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24 Sentences With "self directing"

How to use self directing in a sentence? Find typical usage patterns (collocations)/phrases/context for "self directing" and check conjugation/comparative form for "self directing". Mastering all the usages of "self directing" from sentence examples published by news publications.

It's just self-guiding, self-directing teams of around 12, 13 nurses.
"My wife is very self-directing," said the Framing John DeLorean star.
And she's reinvented live concert movies, self-directing the Netflix documentary Homecoming about her landmark 2018 Coachella performance.
"My wife is very self-directing," the Framing John DeLorean star, 61, tells PEOPLE in this week's issue, available Friday.
At the time of the video's release, Cunningham described the process of self-directing and wearing the prosthetics as "horrible" and "pointless torture," to Pitchfork.
It's not like they're self-directing their work; all of their work comes at the behest of some designer and architect, largely based out of Manhattan.
Although the question of to what degree algorithms are tools (as opposed to active collaborators) is discussed at length by artist-coders, they are certainly not self-directing agents.
"Many of them were comfortable self-directing their investments while they were accumulating assets, but concluded that with the complexities of retirement it's time to get some professional help," he said.
But when Tyler, the Creator started self-directing his own videos and created a new, fun and color-saturated visual aesthetic, plenty of acts followed suit and began whacking their names on their work.
The school's philosophy held that the exercise of freedom would help students become responsible, self-directing people. Among the prominent Americans who sent their children to Windsor Mountain School in the 1960s were musicians Harry Belafonte, Thelonious Monk, and Randy Weston,Robin D. G. Kelley (2009), Thelonious Monk: The Life and Times of an American Original. Simon and Schuster. , .
These types of teams result in the highests potential for innovative work and motivation among its members. Team members determine the team's objectives and the means to achieve them. The management's only responsibility among self- directing teams is the creating the team's organizational context. Self- directed teams offer the most potential for innovation, enhance goal commitment and motivation, and provide opportunity for organizational learning and change.
The Princeton Nassoons are a ten to twenty-member all-male a cappella group at Princeton University. The group has been officially self-selecting (and self- directing) since 1941, although the original group is known to have sung together as early as 1939. The Nassoons are the oldest a cappella group at Princeton University.Before the arch, rivals compete for newcomers - The Daily Princetonian The Nassoons have performed at a number of prominent venues, including the White House,Musical Groups to be Featured at White House Holiday Events.
" Some complexes can usurp power from the ego and can cause psychological disturbances and symptoms resulting from the development of a neurosis. Jung described the autonomous, self-directing nature of complexes when he said > "what is not so well known, but far more important theoretically, is that > complexes can have us. The existence of complexes throws serious doubt on > the naive assumption of the unity of consciousness, which is equated with > 'psyche,' and on the supremacy of the will. Every constellation of a complex > postulates a disturbed state of consciousness.
The Insulation Barrier The insulation barrier is a psychic structure that supports and protects ego boundaries. A healthy insulation barrier allows a person to withstand toxic stimuli but to take in nutrient experiences. The individual with a healthy insulation barrier generally enjoys feelings of ease and wholeness within ego boundaries that are flexible and adaptive. The insulation barrier is a developmental concept that has roots in psychoanalytic theories of defense, and in humanistic psychology's respect for the self-directing capacities of human beings, as well as the developmental need for genuine I-Thou encounters.
While these alternative, autonomous institutions tend to exist in transience, their proponents argue that their ideas are consistent between incarnations and that temporary institutions prevents government forces from easily clamping down on their activities. A free, or autonomous, space is defined as a place independent from dominant institutions and ideologies, formed outside standard economic relations, and fostering self-directing freedom through self- reliance. These nonhierarchical rules encourage experimental approaches to organization, power-sharing, social interaction, personal development, and finance. Social centers can be squatted, rented, or owned cooperatively.
The Bahandi Singers [Official Name] (Sometimes commonly referred to as CPU Bahandi Singers, a short broadened term of Central Philippine University Bahandi Singers or Bahandi Singers) is a professional ten to thirty-member male and female Gospel, folk songs, classical oratories, contemporary music singing group. The group has been officially independently free-to-join (and self-directing) since 1978. The Bahandi are considered as one of the oldest professional singing group at Central Philippine University. The Bahandi Singers perform at a number of concerts, in various churches, invitational concerts and performances.
Following the failure of the co-operative offer of 1866, Lawson established an ‘Open Council’, later renamed the ‘Village Parliament’, so called because it evolved from the remnant of the previous council, thrown open to include all the members of the village. It had one primary objective, to convert the people into prosperous and intelligent self-directing people. The council held their daily meetings after dinner and restricted the duration to thirty minutes. However once they became popular the committee rescheduled them to a three- hour period on a Saturday afternoon, resulted in the workers receiving payment for debating.
The probes were believed to have been decommissioned when exploration was abandoned, but presumably the Goo on Ecosystem 9 somehow altered its own programming, becoming self-directing. After sacrificing himself to destroy what was believed to be the last Goo on the planet, the robotic human commander Singleton's consciousness merges with the Goo. It is revealed that the Goo are attempting not to consume life, but rather to protect it from "the growing shroud of Silence" that is expanding across the galaxy — the same unknown force that destroyed the Beta civilization. All previous hostile actions were merely attempts to expand in order to effectively defend the planet.
Programs such as the Heterogeneous Aerial Reconnaissance Team program developed by DARPA have automated much of the aerial surveillance process. They have developed systems consisting of large teams drone planes that pilot themselves, automatically decide who is "suspicious" and how to go about monitoring them, coordinate their activities with other drones nearby, and notify human operators if something suspicious is occurring. This greatly increases the amount of area that can be continuously monitored, while reducing the number of human operators required. Thus a swarm of automated, self-directing drones can automatically patrol a city and track suspicious individuals, reporting their activities back to a centralized monitoring station.
It was nominated for a National Book Award In 1973, he also crashed his Porsche on an icy Texas highway. The crash left him without serious injuries, but he was speechless for several days, and apparently underwent a reassessment of his career, as he changed his career focus to Hollywood's lucrative screenwriting opportunities. McGuane entered a stage in his career when he became known as “Captain Berserko” and wrote screenplays for Rancho Deluxe (1973), shot in Livingston; The Missouri Breaks (1976), directed by Arthur Penn and starring Jack Nicholson and Marlon Brando; and self-directing a film adaptation of 92 in the Shade (1975), starring Peter Fonda, Warren Oates, Margot Kidder and Harry Dean Stanton.
Since 1990 Christian De Sica has also been a director: he debuted with Faccione, whose script he wrote and tailor-made for actress Nadia Rinaldi. After Count Max, a homage to the cinema of his father and of Mario Camerini, that he interpreted with Ornella Muti, Anita Ekberg and his mother Maria Mercader, De Sica went on self-directing in Ricky & Barabba (1992), Men Men Men (1995), Tre (1996), Simpatici & antipatici (1998) and The Clan (2005). A great admirer of Frank Sinatra and above all of Marlon Brando, he named his first child Brando in honor of the American actor. Criticism has often likened his acting to that of Alberto Sordi, from whom De Sica has drawn a lot of his expressions.
Movements which use magic, such as Wicca, Thelema, Neopaganism, and occultism, often require their adherents to meditate as a preliminary to the magical work. This is because magic is often thought to require a particular state of mind in order to make contact with spirits, or because one has to visualize one's goal or otherwise keep intent focused for a long period during the ritual in order to see the desired outcome. Meditation practice in these religions usually revolves around visualization, absorbing energy from the universe or higher self, directing one's internal energy, and inducing various trance states. Meditation and magic practice often overlap in these religions as meditation is often seen as merely a stepping stone to supernatural power, and the meditation sessions may be peppered with various chants and spells.
So, really, me coming back to it, I knew it was an important piece of material to talk about, and we as actors are always looking for a challenge, so to me I was coming back to get the project made.” Every producer knows the challenge of pulling together funds for an independent feature film, let alone funding a film for a first-time director who is also self-directing in a starring role. Yet, Robinson secured Pettyfer’s directorial foothold on several grounds. Firstly, the financiers were willing to agree to the condition of reducing their risk and budget, which equated to a limited twenty-three day shooting schedule. Secondly, they stipulated that Pettyfer would be bolstered in his endeavor by a support network of Upturn and Infinity’s team of professionals, including producer Michael Ohoven and writer/producer Ashley Mansour.
276 In general though, Lawrence disliked any organised groupings, and in his essay Democracy written in the late twenties, he argued for a new kind of democracy in which, > ...each man shall be spontaneously himself – each man himself, each woman > herself, without any question of equality entering in at all; and that no > man shall try to determine the being of any other man, or of any other > woman.Lawrence, DH (1936) On Democracy, Essay in Phoenix: The Posthumous > Papers of D. H. Lawrence Lawrence held seemingly contradictory views on feminism. The evidence of his written works, particularly his earlier novels, indicates a commitment to representing women as strong, independent and complex; he produced major works in which young, self-directing female characters were central. In his youth he supported extending the vote to women, and once wrote, “All women in their natures are like giantesses.

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