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31 Sentences With "sets upon"

How to use sets upon in a sentence? Find typical usage patterns (collocations)/phrases/context for "sets upon" and check conjugation/comparative form for "sets upon". Mastering all the usages of "sets upon" from sentence examples published by news publications.

And algorithms are only as good as the data sets upon which they are built.
His heart leaps and his stomach calls and he sets upon the food, loading it into his backpack; smorgasbord.
KATHMANDU, Nepal — Nepal, still in shambles nearly two years after two devastating earthquakes, removed its top reconstruction official on Wednesday and reinstalled his predecessor, a move that is likely to further delay rebuilding efforts as another harsh winter sets upon thousands of homeless Nepalis.
The NYC-by-way-of-Miami DJ/producer took peak club time to new heights in 2016 with her debut album After Hours, a collection of original tracks as chameleonic and universally throwdown-able as the late night sets upon which she cut her teeth.
He even marries his daughter to him. When Fang fights his last-ditch battle with Liangshan, Chai Jin suddenly sets upon his force. Fang La‘s side is thrown into disarray, leading to his capture. Chai's wife hangs herself.
Only Pol and the other Herald's "Foresight" and "Mindspeaking" abilities allow the Valdemaran army to limit their losses to the inferno that Lavan sets upon the Karsites. The firestorm not only destroys the Karsite army, but also consumes and kills Lavan.
Isaac and Freeda meets on a beach, but she pretends to not remember Isaac. Isaac walks away thinking all is lost, but Freeda shouts out his name. The last episode ends as the two stand at a distance as the sun sets upon them.
Dhun (Dev Anand) comes from a wealthy and talented family. His desire is to see the world on his own, and he sets upon this travel. He comes upon an Inn called Six Sisters Inn, run by Pahar (Premnath). He decides to stay there for a while.
One day, he sets upon an elderly man who comes by. After fighting and defeating him, the man takes him to his home and teaches him martial arts. He even marries his daughter Sun Erniang to him. After his father-in-law died, Zhang Qing settles with his wife at Cross Slope where they run an inn.
Hu Sanniang shows no sign of weariness as she battles with Ou Peng and then Ma Lin. Suddenly Song Jiang finds himself being pursued by Hu on horse as his troops retreat in disarray. Hu comes close to seizing him when Lin Chong appears and sets upon her. She is defeated and seized by the far superior fighter.
After the final battle, Bae tags along with Gou as he sets upon his own journey. He ends up in India until he returns in the climax of Go-Onger Vs. Gekiranger to commentate on the giant battle against Long Banki. Xia Fu said that his motto is . His name is a play on the Japanese word for .
George Rogers Clark is a plaster bust made by American artist David McLary. Dated 1985, the sculpture depicts American Revolutionary War hero and frontiersman George Rogers Clark. The bust is located in an alcove on the third floor of the Indiana Statehouse in Indianapolis, United States. The bust measures by by and sets upon a wooden base measuring approximately by by .
He is later glad when Rio joins the fight against Long. During the final battle, Gou is among the other Geki Jūken warriors, including the Kensei, keeping Long at bay until Jyan, Ran, and Retsu return. After the battle is over, Gou sets upon his own journey with Bae to atone for his actions as a werewolf. Gou is portrayed by .
Wu Song is exiled once again to another prison camp. Jiang Zhong bribes his two escorts to kill him on the way with the help of two of his students. Shi En warns Wu Song of the danger when sending him off. Coming to a bridge over a river, Wu sets upon the four men, overpowering and killing all of them.
A gangster working for the "Three Points" gang in Psmith, Journalist, Jack Repetto is one of boss Spider Reilly's top men, a nasty tough who sets upon Psmith outside a Kid Brady boxing match, ruining his hat. An albino, he wears his near-white hair in a well-oiled, low on his forehead; his eyes are close together, and his lower lip protrudes and droops unpleasantly.
During one of their trysts, an air raid occurs: a bomb explodes that destroys the house and knocks Maurice unconscious. When Maurice comes to, Sarah leaves abruptly and vows never to see him again. Obsessed, jealous and angry, Maurice sets upon a journey to discover what happened and why he was abandoned that day. The work received its premiere in March 2004 at Houston Grand Opera.
The convoy arrives at a river and boards a ferry, and Katerina, repeating some phrases similar to Sergei's feigned nostalgia for their life at the estate, sets upon Sonya; they both end up in the river after Katerina has seen the faces of Boris, Zinovy, and Fyodor in the water. The two women briefly resurface, still alive, but Katerina grabs Sonya, and they both drown.
Concerning the essence of technology and how we see things in our technological age, the world has been framed as the "standing-reserve." Heidegger writes, > Enframing means the gathering together of that setting-upon which sets upon > man, i.e., challenges him forth, to reveal the real, in the mode of > ordering, as standing-reserve. Enframing means that way of revealing which > holds sway in the essence of modern technology and which is itself nothing > technological.
In season four, Rebekah is yet again daggered by Klaus, after he believes she will be an obstacle in finding The Cure. However, she is then un-daggered by April Young, and sets upon finding it herself. After developing a 'no strings attached' relationship with Stefan, she reveals she wants to be human, feeling miserable as a vampire. In season one of The Originals, after Klaus's child is born she returns to New Orleans and is named the caretaker of Klaus's child.
The main character is Steven Masters, a spoiled 23-year-old who happens to be the only son of the world's richest man. At a party he (while drunk) states that he wishes to go on a proposed space flight to a distant life bearing planet called Mittend. Mittend is 30 light years from Earth and is the closest life bearing planet. When he is told that he does not qualify, he gets indignant and sets upon a campaign to join in the expedition.
According to BUR brochures, the new bar could support a maximum weight of 400-pounds. The BUR-140 sold for $16.80 in the early 1950s (about $140 in 2010 adjusted dollars) and was still being produced when the company closed in the 1960s.The Popular Science Monthly, Volume 184, 1964, p.52 Custom Sets Although – in its advertising literature – BUR often stressed the advantages of purchasing one of its "feature" barbell sets, the company also sold customized sets upon customer request.From a mid-1950s BUR Barbell Mailer.
This realization of the meaning of death and the pain of losing a loved one breaks the feral chains that had wound up on his psyche. Chithan then sets out like a man intent on destroying the world. He sets fire to the ganja fields, lets the ganja producer experience the pain of his loss, and then sets upon destroying him physically. He drives him through the street, taking his time by breaking a few bones at a time until he is done toying with him.
To further his discussion of modern technology, Heidegger introduces the notion of standing-reserve. Modern technology places humans in standing- reserve. To explain this, Heidegger uses the example of a forester and his relationship to the paper and print industries, as he waits in standing reserve for their wishes. Heidegger once again returns to discuss the essence of modern technology to name it Gestell, which he defines primarily as a sort of enframing: > Enframing means the gathering together of that setting-upon that sets upon > man, i.e.
The sets were ordered by the railway companies involved: 16 by SNCF, four by NMBS/SNCB, and 18 by British Rail, of which seven were the North of London sets. Upon the privatisation of British Rail, the BR sets were bought by London and Continental Railways, which named its subsidiary Eurostar (UK) Limited, now managed by SNCF (55%), LCR (40%) and SNCB (5%). The first Eurostar Class 373 set, 373001/373002, was built at Belfort in 1992. Identified as "PS1" (Pre-Series 1), it was formed of two power cars and seven coaches, and was delivered for test running in January 1993.
View of Real de Catorce A music video was released a month after the song's release on 13 April 2017. It was directed by Alex Takacs (aka Young Replicant), who had previously directed videos for Lorde and Flying Lotus, and was produced by Pulse Films. The video, shot in black and white, depicts a funeral procession in the mountains of Mexico following the death of a young woman. The people of the town carry the coffin until the sun sets, upon which a man―the deceased woman's lover―is left alone in the mountains with a donkey to carry her coffin.
"Ten Thousand Miles From Tip to Tip", 1898. The sunbeams of this famous cartoon are a visual reference to the expression. From the mid- nineteenth century, the image of the sun never setting can be found applied to Anglophone culture, explicitly including both the British Empire and the United States, for example in a speech by Alexander Campbell in 1852: "To Britain and America God has granted the possession of the new world; and because the sun never sets upon our religion, our language and our arts...".Speeches of Alexander Campbell By the end of the century, the phrase was also being applied to the United States alone.
After an angry mob sets upon her, Lauren is rescued by a six year old child named Claire who rescues Lauren as she is the only person she has ever seen independently walk in and out of the dust storm. Lauren is taken to the apartment of Peter, who turns out to be the man with the tattoos. Peter tells Lauren that only lost things and people end up in Lost and no one can leave without the Missing Man. Peter, who is a "finder" of the lost, decides to help Lauren as she is the only other person, aside from himself, who the Missing Man has ever refused to help.
Each half-set is numbered separately. Thirty-eight full sets, plus one spare power car, were ordered: 16 by SNCF, four by SNCB/NMBS, and 18 by British Rail, of which seven were North of London sets. Upon the privatisation of British Rail, the BR sets were bought by London & Continental Railways (LCR), whose subsidiary Eurostar (UK) Limited was managed by a consortium of National Express (40%), SNCF (35%), SNCB/NMBS (15%) and British Airways (10%) from 1998 to 2010. Following the merger of the separate Eurostar operators on 1 September 2010, ownership of all jointly owned sets transferred to the parent company, Eurostar International Limited. The sets operate at a maximum speed of 300 km/h (186 mph), with the power cars supplying 12,240 kW of power.
In these, he generally sets upon the canvas the fleeting aspect of the various stages of merriment, from the subtle, half ironic smile that quivers round the lips of the curiously misnamed Laughing Cavalier to the imbecile grin of the Malle Babbe. To this group of pictures belong Baron Gustav Rothschilds Jester, the Bohemienne and the Laughing Fisherboy, whilst the Portrait of the Artist with his Second Wife, and the somewhat confused group of the Beresteyn Family at the Louvre show a similar tendency. Far less scattered in arrangement than this Beresteyn group, and in every respect one of the most masterly of Hals' achievements is the group called The Painter and his Family, which was almost unknown until it appeared at the winter exhibition at the Royal Academy in 1906. According to the Frans Hals catalog raisonné, 1974, 222 known paintings can be ascribed to Hals.
In many of the numbers his neatly polished libretto has more than mere verbal ingenuity, and his musical score, though by this time its conventions are familiar, shows a wide and diverting range both in parody and in construction... an acid Anglo-Indian scene with a chorus of sahibs declaiming that 'no matter how much we sozzle and souse, the sun never sets upon Government House', leads to a swinging mock-heroic number with the refrain 'But mad dogs and Englishmen go out in the midday sun' that has a true Gilbertian flavour.""New Coward Revue", A.S.W. The Manchester Guardian 26 August 1932, p. 11 The Times wrote, "Mr. Coward has the gift of attack... he had the audience cheering before the opening chorus was spent.... Mr. Coward has, above all else, the gift of satire, and this revue, being primarily satirical, is his best work in the musical kind... the active fierceness which is the distinction between genuine satire and empty sneering.
McCumber(1992), p. 79. The Kopenhagen's shows were performed by a pair of naked women in a small room with about twenty men. However the club's most profitable new venue was New York Live, which was a cabaret-style strip club act with women dancing three song sets upon a stage, while usually being totally nude for the final song.McCumber(1992), p. 79, 155. Most of the strippers who were not dancing were sitting naked on customers' laps for tips. The amount of tipping rapidly increased and was then marketed as a "lap dance", and its popularity caused lines of men to regularly appear outside the theater's doors.McCumber(1992), p. 81, 155 The Mitchells hired new dancers as fast as they could to keep up with demand, and had created another sex-show innovation which gained them international notoriety and generated more money than their film business.McCumber(1992), p. 80. Later in 2004, a San Francisco District Attorney's decision to drop prostitution charges against lap dancers in the city changed the sexual culture of San Francisco and "has the potential to influence the policies of other cities".

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