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34 Sentences With "self reflecting"

How to use self reflecting in a sentence? Find typical usage patterns (collocations)/phrases/context for "self reflecting" and check conjugation/comparative form for "self reflecting". Mastering all the usages of "self reflecting" from sentence examples published by news publications.

There is a bit of self-reflecting, but the album isn't political.
Is it because we are a nation in doubt, a nation of permanently self-reflecting ditherers?
I do self-reflecting on 2018 thus far and am thankful I made this time for myself.
I'm my biggest critic, I am constantly self-reflecting and our political climate isn't getting any better.
So what people try to do when they're self-reflecting, they say for example, why do I keep sabotaging my relationship?
"  David Chao (DCM): "Mike spent a good deal of time self reflecting after SoFi and I saw a clear positive change.
While cutting and chewing, the self-reflecting and not so self-loving thoughts I had unearthed earlier started buzzing in the foreground of my brain again.
In the five months since the #MeToo movement revolutionized the way we think about sex and power, it's become rather clear that men have a lot of self-reflecting to do.
She suggests self-reflecting on how many hours you're willing to work, what kind of skills you want out of this, and if you're willing to cut back on some things.
One self-proclaimed avid reader listed just shy of 40 books and authors but failed to see that maybe he had some self-reflecting to do if no women made the cut.
Despite all the mirrors, his movies lack the self-reflecting air and the glancing wit of the New Wave, and they move with a classical intent, wary of anything but the most mournful jest.
And though the 53-year-old actress may play one of the 10-episode series' authority figures, she was very much in touch with her younger selfreflecting on her childhood during a recent visit to PEOPLE Now.
It's not some kind of hardcore AI that would come out of a lab at Stanford, but this kind of self-reflecting software is a hallmark of many emerging enterprise sales startups that look to help businesses streamline their processes.
This year, festival programmers made a serious effort to include diverse titles not just by women, but by other underrepresented voices — a much-needed push that comes at a time when the industry is finally self-reflecting on a legacy that is overwhelmingly white and male.
Bringing Navajo Storytelling Practices into Schools: The Importance of Maintaining Cultural Integrity. Anthropology & Education Quarterly, 38: 278–296. Lastly, elders from Alaskan Native communities claim that the use of animals as metaphors allow children to form their own perspectives while at the same time self-reflecting on their own lives. American Indian elders also state that storytelling invites the listeners, especially children, to draw their own conclusions and perspectives while self-reflecting upon their lives.
Her first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting.
The protagonist of the Chronicles is the first-person narrator, Marc-Uwe. He is characterized as an educated, critical, self-reflecting intellectual in his late twenties. Marc- Uwe is a member of the ‘Kleinkunstszene’ of Berlin (genre of arts including poetry slam, kabarett, and comedy amongst other things). He was born in Baden- Württemberg and now lives in a flat in Berlin.
As to the identity of the killer, the film employs a suitable red herring for misdirection.Muir (2011), p. 170-172 Muir observes, however, that the film does not use slasher films themselves as part of its self-reflecting depiction of the horror genre. The characters don't seem aware of the relevant tropes, nor do they seem aware of their presence in a slasher film-like situation.
Using the “hasshoudou” (seeing, hearing, and speaking of things properly) that Gotama Buddha taught, as a pivot, Takahashi preached that each person self- reflects, and returns the ideal being of their soul to a state that meets the laws of nature. Also, to seek the inner cause of one's own disharmonious notions and actions, becoming aware of the causal relationship between how one's notions and actions created discord in their surroundings and whether one was inflicting harm to themselves, repenting so that this kind of result does not occur again. Ideally, to reach a state where they can reasonably put the results of their repentance into practice. It is said that at this time, the person that is self-reflecting becomes aware of “self-reflecting” solely for the purpose of harmonization with the community. Takahashi warned of becoming attached to “self-reflection” itself and becoming careless in everyday life as a result.
Brodmann Areas Self- distancing occurs when an individual views their experience as an observer. In contrast to self-distancing, self-immersed individuals recall events in first- person. Current research has shown that self-immersed individuals experience increased activity in emotional, autobiographical memory recall, and self- reflecting neural networks in the brain such as the medial prefrontal cortex, and brodmann area 10 (BA10). Additionally self-immersed individuals have increased activity in subgenual anterior cingulate cortex and brodmann area 25 (BA25).
Ego Scriptor is a 2004 album by Frog Eyes. It contains acoustic versions of songs from other Frog Eyes albums. The phrase "Ego Scriptor" means " I, the writer" in Latin, and may refer to the French poet Paul Valéry's essay of the same name in which he describes the "selfreflecting process...both the 'real' work of the mind and the 'chore' of writing to command." In it, Valéry also talks about the isolation of an author upon publishing their work.
Tiantai's metaphysics is an immanent holism, which sees every phenomenon, moment or event as conditioned and manifested by the whole of reality. Every instant of experience is a reflection of every other, and hence, suffering and nirvana, good and bad, Buddhahood and evildoing, are all "inherently entailed" within each other.Ziporyn, Brook, "Tiantai Buddhism", The Stanford Encyclopedia of Philosophy (Winter 2014 Edition), Edward N. Zalta (ed.), URL = . Each moment of consciousness is simply the Absolute itself, infinitely immanent and self reflecting.
About 3000 BC, with the advent of writing, education became more conscious or self- reflecting, with specialized occupations such as scribe and astronomer requiring particular skills and knowledge. Philosophy in ancient Greece led to questions of educational method entering national discourse. In his literary work The Republic, Plato described a system of instruction that he felt would lead to an ideal state. In his dialogues, Plato described the Socratic method, a form of inquiry and debate intended to stimulate critical thinking and illuminate ideas.
Succeeding generations of the Martin family assist him in his quest for humanity, but each is limited to what degree they are prepared to acknowledge Andrew's humanity. In The Positronic Man, the trends of fictional robotics in Asimov's Robot series (as outlined in the book I, Robot) are detailed as background events, with an indication that they are influenced by Andrew's story. No more robots in Andrew's line are developed. There is also a movement towards centralized processing, including centralized control of robots, which would avoid any more self-reflecting robots such as Andrew.
Writing in 1980, Ian McEwan reveals, 'My intention was to take a television cliché - a kind of family reunion, a dinner party - and to transform it by degrees and by logical extension to a point where fantasy had become reality. The self-reflecting fiction at the centre of the play is perhaps one of those conceits that many writers new to the form are tempted to exploit. As it turned out it was not, as I had feared, too literary or undramatic. It simply became a feature of David Lee's illusory sense of control'.
A music video for the single was shot over the weekend of October 1, 2010 in Los Angeles and directed by Diane Martel. Minaj commented on the concept of the music video stating "The concept of the video is boy-and-girl relationship drama, you know, all of the intimate stuff as well as the fighting as well as the self-reflecting type stuff. It's basically just a love story told from the perspective of a very hard girl who doesn't want to give in but she has to." A behind-the-scenes video was released on October 4, 2010.
In 1986, Bandura published Social Foundations of Thought and Action: A Social Cognitive Theory, in which he re-conceptualized individuals as self-organizing, proactive, self-reflecting, and self- regulating, in opposition to the orthodox conception of humans as governed by external forces. He advanced concepts of triadic reciprocal causation, which determined the connections between human behavior, environmental factors, and personal factors such as cognitive, affective, and biological events, and of reciprocal determinism, governing the causal relations between such factors. Bandura's emphasis on the capacity of agents to self-organize and self- regulate would eventually give rise to his later work on self-efficacy.
He launched a major program of research examining the influential role of self-referent thought in psychological functioning. Although he continued to explore and write on theoretical problems relating to myriad topics, from the late 1970s he devoted much attention to exploring the role of self-efficacy beliefs in human functioning. In 1986 he published Social Foundations of Thought and Action: A Social Cognitive Theory, a book in which he offered a social cognitive theory of human functioning that accords a central role to cognitive, vicarious, self-regulatory and self-reflective processes in human adaptation and change. This theory has its roots in an agentic perspective that views people as self-organizing, proactive, self-reflecting and self- regulating, not just as reactive organisms shaped by environmental forces or driven by inner impulses.
Takahashi referred to the law that he preached, and practiced, as shoubou (proper Buddhist law). It has been said that when he held lectures in the provincial regions, he would spend several hours afterwards "self-reflecting", based on the hasshoudo, as to whether there was any wrongness in his role and whether there were any inaccuracies in the "law" that he preached. It has also been said that Takahashi possessed all of the capabilities of the six spiritual powers (tengantsu, tenjitsu, tashintsu, shukumeitsu, jinsokutsu, and rojintsu.)see Takahashi's web page for elaboration on these six powers. Takahashi took in people such as elderly people who were homeless, a woman who had intellectual disabilities and no relatives, and people who had difficulty living independently in society, such as gangsters.
The narrator then begins a stream of consciousness regarding the nature of war, which he harkens to a form of longing in itself, a 'human moment'. His further conversations with Vollmer after docking for supplies elaborate this idea, as Vollmer describes the ideal that war should be a unifying force, giving a group of people a common sense of destiny; the narrator then poses the question of what happens when such a shared crisis dwindles sooner than anyone could have thought, reflecting once again his underlying fear of Vollmer's ideas. While receiving transmissions from Colorado Command, a faint, strangely familiar signal punctures the communications and sends the narrator into another series of self-reflecting thoughts. Colorado Command assures the narrator that it's probably just 'selective noise', but the narrator insists that he has heard a voice.
Like other Revisionist Westerns, Unforgiven is concerned with demythologizing the morally black-and-white vision of the American West that was established by traditional works in the genre, as "David Webb Peoples’ script is saturated with unnerving reminders of Munny’s own horrific, booze- fuelled track record", while the film as a whole "reflects a reverse image of classical Western tropes: the heroes defend the honor of prostitutes and not a God-fearing innocent. Rugged gunslingers are exposed as cowards and weaklings and liars, while others find they have outlived any desire to take another man’s life. Vain men try to make names for themselves, and their chronicler only further embellishes those names. The law is represented by a pitiless former gunslinger whose idea of order is fearful cruelty", and "our self- reflecting protagonist resists his once violent ways only to become a cold- blooded killer again, suggesting that a Western hero is not necessarily 'the good guy', rather just the one who survived".
With his essay "Birth of Fire" Paalen provided the mythological discourse in Surrealism with his interpretation of Prometheus as the primordial artists marking the epochal change from matriarchal to patriarchal cultures and the pyramid as the symbol of "Mother-Earth" derived from the appearance of a new volcano; together with Gordon Onslow Ford and Jacqueline Johnson he had visited the just rising volcano Paricutin. The sixth and last number was entirely dedicated to contemporary modern art, introduced by Paalen´s essay "On the Meaning of Cubism Today", in which he draws cubism as the model for the self-reflecting potential and the implicit spatiality of the pure means rhythm, light and colour in painting. Robert Motherwell published his essay "The Modern Painter´s World", other essays and poetical texts were added by Jacqueline Johnson ("The Earth" and "Exposition Alice Paalen"), Miguel Covarrubias ("La Venta"), Anais Nin ("The Eye´s Journey"), Gustav Regler ("L´Île à Deux Faces" and "Rencontre des Villes"), César Moro ("Le Temps") and Eva Sulzer ("Rêves de Papillons").
" AllMusic's David Jeffries said that despite retreads of "Like Me" found throughout the album, he highlighted tracks like "Tryna' Tryna'" and "What Your Life Like" as lyrical standouts, saying that "Drenched in Auto-Tune and more frustrated than a ringtone rapper should be, Lil Durk turns in a surprisingly down effort." Kellan Miller of HipHopDX was mixed about the album, praising Durk's lyricism on self-reflecting tracks like "Resume" and "Don't Judge Me" but felt his personal life forced him to fabricate certain stories with gangsta rap clichés, saying that, "[T]he title's overt demand for permanent residency in the collective consumer's cerebral cortex ultimately amounts to Remember My Names slightly-above mediocre status." He also said that it will only appeal to loyal Durk fans. Jill Hopkins of Consequence of Sound felt the album suffered an identity crisis when it went from hard- hitting hip-hop to soft-willowing R&B; due to the use of Auto-Tune, concluding that "A record this anticipated by a man so young, with so much riding on it should sound more important.
However, if one meditates to clear their mind of unnecessary thoughts without self-reflecting and while their mind is distorted, or if one acquires such a habit, evil spirits that relate to the distorted mind are drawn in, resulting in grave danger, such as one's mentality becoming seized as well as experiencing physical disorders. Takahashi believed that in continuing this kind of self-reflective meditation one starts interacting with the guardian spirit/guiding spirit, and dialogue becomes possible. Then, one reaches a level of nyoshin (a state where one is able to understand their heart to some extent, and where one has the ability to read other people's hearts). In addition, regarding current suffering, Takahashi believed that the cause of suffering is always a result of seeds being scattered somewhere, and that as a method for eliminating this cause and relieving oneself from their sufferings, one should recall all of their doings from the day they were born until the present day temporally, according to when they were 0 to 5 years old, 5 to 10 years old, 10 to 20 years old, 20 to 30 years old, etc.

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