Another Yale classmate, Jennifer Klaus, said she often socialized with Judge Kavanaugh in college and vigorously disputed his relatively benign self-portrayal.
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Carrie's awkward, halting and seemingly honest self-portrayal as a lost child turned mother looked like a screen test — and it was a great performance.
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Most of the discrepancies center on her self-portrayal as a left-wing Democrat, an immigrant from Colombia, a Jewish woman with an Ivy League pedigree.
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Hillary Clinton's self-portrayal as a champion of women and families—already belied by her unwillingness to back congressional Democrats' bid for paid family leave—is even more vulnerable when it comes to welfare.
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In her self-portrayal as Public Enemy Number One, shock-value antics, and the other very obvious fact that they're both white rappers, it's hard to see this iconography and not think about him.
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What follows is an attempt to untangle the mess of accusations and counteraccusations: to try to explain what's true about Salazar's self-portrayal, what's false, and what can't be proven — as well as the reasons any of this matters.
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His myriad voice work, from Batman properties to the highly satirical Animaniacs to his own hilarious self-portrayal in Family Guy, pulled off the rare feat of employing self-referentiality as comedy without lapsing into cloying or vainglorious territory.
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Ayman Odeh, head of the Arab Joint List party, welcomed "Likud's loss (as) a victory for Arab citizens" but said the defeat in parliament could play into Netanyahu's self-portrayal as a potential victim of a feared crooked election.
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The notion that the system came after Mr. Trump in the form of Mr. Mueller and failed to take him down will fit neatly into the president's narrative of grievance and victimization, energizing his self-portrayal as a threat to the existing order.
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He sagely works in lyrical images from his own life—the Cabrini-Green projects where he spent some time growing up that have now been torn down and rebuilt as condos, for instance—for their broader philosophical heft than for shock value and uses self-portrayal—the motif of mirrors is all over iiiDrops—with thoughtful consideration rather than solipsism.
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Nowadays, the dedication's function is mainly part of the self-portrayal of the author in front of his or her readers.
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Weber used the former summer residence of the Bavarian kings as scenery for his ambitious self-portrayal and that of the Nazi ruling system.
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In order to avoid self-portrayal, the event featured positive remarks from a non-Muslim journalist and a priest. Following the event, there were no objections. The mosque is named the "Nuur Mosque".
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Barney also had a brief acting career, beginning with a self-portrayal in the 1968 comedy, Paper Lion. In 1973, he was one of the stars of the blaxploitation biker film, The Black Six.
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Self-portrayal concerns and their relation to safety behaviors and negative affect in social anxiety disorder. Behaviour Research and Therapy, 51(8), 476–486. doi:10.1016/j.brat.2013.05.002 This assessment has also been shown to support other measures of social anxiety such as the Social Phobia Scale.
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The family's religious orientation also affects the company. The company's self- portrayal refers to the fact that the company's mission statement is shaped by Christian principles. The equal participation of female family members in the company is rejected. There is therefore no woman among the KG shareholders.
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Like much of Cockburn's early work, the film arises from his own thoughts and self- analysis: "That's what my work's about. It's me trying to figure myself out." Astria Suparak describes the self-portrayal as that of an underdog "with a feeble narcissism". At the same time, the film is also socially themed.
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She appeared with Antonio Banderas. She later appeared on the revival's cast album. She guest- starred along with Michele Lee in a February 2005 episode of Will & Grace, and in December of that year, Chita Rivera: The Dancer's Life, a retrospective of her career, opened on Broadway. She received another Tony nomination for her self-portrayal.
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Boetticher left behind handwritten memoirs in which he glossed over his activities during the NS era. These were published by Hans Schneider, Musikantiquariat und Verlag in Tutzing.Fred K. Prieberg: Handbuch Deutsche Musiker 1933-1945, CD-Rom-Lexikon, Kiel 2004, . Also in his self-portrayal in the first edition of Die Musik in Geschichte und Gegenwart vol.
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The restoration sought to revert changes that had been made by the Jefferson Medical College during the 1917 restoration. Definition of parts, including Eakins' self-portrayal, was restored, using as reference an ink wash copy of the painting made by the artist, as well as a photograph taken by the Metropolitan Museum of Art previous to the Medical College's changes in 1917.
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Stojanov, Darko (2014): In search of autochthony: A case study of the Great Migration Period as presented in history textbooks in Macedonia. In Povijest u nastavi 10 (19 (1)), p. 33. From a nationalist Macedonian perspective, the self-portrayal as descendants of the Ancient Macedonians has the advantage of presenting the Macedonians as an autochthonous people. In this way, a claim on Macedonian territory can be substantiated.
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This ensured that different types of people who spent time in different places could have a psychological or social reaction in a place comfortable to them. General Idea initially portrayed themselves as an ambiguous group, but soon realized it was causing confusion with the public. This led to a series of self portrayal or marketing images including "Fin de Siècle". From 1987 through 1994 their work addressed the AIDS crisis, with work that included some 75 temporary public art projects.
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Self-Portrait with Beret and Turned-Up Collar is a 1659 oil on canvas painting by the Dutch artist Rembrandt, one of over 40 self-portraits by Rembrandt. It has been noted as a self-portrayal of subtle and somber qualities, a work in which may be seen "the stresses and strains of a life compounded of creative triumphs and personal and financial reverses".Ackley, 308Susan Fegley Osmond. Once owned by Andrew W. Mellon, it has been in the National Gallery of Art since 1937.
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Although polls suggested that Likud may win a historic victory, party leader Menachem Begin suffered a heart attack shortly before the election, and did not participate in the campaign. The Likud campaign leading up to the election had centred on Begin's personality. Demonized by the Alignment as totalitarian and extremist, his self-portrayal as a humble and pious leader struck a chord with many who felt abandoned by the ruling party's ideology, particularly the predominantly Mizrahi working class living in urban neighbourhoods and peripheral towns.
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In 2004, Lagadapati joined the program City Beats, which aired on Tv9, as a script writer for two months before quitting. Lagadapati was neither paid nor credited for the episodes he worked on, but used this show to understand the technical aspects of television. In 2009, Lagadapati was approached to write a philosophical drama for Onenessfilms. He was initially opposed to writing it because it was a self-portrayal of the self-claimed God men, but finally had agreed for his friend, who wanted directing experience.
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However, Wood's accounts and her self-portrayal as Graham's pawn were later brought into serious question by award-winning journalist Lowell Cauffiel in his 1992 true crime book, Forever and Five Days. According to Wood's account, in January 1987, Graham entered the room of a woman who had Alzheimer's disease and smothered her with a wash cloth as Wood acted as her lookout. The woman was too incapacitated to fight back, and thus became the pair's first victim. The woman's death appeared to be natural, so an autopsy wasn't performed.
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Moritz Brosig's career coincided with the emergence of a movement in Catholic Germany for the restoration of "intelligibility" to church music. There was a concern with quality, and also a powerful move to abolish "profane music" in churches. The cheerfulness arising from dance rhythms along with the anthrocentric self-portrayal and theatricality reminiscent of operatic arias were a particular concern for many of the early proponents of what became known as the Cecilian Movement. At more a detailed level there was clearly scope for significant differences of opinion as to what constituted "profanity" in music.
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Scenes featuring the figures of Meleager and Achilles expressed bravery and were often produced on sarcophagi holding deceased men. Biographical scenes that emphasize the true virtues of Roman citizens were also used to commemorate the deceased. Scholars argue that these biographical scenes as well as the comparisons to mythological characters suggest that self-portrayal on Roman sarcophagi did not exist to celebrate the traits of the deceased, but rather to emphasize favored Roman cultural values and demonstrate that the family of the deceased were educated members of the elite that could understand difficult mythological allegories.
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Scenes featuring the figures of Meleager and Achilles expressed bravery and were often produced on sarcophagi holding deceased men. Biographical scenes that emphasize the true virtues of Roman citizens were also used to commemorate the deceased. Scholars argue that these biographical scenes, as well as the comparisons to mythological characters, suggest that self-portrayal on Roman sarcophagi did not exist to celebrate the traits of the deceased, but rather to emphasize favored Roman cultural values and demonstrate that the family of the deceased were educated members of the elite that could understand difficult mythological allegories.
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Later Spider-Man writers Tom DeFalco and Gerry Conway agreed that J. Jonah Jameson was as close as Lee ever came to a self-portrayal, with Conway elaborating that "just like Stan is a very complex and interesting guy who both has a tremendously charismatic part of himself and is an honestly decent guy who cares about people, he also has this incredible ability to go immediately to shallow. Just, BOOM, right to shallow. And that's Jameson". Conway stated that whenever he wrote Jameson's dialogue, he would hear it in Lee's voice, and on one occasion even wrote a Jameson speech that was almost directly quoted from a Stan Lee speech.
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Ausgabe 2/1994. His dedication to substantial music and its repetition is significantly based on university teachers he met during his own education as of Walther Davisson, Kurt Hessenberg, Gustav Lenzewski, August Leopolder, and Helmut Walcha as well as encounters with members of the Bethmann family, Anton Biersack, Reinhold Finkbeiner, Erich Flinsch, Karl Freitag, Karlheinz Ludwig Funk, Ludwig Hölscher, Richard Rudolf Klein, Dieter Lindemann, Otmar Mácha, Thomas Magyar, Yehudi Menuhin, Ginette Neveu, Elly Ney, Váša Příhoda, Max Rostal, Gerhard Taschner, Rüdiger Volhard, Bruno Vondenhoff, Karl Weiß, and Friedrich Zipp. > "Music is no aid for self-portrayal but instead a medium of communication > among people." > – Prof. h. c.
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The opponents also argued in regard to Catholic social teaching that ruled out participating in an act of revolution. The proponents however argued that a "national revolution" had already occurred with Hitler's appointment and the presidential decree suspending basic rights, and that the Enabling Act would contain revolutionary force and move the government back to a legal order. Both groupings were not unaffected by Hitler's self-portrayal as a moderate seeking co-operation, as given on the Day of Potsdam of 21 March, as against the more revolutionary SA led by Ernst Röhm. In the end the majority of Centre parliamentarians supported Kaas's proposal.
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Rainbow Over Texas is a film from 1946 in which Roy Rogers plays himself as a famous cowboy-singer returning to Texas. Directed by Frank McDonald from a story by Max Brand, it co-stars George "Gabby" Hayes and Dale Evans. The self- portrayal of Roy Rogers as a more glamorous version of himself in Rainbow Over Texas revealed the great lengths to which Hollywood film studios would go in promoting their own film stars and made patently clear the self-referential advertising employed by studio productions in order to garner greater box office sales. Since that time, "rainbow over Texas" has become a colloquialism for anyone who self-aggrandizes their own life in mythic and fantastical terms.
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A transition from the classical garland and seasonal reliefs with smaller mythological figures to a greater focus on full mythological scenes began with the break up of the classical style in the late second century towards the end of Marcus Aurelius' reign. This shift led to the development of popular themes and meanings portrayed through mythological scenes and allegories. The most popular mythological scenes on Roman sarcophagi functioned as aids to mourning, visions of life and happiness, and opportunities for self-portrayal for Roman citizens. Images of Meleager, the host of the Calydonian Boar hunt, being mourned by Atalanta, as well as images of Achilles mourning Patroclus were very common on sarcophagi that acted as grieving aids.
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A transition from the classical garland and seasonal reliefs with smaller mythological figures to a greater focus on full mythological scenes began with the break up of the classical style in the late second century towards the end of Marcus Aurelius' reign. This shift led to the development of popular themes and meanings portrayed through mythological scenes and allegories. The most popular mythological scenes on Roman sarcophagi functioned as aids to mourning, visions of life and happiness, and opportunities for self-portrayal for Roman citizens. Images of Meleager, the hero who slew the Calydonian Boar, being mourned by his lover and hunting companion Atlanta, as well as images of Achilles mourning Patroclus were very common on sarcophagi that acted as grieving aids.
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The exact number of councillors is uncertain, but the best estimate is at least 208. Among them were 24 (most sources erroneously mention 22) Members of Parliament from the last pre-war assembly of 1936, who were invited to participate in the National Council in a move designed to highlight the PEEA's self-portrayal as the legitimate successor of the pre-war (and pre-Metaxas Regime) democratic government. The elected councillors represented a broad cross-section of Greek society: 2 bishops and 2 priests, 5 university professors, 8 generals and 6 lower-ranking officers, 20 civil servants, 5 industrialists, 15 doctors of medicine, 25 lawyers, 22 labourers, 23 farmers, 10 newspapermen, 10 scientists, 9 high school teachers, etc. Among them, for the first time in Greek history, were five women.
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Demonized by the Alignment as totalitarian and extremist, his self-portrayal as a humble and pious leader struck a chord with many who felt abandoned by the ruling party's ideology. In the predominantly Jewish Mizrahi working class urban neighborhoods and peripheral towns, the Likud won overwhelming majorities, while disillusionment with the Alignment's corruption prompted many middle and upper class voters to support the newly founded centrist Democratic Movement for Change ("Dash") headed by Yigael Yadin. Dash won 15 seats out of 120, largely at the expense of the Alignment, which was led by Shimon Peres and had shrunk from 51 to 32 seats. Well aware of his momentous achievement and employing his trademark sense for drama, when speaking that night in the Likud headquarters Begin quoted from the Gettysburg Address and the Torah, referring to his victory as a 'turning point in the history of the Jewish people'.
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Lingamfelter is a supporter of toll roads, having introduced a bill allowing tolls on any Virginia interstate highway, with the proceeds being set aside to "[p]ay or finance all or part of the costs of programs or projects, including without limitation the costs of planning, operation, maintenance and improvements incurred in connection with the toll facility provided that such allocations shall be limited to programs and projects that are reasonably related to or benefit the users of the toll facility";HB 2314 Tolls; provides for imposition and collection thereof for use of any component of Interstate system this is a position for which he has been attacked by Day in campaign literature as a contradiction of his self- portrayal as a fiscal conservative. Lingamfelter believes that tolls are a logical way to link road use with road financing. He defended his decision by saying, "We need to build some roads, okay?"Transportation Needs Intersect With Cultural Divide, The Washington Post.
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All the self-portraits by Benvenuto Cellini correspond to his literary self-portrayal in presenting him as a heroic personality. The heroic nature of artistic images is achieved with the help of a technique discovered by Michelangelo and known as «terribilità». This is created by frowning the brows and bearing a confident look in the eyes. Cellini's appearance has numerous characteristics, some of which can be considered as his distinctive features: • broad cheekbones • an underdeveloped and somewhat protruding mandible, with the lower lip over biting the upper lip • a large nose which is thin and straight at the bridge, but has a thickening and a small dimple on the tip • green-greyish eyes which appear to be set close to the bridge of the nose; • almond-shaped eyelids • rather thick eyebrows although in some self-portraits Cellini tried to make them less expressed • Cellini began to grow bald early, but the process slowed down with age; in spite of that, Benvenuto Cellini had lost his hair on the top of his head by the age of 50 • thin and strong hands • an athletic build and straight posture, which Cellini preserved throughout his life.
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