Small areas were screened off and what appeared to be bodies covered in blankets were visible.
|
|
Small areas were screened off and what appeared to be bodies covered in blankets were visible through the gaps.
|
|
Zucker noted that all mail is currently being screened off-site, so the offices were not in imminent danger.
|
|
New university buildings have glass walls and multilevel open spaces for group discussions — with screened-off areas for private conversations.
|
|
All mail is screened off-site, so this did not cause disruption or evacuation of the embassy, according to officials.
|
|
Alexandre Texier fed Gavrikov, whose shot from the high slot went through the legs of teammate Josh Anderson and past a screened-off Bobrovsky.
|
|
The mail is screened off site so it is unclear if this package was delivered some other way or if it made it through screening, said one official.
|
|
But local journalists waited in the street like paparazzi staking out a celebrity hide-out, photographing and filming what they said were the investigators' cars entering the screened-off zone.
|
|
"Our Daily Bread" is partly screened off—presumably because some viewers or young children might find certain scenes upsetting—but it is one of the few things in the exhibition that fulfils its claim to "question values" or "make us reconsider".
|
|
My mother sat with her back against the partition that screened off my parents' big bed, her legs stretched out in front of her, her chest high, and the churn resting on her thighs, as she rocked it from side to side, like a baby.
|
|
They were descending the tapestries of the oratory walls or scuttling beneath the arrases that screened off the adyta behind the idol.
|
|
There is a double clerestory in one of the domes. Other interior features include an arcuate maqsurah screen, trabeate hypostyle lwan, double square side wings, zanana enclosure, and screened off northern mihrab.
|
|
In England, the use of parclose screens was largely discontinued in the 16th century after the Reformation, and after the Dissolution of the Monasteries when chantries were dissolved. There was therefore no further need to have several altars in the same church, each serving a separate private chantry chapel. The concept of the manorial chapel was also discontinued a few centuries after, when burials inside churches and manorial chapels were discontinued. The manorial pew, not screened-off from the congregation, replaced the screened-off manorial chapel.
|
|
The separate arrivals and departures buildings were consolidated into a single facility with a central retail area linking the departures with arrivals creating a light friendly atmosphere. This facility caters for domestic flights but can be screened off to operate a fully compliant International arrivals and departures section.
|
|
The building is aligned north-south rather than east-west, and the porch faces east. But stepping into the nave, you may be momentarily disorientated. That 'apse' is to the right, which intuitively should be liturgically east, and contain the sanctuary; but it is screened off, for use as a sacristy. Instead, you turn left to face the altar.
|
|
Sad girls. Photo by Paolo Monti, 1953 Sadness is a common experience in childhood. Sometimes, sadness can lead to depression. Some families may have a (conscious or unconscious) rule that sadness is "not allowed", but Robin Skynner has suggested that this may cause problems, arguing that with sadness "screened off", people can become shallow and manic.
|
|
At the apex of the roof, a further clerestory window admits more daylight. Originally a single nave with side aisles, the sanctuary is now L-shaped, incorporating a hall which was originally screened off by doors. The design of the pews is based on the original rattan-backed pews which they replaced. Aerial view of Kampong Kapor Methodist Church.
|
|
These chapels originally contained altars—they were screened off and intended for private prayer for members of the royal family—but their dedication is no longer known.Farrar (1895); p. 30 Upon entering the chapel, one passes through a set of bronze gates, which are elaborately crafted and “illustrate the…intense determination of Henry VII to put to the forefront every possible indication of his claims to the crown of England.” Farrar (2008); p.
|
|
Strangers would be kept away from the footballers and the view from neighbouring houses where rooms had been rented out to paparazzi photographers would be screened off for June. She was in her element. Six months after it was all over she confided her feelings in a newspaper contribution: "Nothing compares with this summer". She had taken the footballers to her heart, placing a letter on their beds each night "and a little surprise".
|
|
On 29 July 1945 Rabbi could celebrate the first Jewish wedding there since the closure of the synagogue in 1940. Jewish displaced persons, who survived the Shoa and were stranded in Berlin, used to live in the front building. The great prayer hall was provisionally refurnished with benches. A new central bimah replaced the original one located directly in front of the aron qodesh and thus also screened off by the wall.
|
|
The gardens and grounds are screened off from the public road at the south by a high wall in which is a tall and broad entrance archway which forms the start of the entrance drive. The manor of Holcombe Rogus had been acquired by the Bluett family in the early 15th century following the marriage of Sir John Bluett to Maude Chiseldon, daughter and co-heiress of John Chiseldon of Holcombe Rogus.
|
|
The port is located at the western shores of the Odessa Bay. It consists of several harbors which are divided one from another by a number of jetties, while the port itself is screened off from the open sea by few long breakwaters located in the Odessa Bay. Just around the southern jetty (Karantyny) located a passenger terminal with a multi-story hotel at the Nova jetty. Towards the middle there is a Ship Maintenance Factory "Ukraina".
|
|
The chamber at the eastern end has two splayed recesses, tentatively identified as a wash baison and a privy within a screened off garderobe. Scattered floor tiles have been found and it is probable that the upper floor was tiled prior to the departure of the Templars. At the western end there appears to have been a form of serving hatch from a now lost and unrecorded western extension. A later oven or still is of unknown purpose.
|
|
The pioneers are screened off from the rest of humanity. Terra subverts the humans, causing them to inexorably sink into meanness and war. This is caused by a vermoid growth (apparently the appendix) that appears in increasing numbers in infants not born on Atlantis, the heart-land of the human pioneers on Terra. Meanness turns to ugliness and that to murder and war, until all the rest of Terra wages war on Atlantis, eventually destroying it.
|
|
Two sash windows are located adjacent to the diagonal north-west corner of the building. All doors and windows opening on to the verandah have textured glass. The southern end of the west verandah has been screened off from public access, and the eastern end of the north verandah has been enclosed to form a communal kitchen (not of cultural heritage significance). The toilets and bathrooms off the rear verandah have undergone some internal alterations and upgrades.
|
|
Construction began in 1893 and it was completed the following year. Sewage flowed into the works through three channels, were floating material was screened off and incinerated. Grit, sand and other heavy solids settled out in catch pits, and was transported away from the site by railway, as the Caledonian Railway had a siding into the works. The liquor passed into 24 settling tanks, each able to hold , was aerated, and then entered 60 coke filters, which covered an area of .
|
|
Born in Paris, Laurent Boutonnat directed his first film, Ballade de la Féconductrice, at age 17, while the film itself is rated 18. It would later be screened off competition at the Festival de Cannes. The movie contains multiple graphic elements that would characterize Boutonnat's provocative style. In 1984, having composed a song called "Maman a tort" with Jérôme Dahan for which they needed a female singer, they started auditioning, and Mylène Farmer, a young student in acting, eventually showed up.
|
|
The church is of a Gothic Revival style; having been built to designs by T Hellyer of dressed stone and a stone tile roof. The church has tall narrow lancests and is tripartite at its east end. There is a gabled porch to the south and a tower to the north built in three stages with its original clock, topped by a stone broach spire. The church has a give bay nave with two bays screened off with a kitchen and toilet added in 1988.
|
|
The chancel remained unfinished but the north side of it had been restored at the expense of the Prettyman family. The remainder was left nearly untouched, and for a considerable time it was screened off from the rest of the Church. This restoration was at length carried out in its entirety at a cost of about £1,000, and the chancel was reopened in 1855. The interior of the Church had not long been finished when the idea of crowning the work by the restoration of the exterior was entertained.
|
|
The palace was built by Malik Ambar in 1616 upon the summit of a rising ground at Aurangabad, India. The massive portal gateway leading to this, over which the Naubatkhana sounded, was called Barkal. According to one account a noble of Aurangzeb’s court named Alam Khan, made additions to this Palace; and further additions were subsequently made by Asaf Jah I. An adjoining block of buildings was screened off by a partition wall for Nasir Jang. The Naukonda palace was also occupied by Nizam Ali Khan, when he was at Aurangabad.
|
|
The nave is a simple hall without aisles. There are two transepts, also without aisles, and these are screened off by two doric columns on each side. Upon entering the cathedral through the centre door at the narthex, one will see the statues of Saint Anthony of Padua and Saint Francis Xavier, the four cast iron Composite columns supporting the gallery, and the two cast iron spiral staircases leading to the gallery. To the left sits a statue of the Pietà and a statue of Saint Joseph stands at the other end.
|
|
On 10 August, Digital Spy published its first look at the new Celebrity Big Brother house for the new Channel 5 series in readiness for the first intake of celebrity housemates. It revealed a colourful, opulent look with a return to the luxury feel of the early Channel 4 series. It featured a bar, gym, sauna, an open-plan bathroom, the UK series' largest swimming pool thus far. In the celebrity series, the shower enclosure was screened off from public view but this was changed to a clear view for the main series.
|
|
When the puppets move, their feet move along the railings, making it look as though they are actually walking upon the ground. The building (yatai) or painted backdrop (kakiwari) is attached to the partition farthest from the audience (main railing). Small curtain (Komaku) and Screened-off Rooms (Misuuchi) Looking at the stage from the audience, the right-hand side is called kamite (stage left), while the left-hand side is called shimote (stage right). The puppets make their appearance and then leave the stage through the small black curtains (komaku) at both stage left and stage right.
|
|
The prayer hall lacked most of its benches and the aron kodesh was screened off by a raw provisional wall built after April 1940. Sanitary installations had been dismantled and the destroyed windows exposed the interior to the impact of weather. (1899–1950, Soviet Gulag), who survived the Shoah living underground, the new president of Jüdische Gemeinde zu Berlin much promoted the reopening of Rykestraße Synagogue. He informed the city council that on Friday, 13 July 1945, the first shabbat ceremony was held, also attended by Soviet City Commander Nikolai Berzarin, however using the better preserved and smaller weekday prayer hall.
|
|
He was probably the same hermit who lived in the St Benet's Chapel that was screened off as part of Westminster Abbey. On the night of 20 March 1413, as King Henry IV lay dying in the Jerusalem Chamber, his son and heir apparent Prince Henry wandered the precincts and spoke to Alnwick.I Mortimer, 1415, p.36 On 20 March 1415, Alnwick was appointed as confessor-general of Syon Abbey, but after a year returned to Westminster. During Henry V's reign he became Archdeacon of Salisbury, but by early 1421 had been appointed King's Secretary, and is recorded as attending Privy Council meetings.
|
|
The two artists collaborated so closely that specialists dispute which roundels each of them painted. This tumultuous oval of figures took three years for Pontormo to complete. According to Vasari, because Pontormo desired above all to "do things his own way without being bothered by anyone," the artist screened off the chapel so as to prevent interfering opinions. Vasari continues, "And so, having painted it in his own way without any of his friends being able to point anything out to him, it was finally uncovered and seen with astonishment by all of Florence..."Giorgio Vasari, The Lives of the Artists, tr.
|
|
The Old Market Building once screened off the façade, but over its 120 years of existence and further land reclamation, flanking trees, flowerbeds and sweeping lawns, now surround it. Whilst significant renovations to the interior have taken place, and the slate roof was removed and replaced with tiles, the façade still remains today almost exactly how it was first constructed. Unlike a lot of Archer's penal projects, which have since been demolished, Parliament House is still occupied today by the Parliament of Tasmania. For this reason alone it is one of, if not the most significant project of Archer's entire career.
|
|
The fountain was surveyed by the Smithsonian Institution's "Save Outdoor Sculpture!" program in 1993. During Occupy Portland (2011), the fountain was screened off and displayed a sign reading "Please respect this fragile monument". Keith Lachowicz, the Regional Arts & Culture Council's art collections manager, assessed the memorial's condition multiple times during the demonstration, along with the nearby monuments Elk (1900), Spanish–American War Soldier's Monument (1906), and The Promised Land (1993). He said the war memorials sustained graffiti, which was removed by veterans within the group of occupiers, and confirmed all the public artworks on the site had received no major damage, as of late November.
|
|
The school was almost certainly built as a result of the movement to make education compulsory; a movement which resulted in the 1870 Education Act which made education up to the age of 13 compulsory. The school, the Reading and Coffee Rooms and Park Cottages lie well to the east of the Hall, screened off from the Hall by a belt of trees. It is likely that, before Park Cottages were built, many of the estate workers lived along Church Lane, close to the parish church and within sight of the Hall, so by building these new homes and facilities he also improved the view from the south side of the Hall. Samuel had no offspring of his own.
|
|
The chancel floor is of inlaid white, green, and red marble. > The west end of the nave was screened off to make a parish room in 1982 by > Duvall, Brownhill of Lichfield, using timber taken from the pews formerly at > the west end of the nave, and the font was moved from its original position > at the west end of the nave to the east end of the south aisle. > A single bell was placed in the tower in 1905. The tower, however, was > designed to accommodate a peal of eight bells, and in 1947 a 'victory peal' > of five additional bells, donated by Sir William Bass and others, was > installed as a war memorial.
|
|
The 1928 building is on the left; the education block (c. 1980s) is on the right The altar and pulpit were originally in an apse at the end of the church, surrounded by wood paneling on the walls, with a cross-shaped window above it and flanked by two arched windows, but this is now occupied by the pipe organ which was introduced in 1936. Earlier designs for the church included a gallery and an enclosed organ chamber, but these were not included in the final design. The interior has undergone several renovations, including (a rather unsuccessful) one in the 1960s, when the entire apse was screened off by a plasterboard wall.
|
|
Within Hallschlag’s municipal limits, near Kehr, screened off from the outside, are the lands of the Espagit poison gas and munitions plant. Between 1915 and 1920, roughly two thousand people were employed here, until eventually, in May 1920, the factory exploded. As Franz Albert Heinen, local editor of the Kölner Stadtanzeiger, showed in his book (see Further reading, below), the former factory lands stand even today as an immense environmental danger, because undiscovered explosive devices and gas grenades, along with assorted other poisons, are still lurking in the ground. In the early 1990s, the Ministry of the Interior in Mainz, which is responsible for munitions removal, decided on the concept of only superficially clearing munitions from the factory’s highly contaminated former production area of about 13 hectares.
|
|
To the west and south of the 1848 front another building was built at around the same time (OS. 1:2500 1893, 1910/1) As built the station had nine platforms under the four southernmost spans of the roof; the northernmost span had facilities for special goods, such as cars and horses, and was screened off from the other four; it was served by platform 1, known as the fish dock or fish platform, which was also used for fish. The southern bay platforms, and 1887 platform roof was retained for a total of fourteen passenger platforms; platforms 1–9 also received low level roofs outside the main shed. The original station offices were retained and used as waiting rooms and parcel offices.
|
|
These usually sat in the nave, with any lay congregation. Following the exposition of the doctrine of transubstantiation at the fourth Lateran Council of 1215, clergy were required to ensure that the blessed sacrament was to be kept protected from irreverent access or abuse; and accordingly the area of the church used by the lay congregation was to be screened off from that used by the clergy. This distinction was enforced by the development of canon law, by which the construction and upkeep of the chancel was the responsibility of the rector, whereas the construction and upkeep of the nave was the responsibility of the parish. Barriers demarcating the chancel became increasingly elaborate, but were largely swept away after both the Protestant Reformation and then the Counter-Reformation prioritized the congregation having a good view of what was happening in the chancel.
|
|
The most modest modern mizuya may comprise little more than a hot-plate or electric kettle and several buckets of fresh water, and might be located in a screened-off outdoor area with a grass floor. A fully equipped modern indoor mizuya may rival the best- equipped kitchen, with several sinks with hot and cold running water, an elaborate system of storage areas, cupboards, shelves and worktops, a refrigerator, stove, and microwave oven. In practice, however, most fall somewhere in between. A typical indoor mizuya has in it a recess three or four feet wide and two feet deep, possibly with a tatami mat in front of it, equipped with a traditional sink (a long metal tub sunk into the floor and covered with a bamboo grate), several wooden shelves for storing tea supplies, and a board with pegs for hanging ladles and towels.
|
|
Following the exposition of the doctrine of transubstantiation at the fourth Lateran Council of 1215, clergy were required to ensure that the blessed sacrament was to be kept protected from irreverent access or abuse; and accordingly the area of the church used by the lay congregation was to be screened off from that used by the clergy. Apart from the congregation, pet dogs were often taken to church, and a dog-proof barrier was needed (more recent rails often fail in this). Barriers demarcating the chancel, such as the rood screen, became increasing elaborate, but were largely swept away after both the Protestant Reformation and then the Counter-Reformation prioritized the congregation having a good view of what was happening in the chancel. Now the low communion rail is generally the only barrier; despite being essentially a Counter-Reformation invention, this has proved useful and accepted in the Protestant churches that dispense communion.
|
|