Instead of building its location-based data and recommendations on set words and ratings, it's using, yes, emojis and photos.
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A topline point to make right off the bat is it's hardly a fair fight to set words against a virally sharable satirical video fronted by a young lady sporting very pink lipstick.
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English composer George Dyson (1883–1964) set words from Prothalamion to music in his 1954 cantata Sweet Thames Run Softly.
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Robert Still (10 June 1910 – 13 January 1971) was a wide-ranging English composer of tonal music, who made strong use of dissonance. As a songwriter he set words by Byron, Keats and Shelley.
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In this song Fauré set words by the poet Paul Armand Silvestre.Nectoux, p. 551 It was composed in 1904 for the amateur singer Emilie Girette after her marriage to the pianist Édouard Risler.Nectoux, p.
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According to Philip Furia, Johnny Mercer was driving along the freeway from Palm Springs to Hollywood, California, when he heard the instrumental on his car radio and started to set words to the song as he drove.
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Words may be monomorphemic or polymorphemic. Words follow the following rule set: # Words can start with any consonant but ṇ and ṛ. # Native words end in a vowel, a plosive, a nasal, or a liquid consonant. # No native word begins or ends in a consonant cluster other than the exceptions mentioned above.
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Developmental coordination disorder is a chronic neurological disorder that affects the voluntary movements of speech. Children with developmental coordination disorder are unable to formulate certain kinds of voluntary speech; however, they may speak set words or phrases spontaneously, constituting formulaic language—although they may not be able to repeat them on request.
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Not for him was the experimental music of the Second Vienna School. He had an exceptional understanding of how to set words to music. Much of his music is meditative and quite inward looking. As noted by Bernard Benoliel,Benoliel, Bernard in many ways Hadley is a link between Vaughan Williams and Benjamin Britten.
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It was also called sequentia, "sequence," because it followed (Latin: sequi) the Alleluia. Notker set words to this melisma in rhythmic prose for chanting as a trope. The name sequence thus came to be applied to these texts; and by extension, to hymns containing rhyme and accentual metre. A collection of sequences was called the Sequentiale.
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Hughes had a flair for languages that enabled him to quickly learn how to pronounce the set words of the service even though he was not a Welsh speaker. He was married with five children. His wife Beryl Hughes (1920 – 2015), an historian, taught in the History Department of Victoria University for 25 years, and was one of the founders of the Women's Studies programme there.
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Hypertext poetry is a form of digital poetry that uses links using hypertext mark-up. It is a very visual form, and is related to hypertext fiction and visual arts. The links mean that a hypertext poem has no set order, the poem moving or being generated in response to the links that the reader/user chooses. It can either involve set words, phrases, lines, etc.
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"Gravy Waltz" was composed and originally performed by Ray Brown as an instrumental in the early 1960s. Allen later set words to it, and the collaboration won the 1964 Grammy Award for Best Original Jazz Composition. Issued as an instrumental single in 1963, it hit #64 on the US Billboard charts. Though the single version was credited to "Steve Allen With Donn Trenner And His Orchestra," Allen did not play on it.
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The dances of this tribe are interspersed by chanting some set words in chorus and the clapping of hands. These shouting and chanting provides inspiration to every member of the group. After forming a circle, the dances make attack on the opposite party or an imaginary enemy with the spears which they hold in their hands. They swing these weapons as per the rhythm of dance, in order to create a beautiful musical background.
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The texts were published and it is assumed that Johann Sebastian Bach obtained a copy.Alfred Dürr, Richard D. P. Jones, The Cantatas of J. S. Bach: with their librettos in German-English (2006), p. 16 While working at Weimar, Bach set words by Lehms for his first two solo cantatas. He avoided the poet's larger-scale work, going on to use the more intimate texts for another eight of his surviving cantatas.
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Much of his time in later life was spent giving free advice and lessons to students. His friends included Deryck Cooke, Anthony Scott, Adrian Stokes, the painter and critic, the harpsichordist Michael Thomas, Sir Eugene Goossens, and Myer Fredman, the conductor. In an obituary, The Musical Times wrote of him as "a song writer of genuine lyrical impulse [who] set words by Byron, Keats and Shelley; he was also a symphonist, in a conservative vein."The Musical Times, Vol.
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Fall 2004. David Rothenberg. Another famous motet by Isaac is Optime pastor (Optime divino), written for the accession to the papacy of Medici pope Leo X.D'Accone, "Medici", Grove online This motet compares the Pope to a shepherd capable of soothing all of his flock and binding them together. While in the service of the Medici in Florence, Isaac wrote a lament on the death of Lorenzo de' Medici, Quis dabit capiti meo aquam (1492), which set words by Lorenzo's favorite poet, Angelo Poliziano.
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In 1999, bassist Steve Hanley selected tracks from the band's many sessions for John Peel's radio show, for the album The Peel Sessions. In 2003 a two-CD set Words of Expectation collected sessions from 1978 to 1981 and a couple from 1996 (the 1996 sessions being mainly songs from The Light User Syndrome). Two years later in 2005, all the band's Peel sessions were finally released by Castle Records in the six-CD box The Complete Peel Sessions 1978–2004.
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Paige had met Rice when she was cast as Eva Perón in the original stage production of his musical Evita in 1978. He also wrote lyrics for a number of the tracks on the album. Rice's former writing partner Andrew Lloyd Webber wrote the arrangement of the track "The Second Time", for which Rice had set words to Francis Lai's theme to the film Bilitis. The track "Secrets" was originally written for the Barbra Streisand album Guilty, but didn't make it on to the final record.
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The left oblique was always used for messages, with the right oblique being used for control of the system. This further reduced the code space to 98, of which either four or six code points (depending on version) were control characters, leaving a code space for text of 94 or 92 respectively. The Chappe system mostly transmitted messages using a code book with a large number of set words and phrases. It was first used on an experimental chain of towers in 1793 and put into service from Paris to Lille in 1794.
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At the end of 1978, Clark and Tong made a ground-breaking discovery. The speech processing strategy coded the second formant as place of stimulation along the cochlear array, the amplitude of the second formant as current level, and the voicing frequency as pulse rate across the formant channels. Clark in December 1978 arranged that his audiologist present open- set words to his first patient, who was able to identify several correctly. As a result, Clark went on to operate on a second patient who had been deaf for 17 years.
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107–110 Two years later, after witnessing the horrors of Belsen, Britten composed The Holy Sonnets of John Donne, a work whose bleakness was not matched until his final tenor and piano cycle a quarter of a century later. Britten's technique in this cycle ranges from atonality in the first song to firm tonality later, with a resolute B major chord at the climax of "Death, be not proud". Nocturne (1958) is the last of the orchestral cycles. As in the Serenade, Britten set words by a range of poets, who here include Shakespeare, Coleridge, Keats, Shelley, Tennyson and Wilfred Owen.
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An utamakura is a place-name that is described with set words and associated constantly with the same scenery, season, time of day, etc...; poets often kept notes of their favorite tropes of this sort. Two of the Six Poetic Immortals of the Kokin Wakashū era were the Priest Henjou and Ono no Komachi, who were reputed to be romantically involved despite their competition. The literary term utamakura is here being used for one of its literal constitutive words, "pillow," to imply that Henjou and Komachi were sleeping together. The poem is also referencing similar scenes in the Gosenshu and Yamato Monogatari.
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"From the beginning, I have been involved in all areas of music; I have not wanted to create only a small corner of a room, full of atmosphere, with a personal and sophisticated taste, but spaces, large and small, arranged differently, pleasant to live in, with open windows". Farkas's works include over seven hundred opuses. He composed in all genres, opera, ballet, musicals and operettas, orchestral music, concertos, chamber music and sacred music. His wide literary culture enabled him to set words to music in 13 languages, stemming from about 130 writers and poets both ancient and modern.
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Shortly after Stepanek's death in 2004, the non-profit Mattie J.T. Stepanek Foundation was established by a group of citizens in Rockville, Maryland where he lived. In 2008, the We Are Family Foundation hosted the first annual international Three Dot Dash 'Just Peace Summit' based on the message Stepanek offered in his book "Just Peace". On October 21, 2008, the Mattie J.T Stepanek Park was dedicated in Rockville, Maryland at an event attended by Oprah Winfrey, Nile Rodgers, Billy Gilman and others. Pepper Choplin set words from Stepanek's final peace speech to music, and a 100-voice choir performed the debut of "Look Up Way Down".
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ZDDs can be used to represent the five-letter words of English, the set WORDS (of size 5757) from the Stanford GraphBase for instance. One way to do this is to consider the function f(x_1, ..., x_{25}) that is defined to be 1 if and only if the five numbers (x_1, ..., x_5)_2, (x_6, ..., x_{10})_2, ..., (x_{21}, ..., x_{25})_2 encode the letters of an English word, where a=(00001)_2, ..., z=(11010)_2. For example, f(0,0,1,1,1,0,1,1,1,1,0,1,1,1,1,0,0,1,1,0,1,1,0,0, x_{25})=x_{25}. The function of 25 variables has Z(f) = 6233 nodes – which is not too bad for representing 5757 words.
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As well, though Allen was credited as co-songwriter for his lyrics, the hit single version was strictly an instrumental performance. Similarly, some time in the 1950s, Allen set words to "South Rampart Street Parade," a 1938 instrumental hit for Bob Crosby, written by Bob Haggart and Ray Bauduc. Though the song still is best known as an instrumental, Allen's later lyrics occasionally are performed. In the realm of theatre, Allen wrote the music and lyrics for the Broadway musical Sophie, which was based on the early career of the woman long billed as "The Last of the Red-Hot Mamas," entertainer Sophie Tucker.
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This consists of silently arguing with oneself; there are no appeals to a personal god, and no set words.; Gottschalk 2006, p. 86. Caroline Fraser wrote in 1999 that the practitioner might repeat: "the allness of God using Eddy's seven synonyms—Life, Truth, Love, Spirit, Soul, Principle and Mind," then that "Spirit, Substance, is the only Mind, and man is its image and likeness; that Mind is intelligence; that Spirit is substance; that Love is wholeness; that Life, Truth, and Love are the only reality." She might deny other religions, the existence of evil, mesmerism, astrology, numerology, and the symptoms of whatever the illness is.
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She exhibited at the Salon des Indépendants. She met Frederick Delius at a dinner party on 16 January 1896, and found they had a shared interest in the writings of Friedrich NietzscheHer father, who knew Persian (see ,) would have known about Zoroaster; Delius set words from Nietszche's 'Thus Spoke Zarathustra' in his Mass of Life (1907). and the music of Edvard Grieg. In 1897 Delius returned from business in Florida, where he had managed an orange plantation twelve years previously; he moved into her newly-acquired house in Grez-sur-Loing, a house owned by her and her mother, and they married in September 1903.
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Many times, the band would write music first that Pierre would set words to, other times Pierre would write a song on guitar with words and bring it to the band. Pierre could often "spend hours and days and weeks and months on lyrics—sometimes they come quick, sometimes they don't come at all," he said. He noted that he had a screenwriting teacher in film school that taught him to "write what you know," but in his case, he could only write about "being a self-obsessed pessimistic sort of loser." This led him to characterize his writing as a sort of therapy for him and a vehicle to better understand the human condition.
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It has been observed of Traherne that "more than any other form of art, if one may judge from the frequency and fervor of the references, Traherne loved music", that this was of long standing and life-long. The Traherne Association has compiled a check list of some hundred composers who have recognised the lyrical power of his writing and set words by him to music.Each Jubilant Chord Several of these are from the poet's native Herefordshire,Herefordshire Composers’ Workshop while a significant proportion come from other countries and not all from the English-speaking world. There have also been a wide variety of musical styles over the past century, from art song to devotional motets, from advanced modernism to minimalism, and there have been some purely instrumental interpretations as well.
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In 2000, he was commissioned by the Exeter Chamber Choir to set words by Hilaire Belloc and Heinrich Hoffmann for chorus, piano and orchestra. Matilda, drawn from one of the Cautionary Tales for Children by Belloc, was described by the composer as "mixing in the somewhat acidic taste of Hoffmann with the misadventures of 'Matilda' and 'Henry' while allowing the exemplary C A Fortescue to have the final say." A selection of his choral works was recorded on CD (Meridian CDE 84360) by the Oxford Pro Musica Singers and the Saint Cecilia Players. Reviewing it for the BBC Music Magazine website, Terry Barfoot wrote that le Fleming "composes for choral forces with assurance and considerable subtlety" and noted the evident influence of le Fleming's teacher Herbert Howells in the "assured handling of the vocal balances" and "eloquent string writing," while also expressing reservations, e.g.
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A coronach (also written coranich, corrinoch, coranach, cronach, etc.) is the Scottish Gaelic equivalent of the Goll, being the third part of a round of keening, the traditional improvised singing at a death, wake or funeral in the Highlands of Scotland and in Ireland. Though observers have reported hearing such songs in Ireland or in the Scottish Highlands, and melodies have been noted down and printed since the 18th century, audio recordings are rare; not only was the practice dying out or being suppressed through the 19th century, but it was also considered by its practitioners to have been a very personal and spiritual practice, not suitable for performance or recording. The Scottish border ballad The Bonny Earl of Murray is supposedly composed in the tradition of the coronach. Schubert's Opus 52 No 4 (D 836) set words from Sir Walter Scott's Lady of the Lake under the title Coronach, for female choir with piano accompaniment.
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