Those in particular which refer to the beating and robbing I will describe in such a way that they savour of gall and bile. If I happen to call him an uneducated little Greek it will not mean war to the death'.Ad Marcum Caesarem iii. 3 (= Haines 1.62ff), qtd.
|
|
Le premier livre des emblemes (1550), pp.37-9 The introductory verse comments on how a new pot will always carry the savour of the first liquid that filled it. In "The Barrel", the Russian Fabulist Ivan Krylov told a similar illustrative story and applied it to education.Kriloff's Fables translated by C. Fillingham Coxwell, pp.
|
|
II (New Edition)(Benjamin White, London 1775), No. XLIII, pp. 316–17. Lodge further told Agarde that the men who 'fell sick to death with the savour' of the base coins in melting, found relief by drinking from human skulls, which he procured from London Bridge, under a warrant from the council.Calendar of State Papers, Domestic Series 1547–1580, p. 164; Richard Thomson, Chronicles of London Bridge (Smith, Elder & Co., London 1827), pp.
|
|
The master, the swabber, the boatswain, and I, The gunner, and his mate, Lov'd Mall, Meg, and Marian, and Margery, But none of us car'd for Kate; For she had a tongue with a tang, Would cry to a sailor Go hang! She lov'd not the savour of tar nor of pitch, Yet a tailor might scratch her where'er she did itch. Then to sea, boys, and let her go hang! This is a scurvy tune too; but here's my comfort.
|
|
Robert Stevenson, one of London's leading art critics, found the show to be "bounding in virtuosity", and compared it favourably to the Australian art he had seen on display at the 1886 Colonial Exhibition, much of which he reviewed poorly at the time. "Now, from every wall of the Grafton accomplishment stares at you", he wrote. "I have been so much astonished at the rapid growth of Australian art that I feel any criticism of the work must savour of impertinence and ungraciousness.""Australian Pictures in England".
|
|
With an empty exchequer and a clergy that had largely lost the savour of righteousness, Gregory VI was confronted by an almost hopeless task. Nevertheless, with the aid of his "capellanus" or chaplain, Hildebrand, destined to be Pope Gregory VII, he tried to bring about civil and religious order. He strove to effect the latter by means of letters and councils, and the former by force of arms. But the factions of his rivals were too strong to be put down, and the confusion only increased.
|
|
He nonetheless affirmed his intent to make use of the material available: "I warn you that I won't even use in a disproportionate way the opportunity that I have in my case, for the charges are frightful and must be spoken of as frightful. Those in particular which refer to the beating and robbing I will describe in such a way that they savour of gall and bile. If I happen to call him an uneducated little Greek it will not mean war to the death."Ad Marcum Caesarem 3.3 (= Haines 1.62ff), qtd.
|
|
In 1549 Fabricius edited the first short selection of Roman inscriptions specifically focusing on legal texts. This was a key moment in the history of classical epigraphy: for the first time in print a humanist explicitly demonstrated the value of such archaeological remains for the discipline of law, and implicitly accorded texts inscribed in stone as authoritative status as those recorded in manuscripts. In his sacred poems he affected to avoid every word with the slightest savour of paganism; and he blamed the poets for their allusions to pagan divinities. He encouraged music at his school, although he was not himself a musician.
|
|
The smoke is represented as fragrant and as rising with the savour of the offerings. Accordingly the goddess has come to the Athenians as to men of superior wisdom who make excellent sacrifices. For the Rhodians, however, as we are told, gold flowed down from heaven and filled their houses and their narrow streets, when Zeus caused a cloud to break over them, because they also gave heed to Athena. The divinity Ploutos also stands on their acropolis, and he is represented as a winged being who has descended from the clouds, and as golden because of the substance in which he has been made manifest.
|
|
The other two periods (considered "classical") are left hanging. By assigning the term "pre-classical" to Old Latin and implicating it to post-classical (or post-Augustan) and silver Latin, Cruttwell realized that his construct was not accordance with ancient usage and assertions: "[T]he epithet classical is by many restricted to the authors who wrote in it [golden Latin]. It is best, however, not to narrow unnecessarily the sphere of classicity; to exclude Terence on the one hand or Tacitus and Pliny on the other, would savour of artificial restriction rather than that of a natural classification." The contradiction remains—Terence is, and is not a classical author, depending on context.
|
|
In editions of the Roman Missal before 1970, Saint Michael was mentioned in the Confiteor as recited by the priest and again in the altar server's response at Mass. He was mentioned also in celebrations of Solemn Mass when the priest put incense in the thurible, reciting the prayer: Per intercessionem beati Michaelis Archangeli, stantis a dextris altaris incensi, et omnium electorum suorum, incensum istud dignetur Dominus benedicere, et in odorem suavitatis accipere. Per Christum Dominum nostrum. Amen. (Through the intercession of Blessed Michael the Archangel, standing at the right hand of the altar of incense, and of all his elect, may the Lord kindly bless this incense and accept it as a savour of sweetness).
|
|
No one dared attack her nor could anyone tell how she might be destroyed until Charles, the Skipper, came the way. He anchored his vessel a good distance out from the site of the present pier and, between the vessel and the shore, formed a bridge of empty barrels lashed together with ropes and brisling with iron spikes. When the bridge was finished he kindled a large fire on board the vessel and placed pieces of flesh on the burning embers. As soon as the savour of burning flesh reached the corrie the dragon descended by a succession of leaps to the shore and thence tried to make her way out on the barrels to the vessel.
|
|
Another brother, Thomas Graves Meredith, though a lawyer, was also President of Canada Life Assurance. The brother's cousins, Frederick Edmund Meredith and his elder brother, William, both served as directors of the Bank of Montreal. In Ireland, their father's uncles, Walter and John Redmond (1770–1822), founded Redmond's Bank in Wexford which was described as "one of the very few provincial private banks that attained a conspicuous position, had a long and successful career, and ceased, leaving a sweet savour of solvency and honourable dealing". ;Education Richard Martin Meredith was a founder, Chancellor and the first chairman of the board of governors for the University of Western Ontario, where he endorsed the R.M. Meredith Society.
|
|
Suttampillai revolted against Western dominance in Indian churches using a two-fold strategy; one, by separating Christ from Church and accommodating native traditions and customs into Christianity, he succeeded in undermining the authority of Western missionaries; two, he appropriated Hebrew scriptures and Jewish customs into the Church supporting the Old Testament rather than New Testament as an antidote against the Western missionaries who were moving towards a New Testament focus with British Raj support. The church rejected from their system everything that they perceived as having a savour of a European origin. They cut completely from all European help in money and influence, as if there were no longer any Europeans in the country. Sattampillai also seems to have claimed that Hindu cultural practices are similar to the Jewish cultural practices.
|
|
In December 2015 Gutseriev once again was selected as the best author of "Song of a year"[74]. The following songs have become winners: "Warm mantle of your arms" performed by Taisia Povaliy (music by V. Kokhana), "Indigo" performed by Philipp Kirkorov (music by Tomislav Brkić, Zoran Savin), "Love is not just words" performed by Nikolay Baskov (music by I. Krutoy), "Formula of happiness" performed by Valeriya (music by S. Revtov), "Oughts and crosses" performed by Victor Rybin and Natalia Senchukova (music by A. Sokolov), "Incongruous love" performed by Stas Piekha (Music by Victor Drobysh and T. Leontiev), "One-woman man" performed by Slava (music by S. Revtov), "That year of Love" performed by Zara (music by V. Kokhana), "Bitter savour of elderberry" performed by Lyubov Uspenskaya (music by I. Azarov), "Autumn love" performed by Ani Lorak (music by A. Ronamof), "I promise I`ll be back to you" performed by Denis Klyaver (music by S. Bakumenko), "No word for "Me" ", performed by Natasha Koroleva (music by A. Pryazhnikov), "I understand, you are tired" performed by Stas Mikhaylov (music by S. Mikhaylov).
|
|