Jennifer Hudson, who is playing Franklin in an upcoming biopic, will deliver a "sermonic selection," while the Rev.
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In Language Is Sermonic, Weaver wrote that the most successful persuasion appeals to fundamental values and locates those values in the current historical moment.
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Church incubated the voices of the Civil Rights movement of the 60s, soundtracked by Martin Luther King Jr.'s sermonic speeches and the sweeping soul of Aretha Franklin.
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Though to the townspeople she may seem like a madwoman, we in the audience know better, sensing the truth in her premonitions, her piercing eyes, and her unwavering, sermonic voice.
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Some screens were devoted to scripted material, such as the sermonic chanting of a woman dressed like a humble nun and an angelic, robed woman draping her body across the steps of a Romanesque building.
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Much has already been made of Bishop Michael Bruce Curry, the first African-American head of the Episcopal Church, who embraced the soaring rhetoric and improvisational splendor of the African-American sermonic tradition in his invocation.
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There was at first a pause, followed by audible surprise and then a lengthy standing applause from parishioners who had come to hear Bottoms deliver the sermonic address at Ebenezer's Women's Day Sunday Worship — even the Rev.
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The Halakhic rulings and sermonic insights of Rav Elyashiv have been recorded in several books. The 4 volume Kovetz Teshuvos ElyashivVolume 4 was published posthumously contains responsa resulting from questions asked of him over many years. Many of his ethical and sermonic comments on the Torah, most dating from the 1950s, were collected and published as Divrei Aggadah. A Haggadah for Pesach including his comments and Halachic rulings was recently printed.
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Sermonic language seeks to persuade the listener, and is inherent in all communication. Indeed, the very choice to present arguments from definition instead of from consequence implies that one of the modes of reason carries greater value. He also considered rhetoric and the multiplicity of man.
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The Collier library houses 120,000 volumes, two Information Commons areas as well as separate Electronic, Teaching, Periodicals, Audiovisual and Group study rooms. The library subscribes to 30 databases, 519 periodicals and contains two special collections: The Rev. I. C. Mickins Theological and Sermonic Research, and the Dr. Laban Connor Black Collection.
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The letter is actually a harangue against idols and idolatry.Moore 1992, 703; cf. Dancy 1972, 199. Bruce M. Metzger suggests "one might perhaps characterize it as an impassioned sermon which is based on a verse from the canonical Book of Jeremiah."Metzger 1957, 96. Also endorsing its sermonic character are Ball 1913, 596; Tededche 1962, 822; Vriezen 2005, 543.
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The sermonic quality of Paine's writing is one of its most recognizable traits. Sacvan Bercovitch, a scholar of the sermon, argues that Paine's writing often resembles that of the jeremiad or "political sermon." He contends that Paine draws on the Puritan tradition in which "theology was wedded to politics and politics to the progress of the kingdom of God".Bercovitch, Sacvan.
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The Black sermonic tradition, or Black preaching tradition, is an approach to sermon construction and delivery among primarily African Americans. The tradition seeks to preach messages that appeal to both the intellect and the emotive dimensions of humanity. The tradition finds its roots in the painful experiences of blacks during slavery in the United States, as well as experiences during the Jim Crow era and subsequent discrimination.
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Larry Sonner, Pastoral Care Director of the Iowa Annual Conference and one of Edwin's long-time close friends presented a sermonic tribute to him. At the time of his death, Bishop Boulton was survived by his wife; by his daughter, Lisa Boulton; by his daughter and son-in-law, Melanie and Bob Pownell; by his son, Jim Boulton; by his son and daughter-in-law, Mitch and Georga Boulton; and by his grandchildren, Breanna, Shaila and Tory Boulton. One grandson, Brennan, preceded him in death in 1993.
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He authored numerous books and articles including A Priceless Heritage, a history of the first 100 years of Chicago Jewry, collections of essays entitled To Bigotry No Sanction and Profiles of Freedom, and sermonic discourses in Frontiers of Faith. He also wrote several historic monographs. He wrote articles on Judaica in Encyclopaedia Judaica, American Peoples Encyclopedia and Colliers Encyclopedia. He was editor of the Tercentenary Edition of the Jewish Sentinel, was a contributing editor to the Universal Jewish Encyclopedia and coedited the Jewish Family Bible with Rabbi David Graubart.
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Young 132 Specifically emphasizing metaphor, he found that comparison should be an essential part of the rhetorical process.Johannesen 23 However, arguments from definition—that is, from the very nature of things (justice, beauty, the nature of man) -- had an even higher ethical status, because they were grounded in essences rather than similarities. Arguments grounded in mere circumstance ("I have to quit school because I cannot afford the tuition") Weaver viewed as the least ethical, because they grant the immediate facts a higher status than principle. Finally, Weaver pointed out that arguments from authority are only as good as the authority itself.Johannesen 27 In Language is Sermonic, Weaver pointed to rhetoric as a presentation of values.
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' Second, there are paraphrases of individual and combined verses. Redburn's "Thou shalt not lay stripes upon these Roman citizens" makes use of language of the Ten Commandments in Ex.20 and Pierre's inquiry of Lucy: "Loveth she me with the love past all understanding?" combines John 21:15–17, and Philippians 4:7. Third, certain Hebraisms are used, such as a succession of genitives ("all the waves of the billows of the seas of the boisterous mob"), the cognate accusative ("I dreamed a dream," "Liverpool was created with the Creation"), and the parallel ("Closer home does it go than a rammer; and fighting with steel is a play without ever an interlude"). This passage from Redburn shows how these ways of alluding interlock and result in a texture of Biblical language though there is very little direct quotation: In addition to this, Melville successfully imitates three Biblical strains: the apocalyptic, the prophetic and the sermonic narrative tone of writing.
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Preaching chords are Blues/gospel-inspired chords played on a Hammond Organ and/or a piano, and many times with a drum set as well, near the end of a pastor or minister's sermon to accentuate, emphasize, and respond to them in a musical way. As the instrumental aspect of sermonic "whooping", these chords are most often used in the Black Church and Pentecostal traditions.The exact origin of preaching chords being played in African American Baptist and Pentecostal churches is relatively unknown, but is mostly believed to have started in either the early or mid-20th Century, at a time when many African- American clergymen and pastors began preaching in a charismatic, musical call- and-response style where they would encourage their congregations to shout out vocal catchphrases (based on whatever they were preaching about) along with them as they preached their sermons. Church musicians began playing different Soul and Blues music-inspired chords, chord progressions, and musical riffs on pianos and Hammond organs that were improvised to imitate the voices of the preachers and the calls-and-responses of the congregations because it audibly sounded almost as if the preachers and congregations were singing.
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