The team's coaches set up scrims with other pro teams, and the players will do three two-hour scrims a day, every day.
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We will be hosting an online scrims league starting the 26th.
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Even so, Morris prods Bannon on the scrims he has erected for himself.
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The team play hours of "scrims" (short for scrimmages) against other teams daily.
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Behind the scrims are a chorus of lifeguards, six men and one woman.
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The shadow concept is a visual one, played on many scrims, with many silhouettes.
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Members of Team Valiant practice—or play "scrims"—for at least seven hours a day.
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Scrims, an easy way to suggest murky atmosphere, are too often resorted to in opera productions.
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Their corsets were visible under sheer scrims of chiffon set into flannel jackets, marbelized sequins monumentalizing flesh.
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Lynn Stern has photographed skulls for 25 years, capturing them backlit like architectural forms and abstracted behind scrims.
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Viewers face one another on either side of the transparent scrims, creating, in tandem, an ever-changing artwork.
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In "Entangled," real-time graphics tracking viewer's movements are projected onto three scrims, generating a multi-layered, painterly animation.
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It's not legible on the vast stage of the Metropolitan Opera — and the frequent use of scrims doesn't help.
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Romeo Castellucci's staging of Scarlatti's "Il Primo Omicidio," for the Paris Opera, conjures vast Rothko canvases with scrims and light.
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Adele now has stadium spectacle at her disposal: giant video scrims, two stages, a band expanded with string and brass sections.
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The production, directed by Pier Francesco Maestrini, uses scrims and screens to project videos that depict dense forests, cliffs and waterfalls.
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At times we see, through scrims, the various Mary Pages standing like sentinels looking on at the scene being played before us.
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They consistently use a labyrinth of scrims and projectors to create a seemingly textured, constantly moving set with the use of film.
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If there's any wind and you have scrims or drapes or anything like that, they're going to all blow all over the place.
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Scrims of smoke hang over the mountain lakes and high alpine trails where overheated city dwellers retreat on the weekends for some relief.
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A series of translucent scrims serve as ethereal (but not altogether practical) backdrops for video projections of pigs and sheep running through fields.
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The absence of pillars, designed so that Mr. Young could rig massive scrims from the ceiling, allows for flexibility in reconfiguring the space.
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Lying beneath diaphanous scrims of overpainting, where subjects have been redrawn and reworked, these grounds contribute to the layered, camouflaged environments of the paintings.
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Some evenings, they'll watch footage of their gameplay to look for areas they can improve, others they'll play scrims, or practice games, against other teams.
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Mr. Castellucci — who directed and designed the show, and wrote its text with Claudia Castellucci, his sister — layers scrims to blur the action behind them.
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The works are high-definition color videos projected on walls, translucent scrims or granite slabs, or played on flat-panel LCD screens, with amplified sound.
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Vasta was also selling this great accordion vagina ghost paper sculpture that unfolded into a series of scrims that show the moist horror inside a vagina.
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Video images of cloud formations and gases were projected on scrims as the orchestra played Haydn's grave music, surging slowly through passages of unmoored chromatic harmony.
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They're the show's own Wizards of Oz, the illusion-makers who ply transparencies, shadow puppets, video, scrims and their own shadows to create an alternate universe.
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In addition to lining the walls, this muslinlike fabric is used for scrims that form arched niches and domes, transforming the space into a glowing, abstract cathedral.
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Translucent scrims will obscure the dark-wood lobby and second-floor period rooms, which will open to the public for the first time since their recent restoration.
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As he types, FaceTimers, iChatters, Facebookers, and Tweeters are projected onto walls and scrims all around him, but the person Evan is writing to is in the room.
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Mr. Crouch, true to form, creates moment after moment of stage magic: Video images dart across painted scrims; projections play upon sheets of paper the choristers hold up.
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For her presentation this weekend, which marks her debut on the official schedule of London Fashion Week, she has created giant scrims of black organza with her partner Ryan Beveridge.
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In the same space, Hovsepian presents framed, concentrated contemplations of material associated with women, such as hosiery, in which the stretched fabric creates prisms through which to see other scrims.
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"I actually got benched, for the time being," Enable said in response Thursday to a viewer question regarding whether or not he had participated in scrims in the past week.
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Removing the plants from the baskets one by one, Scott walked barefoot across the shallow rectangular water scrims that line one side of the courtyard, placing each plant by the water's edge.
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Update February 21st, 1:12PM ET: Added details about MWC's cancellation, Apple's investor update, the LPL online scrims league, GDC and Pax East withdrawals, and updated figures for death toll and infection count.
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In the first, produced for the 1995 Venice Biennale, two ghostly figures, a man and a woman, walk slowly toward each other, passing through the scrims, and merging at the center before moving apart.
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But not before a journey abounding in imaginative stage magic — with layers of lighting and scrims, Mr. Castellucci conjures vast Rothko canvases that have the soft seamlessness of a James Turrell — reaches its end.
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"Root Work," an installation of a wooden house with scrims on either side, shows projections of her performing a facsimile of a holy dance in a long, bleached white cotton dress and men's work boots.
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The stage is framed by weather-beaten Greek columns; scene changes take place through the movement of scrims with drawings of classical architecture and ruins; the ominous face of Neptune keeps appearing in the background.
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"We understand that entertainment is a huge component of esports, so we want to also be broadcasting our stuff whether it's scrims, practices or tutorials — whatever kind of program our students want to create," Deppe said.
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As you wend your way among "rooms" suggested by translucent scrims, motifs reappear in the 44 projects: surfaces dappled with square cutouts; columns that seem impossibly slim; roofs sculpted to look like mountain ranges; grids, grids and more grids.
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The curators' choice to have the images projected on white scrims adds, literally, to the gauziness: The projections are slightly blurry, and sometimes it was even difficult for this visitor to figure out which image went with which building.
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The bays at the top of the museum are veiled with scrims that suggest revelations to come, and Vo insisted that the shades in the oculus, which ordinarily filter direct sunlight, be removed, allowing the exhibition to be lit naturally.
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In partnership with the Barnes, the Fabric Workshop and Museum is screening The Veiling through October 6, on nine sheer scrims that blend images from two projection sources, and the Pennsylvania Academy of the Fine Arts is screening Ocean Without a Shore through December 31.
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The spare simplicity of the introductory galleries of the Jewish Museum's new exhibition on the interior designer Pierre Chareau — even the inventive moving silhouettes on scrims there — do not prepare you for the fully immersive virtual reality experiences in the show's second-to-last gallery.
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Collectively, they created a virtual micro-city composed of makeshift living spaces built from repurposed plywood, shipping pallets, and fabric scrims linked together by a labyrinth of twisting pathways that meandered through accumulations of antique furniture, paintings, windup clocks, vintage radios, and musical instruments.
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Swathed in deep blue — a fairy-tale hue that recalls Wieland Wagner's postwar productions, and that Nietzsche heard in the Prelude — the action is backed by Mr. Rauch's vast, mountainous landscape, and fronted, in Act II at least, by good old-fashioned scrims lit alluringly by Reinhard Traub.
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A few weeks later Mr. Marden was again in the spotlight, this time closer to home at Bard College, where four of his canvases were transformed into scrims for the new staging of T.S. Eliot's poems "Four Quartets," the work of the choreographer Pam Tanowitz and scenic designer Clifton Taylor.
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" The effect is that, for the many hours I watched the Los Angeles Valiant play scrims, as I was dutifully taking notes and thinking earnestly about how this might be the future of sports, every few minutes this whole pack of teenage boys would suddenly burst out shouting, "Monkey monkey monkey monkey!
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Fellow-viewers silhouetted behind the scrims — aswim in deeply layered, peaceable torrents of sheep and geometry — make membership in humanity seem a superb idea.
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A scrim, sometimes gauze, is a curtain made of an open-weave fabric that appears opaque when lit from the front, but transparent when a person or object behind the curtain is lit. Scrims can be painted and used as both a backdrop and a scrim in some situations. Some scrims can also be used for projections but produce a lower quality and intensity of image than a projection screen.
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A scrim or gauze is a very light textile made from cotton, or sometimes flax. It is lightweight and translucent, which means it is often used for making curtains. The fabric can also be used for bookbinding and upholstery. Scrims have also seen extensive use in theatre.
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Strands are combined from fibers; these are frequently narrow flat bands or ribbons of high strength material. Scrim is a loose weave or lattice of strands, typically bonded where they cross to maintain the grid pattern. Strands and scrims are used to strengthen or reinforce sailcloth (see laminates below).
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The Love stage moments before start of show; two of the scrims can be seen. Created by French designer Jean Rabasse, the Love theater at The Mirage houses 6,351 speakers and 2,013 seats set around a central stage. Each seat is fitted with three speakers,Cope, Matthew (2006). Love Story.
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Adhesives are water-based to comply with EPA regulations. Open-weave scrims generally make the fabric more economical, although this can also depend on the number and type of features that you require in the vinyl. Almost any color, UV resistance vinyl coated polyester, and colorfastness may be incorporated into the vinyl.
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Keys was found by the Opies to be the prevailing term in western Scotland and in a strip running through north-west England in an otherwise predominantly barley area. Scribs or squibs coverered an area from Hampshire, to West Sussex and Surrey. Other Hampshire variants were scrims, screens, scrames, screams, creams and cribs. Finns was used in Guernsey.
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An apprentice upholsterer is sometimes called an outsider or trimmer. Traditional upholstery uses materials like coil springs (post-1850), animal hair (horse, hog and cow), coir, straw and hay, hessians, linen scrims, wadding, etc., and is done by hand, building each layer up. In contrast, today's upholsterers employ synthetic materials like dacron and vinyl, serpentine springs, and so on.
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The Worldwide Texas Tour and Fandango! were essential to the group's success in the 1970s. The tour's concept was inspired by competitive intricate presentations, resemblances of the American Southwest, the extravagant productions of the day, and regional wildlife. The backdrop featured several scrims that showed a three-dimensional panorama, visual effects, and a canyon landscape, along with a stage in the shape of Texas.
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Line sets often suspend theater drapes and stage curtains such as travelers, teasers (a.k.a. borders), legs, cycs, scrims and tabs, as well as associated tracks, in order to mask and frame the stage and provide backdrops. Line sets are sometimes dedicated to particular draperies, such as the main (grand) curtain and main border (valance) that mask the proscenium opening, but drapery locations can often vary.
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The tour featured production values and cost usually associated with large-scale rock tours. A multimillion-dollar, unique in-the-round stage set was used. A circular platform in the center of the arena floor was surrounded by a larger circle beneath it, where the band played; vertical scrims could fall down to enclose this area. Performers could disappear or arise through hidden platforms.
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On the occasion of Bush's election in 1988, describes the American political strategy of using brief engagements in foreign wars as "sideshows," treating "other nations as changeable scrims in the theatre of domestic politics." Didion states that, when Bush toured Israel and Jordan, the Jordanian government was instructed to provide a camel for the background of every photo opportunity. First appeared in 1988 in The New York Review of Books.
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Léviathan Thot Neto's work has been described as "beyond abstract minimalism". His installations are large, soft, biomorphic sculptures that fill an exhibition space that viewers can touch, poke, and walk on or through. They are made of white, stretchy material—amorphous forms stuffed with Styrofoam pellets or, on occasion, aromatic spices. In some installations, he has also used this material to create translucent scrims that transform the space's walls and floor.
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Stages were named after locations in the city, and the scrims surrounding the stages were done by hometown artists. San Francisco's foodie culture was emphasized via an emphasis on food and wine—in 2010, 99% of the food vendors were local, and most of the wines offered were produced by California vineyards. The bands that performed reflected the diversity of the city. Environmental goals and action plans were instituted well in advance of Outside Lands.
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A laminated fabric usually is composed of a reinforcing polyester scrim pressed between two layers of unsupported PVC film. For most fabric structure uses, however, it refers to two or more layers of fabric or film joined by heat, pressure, and an adhesive to form a single ply. With an open-weave or mesh polyester scrim, the exterior vinyl films bond to themselves through the openings in the fabric. Heavier fabric scrims, however, are too tightly woven to allow the same bonding.
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Couzens's "Net Works" were uncanny, sometimes slapstick, dangling webs and woven nets that she fabricated from eclectic, mundane materials, such as twist-ties, pipe cleaners, shoelaces, neckties and wire, and suspended as sculpture or draped as wall hangings and scrims. Their assortment of visual reference points—spider webs, seaweed, dense underbrush, crochet, networks—signaled a departure from distinct objects to more ambiguous, shifting matrices of nature and culture unraveling, ensnaring or conjoining that emphasized fragility, ephemerality and tenuousness.Muchnic, Suzanne. "Fancies," The Davis Enterprise, November 6, 2003.
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Strength, durability, cost, and stretch make polyester material the most widely used in fabric structures. Polyesters that are laminated or coated with PVC films are usually the least expensive option for longer-term fabrications. Laminates generally consist of vinyl films over woven or knitted polyester meshes (called scrims or substrates), while vinyl-coated polyesters usually have a high-count, high-tensile base fabric coated with a bondable substance that provides extra strength. Precontraint fabric is made by placing the polyester fabric under tension both before and during the coating process.
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The band recruited drummer Jay Rezendes and bassist John Binkley in time to appear on the cover art, but the "Time" CD was already finished prior. Stratosphere began playing regular shows in the L.A. area. Aeriel Stiles was nominated by Rock City News magazine for best guitarist for three consecutive years. Their live shows were a retro-hippie stage set which featured many lighting effects, including the use of invisible fluorescent paints which made Jeff Alpin's artwork banners and scrims reveal hidden images when the black lights came on.
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He set the opera amidst what looked like the crumbling remains of buildings constructed by the ancient Greeks, and yet dressed his singers in apparel reminiscent of the eighteenth century. Ilia was the exception to the rule, clothed in a flowing, cream-coloured dress that did seem appropriate to the classical era. Piranesi-like scenery was presented on a series of painted scrims as if in an outsized magic lantern show. Soloists were required to strike histrionic poses of pain, regret or joy after being moved hither and thither like pieces on a chess board.
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Their replacements were Dardoch and Matt. Dardoch was a very hyped up jungler and Matt was a fairly unknown player who was known for being a Thresh and Bard player, and made challenger playing on the NA server in Hawaii with high ping. After a rough start, Team Liquid were able to bring it back to a fourth-place finish with Piglet touted as the best player in North America with Huni and Reignover by fans. Team Liquid won 3–0 against NRG and many pro-players were impressed by their dominant scrims and said they could win the split.
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Born in Rome, Guarnieri abandoned his studies and worked as an assistant cinematographer to Anchise Brizzi from 1949 to 1956. He debuted as director of photography in 1962 with I giorni contati by Elio Petri. In the late sixties, for his ability to portray actresses, Guarnieri became a trusted cinematographer for stars such as Virna Lisi, Sylva Koscina and Tina Aumont, for which he made extensive use of soft focus, backlight and scrims. His work in Mauro Bolognini's L'assoluto naturale (1969), starring Sylva Koscina, has been referred to as "one of the cornerstones of Italian photography in the sixties".
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Traditional upholstery is a craft which evolved over centuries for padding and covering chairs, seats and sofas, before the development of sewing machines, synthetic fabrics and plastic foam. Using a solid wood or webbed platform, it can involve the use of springs, lashings, stuffings of animal hair, grasses and coir, wools, hessians, scrims, bridle ties, stuffing ties, blind stitching, top stitching, flocks and wadding all built up by hand. An upholstered chair ready to be covered with the decorative outer textile. In the Middle Ages, domestic interiors were becoming more comfortable and upholstery was playing an important part in interior decoration.
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In the next step, known as polymerization, the VCM molecule forms chains, converting the gas into a fine, white powder – vinyl resin – which becomes the basis for the final process, compounding. In compounding, vinyl resin may be blended with additives such as stabilizers for durability, plasticizers for flexibility and pigments for color. Thermoplastic is heat-welded seams form a permanent, watertight bond that is stronger than the membrane itself. PVC resin is modified with plasticizers and UV stabilizers, and reinforced with fiberglass non-woven mats or polyester woven scrims, for use as a flexible roofing membrane.
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Carbon fiber rovings were used to build the wing spars, while the skin was made of carbon fiber scrims (de) as a weight saving measure. Both pilots sit in tandem in a cockpit placed forward of the wing, fitted with dual controls, under a long, single-piece canopy. The fuselage is split horizontally, as with the fs31, instead of vertically to improve pilot safety during a crash landing by eliminating a seam on the underside of the cockpit. As an additional safety feature, the wings were designed to break off in the event of a crash landing.
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The Dixie Chicks at Wachovia Center, July 25, 2006. Unlike the Top of the World Tour, where the arena staging had been in the round with the use of an elaborate set and scrims, the Accidents & Accusations Tour featured a conventional arena layout and a bare stage. One video screen was above the stage; in addition, semi-abstract images were projected onto lighted bead curtains behind the stage (somewhat similar to those used on U2's Vertigo Tour but less effective here due to the lack of anything on the other side). Entrance music was subversively chosen to be the militaristic Presidential theme "Hail to the Chief".
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A cyclorama, or cyc for short, is a large curtain, often concave, at the back of the stage that can be lit to represent the sky or other backgrounds. Traditionally white or natural colored cloth, cycloramas now come in various colors of white, grey, light blue and the green or blue curtains used in Chroma key (greenscreen) work may also be called cycloramas. With projected scenery, cycs and scrims may be used as drops, by employing either front or rear projection. This was done in a general sense in the 1910s and 1920s by means of painted glass plates in front of lighting instruments, which made sculptured shadows on the cyc to indicate such images as a cityscape or a scary dungeon.
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The Worldwide Texas Tour stage was designed by Bill Narum, who also designed ZZ Top's album covers and tour posters. In place of the ZZ Top's minimalistic productions of the early 1970s, the tour stage was an elaborate setup and designed to "bring Texas to the people". The set included a 63-by-48 foot (19-by-15 m) stage that was tilted at a four-degree angle, which resembled the shape of Texas and weighed 35 tons (70,000 lbs), costing a reported US$100,000. The stage was constructed in a seven-hour process with the help of 40 crew members. The set's backdrop was a 180-foot (55 m) three- dimensional panorama that used five scrims measuring 36-by-20 feet (11-by-6 m), which were hand-painted and individually lit to show dawn and dusk effects.
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Cosgrove "Living" 165-169 Though Hallie Flanagan repeatedly stated that Living Newspapers should be objective and unbiased, most Living Newspaper productions communicated a clear bias and a call for action from the watching audience. Second, the FTP's Living Newspapers tended to break from realistic stage conventions in favor of non-naturalistic, experimental dramaturgy and stage design. "Techniques Available to the Living Newspaper Dramatist," a guide compiled by the Federal Theatre Project in 1938, lists many of the elements that became characteristic of the Living Newspaper. These included quick scene and set changes; flexibility of stage space, using many levels, rolling and hand-carried scenery, and scrims to establish a multitude of locations without elaborate constructed sets; projection of settings, statistics, and film; shadowplay; sound effects and full musical scores; the use of a loudspeaker to narrate and comment on the action; and abrupt blackouts and harsh spotlights.
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For example, in his photography series "Buildings Made of Sky," Wegner reverses urban streetscapes to reveal how skyscrapers shape the open-air spaces between one another into skyscraper-like forms of their own. Chasin described a 2004 piece from the series in these terms: “A magical reversal thereby takes place: the physical buildings read visually as a darkened background offset by architectural contours from startling blue-hued visions of skyscrapers carved from atmosphere. Sky becomes building; building, sky—or to invoke K. Michael Hays in a different context, ‘not architecture but evidence that it exists.’” Wegner has also often pushed the construction of his works in an architectural direction, presenting paintings in the form of leaning columns, complex lattices, and multi-layered scrims. Huldisch noted that “[h]is stacks, grids, and lattice structures reveal both an interest in the forms of Minimalism and a rejection of the stringent doctrine that predicated them.
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In 1955, she became the director of the Contemporary Arts Association of Houston. There she "reinvented the space," especially by her use of new and diverse platforms of display that "included potted plants, beds of gravel and bark, temporary partitions, scrims, theatrical lighting, and pedestals of all shapes and sizes combined in unusual ways" (Herbert 1998, p. 32). Her exhibitions at the Contemporary Arts Association include Mark Rothko in 1957, "The Trojan Horse: The Art of the Machine" in 1958, "The Common Denominator: Modern Design, 3500 BC- 1958 AD" in 1958, and "Romantic Agony: From Goya to de Kooning" in 1959. In 1959, she mounted her first exhibition at Mies van der Rohe's Cullinan Hall, a new wing of Houston's Museum of Fine Arts designed by Mies van der Rohe: "Totems Not Taboo: An Exhibition of Primitive Art," which earned accolades from Buckminster Fuller and Rene d'Harnoncourt, director of the Museum of Modern Art.
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