This can also cause feelings of sexual longing and regret.
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Rape and abuse is not about sexual longing or loneliness.
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The authors send up untrammeled sexual longing in all its forms.
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It wasn't a sexual longing, but an existential one—to enter one's truth.
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In most productions it's just seen as a sexual longing, which is a typical way of reducing a woman's experience in popular culture.
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"Billy Lynn's Long Halftime Walk" is rated R (Under 17 requires accompanying parent or adult guardian) for bloody combat, profanity and sexual longing.
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Surely even Lovecraft, although he decried the "popularity of ol' Doc Sigmund," must have glimpsed the allegory of sexual longing in the story.
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Every year, at least a few weird-ass movie monsters come along and inadvertently stir up deep sexual longing in a few horny folks online.
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"Misattribution of arousal" is a term in psychology that describes the tendency to wrongly attribute feelings of excitement — shallow breathing, heightened blood pressure and flushed skin — to romantic and sexual longing.
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The film is "a modernistic, sexually explicit Romeo and Juliet-like depiction of two star-crossed lovers who have an unbridled sexual longing for each other," Pornhub Vice President Corey Price said.
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Its main characters, who live in the central Mexican city of Guanajuato, are young, gloomy, attractive men and women connected by friendship, family ties and sexual longing and divided by those same things.
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After thinking back through my sex life and all the times in which I have been electrified with sexual longing, I realized that it always had to do with doing something new and exciting that was formerly taboo.
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A mishmash of styles and stories, it plays not unlike a compilation of music videos with divergent aesthetics and includes a disturbing segment that features a skinhead discussing the sexual longing he feels for the people he also terrorizes.
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More importantly, it is the musical conventions added to the oriental material—whether the music represents intoxication, sensuality, sexual longing or other themes. In this way, orientalism served as a safety valve for subjects otherwise not considered mentionable in society.
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The novel deals with themes which are prevalent throughout many of Mishima's other works, including unrequited sexual longing and the desire to inflict pain upon the object of one's love. Some have suggested a streak of narcissistic revenge arising from a pre-Oedipal complex running through this and several other Mishima texts.
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"Missing" was generally acclaimed by most music critics. Bill Lamb from About.com said that "there has never been a more powerful expression of emotional and sexual longing in pop music than that at the core of "Missing"." Allmusic was also very positive, highlighting the song as an album standout and rated the song 4 stars out of 5.
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Placing her in the care of Mother Superior Albine, Athanaël realizes that he has accomplished his mission — and that he will never see her again. Scene 2That scene was omitted during American premiere of Thaïs in 1908. The Cenobite monks express anxiety over Athanaël's asocial and morose behavior since his return from Alexandria. Athanaël enters and confesses to Palémon that he has begun to experience sexual longing for Thaïs.
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Steven Patrick Morrissey (; born 22 May 1959), known mononymously as Morrissey, is an English singer, songwriter, and author. He came to prominence as the frontman of the rock band the Smiths, which was active from 1982 to 1987. Since then, he has pursued a successful solo career. Morrissey's music is characterised by his baritone voice and distinctive lyrics with recurring themes of emotional isolation, sexual longing, self-deprecating and black humour, and anti-establishment stances.
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Original cover art. The Weather Smells Like Oranges is the first EP by the Dominican picnic-pop band Las Acevedo, released independently in February 2010, shortly after their single "Chaka Chaka!" reached popularity. The EP was composed by the twin sisters Anabel and Cristabel Acevedo, using spanglish Dominican slang in a minimalistic and bucolic sound combination of a bongo, ukulele-tuned classic guitar and a tambourine, wrapped with naïve lyrics about sexual longing,Bazars, Geraldine 2011. The Weather Smells Like Oranges.
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" The unnamed woman also served as inspiration for the Green Album's closer, "O Girlfriend". "King of the World", the album's third single, deals directly with Cuomo's marriage to Kyoko Cuomo and her issues with anxiety. "Summer Elaine and Drunk Dori", written solely by Cuomo, featured a key change into the chorus, as well as a "pretty extended satisfying guitar solo that I get to play [... as well as] this sublimated sexual longing in the lyrics. It's an energy I've long identified with going back to Weezer's first two albums.
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Brundage sees Caesarius holds similar view as Cassian. In his Sermons, Caesarius considers "any sexual longing, to say nothing of deliberate self-stimulation, a serious sin and placed it on an even footing with adultery or excessive indulgence in sex by married persons". It is known that, prior to the sixth century, the Church's teachings on masturbation and many other moral issues were incoherent. Catholic researchers such as Bernard Hoose and Mark Jordan have found that claims to a continuous teaching by the Church on matters of sexuality, life and death and crime and punishment are "simply not true".
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In Håleygjatal it is Odin and the giantess Skade were of mythological origin, and their son Sæming is the ancestor of Hákon jarl. Both poems were thus used as genealogies and served as mythological propaganda, poetry, and grounds for alliances.Steinsland (1991): 216-217 According to religious historian Gro Steinsland, the myth also has an erotic element and is thus a fertility myth that tells of the relationship between the ruler and his "territory"; the scalds describe the land as a sexual, longing giantess who rested in the earl's arms. The prince guarantees growth and prosperity in their territory.
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Reviews of Four Nights in Knaresborough have been very mixed. In reviewing the premiere, The Times said that the play was confused and did not know whether it was a tragedy of character, a straight historical dramatisation, a light comedy, a political-philosophical statement, or a satirical study of sexual longing. Nevertheless, the play sustained interest and it was felt that Webb could produce something remarkable with more discipline. The Guardian review of the premiere, in awarding the play 3 stars, found the play to be a lively debut and thought that Webb could be better if he stopped using four-letter words in an attempt to hold the audience's attention.
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In the poem, there are many opposites that appear to challenge each other: age and youth, intellect and emotion, and male and female. The implication that the young are in each other's arms, to Nicholas Meihuizen, highlights the poet's age and its adverse relationship to the youth of the poem's lovers. As the poet speaks of turning his inability to turn his "attention" from "that girl standing there" to "politics", the poet presents the battle of intellect and emotion, a battle which emotion wins in the poem. Likewise, Meihuizen argues that the poem presents sexual longing in the final line as the poem ends with the combination of the male and female in sexual union.
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He viewed Help! as the band's "big step forward" in its exploration of themes such as "doubt, loneliness, alienation, adult sexual longing" and said that for Harrison's persona relative to Lennon and McCartney, "the Quiet One got Smart as well as Cute". By contrast, PopMatters editor John Bergstrom featured the song in his 2009 list titled "the worst of the Beatles". He said that "I Need You" justified statements subsequently made by Lennon, McCartney and Martin that until late in the Beatles' career, Harrison's songwriting presence was limited in accordance with his talent and experience, and he dismissed Harrison's vocal on the track as "flat and tentative, even as the lovelorn lyrics are sincere" and his use of the guitar volume pedal as rudimentary.
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Gaunt agrees with Anson in the description of these stories as "monastic fantasy" that attempts to appease sexual longing by imagining a woman in the monastery who need not inspire guilt; however, the appeasing of the longing is complexly gendered by the apparent masculinity of the subject. 15th-century Europe possessed a significant cultural lore of such saints extending back nearly as far as the history of Christianity. Saint Thecla, sourced from the New Testament Apocrypha The "Acts of Paul and Thecla", was so enraptured with the teachings of Paul that she left her fiance and followed him, dressing as a man part of the time while in his retinue. Thecla's story was very popular and widespread, with depictions of her and dedications ranging from Antioch to Iberia.
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Veikko thinks he can finally return home safely, but Ivan – who does not understand Finnish – manages to find a pistol in the wreckage and, still convinced that Veikko is an enemy, shoots him when he seemingly tries to attack Ivan, really only trying to destroy his rifle. When Ivan reads the last line of the leaflet the plane was dropping (written in Russian and instructing Soviet soldiers to allow the Finns to return home unharmed), he realizes that the war is over. Ivan is torn with remorse and, stumbling, carries Veikko back to the farm. The nurturing Anni brings Veikko back from the brink of death through a series of ancient Sami magic rituals. With Veikko bedridden, Anni’s needs for companionship and sexual longing draw Ivan into her bed.
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Espirando: Songs Unto Death (Pesme na smrt) consists of nine short stories, all dealing in some way with death (the lead-up to, process and/or aftermath of death). Published in 2011, it received the Biljana Jovanović award and the international Edo Budiša award, as well as several highly positive reviews noting its elliptical and formally diverse approach to language, with the narrative voices ranging from the conventional first-person to the wildly polyphonic, and the linguistic representation of the characters' limit-states of mourning, violence, illness, sexual longing, suicide, "frightening banality". The collection features numerous intertextual relations, the prominent influence of Samuel Beckett in the characters "completely in conflict with the world", the pastiche of Faulkner's A Rose for Emily, Perry Farrell quotes, the story Zozobra taking its name from the Old Man Gloom song, Medicine from the Jesu song, the references to Thomas Mann, Henri Michaux, Michel Houellebecq. All the stories had previously been published in literary magazines in Serbia and Croatia.
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