He knows he will never see his parents or loved ones again, but he sees it through.
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While she does not have control over her lawsuit's timeline, Gililland can choose where she sees it through.
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If the Trump administration sees it through, lawmakers would have an opportunity to see the effects before taking any further legislative action.
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So the problem is Trump sees it -- it doesn&apost matter how many different ways his advisors talk to him about the issue, he sees it through the prison of him, himself and his election.
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"He's speaking from the perspective of a guy who's just off the field and sees it through a player's lens, which is a unique aspect," said Tim Naehring, the Yankees' vice president for baseball operations.
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Prime ministers tend to see foreign policy through the prism of domestic policy: David Cameron saw it through the prism of ridding the Tories of their image as a "nasty party"; Theresa May sees it through the prism of the Home Office and the problem of controlling migration.
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And she investigates neglected areas of his writing, among them the pacifist pamphlets he produced during the first world war; she is especially enthusiastic about lesser-known novels such as "Mr Britling Sees It Through" (1916), which pictures the impact of conflict on non-combatants, and the heftily philosophical "The World of William Clissold" (1926).
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Mr. Britling Sees It Through is H.G. Wells's "masterpiece of the wartime experience in England."David C. Smith, H.G. Wells: Desperately Mortal: A Biography (New Haven and London: Yale University Press, 1986), p. 222. The novel was published in September 1916. Mr. Britling Sees It Through tells the story of a renowned writer, Mr. Britling, a protagonist who is quite evidently an alter ego of the author.
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Peter Schwed was Wodehouse's editor at Simon & Schuster. Wodehouse had also dedicated the US editions of Bertie Wooster Sees It Through, Author! Author!, and The Purloined Paperweight to Schwed.
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Bulldog Sees it Through is a 1940 British, black-and-white, mystery war film directed by Harold Huth and starring Jack Buchanan, Greta Gynt, Googie Withers, Ronald Shiner as Pug and Sebastian Shaw.
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On the one hand, he is involved in "his eighth love affair"H.G. Wells, Mr. Britling Sees It Through (New York: Macmillan, 1916), p. 103; Book the First, Ch. IV, §3. with a Mrs.
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Harrowdean (though this affair does not survive the beginning of the war). At a deeper level, he feels himself "profoundly incompatible"H.G. Wells, Mr. Britling Sees It Through (New York: Macmillan, 1916), p. 103; Book the First, Ch. IV, §3.
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In the years leading up to the writing of The Outline of History Wells was increasingly preoccupied by history, as many works testify. (See, for example, The New Machiavelli, Marriage, An Englishman Looks at the World, The Wife of Sir Isaac Harman, Mr. Britling Sees It Through, etc.) During World War I, he tried to promote a world history to be sponsored by the League of Nations Union, of which he was a member. But no professional historian would commit to undertake it, and Wells, in a financially sound position thanks to the success of Mr. Britling Sees It Through and believing that his work would earn little, resolved to devote a year to the project. His wife Catherine (Jane) agreed to be his collaborator in typing, research, organisation, correspondence, and criticism.
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Huth directed his first film, Hell's Cargo (1939), for Associated British Picture Corporation. He followed it with Bulldog Sees It Through (1940) starring Jack Buchanan, and East of Piccadilly (1941). Huth also moved into producing with Busman's Honeymoon (1940), shot in Britain for MGM starring Robert Montgomery. He worked as producer on "Pimpernel" Smith (1941) for Leslie Howard and over at British Mercury he co-directed Breach of Promise (1942).
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She was in a Will Hay film Convict 99 (1938) and supported Jack Buchanan in The Gang's All Here (1939). Then she appeared in crime films Murder in Soho (1939) and Dead Men are Dangerous (1939). She supported George Formby in Trouble Brewing (1939) and Tommy Trinder in She Couldn't Say No (1939). She was in a Robert Montgomery film Busman's Honeymoon (1939) and was reunited with Buchanan in Bulldog Sees It Through (1940).
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Eventually, Saunders published three more romances featuring Marilyn Morgan as the main character- Nurse Morgan's Triumph (1970), Marilyn Morgan, Cruise Nurse (1971), and Nurse Morgan Sees It Through (1971). In the late 1980s, Saunders became a member of the New Rochelle, New York, School Board, eventually rising to the role of president. The New Rochelle Fund for Educational Excellence holds an annual Rubie Saunders Fall Literary Festival in her memory. Saunders died on December 20, 2001.
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The Saint Sees it Through is the title of a mystery novel by Leslie Charteris featuring his creation, Simon Templar, alias The Saint. The book was first published in 1946 in the United States by The Crime Club. Hodder and Stoughton published the first British edition in 1947. This was the final full-length novel featuring Templar to be solely written by Charteris, as the author chose to concentrate on short stories and novella-length Saint stories hereafter.
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The remaining criminal takes one of their unarmed mules as hostage, trying the trick they used last time. However Betti sees it through and closes in on them, refusing their demands for a getaway. The armed bandit gambles by releasing all other individuals in the bank to appear genuine, however, the "customer" taken hostage was a career criminal known to the police and Betti. The police close in on them, forcing the crooks to give up.
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Arliss wrote a crime film Too Dangerous to Live (1938) then did Come On George! (1939) with George Formby and The Second Mr. Bush (1940). With World War II he began writing propaganda films: Pastor Hall (1940) for Roy Boulting; For Freedom (1940) with Will Fyffe; Bulldog Sees It Through (1941) with Jack Buchanan; and South American George (1941) with Formby. He also wrote The Saint Meets the Tiger (made 1941 released 1943) with Hugh Sinclair.
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In addition to its UK and US publications, this story was also published under the title Double Jeopardy in Canada, in the 4 December 1954 issue of the Star Weekly, with illustrations by Alex Redmond.Cawthorne (2013), p. 129. The US edition includes a long dedication by Wodehouse to editor Peter Schwed. Under the title Bertie Wooster Sees It Through, the story was included in the Wodehouse collection Five Complete Novels, published by the American publisher Avenel Books in May 1983.
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The overall campaign was disastrous, so literature found its pride in the details of battles and military heroes. For example, the breakthrough of the Mannerheim Line was represented as a "legendary" performance by the Red Army. The boys' adventure story Biggles Sees It Through (1940) by W.E. Johns is set during the final stages of the war. Squadron Leader James Bigglesworth is allowed by the British government to go in a party of volunteers to "help the Finns in their struggle against Soviet aggression".
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In 1939, he played Horatio to Laurence Olivier's Hamlet at the Old Vic, in a production that included Alec Guinness and Michael Redgrave. Newton kept busy as a film actor, appearing in Poison Pen (1939) and Hell's Cargo (1939). Newton continued primarily as a supporting actor in films, appearing in Gaslight (1940), Busman's Honeymoon (1940), Bulldog Sees It Through (1940), Channel Incident (1940) and Major Barbara (1941), directed by Gabriel Pascal from the play by George Bernard Shaw. Newton got another chance as a star in Hatter's Castle (1942), opposite Deborah Kerr and James Mason.
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Buchanan's Hollywood films included Paris, The Show of Shows (1929), Monte Carlo (1930) and The Band Wagon (1953). His British films included Yes, Mr Brown (1933), Goodnight, Vienna (1932), That's a Good Girl (1933), Brewster's Millions (1935), Come Out of the Pantry (1935), When Knights Were Bold (1936), This'll Make You Whistle (1936), Smash and Grab (1937), The Sky's the Limit (1938), Break the News (1938), The Gang's All Here (1939), The Middle Watch (1940), Bulldog Sees It Through (1940), As Long as They're Happy (1955) and Josephine and Men (1955). He made one French film (bilingual), The Diary of Major Thompson (1955).
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There she edited International Cartoons of the War in 1916 and subsequently published her diary of the period under the title Paris Sees it Through. After the war, the couple remained in the city, where Pearl Adam met the writer Jean Rhys, allowing her to live in the Adams' flat, editing Rhys's first novel, Triple Sec, and introducing her to Ford Madox Ford. George Adam resigned from the Times in January 1921 but remained there working for American newspapers, while his wife wrote articles commissioned by the Evening Standard, the Observer and the Sunday Times, among others. They wrote together A Book about Paris (1927).
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Sylvestre (Daniel Ceccaldi), theater producer, sees his latest production threatened as the main actress unexpectedly departs from the project due to her pregnancy. To avoid calling off the production, he immediately seeks replacement and tries to convince the quick-tempered Hugo Martial (Richard Berry), only actor left, to work with Gigi Ortega (Josiane Balasko), an alcoholic and conceited woman, with whom he once formed a famed duo before their marriage fell apart. Léon (Daniel Prévost), director of the play, now has to rehearse day in and day out with two hateful and resentful actors, both settling accounts onstage, while Sylvester schemes a whole host of tricks to ensure the play sees it through.
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Biographers (including Wells himself) agree in regarding this foray into theology, which is also remarkable in the novel Mr. Britling Sees It Through (1916), as the result of the trauma of World War I. God the Invisible King "was so different from what Wells normally wrote that most people did not know how to handle it."David C. Smith, H. G. Wells: Desperately Mortal: A Biography (Yale University Press, 1986), p. 231. The book led to Wells having lunch with the Archbishop of Canterbury, and provoked a number of works controverting his statement of his beliefs. Wells later repudiated the God of God the Invisible King as "no God at all."H.
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Bible Society New Zealand publishes a wide variety of non-denominational Scriptures and resources for churches and Christians to use. This includes leaflets for children and adults that tell the Christmas and Easter story and share Bible answers to life's questions, New Testaments for outreach, gospels for Easter camps, full waterproof Bibles for New Zealand Defence Force personnel, Christian story books for school and many more. Sometimes Bible Society New Zealand initiates a publishing project and sees it through themselves, but more often they work with another organisation that has a particular need or audience, and partner to publish what they require for their outreach or ministry. The society also publishes Bibles for general reading, in English and a number of Pacific Island languages.
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Margit Saad (born 30 May 1929) is a German actress who has worked largely in German film and television but has also made occasional English language appearances. She was born in Munich, Bavaria, the daughter of a Lebanese linguist father and a German language teaching mother from Düsseldorf. She made her screen debut in Eva erbt das Paradies. In 1960 she starred in the British drama film The Criminal and followed it up with appearances in other British films and television programmes such as The Rebel (US Call Me Genius, 1961) with Tony Hancock, Playback (1962), an entry in the Edgar Wallace Mysteries series of second features, The Saint in The Saint Sees It Through (1964) and The Magnificent Two (1967) supporting Morecambe and Wise.
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The book consists of the following stories: #The King of The Beggars: Templar and Hoppy are recruited by a theatre actress to investigate the murder of a beggar and a criminal ring shaking down other needy people. #The Masked Angel: When a boxer dies in the ring under mysterious circumstances, the Saint, Hoppy and Pat Holm investigate in hopes of preventing the Masked Angel from claiming another victim. A minor character in this story later plays a major role in one of the short stories featured in the 1955 collection The Saint on the Spanish Main. The two stories do not narratively connect with the preceding novel, The Saint Sees it Through, beyond Templar still working in the United States, and a reference to his wartime activities.
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It is the obliviousness to Prussian militarism (through most of the novel, the First World War is blamed on this), and then the collective resolve of British society to confront it, that are the principal themes of Mr. Britling Sees It Through, but in the final pages the protagonist wins through to a larger, religious interpretation of the tragedy. Much of the first book is devoted to discussions of the character of English society, and much of the second and third to discussions of England's response to the challenge of the war. Mr. Britling is a critical but not radical observer of the national and international scene. He regards British life in general, for example, as an unplanned, organic development, and believes that the British Empire came into existence in a haphazard, unintentional manner.
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In the case of Saint Errant, each story focuses on a different female acquaintance of Templar's. This was the final book to feature Templar's longtime love interest and partner, Patricia Holm, a recurring character dating back to the first Saint novel, but who had only made a few story appearances over the preceding decade. Charteris decided that Templar should no longer be tied down to just one woman (although he had enjoyed romantic dalliances in several previous books, such as The Saint Sees it Through, suggesting his relationship with Holm was non-exclusive). Later continuation writers would not bring Holm back to the series (due primarily to most later books being adaptations of the 1960s TV series, in which she did not appear), although Charteris did attempt to get the novel The Saint's Lady (1979) published, and Holm appears in that work.
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Gynt had a minor role in It Happened in Paris (1935) and a larger one in Boys Will Be Girls (1937) and The Last Curtain (1938). She was in Second Best Bed (1938), a Tom Walls farce; The Last Barricade (1938); Sexton Blake and the Hooded Terror (1938) with Tod Slaughter; Too Dangerous to Live (1939); and She Couldn't Say No (1939). Gynt had the female lead in The Arsenal Stadium Mystery (1939); The Dark Eyes of London (1939) with Bela Lugosi; Bulldog Sees It Through (1940) and The Middle Watch (1940) with Jack Buchanan; Two for Danger (1940) with Barry K. Barnes; Room for Two (1940) with Vic Oliver; and Crook's Tour (1940) with Basil Radford and Naunton Wayne. She continued with leading roles in The Common Touch (1941); Tomorrow We Live (1943); It's That Man Again (1944) with Tommy Handley; and Mr. Emmanuel (1944) with Felix Aylmer.
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