled again to Indonesia, specifically to the Bali island, when she filmed a commercial of vitamins. On her return to New York, she was in a press conference about HIV, in which she appeared with Ban Ki-moon, the Secretary-General of the United Nations, and with recognised Venezuelan fashion designer Carolina Herrera. On 5 November 2009, she served as a presenter at the Latin Grammy Awards in Las Vegas, United States, sharing with Puerto Rican salsa singer Víctor Manuelle. At her second presentation in Venezuela, specifically in the Plaza de Toros Monumental de Maracaibo, where there was a crowd of 15,000 people, they gave a recognition (Orchid Award) to Fernández at Orchid Festival of Chinita Fair. She also traveled to Cannes, France, on 9 December 2009, for the Five Star Diamond awards, with Miss USA Kristen Dalton, and to Willemstad, Curaçao and Barquisimeto, Venezuela, as well, in early January 2010, for the Procesión de la Divina Pastora (Procession of the Holy Shepherdess).Gallery: Stefania and Kristen travel to Cannes, France!. Missuniverse.com. Retrieved on 2012-05-12.
|
|
The Lyman Allyn's collection of 19th-century American paintings ranges from the Hudson River School to the Aesthetic Movement and Impressionism. Thomas Cole’s Mount Aetna from Taormina (1844), Frederic Edwin Church’s Study for New England Scenery (1850), and John F. Kensett’s oval Bash Bish Falls (1851) are examples of the Hudson River School, while Winslow Homer’s tile painting The Shepherdess (1878) is an example of his work with the Tile Club. These American works are frequently requested for loan exhibitions and for reproduction in scholarly articles and exhibition catalogues. The museum also holds a collection of eighteenth-century American paintings, works on paper, and decorative arts, most notably silver and furniture. The core of this collection consists of John Singleton Copley’s three studies for The Siege of Gibraltar (c.1785-86), two works by Benjamin West, and Winthrop Chandler’s portrait of Eunice Huntington Devotion and Her Daughter (1772). There is also an eighteenth-century New England furniture collection, including many examples of New London County’s unique regional variations. New London County furniture has been the focus of a comprehensive exhibition at the Lyman Allyn in 1974 and smaller, focused exhibitions in 1986 and 1999.
|
|
Costume design for Figaro (1807 production) :Count Almaviva, Governor of Andalusia :Countess Rosine, his wife :Figaro, the Count's valet and major-domo; engaged to Suzanne :Suzanne, the Countess' maid; engaged to Figaro :Marceline, the housekeeper; in love with Figaro, unknowingly Figaro's mother :Antonio, gardener of the castle; uncle of Suzanne, father of Fanchette :Fanchette, daughter of Antonio, girlfriend to many :Chérubin, the Count's page, the Countess' godson; in love with every woman :Bartholo, a doctor from Seville; unknowingly Figaro's father :Bazile, music master to the Countess :Don Guzman Brid'oison, a judge. :Doublemain, clerk to Don Guzman Brid'oison :Gripe-Soleil, a shepherd lad :Pedrillo, the Count's huntsman :An usher :A shepherdess :An alguazil :A magistrate :Servants, valets, peasants, and huntsmen Beaumarchais wrote detailed notes on the characters, printed in the first published text of the play, issued in 1785.Wood, pp. 219–23 The author prescribed that Figaro must be played without any suggestion of caricature; the Count with great dignity yet with grace and affability; the Countess with restrained tenderness; Suzanne as intelligent and lively but without brazen gaiety; Chérubin as a charming young scamp, diffident only in the presence of the Countess.
|
|
" It is believed that the lake was popular among soldiers based on the number of arrow fragments, and more importantly, the number of statuettes found depicting Hercle, the Etruscan version of Greek divine hero, Heracles.: "This is highlighted by the existence in the votive offering of Hercle of Greek manufacture. It can be hypothesized that this offering was mainly associated with "soldiers" both on account of the statuette of Hercle (god connected to heroism and also to war) and that of the Warrior, not to mention the huge quantity of arrows." Artifacts found at the lake are dated between mid-6th to late-4th centuries BCE.: "The finds dated from the middle of the VI and the late IV century BC [...]" One of these statuettes was discovered by a local shepherdess in May 1838.: "The Lake of Idols was discovered by chance in May 1838, the accidental discovery of a bronze statue of Heracles was followed by more in-depth investigations in the area and the excavations, which began in June of the same year, brought to light more than 600 figurines and thousands of other artifacts.
|
|
As the couple run to the fireplace, the Statue once again talks from "experience" that they won't go far and that they'll be back; the Portrait King finally clears his eyes only to find them nowhere to be found (the couple being in front of the fireplace where a large arm-couch blocks his view), a woman holding a pitcher of water laughs at the couple's folly only for the Portrait King (who can't find them and thinks the woman is laughing at him) to shoot at her with his rifle but hitting the pitcher instead which spills out and temporarily douses the fire. The Statue is awoken once again and senilely makes shushing noises as the couple uses the Chimney Sweep's ladder to go up the chimney just before the fire comes back. The Portrait King escapes from his painting to find them gone, to which the Statue says from experience that they're gone; just as the clock strikes 12 and begins to chime, the couple find themselves sitting on top of the chimney looking at the star-covered night sky. The Shepherdess says she never thought it would be so beautiful just as a shooting star goes across the sky.
|
|