His seascapes teem with light and energy and suspended motion.
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The most unsettling seascapes are those lacking a visible waterline.
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Seascapes, Flemish still lives: Many of these have diminished in value.
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Conversely, his seascapes comment on the limits of human capacity for comprehension.
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He was essentially a genre painter who depicted still-lifes, landscapes, and seascapes.
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J.M.W. Turner's seascapes and the way the artist used light particularly mesmerized him.
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Turner is best known for his seascapes, which grew more abstract with age.
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There they painted the shores, its seascapes and boats, and the curvy mountains nearby.
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The palette he uses for the sea at times evokes the seascapes of Winslow Homer.
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She painted seascapes, country landscapes and the occasional industrial scene — perfectly competent works, but ultimately quite conventional.
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Incorporating both watercolors and acrylics, the paintings depict land- and seascapes as dense amalgams of hallucinatory color.
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Romantic bonus: Aulay's hobby on the high seas is painting melancholy seascapes with no people in them.
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Sexier seascapes like coastal areas and coral reefs have stolen the Eastern Tropical Pacific's thunder — until now.
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In fact, Resika's recent seascapes in Geometry and the Sea prove Hofmann's painting theory right: relationships are everything.
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Many of the sweeping seascapes were filmed with drones, but the shoots in the surf presented their own problems.
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By the mid-1980s he had begun his transition to creating enormous seascapes, among them turbulent ocean-wave paintings.
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Here, her illustrations evoke American folk art, early Renaissance painting and traditional Japanese seascapes, but in a synthesis all her own.
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Each photograph in Ornitographies demonstrates unique movement and setting, ranging from highways to seascapes and from intense circles to simple lines.
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The country, which is worth visiting during any season, has unbelievable natural vistas, active volcanoes, and seascapes that will blow your mind.
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Cityscapes, landscapes, seascapes, interiors and exteriors combined, his subjects are familiar yet tweaked to bring out their strangeness, or heightened with chromatic intensity.
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That radiance, a preview of Turner's late, intensely atmospheric seascapes, is almost overpowering in the Frick's intimate Oval Room, where the show begins.
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Geometry and the Sea, exhibiting concurrently at Bookstein Projects and Steven Harvey Fine Art Projects, spotlights Resika's recent seascapes, many completed last year.
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The pair was most recently spotted attending the Edible Land and Seascapes dinner hosted by Black Cow Vodka in Malibu, California together on Wednesday.
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They are "important reservoirs of genetic information, and act as reference areas for efforts to re-wild degraded land and seascapes," the scientists wrote.
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What we are looking at is 100 dogs, 1,000 seascapes, formed pixel by pixel out of the human brain and an ever-growing database.
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The nearly unvarying format of the seascapes — 12-by-11-inch canvases in which two fields were broken by a horizon line — sounds monotonous.
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Hidden among the many seascapes created by noted coloring book author Johanna Basford are objects such as 10 crowns, eight goblets, and 34 anchors.
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The subject of the ship pushes us backward in history, in its pre-engine technology, as well as its evocation of 17th-century Dutch seascapes.
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Monochromatic pattern layers mimic the appearance of television static, yet the title invites viewers to look more closely, straining for visions of ships and seascapes.
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This year's exhibition takes place at the Turner Contemporary in Margate, the coastal town whose views inspired the seascapes of the prize's eponym, J.M.W. Turner.
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By altering climate, landscapes, and seascapes as well as flows of species, genes, energy, and materials, we are sealing the fates of myriad other species.
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The disappearance of human life barely registers in the idyllic seascapes and playgrounds of Northern Ireland, making the ghostly presence of death all the more threatening.
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Going through them, she would find "some incredible examples of landscapes, seascapes, and your typical narrative stories like Rockwell did that became so popular," she said.
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Picture the work of the cherished British painter Joseph Mallord William Turner (1775-1851), and turbulent seascapes and churning atmospheric effects most likely come to mind.
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He has made ink-on-paper views of a variety of landscapes and seascapes – often including the motif of a blank stretched canvas — that incorporated digital images.
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At Galerija Il Punto, the artists Gordana Kuzina and Edvard Kuzina Matei sell their handmade jewelry and paintings of local land and seascapes (including images of Groznjan).
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He is now a painter of seascapes, landscapes and people, and in May 2018, his artwork won first place at the Fallbrook Art Center in Fallbrook, Calif.
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Mr Gange considers a meditation on Bardsey Island, off the coast of Wales, by the poet Christine Evans, and the eerie seascapes of Peter Lanyon, a Cornish painter.
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Museums & Galleries Picture the work of the cherished British painter Joseph Mallord William Turner (1775-1851), and turbulent seascapes and churning atmospheric effects most likely come to mind.
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But toward the end of the exhibition, I saw some books lying in glass cases, their pages open to watercolors of buildings, seascapes and women in ecstatic poses.
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The piece acts as an aural map of the Mediterranean, creating a meditative atmosphere and encouraging visitors to recognize the ecological peril of Venice and its surrounding land/seascapes.
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The manner in which his land- and seascapes appear out of whack reflect a sophisticated acceptance that nature has never been natural in the ways we like to imagine.
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During the crossings, I kept journals and filled them with observations and musings that inspired the poetic prose that now accompanies the images; an inscape partnered with the seascapes.
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With his soft, hypnotic voice, he'd bring his viewers in close as he created 30-minute masterpieces — distant mountain ranges, seascapes, forest scenes, always with those happy little trees.
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A different take on consumption and disposability was on view in the studio of Elena Soterakis at the NARS Foundation, where meticulously collaged seascapes highlighted shorelines full of cheerful waste.
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Related: These Paintings Take a Fairytale Turn to a Forest Far, Far Away Modern Meditation Meets Pop Art in Paintings Classic Paintings Show How to Turn Seascapes into Scientific Models
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In August 1928 he returned to Cornwall with the Nicholsons, and became enchanted with seascapes and small fishing communities, themes that were substantially to occupy him till his untimely death.
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Unusual in its time for its large size and horizontal format, it depicts the queen, bejeweled and regal in front of two seascapes, her right hand resting on a globe.
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For instance, viewers unaccustomed to seeing black figures in seascapes might identify them as 21st-century migrants fleeing Africa, 19th-century slave-ship escapees or modern-day bathers and fishermen.
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Laure Katz, director of the Seascapes Program for Conservation International, tells Mashable that by training community members, the Bird's Head Seascape Initiative has reduced illegal fishing by poachers by 90%.
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But in the trailer — which shows all the the teary hugs, and cloudy seascapes the franchise has to offer — and the teaser released earlier this week, Miguel doesn't sound like Miguel.
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DAKAR (Reuters) - Tired of seeing Senegal's seascapes spoiled by ever-growing mounds of cheap plastic bags, authorities plan to crack down on polluters by imposing fines and further restricting plastic use.
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The best of five examples of J. M. W. Turner's late, possibly unfinished seascapes can cause a kind of brain freeze as they hover between obdurate and infinite, realistic and abstract.
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I wanted to convey a sense of journey through the ever-changing seascapes, views of the ports, and the different aspects of life on deck in the cool East China Sea air.
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The tiled floors reveal a convincing driftwood motif; the seating is padded in beachy blue and white stripes; and the walls are adorned with gorgeous black and white photographs of vintage seascapes.
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A more recent pointillist series, An Epic of Distance and Time, which encompasses more than 60 pieces, dispenses with most figuration, in favor of endless seascapes, waves piling upon fine-particle waves.
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Located in Exuma, Bahamas, the island boasts seven beaches, a main house and several smaller cottages, and "compelling views over one of the best seascapes in the world," according to the realtor listing.
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Thus, we skip over Tom's first step upon the fateful isle, and, as for the seascapes, the camera glances at the graceful wash of the waves and moves on, not daring to linger.
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In fact, Paglen's underwater seascapes attest to NSA tapping only when you read their titles, but the point is clear: governmental surveillance is not abstract, it is manifested at the level of physical cabling.
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On Wednesday, Sotheby's included his 103 painting "Eisberg," one of three large-scale Greenland seascapes that the German artist painted after the end of his first marriage, estimated at £8 million to £12 million.
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The real estate listing for the island is nonetheless exuberant about the perks of living in the Bahamas, saying the island's location "guarantees some compelling views over one of the best seascapes in the world!"
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Meanwhile, artists trying to make a living face tremendous pressure to conform to touristic expectations and often end up sacrificing their vision to produce uninspired tropical seascapes or "designed by committee" public commissions for the state.
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They are rich and intensely colorful works, some light-filled seascapes, others brooding forest interiors and portraits — there is no other word for them — of trees, whether of a towering red cedar or a fledgling pine.
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A sunset over the water from 2008 is one of several seascapes that, though never dipping into sentiment, feel immaterial and lackluster, and badly need the ballast that houses and cabins provide to her best pictures.
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His bedroom window offers views of the Hudson River, which inspired many of his early seascapes; the strong sunlight that greeted him in the morning also influenced how he rendered light in many of his artworks.
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The state's art community is a diverse scene, including Native Hawaiian (indigenous) art, the tropical land and seascapes usually marketed toward tourists, surf art, as well as conceptual and contemporary art shown in local museums and galleries.
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Advertise on Hyperallergic with Nectar Ads In Xaviera Simmon's CODED exhibition, now on view at The Kitchen, there are a lot of intersections between the human, sexualized (and colored) body, and wide, visually monotonous land- and seascapes.
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Her last major body of work consists mostly of seascapes and river scenes, with no figures but with quotations from female writers woven into the natural panorama and images of disembodied hands pouring ashes into flowing water.
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Advertise on Hyperallergic with Nectar Ads Art history is full of seascapes depicting the ocean as either a thoroughly charted territory over which nations fight and do trade, or an unknowable force that is forever beyond human control.
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As Ian Wardropper, director of the Frick Collection in Manhattan, remarked at the preview for the new exhibition Turner's Modern and Ancient Ports: Passages through Time, J.M.W. Turner created his 1820s seascapes at a moment of shifting borders.
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How quickly a visual style becomes a gimmick in our age of memes: think of Caspar David Friedrich's seascapes or Georgia O'Keeffe's flowers or even Marcel Duchamp's urinals reduced to the digital equivalent of a gift shop postcard.
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Her "Three Seascapes" (1962) begins with dance set against the romantically intense third movement of Rachmaninov's Second Piano Concerto, then carries on against the abrasive "Poem for Tables, Chairs, Benches" by the still avant-garde composer La Monte Young.
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Its collection includes many objects recovered from the wrecks — including canons, lifeboats, and even the figurehead from the prow of one of the ships — as well as artworks with nautical themes like seascapes and still lifes with fish and seafood.
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Here, Mr. Feldmann has brought together several genres of painting — seascapes, portraits and female nudes — either bought at auction or, in the case of an Ingres bather, newly commissioned as a copy, and suspended the canvases by wires from the ceiling.
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Focusing almost exclusively on works made in Maine — early and late land- and seascapes and some figure paintings, with few works from the intervening decades — the show offers a mainline dose of Hartley's characteristic landscape motifs — most importantly, mountains — and approach to composition.
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A new plastic 10-pound note featuring the author of "Pride and Prejudice", Jane Austen, will appear in 2017 and 19th century artist J.M.W. Turner, most famous for his seascapes, is due to feature on a plastic 20-pound note from 2020.
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The portrait, unusual in its time for its large size and horizontal format, shows the bejeweled queen, regal and poised, in front of two seascapes; one of the English fleet preparing for battle, the other of the defeated and wrecked Spanish Armada.
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Her portraits of the ultradedicated scientists, seamen and pilots she finds herself among are sharp and revealing, and her ability to render her own emotional state — the threat of crippling isolation and anxiety — is matched only by her vivid land- and seascapes.
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Highlights include David Witzing's "To the Inland Ocean," a two-part nature film that combines still shots in color, with pixelated black-and-white footage of sublime seascapes, and Eli Elliott's "Orpheus 5," a combination of found footage and Paul McCarthy-style abjection.
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At one point he abruptly switched to painting seascapes and colorful landscapes, before eventually returning in earnest to his shadowy figures, knowing they were his most valuable currency for survival, even as barter for a meal when he was at his most downtrodden.
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By working with many metaphorical layers, artist Paul Anthony Smith turns simple photos into chill-wave diamond patterns on fever-dream seascapes, faces that look like African cowrie shell masks, and chain-link fences, cinderblocks, and door-bead curtains made from multicolored plastic gemstones.
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Many of these are sited in the wilderness, integrated with nature as "adult treehouses," or, like Bureau A's cabin in a field in Switzerland, hidden inside a rock; others stand as bizarre, often minimal houses that contrast starkly with their surrounding forests or seascapes.
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Where Cézanne composes his women and the landscape alike, often with short strokes of color, and where Degas arranges his three women in ungainly poses, with (in one case) the legs cut off by the left edge, Renoir sets his models in filmy land- and seascapes.
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But for the next four decades she was prolific, using a palette knife to etch dozens and dozens of scintillating, layered, small-scale seascapes of Provincetown Harbor as seen from the home and studio she designed for herself and her husband, Nanno de Groot, in 212.
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Placed in elaborate metaphorical forests, seascapes, gardens, transformative celestial planes and ecstatic alternative universes, the characters can be found in various convoluted configurations, biting, gasping, whacking, smacking, glugging, grabbing, grinding, gripping, grunting, scratching, swallowing, squeaking, sucking, stroking, lathering, panting, prodding, moaning, thrusting, tugging, rubbing and rattling.
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Gean's measure: Gaviotas and Seascapes alongside two new Spanish varieties, a one-acre patch of even more delicate French berries called Mara des Bois, tomatoes, green beans and products made from anything that comes back from the market unsold, including tomato salsa, fruit jam and pickled beans.
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One of only two seascapes the artist created while in the Netherlands, it captures the fishing village he visited often in a stormy scene flourished with gray clouds, rippling waves, and the red flag of a sailboat caught in what is clearly a strong gust of wind.
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Both aspects of Zhou's artistic background — he studied painting in Shanghai before moving to New York to pursue fashion photography at the School of Visual Arts in 2013 — are evident in his photo pairs, which juxtapose dreamy, moody images of young men against perfectly composed trees, seascapes and roadsides.
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He pared down and simplified his portraits, landscapes, seascapes, and figure studies to their most fundamental elements, rendering them in blunt, bold, and flat colors with sparse detail, transforming his circle of family and friends, his wife (and muse), seaside bathers, and everyday scenes in middle-class America.
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Sugimoto built his name on photography; his meditative, black-and-white images of everything from drive-in movie theaters and eerily naturalistic wax figures to Rothko-esque seascapes are well represented in museum collections, including the Metropolitan Museum of Art, Centre Pompidou, Tate Modern and the J.Paul Getty Museum.
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Hallucinations afflict lookouts because, as Ishmael explains in Moby-Dick, they're up at odd hours and alone, parsing the "blending cadence of waves with thoughts" for danger, whales, or other vessels; the brain and eyes are inclined to make meaning and mirages of undifferentiated land- and seascapes where none exist.
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The results, on display at Trino through August 12, do not closely resemble the attempted realism of Ross's finished works, but perhaps this reflects Crissman and Poe's interest in alla prima as a conceptual framework, more than a strict technical guideline — not to mention their habit of attempting these seascapes atop pre-existing, discarded paintings.
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But his seascapes are more than just poetic meditations on life; they are utterly transportive of both time and place, as well as technical masterpieces — in some, the ocean is the darkest black, flecked with the white caps of waves; in others, the sea glints just in front of your eyes, the foggy sky offering untold depths.
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The works are of inestimable value because they have never been to market: "View of the Sea at Scheveningen" (229) is one of only two seascapes van Gogh painted during his years in the Netherlands, and "Congregation Leaving the Reformed Church in Nuenen" (22016-220), showing the church where the artist's father was a pastor, was a gift to the artist's mother.
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Those two paintings — the all-alizarin "Red Shift" (1990) and the grisaille "Barometer" (1992) — to my eye, tip the balance too much in the direction of representation (in their case, bottom-heavy Turner-esque seascapes), so that the "abstract projection" that characterizes Frankenthaler's work at its best is diminished, losing a good deal of its metaphorical ambiguity and modernist bite.
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The show, which runs through March 24, is a montage of seascapes and landscapes, portraits of elegant people, working people, sunsets and beaches and swamps, logging and road building, alligators, Native Americans, chain gangs and scenes from Eatonville, a once and always small town near Orlando in the middle of the state, one of the first black communities to coalesce in America after emancipation.
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The blur is as close as Mr. Richter has ever come to a stylistic signature, and it recurs here in seascapes, landscapes, and street scenes; portraits of his daughter Betty, her head resting on a table like meat on the butcher block, or his ex-wife, the artist Isa Genzken, nude and from behind; and smaller canvases of Sabine Moritz, his current wife, nursing their newborn in the manner of a Madonna and Child.
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Instead she paints the beaches and barns, beach shacks and seascapes, houses and empty roads, foliage and sky of coastal New England, although she occasionally ventures further inland (there is a great painting of a very lonely looking Merritt Parkway in this show, and a stunning painting of red barns in the snow in Easton, Connecticut.) This is a region and landscape that Gallace (who grew up in southern Connecticut) knows well.
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He is known for seascapes and maps of Schouwen and Duiveland.
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He also made wood-engravings, and is known for his seascapes.
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Alberto Malaspina (1853 - 1903) was an Italian painter, depicting landscapes and seascapes.
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His research centres on cultural heritage, Indigenous history, political history, archaeology and seascapes.
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Jan Claesz Rietschoof (1651–1719) was a Dutch Golden Age painter of seascapes.
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Winslow Homer excelled in painting landscape paintings that depicted seascapes and mountain scenery.
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Alfred Gomersal Vickers (1810–1837) was an English painter of seascapes and landscapes.
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Itala Pellegrino (born 1865) was an Italian painter; she mainly painted genre and seascapes.
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Laurent's son, John, was a prominent painter in Maine, known for his landscapes and seascapes.
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Marguerite Verboeckhoven (July 14, 1865 – August 8, 1949) was a Belgian painter known for her seascapes.
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Arthur Quartley (May 24, 1839 – May 19, 1886) was an American painter known for his marine seascapes.
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Friedrich Nerly or Federico Nehrlich (October 26, 1842 – 1919) was a german painter who specialized in seascapes.
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Vasileios Hatzis or Vassileios Chatzis (, 1870 – 1915) was a Greek painter who was best known for his seascapes.
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Cesare Balbi di Robecco (1854–1939)Franzoniana catalog entry. was an Italian painter, mainly of landscapes and seascapes.
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Reefs in Holland Francesco Gamba (December 21, 1818 - May 10, 1887) was an Italian painter, mainly of seascapes.
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Gaston Sébire (August 18, 1920 - 2001) was a French painterBell, Quentin. of seascapes, landscapes, still lifes and flowers.
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Grand Canal (1840) Ippolito Caffi (1809–1866) was an Italian painter of architectural subjects and seascapes or urban vedute.
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His subject matter included still lives, populated scenes of Liverpool dance halls, and seascapes of his St Ives period.
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However at this date seascapes showing a large portion of sea and with no vessels at all were very rare.
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Forshaw Day's body of work includes oils on canvas, watercolours and etchings. His preferred subjects were landscapes and marine seascapes.
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Her seascapes and urban scenes are focalised through the influences of Paul Klee and Edward Hopper and they're really quite something.
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Frank Harmon Myers (1899 - 1956) was an Impressionist painter. His work includes a variety of topics but is best known for his seascapes.
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Bull painted landscapes and seascapes, often at her holiday homes in Anglesea and Bright. She was a nature lover and promoted forest conservation.
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Although better known for his still lifes and genre scenes, Mahu produced a number of seascapes that show his originality. The seascapes usually depict ships on a wild sea occasionally with a harbour scene or ships in distress. His palette uses a mixture of greens and browns.Rupert Preston, The seventeenth century marine painters of the Netherlands, F. Lewis, 1974, p. 26.
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Naval battle Hendrik Frans Schaefels worked in many genres including history paintings, seascapes, genre paintings, landscapes with figures and cityscapes. His early work, which was influenced by Jan Michiel Ruyten, consisted mainly of cityscapes of Antwerp and genre scenes. He is now principally known for his seascapes often representing historical events such as sea battles and for his cityscapes of Antwerp.
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The artist André Hambourg (5 May 1909 - 4 December 1999) was a French painter of romantic compositions of Venice, luminous seascapes, and beach scenes.
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He painted diverse subject matter, including portraits, genre, and sacred subjects, as well as landscapes and seascapes of the Southern Italian and Sicilian coasts.
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Pierre Petit (1880s?) Edmond Marie Petitjean (5 July 1844, Neufchâteau - 7 August 1925, Paris) was a self-taught French painter; known for landscapes and seascapes.
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Alexander Karlovich Beggrov (Alexander Beggrow, , ) was a Russian landscape and marine art painter of Baltic German origin, notable for his seascapes and Saint Petersburg cityscapes.
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The artist Joan Eardley lived in the village in the 1950s up until her death in 1963. Many of her wild seascapes were painted here.
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Hopper's seascapes fall into three main groups: pure landscapes of rocks, sea, and beach grass; lighthouses and farmhouses; and sailboats. Sometimes he combined these elements. Most of these paintings depict strong light and fair weather; he showed little interest in snow or rain scenes, or in seasonal color changes. He painted the majority of the pure seascapes in the period between 1916 and 1919 on Monhegan Island.
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Ronald Ossory Dunlop (28 June 1894 – 18 May 1973) was an Irish author and painter in oil of landscapes, seascapes, figure studies, portraits and still life.
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Josep Costa Sobrepera. Josep Costa Sobrepera (Palafrugell) is a painter of figurative art in Palafrugell (Catalonia, Spain), which highlights his watercolors and oil paintings of seascapes.
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He focused on painting nature. Among his most frequent subjects were trees that took on an anthropromorphic character. He painted all manner of landscapes and seascapes.
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The Lyon work. The Wave or The Waves is the title given to several seascapes painted between 1869 and 1870 by the French painter Gustave Courbet.
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He was painting prolifically during this period, and exhibited seascapes and drawings of Wales at the St George's gallery. He also joined the Society of Wood Engravers.
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She painted seascapes there and died in 2008 while looking at the sea. In August 2017 hundreds of people suffered ill-effects after a chemical poisoning incident.
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His landscapes and especially seascapes were celebrated for their romantic qualities. Upon his return to France, a series of marine paintings were commissioned from him around 1753 by the French king Louis XV. This was to depict a series of seaports, of which 15 paintings were executed. The project lasted for about 10 years, and until 1765 he traveled around France painting seascapes, eventually abandoning the project unfinished.
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Thomas Hudson A Danish Timber Bark Getting Under Way (1736) Samuel Scott (1702 – 12 October 1772) was a British landscape painter known for his riverside scenes and seascapes.
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Michele Cortegiani (Palermo, February 8, 1857 - Tunisia, 1928) was an Italian painter, mainly of seascapes of his native Sicily and later Tunisia, and of female portraits and genre subjects.
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Many of his seascapes featured locations around the English Channel. These and his other paintings are still popular and are sold at auction rooms around the UK and elsewhere.
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Margaret Grace Beale (30 June 1886 – 17 January 1969) was a British artist, notable as a painter of seascapes and marine craft, who worked in both oils and watercolours.
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Honoré Savy used classic themes of decoration: flowers, landscapes, seascapes and fish. He was the inventor of a green color, drawn from copper, used on pieces of monochrome green.
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He painted portraits, landscapes, seascapes, cityscapes, genre compositions. Alexander Tatarenko worked as easel and monumental painter, restorer, Art teacher. His solo exhibitions were in Leningrad (1962, 1981), Odessa (1963, 1982).
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A flute and other vessels off the Dutch coast Pieter de Zeelander (nickname Kaper) (c. 1620 in Haarlem – after 1650 in Rome) was a Dutch painter who specialized in seascapes.
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Rowland Fisher (1885–1969) was a painter, mainly known for his seascapes. Born in Gorleston, where he lived his whole life, Rowland Fisher was the son of a master mariner. He too originally wanted to go to sea, but was instead apprenticed to a timber yard where he worked for fifty years whilst painting in his spare time. His lifelong love of ships, shown in many of his seascapes, meant that he became an expert ship modeler.
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Maslarova's response was to move towards seascapes and flowers paintings. The seascapes often included the local fishermen with their boats and nets, an officially 'appropriate' subject, but within a landscape that tended towards a minimal abstraction. Besides receiving official approval these were also popular among the cultural community, bringing her the respect both of the public and her peers. In 1966 she was awarded the Order of Cyril and Methodius for her services to the arts.
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Alfred Coleman (1890—1952) was an artist in Victoria, Australia, Australia. He was active in the 1920s and painted in the impressionist style. He is best known for his landscapes and seascapes.
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Alfred Verwee (date and photographer unknown) Alfred Jacques Verwee (23 April 1838, Sint-Joost-ten-Node – 15 September 1895, Schaarbeek) was a Belgian painter known for his depictions of animals, landscapes and seascapes.
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Still Life with Game Birds Cornelis Mahu (1613 – 16 November 1689) was a Flemish painter of still lifes, genre paintings and seascapes who showed a very high level of craftsmanship in his compositions.
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Nerine Desmond (1908-1993) was a South African artist known particularly for her watercolour and oil paintings, especially landscapes, seascapes, Basuto horsemen, and pastoral scenes showing cattle herders and shepherds with their animals.
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A naval battle on choppy waters, 1652 Catharina Peeters (1615–1676) was the sister of Bonaventuur Peeters, Jan Peeters I, and Gillis Peeters. They were all Flemish Baroque painters noted for painting seascapes.
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Calvert Richard Jones, Lady Brewster, Mrs. Jones, Sir David Brewster and Miss Parnell (seated). Calvert Richard Jones (4 December 1804 - 7 November 1877), was a Welsh mathematician and painter, best known for his seascapes.
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Cynthia Knott (born March 20, 1952, Newark, New Jersey, United States) is a painter known for her horiztonally-oriented seascapes which recall the "multiforms" of Mark Rothko and the later work of J.M.W. Turner.
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It remains a tourist attraction. From there he continued to paint figurative canvasses - seascapes, landscapes, vignettes of Jamaican life and, from the 1970s, individual character sketches. He died on 28 December 2005, aged 76.
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Frequently depicting a lone figure in a dreamlike space, Spilliaert's paintings convey a sense of melancholy and silence. His later work shows a concentration on seascapes. He died on 23 November 1946 in Brussels.
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Mahu was a versatile painted who practiced in various genres including still lifes, genre scenes and seascapes. He was not always an original painter but showed a very high level of craftsmanship in his compositions.
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Father and Son. Black and white reproduction from 1921 exhibition catalog. Bror Julius Olsson Nordfeldt (April 13, 1878 – April 21, 1955) was an American artist who painted seascapes and depictions of New Mexico's indigenous culture.
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Robert Salmon (1775 - ) was a maritime artist, active in both England and America. Salmon completed nearly 1,000 paintings, all save one of maritime scenes or seascapes. He is widely considered the Father of American Luminism.
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Aguilar-Agon's style is romantic impressionist. He describes being influenced initially by the Catalan Impressionist and European Surrealist movements, and subsequently by Parisian and German Bohemian societies. He specialises in landscapes, seascapes and still life.
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After 1908, Medović gave up his Zagreb studio entirely and remained on the Pelješac peninsula, living alone and painting. His subjects were taken from the nature around him, still lifes of fruit and fish, seascapes, and landscapes, filled with colour, light and soft shadows. His seascapes are studies of light playing on the open sea, breaking waves or a moonlit night. After a few years Medović grew tired of the isolation from other artists, and for a short time worked in Vienna (1912–1914).
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He adopted the Impressionist practice of painting out of doors, and his use of colour and bold brushwork resemble qualities found in paintings by Constable and Turner, both artists whom he admired. McTaggart was skilled in the use of both oil and watercolour and, in addition to Kintyre seascapes, he also painted landscapes and seascapes in Midlothian and East Lothian. Many of his later works depict the Moorfoot Hills which could be seen from his house near Lasswade, which he moved to in 1889.
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Louis Artan (1870s) Louis Victor Antonio Artan de Saint-Martin (20 April 1837, The Hague – 23 May 1890, Nieuwpoort)Profile @ the Rijksbureau voor Kunsthistorische Documentatie. was a Dutch-Belgian painter and etcher who specialized in seascapes.
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Rosemary "Ray" Howard-Jones (30 May 1903 – 25 June 1996) was a prolific English painter best known for her impressionistic seascapes and paintings of the coastline of Wales, particularly of the areas around Skomer and Marloes.
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He promoted landscape painting, mainly seascapes, using light, colour, and soft strokes in an impressionist style. He was the founder of modern Croatian graphic art, and played an important role in teaching several generations of Croatian painters.
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Despite this she was named as the 'Artist of the Year' in 1999 and elected a freeman of the city of her native Bourgas in 2000. Her best work remained her seascapes, with their tender palette of muted blues, violets and purples. Despite their simple composition they were, in fact, heavily worked going through many variations before arriving at their finished state. Surprisingly for someone trained in a classical discipline, her later portraits do little to enhance her reputation, which must depend upon her seascapes and some of her later flower paintings.
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Ignazio Oliva (17th century) was an Italian painter of the Baroque period, active near his natal city of Orta di Atella. He was a pupil of Domenico Gargiulo. He is known for painting outdoor vedute: seascapes and landscapes.
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At these exhibitions the artists show work that explores innovative materials, techniques and perspectives. Members have experimented with modern water-soluble media such as acrylics and gouache. Subjects range from fluid seascapes to geometric depictions of industrial objects.
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Johan Hendrik Louis Meijer (9 March 1809 – 31 March 1866) was a Dutch painter, etcher, lithographer, and draftsman."Louis Meijer", RKD, 2014. Retrieved 18 December 2014. He painted in the Romantic tradition and is best known for his seascapes.
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Palmer C. Hayden (January 15, 1890 - February 18, 1973) was an American painter who depicted African-American life, landscapes, seascapes, and African influences. He sketched, painted in both oils and watercolors, and was a prolific artist of his era.
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Silvio Allason (1845–1912) was an Italian painter, mainly of landscapes, seascapes, and moonlit nocturnes. He was a resident in Turin. He first trained with his elder cousin, Ernesto Allason.Pittura e scultura in Piemonte 1842-1891: Catalogo cronografico illustrato.
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Born in Milan, she was a resident of Naples. She studied painting with professor Domenico Battaglia. At the 1881 Exposition of Turin, and to that of Milan, she sent seascapes. In 1888 at Naples she exhibited Marina di Portici.
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George Cherepov (1909–87) was a painter of Russian origin known for his use of color in a wide variety of subjects, including landscapes, seascapes, and still lifes. He is known especially for his oil paintings of New England's autumn colors.
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Lago di Como o Paesaggio Lacustre, 1890 ca. (Art collections of Fondazione Cariplo) Silvio Poma (1840 in Trescore Balneario, Bergamo – 1932 in Turate, Como) was an Italian painter, who mainly painting land and lake-side seascapes of the Lombardy lake district.
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George Dinckel (1890–1976) was an American artist known for impressionist paintings of New England seascapes, landscapes and harbors. Most are oils, tempera, water paints, and gouache. He produced a large body of work during the 1930s through the 1970s.
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Three broad, interrelated themes provide centers of gravity for the Gund Institute's research, training, and outreach activities: Nature's Benefits, Ecological Economies, and Healthy Landscapes and Seascapes. Among their research projects are the Vermont Genuine Progress Indicator (GPI) and Natural Capital Project.
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He painted portraits, genre and historical compositions, seascapes, landscapes, sketches from the life. In 1957 he was admitted to the Leningrad Union of Artists.Directory of members of the Leningrad branch of Union of Artists of Russian Federation. - Leningrad: Khudozhnik RSFSR, 1980.
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The scenery of the district is a combination of seascapes with rugged and mountainous country inland. Appin forms part of the Lynn of Lorn National Scenic Area, one of 40 in Scotland."National Scenic Areas" . SNH. Retrieved 30 Mar 2011.
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Arturo Pagliai (1852–1896) was an Italian painter, often painting seascapes, and vedute of port scenes. Later in life, he began to paint studies of women. He was a resident mainly of Livorno. He exhibited frequently at the Promotrice of Florence.
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Nikolay Gritsenko (date unknown) Admiral Kornilov at the Saint-Nazaire shipyard Nikolay Nikolayevich Gritsenko (Russian:Николай Николаевич Гриценко; 8 May 1856, Novokuznetsk - 8 December 1900, Menton, France)Listing @ Art Investment.ru was a Russian painter who specialized in maritime art and seascapes.
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Juan Martínez Abades (7 March 1862 - 19 January 1920) was a Spanish painter in the Naturalist style, who specialized in seascapes and other maritime scenes from the Cornisa Cantábrica. He was also a talented song writer and semi- professional singer.
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In 2014 she described several new species including Acropora macrocalyx. Wallace is a member of the board of OceanNEnvironment. When the Ocean Geographic Society ran a photographic competition in 2014. the award for seascapes was called the Carden Wallace award.
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John William Twycross (1871–1936) was an Australian Pictorialist photographer . His main body of work was produced between 1918 and 1932. The photographs documented rural scenes, seascapes, working life, and architecture around Port Phillip Bay, and Melbourne. John William Twycross, Pictorialist Photographer.
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In 1990, Summerton got a studio flat at St Clair Esplanade, in Dunedin, where he did some of his early experiments with oils, working mainly with seascapes. The following year, he would have his first solo exhibition, at O'Brooks Gallery, in Dunedin.
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His plaintings included landscapes, genre scenes, seascapes, still lifes, works in oil and tempera paintings. In the 1950s, Bazhenov made some long trips around the country to gather materials for paintings, including East and West Siberia, Altai Province and the Ural Region.
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This road also acts as the eastern boundary, with Erskine on the opposite side of the road. Peelwood Parade and McLarty Road form a general north-south arterial through Halls Head, with other major roads including Leighton Road, Casuarina Drive and Seascapes Boulevard.
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Dwight William Tryon (August 13, 1849 - July 1, 1925) was an American landscape painter in the late 19th and early 20th centuries. His work was influenced by James McNeill Whistler, and he is best known for his landscapes and seascapes painted in a tonalist style.
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Self-Portrait (1890s),at the Museo Fattoriano of Livorno Guglielmo Micheli (October 12, 1866 – September 7, 1926) was an Italian painter. Micheli's work consisted mainly of landscapes and seascapes using oils and watercolors.Treccani Encyclopedia Dizionario Biografico degli Italiani - Volume 74 (2010); biography by Laura Mocci.
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He was a resident of Pisa. He painted landscapes of the countryside around Rome and seascapes and vedute of Venice. At Turin, in 1884, he exhibited two paintings: In laguna a Venezia and A Canal at Venice.Catalogue of 1884 Exhibition at Turin , page 48.
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Fisherfolk at the water's edge on a still day, 1884” William Raymond Dommersen, also Dommersheusen and Dommersheuzen, (London, Stratford West Ham, 1859 – London, 1927) was an English painter of Land- and Seascapes, Villages and Towns. He signed his work as W or WR Dommersen.
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Carlo Curci (Trentola-Ducenta, August 30, 1846 - Trani, after 1916) Exhibition of Artisti dell'agro aversano tra Ottocento e primo Novecento (1790-1922) , Biographies by Franco Pezzella. was an Italian painter, mainly of seascapes. He also was active in painting portraits in a Renaissance style.
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Roland Vivian Pitchforth RA ARWS (25 April 1895 – 6 August 1982) was an English painter, teacher and an official British war artist during the Second World War. He excelled at watercolours and in later years concentrated on landscapes, seascapes and paintings of atmospheric effects.
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Alba de AmericaAntonio Brugada (1804 – 1863) was a Spanish painter. Brugada is best known for his dramatic seascapes. Brugada was a friend of Francisco Goya, and was instrumental in cataloging, and identifying some of the mythological figures in Goya's c. 1823 "Black paintings" series.
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Throughout her career she made portraits, landscapes and seascapes, figure studies, genre paintings, and still lifes. In 1941 a critic said it was the portraits that had made her famous. In 1938 the New York Times critic, Howard Devree, said that Osk's prints were outstanding.
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V.O.C. yacht approaching the East Indiaman de Vrindschap, by Jan Verbruggen (1766) Verbruggen, a student of the artist Jan van Call the Younger, was also a painter of seascapes and coastal scenery, such as pictures of yachts and East Indiamen at or near Enkhuizen.
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Biography @ the Cascadia Art Museum. They both specialized in seascapes. In 1898, they had a joint exhibition at the Société des Artistes Français in Paris. By now, the critics had come to consider Thamine as the better artist and Fokko worked mostly as her assistant.
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Pascal van der Graaf (born 19 March 1979, Dordrecht) is a Dutch artist who lives and works in Taiwan. He is best known for his landscapes, seascapes and still-life paintings painted in a virility of techniques. His work has been exhibited nationally and internationally.
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Mary Corinne Quintrell lived in a large home on fashionable Euclid Avenue in Cleveland, as a "bachelor woman" who enjoyed painting seascapes Mary Sayre Haverstock, et al., eds. Artists in Ohio, 1787-1900: A Biographical Dictionary (Kent State University Press 2000): 701. and doing needlework.
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General Luna is located east of Dapa and about from Surigao City. The islands of Anahawan, Daku, and La Januza are within the municipality's jurisdiction. The area is protected within the Siargao Islands Protected Landscapes and Seascapes (SIPLAS) under Republic Act 7586 (NIPAS Act).
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Indicative would be prices in 2017 of around USD 80,000 to about 250,000 for his seascapes whilst a portrait or a still-life might only attract from less than 10,000 to less than 50,000.> Artistas > Cotações > José Pancetti, Bolsa de Arte (per 11 November 2017).
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Brig "Mercury" Attacked by Two Turkish Ships (Russian: Бриг "Меркурий", атакованный двумя турецкими кораблями) is an 1892 oil on canvas painting by Russian painter Ivan Aivazovsky (1817–1900). Aivazovsky painted over 6,000 works, more than half of which are seascapes. It depicts three ships in close combat on a rough sea; as the name suggests, the battle occurs between two Turkish warships, and another ship referred to in the painting's title as the . While Aivazovsky painted many seascapes, often involving ships and boats of various descriptions, and many showing ships that were damaged or shipwrecked, few of his works featured ships in close naval combat.
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He was born in Venice and died in Treviso. After studying in Italy, he traveled in 1907 to Paris. In Paris, he was highly influenced by Gauguin. He exhibited at the Ca' Pesaro in 1910; his works depict brightly colored land and seascapes of Brittany and Venice.
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"He was an open admirer of the Normandy landscape, buxom nudes and wholesome earthly pleasures."Les Nouvelles littéraires, June 3rd, 1965. Dries tried his hand at landscapes (of Normandy and elsewhere), nudes, still lives, portraits, seascapes, horse races, and large-scale compositions. No subject left him indifferent.
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Over time Bricher's artwork gathered more attention and by the 1980s he began to be credited as one of the nineteenth century's greatest maritime painters. A self-taught luminist, he explored the effects of light and how it reflected, refracted, and absorbed on landscapes and seascapes.
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In Sweden, he painted seascapes and landscapes en plein aire. Many of his later works involved cityscapes in and around Stockholm. Winter motifs were a special favorite of his. From 1898 to 1901, he taught landscape painting at the Academy; becoming a member there in 1900.
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In the 1630s he lived in The Hague, Leiden, and Leiderdorp, but from 1642 he was back in Amsterdam. He is known for beach scenes and seascapes in the manner of Jan Porcellis, sometimes in grisaille. He was the father of the marine painter Arnoldus van Anthonissen.
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She paints only seascapes, which strikes Hannibal as "odd, because she's never seen the ocean." The other patients say that Mrs. Paddy stopped talking when her husband told her to "shut up" one day, and she hasn't spoken since. She only speaks to announce what she hates.
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Plant sanctuaries are areas set aside to maintain functioning natural ecosystems, to act as refuges for species and to maintain ecological processes that cannot survive in most intensely managed landscapes and seascapes. Protected areas act as benchmarks against which we understand human interactions with the natural world.
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Lev Feliksovich Lagorio (Russian: Лев Феликсович Лагорио; 9 December 1826, Feodosia - 17 November 1905, Saint Petersburg) was a Russian painter and watercolorist, known primarily for his seascapes and maritime scenes. He was associated with the "Cimmerian" school of painting, composed of artists who worked in Southern Crimea.
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Introduction, James Cook: L'image représentée, Montréal, Canada: Beaux-arts des Amériques, 2010. He has explored a wide range of geographies across the United States and subjects from craggy mountains and seascapes to industrial accidents to the figure.Sieber, Roy. "Foreword," Catalogue, Ketchum, ID: Gail Severn Gallery, 2000Regan, Margaret.
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Roger then demonstrates the painting process and teaches painting principles as he does so. His painting demonstration is usually interrupted by Sarah interviewing someone in the area. Most of the paintings are seascapes and rural scenes. Roger paints in acrylics and oils, in the impressionist style.
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William Henry Chandler (1854 – February 26, 1928) was an American pastel artist. His works include landscapes, winter landscapes, marine and seascapes, still life fruit and fowl.Pastel Masters: Chandler Chandler was born in New York City. He was raised by deeply religious parents of the Christian faith.
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His illustrations are ink sketches of idyllic scenes, primarily seascapes and landscapes. He also painted in oils. Two of his large paintings of members of the Maasai tribe whom he met in Kenya while filming Trader Horn were prominently displayed in his Santa Barbara home in 1971.
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Giuseppe Sartori (1863 – 1922) was an Italian painter, painting mainly land and seascapes, both urban vedute and rural. Istituto Matteucci Biography. He was born in Venice, Austrian Empire, and resident in Milan. In 1883, at Milan, he displayed a Studio dal vero, and Un' impressione a Lonigo.
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Paul Henry, Further Reminiscences, 1973 Walker later introduced Henry to the paintings of Robert W. Fraser (fl. 1874-c.1901), whose work he greatly admired. Fraser often painted scenes of rivers, estuaries and boats. Henry's seascapes date from this period and the influence of Fraser is evident.
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Andrei Kushnir (born August 30, 1947, Regensburg, Germany) is an American fine art painter. He is known for his landscapes, city views, and seascapes, but also has created genre, portraits and still life works. He is a resident of Maryland, with a studio in Washington, D.C..
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He went on study trips to Germany, Austria and Italy on grants from the Larssenske Legat and the Reiersen Foundation. Late in his life, he returned to painting, spending several summers on Bornholm painting seascapes. He died on 6 October 1930 and is buried in Bispebjerg Cemetery.
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Stretching the length of the continent, from North Cape at the top of Scandinavia to the Algarve in Portugal, EV1 connects some of the world's most beautiful seascapes in Norway, Scotland, Ireland, Wales, the West Country of England, France, Spain and Portugal, with fjords, beaches and port towns.
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University of California Sea Grant, San Diego, CA, United States in cooperation with Centro de Investigaciones Biológicas de Noroeste, La Paz, Baja California Sur, Mexico.Scales KL, Alvarez-Berastegui D, Embling C, Ingram S (2017) Chapter 3: Pelagic seascapes. p57-88. In Pittman SJ (ed.) Seascape Ecology. Wiley & Sons Ltd.
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Hulk was born in Amsterdam in 1829. He was the youngest son of the merchant Hendrik Hulk and his English wife Mary Burroughs. He received painting lessons from his older brother Abraham and from Kasparus Karsen. As a painter he mainly painted landscapes, seascapes, cities, villages, and harbors.
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She was an original member of the Philadelphia Ten. She was also a member of the Philadelphia Art Alliance and the National Association of Women Artists. Coming from a naval family, Brooks was known for her seascapes. In 1921 she began visiting Monhegan, Maine, eventually building a studio there.
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This minor planet was named after Russian painter of seascapes, Ivan Aivazovsky (1817–1900), who lived and worked in the Crimean city of Feodosia. The minor planet 1048 Feodosia is named after this place. The official naming citation was published by the Minor Planet Center on 1 September 1993 ().
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Old Dublin He was noted for painting landscapes, seascapes and rural scenes throughout Ireland, France and Belgium. Despite being a prolific painter, his work is rare. He was keeper of the Royal Hibernian Academy when his studio and paintings were destroyed by a fire during the Rebellion of 1916.
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After his wife's sudden death in 1969 he resigned from the Central School and returned to free-lance work. He continued working and exhibiting until his death in 2004. Scanes' earliest works were representational, particularly seascapes and yachts in oils. He continued to produce these into the 1970s.
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Carel Nicolaas Storm van 's-Gravesande; portrait by Jan Toorop Carel Nicolaas Storm van 's Gravesande (21 January 1841, Breda - 7 February 1924, The Hague) was a Dutch painter, etcher and lithographer; associated with the Hague School. He is best known for seascapes, interior portraits and still-lifes.
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His exhibition, "Lost Human Genetic Archive", at the Tokyo Photographic Art Museum in 2016, incorporated selected images from Dioramas, Seascapes, Theaters and the Sanjūsangen-dō series, among others. His exhibition at the Tel Aviv Museum of Art in 2018 featured 34 large-scale photographs from Sugimoto's central series.
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Portrait of Jan Peeters Jan Peeters the Elder or Johannes Peeters (24 April 1624 - 1677) was a Flemish Baroque painter and draughtsman. He is known for his seascapes often depicting stormy seas and shipwrecks as well as for his topographical drawings.Hans Vlieghe (1998). Flemish Art and Architecture, 1585–1700.
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Rodney Joseph Burn (11 July 1899 – 11 August 1984) was a British artist who painted landscapes, portraits and figures and seascapes. During his long career he also worked in America and painted in the Channel Islands and Venice and was elected a member of the Royal Academy in 1962.
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Ratliff, Paul Signac and Color, 16. Signac was active in the Neo-Impressionist world becoming president of the Société des Artistes Indépendants in 1908 and remaining in office until his death.Ratliff, Paul Signac and Color, 19. His more famous paintings depict seascapes such as Antibes, The Pink Cloud (1916).
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By that time, Fein and Scheuber had purchased a boat and began to go boating in the California Delta region. These boat trips gave her inspiration to begin work on her landscapes and seascapes of California. She completed her MFA at the University of California, Berkeley in 1951.
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He painted wall murals of Maine landscapes and coastal seascapes throughout its first floor. The house was listed on the National Register of Historic Places in 1980. In 2013, the Biddeford Historic Preservation Commission approved the demolition of the house. The owner has promised to preserve the murals.
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In 1970, her work was displayed at the Musée des Augustins. Aspe painted children, street scenes, landscapes, still-lives and seascapes. Her work is included in the Musée Toulouse-Lautrec, Château de Sceaux, and the Museum of Grenoble.Monique Pujo-Monfran : Renée Aspe, les couleurs de la vie. Edit.
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During his career Sterkenburg developed a unique, easily recognizable, romantic painting style. The sea and ships became a thread throughout his life. His seascapes are found in collections all over the world. He participated in exhibitions in the Netherlands, San Francisco, Hong Kong, Singapore, Kuala Lumpur, Jakarta and Sydney.
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The depth is suggested by change of color in the distance. To the front objects are painted in richer colors, such as trees or a boat, while farther objects are lighter. This technique strengthens the impression of depth in the painting. Avercamp has also painted cattle and seascapes.
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He also painted Quiet Sea and Fog on the Adriatic. In 1891, Curci moved to Trani. In 1892, at the Italo-American Columbian Exposition of Genoa, he exhibited two seascapes and one landscape. At the Turin Columbian Exposition of Modern Art in 1893, he exhibited Alba, Interno, Sole, and Study.
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Fritz Sigfred Georg Melbye (24 August 1826 – 14 December 1869) was a Danish marine painter, the brother of Anton Melbye and Vilhelm Melbye who were also marine painters. He traveled widely, painting seascapes, coastal and harbour scenes as well as some landscapes in Europe, the Caribbean, Venezuela, North America and Asia.
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Marshall Everett Merritt (August 1904 – July 1978) was an American artist. An impressionist painter, he specialized in seascapes, particularly oil depictions of the California coast. He also painted many landscapes, portraits and still lifes. He was a member of the Artist's Guild of America and the Los Gatos Art Association.
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The book was also praised by Publisher's Weekly for its "wide, sweeping seascapes that contrast with the velvety, close-up interiors." PW added that the book "is an ode to simple acts of daily living. Not only one family's tale, this is also a cherishable glimpse of a bygone time." .
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1901 England Census. Class: RG13; Piece: 674; Folio: 89; Page: 20, where he made his living as a watercolour artist painting local scenes, mostly of Richmond, Kew and Isleworth, but also seascapes and other locations. His paintings are signed F.Viner. In 1939 he was at the Grove Road Institution, Richmond Ancestry.com.
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Andrew Micallef (born 7 February 1969) is a Maltese painter and musician. He is known for his highly detailed paintings of Maltese flora and fauna, landscapes, seascapes and architecture. He has held numerous solo exhibitions, and has also illustrated books and designed stamps. He is also a professional chromatic button accordion player.
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Zimmer 2002, pg. 29. Makin's motifs included seascapes, waterfalls and pastoral vistas. Notable locations such as the You Yangs (first introduced to Makin by Williams), the Grampians and Wannon Falls.Thomas 2002 In 1990, he resigned from his academic post at the Royal Institute of Technology (RMIT) to become a full-time artist.
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He produced still life, figures, landscapes and seascapes. Inspirations included Venezuelan remembrances, culture and folklore; Mexican art and pre-Columbian imagery; as well as architecture and theater. Other works have been inspired by Greek mythology and the Commedia dell’arte. Contemporary events, such as the Vietnam War and the assassination of the Rev.
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Edoardo Monteforte or Eduardo Monteforte (1849 in Polla, Province of Salerno – 1933 in Naples) was an Italian painter. He studied in the Academy of Fine Arts of Naples under Achille Carillo and Gabriele Smargiassi, Istituto Matteucci biography. painting luminous land- and seascapes. He painted both in oil and watercolor, and was very prolific.
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Other writers situate his work in an American tradition that runs through 19th century Western landscape painters Albert Bierstadt and Frederick Church, the Winslow Homer's seascapes, and George Luks and George Bellows, which Cook goes beyond with an unmistakably contemporary, unromantic perspective.Vollmer, Stephen. James Cook, Ketchum, ID: Gail Severn Gallery, 2006.Pessler Anthony.
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Grad has been based in the Boston area since 1987.Findlay Galleries. Barbara Grad – FAQ: Frequently Asked Questions, Catalogue, Palm Beach, FL: Findlay Galleries, 2018. Grad's work is noted for its loose, painterly invented spaces, lush color, and ability to conjure wide-ranging allusions to land and seascapes, urban sprawl, or ecological concerns.
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His best-known paintings include early seascapes such as Manawydan's Glass Door and later works on legendary subjects, such as Trystan ac Esyllt (Tristan and Iseult). He is also much admired for a genre that he invented later in life, which he termed "painted inscriptions", and these exert a continuing influence on calligraphers.
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Upon his return in 1875, he held an exhibition of works he had created in Capri and Rome. This was followed by trips to Switzerland and the Pyrenees, where he tried his hand at rendering mountainous landscapes. Later, in Denmark, he would create landscapes and seascapes. After 1880, he remained in Denmark.
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His subject matter was varied and included landscapes, seascapes, figures, genre and historical scenes. A great deal of his work focused on Neapolitan scenery, especially harbour scenes. Rinaldi, R., Pittori a Napoli nell'Ottocento, Naples, Libri & libri, 2001, p. 193 He worked in oil and watercolour and typically signed his works “Blas Olleros”.
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Seascape scales Measuring habitat structure at multiple scales is typical in seascape ecology, particularly where a single meaningful scale is not known or not meaningful to the ecological process of interest. Multi-scale measurements have been used to discover the scale at which populations are associated with key habitat featuresSchneider DC, Piatt JF (1986) Scale- dependent correlation of seabirds with schooling fish in a coastal ecosystem. Marine Ecological Progress Series 32: 237–246.Pittman SJ, Brown KA (2011) Multi-scale approach for predicting fish species distributions across coral reef seascapes. PLoS ONE 6(5): e20583.. With regard to scaling seascapes, one approach is to select spatial and temporal scales to be ecologically meaningful to the organism’s movements or other processes of interest.
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In 1901 Poulakas left Athens for Volos to become professor of Sketching and Calligraphy in the Commercial School and the Girls' School of Volos. Poulakas established his studio in an alley in the port section of Volos and exhibited his work at a central store; soon after he started to give private painting lessons. He created seascapes (mainly views of the port and the Volos seashore), landscapes, portraits, scenography and icons, as well as teaching. His landscapes displayed Pelion, Karditsa, Itea and Galaxidi and his seascapes included the islands of Crete, Skopelos, Chios and Corfu. Son George was killed in battle in 1918 in World War I. Several important painters had their first lessons from Poulakas, including Konstantinos Zimeris (1886–1982) and Aristomenes Angelopoulos (1900–1990).
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Le Gray documented French monuments on a mission for the French government with other French photographers. He was a successful portrait photographer, capturing figures such as Napoleon III and Edward VII. He also became famous for his seascapes, or marine. He spent 20 years in Cairo, Egypt, but there are few works from this period.
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In June 1938 they returned to the Monterey Peninsula. John Reed died in June 1941 at a sanatorium in St. Helena. Mary Williams returned to Monterey in the spring of 1943, purchased the former home of the painter Lucy Valentine Pierce, and devoted herself to seascapes and landscapes.Monterey Peninsula Herald, 13 July 1943, p. 6.
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Sears Gallagher drawing at his easel. Photograph courtesy of Anne Burr Czepiel. Sears Gallagher (1869–1955) was a prolific, commercially successful American artist proficient in multiple media: drawing, etching, watercolor and oil painting. His work consists largely of landscapes, seascapes, and cityscapes depicting his native Boston and northern New England, especially Monhegan Island, Maine.
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Manuel Muñoz Ibáñez, La Pintura Contemporánea del País Valenciano (1900-1980), Valencia, Spain, Editorial Prometeo, 1980, p. 391. (translated from the Spanish). He was a friend of the artist, Pinazo Camarlench and like him, landscapes are heavily represented in Navarro's work. However, Navarro's themes also included seascapes, Orientalist themes and people, especially gypsies and Moroccans.
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The Times, Friday, Dec 09, 1938; pg. 19; Issue 48173; col DPugh, p14 Aldridge was a protegee of Edward Wesson, one of the most "outstanding" watercolour artists of the 20th century.So described in Aspire Magazine, p7. Issue 119 During the mid-20th century, Aldrige was a prolific artist of landscapes, seascapes and urban riverscapes.
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Bloom continued painting into his nineties. His oil paintings of the Lubec, Maine, woods in the late 1970s exude what critic Holland Cotter called a "disturbed, ecstatic energy". The same could be said of his seascapes, such as Seascape I (1974). He painted vibrant still lifes featuring colorful gourds and iridescent Art Nouveau pottery.
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She paints landscapes and seascapes in watercolor, and is listed in Who's Who in American Art.Browne PCL In 1975, Browning began writing a newspaper column on art. Shortly thereafter, she decided to try fiction. As she had recently begun reading romance novels, she attempted to recreate the pieces of the genre that appealed to her.
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He has exhibited repeatedly at the Promotrice of Naples and others, watercolors and oils, of land and seascapes, including a Veduta di Santa Lucia in Naples. He painted in a style reminiscent of his rough contemporaries Giacinto Gigante and Gabriele Smargiassi. ‘‘Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.’’, by Angelo de Gubernatis.
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Small seascapes (zeekens) were another popular theme. Artists such as Bonaventura Peeters painted shipwrecks and atmospheric views of ships at sea, as well as imaginary views of exotic ports. Hendrik van Minderhout, who was from Rotterdam and settled in Antwerp, continued this latter theme contemporaneous with developments of marine painting in the Dutch Republic.
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Philip Raskin (born 1947 in Glasgow) is a Scottish artist who has achieved notability within the contemporary Scottish art scene. He specialises in painting landscapes and seascapes. His works have been the subject of many exhibitions and have been sold throughout the world. He is the father of TV presenter and antiques expert Natasha Raskin.
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Gunnar Berg first studied at the art academy in Düsseldorf, Germany. From 1883 until his death, Gunnar Berg studied and worked in Düsseldorf and Berlin, associated with the Düsseldorf school of painting. During the Lofoten fishing season, Berg was at home in Svolvær. Berg painted scenes from his hometown including both landscapes and seascapes.
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He painted what he liked, the way he liked. When he made a statement on canvas, it was clear, crisp, richly coloured, deliberate and unapologetic. His favorites were those of the sea, where he felt most at peace with the world. His landscapes, seascapes and still life canvasses made him a well-recognized Canadian artist.
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Benezit: Dictionary of British Graphic Artists and Illustrators, Vol 1, Oxford University Press, 2012, p. 595 He was predominantly a painter of seascapes and working fisher-folk on the shores of fishing villages up and down the Scottish coast. But he also painted in Ireland, Cornwall and Devon. And traveled to New York where he painted the Niagara Falls.
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Wrede was born in Iserlohn-Letmathe. He studied art at the Academy of Fine Arts in Münster from 1985 to 1991, Germany, where he also taught some years later. In 1991 he was the student of Dieter Appelt in Salzburg and Berlin. He has been included in many exhibitions such as Strange Paradise at Städtische Galerie Iserlohn, 2005; Seascapes.
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In 1793, the "Konstmaetschappije" showed four seascapes in the Schermer Hall in Antwerp: "Ships at a stream at sunset", "Ships in a turbulent rive", "A Dutch yacht on the Scheldt to Antwerp" and "The Scheldt view on a quay in Antwerp". He also painted religious themes, and made engravings. Other spellings of his surname are Waeffelaer and Waffelaerts.
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Christine Lafuente (born 1968) is an American painter, born in Poughkeepsie, NY, and currently lives and works in Brooklyn, NY. She is best known for her still lives and landscapes, painted alla prima (in one sitting), in an energized, loose, wet-into-wet style. As a plein aire landscape painter, Lafuente's primary areas of focus are cityscapes and seascapes.
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In the church of the Minorites in Catania, he painted a canvas on the Souls of Purgatory. He also painted altarpieces in the churches of Riposto, Piedimonte Etneo, and Acitrezza (St John the Baptist, church of San Giovanni Batista). Many of his paintings, both seascapes and portraits, were donated to the Pinacoteca Zelantea in Acireale.Istituto Matteucci.
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Chambers, 2006, pp. 42–43; Holman, pp. 12–27. The underlying strength of his drawing is complemented by his skillful brushwork and strong sense of color. That he produced beautiful landscapes and seascapes, delightful book and magazine illustrations, and sharply defined etchings should be enough to draw attention to this successful artist, a notable American impressionist.
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Later in his career, he focused more on the sea itself, frequently painting beautiful seascapes highlighted by crashing waves and sunsets. Considered a master maritime painter, his paintings are displayed in several museums and galleries in Hamburg and in the North of Germany including the Historiches Museum located in Bremerhaven, Germany. Von Kalckreuth died in 1970.
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Rose began painting at age 45. She studied under portraitist Frederick Taubes, seascape artist Bennett Bradbury and water color instructor J. Milford Ellison at the San Diego Art Institute. She is particularly known for her seascapes of the California coast of an Impressionistic style, and she also made still life and landscape paintings. She painted with oils and watercolor.
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Settlers who were working with limited resources developed hooked rugs in the 17th century. The rugs continued to be popular through the 19th century. The design motifs on early American hooked rugs varied, consisting predominantly of geometric patterns, floral designs, landscapes, seascapes and animals. No matter what the motif, hooked rugs displayed a great sense of individual expression.
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Christian Vigilius Blache (1838–1920) was a Danish marine painter. After studying at the Academy under C.F. Sørensen, he travelled widely painting ships and seascapes throughout Denmark as well as in Scotland, Iceland and the Faroe Islands. He was an early visitor to Skagen in the north of Jutland where an artists' colony was to emerge a little later.
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The Japanese collector Yoko Nakamura acquired a series of his landscapes, and the artist became well known abroad. Krantz painted the modest beauty of Northern Russia and seascapes in the Crimea, working at the Academic Dacha in Tver province. There he became better acquainted with many famous artists. This broadened his artistic horizons and enrich the technical arsenal.
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Meyere, Jos de; Luna, Juan J. La pintura holandesa del Siglo de Oro. La escuela de Utrecht, BBV, 1992-1993. His style is very similar to that of his brother, Abraham. He often collaborated with other painters, such as Jacob Gillig and Willem Ormea, for whom he painted the background seascapes to accompany his still-lifes of fish.
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From that point on he produced, almost exclusively, seascapes of the Monterey Peninsula area. A well-respected leader of the Carmel -Monterey art community, he served as the President of the Carmel Art Association in 1953. His painting companions included Armin Hansen, and Donald Teague. Together they defined the Monterey Peninsula art scene for years to come.
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Irish Heritage Council, 22 December 2018. Retrieved 27 March 2020 The Council's purview includes monuments, archaeological objects, heritage objects such as art and industrial works, documents and genealogical records, architectural heritage, flora, fauna, wildlife habitats, landscapes, seascapes, wrecks, geology, heritage gardens, parks and inland waterways. The Heritage Council organizes the annual Heritage Week in Ireland.Heritage Week, Ireland.
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When they returned, he spent some time working with his father. He also visited the island of Terschelling to paint seascapes. He polished his skills by studying with Nicolaas Riegen (1827-1889) and Louis Meijer. Accompanied by Meijer and Mauritz de Haas, he embarked on a painting trip to Normandy, Brittany and the island of Jersey.
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From 1950 to 1957, Eardley's work focused on the city of Glasgow and in particular the slum area of Townhead. In the late 1950s, while still living in Glasgow, she spent much time in Catterline before moving there permanently in 1961. During the last years of her life, seascapes and landscapes painted in and around Catterline dominated her output.
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Margulies is best known for his portrait prints and seascapes of the New England coast, as typified by Gloucester Fisherman. The Butler Institute of American Art (Youngstown, Ohio), the Library of Congress, the Metropolitan Museum of Art, the National Portrait Gallery (Washington D. C.) and Yale University Art Gallery are among the public collections holding work by Joseph Margulies.
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Doukas's style was distinctive, combining academic elements with impressionism and expressionism. His works depicted Greek pastoral realism and genre scenes. His work included portraits, still lifes, landscapes and seascapes. He said that he avoided anything that resembled a cut-and-paste from nature, but wanted his work to be understandable without any explanation, or even any title.
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The couple lived in Cornwall before moving to Canada and settling in Toronto in 1914. From 1905 to 1946, she exhibited with the Royal Canadian Academy and with the Art Association of Montreal from 1945 to 1946. She was known for painting landscapes, seascapes and portraits. Britton died in Toronto at the age of 90 on July 27th, 1963.
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In 2005, Wishart was made a full member of the Royal Scottish Academy. In 1992, 2007 and 2011, the Pier Art Centre in Orkney held shows of her works. Many of her paintings and drawings depicted landscapes and seascapes in Orkney, especially views of Hoy Sound from her cottage window. Later works incorporate mixed media techniques.
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She is a partner of the International Partnership for the Satoyama Initiative (IPSI) that promotes collaboration in the conservation and restoration of sustainable human-influenced natural environments (Socio-Ecological Production Landscapes and Seascapes: SEPLS) through broader global recognition of their value, representing both KENWEB (The Kenya Wetlands Biodiversity Research Team) and the National Museums of Kenya.
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Bosman's early paintings and prints drew on pop culture representations of violence and romance, including pulp fiction book illustration. More recently he has created woodcuts depicting turbulent seascapes, volcanoes, Adirondack scenes and other imagery, displaying what New York Times critic Roberta Smith called a “penchant for parody-homage” toward his subjects. Writing in the Times, Smith stated: “Mr.
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The Smoker Study series of works would become one of the most recurrent themes in the 1970s.(S. Stealingworth, 1980, p. 52) Beginning in 1965, Wesselmann made several studies for seascapes in oil while vacationing in Cape Cod and upstate New York. In his New York City studio, he used an old projector to enlarge them into large-format works.
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Albert Pinkham Ryder (March 19, 1847 – March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist.
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George Hamilton Constantine (1878–1967) was a British painter of landscapes with figures and seascapes. Born in 1878 in Sheffield, he was the son of Francis Alfred Constantine, a saw maker. In the 1901 Census at age 24 he is living at his parents home, 113 Crookes Road, Ecclesal, Sheffield. In this census he is listed as an artist and sculpture.
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Harbour or Seascape (Spanish - Marina) is a small 1881 oil on canvas painting by Joaquín Sorolla, early in his career. It is now in the Sorolla Museum in Madrid It follows the Spanish academic style of the late 19th century, influenced by the central European post-romantic tradition of seascapes and by the Valencian pilot, archaeologist and painter Rafael Monleón y Torres.
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II, p. 2220. Matzal also painted portraits of Newark Mayor Ralph A. Villani and New York City Mayor Jimmy Walker. During the period 1922-1929, nine different portraits by Matzal were selected for the exhibitions of the National Academy. Matzal also painted landscapes and seascapes, in both oil and watercolor, especially of scenes in New England and the Catskill Mountains of New York.
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In contrast to the densely populated areas of Hong Kong Island and Kowloon, Sai Kung District's heartland is a coastal area characterised by its scenery, small villages and seascapes. The area is known for its pristine beaches and quiet living. In as much as it remains only partly urbanised, Sai Kung is known as the "last back garden" of Hong Kong.
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Occupying a commanding position on the coastline at semi-circular Salt Creek Bay, Edithburgh is noted for its magnificent seascapes which include steep rocky cliffs and sandy beaches. Troubridge Island can be seen offshore. As a result, tourism is now a growth industry. It is a popular holiday destination with a variety of accommodation types available including a caravan park.
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His main occupation however was painting for himself. He took his inspiration from studies done during his travels (Le Vallon à Menton in 1960 or Le Port de Saint-Tropez in 1958 and San Giorgio Maggiore Venice in 1957), horse races, and seascapes (Le Bonheur à Deauville in 1955).Painting deposited by the French nation in the museum of Grenoble.
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Paul Blaine Henrie (4 February 1932 – 18 October 1999) was an American painter and illustrator who was known for seascapes and coastal scenes. Henrie was born Paul McKinley Henrie in Tampa, Florida. He established himself in 1960 in the artist community of Laguna Beach, California, where he lived in a hillside home with his wife and child. Henrie later moved to Carmel, California.
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Inston photographed nature, especially landscapes and seascapes as well as genre pictures in towns, particularly Liverpool. He used a hand-held camera and sometimes asked people to pose in his photographs. He was awarded a bronze medal for his photograph The Lowest Ebb in 1897. His photograph Storm Breaking in the 1898 Royal Photographic Society exhibition made an impact on his contemporaries.
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Peter Liddle, 1988 Maeckelberghe was born in Penzance, where she grew up and lived for most of her life. She studied at the Penzance School of Art, and the Bath Academy of Art from 1949 to 1952. She returned to Cornwall after spending two years teaching in London and Gibraltar. Maeckelberghe was best known for her dramatic contemporary landscapes and seascapes in oil.
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Micheál de Búrca (31 December 1912 – 9 December 1985), born Michael Bourke, was an Irish artist from Castlebar who was appointed Director of the National College of Art and Design in 1942. He primarily painted landscapes and seascapes using oil paints on board and watercolours on board respectively. His work "Summer Evening, Achill" has been used in several books and collections to date.
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The death of Caesar Janssens stayed for about nine years in Italy and visited the main capitals of the country to study the masters. It has been assumed that Janssens befriended the Dutch painter of landscapes and seascapes Pieter Mulier the younger in Rome and that he painted the figures in his landscapes. The scholar M. Röthlisberger-Bianco has rejected this assumption.
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He traveled to Genoa, where he befriended the painter of seascapes, Orazio Vernet. After two years, he moved to Milan, where he was patronized by the Cardinal Giuseppe Pozzobonelli; who was a collector of the landscape artists Dietrich. Upon returning to Brescia, his health was poor, and he had no reputation in that town. Among his pupils was the Count Aimo Maggi.
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The two men were in correspondence from 1901 until Whistler's death. In the final seven years of his life, Whistler did some minimalist seascapes in watercolor and a final self-portrait in oil. He corresponded with his many friends and colleagues. Whistler founded an art school in 1898, but his poor health and infrequent appearances led to its closure in 1901.
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In 1913 she painted a series of impressions of Italy including Venice and Florence. In 1914 she began a ten-year phase of painting interiors and still lifes. In the 1920s, she turned to expressive seascapes, and in the 1930s, she painted flowers. Critics have compared her Impressionist style to that of John Singer Sargent, Anders Zorn, and Charles Cottet.
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A United States Poet Laureate, Collins dedicated a poem inspired by his experience gazing at her seascapes. His poem, "Paintings of the Sea (For Cynthia Knott)", was reproduced in conjunction with Knott's exhibition Gardiners Bay, May 8 to Jaune 14, 2002. Another poem, "Horizon," which was published in his 2005 poetry collection The Art of Drowning, is also inspired by her work.
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After a trip to Germany in 1650, his landscapes took on a more heroic character. In his late work, conducted when he lived and worked in Amsterdam, he added city panoramas and seascapes to his regular repertoire. In these, the sky often took up two-thirds of the canvas. In total he produced more than 150 Scandinavian views featuring waterfalls.
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The base has a large visitor lodging facility known as the MacDill Inn, a DECA commissary, an AAFES base exchange, and numerous Morale, Welfare and Recreation (MWR) activities such as the Surf's Edge all ranks club, a base swimming pool, movie theater, marina, the Raccoon Creek Family Camp for recreational vehicles, the SeaScapes Beach House and the Bay Palms Golf Course.
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Lummi Island is best known for its unique reefnet salmon fishery, eclectic population of artists, picturesque seascapes, and rural setting. Its narrow, scenic and winding roads are popular with bicyclers. A trail to Lummi Mountain takes hikers through the Baker Preserve to stunning high views of the San Juan and Gulf islands. The trail is maintained by the Lummi Island Heritage Trust.
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Her father, Jacob Eduard van Heemskerck van Beest, was an officer in the Royal Netherlands Navy who also painted seascapes and landscapes. Her first art lessons came from him. She later took private lessons from two local artists before attending classes at the Royal Academy of Art from 1897 to 1901, where she studied with Ferdinand Hart Nibbrig. Landscape with a Sun, c.
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Early in his life he was spotted by James Humbert Craig at a local Glens Feis who encouraged him and that influence inspired his early work. His paintings depicted the rivers, mountains, seascapes and rural life that surrounded him. McAuley died on 30 September 1999. He was the uncle of BBC Northern Ireland broadcaster Tony McAuley and the writer and broadcaster Roisin McAuley.
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Petrus Norbertus van Reysschoot was a prolific painter who painted landscapes, allegories, mythological and religious stories, genre scenes, seascapes, landscapes, portraits and trompe-l'oeil still lifes. He was mainly active as a decorative painter working on commissions for individuals and religious institutions. He also painted temporary decorations for theater performances, ceremonies and festivities. He further designed statues and architectural elements of buildings.
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Number 18 was more suitable for living in, but was still a very basic cottage without electricity, running water or sanitation. At Catterline Eardley produced seascapes, often showing the same view but in different light and weather conditions. She also painted landscapes showing the changing seasons in the fields around the village, her thickly textured paintwork sometimes incorporating real pieces of vegetation.
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The then five-star hotel did well and became prominent. It was the tallest standing structure in the Beach Road area, and offered panoramic views of the beach. It was commonly used as a landmark by drivers to locate the lower Rochor vicinity. With the advent of land reclamation in the 1970s and 1980s, the seascapes gave way to flyovers.
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"Lean's 'Ryan's Daughter' Opens at the Michael Todd". Chicago Tribune. Section 5, p. 7. Charles Champlin of the Los Angeles Times wrote, "The original love story which Robert Bolt has set in these desolate seascapes seems both too frail and too banal to sustain the crushing weight of 3 hours and 18 minutes of Super Panavision."Champlin, Charles (15 November 1970).
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Seascapes and soundscapes from Paramount's Souls at Sea (1937) were re-used. The film heavily dramatised the novel but attempted to be faithful. "Dana's tale is so well known that we shall have to stay close to the line of his yarn", said John Farrow, "Especially in the characters." Extensive research was done on the project for six months prior to shooting.
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Some of his first works from this period are seascapes and harbor views executed in a luminist manner. Soon after, however, Tryon's style shifted towards the Barbizon school, which was then becoming popular among American artists. He may have been influenced by the works of George Inness and Alexander Helwig Wyant. In 1876 Tryon decided to advance his skills through a formal study of art.
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In 1912, he completed a long journey in China, visiting Shanghai, Tianjin and Beijing at a time of political upheaval. Sabattier was modest and gentle, and made many friends. In addition to his dedication to his art, he was an excellent linguist and from childhood had a great love of the sea, making highly esteemed seascapes. Louis Rémy Sabattier died in Nice in 1935, aged 72.
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Wrigley published many works of poetry and local history. His first financially successful publication was in 1910. His second book in 1912 was supported by public subscription and on its publication he was presented with a cheque for 100 guineas (£105) and his wife received a watch. He illustrated some of his works, and Saddleworth Museum holds two of his seascapes and several other paintings and drawings.
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Her technique flattens the perspective in the picture. She excludes details on the cottage, which allows viewers to make their own associations with the image. Gallace's work relates to early American Modernist painting, especially Edward Hopper's representations of small towns and Milton Avery's abstracted seascapes. Schjeldahl also suggests it has kinship with the still lifes of the mid-20th-century Italian painter Giorgio Morandi.
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The title was decided after much discussion with artists and scientists and he submitted it as his diploma picture for the Royal Academy of Arts.Marks (1894). v2:52-54. Abraham Dee Bartlett, superintendent at the London zoo, encouraged him to draw birds with accuracy rather than colour them with anthropomorphism. In later years he painted landscapes and seascapes based on studies in Southwold and Walberswick.
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Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, a socialist, was active in the political developments of France.
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Most of the Delft factories made sets of jars, the kast-stel set. Pictorial plates were made in abundance, illustrated with religious motifs, native Dutch scenes with windmills and fishing boats, hunting scenes, landscapes and seascapes. Sets of plates were made with the words and music of songs; dessert was served on them and when the plates were clear the company started singing.Caiger-Smith, p. 136.
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Doeleman studied at the Academie van Beeldende Kunsten en Technische Wetenschappen in Rotterdam in 1877. In the beginning he lived and worked near Haastrecht in the Netherlands but in 1899 he moved to The Hague. He painted mainly seascapes and woodland. Occasionally he worked together with the Hague School painters such as Willem Maris and then produced almost identical works of art, for instance ducks.
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Flack's paintings have been purchased by public institutions including Irish banks, business companies, public libraries and by private collectors at home and abroad. While his subject interests are wide-ranging, his favourite themes are landscapes and seascapes with the emphasis on details of nature. He also gives watercolour painting courses to summer schools, art groups and private individuals each year throughout Ireland and Wales.
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He occupied himself as an artist painting portraits, landscapes and seascapes until his sight failed. Dunn purported that he was a lifelong supporter of the Labour Party. He claimed his outspoken socialist beliefs often caused him to feud with his long time Dad's Army co-star, Arthur Lowe, who was a Conservative. As a schoolboy, he and his classmates briefly affiliated with the British Union of Fascists.
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Anthonie took an apprenticeship with the well-known stage scenery painter Joannes Breckenheimer, Jr. (1772–1856) in The Hague, who was also the tutor of the well-known painter Andreas Schelfhout. Anthonie started painting stage sceneries like his grandfather. Later he focused on domestic and church interiors and portraits (people in 17th-century costumes). Finally he specialized in landscapes, river and seascapes (paintings, drawings and water colors).
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Nichols died on September 7, 1930, in Stamford, Connecticut, as the result of the osteoarthritis that had made her an invalid for the last 10 years of her life. In 2006 the Williams College Museum of Art held an exhibition of 25 of her watercolors and oil paintings—including landscapes, seascapes, and still lifes—from the collection of Walter and Berta Burr of Hoosick, New York.
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In 1950 the Colquhouns closed the school, and in 1954 moved from the city to Kew, establishing a studio and occasional gallery in their home. They continued to paint intensively, particularly landscapes and seascapes reflecting their travels. > I am convinced that everyone must benefit from the study of art. All adults > should take some course, even if they do not start until they are 40.
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In 1984 the Valaam museum held a solo exhibition of paintings by Vsevolod Bazhenov. In its archives are kept many paintings based on impressions from visiting the island. Vsevolod Andreevich Bazhenov died on August 2, 1986 in Leningrad aged seventy-eight. He is remembered mostly for his landscapes, seascapes, and small-format nature studies. His personal exhibitions were in Leningrad (1963, 1982), and Saint Petersburg (1994, 2009).
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New York: Metropolitan Museum of Art. pp. 62–63. . During his time spent near the Mediterranean, Valtat intensified his use of color and began to express his Fauvist tendencies, particularly in painting seascapes. Art historian Natalie Henderson Lee identifies Valtat as a "proto-Fauve",Brettell, R. R., Tucker, P. H., Lee, N. H., & Metropolitan Museum of Art (New York, N.Y.). (2009). The Robert Lehman Collection: III.
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Sugimoto's work is held in numerous public collections including the Metropolitan Museum of Art, New York; Moderna Museet, Stockholm; Centre Georges Pompidou, Paris; Museum of Contemporary Art, Tokyo; Museum of Modern Art, New York; National Gallery, London; National Museum of Modern Art, Tokyo; Smithsonian Institution, Washington, D.C.; MACBA, Barcelona; and Tate Gallery, London.Rothko/Sugimoto: Dark Paintings and Seascapes, October 4, 2012 – November 17, 2012 Pace Gallery, London.
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Selden painted Daughter of the Revolution, a self-portrait, in 1894, but she terminated her membership in the Daughters of the American Revolution in 1899 for unknown reasons. Beginning in 1895, Selden spent the summers in Edgartown, Massachusetts, Boothbay, Maine, and in France at Normandy and Brittany. During her visits, she made genre works, landscapes, and seascapes. Selden studied in Venice, Italy with William Merritt Chase.
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C.S. Dorion example of signature ca.1900 Charles S. Dorion was an American painter during the late 19th to early 20th centuries, and was known for his moonlit Seascapes. He typically signed his paintings in the lower left or right hand side as C.S. Dorion in the color red. Very little is known of this artist, but his works continue to be auctioned off regularly.
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In 1849, Lane began overseeing construction of a house/studio of his own design on Duncan's Point—this house would remain his primary residence to the end of his life. Fitz Henry Lane continued to produce beautiful marine paintings and seascapes into his later years. He died in his home on Duncan's Point on August 14, 1865, and is buried in Oak Grove Cemetery.
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Halls Head is serviced by public transport provided by Transperth. Route 591 serves areas in north-western and central Halls Head. 592 operates through Port Mandurah and the western parts of Seascapes (via McLarty Road and Peelwood Parade) while 594 passes to the east of the suburb via Old Coast Road. 591 and 594 operates seven days a week while 592 operates six days a week.
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Cabin and Mountain Scene by Joseph Clinton Devillis Joseph Clinton Devillis (aka De Villis) (1878–1912) was an African American artistHarris, J "Joseph Clinton Devillis: A Brief But Remarkable Life in Art" International Review of African American Art v. 17, no. 3 from Brooklyn, New York who primarily painted landscapes and seascapes. Devillis enlisted in the United States Navy in 1894 (with pad and pencils in hand).
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Lucy Hodgson (born 1940 in Damariscotta, Maine) is an American sculptor and printmaker based in the New England and New York City. For years, her work celebrated the emotive power of land and seascapes; however, it currently focuses on her anger and disapproval of the destruction of the environment, particularly by the oil and gas industry and the recent controversy surrounding fracking and the Keystone Pipeline.
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"Browse & Darby" , Arts Council England; retrieved 29 March 2010. Cathy Lomax said of Barber's seascapes executed in oil on board: > Barber's paintings are refreshingly raw, colour piled on in an effort to > summon up the emotion of the place rather than worrying to much about > accuracies. They have an endearing hint of the naïve about themCathy > Lomax."Art reviews and comment", 27 March 2003.
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Richard Ernst Eurich, OBE, RA (14 March 1903 – 6 June 1992) was an English painter who worked as a war artist to the Admiralty in the Second World War and was also known for his panoramic seascapes and narrative paintings. These were often invested with a sense of mystery and wonder which have tended to set him apart from mainstream development of art in the twentieth century.
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He started to paint as a child, and became a master when he was an adolescent. Moncayo’s artwork is realistic and it is distinguished by the harmony of elements and colors, and by the perfection of its minuscule details. Ecuadorian landscapes and seascapes were the paintings’ main themes. In minor scale, the artist also painted other themes such as horses, still lifes, and colonial scenes.
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It is still a popular tourist destination because of the historic cemetery, waterfront fishing properties, names of ships carved into the rocks at various locations, its deep secluded harbour (referred to by captains as "God's Pocket"), moose hunting, salmon and trout sports fishing, and beautiful seascapes. Population now is less than 50. Croque, NL, CA (Havre Du Croc, Terre Neuve) by Francis R. Reardon Sr.
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Lucas Pennacchi (born 1960 in São Paulo) is a Brazilian artist who works with painting, drawing and engraving. Pennacchi started to draw and paint at school and with his father, Brazilian artist Fulvio Pennacchi. He went to a school of architecture, where he studied art and drawing, but left in the third year. His themes deal with landscapes and seascapes, and compositions with birds and fish.
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Painter of historical subjects, genre scenes, local scenes, landscapes (with figures) and seascapes; watercolourist and draughtsman. Orientalist. The son of a Paris music publisher, Frère studied at the École des Beaux-Arts under Léon Cogniet and Camille Roqueplan. On completing his studies, he travelled throughout France visiting Alsace, Auvergne and Normandy. After returning to Paris, he exhibited Vue des Environs de Strasbourg at the 1834 Paris Salon.
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Alice Kent Stoddard (1883–1976) was an American painter of portraits, landscapes, and seascapes. Many of her works, particularly portraits, are in public collections, including University of Pennsylvania's portrait collection, Woodmere Art Museum, and other museums. She lived and painted on Monhegan Island in Maine, an enclave of artists. During World War II, she worked as a combat artist and drafted designs for airplanes.
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Alfred Thompson Bricher was part of the American Luminist movement, coming out of the Hudson River School. Much like the Impressionists, they were interested in the play of light in landscapes, with Bricher himself being particularly interested in how light played against the ocean. Bricher, in particular, became famous for his seascapes and depicting the North Atlantic seaboard. Bricher is considered the last important luminist painter.
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Jan Verhas (date unknown) Jan Verhas or Jan Frans Verhas (9 January 1834 – 31 October 1896) was a Belgian painter of the Realist school. He was known for his portraits and genre paintings often depicting children of the Belgian bourgeoisie. Jan Verhas also painted history paintings, coastal landscapes, beach scenes, seascapes and the occasional still life of flowers. He was an important representative of the Realist movement in Belgium.
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William and John Joy depicted nautical life of all kinds. During the 18th and 19th centuries, they and other English marine painters were influenced by Dutch and Flemish masters, whose seascapes were as much admired as their landscape subjects. These works were more often of non-military subjects such as world exploration, commercial shipping and fishing boats. They were produced by watercolourists, who only needed paper, drawing materials and watercolour pigments.
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In 2015 Marc Quinn opened an exhibition of new work at White Cube Bermondsey, entitled The Toxic Sublime. It featured new bodies of work that explore the ecological impact of man on nature. ‘The Toxic Sublimes’ are distorted, three dimensional seascapes. Alongside these paintings, a new series of sculptures, cast in stainless steel, including one measuring over 7.5 meters long, form part of a body of work titled Frozen Waves.
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His biographer Edward Lockspeiser called La mer "the greatest example of an orchestral Impressionist work", and more recently in The Cambridge Companion to Debussy Nigel Simeone commented, "It does not seem unduly far-fetched to see a parallel in Monet's seascapes".Simeone, p. 109 The Grand Hotel, Eastbourne where La mer was completed in 1905. In the decades after the premiere La mer established itself in the core orchestral repertoire.
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Fishing Cottages, Lamorna Valley, Penwith Peninsula, Cornwall Barlow was well known for his large landscapes, seascapes, sunsets and moonrises and autumnal scenes. Tree groupings were considered one of his strong suits. Three of Barlow's paintings are currently displayed at the Rhode Island School of Design Museum in Providence, Rhode Island in the United States. Barlow's work is also on public display in Cheltenham, Plymouth and Truro in England.
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George Augustus painted riverscapes of the Thames, moonlit landscapes, seascapes and views of Kent, Wales and elsewhere. After having four children, George and Caroline moved to Barnes, London, within a stone's throw of the Thames, where they lived for more than fifty years. George undoubtedly inherited his artistic talent, as did his siblings, from his father. His work, though, is distinct from that of the others in his family.
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He was buried 25 April 1945 in Mount Olivet Cemetery, Queens, New York. Throughout his career Westchiloff painted a wide variety of subjects in the Impressionist style, but was particularly noted for his seascapes and harbor scenes. He operated a studio in New York and often painted coastal Maine scenes. Westchiloff showed much of his work at the Metropolitan-Reynolds Gallery at 32 East 57th Street, New York.
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The Christian Science Monitor, 25 July 1916, p. 6. His seascapes of the California coast and his scenes from his trips to the South Seas (1922 and 1924–25) were immensely popular in commercial galleries throughout the United States and frequently sold for record prices. He married his third wife, the sculptress Nora Havel, in 1930. Ritschel died on March 11, 1949 in his Carmel Highlands studio-home.
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Vincent La Gambina was born in Sicily in 1909 and immigrated to the United States in 1920. He was orphaned soon after arriving, and he turned to painting to support himself. He sold his first painting to Fiorello La Guardia at the age of 15. He painted Manhattan's Union Square and Greenwich Village areas throughout his life, as well as Coney Island, Washington Square, the Bronx Zoo, and seascapes.
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In his oil paintings, Comas-Pausas preferred indoor subjects with figures. In watercolour, the method in which he came to specialise, he painted landscapes, seascapes and urban scenes. His watercolours closely follow the traditional schools of Catalan landscape painting. The painting is descriptive and easy to read, the composition carefully worked out, the range of colours harmonious and nuanced, all the result of a thrilled sensitivity to nature.
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Colquhoun and her husband taught for many years and had portraits, landscape paintings, and reproductions of famous sculptures displayed on the walls of the school. Colquhoun was noted for her seascapes painted from their holiday house at Lorne, Victoria. In 1937 they spent a year painting in Edinburgh and London, and exhibited jointly at the Islington Galleries, London. While there they also exhibited with the London Portrait Society.
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James Le Jeune (1910 – 1983) was an Irish-Canadian artist who painted portraits, landscapes, and seascapes. Born in Saskatoon, Saskatchewan, Le Jeune grew up in Dinard in Brittany and later in England. After serving in the British Army in Africa and Italy during World War II, he moved to Ireland in 1950, where he was a regular art exhibiter at the Royal Hibernian Academy until a year before his death.
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During his career, Le Jeune used oil, water-colour, pencil to paint portraits, landscapes, and seascapes. In the early 1930s, Le Jeune began training in art in Paris and later in London at Heatherley School of Fine Art and the Byam Shaw School of Art. He moved to the United States and attended the Art Students League in New York. Le Jeune also studied architecture at the London Polytechnic.
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To create ethereal looking landscapes and seascapes with extremely blurred water or other motion, the use of multiple stacked ND filters might be required. This had, as in the case of variable NDs, the effect of reducing image quality. To counter this, some manufacturers have produced high-quality extreme ND filters. Typically these are rated at a 10-stop reduction, allowing very slow shutter speeds even in relatively bright conditions.
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Fritz Melbye initially painted seascapes in the family tradition his brother had taught him, but he increasingly turned to landscapes, coastal and town views. He preferred a realistic style, often with romantic scenes. He exhibited at Charlottenborg in Copenhagen from 1849-1858. In Peking he was commissioned to paint the Imperial Summer Palace and during his years in America he exhibited at the Pennsylvania Academy of Fine Art.
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Simon Segal (Białystok 1898 – Arcachon 1969) was a French figurative painter and member of the School of Paris. Born in the Russian Empire (now Poland) he emigrated to France in 1925 and was naturalized in 1949. He painted portraits, animals, landscapes and seascapes and created illustrations and mosaics. His scarce work is characterized by an austere but expressive style epitomized by his works from La Hague (1946–1953).
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Shelburne's extensive collection of 19th-century American paintings features Hudson River School landscapes, Luminist seascapes, portraits, still lifes, and genre scenes. Artists include Thomas Cole, John Kensett, Albert Bierstadt, Martin Johnson Heade, Fitz Hugh Lane, John Singleton Copley, William Merritt Chase, John Peto, Winslow Homer, Eastman Johnson, and John Quidor. 20th- century paintings include work by Grandma Moses, Carl Rungius, and Andrew Wyeth. Wyeth's Soaring is on view in Webb Gallery.
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Two major American museums, the Corcoran Gallery of Art in Washington, DC, and the Los Angeles County Museum of Art, acquired similar seascapes by Brevoort in 2003 and 2004, respectively, for their permanent collections. The Hudson River Museum in Yonkers, New York, owns an extensive collection of Brevoort's paintings and drawings. A portrait of Brevoort by Henry Augustus Loop is in the collection of the National Academy of Design.
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Dancing Children by O'Hara O'Hara was a watercolour painter, whose work centred on landscapes and seascapes, as well as flower painting. She exhibited with the Royal Hibernian Academy from 1881 to 1894. She was a member of the Belfast Art Society (BAS), and although she retired in 1895, she was elected vice- president in 1896. Whilst living in Lismore with Currey, O'Hara illustrated a number of Currey's children's books.
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Crohmălniceanu (2001), p. 198 His art, some of which is semi-abstract but sometimes evoking anatomical drawings, intrigued chroniclers of the day, one of whom described Păun as "the most chaotic of the [Romanian surrealist] group [in the fight against] our daily logic".Crohmălniceanu (2001), p. 165 Of the figurative drawings, a few are portraits and many include nude figures, depicting strange and morbid occurrences in imaginary seascapes and fantasy gardens.
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They show seascapes with cliffs, boats with apotropaic eyes, fishermen with harpoons and nets, hunters with slings, water birds and leaping dolphins. The back wall has a niche for a cremation burial. The scene of the diver recurs approximately thirty years later in the Tomb of the Diver near the ancient Greek city Poseidonia. It is now thought that the frescoes from that tomb probably emulated older Etruscan designs.
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Second, they depicted the funeral celebrations of the Etruscans. The artists aimed to recreate the view of the celebrations from the pavilion. This would allow the shades of the deceased to witness and participate in these ceremonies performed in their honor. In the case of the Tomb of Hunting and Fishing, Holloway thinks the frescoes of the seascapes should be interpreted as the distant view from the pavilion.
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In the 1930s the portrait of his young son Lev under the name "Our Relief" was published as a postcard by Association of the Painters of the Revolution; 25,000 copies were made. Vikentii Trofimov was a fine yachtsman and he passed this love to his children. His knowledge of sea-skills gave him the ability to draw sailors with a high degree of accuracy not usually seen in paintings of seascapes.
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He served as vice president of the latter for several years during the mid to late 1950s. For many years, Marshall Merritt maintained a studio in Willits, California. While in Willits, he would spend as much as four months each year on the Monterey Peninsula painting landscapes and seascapes. In the 1950s he moved his studio to Los Gatos, California where he lived with his third wife Caroline.
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Roselle Osk (1884-1954) was an American printmaker known for her drypoints and etchings. Her style was realist and her subjects were figure studies, landscapes, and seascapes. She exhibited frequently during the 1930s and 1940s and was awarded prizes by the Society of American Etchers, Philadelphia Print Club, and National Association of Women Artists. Her work was often selected for "Best Prints of the Year" shows held by the etchers group.
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Butler enrolled at the Wellington School of Design in 1890. In 1892 he joined the avant-garde Wellington Art Club, founded by Nairn, and soon established a local reputation for his paintings of seascapes. In 1897, Butler went to Sydney with the Wellington art dealer McGregor Wright to study pictures in the National Art Gallery of New South Wales. Between 1898 and 1900, Butler undertook art studies abroad.
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In 1986 he moved back to north Germany. He worked in a nuclear power plant in the northern seaside region where he got a big impact by the different land and seascapes. He remembered: "I was watching the sea all day long and I almost lost my job because of it". At that time due to plenty of working hours he was unable to focus on artistic activity.
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In 1981 he was named an Associate National Academician by the National Academy. Reale’s work explored and overlapped several styles and palettes, with impressionistic and abstract styles predominant; seascapes were his forte. All of his known paintings have a small patch of bright red, which is usually the focal point of the composition; this became his trademark. He was influenced by the work of French impressionist and cubist Georges Braque.
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One of the most prominent Russian artists of his time, Aivazovsky was also popular outside Russian Empire. He held numerous solo exhibitions in Europe and the United States. During his almost 60-year career, he created around 6,000 paintings, making him one of the most prolific artists of his time. The vast majority of his works are seascapes, but he often depicted battle scenes, Armenian themes, and portraiture.
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Edman Ayvazyan was born in Tehran, Iran, in 1932.Edik Ayvazian (Edman) Ayvazyan depicted Daredevils of Sassoun, the works of Hovhannes Tumanyan, and created many portraits, landscapes, and seascapes. His works can be found in many churches and museums including Lazar galley, House-Museum of Aram Khachaturian.Edik Ayvazian (Edman) Ayvazyan died on 25 March 2020 in London, England, due to COVID-19 (during the 2019–20 coronavirus pandemic).
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Frank Weston Benson made portraits, landscapes, seascapes, murals, and paintings of interiors and still life. He also made other works of art including etchings. While Benson studied at the Académie Julian in Paris, he made the small Impressionistic oil painting, Paris Parade. Benson stayed the summer at the Grand Hotel in Concarneau, France where he became engaged to the daughter of friends from Salem, Massachusetts, Ellen Perry Peirson.
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This is especially noticeable in the seascapes, which are reminiscent of works by Hokusai and Hiroshige. Hergé also declared Mark Twain an influence, although this admiration may have led him astray when depicting Incas as having no knowledge of an upcoming solar eclipse in Prisoners of the Sun, an error T. F. Mills attributed to an attempt to portray "Incas in awe of a latter-day 'Connecticut Yankee'".
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Several dozens of his paintings were left behind in Poznan in January 1945 and these occasionally surface on the international art market. Kagorodov was mainly a landscape painter within the Russian tradition, but he also produced a number of genre paintings and portraits. He specialized in seascapes and depictions of water and clouds were his particular element. As a medium he preferred tempera which he used to very great effect.
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Back in Pěčín, he attempted to synthesize what he had learned by painting seascapes with his earlier landscape style and spent much of his time in the Orlické Mountains. Many of his works from this period were left unfinished. He had always suffered from a weak heart. In 1939, his health began to fail and he died three years later while seeking a cure at the spa in Poděbrady.
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Wild Weather is an oil on masonite painting by American artist Frederick Judd Waugh. The work depicts waves crashing over stark rock formations, and along with Roaring Forties is one of two seascapes by Waugh on display at the Metropolitan Museum of Art. Waugh recorded his palette for his marine paintings as: permalba white, the cadmiums, alizarin, cerulean blue, cobalt blue, ultramarine blue, viridian, raw sienna, burnt sienna and ivory black.
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Kett left the navy in 1946, and went on to receive his licence as a London and North Sea pilot. He remained active in the Royal Naval Reserve, and in 1950 commanded for a fortnight during his annual training. He was appointed an aide-de-camp to Elizabeth II in 1966, and one of the Younger Brethren of Trinity House in 1971. He became a painter of landscapes and seascapes in his retirement.
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Like artists of the Hudson River School, McDaniel painted streams, seascapes and landscapes as an outpouring of his passion for place and to promote conservation. Yet, McDaniel was determined not to stage or sentimentalize his art, often choosing unconventional subjects such as "Bush Island Castaways" and "Memories of Blue Rocks". He was influenced by Ogden Pleissner, Winslow Homer and Aiden Lassell Ripley. His paintings are representational and notable for realistic water and light effects.
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He shared exhibitions with his close contemporary L. S. Lowry. He was a member of the Manchester Group, along with Lowry, exhibiting at the Mid-Day Studios founded and run by Margo Ingham and Ned Owens. Major became noted for his grim depictions of Wigan streets and factories, pictures of children, of lonely seascapes, of nudes and nightmare imaginations. "To disturb and extend consciousness in the mind of the viewer" was his declared aim.
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Though she spent time in New York and Connecticut, Mellen lived primarily in Massachusetts, and many of her paintings find their source in the Massachusetts and Maine landscapes and seascapes. In 1840, she married the Rev. Charles W. Mellen, a Universalist minister at a number Massachusetts churches prior to his death in 1866. As a copyist, Mellen created studies and copies of the work of her friend and mentor Fitz Henry Lane.
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Born in Gusenburg, Germany, Alten worked as an artist between 1890 and 1938. Although best known for his land- and seascapes he was also an accomplished portrait, floral, and animal painter. William H. Gerdts, a pre- eminent authority on American regional painting, describes Alten's style as that of a "second-generation Impressionist." Alten studied at the acclaimed Académie Julian and at the Académie Colarossi where he won a gold medal for the best figure drawing.
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A ship's boat attacking a whale, hand-colored engraving from 1813 Fishing No. 1, drawing by Clark engraved in aquatint by Matthew Dubourg, 1813 John Heaviside Clark (c.1771–1863) was a Scottish aquatint engraver and painter of seascapes and landscapes. He was also known as Waterloo Clark, because of the sketches he made on the field directly after the Battle of Waterloo. Clark exhibited regularly at the Royal Academy between 1801 and 1832.
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Carl Sprinchorn (1887-1971) was a Swedish-born American artist who studied under Robert Henri and who adopted a style of realist modernism that admiring critics saw as both abstract and revolutionary. His oil paintings and works on paper showed a wide range of subjects. He made cityscapes and street scenes, seascapes and beach scenes, bucolic landscapes and farm scenes. He drew famous dancers, society figures, and both urban and rural men at work.
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Gakutei also illustrated an entire book called the related to the translated Chinese novel Suikoden. Gakutei also created landscapes and seascapes for books, which are rare pieces amongst Hokusai's pupils. Gakutei is also known for his prolific writing; he wrote many humorous poems called kyōka and used them in his artwork and prints. Additionally, he was responsible for a Japanese translation of Journey to the West, for which he also completed illustrations.
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In Paris he was greatly influenced by seeing works by Édouard Manet and James McNeill Whistler and the French impressionists. When he returned to England, Steer established a studio in London and began to develop an impressionist style in which he depicted beach scenes and seascapes in a silvery translucent light. His painting of Poole Harbour, completed in 1890, is an example of the outstanding atmospheric effects he was able to capture.
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He is known for his paintings of ships and Arctic seascapes. He went on several Arctic expeditions with Dr. Isaac Israel Hayes, and was the first American painter to portray the frozen regions of the north. In 1862, Boston, he was an art teacher to Charles Dormon Robinson. With funds provided by LeGrand Lockwood, Bradford traveled to the Arctic aboard the steamship Panther in 1869, accompanied by photographers John L. Dunmore and George Critcherson.
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Van Beijeren signed his canvases with the monogram AVB and invariably failed to include a date. As a result, it has been difficult to compile a precise chronology of his works. Still-Life with Landscape, 1650s While in the 1640s most of his paintings were seascapes, van Beijeren began to develop as a skilled still life painter of fish. In his early marine paintings he shows the influence of Jan van Goyen.
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Kensett painting in his studio, ca. 1866 After establishing his studio and settling in New York, Kensett traveled extensively throughout the Northeast and the Colorado Rockies as well as making several trips back to Europe. Kensett is best known for his landscape of upstate New York and New England and seascapes of coastal New Jersey, Long Island and New England. He is most closely associated with the "second generation" of the Hudson River School.
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In 1888, obtained a Hors Concours (Honorable Mention) at the Salon of the Société des Artistes Français (Salon of French Artists) and in 1889, was awarded a bronze medal at the Exposition Universelle in Paris. Between 1907 and 1909, he resided in Italy, where he made a series of seascapes. In 1919, he traveled to Caracas for a few months and exhibited at the Central University of Venezuela. Boggio died in France the following year.
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Her work was exhibited with the Society of Women Artists, the Dudley Gallery, and the Royal Institute of Painters in Water Colours. She exhibited over 100 artworks, landscapes and seascapes, with the Water Colour Society of Ireland from 1892 to 1913. O'Hara was elected an honorary member of the BAS in 1904 along with Mildred Anne Butler, John Lavery, and Frank Spenlove-Spenlove. The Ulster Museum holds a number of her works.
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Tourists congregate on the ice-free coastal zones during summer near the Antarctic Peninsula. The peninsula's wildlife, soaring mountains, and dramatic seascapes have drawn commercial visitors since the late 1950s, when Argentina and Chile operated cruises to the South Shetland Islands.Science and Stewardship in the Antarctic: Commission on Geosciences, Environment, and Resources. 1993 Tourists flights began in 1957, when a Pan American Boeing 377 Stratocruiser made the first civilian flight to Antarctica.
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Dixie Selden (February 28, 1868November 15, 1935) was an American artist. She studied with Frank Duveneck, who was a mentor and significant influence, and William Merritt Chase, who introduced her to Impressionism. Selden painted portraits of Americans and made genre paintings, landscapes and seascapes from her travels within the country and to Europe, Asia, the Middle East and Mexico. She helped found and was twice the president of the Women's Art Club of Cincinnati.
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He also exhibited regularly at the international exhibition in Opatija, selling many of his paintings. In 1900, Crnčić moved to Zagreb. At his first solo exhibition in 1900-1901 in the Art Pavilion, he showed 39 oil paintings and prints, including several seascapes which remained a favourite theme throughout his life. His work raised interest in the art circles of Zagreb owing to his rich, bright colours and the high quality of his graphics.
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At that time, the figure of Britannia had been lost, as had the two naval seascape paintings depicting the Battle of the Nile and The Standard of Great Britain Triumphant. The temple has been restored on a number of occasions, most recently in 2012, following storm damage. The latest restoration saw the restoration of the statue of Britannia, the re-painting of the two seascapes and the re-installation of the gates.
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A painting by Manglard dated 1722 (a seascape drawing "touched by strokes of a pen and watercolor, one braccio and 1/6 wide, 15 soldi high, depicting both ships and figures") was once at the Gabburri Gallery in Florence. The painting is now lost. Rome based sculptor Pierre Le Gros acquired six marine views by Manglard. Le Gros died in 1719, which makes his six seascapes the earliest documented paintings by Manglard.
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Woman Reading in an Interior, oil painting by William Roxby Beverly Beverly also painted to exhibit, with watercolour being his preferred medium. He showed at the Royal Manchester Institution, in the 1820s and 1830s, and again in later life. Between 1865 and 1880 he exhibited 29 pictures at the Royal Academy, most of them seascapes. His last picture seen there was Fishing Boats going before the Wind: Early Morning, was exhibited in 1880.
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At Skomer, Howard-Jones painted landscapes and seascapes, which are among her best known works. As well as Skomer, Ray-Jones also painted scenes at the Ebbw Vale steel works and also worked as a medical illustrator. In 1958 she was commissioned to design a mosaic for the headquarters of the Western Mail in Cardiff. In 1965 she designed an mosaic altarpiece for the parish church of Marchmont St. Giles in Edinburgh.
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To pursue his painting more seriously, Quartley moved to New York City in 1875. New York at that time had become a premier center for notable painters. From there he painted seascapes of Long Island bays, New York Harbor, the New Hampshire Isle of Shoals, and Naragansett Bay in Rhode Island. The Hudson River School was waning at this point, so that other groups were forming, among them the Tilers, of whom Quartley was a founding member.
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Colin Hunter (1841–1904) was a British Victorian artist, born in Glasgow, Scotland in 1841 and died at Lugar, Melbury Road, London in 1904. The majority of his works are seascapes. He presented his first work Taking in the nets to the Royal Academy in London 1868 and became an Associate Member of the Royal Academy in 1884. He exhibited nearly 100 paintings in the Universal Exhibitions in Berlin, Vienna and Philadelphia between 1886 to 1891.
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On graduating in 1989, he was awarded the Designer/Illustrator merit award. Kuijers freelanced briefly as a designer and illustrator, but now paints full-time. He regularly takes part in group exhibitions and has completed various commissions, notably acrylic seascapes for the new President Hotel and watercolours for the Villa Via Hotel and the Volks Hospital. He now lives in Greyton in the Western Cape with his wife, daughter and two sons, where he owns his own art studio.
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Theodore Robinson's painting Nantucket, 1882 Nantucket has several noted museums and galleries, including the Maria Mitchell Association and the Nantucket Whaling Museum. Nantucket is home to both visual and performing arts. The island has been an art colony since the 1920s, whose artists have come to capture the natural beauty of the island's landscapes and seascapes, including its flora and the fauna. Noted artists who have lived on or painted in Nantucket include Frank Swift Chase and Theodore Robinson.
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In 1870 he settled in England, where he spent the rest of his life. He became well-known because he seemed to have the ability to paint the sea and its ships in such a different way for which he became one of the great marine painters. Some of his portraits have survived. His work was exhibited in the Royal Academy in London from 1876 to 1890 where he entered three paintings of which two were Dutch seascapes.
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A retrospective of her life's work was held at the Camden Arts Centre and she was made an Honorary Life- Member of the NEAC in 1989. After Richard died in 1980, she moved from Hampsted to Oxford to be closer to her son Francis in Wallingford. She continued to paint, including seascapes painted on the Isle of Portland during summer holidays with Francis and his family. Carline died in a nursing home in Wallingford in 2004.
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By 1840, he was already exhibiting some seascapes that attracted the attention of the German art collector, Karl Friedrich von Rumohr. On his recommendation, Melbye accompanied King Christian VIII on his corvette for a voyage through the Baltic and North Seas. Soon after, he was invited to accompany the King on a voyage to Morocco, where he witnessed the Bombardment of Tangiers. In 1845, he applied to the Royal Academy for a travel scholarship, but was passed over.
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He exhibited at Venice Portico in Liguria, and Studiosa. He excelled in seascapes and landscapes including Un rio a Venezia; Sul Po; Canal Grande, which were exhibited at Milan and Turin. In 1880 in Turin, he exhibited a genre painting titled: Le visite della padroncino; in Rome, in 1883, and Turin in 1884, he displayed a figure painting and a portrait. He had studied law, was knighted, and became secretary of the Albertina Academy of Fine Arts of Turin.
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Livestock freely roaming in the green hills in Batanes An extensive survey of the ecology of Batanes provided the scientific basis for confirming the need for a national park in Batanes protecting the Batanes protected landscapes and seascapes, proposed as a UNESCO World Heritage Site, submitted on 15 August 1993. An effort is underway to declare the whole province, along with the sugar central sites in Negros, as a UNESCO World Heritage Site by the end of 2020.
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Her landscapes and seascapes clearly remind us of the style of the great impressionists, and yet because she never painted from life but from her inspired inner vision, her paintings have a magical dreamlike quality. Through her delightful figures from ancient times, she invites the viewer to join in her communion with nature. We go with them towards the light as through their eyes we are taken to places of marvelous beauty, tranquility and inner peace.
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"Brochan Lom", the ' music sung during the film The music for Whisky Galore! was composed by Ernest Irving, who had been involved in several other productions for Ealing Studios. His score incorporated adaptations of themes from Scottish folk music to include in his compositions, and used the Scotch snap musical form to reinforce the theme. The musicologist Kate Daubney writes that Irving's score "Seems positively lush with its expansive seascapes and emotive expressions of anxiety in the community".
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John Edward Walker, he often signed work as J. Edward Walker (1880–1940) was a British-born, American painter and educator, known for his California Impressionist paintings. He was active in Northern California and Los Angeles between 1913 until 1936. The subject of his work was often seascapes, floral still life paintings and landscapes. He taught art classes from 1913 until 1916 at the Carmel Arts and Crafts Club, in Los Altos in the 1920s and Berkeley in 1932.
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Vidović's early paintings of Venice, Milan and Chioggia, were inspired Segantini's divisionism technique. His paintings of Chioggia, in particular, range from soft lyrical twilight atmospheres to bright, colourful sunlit landscape and seascapes. In Split and the surrounding area Vidović made many studies and sketches in plein-air, working with bright colours in the live landscape. Later in his studio, in transferring these fresh impressions to large canvases, Vidović would create a soft, lyrical and often symbolic atmosphere.
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In contrast to the vibrant dancehall works, Yankel's seascapes, painted prolifically during his time in St Ives, are full of brooding atmosphere. Throughout his life, flowers were a recurrent subject matter, acting as a bridge between the vibrant dancehalls and the bleak British coastline. Yankel Feather believed he was born to be an artist. Despite being born into harsh poverty and having little academic training, Yankel was determined to pursue his career, and more importantly, his passion in painting.
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He studied under Fred Britton and attended life classes at the Adelaide School of Art. He won the Melrose Prize for portraiture in 1929 and 1932, also won prizes for landscapes and seascapes, much of which was painted around Victor Harbor. He created a furore in 1940 when he removed a still life from an exhibition run by the R.S.A.S.A. in a protest against the judges. He was president of the Royal South Australian Society of Arts 1940–1950.
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Typical designs include science fiction and fantasy, space imagery, planetscapes, landscapes, cityscapes, seascapes, underwater scenes, interiors, abstracts, fractals. There are also images depicting seasons and seasonal events, special occasions, and holidays such as Halloween, Christmas, the Fourth of July, Saint Patrick's Day, and Valentine's Day. Wallpapers come in many display resolutions up to 7680 x 1600, including widescreen and multi- monitor formats to accommodate various monitor configurations. Only subscribers have access to the highest resolution wallpapers.
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In Island (2000) and Woo (2001), small tufts of grass transform abstract color-field paintings into seascapes—in these cases unsettled by what The New Yorker describes as "a Gustonish serpent slithering into Eden" in the former, and a red eel- or finger-like shape popping through the surface in the latter. In the simplified, sharply contoured compositions of her "Hedge" paintings and "Cedar" drawings (2001–8),Louise Belcourt website. Work, 2001–2008. Retrieved February 19, 2020.
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He was elected an Associate of the prestigious National Academy of Design in 1938, and a full Academician in 1941. Wengenroth was also the author of several influential books on lithography. Wengenroth's lithographs are found in most major American collections, including the Library of Congress, Whitney Museum of American Art, and Metropolitan Museum of Art. During his career, Wengenroth became well known for his detailed depictions of the seascapes and landscapes of New England and, in particular, Maine.
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He lived in exile in France in poverty until his death in 1930, with an income by selling his own oil paintings of seascapes. On his death, he was initially buried in the Russian Cemetery in Menton. In 2005 the urn containing his ashes was taken aboard the cruiser , which carried his remains to Novorossiysk. The ashes were then flown to Saint Petersburg and buried in his family vault in the Alexander Nevsky Lavra in accordance with his will.
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From 1935 to 1937 he worked in England, employed as an illustrator for Stillwell & Darby, London, and studied at the Goldsmith's College of Art, London, under James Bateman and John Mansbridge. He exhibited with the London Portrait Society. After returning to Canada, he continued his work in illustration and taught at the Doon School of Fine Arts (Kitchener, Ontario) and the Etobicoke Community Art School. Dingle was well known for his landscapes, seascapes, portraits and figure studies.
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One such manufacturer was David Anthonisz van der Pieth, who founded De Porceleyne Fles ("the Porcelain Bottle") in 1653. From then until the late 18th century, the company produced earthenware for clients around the Netherlands and Europe. Delftware ranged from simple household items – plain white earthenware with little or no decoration – to fancy artwork. Pictorial plates were made in abundance, illustrated with religious motifs, native Dutch scenes with windmills and fishing boats, hunting scenes, landscapes and seascapes.
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Construction of Palazzo Haas (now Galleria Vittorio Emanuele II, in 1870-1873 Milan Stazione Centrale after 1864 Pompeo Pozzi (1817–1888) was an Italian painter, but is best known for his photographs.Encyclopedia of Nineteenth- Century Photography, (2007) edited by John Hannavy, page 755 Pozzi studied at the Brera Academy of Art, and was a resident of Milan. He mainly painted alpine landscapes and seascapes. Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti, by Angelo de Gubernatis.
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He notes that the Tyrrhenian Sea is visible to the west from the elevated terrain of the Necropolis of Monterozzi. This is similar to how the banqueters look down towards the seascapes from the gable of the main chamber's back wall. This is combined with the scenes in the antechamber, which show a funeral dance. This motif of the panoramic distant vista from the pavilion recurs later in the Tomb of the Ship, but was then abandoned.
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In 2009 U2 selected Sugimoto's Boden Sea, Uttwil (1993) as the cover for their album No Line on the Horizon to be released in March that year. This image had previously been used by sound artists Richard Chartier and Taylor Deupree for their 2006 CD inspired by Sugimoto's "seascapes" series.Is the New U2 Album Cover a Rip-off? Retrieved 19 January 2009 Sugimoto noted it was merely a "coincidence" that the image appears on both album covers.
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A student of the French landscape painter Eugène Cicéri and Edmond Yon, Thornley became a successful artist remembered for his seascapes from Normandy and his landscapes from the French and Italian Rivieras. He was the son of a Welsh immigrant Morgan Thornley. He also was a talented watercolorist, engraver, and lithographer. His lithographs after the works of Corot, Pissarro, Degas and Puvis de Chavannes were acclaimed by his peers and awarded at the Salon de Paris.
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On July 12, 1882 Cranstone's wife, Lillia, died. Shortly afterwards, Cranstone and two of his children, Beatrice Lillia and Frederic George, joined his third son, William, now a medical doctor, and his new wife, Ellen Kent, in moving to the small town of Clermont, Queensland, Australia. Here, Cranstone continued his paintings of the local land and seascapes. In 1889 he moved with Beatrice to Brisbane where he continued drawing local subjects up to his death on June 22, 1893.
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This impressionist influence became prominent in his paintings Madame Picard in her Loge (1886) and Madame Oscar Ghysbrecht (1886) (painted in a palette of bright colours). In 1887 he painted some impressionist seascapes at the Belgian coast : Het Zwin at high tide (1887) Because of his growing ties with the Parisian art scene, Octave Maus sent him as a talent scout to Paris to look out for new talent for the next exhibitions of Les XX.
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In 1959 he made cartoon film about the construction of the Delta Works in the southwest of the Netherlands in commission of the public relation department of the water management authorities. Between 1953 and 1976 he designed costumes and stages for eight different theater productions. Berserik made over 1500 paintings, portraits, still lives, city and seascapes and landscapes. He also made architectural commissions, laying mosaics, reliefs and murals in the district of The Hague where he spent his youth.
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Miles Howard-Wilks (born Melbourne 1979) is an Australian artist. While working primarily as a painter, Howard-Wilks is also a ceramicist and animator and has worked in the Arts Project Australia studio since 2000. His diverse subject matter explores themes such as the Australian landscape, seascapes, and Australian Rules Football. With a fine attention to detail and a special interest in oceanic and environmental imagery, Howard-Wilks' works have been widely exhibited both Australia-wide and internationally.
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Koch's collection of maritime memorabilia includes model ships, antique nautical instruments, and paintings of ships and seascapes. A 2005 show at the Museum of Fine Arts in Boston featured his collections, including the America 3 and the yacht it defeated, Il Moro di Venezia. The show was also criticized, however, for glamorizing Koch at the expense of the museum's educational function. Koch had helped finance the show, including paying the cost to move the boats from Rhode Island.
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In 1936 he was made an Associate Member of the Royal Canadian Academy. During his time in Canada he produced dynamic studies in oils of the Rocky Mountains and dramatic seascapes and coastal scenes which, with his snow and moorland scenes in Britain, form some of his finest works. Throughout his years in Canada he returned frequently to Europe during the long summer vacations, where he conducted painting tutorials on the Isle of Sark, and in Dorset and Derbyshire.
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Nelke was primarily self taught as an artist and began painting by using cut up sails as canvas while out at sea. After settling in America, Nelke continued working as a carpenter and painted out of his studio on Baltic Street in Brooklyn. He studied for a time under fellow marine painter William C. Ehrig. His background as a seaman and ship builder allowed him to produce highly detailed and accurate paintings of seascapes and nautical vessels.
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He studied at the "", where he received first prize for painting from live models and, in 1873, a prize for drawing from the Musée Calvet. These awards brought him a scholarship to study in Paris at the École des Beaux-Arts in the workshop of Jean-Léon Gérôme, where he remained until 1877. After that, he shared a studio with Paul Avril and several others. Portrait of Frédéric Mistral by Paul Saïn At the time, he mostly painted seascapes.
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Galerie Anhava, Helsinki 2008, pp 3-7. The Seventh Wave includes landscapes from Finland, park views from the Versailles of Louis XIV, the surroundings of Donald Judd’s Marfa in Texas, interiors and exteriors from Hong Kong, Great Barrier Island in New Zealand, seascapes from Vietnam, a car vendor’s display room and the artist’s home and neighbourhood. The title of the series comes from the popular belief, that on sea, the seventh wave tends to be the largest.
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Martin Johnson Heade (August 11, 1819 – September 4, 1904) was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds (such as hummingbirds),. as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time, are regarded by art historians as a significant departure from those of his peers. Heade was born in Lumberville, Pennsylvania, the son of a storekeeper.
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Albert Henry Munsell (January 6, 1858 – June 28, 1918) was an American painter, teacher of art, and the inventor of the Munsell color system. He was born in Boston, Massachusetts, attended and served on the faculty of Massachusetts Normal Art School, and died in nearby Brookline. As a painter, he was noted for seascapes and portraits. Munsell is famous for inventing the Munsell color system, an early attempt at creating an accurate system for numerically describing colors.
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He then developed towards a cloisonne style of patterned images - birds, figures, land and seascapes - enclosed by a thick dark line. After 1906 he blended cloisonnism and pointillism as shown in some gouaches of oversized flowers in particular of orchids.Vivien Raynor, Art Nouveau: A Recurring Theme, in: the New York Times, 8 March 1981, p. 20 Poster for the First International Congress of Lawyers in Brussels in August 1897 Combaz further designed book covers and postcards.
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Robinson was born in Hamble, Hampshire, England on 20 April 1910. His father, Gregory Robinson, was a painter of seascapes and a founder of the Society for Nautical Research, of which Michael Robinson later became honorary vice-president. As a child, he was a frequent sailor, and as a student at London University, he took a job cataloguing prints for the Royal Naval College in Greenwich. He was hired by the National Maritime Museum in 1934.
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Delftware ranged from simple household items to fancy artwork. Pictorial plates were made in abundance, illustrated with religious motifs, native Dutch scenes with windmills and fishing boats, hunting scenes, landscapes and seascapes. The Delft potters also made tiles in vast numbers (estimated at eight hundred million over a period of two hundred years); many Dutch houses still have tiles that were fixed in the 17th and 18th centuries. Delftware became popular, was widely exported in Europe and reached China and Japan.
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Florence Howell Barkley (1880-1954) was an American landscape painter and illustrator best known for depictions of seascapes in oil and watercolor and illustrations in many popular newspapers in pen and ink. During this time, she was one of few women who was able to receive formal training in the arts. Although her most well known work was created in 1912 and exhibited in 1913, her career was disrupted by World War I, and thereafter consisted mostly of freelance illustration work.
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Unlike older artists such as Monet, though, Seurat preferred utterly prosaic images of ports and shores, rather than more dramatic sunsets and stormy seas. The complete lack of humans, either vacationers or hardworking fishermen, was typical of Seurat's seascapes, which always had a luminous stillness. Seurat's choice of Gravelines was somewhat unusual, given that contemporary guidebooks described it as "an uninteresting town." Its very obscurity may have been a draw for the artist, who was growing protective of his methods.
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Sion was commissioned as a war artist, after which his standing increased. His paintings alternated the monumental depictions of harsh environments, and their inhabitants, with luminous Balcic seascapes and nostalgic records of suburban life. Their search for visual concreteness was a standard for the Anti-Impressionist emancipation of the Romanian artistic scene in the interwar period. By the mid-1920s, Sion's style became a visual component of the Neo-Traditionalist, "Romanianist" and neo-Byzantine current formed around Gândirea literary magazine.
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In 1938 to 1941, Baumann often painted only in watercolor. He usually painted subjects such as landscapes, cities, seascapes, themes of war, and still life as well. Karl had three prominent themes in his abstract art work: nature, humanities urge to separate themselves from nature, and the negative outcomes that happen as a result of said action. Baumann was interested in expanding the mind beyond the experience of just earth, in hopes that the realms of the universe could be explored as well.
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The Salford-born painter L. S. Lowry was a frequent visitor, staying in the Seaburn Hotel in Sunderland. Many of his paintings of seascapes and shipbuilding are based on Wearside scenes. The Northern Gallery for Contemporary Art on Fawcett Street and Sunderland Museum and Winter Gardens showcase exhibitions and installations from up-and-coming and established artists alike, with the latter holding an extensive collection of Lowry. The National Glass Centre on Liberty Way also exhibits a number of glass sculptures.
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The East Kent coast inspired many of his works, including some of his most famous seascapes. Kent has also been the home to artists including Frank Auerbach, Tracey Emin and Stass Paraskos. Kent was also the location of the largest number of art schools in the country during the nineteenth century, estimated by the art historian David Haste, to approach two hundred. This is believed to be the result of Kent being a front line county during the Napoleonic Wars.
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Benedict made oil and watercolor portrait, figure, landscapes and urban scene paintings. Benedict's drawing and painting style was influenced by Realism and Impressionism in which she painted and drew individuals she encountered around her, such as residents of Hull House and local peasants, along with seascapes and rural landscapes. In 1892, she became the founder and director of the Art School at Hull House. In the 19th century a women's movement began to promote education, autonomy, and break into traditionally male dominated occupations.
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He drew inspiration from art, "preferring the seascapes available in painting and literature" to the physical sea.Huscher, Phillip. "La mer" , Chicago Symphony Orchestra, retrieved 15 May 2018 Although the detailed scheme of the work changed during its composition, Debussy decided from the outset that it was to be "three symphonic sketches" with the title La mer. In a letter to André Messager, he described the planned sections as "Mère belle aux Îles Sanguinaires", "Jeu de vagues", and "Le vent fait danser la mer".
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According to Houbraken he was the teacher of Johannes Gottlieb Glauber in Paris in 1671, where he attended the funeral of Nicolaes Berchem II on January 4, 1672. Jacob Knyf in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature Jacob Knijff in the RKD He was the son of the painter Wouter Knijff and the older brother of painter Leendert Knijff, and is known for painting landscapes and seascapes.
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Following graduation he decided to leave the church and pursue his painting career. Medović then moved to Zagreb and joined a group of artists led by Vlaho Bukovac, a renowned painter. His work from this period includes historical depictions at the building of the Croatian Institute of History (). Since 1901 Medović increasingly began to spend time on his native Pelješac in southern Croatia, painting nature, still lifes, seascapes and landscapes in a style marked by his use of colour and light shadows.
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An accomplished artist, Ryan studied at the Académie Julian in Paris between 1892 and 1893. He worked mainly in watercolours and was known for his landscapes, seascapes and portraits of Māori. He exhibited at the Auckland Society of Arts over 36 years, and at the 1889 New Zealand and South Seas Exhibition in Dunedin. Three of his works—Champagne Falls, Wairapa Gorge (1891); Interior of a Whare ( 1891); and Sunset, Ngauruhoe Volcano (1905)—are in the collection of the Auckland Art Gallery.
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Born in Paris, the son of a restorer, Mathey learned his art at the École nationale supérieure des Beaux-Arts of Paris in painters Léon Cogniet's, Isidore Pils's and Alexis-Joseph Mazerolle's workshops. He began to exhibit at the Salon de Paris in 1868, and became a valued and recognized portrait painter. He has several times portrayed artists from his entourage in their studios. Especially a portrait painter, Mathey did not, however, refrain from landscape, seascapes, lived scenes or decoration.
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Cover to Blodhemn (1998) by Enslaved, which features the band as Viking warriors, with their boat anchored behind them. Images of Viking ships and seascapes are commonly invoked by Viking metal artists. Mulvany states that "Viking metal ... is much less concerned with traditional aural materials like instruments and melodies. Instead, Viking bands limit themselves mainly to the use of Norse mythology as a textual source, which they often augment with stylized shanty-like melodies that are meant to evoke apropos images".
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Louis-Charles Verwée was born in Brussels as the son of the prominent animal and landscape painter Louis-Pierre Verwee, originally from Kortrijk. His younger brother Alfred Verwee (23 April 1838 – 15 September 1895) became a well-known painter of animals, landscapes and seascapes. Louis- Charles Verwée received his initial art lessons from his father with whom he studies for several years.Louis-Charles Verwée, Citronnade at Galerie Ary Jan He was less interested in the subject matter favoured by his father, i.e.
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Peter Seitz Adams (born August 27, 1950, Los Angeles) is an American artist. His body of work focuses on landscapes and seascapes created en plein air in oil or pastel as well as enigmatic figure and still-life paintings. He is noted for his colorful, high-key palette and broad brushwork. Adams has held numerous solo and group exhibitions in galleries and museums, including throughout California, the Western United States, and on the East Coast in Philadelphia, Vermont, and New York.
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The village, now sparsely populated, overlooks Omey Island which contains the ruins of Teampal Feichin, a medieval granite church dedicated to St. Feichin. Omey Island is a part of the Omey Granite Pluton, one of the oldest granites in Connemara; and its human history dates back at least 5,000 years. Claddaghduff has been a site for writers and artists. Richard Murphy's poetry was inspired by the local lore, landscapes, and seascapes and novelist John McGahern also resided in the village.
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Armand Cabrera (born June 5, 1955 in San Francisco, California) is an American oil painter recognized for his en plein air landscape art, seascapes, cityscapes, still lifes and figurative works. He is also well known as a game art designer who has delivered over 25 shipped games as a Lead and Senior Artist. His clients include Lucasfilm Games, Disney, Electronic Arts, Virgin Entertainment, Nickelodeon, Microsoft and Paramount Pictures. Cabrera is represented by seven fine art galleries in the United States.
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The view along Dahlia Walk at Biddulph Grange Biddulph Grange was developed by James Bateman (1811-1897), the accomplished horticulturist and landowner; he inherited money from his father, who had become rich from coal and steel businesses. He moved to Biddulph Grange around 1840, from nearby Knypersley Hall. He created the gardens with the aid of his friend and painter of seascapes Edward William Cooke. The gardens were meant to display specimens from Bateman's extensive and wide-ranging collection of plants.
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After extensive travel, Homer settled in Prouts Neck, Maine. He had a studio built for him, which was completed in 1884, and painted marine subjects, including the hard lives of the fishermen and their families. He increasingly chose to depict the sea itself, and was especially attracted to stormy seas. During this period he painted a wide array of seascapes such as The Gulf Stream (1899), Moonlight – Wood's Island Light (1886), Northeaster (1895) and Early Morning After a Storm at Sea (1902).
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Notable Mexican collectors of Phil's work include the poet Pura Lopez Colome, wrestler Marco Rascon Cordova and businessman Sergio Autrey Maza. Regular exhibitions take place in Mexico, Ireland and occasionally in England. Kelly's work is the work of an urban painter, one who lived in the ultimate urban environment of Mexico City. As well as the many cityscapes of Mexico DF, Kelly produced a number of striking figurative works, paintings of Oaxaca and Dublin, seascapes of Mexico and Cornwall and many ink drawings.
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Wall's landscapes (and a few seascapes) were straightforward representations of America's awe-inspiring vistas—neither romanticized nor idealized. He is classified as either a forerunner or an early member of the Hudson River school. Wall was a founding member of the National Academy of Design (New York) and exhibited frequently at such institutions as the Pennsylvania Academy of the Fine Arts (Philadelphia) and the Apollo Association (New York). He lived in America from 1812 to 1835 and again from 1856 to 1860.
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In 1908, the Detroit Institute of Arts held an exhibition of 30 of Robert's seascapes, some of which included playing children and families. Her paintings were exhibited at the Indianapolis Museum of Art in 1908, 1910, and 1914. In 1911, she exhibited at The Plastic Club in Philadelphia. During World War I, Roberts supported the war effort by donating some of her paintings, including those she painted of women gathered to sew clothing at the First Parish Church of Concord.
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The Fleet of Aeneas, by Tassi Agostino Tassi (born Agostino Buonamici, Perugia, 1578 – Rome, 1644) was a painter of landscapes and seascapes, and the convicted rapist of Artemisia Gentileschi. Because he aspired to nobility he modified the details of his early life. Though he was born in Perugia he claimed to have been born in Rome. His family name was Buonamici, but Agostino adopted the surname Tassi to give substance to his story that he was adopted by the Marchese Tassi.
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The years in Norway are marked by seascapes inspired not only by the sea as such. They also comprised ecological themes that echoed his awareness of the Norwegian whaling industry and the industrial traces of the North Sea oil boom. Others were apparently tracing memories of tales heard about his father who was a captain in the Canadian navy during the war, in command of one of those ships that protected freighters on their way from North America to Murmansk.Ibidem, p. 47.
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Since Monet never exhibited the paintings side by side, the contrast between them was probably not intended as a social manifesto but instead reflected differing conditions under which the same place could be painted. On 25 June 1867, Monet reported that he was working on about twenty pictures: > "Among the seascapes, I am doing the regattas of Le Havre with many figures > on the beach and the outer harbor covered with small sails." (Claude Monet) The painting is signed at the lower left.
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Within several years, Keyes' work shifted to abstracted landscapes. After a period of making welded steel sculptures, he returned to painting, though in a more realistic, yet impressionistic style. His most frequent subjects were the great rolling landscapes and seascapes typical of California's Central and South Coasts, but he also painted in much of the Sierra Nevada Mountains of eastern California. After his retirement, Keyes studied with California Art Club members Ken Auster, Roger Armstrong, Jeff Horn and Mario Mirkovich.
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At various periods he travelled very extensively in England, Scotland, France, Spain and Italy, and his literary career began by his sending letters about his journeys to the Danish newspapers. After returning home, he settled for some time on the island of Bornholm, painting seascapes. He now issued his earliest volume of poems, Digte (1872), and joined the group of young Radical writers who followed Brandes. Drachmann was unsettled, and still doubted whether his real strength lay in the pencil or in the pen.
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Micallef mainly works in acrylic on canvas or board, but he also has works in other media such as pen and ink. His paintings are known for their attention to detail, and he described himself as a "neo-realist". The subjects of his paintings include birds and other flora and fauna, as well as Maltese landscapes, seascapes and architecture. He was inspired by the work of the American artist John James Audubon, and he is known to make extensive studies of flora and fauna for his paintings.
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Andrew Friend, a contemporary of Matthews,' also takes an immersive approach to his own seascapes. Matthews original inspiration for his way of working was a 2007 near-death experience. This occurred while he was surfing off Mexico, when the sea became increasingly rough and he became separated from his surfboard. He was eventually hit by a rogue wave; by then he was "floundering in the ocean with a gut-wrenching sense of fear, being completely at the mercy of the ocean," he later recalled.
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Beside urban themes, her subjects include European plants and maritime subjects, including seascapes and illustrations for the former cruise company Deilmann. One of the main subjects in her work remains the forms of appearance of European Fastnacht and Carnival, particularly traditions in Basel and Lucerne and the Alemannic range. In numerous different solo exhibitions her work was presented in museums and galleries in Basel, Berlin, Athens, Aix-en-Provence, Coburg, Eckernförde, Genève, Goslar, Lübeck, Lucerne, Munich, Zurich as well as on the islands Sylt and Naxos.
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As landscape art emerged during the Renaissance, what might be called the marine landscape became a more important element in works, but pure seascapes were rare until later. Willem van de Velde the Elder's The Capture of the Royal Prince during the Four Days' Battle, 1666. Maritime art, especially marine painting – as a particular genre separate from landscape – really began with Dutch Golden Age painting in the 17th century.Russell, Margarita: Visions of the Sea: Hendrick C. Vroom and the Origins of Dutch Marine Painting.
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Ever since Kaiser Wilhelm I ordered eight seascapes in 1853, royal customers had been a major source of his income. In 1865, two paintings were bought by the royal family of Württemberg and, in 1873, two were acquired by Naser al-Din Shah Qajar. In 1869, the Museo del Prado bought his painting "The Cannon Shot - Signal for the Revolt of Cadíz", and he was awarded the Order of Charles III. Curiously though, the Belgian government did not buy any of his works until 1880.
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An 1856 photo by Gustave Le Gray The idea of using several exposures to adequately reproduce a too-extreme range of luminance was pioneered as early as the 1850s by Gustave Le Gray to render seascapes showing both the sky and the sea. Such rendering was impossible at the time using standard methods, as the luminosity range was too extreme. Le Gray used one negative for the sky, and another one with a longer exposure for the sea, and combined the two into one picture in positive.
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Born in the village of Bohdanów (then Russian Empire, now Belarus), Ruszczyc originally studied law at the University of St. Petersburg, but later switched majors and began taking painting classes at the Imperial Academy of Arts. He was a student of the famous Russian landscape painters Ivan Shishkin and Arkhip Kuindzhi. Ruszczyc travelled to the Crimea to paint seascapes, and later to the Baltic islands and Sweden to paint northern landscapes. He visited Berlin, where he was significantly influenced by the Symbolist painters such as Arnold Bocklin.
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Lockspeiser calls La mer "the greatest example of an orchestral Impressionist work", and more recently in The Cambridge Companion to Debussy Nigel Simeone comments, "It does not seem unduly far-fetched to see a parallel in Monet's seascapes".Simeone (2007), p. 109 In this context may be placed Debussy's pantheistic eulogy to Nature, in a 1911 interview with Henry Malherbe: In contrast to the "impressionistic" characterisation of Debussy's music, several writers have suggested that he structured at least some of his music on rigorous mathematical lines.Iyer, Vijay.
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The sea and ships have been depicted in art ranging from simple drawings on the walls of huts in Lamu to seascapes by Joseph Turner and Dutch Golden Age painting. The Japanese artist Katsushika Hokusai created colour prints of the moods of the sea, including The Great Wave off Kanagawa. The sea has appeared in literature since Homer's Odyssey (8th century BC). The sea is a recurring theme in the Haiku poems of the Japanese Edo period poet Matsuo Bashō (松尾 芭蕉) (1644–1694).
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He shifted quickly from empty seascapes, largely of the Fife coast, to genre paintings, usually of young girls sitting on the coast. He was elected an associate of the Royal Scottish Academy in 1903 and a full member in 1911. He was also elected to the Royal Society of British Artists, the Royal Institute of Oil Painters and the Royal Scottish Society of Painters in Watercolour. His first one-man show in London was in December 1928 at Barbizon House, when 34 of his pictures were displayed.
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The Church-related themes in his art he attributes to formative experiences with his mother at their local house of worship, "Beulah Land Church". While he is best known for his ethnic art, many of Ellis' pieces are landscapes, seascapes, and portraits. Ted Ellis is a self-taught artist. He has describes his style at times as "conventional realism", as a bold blend of realism and impressionism, and as impressionist and naturalist, an old masters' style that is sometimes figurative and sometimes folk art.
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Her father, who had been a part of the government there, owned large tracts of land noted for their rice production. Kiso learned all of the traditional feminine arts of the upper class, such as the tea ceremony, flower arranging, and others, but she excelled especially in bonseki. Bonseki is the ancient art of arranging pure white sand and small white rocks on a black lacquer tray, thus forming miniature landscapes and seascapes. The sand and rocks were carefully manipulated with feathers, small brushes, and spoons.
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James Bateman James Bateman (18 July 1811 – 27 November 1897) was a British landowner and accomplished horticulturist. He developed Biddulph Grange after moving there around 1840, from nearby Knypersley Hall in Staffordshire, England. He created the famous gardens at Biddulph with the aid of his wife Maria and his friend and painter of seascapes Edward William Cooke. From 1865–70 he was the founding president of the North Staffordshire Field Club, the large local club which to this day researches local natural history and folklore.
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Lowry paid £5 for the picture from Isherwood's Av Guard exhibition in Manchester. Other known collectors include Prince Charles, who bought one of Isherwood's seascapes from a sale held at Cambridge University. The former Director General of the BBC Hugh Greene commissioned a portrait of Mary Whitehouse, his vociferous critic, from Isherwood; the artist depicted her with five breasts. Isherwood gave the painting a punning title - "Sanctity" - and Hugh Greene allegedly hung it in his office so that he could throw things at it.
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Antoine died of cholera in Marseille in 1835. All Antoine's four children followed in his artistic footsteps, with his three sons becoming known for their painting as well: Mathieu-Antoine Roux (1799-1872); François Joseph Frédéric Roux (1805–1870), 'Frédéric', was apprenticed to Horace Vernet; and the third, François Geoffroy Roux (1811–1882), 'François', was appointed in 1876 as an official Peintre de la Marine.Meissonnier, p.10Cordingly, David, Ships and Seascapes: An Introduction to Maritime Prints, Drawings and Watercolours, Philip Wilson, 2003, p. 155. .
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In 1990, Armstrong sold the family home in Blackburn, and he and Kath moved to Anglesea. The next ten years were spent painting the local land and seascapes, with trips further afield to Mark Pearce’s Bungala, South Australia studio. Landscape painting En plein air was a passion that Armstrong followed for over 60 overs; during the 1990s he joined Rick Amor and others to form the 500 Friday Group. In 1999 he completed a painting trip to Central Australia with John and Renee Dent.
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Hammershus. The island of Bornholm in the Baltic Sea to the south of Sweden has a number of tourist attractions, including rocky seascapes, sandy beaches and fishing villages. Among these towns are Gudhjem, Sandvig, Svaneke and Rønne. The ruin of Europe's largest castle, Hammershus, is the island's most famous monument. There are ferry services to Bornholm from Køge near Copenhagen, from Ystad in the south of Sweden, from Rügen in the north east of Germany and from Kołobrzeg and Świnoujście in the north west of Poland.
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Renowned underwater explorer Jacques Cousteau has described the province as having one of the most beautiful seascapes in the world. and Caril Ridley, founder of Palawan Environmental and Marine Studies Center (PEMS) says the Islands of northern Palawan are destined to become a future destination for Asia's growing economic and environmental conferencing. In 2007, a "shrew-eating pitcher plant", named Nepenthes attenboroughii was discovered in Mount Victoria. There were many species of pitcher plants discovered in this wild mountain paradise, the most recent is named Nepenthes leonardoi.
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Nonda studied drawing and painting under Spiros Vikatos, who encouraged him in the classical tradition and praised his particular gift in portraiture. His first works were portraits of his family, bold nudes, as well as landscapes, seascapes. Many of these works survived the destruction of his atelier in Athens during the Second World War. While his temperament was clearly precocious, his early paintings were deeply influenced by his interest in El Greco, Ingres, Delacroix and Frans Hals among others, and showed a great respect for the masters.
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Since landscape painting had not yet developed as an independent genre in art, the absence of other winter scenes is not remarkable. On the other hand, snowy winter landscapes and stormy seascapes in particular became artistic genres in the Dutch Republic during the coldest and stormiest decades of the Little Ice Age. At the time when the Little Ice Age was at its height, Dutch observations and reconstructions of similar weather in the past caused artists consciously paint local manifestations of a cooler, stormier climate.
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The unrest arising from the French Revolution led to the expulsion of many French from the Papal States. Ducros, considered a Jacobin, was expelled in 1793; he subsequently settled in Abruzzo, then in Naples until 1799, where he created numerous works depicting Campania and Mount Etna. He sold some of his works to William Hamilton and some seascapes to Lord Acton. Ducros came again to Malta in 1800, and here painted views of Valletta for the General Thomas Graham, who had recently conquered the island.
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There is a constant preference to reproduce certain effects and atmospheric elements that give many of his paintings a distinctive feature; fog, skies of various coloured clouds, water reflections, puddles, rainy days, etc. Seascapes where the form becomes evanescent, treatments of blue, white and golden exquisites which remind of one of the great masters of watercolour of all times, of Turner.Paloma Herrero (art critic). Catalogue from the exhibition held in "El Corte Inglés", from 24 November to 12 December 1989, Las Palmas de Gran Canaria.
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Isabel Alexander (1910-1996) was a British artist and illustrator whose work encompassed drawing, water colour, oils, lithography, lino-printing and three- dimensional work, and whose output ranged from socially-engaged documentation of the lives and work of Welsh coalminers, Irish fishermen and English farmworkers through book illustration to landscapes, seascapes and abstracts. Like many other women artists of her generation she struggled during her lifetime for opportunity and recognition in a field that was overwhelmingly male and her significance has only belatedly begun to be acknowledged.
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The Lagoon of St. Mark is an early example of his seascapes that clearly demonstrates the process of color division and the law of simultaneous contrast. Hanging in the Impressionist gallery, in the Chrysler Museum of Art, Signac's 1905 painting is surrounded by the likes of Claude Monet, Edgar Degas, and Pierre Renoir. The room is awash with color and movement and amidst it all, The Lagoon is displayed predominantly on the back wall. Next to it hangs Henri-Edmond Cross's Excursion complementing Signac's painting.
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Since the 1970s Gleeson generally made large scale paintings in keeping with the surrealist inscape genre. The works outwardly resemble rocky seascapes, although in detail the coastline's geological features are found to be made of giant molluscs and threatening crustaceans. In keeping with the Freudian principles of surrealism these grotesque, nightmarish compositions symbolise the inner workings of the human mind. Called 'Psychoscapes' by the artist, they show liquid, solid and air coming together and directly allude to the interface between the conscious, subconscious and unconscious mind.
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Distortions of perspective were also used to show what lay around the corner of a headland or behind and island. Callins' seascapes are characteristically painted from a gull's eye aerial view, while boats within the scene are depicted from a different perspective; sideways and upside down, bouncing around, tipping and tilting in a quilted effect. The high vantage point of the artist's seascape paintings is perhaps attributed to his working method; to paint he leaned over masonite that was laid flat on his table.
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Vincent, Crome, Cotman and Stark are considered by the art historian Herbert Minton Cundall to be the principal artists of the Norwich School of painters. Vincent's work was founded on the style of his master, and on the landscapes of the Dutch Golden Age of paintings. His works, often dated, were sometimes signed with his monogram, GV. Until 1831 he exhibited annually with the Norwich Society of Artists, showing 106 pictures, including 75 landscapes, 6 seascapes and 16 "architectural works". He exhibited in London, Manchester and Glasgow during his career.
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Rubens Jan Brueghel (also Bruegel or Breughel) the Elder (, ; ; 1568 – 13 January 1625) was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborator with Peter Paul Rubens, the two artists were the leading Flemish painters in the first three decades of the 17th century. Brueghel worked in many genres including history paintings, flower still lifes, allegorical and mythological scenes, landscapes and seascapes, hunting pieces, village scenes, battle scenes and scenes of hellfire and the underworld.
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Jan van de Cappelle, by Gerbrand van den Eeckhout Shipping in a Calm at Flushing with a States General Yacht Firing a Salute, 1649 Jan van de Cappelle (or Joannes / van der / Capelle in various combinations; 25 January 1626 (baptized) - 22 December 1679 (buried))"Capelle", which he sometimes used himself, is also found. His signatures may also use "Capel" and "Joannes". MacLaren, 73 was a Dutch Golden Age painter of seascapes and winter landscapes, also notable as an industrialist and art collector. He is "now considered the outstanding marine painter of 17th century Holland".
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MacLaren, 73-79, or see online link below He had no interest in rough seas or cloudless skies,A "Storm" mentioned in his inventory is untraced showing large cloudy skies, with the horizon low, about 15-20% of the way up the vertical axis. The clouds are often mirrored in the dead calm water, although light ripples may be shown. As is often the case in Dutch seascapes, there is often a warship or "statenjacht" ("States yacht"), an official yacht used for transport, official salutes and other business.
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During his twelve-month stay he staged several exhibitions, painted seascapes and taught. In 1906, upon returning to Europe, he married Aida Smith Gale in St. Ives' Parish Church. In 1908, Lever did a series of paintings called Van Gogh's Hospital, Holland expressing the profound influence he felt from that artist. In 1911, Ernest Lawson, an Impressionist painter, persuaded Lever to move to United States, saying he would have greater success there. Lever arrived in New York City in 1912 and painted views of the Hudson River, Times Square and Central Park.
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The main themes in the work of Evgeny Chuprun were seascapes, historic sailing vessels, genre and historical compositions on the theme of the fleet and life on the Neva River. His style determined interest in rebuilding by picturesque means the true face of historical ships or historical situation, with natural lighting and natural conditions of air and water. Since 1980, Evgeny Chuprun was a member of the Leningrad Union of Artists (since 1992, named as Saint Petersburg Union of Artists). Evgeny Romanovich Chuprun died in Saint Petersburg in 2005.
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He focused on landscape painting and began to specialise in seascapes in 1883, when he first stayed on the coast of Liguria. The first views of the Zelata area outside Pavia appeared in 1894. His art is characterised by subtle sensitivity in the investigation of the reflection of light on water, captured in different seasons and times of the day to achieve highly atmospheric effects. It was at the beginning of the new century that he began to combine naturalistic landscapes with depictions of the elegant world of high society in fashionable gatherings and cafés.
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He did a great deal of travelling and the area around Venice (especially Chioggia) became one of his favorites for plein air painting. The impressionistic nature of the land and seascapes eventually led him to a sort of ornamental stylization, approaching Art Nouveau.Bayerische Staatsgemäldesammlungen: Die Münchner Schule 1850-1914, Munich (1979) He later became a founding member of the Munich Secession and served as its President from 1894 to 1899. Of particular importance to his career was his friendship with Adolf Hölzel, who ran an art school in Dachau, the site of an artists' colony.
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While he spent most of the year shocking Paris with his novel style and views, Seurat spent his summers painting wistful seascapes. In 1890, he traveled to the tiny port of Gravelines, near the Belgian border, and painted what would be his last four landscapes. That was two fewer paintings than he had produced the summer previous, perhaps because the broad coastal plain, marked only by dunes, was markedly different from his usual Normandy settings. The rise of the summer vacation meant artists found a ready market for seaside images.
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He came from an old Provençal family, and his uncle was the sculptor Jean- Baptiste Giraud. His art studies began at the École des Beaux-arts, where his teacher was Pierre Puvis de Chavannes.Cyclopedia of Painters and Paintings @ Google Books He made his début at the Salon in 1872 with landscapes and seascapes; participating in their exhibitions on a regular basis for many years. In 1873, he joined with fellow painters and Octave Gallian to establish a workshop in Toulon, and was joined there in 1878 by Eugène Dauphin, .
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Ambergris Caye can also be reached by ferry from Chetumal in Mexico. Ambergris Caye is commonly referred to as the "Isla Bonita" (English translation: 'The Beautiful Island'), after Madonna's 1987 hit "La Isla Bonita" mentioned a place called San Pedro. (Madonna has said the song does not refer to any particular place.) Ambergris Caye is famous for the turquoise seascapes surrounding the island which matches the character and Caribbean charm of the destination. Because of the island's small size, the main form of powered transportation is by golf cart.
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Peter later put his knowledge of shipbuilding to use in helping build Russia's navy. Peter paid a visit to surgeon Frederik Ruysch, who taught him how to draw teeth and catch butterflies, and to Ludolf Bakhuysen, a painter of seascapes. Jan van der Heyden, the inventor of the fire hose, received Peter, who was keen to learn and pass on his knowledge to his countrymen. On 16 January 1698 Peter organized a farewell party and invited Johan Huydecoper van Maarsseveen, who had to sit between Lefort and the Tsar and drink.
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Cornelis Christiaan specialized just like his brother in sea -and river scapes and coastal scenery as those paintings had found a revival during the 19th century in Europe. He traveled abroad to countries such as England, America, Belgium and France, just like his countryman Abraham Hulk Senior did. However, in the end he found satisfaction painting not only river- and seascapes in the Netherlands but also the interior of villages and towns along the rivers. On his travels, he was often accompanied by his brother and his nephew.
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Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theaters, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes. Regarding his style, Hopper defined himself as "an amalgam of many races" and not a member of any school, particularly the "Ashcan School".Wagstaff 2004, p. 13 Once Hopper achieved his mature style, his art remained consistent and self-contained, in spite of the numerous art trends that came and went during his long career.
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Alten continued his working trips within the US well into the 1930s, traveling to both coasts, Florida, Taos and always within his beloved West Michigan. His subject matter was notably diverse; landscapes, still lifes, seascapes, animals and portraits - often of judges throughout Michigan, as well as other notables as far afield as California and Oregon. His style evolved in accordance with both the tastes of the times and his own preferences. He never felt pressure to veer into the overtly "modernist" style which artists of the generation after his frequently embraced.
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He was a jeweler in the family business and once worked at a diamond retail store, when he was encouraged to be an artist by a friend, and quit the same day. Oberstein is widely regarded as the definitive clown painter. He was sometimes called "The Magician" for his unique superimposing of clown faces and was known for his sparkling tear drop on his sad clowns, especially the Wall Street Journal Clown. Oberstein also painted seascapes, horses, portraits, children, and various other subjects, at first doing landscapes and still life.
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Dinckel returned to Toledo, where he worked for the Outdoor Advertising Company, and then became the head of the art department for the Toledo branch of the First National Bank of Detroit. In the late 1920s, he decided to devote full-time to his painting and left the field of design and commercial art. He concentrated on portraits, landscapes, seascapes, and other marine topics. During this time, he maintained a studio on Morin Point on the shore of Lake Erie."Advertiser-Tribune", Tiffin, OH, 23 Mar 1938 In 1942, they moved permanently to Rockport, Massachusetts.
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Léon Printemps was a landscape painter his entire life. His desire to meet Flemish masters prompted him to travel to Belgium and the Netherlands at the end of the nineteenth century, returning home with various studies. Later in life his attraction to the beaches of Normandy, which were quite fashionable at the time, became more marked. After the First World War he started painting landscapes in Brittany and particularly the islands of the Vendée coast, the island of Noirmoutier, the island of Yeu, where he painted seascapes and portraits of fishermen and old farmers’ wives.
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He exhibited at Warsaw Salons in 1828, 1838, 1841 and 1845; and opened a small private art school in 1841. Close-up of Viennese beauty by Lampi (see below) Lampi painted mostly aristocratic portraits and specialized in the Romantic depictions of attractive women. What's more, he produced fantastic landscapes and seascapes inspired by the new intellectual forces of the Age of Enlightenment and the philosophical evolution of Romanticism in Poland. His art style was similar to the work of Italian Salvator Rosa and Claude Joseph Vernet of France.
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The CSDMS architecture employs frameworks and services that convert stand-alone models into flexible "plug- and-play" components to be assembled into larger applications. CSDMS focuses on the movement of fluids and the sediment and solutes they transport through landscapes, seascapes and sedimentary basins. Began in 2007 under the leadership of James Syvitski, formerly the director of the Institute of Arctic and Alpine Research (INSTAAR), Boulder, CO, CSDMS operates under continuing funding from the National Science Foundation (NSF) to coordinate this national effort related to surface dynamic modeling.
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Gerresheim created mainly portraits and genre paintings during her years at the Berlin academy. She painted many landscape studies of the Baltic Sea after 1880, influenced by her stay in Hornbæk and the impact that the fisherman paintings of Peder Severin Krøyer and the seascapes of Kristian Zahrtmann had on her. In 1881 one of her paintings was shown at the Academic Art Exhibition in Berlin. She participated from 1884 in the exhibitions of the Berlin Association of Women Artists and later was also a member of the Munich club for original etching.
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While many smaller nations could point to a tradition of marine painting stretching back over a period of several hundred years, Germany can only be said to have become seriously engaged in this genre after the country became united in 1871. Marine painting was a young form of art in Germany and came to be "the heartland" of the country. For the art schools of the inland cities of Karlsruhe, Dresden and Berlin, landscape painting provided the backbone of their curriculum. Nevertheless, the study of seascapes was included on their syllabus.
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Kensett's style evolved gradually, from the traditional Hudson River School manner in the 1850s into the more refined Luminist style in his later years. By the early 1870s Kensett was spending considerable time at his home on Contentment Island, on Long Island Sound near Darien, Connecticut. It was during this time that Kensett painted some of his finest works. Many of these were spare and luminist seascapes, the prime example being Eaton's Neck, Long Island (1872) now in the collection of the Metropolitan Museum of Art in New York.
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His works have been classified as either Impressionist or Post- Impressionist and included landscapes, seascapes, skyscapes, street scenes, his garden and portraits. When aged 14 he won an award from the Royal Drawing Society, and from then on knew what he wanted to do in spite of his parents' initial disapproval. At the age of 18 he joined Bevin's Travelling Show, and subsequently toured with circuses in Britain and throughout Europe. In 1937, Seago gave evidence to a police enquiry into a blackmail gang in London's West End who exploited sodomy laws.
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Janis Belte was also a renowned Livonian poet known by his pen name Valkt (Lightning), as well as a folklorist. His daughter Zelma Belte fled to Sweden in 1944 and later immigrated to the US, where she was a painter. She painted mostly landscapes, seascapes and flowers, and her work is exhibited at the Livonian Centre Kūolka in Kolka. Livonian Coast was largely depopulated when it was included into Soviet Baltic Military District and Soviet Border Troops severely limited access to the area and access to sea for local fishermen.
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But it was his free-flowing Western mountain scenes and powerful seascapes that captured the attention of scores of collectors. His paintings hang in churches, libraries, restaurants, doctor’s offices, department stores, country clubs, and schools."Sandy Students Buy Fourth Wildlife Painting," The Sentinel East, Midvale, Utah, January 20, 1971, p. 1. Private owners of his works include the late Alex Haley."Utahns give Haley a painting of ‘Roots,’" Deseret News, Salt Lake City, August 15, 1980. p. B1. Kenneth’s oil painting, "From Dugouts to Spires," hangs in the South Jordan City Hall.
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At a time when many of his contemporaries were embracing complete abstraction, James Lechay never abandoned figuration, and retained images and suggestions of: people; cities; seascapes; and various still lives. His imagery was never directly representational or literal, but within its abstraction, the figure remained as a defining characteristic.Lloyd, Ann Wilson, "The Wars and Remembrances of James Lechay," Provincetown Arts 1990, pp. 138-9 He maintained that every painting, no matter what the subject, is essentially a self-portrait in that it expresses the inner being of the artist.
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62-63, Exhibition catalog, Published: Metropolitan Museum of Art 1986, Van Gogh spoke highly of Russell's work, and after his first summer in Arles in 1888 he sent twelve drawings of his paintings to Russell, to inform him about the progress of his work. Monet often worked with Russell at Belle Île and influenced his style, though it has been said that Monet preferred some of Russell's Belle Île seascapes to his own. Russell did not attempt to make his pictures known. In 1897 and 1898 Henri Matisse visited Belle Île.
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Later to be a popular feature in Portuguese gardens, the Queluz cascade was the first artificial waterfall to be constructed near Lisbon. An avenue of huge magnolias forms the approach to the classical Robillon wing of the palace (see key 7), while from the wing a double staircase leads to the canal. More than 100 metres (330 ft) long, the walls of the canal are decorated with tiled panels depicting seascapes and associated scenes. This is the largest of a series of canals in the gardens bordered with chinoiserie-style azulejo tiles.
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Nan’s early work emphasises his strong connection to traditional Chinese culture and his fascination with the lyricism of ancient Chinese landscape artists. His mountainous scenes from the late 1980s and early 1990s feature strong, inky brushwork broken up by ink “dabs” which showcase the rugged textures of these rocky landscapes. Small figures, mules, and remote hamlets appear regularly in these early works, reminiscent of his rural upbringing. His marriage to an English woman in 1989, and their honeymoon at Beidaihe beach, began Nan Qi’s forays into producing mesmerising seascapes and pursuing a more contemporary aesthetic.
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Kahanu Garden and Preserve is a botanical garden located on the Hana Highway (close to the marker) near Hana, Maui, Hawaii. It is one of five gardens of the non-profit National Tropical Botanical Garden, the others being McBryde, Allerton, and Limahuli Garden and Preserve on Kauai, and The Kampong in Florida. The garden was established in 1972 on Maui's northern coast, with rugged black lava seascapes, and is surrounded by one of Hawaii's last undisturbed hala (Pandanus tectorius) forests. The garden's ethnobotanical collections focus on plants traditionally used by Pacific Island people.
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Over time, the setting changed to various locations, such as The Old West, where Wright interviewed celebrities, including artists, writers, and politicians, among others. The Lois Wright Show was the longest running cable access show on LTV until its end in 2018. As an artist, Wright's work has been shown at the Sag Harbor Gallery, Guild Hall in East Hampton, and the National Arts Club in New York City. Her art mainly focuses on the subjects of Grey Gardens – Edith Bouvier Beale and Edith Ewing Bouvier Beale – and seascapes off the coast of Montauk.
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Jones continued painting and exhibiting in both the U.S. and abroad, traveling to several cities in Italy, as well as holding one-woman shows in London and Paris. In addition to fine art, Jones was a noted illustrator and she had works selected for the 1946 edition of Robert Louis Stevenson's A child's garden of verses. Jones' first husband died in 1955 and the following year, she was the only female artist profiled in Norman Kent's book Seascapes and Landscapes in Watercolor. In 1961, she married Owen Phelps Frisbie, of Long Island, New York.
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The painting depicts a group of young people in a small sailboat caught in the titular ocean swell. The scene's bright setting exhibits Hopper's enthusiasm for the sea, which can also be found in his other nautical paintings and seascapes – most notably his paintings of New England lighthouses such as Lighthouse Hill (1927) and The Long Leg (1930). However, a sense of isolation pervades all of these paintings. In Ground Swell specifically, the loneliness of the boat and the rather ominous presence of a buoy signify themes of impending doom.
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He became a pupil of Preti for about seven months until his training was cut short by Preti's death in January 1699. After his return to Naples in 1701, he dedicated himself to painting as a pupil of Francesco Solimena who trained him in landscape painting but was also a history painter influenced by Preti. He also studied under the painter Franz Joachim Beich, a landscape painter from Ravensburg (in today's Baden-Württemberg) who was then working in Naples. He also studied with the Dutch painter Paul Ganses, who was a specialist in moonlit seascapes.
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In Paris he had a meeting with Theo Van Gogh and managed thus to invite Vincent van Gogh to the next exhibition in Brussels. That is where Van Gogh sold Vigne Rouge in Montmajour to Anna Boch, the only painting he ever sold. Apart from the portraits, he also painted in this period many landscapes and seascapes : "Dunes in Cadzand" (1893), "The rainbow" (1894). In the 1895 he made long journeys to Athens and Constantinople, Hungary, Romania, Moscow and Saint Petersburg in order to make posters for the "Compagnie des Wagons- lits".
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In this part Angel liberally borrows anecdotes on famous painters from antiquity up to the 17th century from van Mander's Schilder-boeck. According to Angel, painting deserves more praise than the other two arts because it can imitate all that is visible in nature. The second part of the booklet deals with the wide range of skills that a painter must master to excel. This is the most original part of the booklet as Angel describes genres such as seascapes, battle scenes and guardroom scenes that were new at the time.
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Although committed to freedom and equal rights for Afro-Americans, Bannister did not directly represent those issues in his paintings. He is primarily known for his idealised landscapes and seascapes, but he also executed portraits, biblical and mythological scenes, and genre scenes. An intellectual autodidact, his tastes in literature were typical of an educated Victorian painter, including Spenser, Virgil, Ruskin and Tennyson, from whose works much of his iconography can be traced. His work reflected the composition, mood, and influences of French Barbizon painters Jean-Baptiste-Camille Corot, Jean-François Millet, and Charles- François Daubigny.
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He retired from the Army in 1931. Following his military retirement, Glassford was Superintendent of the District of Columbia Police, a position he resigned because of disagreement over the actions taken against the Bonus Army in 1932. He subsequently served briefly as chief of police in Phoenix, and was a federal labor-management mediator in California. During World War II, Glassford returned to active duty and served for nearly two years in the office of the Provost Marshal General. In his later years, Glassford’s hobbies included painting; he created landscapes and seascapes in watercolors.
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He was active and popular in Naples in the court of Charles of Bourbon, employed at Portici and he provided them with several over-doors ('sopraporte') pictures for Naples' Palazzo Reale. He specialized in seascapes, and landscapes (vedute). One institution described his work thus: His Irish scenes being distinguished by his excellently accurate portrayal of architectural features.Drogheda Municipal Art Collection An auction cataloguer described him thus: Ricciardelli was exceptional among the Neapolitan view painters in that he spent part of his career in Ireland (Dublin 1753-1759) and England (1777).
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The Thorpe Smith Collection of local landscape views contains paintings, drawings and prints from as early as 1803. Local views and seascapes include: Afternoon, Hadleigh by George Shalders; At Leigh, Essex by Gustav de Breanski (c.1880–1890); Boats at Leigh by Sheila Appleton (1982); Chalkwell Bay from Belton Hills, Leigh by H. G. Allnutt; Cliff Parade, Leigh on Sea by Arthur H. Taylor; Crowstone Beach by Alfred Harvey Moore; Evening oyster boat off Southend Pier by William Calcott Knell (1867); and Leigh, Essex by Charles Fisher (1878).
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' For Guy Peploe, 'There was a desperate urgency to her work. It was almost as if she knew that she was not going to be the grand lady of Scottish art.' Murdo Macdonald says of Eardley's Catterline seascapes: '[S]he committed herself to understanding the sea more than any other painter since William McTaggart in the 1890s. Rather than just responding to the attraction of the coastline, she painted with the perception of a mariner aware that waves are heavy, fast moving lumps of water, as able to kill as to support.
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Only one portrait was shown, (Chief Justice Samuel Way), with dozens of seascapes and landscapes in both water-color and oils: scenes in the Victorian Mallee and fern gullies, the Adelaide hills, on the River Torrens, the Buffalo Ranges (Victoria), the valley just below the viaduct near Blackwood, on the Belair Road, at Victor Harbor, Port Elliot, on the gulf coast, Backstairs Passage, near Strathalbyn, from the summit of Mount Lofty, and the Botanic Park. "Sunset on Lake lexandrina" and "A Bushfire in the Grampians" created considerable interest.
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1946 d.1995. Hebson has also made a series of intense, romantic and darkly atmospheric seascapes and shipwrecks which are reminiscent of the Gustave Doré prints for Samuel Taylor Coleridge's:The Rime of the Ancient Mariner Nadia Hebson studied at Central Saint Martins and the Royal Academy Schools. She was then a Lecturer in Fine Art at Newcastle University before leaving her post. Interested in the divisive notion of ‘an appropriate education for women’ she runs the reading group, an open reading project that explores the subjective female voice in literature.
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Yet the solitude played a negative role in his art career. By the mid-nineteenth century, Russian art was moving from Romanticism towards a distinct Russian style of Realism, while Aivazovsky continued to paint Romantic seascapes and attracted heavy criticism. In 1845 and 1846, Aivazovsky attended the maneuvers of the Black Sea Fleet and the Baltic Fleet at Petergof, near the imperial palace. In 1847, he was given the title of professor of seascape painting by the Imperial Academy of Arts and elevated to the rank of nobility.
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Aivazovsky was the most influential seascape painter in nineteenth-century Russian art. According to the Russian Museum, "he was the first and for a long time the only representative of seascape painting" and "all other artists who painted seascapes were either his own students or influenced by him." Arkhip Kuindzhi (1841/2–1910) is cited by Krugosvet encyclopedia as having been influenced by Aivazovsky. In 1855, at age 13–14, Kuindzhi visited Feodosia to study with Aivazovsky, however, he was engaged merely to mix paints and instead studied with Adolf Fessler, Aivazovsky's student.
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Gude's artistic career was not one marked with drastic change and revolution, but was instead a steady progression that slowly reacted to general trends in the artistic world. Gude's early works are of idyllic, sun-drenched Norwegian landscapes which present a romantic, yet still realistic view of his country. Around 1860 Gude began painting seascapes and other coastal subjects. Gude had difficulty with figure drawing initially and so collaborated with Adolph Tidemand in some of his painting, drawing the landscape himself and allowing Tidemand to paint the figures.
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Jan Michiel Ruyten painted genre scenes, landscapes with figures, winter landscapes, urban landscapes, waterscapes, seascapes, historical subjects, scenes with figures and architectural views.RUYTEN, Jean or Jan Michael (1813 - 1881), Painter, engraver in: Benezit Dictionary of Artists While initially he painted mainly cityscapes, during his residence in The Netherlands he was inspired by the work of Andreas Schelfhout and Wijnand Nuijen to start paintings river views, ports and ice scenes. Despite the Dutch influence on these works, he was able to maintain his originality. After 1870 he returned to painting city scenes and markets.
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Moore died in 1901 at the age of 47 shortly after his father. The work of Claude, his father, Thomas Cooper and his brother, Reuben Arthur (usually called Rubens) is similar in character and variety; all sought charming urban and rural scenes, coastal scenes and seascapes in The British Isles and Western Europe."The Moores at Auction" is a list of some of their pictures, which appeared at auction, collected from various sources. With Claude and his father having two initials in common, there is potential for confusion.
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While in France, Hayden did not remain stationed in Paris and also traveled to the coasts in order to continue painting landscapes and seascapes. He was particularly fond of Concarneau, a small village primarily sustained by fishermen, and painted several scenes of the town, one of which being Concarneau - Andrée de la Mer. He also visited several museums and a variety of exhibits, such as the Louvre, and found inspiration within its walls. Hayden became acquainted with philosopher Alain Locke, who showed him African art he had collected from his extensive travels.
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Some of his more important clients were oil-sector firms that had hitherto been Gasolin rivals, such as Texaco and BP. Other significant clients included Techniker KK, Beiersdorf, Rotring and the Lübeck utilities company ("Stadtwerke Lübeck"). There was also more time for diversification away from commercial art as narrowly defined, with a particular focus, as during the 1950s, on watery landscapes and seascapes, with a number of further technical refinements, notably with regard to "aquarelle" (wet-on-wet) watercolors. His aquarelle painting "Bei Blohm + Voss" dates from this period.
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From 1985 she was part of the 8+1 Suffolk Group, a group of nine artists that could manage and present their own exhibitions. Their first show was at Broughton Gallery, Lanarkshire in August 1985. Her main subjects were landscapes and seascapes celebrating the Suffolk countryside, along with still life pictures of flowers, plants and trees, including those growing in her own garden; she also produced occasional portraits. Her work was mainly figurative, although her later works were much more abstract in character, using vivid colours and broad brushstrokes.
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It is likely that his foray into painting was only ever intended to serve a secondary purpose; to provide illustrations for his written records. In his seascapes, Callins would note down aspects such as his family association with the place illustrated, its geographical position, the time of day, as well as providing navigational advice on the hazards present in the water. Author Geoffrey Lehmann describes Charles Callins as an excellent colourist. Callins was aware of how to mix colours from his experience as a compositor working on newspaper printing.
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"Juilliard: A History" by Andrea Olmstead. University of Illinois Press, 1999 Upon returning to Winston-Salem in 1978, the composer completed a large-scale piano work, “Fantasies for Piano,”,for NCSA piano instructor Clifton Matthews. A year later, Frazelle approached the Southeastern Center for Contemporary Art, a vital arts institution in the region, about composing a site-specific work for the Center's Main Gallery. SECCA's director, Ted Potter, encouraged the composer to create Seascapes (1981), an hour and a half work with the audience and performers seated in a giant chambered-nautilus-shaped spiral.
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The Aquarium features a collection of over 11,000 animals representing over 500 different species in exhibits ranging in size and capacity from about 5,000 to 350,000 gallons. Exhibits introduce the inhabitants and seascapes of the Pacific, while also focusing on specific conservation messages associated with each region. The Pacific Ocean is the focus of three major permanent galleries, sunny Southern California and Baja, the frigid waters of the Northern Pacific and the colorful reefs of the Tropical Pacific. A diver addressing a group of visitors using a specially adapted mask in the Blue Cavern exhibit.
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"Beyond The Void," Contemplative Process, February 2013. Writers also liken her work to the subjective, late landscapes of Caspar David Friedrich, the "dim complexity" of Albert Pinkham Ryder's seascapes, and the "pensive and brooding" landscapes of fellow West- Irish artist Jack Butler Yeats. Despite the abstract nature of O'Toole's work—and her early attempts to dispel associations with landscape, in part, by working vertically—writers (in Ireland and elsewhere) have consistently described her work as "distilling the essence"Ó Cuív, Ruairí. "Helen O'Toole Exhibition at Art Gallery," Sligo Champion, August 1999.
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The cabinet was constructed in London in 1775 by Ince and Mayhew. Matthew Boulton and John Fothergill's Soho Manufactory near Birmingham supplied the gilt-bronze mounts, which cost more than the rest of the cabinet. Mounted on the cabinet are eleven pietra dura panels showing romantic seascapes and mountainous pastoral scenes. The panels were made by Florentine artist Baccio Cappelli in 1709 at the Galleria dei Lavori mosaic workshop in Florence, using small samples of marble and other stones mounted on a slate backing to create the decorative images.
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In 1852 Quartley and his family left Paris for New York City and in 1862, founded a design firm in Baltimore. The firm Emmart & Quartley was regarded as the best decorating company in the city (Dictionary of American Biography); however, young Quartley began painting marine seascapes of Chesapeake Bay, and progressively spent more and more time in that pursuit. He held a successful show of marine paintings at the studio of Norval H. Busey in Baltimore. Scholar Elizabeth Johns remarked that Quartley's work reveals familiarity with the Dutch Masters marine tradition of composition in treatment of light and color.
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Remaining piers of one of the railway's bridges In 1984, of the defunct rail line's right-of-way were dedicated as the Bermuda Railway Trail for hiking and, on some paved portions, biking. The Bermuda Tourism Department publishes a pamphlet describing the Trail's highlights, which Frommer's travel guide calls one of its "Favorite Bermuda Experiences", extolling its "panoramic seascapes, exotic flora and fauna, and soothing sounds of the island's bird life". A small Bermuda Railway museum operated in the old Aquarium Railway Station, just east of Flatts Village. The museum closed shortly before the death of the owner in 2011.
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His range of subject matter encompassed genre scenes, portraiture, landscapes (especially seascapes) and still life. His work is represented in the Auckland Art Gallery; Fletcher Collection, Auckland; Museum of New Zealand Te Papa Tongarewa, Wellington; Sarjeant Gallery, Wanganui; Christchurch Art Gallery; Aigantighe Art Museum, Timaru; Dunedin Public Art Gallery; Hocken Collections, University of Otago, Dunedin; and Anderson Park Art Gallery, Invercargill. O'Keeffe is the focus of the exhibition A. H. O'Keeffe: Light in the Shadows, at the Dunedin Public Art Gallery from 29 September until 9 December 2012, the first solo exhibition of his works since 1957.
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Jan Porcellis established an original manner of Marine painting focusing on tonal effects, fostering vivid atmospheres and seascapes in a monochromatic fashion. These stylistic elements were later seen among his contemporaries such as Jan van Goyen, Pieter de Molijn, and Salomon van Ruysdael. These seascapists, more often than not, followed Porcellis in his depictions of anonymous ships surrounded by vast expanses of sea and sky (Slive 217). Rather than being commissioned, these paintings were usually made to sell on the open market, which can be reflected by the fluidity in stylistic elements not traditionally characteristic of marine painting (Slive, p. 217).
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'" At the invitation of Francis Davis Millet, in 1886 the Browns joined an artists' colony in England, where Americans including John Singer Sargent and Edwin Austin Abbey were working. His paintings of the English countryside, much like in New England, were well received in Boston. Later in the 1880s the Browns summered not only in West Newbury, but also at Celia Thaxter's salon on Appledore Island among the Isles of Shoals off the coast of southern Maine. There he became a close friend of Childe Hassam and painted seascapes, including the dramatic and powerful "Storm at the Isles of Shoals.
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The Wave (La Vague), 1869, oil on canvas, , Musée des beaux-arts de Lyon Courbet's work belonged neither to the predominant Romantic nor Neoclassical schools. History painting, which the Paris Salon esteemed as a painter's highest calling, did not interest him, for he believed that "the artists of one century [are] basically incapable of reproducing the aspect of a past or future century ..." Instead, he maintained that the only possible source for living art is the artist's own experience. He and Jean-Francois Millet would find inspiration painting the life of peasants and workers. Courbet painted figurative compositions, landscapes, seascapes, and still lifes.
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He is also a famed artist to depict beautiful floral still lifes and interiors, coastal views and seascapes. In this genre his paintings have to be compare with the painters of his epoque the likes of Constant Permeke and Adrien le Mayeur de Merprès, that influenced much his own manner. One of the Belgian art critics of that time Camille Lemonnier said about Toussaint, that he was "one of the painters that broadened the horizon of the peaceful and intimate landscape". Beginning from 1895 Toussaint had been receiving a lot of orders for commercial posters for different official events.
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Submarine canyons are deep, steep-sided valleys that form on continental margins. Stretching from the shelf to the deep sea, they dissect much of the European margin. They are one of the most complex seascapes known to humans; their rugged topography and challenging environmental conditions mean that they are also one of the least explored. Advances in technology over the last two decades have allowed scientists to uncover some of the mysteries of canyons, the size of which often rival the Grand Canyon,Tyler et al. (2009). "Europe's Grand Canyon" Oceanography 22 (1), March 2009 USA.
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In 1910, at the age of fifty-nine, Gruelle and his wife, Alice, moved to a century-old home on property they purchased in Norwalk, Connecticut, about from New York City. Gruelle and his wife shared the property with their three grown children: John and his wife, Myrtle; Prudence and her husband, Albert Matzke; and the youngest Gruelle son, Justin. Gruelle continued to paint in Connecticut, focusing on what he saw in nature, especially seascapes. Although the Connecticut property was Gruelle's home for the remainder of his life, he frequently returned to Indianapolis to exhibit his work and visit friends and family members.
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Egide François Leemans or Egide LeemansAlso known as 'Egidius Franciscus Leemans' and 'Egidius-Frans Leemans' (Antwerp, 28 April 1839 – Antwerp, 2 January 1883) was a Belgian painter, draughtsman and engraver.LEEMANS, Egide François (1839 - 1883), Engraver, in: Benezit Dictionary of Artists He is best known for his paintings and prints of waterscapes, harbours and seascapes in the evening or at night. His work represents a break with the tradition of grand themes in Belgian marine art in favour of a realist representation of nature.Pol de Mont, 'De schilderkunst in België van 1830 tot 1921', The Hague, Martinus Nijhoff, p.
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Yankel Feather's paintings all come from distinctive periods of his life and work. His early years during the Mersey Beat days in Liverpool, depict rhythmical colourful movement in crowded dancehalls at a time when he was a club owner. Inspired by the atmosphere in his Basement Club in Liverpool (set up by Feather in 1958) he painted every aspect of dance: from the Twist during World War II to Rock ‘n’ Roll, to decades of ballet shows. Feather's paintings also explore Cornish landscapes and seascapes, market scenes from Morocco and views of a crowded Brighton beach.
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Mato Celestin Medović (birth name Mato Medović; 17 November 1857 - 20 January 1920) was a Croatian painter. Best known for his large paintings depicting historical scenes, and his series of colourful landscapes and seascapes of his native Dalmatia, Medović is one of the earliest modern Croatian painters. In his youth Medović was schooled to become a priest in the Franciscan Seminary in Dubrovnik, and was ordained in 1874, taking the name of Celestin. He received his first art training in Italy, and went on to study at the Academy of Fine Arts in Munich, where he began painting artistic impressions of historical events.
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He painted still lifes, seascapes, and landscapes, which were new genres in Croatian art at the time. His palette became lighter and brighter as he worked outdoors: browns, greys and dull greens became purer, and were joined the purple of heather, the yellow of broom, and the rich array of blues of the sea. Abandoning his previously detailed style, his smaller studies from nature are more creative. With thick impasto and impulsive brush strokes, around 1907 a new style emerged in his work – pointillism in a light, bright colours, that he used for his landscapes of Pelješac.
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Influenced by the Russian painter Peter Effremovich Fedatov during his youth in Odessa, Ukraine and later by the works of I. K. Aivazowsky, Garin has combined the traditional beauty of European art with contemporary techniques developed by his own hand. With a prominent career extending over four decades, he broke through barriers in seascape painting technique that had restrained artists for years. Using texture and a variety of translucent glazes, Garin created compositions that are bold, yet controlled. His compositions are unique and varied, from shipwreck scenes, to romantic moonlit ocean breakers, to sun- drenched seascapes at dusk, to misty coastal coves.
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After the war Luard's interests broadened to include landscapes and seascapes. He moved to London in 1934 and became a regular visitor to the racecourse and stables at Newmarket, where he would often paint scenes of thoroughbred racehorses training on the gallops. In 1936 Faber and Faber published his book The Horse: Its Action and Anatomy, the first study of the skeleton, muscles and physiognomy of the horse since George Stubbs' treatise, The Anatomy of the Horse. During World War II, Lowes Luard was contracted to provide a number of works for the War Artists' Advisory Committee.
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Philip Wilson Steer (28 December 1860 - 18 March 1942) was a British painter of landscapes, seascapes plus portraits and figure studies. He was also an influential art teacher. His sea and landscape paintings made him a leading figure in the Impressionist movement in Britain but in time he turned to a more traditional English style, clearly influenced by both John Constable and J. M. W. Turner, and spent more time painting in the countryside rather than on the coast. As a painting tutor at the Slade School of Art for many years he influenced generations of young artists.
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Clausell's Paisaje con bosque y río Joaquín Quirico Marcelino Clausell Traconis (June 16, 1866 – November 28, 1935) was a Mexican lawyer and political activist, who was predominantly known for his Impressionist paintings of Mexican land and seascapes. He was born and raised in the city of Campeche, where he began drawing as a young student. However, he had to flee the city for Mexico's capital after confronting Campeche's governor in public. In the capital, he made his way to law school, despite poverty, but continued his opposition to the political status quo, landing him in jail, interrupting his studies.
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His canvas works are almost exclusively dedicated to landscapes with some seascapes, mostly sticking to the base of Impressionism with some experimentation in coloring. However he also produced images on the walls of his studio, which are far more varied in theme and style, with elements of Symbolism. While he was not integrated with Mexico's art scene during his lifetime, his work was noticed and appreciated by artists such as Diego Rivera and Dr. Atl. Since 1995, when a tribute to his work took place at the Mexico's National Art Museum he has been written about and gained more recognition.
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This style extended into the beginning of the Mexican muralism movement, but the muralists' requisite social themes did not influence Clausell. Unlike the panoramic views of the works of José María Velasco, Clausell's works depict the Valley of Mexico in smaller, more intimate scenes, often in areas related to his family's lands or in travels with Dr. Atl. A significant number of works are related to Iztacalco and the then existing Santa Anita Canal, as well as the ranch of his wife's family. According to Xavier Moyssen, he was the best among his contemporaries at seascapes.
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Still attached to the military hospital, he was sent to the Mediterranean a second time, under Sir James Craig. He visited several parts of Italy in the course of duty, and obtained leave of absence to visit Florence, Naples, and Rome. He went to the United States around 1826, and became a member of the National Academy of Design at New York in 1828, where he exhibited watercolour landscapes and seascapes, and engravings. In the 1830s and early 1840s he produced a series of aquatints of topographical views, both from his own paintings and those of others.
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His Post-Modern artwork is replete with images of industrial and nuclear effects upon the common man, and those who knew him confirm that he was consumed with the concept of a nuclear holocaust. Growing up in rural Texas, to a life in Boston and New York, friendships with intellectuals, Wilson’s writings reveal a man who held his craft and opinions in high regard. Understanding that Wilson eschewed family relationships while fully immersing himself as a bit of an artistic recluse, provides an insight into the life of this artist. Desolato Bay Wilson painted seascapes in his Rockport, Massachusetts studio.
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His value lies in his theorizing postmodernity, and making the first forays into postmodern visual art — the seascapes were a virtuoso performance; Winslow was no less a character than Pico or Tex. In that sense he was a performance artist. A kind of Andy Kaufman who took personae and masks to the extreme. On this conceptual level, if explained as such, Wilson ought to be recovered; and could be recovered by an astute and enterprising curator.” The paintings are in the process of being professionally restored and framed, and efforts are underway to showcase Wilson’s paintings.
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Violeta Christova Maslarova () (1925–2006) was a noted Bulgarian artistSpas Rusinov, Bulgaria, a Tourist Handbook, 1971, page 112, Sofia PressSpas Rusinov, Bulgaria: Land, Economy, Culture, page 236, 1965, Foreign Language Press known for her romantic and moody seascapes. Along with Georgi Baev and Kiril Simeonov she was often referred to as one of the 'Bourgas Colourists'. Her career spanned both the communist and the capitalist era of Bulgaria with mixed effects on her art and career.Antoaneta Puncheva, Marianna Panova, Our Bulgaria, 2002, page 140, European Initiative Foundation Maslaraova (née Buchvarova) was born to a poor family in Burgas, Bulgaria.
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He generally avoided new approaches to painting to protect his income. Nonetheless, impressionism is evident in some of his published works, such as Attica Shore (1894) and Panormos Seashore in Scopelos (P. Moraitis). Poulakas- giannis-sea-painting-with-boat Between 1924 and his death he painted seascapes and landscapes and views of sites in Athens. Works include the heroic sailing ship Leonidas that fought in the Greek War of Independence (Leventis), Fishing Boat on Seashore (Museum A. K. Damtsa, Art Center Giorgio de Chirico, Volos) and Brig and Steamer, which appeared on a Greek postage stamp in 1969.
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Portrait of Joanna Koerten by Jacobus Houbraken, after a painting by David van der Plaas Joanna Koerten, (married name Joanna Block) (17 November 1650 in Amsterdam – 28 December 1715 in Amsterdam) was a Dutch artist who excelled in painting, drawing, embroidery, glass etching, and wax modeling. She achieved fame as a silhouette cutter, the art of creating outline images from pieces of cut paper mounted on a contrasting background. She produced landscapes, seascapes, flowers, portraits, and religious scenes in this medium. Her clients included Peter the Great of Russia, Frederick Elector of Brandenburg, Johan de Witt and William III of England.
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After leaving school aged 14 years, Boyd briefly attended night classes at the National Gallery School in Melbourne where Jewish immigrant artist Yosl Bergner introduced Boyd to writers such as Dostoyevsky and Kafka and influenced his humanitarian values and social conscience. Boyd later spent some time living on the Mornington Peninsula at Rosebud with his grandfather, the landscape painter Arthur Merric Boyd,Heritage assessment, Boyd house, Rosebud, Mornington Peninsula Shire Council, 2011. a primary guide to the formation of his talent. Early paintings were portraits and of seascapes of Port Phillip created while he was an adolescent, living in the suburbs of Melbourne.
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One of the first Bulgarian painters to exhibit internationally, he played a decisive role in dispelling the image of his country as a cultural backwater. He was also active in the nation's political and cultural life, making contributions to many newspapers such as Balkan Dawn, Evening Post and World as well as the magazine Art (usually under pseudonyms, such as "Tonino" and "Arnold"). He also lectured extensively and did book illustrations (those for Under the Yoke by Ivan Vazov are, perhaps, best known). Among his works are the first seascapes painted in Bulgaria, although he specialized in genre art and portraits.
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Georges Ricard-Cordingley is the only maritime artist to have begun life in Lyon. His taste for the esoteric, his writings about art, and his treatment of mist in seascapes—nuanced tones, subtle harmonies—make him a clear product of the Lyonnais school of painting. Here was a man remarkable for his discretion, finesse, and restraint in conveying feelings and emotions. Ricard-Cordingley was said to be a painter of colourful greys: hues echoed not only in the styles of the Lyonnais and London schools, but in the two cities themselves, which granted the artist his first taste of success.
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Influenced by the seascapes and skies of Southern California, Valentine was an early pioneer of using industrial plastics and resin to produce monumental sculptures that reflect and distort the light and space that surround them. For Valentine, a smooth surface was the whole point of the work and he did not want it to look old.Vanessa Thorpe (October 9, 2011), "De Wain Valentine's Gray Column restored for modern art show" The Guardian. While he was teaching a course in plastics technology at UCLA in 1965, he wanted to produce a polyester resin in large volumes that would not crack from curing.
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Aivazovsky with his first wife, Julia, and their four daughters Upon his return to Russia, Aivazovsky was made an academician of the Imperial Academy of Arts and was appointed the "official artist of the Russian Navy to paint seascapes, coastal scenes and naval battles." In 1845, Aivazovsky traveled to the Aegean Sea with Duke Konstantin Nikolayevich and visited the Ottoman capital, Constantinople, and the Greek islands of Patmos and Rhodes. In 1845, Aivazovsky settled in his hometown of Feodosia, where he built a house and studio. He isolated himself from the outside world, keeping a small circle of friends and relatives.
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He has had many sitters, and his portraits of ladies have a refined quality. His portraits are good in likeness, with graceful poses, details and textures of gowns and clothes in color. It is also argued however, that his seascapes should be counted as his best work. The Harvard Art Museums, the Honolulu Museum of Art, the National Museum of American History (Washington, DC), U.S. Navy Museum (Washington, DC), the Victoria and Albert Museum, the Wadsworth Atheneum (Hartford, CT), and the Yale University Art Gallery are among the public collections holding work by George Burroughs Torrey.
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While studying, he joined the St. Mungo Art Club, founded by a Scottish cartoonist known as Cynicus, and was soon exhibiting at the Royal Scottish Academy, aged only seventeen.Australian Dictionary of Biography After serving four years at sea as a ship's engineer, he settled in London in 1884, where he began painting professionally as well as teaching. During his stay there, he exhibited at the Royal Society of British Artists, the Royal Institute of Oil Painters and several others. He returned to Sydney in 1888 where he began producing the seascapes and coastal scenes for which he is best known.
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William was born to James Black and his second wife Caroline Conning. He was educated to be a landscape painter, a training that influenced his literary life, and as a writer, he became celebrated for the detailed and atmospheric descriptions of landscapes and seascapes in novels such as White Wings: A Yachting Romance (1880). At the age of twenty-three he went to London, after some experience with Glasgow journalism, and joined the staff of the Morning Star, and, later, the Daily News, of which journal he became assistant-editor. He wrote a weekly serial in The Graphic.
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Kenneth King, 2009, outside Straid Studio-Gallery Ardmore (National Maritime Museum of Ireland) Kenneth King, born in Dublin, Ireland (1939 - 2019) was a notable international marine artist who was a Chaplain in the Royal Navy before he became a full-time artist. King's studio, "Straid Studio-Gallery", is in Glencolmcille, a Gaeltacht or Irish language speaking region in County Donegal, Ireland. King's father was Richard King, best known for his designs of Irish postage stamps and his work in stained glass. King specialises in depicting the naval and merchant shipping of Ireland, as well as seascapes of the country's coastline and lighthouses.
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Aboard the Navy ships, Pancetti was given the task of painting hulls, walls, etc. He did this with such a zeal that his fame spread throughout the Navy until an admiral created a cadre of experts in the profession and appointed Pancetti as its first teacher of painting. But being a wall painter became boring and upon the humble sailor dawned a desire to put into paper what his eyes saw. And so Pancetti began to draw and to paint postcards with landscapes, seascapes and romantic sceneries, still quite clumsy, but which already showed his considerable artistic potential.
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The Pont-Aven School, which started to emerge in the 1850s and lasted until the beginning of the 20th century, had a decisive influence on modern painting. The artists who settled in Pont-Aven wanted to break away from the Academic style of the École des Beaux-Arts and later from Impressionism when it began to decline. Among them were Paul Gauguin, Paul Signac, Marc Chagall, Paul Sérusier and Raymond Wintz. Before them, Brittany had also been visited by Academic and Romantic painters like Jean Antoine Théodore de Gudin and Jules Achille Noël who were looking for dramatic seascapes and storms.
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He met and was inspired by Claude Joseph Vernet, who was already famous as a painter of landscapes and seascapes, and the German engraver Johann Georg Wille. In 1768 Hackert left Paris with his brother Georg, and went to Italy, basing himself mainly in Rome and Naples, where he produced many works for Sir William Hamilton. He travelled all over Italy, gaining a reputation as a talented landscape painter. He became famous everywhere in Europe due to his works for Catherine the Great, the cycle of paintings about Battle of Chesma, and Pope Pius VI. In 1786 he went to work for Ferdinand I of the Two Sicilies in Naples.
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Kopystiansky was born 11 November 1950 in Voronezh, Russia, and from late Seventies till late Eighties was part of a second- generation of "Soviet non-conformist artists" w. In 1979, Svetlana Kopystiansky turned to the avant-garde tradition. Her Correct Figures/Incorrect Figures (1979) commented on the work of Malevich, while White Album (1979) was based on the concept of the “found object” introduced by Marcel Duchamp. The works on paper Plays mimicked Samuel Beckett's deadpan humor and meditations on life's banality and contained a reference to Alexander Rodchenko’s ideas. Kopystiansky started working on her two conceptually and formally related series- Landscapes and Seascapes- in 1980.
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Wallenrod had her first solo exhibition at the Roko Gallery (1946) and then belonged for many years to the Charles Barzansky Gallery, both in New York City. She also participated in numerous group exhibitions in the late forties until the early nineteen sixties. Lucille Wallenrod was handicapped from birth with cerebral palsy, and she painted with a special arm brace of her own design. She painted dramatic expressionist seascapes, with broad strokes and deep vivid colours, and still lifes and portraits as well. She won a number of competitions, most notably the first prize in the National Art Contest sponsored by the then President Eisenhower’s Committee on the Handicapped in 1956.
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Bruce Hainley selected Beach No. 2 (2013) as the "Best of 2013" in the December 2013 issue of Artforum. He wrote: > Gallace ... makes some of the most intense paintings going. Luminous grays, > glissandos of white, and auroral pinks and oranges dramatize her precise > blues. In her “seascapes,” ... waves crash upon the shore and the horizons > disappear—which is not a minor event for a painter who always considers > grounding. While the artist’s photographs (one was reproduced as the show’s > announcement card) document specific locales and buildings, some already > dismantled by environmental or economic havoc, the paintings transmigrate > soulfulness more than they do any topography.
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River scenes were very common among the Impressionists, especially by Monet and Alfred Sisley. Dazzle-ships in Drydock at Liverpool, by Edward Wadsworth, 1919 The Spanish painter Joaquín Sorolla painted many beach scenes, typically concentrating on a few figures seen close up, in contrast to the smaller figures of most beach paintings. American artists who painted beaches and shores, typically less populated, include John Frederick Kensett, William Merritt Chase, Jonas Lie, and James Abbott McNeill Whistler, who mainly painted rivers and the canals of Venice. Towards the end of the 19th century the American painter Albert Pinkham Ryder created moody and darkly visionary early modernist seascapes.
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Chamonix to Martigny via the gorges of Trient Roger Broders (born Paris, France, 1883, died, Paris, 1953) was a French illustrator and artist best known for his travel posters promoting tourism destinations in France, typically fashionable beaches of the Côte d'Azur and skiing resorts in the French Alps in the early 20th century. Broders' illustrations were distinctive for their simple lines and bold, flat areas of color, combined with noticeable graphical perspective showing the featured mountains and seascapes in the background. Broders' illustrations depicting people show active elongated figures wearing elegant, contemporary clothes. His posters were simply and boldly lettered identifying the destination, and were supplemented with a brief slogan.
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William Duesbury II did not live to fulfil his promise: he died in 1797 at the age of 34 and the company was taken over by his business partner, an Irishman named Michael Kean, who later married Duesbury's widow. He seems not to have enjoyed good relations with the highly skilled workforce, and many eminent artists left. Others however produced good work under his management, including Moses Webster, a flower painter who replaced Billingsley, Richard Dodson (who specialised in birds), George Robertson (land- and seascapes) and Cuthbert Lawton (hunting scenes). The best-known artist of this time was William Pegg, a Quaker, famed for his striking and idiosyncratic flower painting.
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Continuing to narrate from an observational position. Miller's later work has a more urgent ecological focus that portrays transitioning and despoiled land- and seascapes, shrinking wilderness habitats, displaced animal and human populations, and resulting, new patterns of behavior and migration. For example, Forest Fire (2019) depicts deer and birds fleeing a cataclysmic inferno; other works, such as Moth (2016) and Ghost Net (2013), show rare and other land species or sea life endangered by human activity. Reviewers suggest that in this later work, Miller's interest in Asian art is more evident, both in her experimentation with perspective and portrayal of animals, which is less anthropomorphic and metaphorical and more straight-forward.
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Born in Den Haag to a baker father who recognised his son's talent, Nuijen was apprenticed at age twelve to Andreas Schelfhout, a local artist. Between 1825 and 1829 he studied at the Den Haag Tekenacademie, under Bartholomeus Johannes van Hove. In his short lifespan Nuijen became a prolific painter of rural and marine landscapes, spending much time on the Normandy and northern French coasts. Here he fell under the spell of painters who were working in France, such as Richard Parkes Bonington (1802–1828) and Eugene Isabey (1803–1886), both of whom painted picturesque villages, Normandy harbours and seascapes, with a spontaneity Nuijen admired and adopted.
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Having been a bachelor for 53 years, Gray surprised his friends by marrying. He and his bride, Leone Phelps, moved to Carmel-by-the-Sea, California in the spring of 1923 and later that year they purchased the Sherman Rose House on the grounds of the Larkin Adobe in nearby Monterey, California, where seascapes and cypress dominated his later works.The Oakland Tribune: 8 July 1923, p.4-B; 13 April 1924, p.8-B. Gray was very active in the Carmel art colony, often staying for several months at a time, and exhibiting with the Carmel Arts and Crafts Club (1913, 1923) and the Carmel Art Association (1927-1928, 1932-1943).
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Self portrait Thomas Luny (1759–1837), born in Cornwall, probably at St Ewe, was an English artist and painter, mostly of seascapes and other marine-based works. At the age of eleven, Luny left Cornwall to live in London. There he became the apprentice of Francis Holman, a marine painter who would have a great and long lasting artistic influence on Luny: Luny remained until 1780 in Holman's London studio, which, was first situated in Broad Street, St. George’s, and later relocated to Old Gravel Lane. H.M.S. Bellerophon Lying at Anchor by Thomas Luny (1827) In September 1777, Luny left Holman's studio for a while, to journey to France.
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The 2002 draft fourth edition omits the "and St. George's Channel" part of the label. A 2004 letter from the St.George's Channel Shipping Company to Seascapes, an RTÉ Radio programme, said that St George's Channel bordered the Irish coast between Howth Head and Kilmore Quay, and criticised contributors to the programme who had used "Irish Sea" for these waters. The name "St George's Channel" is recorded in 1578 in Martin Frobisher's record of his second voyage. It is said to derive from a legend that Saint George had voyaged to Roman Britain from the Byzantine Empire, approaching Britain via the channel that bears his name.
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1923 Cooper said of his new environment: "I find Santa Barbara so conducive to the sort of things a painter most craves – climate, flowers, mountains, seascapes, etc. – with a community interest in all sorts of artistic matters that I am compensated, to a degree, for the isolation from that artistic universe of America." But he hadn't abandoned that "artistic universe of America", New York City, as he continued to maintain a studio there for ten years after his move to California. Another aspect of his creativity became evident starting in the mid-1920s, as, perhaps influenced by his father's great love of literature, he began writing plays and books.
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"The Fonville Winans Studio is being nominated to the National Register, Louisiana Department of Culture, Recreation and Tourism, accessed 2009-01-20. Anne Price has observed that Fonville's photographs from this period were a "human, cheerful record of a people who were self-sufficient enough to make their own way with dignity despite the times, . . . Fishermen, hunters, moss gatherers and other wetlands residents are seen at work and at play. His landscapes and seascapes are haunting and enduring, and his always accurate eye captures the essence of time and place." Fonville himself recalled of these images, "I didn’t take any of these pictures deliberately.
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Mateyka Gallery(September 15, 2012)"Nathan Oliveira Paintings, Sculpture, Monotypes and Watercolors from the Estate of the Artist" Most of the artist's paintings are either vividly colored but somber human figures, or abstract expressionist works that vaguely resemble seascapes.Grimes, William, "Nathan Oliveira, 81, Dies; Painted Human Conflict", New York Times, November 19, 2010, p. B17 Sea from 1959, in the collection of the Honolulu Museum of Art, is an example of these almost abstract seascapes. During his lifetime Oliveira made notable works in a huge range of media, including oil paintings, acrylic paintings on paper, drawings in ink, charcoal and pencil, lithographs, etchings, posters, and sculptures in clay, wax and bronze.
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The Upper Peninsula of Michigan is where he would paint seascapes of black rocks and waves that would "wash 15 feet high" off Lake Superior. After graduating from high school in Port Clinton, Jensen attended the Ohio Business College in Sandusky, Ohio, and from there the Zanerian Art College in Columbus, Ohio. Jensen studied under several of America’s finest artists including; John F. Carlson (Impressionist - Woodstock, NY), George Elmer Brown (Cape Cod, Massachusetts), Albert H. Krebrial (Chicago Institute of Art in Saugatuck, Michigan), and Carl Gaertner (Cleveland Institute of Art, Cleveland, OH). When Jensen was in his 80s he continued to paint and travel, taking road trips around the United States.
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Mentor Huebner (July 19, 1917 - March 19, 2001) was a leading Hollywood production illustrator who did storyboards, production art and creative concepts for more than 250 films, including King Kong (1976), Blade Runner (1982) and Francis Ford Coppola's Dracula (1992). His early work was uncredited on Fiddler on the Roof (1971), The Time Machine (1960), Ben-Hur (1959), North by Northwest (1959), Forbidden Planet (1956), Quo Vadis (1951) and Strangers on a Train (1951). As a fine artist, Huebner painted landscapes, seascapes, cityscapes and portraits, creating some 2000 paintings and exhibiting in 50 one-man shows. He also taught art as an instructor at Chouinard Art Institute.
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Despite her extensive portfolio, teaching career, and cultural work in other countries, she had been left out of the history books because she did not stick to typical subjects that were suitable for African Americans to paint. Bill Clinton and Hillary Clinton collected one of her island seascapes, Breezy Day at Gay Head, while they were in the White House. In 1991, The National Museum of Women in the Arts held an exhibition that showcased some of Jones' children's books illustrations. In 1994, The Corcoran Gallery of Art opened The World of Lois Mailou Jones exhibition with a public apology for their past racial discrimination.
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Oppen's childhood was one of considerable affluence; the family was well-tended to by servants and maids and Oppen enjoyed all the benefits of a wealthy upbringing: horse riding, expensive automobiles, frequent trips to Europe. But his mother committed suicide when he was four, his father remarried three years later and the boy and his stepmother, Seville Shainwald, apparently could not get along. Oppen developed a skill for sailing at a young age and the seascapes around his childhood home left a mark on his later poetry. He was taught carpentry by the family butler; Oppen, as an adult, found work as a carpenter and cabinetmaker.
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He also realized landscapes, seascapes, and portraits.Encyclopedia of Italian Art, Catalogue 900 artists from today: Paolo SALVATI detail Works from 1957-2013 He used the techniques colours oil on canvas, gouache, pastels, acrylic, and personally prepared canvases and frames which were used in his works. From 1977 to 1993 he worked as a portrait painter in Piazza Navona in Rome; he used pastels on paper, oil on canvas painting miniatures depicting Roman monuments and landscapes of fantasy, produced numerous portraits also oil on canvas. Expert in designing and making frames on wooden base, research techniques to the preparation of adhesives or for the application of real gold and silver leaf.
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Schnars-Alquist formed a trade school in his native city in drawing and painting. Due to the success of different seascapes, which immediately found buyers, he became about 1884 and 1886 a student of Hans Gude at the Berlin Academy of Arts. 1888-89 he was a delegate of the German art association and member of the jury at the world exhibition in Melbourne, founded in 1891 by Max Liebermann, Walter Leistikow and others the "union of the XI". In 1892-93 he was a member of the Reich Commission, a member of the Jury in Chicago, and in 1896 was appointed professor and moved back from Berlin to Hamburg.
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Crnčić was part of the Croatian Society of Artists in Zagreb (Društvo hrvatskih umjetnika), which was to grow into the Croatian modern art movement. By his first solo exhibition in 1900-1901 in the Art Pavilion in Zagreb, his painting style had changed, with brighter colours appearing, and themes of landscapes and seascapes which were to remain a favourite subject throughout his life. He depicted it in a variety of different moods – in lively colors with foaming white waves, in somber fog, in the glow of the setting sun and under blue skies. An excellent landscape artist, he recorded characteristic scenes of the region, especially Istria, the Croatian coast and Dalmatia.
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For other versions of this romantic topic by Carlo Arienti, see [File:Bice del Balzo ritrovata da Marco Visconti nel sotterraneo del Castello di Rosate.jpg]; the topic was also painted by Francesco Hayez He also painted Un dirupo di Capo d'Urso in the province of Salerno, commissioned by the Bourbon King Ferdinand II, and once found in Palace of Caserta, and now in Reggia of Naples. In 1852 he exhibited the prize-winning Christ in the Garden, also completed many land- and seascapes for exhibitions at Florence, Milan, Turin, and other places.‘‘Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti.’’, by Angelo de Gubernatis.
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More recently the cycle of works Four Anglesey Beaches (1999-2003) takes as its inspiration the seascapes and coastal locations of the area. Although very little music exists for conventional forces, there have been a few notable exceptions in recent years: Eclipse (orchestra, 2004) was premiered under Elgar Howarth in 2004, while in the same year Tempo Reale (string quartet, 2004) was chosen by Sir Peter Maxwell Davies for a performance in London's Wigmore Hall. A handful of writings on the analysis of electroacoustic music also exist, in particular ‘Francis Dhomont’s Novars’, Journal of New Music Research, Vol. 27 (1998), No. 1–2, pp. 67–83.
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"Sailing By" is played every night on BBC Radio 4 at around 00:45hrs before the late Shipping Forecast. Its tune is repetitive, assisting in its role of serving as a signal for sailors tuning in to be able to easily identify the radio station. It also functions as a buffer: depending on when the final programme before closedown finishes, "Sailing By" (or part of it) is played as a "filler" as the forecast starts at 00:48hrs precisely. In the 1990s the tune was also adopted for the weekly maritime programme Seascapes on Ireland's RTÉ Radio 1, ceasing at the end of 2009.
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The museum tries to convey the atmosphere of an old mansion, while also presenting representative objects of the region. There are over 1,500 objects in the collection including frescoes, folk paintings and other folk art of the Pelion area from the 18th and 19th centuries, religious pictures and engravings, traditional costumes, historical relics such as a banner from the 1878 revolution, many photographs from the early 20th century, houseware in bronze, wood and ceramics, equipment for distilling Rakı, and for spinning and weaving. The collection also includes books, jewelry and old weapons. There is a collection of seascapes by the local folk artist N. Christopoulos.
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07 Award Competition (Germany) and exhibited as a recording and presented as a live performance with a new video work created from Sugimoto's Seascapes at the Akademie der Kuenste (Berlin). In 2009, Richard Chartier presented a collaborative installation with visual artist Linn Meyers where optical and sonic patterns intersect. Untitled, exhibited at the Art Gallery of University of Maryland (US) two by walls meet in an enfolding chevron, creating both a sound chamber and a drawing surface. The swirling lines of Meyers' drawing, made directly on the surface of the walls, fuse together with the sound piece by Chartier, juxtaposing the organic and the digital into unified sensorial space.
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From all of these influences, her art developed into a style similar to Post-Impressionism, her subject matter including portraits, figures, seascapes, landscapes and still lifes. In some of her latest paintings underlying abstract structure can be observed. Critics noted that Eliane de Meuse had inherited much from the Belgian Luminism, movement of the very early 20th century, which combined aspects of Realism (Realist visual arts), Impressionism and Neo-Impressionism. It got its name from the style of Emile Claus and a few other painters, grouped in a circle called Vie et Lumière (Life and light) of which Claus was one of the main founders.
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Lucas Victor Schaefels trained with his father Hendrik Raphael Schaefels, a decorative painter working in a Neo- Classical style and a teacher of decorative design at the Antwerp Academy. His younger brother Hendrik Frans “Rik” Schaefels (1827-1904) became a successful painter and draughtsman who specialized in naval battles, seascapes and Antwerp genre scenes. Claire Baisier, '17th and 18th Century Drawings: The Van Herck Collection', King Baudoin Foundation, 2000, p. 292-294 Still life with a lobster Lucas Victor Schaefels began as a student of the Antwerp Academy and later became himself a professor of ornamental design at the Academy, replacing his father in that position.
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At the age of 26 she started to paint realistic portraits, then seascapes, landscapes. The hero of Elizabeth's classic and modern works is a woman with her conscious and subconscious feelings and emotions. Elizabeth Romhild works are in private collections in Denmark, Germany, Switzerland, Netherlands, Italy, Thailand, Indonesia, Singapore, Hong Kong, Australia and in the US. Since 1986 she participated in various solo and group exhibitions in Indonesia, Thailand, Denmark, London,Elizabeth Romhild exhibition in London Switzerland, Singapore, Italy, United States.Elizabeth Romhild colorful inner world Elizabeth did UTOPIA for the international Bangkok Elephant Parade, which was auctioned by Christies and her elephant got the highest bid.
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La Dame à la Robe Blanche, c. 1886 Neo-impressionism was often focused on depicting brilliant colors in natural light, and perhaps because of this, the subject matter most commonly consisted of outdoor scenes such as landscapes, cityscapes, seascapes, or river scenes. While Dubois- Pillet painted all of these, as well as still lifes, he also created the first portrait of the Neo-impressionist movement – La Dame à la Robe Blanche, a painting which depicts a woman, wearing a white dress, seated in an upholstered chair. The model's identity is unknown; exhibition curators tended to, at best, identify subjects by the initial of their last name.
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However, he was allowed to move about freely on the ship instead of pulling on an oar. More importantly, he was able to paint and draw on the galley, and was thus provided with ample material from which to execute his seascapes and images of ports, ships, and fishing scenes. Regarding his artistic formation, Tassi is said to have been a pupil of Paul Bril, from whom he derived some of his images of the sea. He later worked in Rome with Orazio Gentileschi, who painted figures, after being commissioned by Pope Paul V. During his stay, he raped Orazio's daughter, the painter Artemisia Gentileschi.
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He was the last artist to hold the title. Sant is best known for his portraits, particularly of women and of children; he was "the emperor of children," in the words of the Athenaeum. Nevertheless, many of his pictures were landscapes and particularly gardens; he also painted seascapes, landscapes with animals, and other subjects including the Wish Tower, a Martello Tower at Eastbourne. His later pictures are freer in style; some have been favourably compared with the work of the French Impressionists and some have a visionary or mannerist quality; his landscapes could include figures with blank or distorted features or simple silhouettes such as the nun in Convent Walls (1910).
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Helen Gardner, Fred S. Kleiner, and Christin J. Mamiya, Gardner's Art Through the Ages, Belmont, CA: Thomson/Wadsworth, (2005): 718–19. This trend, along with the lack of Counter-Reformation church patronage that dominated the arts in Catholic Europe, resulted in the great number of "scenes of everyday life" or genre paintings, and other secular subjects. Landscapes and seascapes, for example, reflect the land reclaimed from the sea and the sources of trade and naval power that mark the Republic's Golden Age. One subject that is quite characteristic of Dutch Baroque painting is the large group portrait, especially of civic and militia guilds, such as Rembrandt van Rijn's Night Watch.
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33 In Callins' seascapes, horizon lines are seldom straight, but instead are looped around the paintings as if showing the curvature of the earth from a great height. James Gleeson noted that the curved horizon perfectly conveys the effect of instability caused by a ship's movements, whilst another critic found Callins does well in capturing the rise and fall of tides and the tang of sea-spray. Australian artist John Firth-Smith, a collector of marine paintings, was influenced in his early works by Charles Callins. Firth-Smith compares the awkward shapes and forms in Callins' paintings to those found in abstract art and Aboriginal art.
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Singer museum and sculpture De Zwanen in Laren, June 2006 Singer museum, April 2012 William Henry Singer was the son of a steel baron of the same name who sold his company Pittsburgh Bessemer Steel Co. to Andrew Carnegie. Against the wishes of his father, young Singer became an artist and after marrying Anna Spencer-Brugh in 1895, he moved to Monhegan, Maine to join the artist colony there. His father was disappointed that he chose art rather than business and insisted he earn his living as an artist. His seascapes sold well, however, and together with the artist Martin Borgord, the couple traveled to Paris where they studied art at the Académie Julian in 1901.
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Bath of the Nymphs Jan Brueghel the Elder was a versatile artist who practised in many genres and introduced various new subjects into Flemish art. He was an innovator who contributed to the development of the various genres to which he put his hand such as flower still lifes, landscapes and seascapes, hunting pieces, battle scenes and scenes of hellfire and the underworld. His best-known innovations are the new types of paintings, which he introduced into the repertoire of Flemish art in the first quarter of the 17th century such as flower garland paintings, paradise landscapes and gallery paintings. Unlike contemporary Flemish Baroque artists, such as Rubens, he did not produce large altarpieces for the local churches.
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Skagen (, ) is Denmark's northernmost town, on the east coast of the Skagen Odde peninsula in the far north of Jutland, part of Frederikshavn Municipality in Nordjylland, north of Frederikshavn and northeast of Aalborg. The Port of Skagen is Denmark's main fishing port and it also has a thriving tourist industry, attracting 2 million people annually. The name was applied originally to the peninsula but it now also refers to the town. The settlement began during the Middle Ages as a fishing village, renowned for its herring industry. Thanks to its seascapes, fishermen and evening light, towards the end of the 19th century it became popular with a group of impressionist artists now known as the Skagen Painters.
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Many of these works have recorded by the wind orchestra of the Royal Northern College of Music, conducted by Clark Rundell, released by Doyen Records UK in 1998. Bedford combined skilled and non-skilled musicians in other works as well, with Seascapes (1986), for instance, combining a full symphony orchestra with school children, and Stories from the Dreamtime (1991) written for 40 deaf children and orchestra. He was a founding Trustee of the PRS for Music Foundation, which supports the composition of new pieces. After his death, as part of a tribute, one of his later works for children 'The Wreck of the Titanic' received nine performances at venues across England during early 2012.
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CDB COP 10 Decision X/31 - Protected areas COP 10 also agreed on a number of biodiversity targets for 2020.CBD Aichi Targets for Biodiversity CBD Aichi Target 11 foresees that: “By 2020 at least 17 per cent of terrestrial and inland water, and 10 per cent of coastal and marine areas, especially areas of particular importance for biodiversity and ecosystem services, are conserved through effectively and equitably managed, ecologically representative and well connected systems of protected areas and other effective area-based conservation measures, and integrated into the wider landscapes and seascapes.” ICCAs clearly have a role to fulfil Aichi Target 11 as both protected areas and as “other effective area-based conservation measures”.
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Louise Crow (September 14, 1891 – July 26, 1968) was an American painter best known for her portraits of Pueblo Indians. She worked in oils and watercolors, and with a wide variety of subjects including landscapes, Northwest scenes of rugged mountains, seascapes, and portraits of such historical figures as Ezra Meeker, a pioneer who traveled the Oregon Trail. Her technique was crisp and clean and feels contemporary despite her working nearly one hundred years ago. Much of her work, which has been a challenge to locate, concentrated on California and Southwest themes. Institutions that own her include the New Mexico Museum of Art, the Museum and History and Industry and the Washington State Governor’s Mansion.
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Claude Monet often worked with Russell at Belle Île and influenced his style, though it has been said that Monet preferred some of Russell's Belle Île seascapes to his own. In 1890, Russell left Belle Île and traveled to Antibes in a horse-drawn cart, where he rented a house for the winter and produced some of his most acclaimed work. Due to his substantial private income Russell did not attempt to make his pictures well known. In the 1880s and 1890s, Russell hewed closely to pure French impressionist style. Mrs. Russell among the Flowers in the Garden of Goulphar, Belle-Île, 1907, Musée d’Orsay In 1907, Marianna Russell died in Paris of cancer.
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A highly complex cloudscape—as in some works of J. M. W. Turner, for example—within an otherwise conventional landscape painting, can sometimes seem like an abstract painting-within-a-painting, nearly obliterating the realistic setting with a grand display of gestural force. Some critics have explicitly cited 19th century cloudscapes and seascapes as precursors of the work of abstract expressionist artists such as Helen Frankenthaler. Thus, commenting on a 1999 Turner exhibition, The New York Times art critic Roberta Smith writes that, in 1966, "the Museum of Modern Art established the artist's lush late works ... as precursors of both Impressionism and modernist abstraction. The current show is a feast of Frankenthaleresque plumes of color....".
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He began by selling his work to tourists, who visited the Isles of Scilly in the English Channel, specializing at first in painting the local topography, seascapes, traditional ships, and boats. Increasingly interested in the naval battles of World War II, in 1972 he began to paint a series of historical paintings on the War in the Atlantic, undertaking extensive archival research in London, Washington, and Stuttgart, and interviewing survivors. After seven years of work, he completed this 84-painting series at the end of 1978. Through the generosity of several shipping companies and the HMS Belfast Trust, his series of paintings is now in the collection of the Imperial War Museum, London, on board the museum ship .
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His seascapes were exhibited at Vose Gallery in Boston. In a letter dated January 24, 1991, Robert C. Vose Jr., of Vose Gallery, confirmed that the gallery “did give {Wilson} an exhibition in our galleries in Boston” and stated “We thought of {the paintings} of excellent quality, and much in the spirit of Frederick Waugh”. Eleanor Roosevelt chaired a one-man art show held in New York City entitled "Paintings of the Sea". On June 4, 1951, the First Lady, Eleanor Roosevelt “blogged” in her My Day report, that she had visited this exhibit, and she reported: “In certain ones the light made one think of tropical climates; in others the shores of Maine seemed to stand out.
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According to Houbraken, who called him Egmont Cornelisz Stooter, he lived in Leiden and was still painting in 1640, along with Arnout Elsevier, Jan van Goyen, and Cornelis Liefrinck. Cornelis Leonardsz Stooter Biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature According to the RKD he was the father of Leonard Cornelisz Stooter and though known today for seascapes, his subjects were diverse, including a flower piece and various genre scenes.Cornelis Leonardsz Stooter in the RKD He married in Leiden in February 1623 and worked there the rest of his life. In 1648 he became the first deacon of the new Leiden Guild of St. Luke.
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In reviews covering four shows at Jan Cicero Gallery (1986-1997), Alan Artner observed that the light alternately gave "shadows the solidity of rock and rock the buoyancy of snow" or bleached out land and seascapes in its intensity, detaching them from their natural contexts.Artner, Alan G. Exhibition critique, Chicago Tribune, May 3, 1991. He wrote that paintings like Coastscape Series III (1985-6) revealed keen observation, yet diverged from reality to create a sense of feeling and atmosphere that became almost abstract. In later series, Lerner focused on the brighter reds, yellows and blues of Arizona's red rock country and the subtler palettes of the Grand Canyon, in works like Canyon Series V (1996).
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The cover art for No Line on the Horizon is a photograph of Lake Constance, taken by Japanese photographer Hiroshi Sugimoto; titled Boden Sea, it is one of 200 pictures in his Seascapes collection. The image was the inspiration for Bono's lyrics on the track "No Line on the Horizon". Sugimoto and U2 struck a deal in which the band could use the photograph as the cover art and Sugimoto could use "No Line on the Horizon" in his future projects; Sugimoto's only stipulation was that no text could be placed on top of the image. Original releases had an equals sign superimposed in the middle of the album cover, but later releases featured only the image.
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Elliott was born in Southampton to Jean Alexander Brown (1864–1944) and Walter Pearson Elliott, a timber merchant and company managing director. Aileen Elliott studied at the Regent Street Polytechnic in London and then at Central School of Arts and Crafts, also in London. She produced drawings, etchings and paintings of ships, boats, seascapes and harbour scenes and was a regular exhibitor, between 1922 and 1940, at the Royal Academy and the Royal Scottish Academy, with the Society of Women Artists and took part in exhibitions at the Walker Art Gallery in Liverpool and at the Paris Salon. She was elected a member of the Society of Graphic Art and of the Winchester Art Club.
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Regarding the first, the watercolorist recovered again the subject Las Palmas old quarter, but dealt with a renewed technique with an agile and vigorous brushwork, more decision in drawing and a greater chromaticism in his palette,Carlos Platero Fernández, Comas Quesada en el CICCA. Magazine Aguayro nº 194, July/October 1991, p. 32. highlighting he was a painter whose artistic expression was always in constant evolution and searching new ways of expression. What characterizes and defines the pictorial production of Comas is a constant interest in both the traditional architecture and natural landscapes of the coasts, midlands and highlands of Gran Canaria, seascapes, houses with tile roof, patios and balconies, and so on.
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"Rowing at Dawn", Yip's most locally and internationally recognised photograph, was taken at Tanjong Rhu, where many Chinese junks anchored during this period. Yip took a sampan with his friend in the heavy morning mist and captured this special moment using the camera Super Ikonta he bought after the Japanese Occupation. The solitary boatman rowing in the misty morning light, in his view, symbolised the new Singapore, which had just won self-government in 1957. Yip celebrated the end of colonialism and “the dawn of a new day, new hope and new beginning for Singapore”, and was given the internationally acclaimed title of Outstanding Photographer of the Century (Seascapes) by the Photographic Society of New York in 1980.
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Jasper van den Bos (1634, Hoorn - in or shortly after 1656, Hoorn) was a Dutch Golden Age marine painter. According to Houbraken his father was a ship's carpenter and he was trained as such, but turned his hand to painting marines, which he was very good at. Jasper van den Bos Biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature He died young, but left quite a collection of drawings that could be admired in Hoorn at the home of the painter Johannes van Bronckhorst and elsewhere. According to the RKD he painted seascapes and harbor scenes, but also made Italianate landscapes in albums.
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National Gallery of Art In his many prints of city views and seascapes, Buhot was intent on creating a specific atmosphere, especially the effects of weather such as rain, snow, mist, and fog. He turned to his immediate neighborhood in and around the boulevard de Clichy in Montmartre, Paris, for inspiration for his prints of everyday city life. Buhot delighted in portraying the varied street life of the vibrant capital city not only in different seasons (Winter in Paris, 1879) but also in moments of public display, from a festive holiday celebration (National Holiday on the Boulevard de Clichy, 1878) to a somber death observance (Funeral Procession on the Boulevard de Clichy, 1887).
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Wesselmann's works in these years: Great American Nude #53, Great American Nude #57, show an accentuated, more explicit, sensuality, as though celebrating the rediscovered sexual fulfilment of his new relationship.(cf. M. Livingstone, 1996) He carried on working on his landscapes, but also made the Great American Nude #82, reworking the nude in a third dimension not defined by drawn lines but by medium: molded Plexiglas modeled on the female figure, then painted. His compositional focus also became more daring, narrowing down to isolate a single detail: the Mouth series began in 1965, his Seascapes began the following year. Two other new subjects also appeared: Bedroom Painting , and Smoker Study, the latter of which developed from observation of his model for the Mouth series.
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The Fisherman and Child sculpture by Mark Rogers at the entrance to Mallaig harbour Completed in 1901, the West Highland Line links Mallaig railway station by rail to Fort William, Oban and Glasgow. The line was voted the top rail journey in the world by readers of independent travel magazine Wanderlust in 2009, ahead of the iconic Trans-Siberian and the Cuzco to Machu Picchu line in Peru. The five-hour trip to Glasgow Queen Street railway station passes through spectacular scenery including seascapes, loch sides, mountain and moorland terrain, and offers views of Loch Lomond, the Gare Loch, Rannoch Moor, Ben Nevis, Glenfinnan and Glen Shiel, and Loch Eil. The line also runs along the Clyde between Helensburgh and Glasgow and offers views across the estuary.
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Sarah Class was born in Watford. Having written music and poetry from an early age and performing as a vocalist and pianist in bands since she was a teenager, Class found her inspiration in the lush woodlands, rolling hills and seascapes of the Isle of Wight. Class graduated with a BA (Hons) in music and art from Chichester University, Sussex, England, and immediately thereafter, began to write extensively in Europe and North America on a number of album, TV and film projects, notably the score for the independent feature The Weekend, starring Gena Rowlands and Brooke Shields. This brought Class's talent to the attention of the record producer Sir George Martin, who took her under the wing of his publishing company George Martin Music.
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Cvetkovic develops his thesis in elaboration of NON-SPACE / ZeroSPACE in Photon galerija Within this conceptual context, with utmost consistency and vigorousness, the author elaborates his exceptional frames of vast seascapes, transforming these huge spaces into vast abstract minimalistic planes; the screens and the images are ones that have not yet been encountered in Slovenian art. The main idea is the gradual elimination of perspective and sublime transition of space to plane – "screen". Series called Screens, with many derivations, colours and transformations, accentuate abstraction of space to an expressive two-dimensional plane. The last are those of the "Black and white plane" as the final synthesis of denomination to NON-SPACE│ZeroSPACE, concluded as a total abstraction with no dimension.
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Erasmus de Bie is known for his lively city scenes and genre scenes and some landscape paintings. He is also mentioned as the creator of religious scenes and compositions with animals. He is also mentioned as the author of at least one winterscape and two seascapes. It is not clear whether the views of Italianate cities and landscapes attributed to him are the work of Adriaen de Bie, a Flemish painter from Lier who worked in Italy for some time.Adriaen de Bie (1593–1668), Campo Vaccino, Rome, Victoria Art Gallery, Art UKErasmus de Bie (1593–1668), Campo Vaccino, Rome, Victoria Art Gallery, at the National Inventory of Continental European paintings His surviving signatures are in capital letters: ED (in ligature) BIE.
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The complex stands on a roughly rectangular site aligned east-west with the Bosphorus shoreline. The square, single domed mosque abuts the coast at an angle, with the adjoining tomb of the donor projecting towards the waterfront. Its precinct is enclosed by an L-shaped madrasa to the west and south, and a seawall with grill-windows to the north, giving the impression that one is in a picture gallery looking at framed Bosphorus seascapes. The complex has two gates, one facing the land and the other facing the sea; the land gate opens to a private walled cemetery which occupies the eastern precinct, behind the mosque's qibla wall, which has become a burial site for generations of Şemsi Pasha.
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P.S. Krøyer: Summer Evening at Skagen Beach – The Artist and his Wife (1899) Encouraged by the Modern Breakthrough movement led by Georg Brandes, the early painters were attracted by Skagen's village community, its seascapes and culture, all far removed from the effects of industrialization on city life. Their painting styles evolved from the formal Neoclassical approach of the Royal Academy in Copenhagen to embrace the evolving European trends in Realism and Impressionism, including the plein air approach adopted by the Barbizon School. The artists were especially attracted by the opportunities for painting en plein air, focusing on the activities of the local fishermen and their modest cottages. In the absence of any rules within the colony, the painters freely developed their individual styles.
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J. M. W. Turner, The Battle of Trafalgar (circa. 1806). Turner's seascapes reflect the Romantic movement's new attitude to the sea What constitutes nautical fiction or sea fiction, and their constituent naval, nautical or sea novels, depends largely on the focus of the commentator. Conventionally sea fiction encompasses novels in the vein of Marryat, Conrad, Melville, Forester and O'Brian: novels which are principally set on the sea, and immerse the characters in nautical culture. Typical sea stories follow the narrative format of "a sailor embarks upon a voyage; during the course of the voyage he is tested – by the sea, by his colleagues or by those that he encounters upon another shore; the experience either makes him or breaks him".
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After the war Platt exhibited at the New English Art Club, for the British Council and in 1922 won a gold medal at the International Print Makers' Exhibition organised by the California Society of Printmakers. As well as designing several posters for London Underground, he continued to teach. Platt taught at the Harrogate School of Art throughout 1919, the Derby School of Art in 1920 and was Head of the Department of Fine Art at Edinburgh College of Art between 1920 and 1923, before becoming Principal of the Leicester School of Art from 1923 until 1929, when he moved to London to become head of Blackheath School of Art. Throughout the 1930s, whilst teaching at Blackheath, Platt produced a number of highly regarded woodcuts, prints and seascapes.
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Willem van de Velde was baptised on 18 December 1633 in Leiden, Holland, Dutch Republic. A son of Willem van de Velde the Elder, also a painter of sea-pieces, Willem van de Velde, the younger, was instructed by his father, and afterwards by Simon de Vlieger, a marine painter of repute at the time, and had achieved great celebrity by his art before he came to London. He was also influenced by the work of the Dutch maritime artist Jan van de Cappelle, who excelled at painting cloudy skies, the clouds often being reflected in the calm waters. The younger Van de Velde collaborated with his father, an experienced draughtsman, who prepared studies of the battles, events and seascapes while the son painted the pictures.
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A protected landscape or protected seascape (IUCN Category V) covers an entire body of land or ocean with an explicit natural conservation plan, but usually also accommodates a range of for-profit activities. The main objective is to safeguard regions that have built up a distinct and valuable ecological, biological, cultural, or scenic character. In contrast with previous categories, Category V permits surrounding communities to interact more with the area, contributing to the area's sustainable management and engaging with its natural and cultural heritage. Landscapes and seascapes that fall into this category should represent an integral balance between people and nature and can sustain activities such as traditional agricultural and forestry systems on conditions that ensure the continued protection or ecological restoration of the area.
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In 1941, he won the First Prize in the Simón Bolívar Libertador Portraits Contest, an event organized in Ecuador by delegates from several American nations. In 1955, he won the second place in the III Biennial of Hispanic-American Art, held in Barcelona, Spain and in 1957 he painted his oil Miseria, obtaining favorable review. He approached the genre painting taking impressionism within his academic training, he painted Andean landscapes, seascapes, scenes of manners, philosophical themes and indigenist theme with predilection, constantly studying the indigenous physiognomy, made several works within this theme; Virgins of the Sun, The Last Days of Huaya Cápac, Rumiñahui, The Priostes, Indigenous Procession. Examples of his painting of genre and landscapes were The Tuna War, The Cotacachi Lake, Indian Market, The Pichincha.
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Now it is a very popular place for tourists and artists, since there are unique sights and interesting places, such as the scenic seascapes with partially blasted fortresses on the Baltic shore. The K@2 Artists` center was established in 2000 and acts as a frame for many cultural activities by local and foreign artists who come to Karosta to make their projects and get inspiration from the unique feeling that only Karosta has - nature, buildings, ruins, people. The army headquarters include czar-era mansions used by admirals, a palace for the czar (reportedly only used once), an impressive Russian Orthodox Naval Cathedral, as well as underground bunkers and abandoned storehouses. Soviet-era buildings include many rows of block housing.
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West Lake is considered to be the foremost place that combines mountain and lake views, whereas Mount Putuo is deemed as the top place where integrates mountain and sea views (). Daqingshan scenic spot in Zhujiajian Zhujiajian () is the fifth largest island of the archipelago and a newly developed seaside resort with intriguing seascapes, unmarred beaches, dense woods, sheer rock cliffs, hills for hiking, extraordinary seafood and displays of fishermen folk culture. It is home to the Zhoushan International Sand Sculpture Festival, which is held on the Nansha Beach, one of the five consecutive beaches, at the turn of summer and autumn every year. Daqing Mountain is the best location to get the incomparable view of southern Zhoushan Islands and the continental China (Chuanshan Peninsula) on clear days.
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Landsat satellite photo On the surface of Bornholm older geological formations can be seen better than in the rest of Denmark. Stubbeløkken – which is still operating (Danish i drift) – and Klippeløkken granite quarries in Knudsker parish just east of central Rønne – and statistically a part of the town – are among the few remaining quarries of what was once many active quarries on the island. The island's varied geography and seascapes attract visitors to its many beauty spots from the Hammeren promontory in the northwest to the Almindingen forest in the centre and the Dueodde beaches in the southeast. Of special interest are the rocky sea cliffs at Jons Kapel and Helligdomsklipperne, the varied topography of Paradisbakkerne and rift valleys such as Ekkodalen and Døndalen.
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His arrival coincided with a period of wet weather and he wrote to a friend of "the abominable Devonshire Weather ... the truth is, it is a splashy, rainy, misty, snowy, foggy, haily, floody, muddy, slipshod county." George O. May (born 1875), who made significant contributions to the field of accounting, and rose to senior partner of Price Waterhouse's American firm in the early 20th century, was born and raised in Teignmouth. From 1812 until his death in 1833, Edward Pellew, 1st Viscount Exmouth had his home at Bitton House, which was then called West Cliff House. Meanwhile, Thomas Luny, the painter of seascapes, lived in the town for thirty years until his death in 1837 and executed over 2,200 paintings while living here.
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According to Houbraken, a Jeronymus van Diest was good with grisailles and was the teacher of Adriaen van de Venne. Jeronymus Diest in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature This grisaille painter Jeronymus Diest (I) may possibly have been a grandfather of the younger Jeronymus Diest (II); since they are both from the Hague. According to the RKD this younger Jeronymus Diest (II) was the son of the painter Willem van Diest and the father of the painter Adriaen van Diest who was a follower of Jan van Goyen and Hendrik Dubbels.Jeronymus Diest (II) in the RKD His known works are all seascapes with various ships at sail.
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In 1949 Alexander at last gained financial security as a trainer of art teachers at Saffron Walden Teachers' Training College, and was able to move from work undertaken in part to make ends meet to a succession of phases of creative experimentation. While never forsaking line, she turned from illustration to paint, colour and form on a larger scale, and during the next forty years produced distinctive and often dramatic landscapes and seascapes interspersed by portraiture and forays into abstraction. The result was an impressive and remarkably varied body of sketches, studies, drawings, paintings and prints. Alexander travelled extensively in Britain and continental Europe, though during the latter part of her life spent more and more time in Scotland's Hebridean islands.
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Yip Cheong Fun (; 1903 – 16 September 1989) was an influential Singaporean documentary photographer, best known for his photograph "Rowing at Dawn", which was taken in 1957 in celebration of Singapore obtaining self-government, and which in his words, was to show "the dawn of a new day, new hope and new life for Singapore". Although better known and admired for his seascapes, Yip Cheong Fun also took a lot of other award-winning photographs depicting different facets of Singaporeans' life with keen observation and a humanistic understanding of the people and events around him. In 1984 he was awarded the Cultural Medallion for his outstanding achievements and contributions to photography, for his work "identified with the Singaporean society and mirrored the nation's way of life and history".
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Catherine Hill Bay village is the oldest collection of buildings in Lake Macquarie, retaining distinctive historical townscapes and land/seascapes, with scale, fabric and interrelationship of the features largely retained and in good condition. Catherine Hill Bay takes its European name from the wreck of the schooner Catherine Hill, bound from the Richmond River, in 1867. In April 1865, Sydney merchants Jacob Levi Montefiore and Thomas Hale took out a mining lease on 265 acres, bordering the southern part of the bay. By the end of 1873, "splendid samples of coal" (SMH) had been mined, the original jetty, a mine manager's residence and "a number of good weatherboard shingled cottages for the workmen" were under construction in the new "Township of Cowper".
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Dutch Golden Age painting: The Y at Amsterdam, seen from the Mosselsteiger (mussel pier) by Ludolf Bakhuizen, 1673 The sea and ships have been depicted in art ranging from simple drawings on the walls of huts in Lamu to seascapes by Joseph Turner. In Dutch Golden Age painting, artists such as Jan Porcellis, Hendrick Dubbels, Willem van de Velde the Elder and his son, and Ludolf Bakhuizen celebrated the sea and the Dutch navy at the peak of its military prowess. The Japanese artist Katsushika Hokusai created colour prints of the moods of the sea, including The Great Wave off Kanagawa. Music too has been inspired by the ocean, sometimes by composers who lived or worked near the shore and saw its many different aspects.
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In 1936, due to the Spanish Civil War, he moved from his native Galicia to Barcelona, from where he did throughout his career, important fact because it was influenced by the Catalan pictorial school. Considered a realist painter, he worked all subjects of realistic painting, from the figures and still lifes, through the landscapes and seascapes, to portraits, which showed a prominent artistry. In 1943, he was selected in the first Salón de la Juventud of Galeries Dalmau in Barcelona, where he won the first prize, consisting of a solo exhibition at the same gallery, this was the first official exhibition of the painter in 1945. He was one of the painters of the Sala Parés Art Gallery of Barcelona, where he exhibited his entire life, from his first exhibition in 1957 until his death.
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Letter to H.S. Ede, 6 April 1935 He was self-taught, and never had an art lesson. Wallis' grave in St.Ives decorated in the style of his paintings His paintings are an excellent example of naïve art; perspective is ignored and an object's scale is often based on its relative importance in the scene, giving many of his paintings a map-like quality. Wallis painted seascapes from memory, in large part because the world of sail he knew was being replaced by steamships. As he put it, his subjects were "what use To Bee out of my memory what we may never see again..." Having little money, Wallis improvised with materials, mostly painting on cardboard ripped from packing boxes and using a limited palette of paint bought from ships' chandlers.
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He was always keen to stress the scientific precision of his rendering of nature, but often infused it with moral and religious significance, as recommended by Ruskin. In his later years he painted more coastal subjects and seascapes, subjects he came to know well due to his ownership of a 210-ton schooner, Viking (which had a crew of twelve), on which he travelled the Mediterranean. During summers in the 1880s Brett rented the castle at Newport, Pembrokeshire to use as a base for his large family while he painted, sketched and photographed the south and west coasts of Wales. An exhibition in 2001 at the National Museum of Wales, Cardiff, entitled John Brett - a Pre-Raphaelite on the Shores of Wales brought together many of the major works from this period of his career.
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Da ogni parte si esagerava, e veramente il > Michetti si abbandonava ai propri difetti, lasciandosi trasportare dalla sua > foga di colorista in uno sfoggio che rasentava spesso il barocco, tanto da > parere che talora l' ebbrezza della sua tavolozza sconvolgesse il criterio > dell' artista. Ma accanto a questi difetti si rivelavano qualità più > positive: il sentimento e la poesia del vero, a differenza di moltissimi > altri, anche fra i buoni, i quali non vedono che dietro un dato indirizzo d' > arte, dietro la scuola cui sono affigliati. At the 1881 Exhibition of Milan, he was a prolific exhibitor with 34 paintings, mostly studies of faces, full of sentiment, and seascapes, full of windblown sails. Gubernatis states that it was "a phantasmagory of form and color, that reveals the fecundity and courage of the artist".
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In 1996 he exhibited in the Harrison Gallery and took over the running of the gallery for the period of 2 years. Although very successful in managing it he realised he needed to decide whether he wanted to be a gallery owner or an artist creating his art. Once again he made a conscious decision to stick to the idea of being an artist. In 2003 a relationship with the mother of his daughter Clara broke and he travelled to Dingle, the West Coast of Ireland to find solitude and much needed inspiration. He stayed for a period of 3 months painting seascapes of Dingle Peninsula and Great Blasket Island and preparing for the group exhibition in Greenlane Gallery, Dingle to commemorate 50th anniversary of the last man leaving Great Blasket Island.
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Coleman was "a central figure in WPA programs in Barnstable", getting paid $17 a week for his work. He was enrolled in the Provincetown Artists group of the Federal Art Project where his style was described as "traditional realism." He was in demand as a WPA artist with one local sponsor stating that he was "very much of a boy scout in his feelings that Vernon Coleman must do these [murals]... they won't have anyone but Coleman do them." Many of Coleman's WPA paintings depicted scenes and seascapes from 1920s and 1930s Cape Cod and are inside local public buildings such as the Barnstable Town Hall, Pope John Paul II High School, the Center for Creative Arts, the Centerville Recreation Building, and the Osterville Historical Society Boat House.
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Charles Walter Stetson, a famous etcher, as well as W. Woodward and Edward Bannister. After reviewing this exhibition, artist George Whitaker wrote in the December 3, 1881 issue of the Providence Journal, that "Arthur Douglas of the Rhode Island School of Design showed meritorious work".Providence Journal Upon graduation from RISD, Douglas traveled in Europe as a companion to a wealthy person. While in Yorkshire, UK, he painted landscapes and seascapes of the North Sea Coast; three water colors are East Cliffs, Whitby (Auctioned at Christie's Fine Art Auction May 22, 1991, lot 99), Off of Whitby Harbor (Auctioned at Sloan and Company Fine Art Auction September 15, 1991, lot 2282) and Castle Hill, Scarborough (Auctioned at Sloan and Company Fine Art Auction October 26, 1991, lot 1718.Artnet.
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He has done thirty one solo shows and participates in group exhibitions. His landscapes and seascapes are not classical in style as the sea is just a motive for his colour palette while the shapes of his ships are more conceptual and impressionist than figurative. After a quite long period of involvement in a form of "modern academism" he is now going through a new stage, in which the form becomes more abstract, but the method of painting and the technique of paint and brush follow strictly the old classic methods. To the brush intervenes the knife in numerous layers of colour; in contradiction to the mat effect in his older work, his recent paintings are glistening - this enhances strongly the richness and the real texture of the oil colour (oil painting).
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The Fishermen of the Naples Region After obtaining a degree in Reformed theology in Lausanne, he joined François Diday at his studio in Geneva, where he primarily painted seascapes and mountain scenes from the Bernese Oberland. In 1858, he enrolled at the Ecole des Beaux-Arts in Paris. While in Paris, he spent a considerable amount of time in the Louvre, copying the works of the masters, especially the 17th-century Dutch masters and the work of Claude Lorrain. He later reported that this discipline led him to the luminism characteristic of his paintings.Schurr, G., 1820-1920, les petits maîtres de la peinture: valeur de demain, Volume 2, Editions de l'Amateur, 1982, p.34 In Paris, he made the acquaintance of the Orientalist artist, Eugène Fromentin who was his neighbour.
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Charles Eaton painted in a style much like that of Inness and Frederick Judd Waugh devoted himself to seascapes, while painter Henry Rankin Poore preferred a "workaday realism " in subject and texture of brushwork and his colleague Frederick Ballard Williams adopted a "more rough-hewn and turbulent form". Walter and Emilie Greenough worked as stained-glass designers in the studio of John LaFarge, who lived in Montclair for a time as well. Sculptors included Jonathan Scott Hartley, Inness's son- in-law, and William Couper. The town created a Village Improvement Society in 1878, superseded by a Municipal Art Commission in 1908, to beautify Montclair and preserve the charm of a country town. The Commission's head was William T. Evans, an Irish immigrant dry-goods magnate who had acquired the Inness estate in 1900.
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His commitment to painting lyrical seascapes and city scenes in an impressionist manner continued unabated, and museum exhibitions featuring recent work by the artist were still being organized into the mid-1990s. Webster traveled to Boston in May 1993 to attend the National Invitational exhibit State of the Art ’93, sponsored by the New England Fine Arts Institute, as both he, and his granddaughter, K.S. Brooks, were exhibiting works at the same show.WCVB-TV News 1993 Two books were published about Stokely Webster during his life: Stokely Webster Paintings, 1923-1984, published in 1985 by the Museum of Arts and Sciences, Daytona Beach, Florida; and Stokely Webster and his Paris…New York, London and Venice published in 2001 by Connecticut River Press. Webster died in 2001, in Southport, Connecticut.
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Chalmers was born at Montrose, the son of a captain of a coastal vessel, and at the age of twenty he started to study at the Trustees Academy in Edinburgh under Robert Scott Lauder. He was nicknamed The Angus Rembrandt. He started painting portraits including those of many artists such as Jozef Israëls (1824-1911) "the most respected Dutch artist of the second half of the nineteenth century", which was painted together with Hugh Cameron, the portrait painters William McTaggart (1835-1911) and John Pettie (1839-1893) the paintings of the later two artists are in the collection of the National Galleries of Scotland. He also painted the interiors of houses and cottages like the Cranbrook Colony painters and some Dutch painters but he turned to landscapes and seascapes later in his career.
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However, while depictions of African-American life are what he is most remembered for, they are not his sole claim to fame; Hayden's career began with landscape portrayal and this continued simultaneously alongside his racially influenced art, with nature originally more prominent than the depictions of African-American life. A particular interest of his was seascapes and life in bustling harbors, as it had been in his adolescence. These particular scenes often held a religious significance for him, which was not further elaborated on by Hayden. Additionally, as his comfort within the artistic community grew, he offered a political voice in his paintings, and in 1935, he depicted The Execution of NIRA, which referenced the Supreme Court's refusal of the National Industrial Recovery Act on the grounds of unconstitutionality.
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According to Houbraken he was born and lived in Leiden and was still painting in 1640, along with his contemporaries Arnout Elsevier, Jan van Goyen, and Egmont Cornelisz Stooter. Cornelis Liefrinck Biography in De groote schouburgh der Nederlantsche konstschilders en schilderessen (1718) by Arnold Houbraken, courtesy of the Digital library for Dutch literature Houbraken may have meant Cornelis Stooter, since both Elsevier and Stooter were founders of the Leiden Guild of St. Luke, and all four men were known as landscape painters. According to the RKD he was the son of Hans Liefrinck II, is registered as a master painter in the Leiden Guild of St. Luke in the years 1604-1632, and became bailiff of Rijnsburg in 1627.Cornelis Liefrinck (II) in the RKD He is known for landscapes and seascapes.
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19 De Staël's work was quickly recognized within the post-war art world, and he became one of the most influential artists of the 1950s. However, he moved away from abstraction in his later paintings, seeking a more "French" lyrical style, returning to representation (seascapes, footballers, jazz musicians, seagulls) at the end of his life. His return to imagery during the early 1950s can be seen as an influential precedent for the American Bay Area Figurative Movement, as many of those abstract painters made a similar move; returning to imagery during the mid-1950s. His painting style is characterized by a thick impasto showing traces of the brush and the palette knife, and by a division of the canvas into numerous zones of color (especially blues, reds and whites).
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Important proponents being Jean Dubuffet, Pierre Soulages, Nicholas de Staël, Hans Hartung, Serge Poliakoff, and Georges Mathieu, among several others. During the early 1950s Dubuffet (who was always a figurative artist), and de Staël, abandoned abstraction, and returned to imagery via figuration and landscape. De Staël 's work was quickly recognised within the post-war art world, and he became one of the most influential artists of the 1950s. His return to representation (seascapes, footballers, jazz musicians, seagulls) during the early 1950s can be seen as an influential precedent for the American Bay Area Figurative Movement, as many of those abstract painters like Richard Diebenkorn, David Park, Elmer Bischoff, Wayne Thiebaud, Nathan Oliveira, Joan Brown and others made a similar move; returning to imagery during the mid-1950s.
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He worked constantly on the Bedroom Painting series, in which elements of the Great American Nude, Still Lifes and Seascapes were juxtaposed. With these works Wesselmann began to concentrate on a few details of the figure such as hands, feet, and breasts, surrounded by flowers and objects. The Bedroom Paintings shifted the focus and scale of the attendant objects around a nude; these objects are small in relation to the nude, but become major, even dominant elements when the central element is a body part. The breast of a woman concealed behind a wall appeared in a box among Wesselmann's sculpted still life elements in a piece entitled Bedroom Tit Box, a key work that “...in its realness and internal scale (the scale relationships between the elements) represents the basic idea of the Bedroom Painting”.(S.
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Owen Heathcote Grierson Merton, Royal Society of British Artists (RBA) (14 May 1887-18 January 1931) was a New Zealand-born British painter, known primarily for his watercolours, landscapes, and seascapes. His work shows the influence of the Post-Impressionist representational style. Merton was born in Christchurch, New Zealand, where he studied at the Canterbury College School of Art. He married Ruth Jenkins, an American, by whom he had two sons, the American Trappist monk and writer Thomas Merton and John Paul Merton.. (Owen Merton is described in his son Thomas' famous spiritual autobiography, The Seven Storey Mountain.) He painted in England and France until 1916, when the First World War caused him and his family to relocate with his in-laws in the vicinity of Flushing, Long Island, where he worked briefly as a landscape gardener.
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Tsai created a series of short films titled Lanyu—Three Stories (2012) about the Tao people native to Orchid Island off the southeastern coast of Taiwan. Lanyu Seascapes describes the externalities of a nuclear waste storage facility on the island, while Shi Na Paradna depicts an elderly man reciting a prayer ritual by the sea, and Hair Dance documents a ceremonial performance by the women of the tribe. Following the 2015 Nepal Earthquake, Tsai visited the makeshift camps in Kathmandu to reflect on the conditions of the victims in the intervening years, and explored their plight in the short film Songs of Chuchepati Camp (2017), recording the songs and stories of the individuals living there. Tsai created the video work Hear Her Singing (2017) concerning the refugee situation in the UK, which was commissioned by the Hayward Gallery.
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The photographs, although neither preparations for her drawings nor works incomplete in themselves, help to illuminate the principles that inform all of Mohamedi's work; as Gregory Galligan notes, "Mohamedi's is…a roaming, cursive, meandering consciousness, which lights effortlessly upon fragments in a landscape, the cityscape and Islamic architectural forms, such as the stepped cornice of an early mosque observed in extreme close-up…Spare, nearly weightless and almost entirely self-effacing, Mohamedi's aesthetic is ultimately about focusing consciousness back onto itself with the aid of an abstract foil."Gregory Galligan, "Nasreen Mohamedi: Lines Among Lines," Art Asia Pacific, Fall 2005. The first exhibition of Mohamedi’s photowork outside of India was in 2003, at Talwar Gallery in New York. Her photography was based on themes such as desert landscapes, seascapes, weaving patterns, the architecture of Fatehpur Sikri, and modern structures.
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Jelling's runic stones The beach at Løkken Among Jutland's regional attractions are Legoland close to Billund Airport, the easterly village of Ebeltoft with its cobbled streets and half-timbered houses, Skagen in the far north known for its seascapes and artist community and the north- west beach resorts of Løkken and Lønstrup. The island of Mors, also known for its natural environment, attracts tourists to its Jesperhus Flower Park and to the cliff at Hanklit which overlooks the sea. Jelling, near Vejle in the south-eastern part of Jutland, is a World Heritage Site, famous for its two great tumulus mounds erected in the late 10th century and its runic stones erected by King Harold. Near Esbjerg on the west coast stands Svend Wiig Hansen's enormous sculpture of four chalky white figures gazing out at the sea.
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Taranaban River Palawan, the only Philippine island cited, is rated by the Condé Nast Traveler Readers as the most beautiful island in the world and is also rated by the National Geographic Traveler magazine as the best island destination in East and Southeast Asia region in 2007, and the equal 27th best island in the world having "incredibly beautiful natural seascapes and landscapes. One of the most biodiverse (terrestrial and marine) islands in the Philippines. The island has had a Biosphere Reserve status since the early 1990s, showing local interest for conservation and sustainable development". The province was also categorized as "doing well" in the 4th Destination Scorecard survey conducted by the National Geographic Center for Sustainable Destinations, and Conde Nast Traveler magazine voted its beaches, coves and islets as the tourist destination with the best beaches in Asia.
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The Catherine Hill Bay Cultural Precinct comprises picturesque and distinctive historic townscapes forming the oldest group of buildings in Lake Macquarie, set in land/seascapes of exceptional aesthetic and technical significance, both visually and as an archaeological resource for industrial heritage. The boundary established by the Independent Heritage Advisory Panel for the Catherine Hill Bay Heritage Cultural Precinct encompasses the distinctive dwellings and coal mining infrastructure of the villages of Catherine Hill Bay and Middle Camp. The original buildings, most of which are small vernacular cottages dating from the 1890s to the 1920s form pleasing streetscapes evoking the settlement's origins as a nineteenth century mining village. Although few buildings belong to a recognised style or period, each is distinctive, and all display a high degree of consistency in terms of size, scale, form, setbacks, siting and materials.
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He has composed a wide range of musical pieces, including diverse vocal and orchestral work and music for television. He has produced one symphony, and many of his recorded orchestral works are in the light music genre, including A Snowdon Overture, Legend of the Lake and Anglesey Seascapes. In 2011, to coincide with his 60th birthday, a double CD of a selection of his orchestral works was released by Sain, including the substantial Enduring City celebrating the 300th anniversary of the founding of the city of New Bern. In 2012, he was selected to provide the arrangement of Elgar's Nimrod for the opening ceremony of the London Olympic Games; it was played by 80 East London children, some of them beginners on their instruments and aged as young as 7, alongside a small number of London Symphony Orchestra (LSO) members.
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A Calm, 1650–1655 The majority of his works are marine or river views, nearly always with several vessels, but he also left a number of small winter landscapes somewhat in the manner of Aert van der Neer;MacLaren, 73 says "about forty" winter landscapes, but this seems outdated or a mistake. Grove ("fewer than twenty") and more recent sources give far fewer - see the list given by Lindsay Fine Art who recognise only about fifteen] these all seem to date between 1652 and 1654.Richard Green. One recorded as dated 1644 is untraced, per Grove. His seascapes (using the term loosely) may be large or small; the nine examples in the National Gallery, London, the largest group in a single collection, vary between 122 x 154.5 cm (NG 967: 48 x 61 inches) and 34.8 x 48.1 cm (NG 865: 14 x 19 inches).
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De Staël 's work was quickly recognised within the post-war art world, and he became one of the most influential artists of the 1950s. His return to representation (seascapes, footballers, jazz musicians, seagulls) during the early 1950s can be seen as an influential precedent for the American Bay Area Figurative Movement, as many of those abstract painters like Richard Diebenkorn, David Park, Elmer Bischoff, Wayne Thiebaud, Nathan Oliveira, Joan Brown and others made a similar move; returning to imagery during the mid-1950s. Much of de Staël 's late work – in particular his thinned, and diluted oil on canvas abstract landscapes of the mid-1950s predicts Color Field painting and Lyrical Abstraction of the 1960s and 1970s. Nicolas de Staël's bold and intensely vivid color in his last paintings predict the direction of much of contemporary painting that came after him including Pop art of the 1960s.
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His marine paintings cover the whole range of subjects typical for marine painters in the 17th century such as sailing ships and galleys at sea, port scenes, Mediterranean harbour capriccios, ships in distress, storms at sea and naval battles. These compositions show him to be steeped in Flemish and Dutch traditions of marine painting. His seascapes evidence a vigour and vividness of colour while some of his battle scenes are surprisingly calm. Portrait of Sir Robert Clayton He created many renderings of naval battles and his earliest dated painting is a 1672 imaginary interpretation of the Battle of Actium (National Maritime Museum, London).Lorenzo A. Castro (Antwerp, active 1672–1686), A capriccio of a Mediterranean harbour with elegant figures disembarking, shipping beyond at Christie's He painted a panoramic view of the Battle of Lepanto (Sold at Bonhams on 8 December 2004 in London, lot 135).
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Dutch Golden Age painting: The Y at Amsterdam, seen from the Mosselsteiger (mussel pier) by Ludolf Bakhuizen, 1673 The sea and ships have been depicted in art ranging from simple drawings of dhows on the walls of huts in Lamu to seascapes by Joseph Turner. The genre of marine art became especially important in the paintings of the Dutch Golden Age, with works showing the Dutch navy at the peak of its military prowess. Artists such as Jan Porcellis, Simon de Vlieger, Jan van de Cappelle, Hendrick Dubbels, Willem van de Velde the Elder and his son, Ludolf Bakhuizen and Reinier Nooms created maritime paintings in a wide variety of styles. The Japanese artist Katsushika Hokusai created colour prints of the moods of the sea, including The Great Wave off Kanagawa showing the destructive force of the sea at the same time as its ever-changing beauty.
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The process of painting is integral to Swartz's art making process and to the creation of her multiple series of works. Her expressionist paintings are rich with texture built with layers of thin acrylic washes, impasto text, and collaged paper. Her art practice has been guided by various aesthetic inspirations, such as the Rothko Chapel in Houston, Wassily Kandinsky’s Concerning the Spiritual in Art, John Marin’s seascapes, and Robert Smithson’s Spiral Jetty. Moreover, the Betty Friedan’s The Feminine Mystique and Carol Christ’s Diving Deep and Surfacing: Women Writers on Spiritual Quests influenced Swartz’s incorporation of feminist discourse to explore the historical context of female empowerment, such as in her Israel Revisited series. According to Swartz, she uses words and visual elements from various religious and philosophical systems (Native American Healing practices, Buddhism, Jewish Mysticism, Christianity) “in order to facilitate communication with viewers on both the conscious and unconscious level.
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Wilson was active in the New York, NY, Lime Rock, CT, Newport, RI, Gloucester, MA, and Rockport, MA art scenes between the 1930s – 1972. Wilson painted post-modern artwork utilizing the name Pico Miran in his Gloucester, Massachusetts studio, taught portraiture at the Rockport Art Association in Rockport, Massachusetts under the name Winslow Wilson, and painted seascapes as Winslow Wilson in his Rockport, Massachusetts studio. Wilson was strongly influenced by his time at Harvard and World War I. In addition to a tragic event in Boston which resulted in the death of one of Wilson’s friends in 1912, there is evidence that Wilson encountered trauma during World War I. According to family sources, Wilson was an Army Air Force gunner who parachuted from his plane during the War and was stranded hanging in a tree for several days before being rescued. Art became a vehicle through which Wilson found solace.
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According to New York Times photography critic Jacob Deschin, the exhibition primarily focused on "close- up characterizations of people in varied situations of ordinary living" but Jacobs also added "a new element, represented in a group of vacation landscapes and seascapes that reveal a fresh, unsuspected side to this photographer's talents." Jacobs had solo and retrospective exhibitions at the Limelight Gallery (1961, Greenwich Village), Walker Art Center (1963, Minneapolis), Washington Irving Gallery (1978, New York City), Oliver Wolcott Library (1990, Litchfield, Connecticut), National Arts Club (1990, New York City), Hotchkiss School Tremaine Art Gallery (2006, Lakeville, Connecticut), and the Litchfield Historical Society (2016, Litchfield, Connecticut). Jacobs' work was also included in the 2007 exhibition, "Lisette Model and Her Successors," at the Aperture Gallery in New York City. In 2006, Pointed Leaf Press published My New York, a monograph of Jacobs' New York City street photographs.
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Miše's early work consisted mainly of portraits, but he later developed into a landscape painter, and finally began to paint everything he saw: views, landscapes, portraits, still lifes, animals. His later landscapes of his native Dalmatia capture an experience of the colour and atmosphere. Miše went to Paris for the first time in 1925, and according to the painter himself, that is when his “reorientation” started. For his retrospective exhibition in 1955 at the Modern Gallery, Zagreb, he wrote: "I started with the Secession and I was already thirty-two when I came into contact with van Gogh, Renoir and Cézanne". In 1928, for the first time he spent a long period in Supetar on the island of Brač where he painted a series of views of the town with its empty streets in the summer heat and a number of landscapes and seascapes that are expressive colourist works reminiscent of Cézanne’s and Renoir’s painting styles.
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"Hillside in the Philippines", by C.W. Andrews The text of the publication mostly related to the arts, history, geography, ethnography, and other sciences, while the illustrations offered reproductions of landscapes, seascapes, village life, costumes, portraits, and many other aspects of the Philippines and the Filipino people. Ilustración Filipina didn't delve much on political issues and focused instead on cultural and scientific subjects that were combined with its high-quality illustrations, that included many portraits and stunning views of emblematic places in the Philippines, such as the volcano at Albay or the Botocan waterfalls. Wenceslao Retana, in his "Aparato Bibliográfico de la Historia General de Filipinas", defined the publication as rather "unusual" in 1877 and praised its high quality. Each issue included one tinted lithograph whose images were in many cases drawn by Andrews, who on occasions would use original sketches by Charles Wirgman to create engravings that were later lithographed by Giraudier.
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A straightforward calculation based on the dimensions of paintings visible in both of these images reveals dimensions for En Canot of . This corresponds to a standard stretcher (châssis) format referred to as 80 Figure (80 F). Chassis sizes in France are based on format P for paysage (landscape), relating to the principles of art and the diagonal of Fibonacci; the formats M for marine (seascapes); and F for figure (portrait), such as En Canot, are based on the Golden ratio. Most, if not all, of Metzinger's works from the period, including his monumental L'Oiseau bleu, are painted on canvases corresponding to these traditional formats; proportioning his works to approximate the golden ratio, in the belief that this proportion is aesthetically pleasing. The golden section () and other similar geometric configurations symbolized for Metzinger and his colleagues a belief in order and the significance of mathematical proportions, because it reflected patterns and relationships occurring in nature.
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Kincaid subsequently appeared with Corcoran in the 1965 comedy The Girls on the Beach and had roles in Beach Ball and Ski Party and made what was billed as a "guest appearance" in Dr. Goldfoot and the Bikini Machine. He was strongly considered for the lead of The Graduate before director Mike Nichols chose Dustin Hoffman; Kincaid's agent turned down a cameo to play Katharine Ross' groom in the film His other film roles include the Disney musical The Happiest Millionaire, The Proud and the Damned and a cameo in the slasher film Silent Night, Deadly Night. He also made guest appearances on TV series such as The Beverly Hillbillies, Family Affair, and Get Smart before moving to San Francisco in the early 1970s and launching a successful career as a model. Still later, as an artist, Kincaid used the name N.N. Williams II. He sold his landscapes and seascapes through galleries in Laguna Beach.
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The exhibition traveled to many museums throughout America and drew large crowds. In 1990, Adelson re-established Adelson Galleries in New York and continued to specialize in 19th and 20th-century American art. The gallery regularly exhibits works by artists such as George Bellows, Charles Burchfield, Mary Cassatt, William Merritt Chase, Thomas Eakins, Childe Hassam, Winslow Homer, John Marin, Georgia O'Keeffe, Maurice Prendergast, John Singer Sargent, and Andrew Wyeth, among others. In addition, Adelson Galleries represents several contemporary artists including Jacob Collins, Andrew Stevovich, and Jamie Wyeth. Under his direction, Adelson Galleries has produced numerous exhibitions and books, including Sargent Abroad: Figures and Landscapes, From the Artist’s Studio: Unknown Prints and Drawings by Mary Cassatt, Maurice Prendergast: Paintings of America, Andrew Wyeth: Helga on Paper, Sargent’s Venice, Frederic Edwin Church: Romantic Landscapes and Seascapes, Jamie Wyeth: Seven Deadly Sins, Mary Cassatt: Prints and Drawings from the Collection of Ambroise Vollard, John Marin: The Late Oils.
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Recently, as an homage to the end of the analog era, Misrach has created a number of reverse images, essentially presenting large prints in their negative form: “The colors are reversed when output as pigment prints, making the photographs chromatic negatives… With his new work, Misrach appears determined to renew that sense of unfamiliarity—to revive the idea that color is unreliable, artificial.” (Art in America) While making enormous large-scale prints, Misrach has also been experimenting with the relatively miniature, contemporary medium of cell phone photography; an exhibit of this work was shown in 2011, consisting entirely of small-scale color prints taken with an iPhone camera. Misrach "continues his examination of man’s interaction with land and seascapes in these intimate and experimental images, [wherein] the artist revisits Bombay Beach, California, a flood zone where he [photographed] found objects and detritus – evidence of man’s presence in the landscape. These compositions were also manipulated: positive becomes negative and objects are transformed in a reversed color spectrum.”"Richard Misrach: iPhone Studies, 2011.
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Cernat, p.49 and which other critics found so uncharacteristic that they believed them to be pastiche.Sandqvist, p.145-146, 197, 207 The pieces are: Pe râul vieții ("On the River of Life", included in the inaugural issue), Cântec ("Song"), Poveste ("Story") and Dans de fée ("Fairy Dance").Cernat, p.49; Sandqvist, p.145-146, 207 Ion Eugen Iovanaki, who later adopted the name Ion Vinea, was a seventeen- year-old from Giurgiu, who studied at the Saint Sava National College, and who first met Adrian Maniu when the latter was employed as his tutor.Cernat, p.49, 51 According to Cernat, Iovanaki's poems show the influence of Symbolism and its precursor, Parnassianism, being inspired by or adapted from the work of French poets Albert Samain and Charles Baudelaire. They include the first issue's Cetate moartă ("Dead Citadel", with the subtitle "After Albert Samain") and Sonet ("Sonnet"), as well as the English-titled Lewdness, dedicated to an unnamed prostitute, and Mare ("Sea"). The latter was the first in a series dedicated to seascapes and marine art, and referenced Iser's early paintings.
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This concert premiered his transcendent Four Motets to the Blessed Virgin Mary, and included the Three Etudes for Piano, performed by Dolores Fitzer, to whom he had dedicated the Etude for Left Hand Only. The program additionally featured his Concertante for Six Instruments, as well as Three Seascapes from the works of Shakespeare and Walt Whitman, Two Songs based on the poetry of James Joyce, Four Lyrics of Carl Sandburg, Five Animal Stories based on the poems of Ogden Nash, Variations for Clarinet and Piano, and Divertimento #2 for Two Equal Wind Instruments. Several of his pieces have been performed posthumously, notably Abstracts in Motion, Music for Dance; Four Lyrics of Carl Sandburg, which was performed by Anthony Hopkins in recital at Dana; the Three Etudes for Piano, performed by Dolores Fitzer; The Youngstown Jambar, 04-25-1969, p. 14, "Dana Holds Artists Series Recital Mon." and the Ave Maria from his Four Motets to the Blessed Virgin Mary was performed in a lecture concert of American choral music at the Dana School of Music by guest conductor and lecturer Greg Smith in 1988.
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In the realm of visual arts, curators Anca Bocăneț and Dana Herbay organized a centennial Marcel Janco exhibit at the Bucharest Museum of Art (MNAR),Sandqvist, p.9, 67 with additional contributions from writer Magda Cârneci. In 2000, his work was featured in the "Jewish Art of Romania" retrospective, hosted by Cotroceni Palace. Amelia Pavel, "O expoziție revelatoare: Artiști evrei din România" , in România Literară, Nr. 38/2000 The local art market rediscovered Janco's art, and, in June 2009, one of his seascapes sold in auction for 130,000 Euro, the second largest sum ever fetched by a painting in Romania. Remus Andrei Ion, "Cele mai scumpe 10 picturi vândute în România după 1990", in Ziarul Financiar, September 2, 2009 There was a noted increase in his overall market value, Daniel Nicolescu, "Un Brâncuși necunoscut, scos la vânzare în București", in Ziarul Financiar, December 16, 2010 and he became interesting to art forgers. Andrei Ion, "Sculpturi piratate", in Ziarul Financiar, February 9, 2007; Doinel Tronaru, "Falsificatorii de artă, încolțiți", in Adevărul Literar și Artistic, November 26, 2011 Outside Romania, Janco's work has been reviewed in specialized monographs by Harry Seiwert (1993)Sandqvist, p.11, 73 and Michael Ilk (2001).
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His subjects include portraits, figures, still life, nudes, landscapes, seascapes, cityscapes, social commentary, cultural anthropology, native Indians and pure abstraction, in styles including Realism, Fauvism, Abstract Expressionism and Surrealism. His murals are illustrated in the books The Expo Celebration: The Official Retrospective Book (1986); Canadian Landmarks and Popular Places (1991); The Chemainus Murals (1993); Canada: Coast to Coast (1998); and The Encyclopedia of British Columbia (2000). He's exhibited easel paintings with the Federation of Canadian Artists (1979,1981 and 1987); New York Art Expo (1987); Salon d'Automne, Grand Palais, Paris, France (1990, 1992, 1994 and 1995); The Canadian Heritage Art Society (1991); Tokyo Metropolitan Art Museum (1991, 1992 and 1997); Sala de Cultura, Bilbao, Spain (2003); and the Firenze Biennale, Florence, Italy (2005). The locations of his murals include Waikiki, Hawaii (Rodeo Club, 7 ft X 25 ft – 1981); Chemainus, B.C. (Native Heritage, 25 ft X 50 ft – 1983 and The Hermit, 8 ft X 16 ft – 2008 ); Vancouver, B.C. (EXPO '86 United Nations Pavilion A World United, 30 ft X 100 ft – 1986); Oshawa, Ontario (Oshawa Generals, 15 ft X 35 ft – 1997); Ely, Nevada (United by Our Children, 30 ft X 110 ft – 2001); and Gorliz, Spain (Gorliz Gehituz, 30 ft X 92 ft – 2010).
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Thanks to its proximity to Honfleur, Le Havre was also represented by foreign artists such as William Turner, Johan Barthold Jongkind, Alfred Stevens, and Richard Parkes Bonington. Camille Pissarro, The Outer Harbour of Le Havre, Morning, Sun, Tide, 1902, Museum of modern art André Malraux - MuMa Claude Monet (1840–1926), a resident of Le Havre from the age of five, in 1872 painted Impression soleil levant (Impression, Sunrise), a painting that gave its name to the impressionist movement. In 1867–1868, he painted many seascapes in the Le Havre region (Terrasse a Sainte-Adresse (Garden at Sainte-Adresse), 1867 Bateaux quittant le port (Boats Leaving the Port), 1874). The Musée Malraux houses some of his paintings : Waterlilies, London Parliament et Winter Sun at Lavacourt. Two other Impressionists, Camille Pissarro (1830–1903) and Maxime Maufra (1861–1918) also represented the port of Le Havre which also inspired Paul Signac (1863–1935), Albert Marquet (1875–1947), and Maurice de Vlaminck (1876–1958). Then came the school of Fauvism in which many artists did their training at Le Havre: Othon Friesz (1879–1949), Henri de Saint-Delis (1876–1958), Raoul Dufy (1877–1953), Georges Braque (1882–1963), Raymond Lecourt (1882–1946), Albert Copieux (1885–1956), who followed the course of the School of Fine Arts of Le Havre in the time of Charles Lhuillier.
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