Letting her sassiness shine, Kendall smashed the vase on the ground.
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FRIDAY PUZZLE — I liked the overall sassiness of this puzzle by Robyn Weintraub.
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It shines through in the joy, laughter, and loving sassiness she shared with us.
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I think that trickled down to the messages and sassiness that are on this record.
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"Katie is smart and sassy and I see in Sarah and Hannah the same sassiness," he says.
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Ms. Erraught invests the music with the kind of sassiness she also brings to her mischievous Hansel.
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To the decorous phrasing of a big band singer she brings a steady current of soul-music sassiness.
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And not to be outdone, Minaj brought the same sassiness to her makeup with an exaggerated liquid liner look.
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She mostly mugs for the camera and flips her hair and points and cocks a hip and acts out sassiness.
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Her Twitter account, in response, fact checked, pulled out arguments and turned up the sassiness during the GOP's big event.
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Power dynamics exerted through sex and gender completely infuse the lives of the show's characters, as do sex and sassiness.
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The television manner for which she is famous—a blunt, cut-the-crap sassiness—is the opposite of stereotypical feminine deference.
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He's even picked up some of their sassiness along the way, sometimes even topping the most outspoken of the bunch, Khloé Kardashian.
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Instead of the sassiness of a Samuel L. Jackson, I got the gargoyle-like stiffness of a Clark Kent through Mike Colter.
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Obama's "sassiness" in the book — an outspokenness that the first lady held in check after early criticism of her as angry or abrasive.
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The Labèque sisters played a scintillating and elegant performance, and Mr. van Zweden nicely conveyed the mix of sassiness and delicacy in the music.
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The bright-voiced soprano Clarissa Lyons found the right mix of wounded pride and sassiness for Lisa, the innkeeper, who has been jilted by Elvino.
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She's such a fun role to portray because she hones a side of me that I don't get to express, like that attitude and sassiness.
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"I felt that the controversy at the beginning of the show was, again, people pretending to be offended by Bart's very mild sassiness," Groening explained.
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Here, the unnamed yarn-bomber is doubling down on Cattelan's joke and Spector's subsequent, suave, punk rock act of political rebellion via polite curatorial sassiness.
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Mr. DiFalco adroitly avoids the perils of wise-child sassiness and brings a surprising and necessary flash of pain to the recollection of a gay hate crime.
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When his grown children try to rouse him, then complain that he has shut them out emotionally, jittery rhythms suggest both their American sassiness and genuine concern.
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As incredible as it is that we will be served another season of pre-teen sassiness set in 1984, what is important has absolutely nothing to do with season two or the show proper.
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Surprisingly, she, not the man, is the focal point of the painting, the embodiment of cautious sassiness and a gender-based counterculture in an environment heavy with a history that does not often encourage that initiative in women.
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Frank's playlist is no doubt fit for an ambitious, no-nonsense president with a mix of patriotic songs, Ozzy Osbourne, Iron Maiden, and Queen, while his wife's is the epitome of female strength and sassiness, featuring iconic tracks by Tina Turner and Beyoncé.
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With the shaggy-haired looks of a teenybopper star and the cool sassiness of an intellectual punk rocker, he is an idol and a social media guru who has been compared with Lu Xun, the most famous Chinese satirical writer and essayist of the 20th century.
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I invite you to peruse the USA Today Sports Pictures archive and be, like, completely blown away by the energy Westbrook, with his big-ass muscles, enormous arms, and a glorious rainbow of facial expressions—Irate, lightly enraged, pants-shitting intensity, genuine good humor, sassiness, and a Rage/Joy mixture that defies any easy categorization.
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If you look at the reviews for some of the most popular weather apps, from the sassiness of Carrot to the personalization of Brella, you'll find that users aren't just satisfied with an accurate forecast: They're thrilled with the beautiful layouts and features that go beyond simply predicting when it's going to rain next.
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And yet while much of the gymnastics world has been spinning out of control, rocked by sensational courtroom testimony and other revelations, there has been a seeming oasis tucked into the campus of U.C.L.A. Many outside the sport learned that last month when Katelyn Ohashi stunned millions of YouTube viewers with her strength, sassiness and thrilling tumbling.
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Lizzie Ennever. "Soulmate" Album Review. BBC. Retrieved 20 May 2007. It received positive reviews, with one reviewer stating that it was reminiscent of "Amy Winehouse's gruff vocal style and her sassiness".
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In a profile, The New Yorker, describing this phrase of her career, asserted: "She is typically cast on the strength of her looks and her Southern sassiness, and she has had girlfriend roles in several forgettable teensploitation flicks".
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Selby Times compared it to their hit "Untouched" saying it "complements its dynamic rock style with the same attitude and sassiness that made summer hit 'Untouched' so popular."Selby Times review for 4ever. The Veronicas: 4 Ever + Hook Me Up Selby Times. Retrieved 1 November 2009.
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The album received a mixed response from critics. In Vibe, Andréa Duncan praised it as a "surprisingly diverse and thoughtful collection of tracks". AllMusic's MacKenzie Wilson said Amil was "bold enough to make it solo" with her "New York childhood street smarts" and a "sultry sassiness" throughout the music. A reviewer for The Source commended the album as "a set that displays [Amil's] feminine flair".
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Grammy (Randee Heller) is Josh's grandmother and Walter's mother. She loves Josh and Megan, but she hates Drake due to his lack of responsibility, laziness, and sassiness. In her only appearance in "Grammy", she expresses anger towards Drake when he decides to go to a concert even though Audrey and Walter said that he could not. At the end of the episode, Grammy shows affection toward Drake when he attempts to tell his parents the truth.
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The original line-up of the group under the name WooWoos comprised Tasie Dharanj, Jessica Martin-Campbell, and Nicky Mac. A press release for the group explained that the name WooWoos referred to "a person readily accepting supernatural, paranormal, occult, or pseudoscientific phenomena". WooWoos released their Cameron McVey-produced debut single, "Fizzy Lettuce", via Moshi Moshi Records in November 2011, having been profiled in The Guardians "New band of the week" feature the previous month; writer Paul Lester described them as "a girl trio with the potential to fill the gap left by Sugababes [...] they have about them an air of credibility [...] And there's a smartness and sassiness to their songs that suggest they had some hand in their creation, that they're not just three Auto-Tuned high-street honeyz". The website Popjustice wrote that they "sound quite a lot like [One Touch]-era Sugababes, which is great", while The Times wrote that "their music has the same sense of sassiness, too-cool-for-school detachment and don’t-mess-with-us front that made early Sugababes so compelling".
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A three song sampler also exists which plays the songs "My Hit Song," "Ozone" and "Sugar Daddy". Melicious took on topics like pollution, sugar daddies, occultism and murder, with tongue in cheek lyrics. The month before it was due for release, the Seattle Weekly gave a favourable review of the album, as did the Autumn 2001 edition of Elle Girl. MacKenzie Wilson from AllMusic also spoke highly of the album, saying it "matches the pop sassiness of the Go-Go's and Cyndi Lauper".
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They decided on using the office environment as it made it easy to create real-life analogs for assembly language concepts that players could grasp, and making it easier for the player to build up the list of instructions. The game was fleshed out by developing the on-screen dialog of the supervisor explaining the task in language that was clear to understand but still has "a little bit of sassiness" to it, and that such language was used consistently across the whole game.
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In contrast, Vick felt the song could not compare to the previous episode's mash-ups. She deemed the staging implausible, questioning how a glee club in financial difficulty could afford elaborate water features for a rehearsal number. Stack was willing to overlook such improbability; he wrote that he loved the mash-up and graded it an "A−". Amy Reiter of the Los Angeles Times appreciated the choreography and the manner in which "Paltrow's sassiness undercuts [Morrison's] overripe sweetness", and named it potentially her favorite group number of the season.
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Robert Copsey of Digital Spy gave the song a positive review stating, "of course, making such a decision based on his victory single – a cover of Shontelle's 2010 hit 'Impossible' – is a futile exercise. The track, which was once sidelined for former finalist Cher Lloyd, has been drained of its R&B; sassiness and re-worked into a swooping ballad, saved only by Arthur's quivering and gutsy vocal. Fortunately for him, at this stage that's the only bit that matters." He gave the song three out of five stars.
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Even Ignacio is shocked over Betty turning down his eggs, opting instead for whipped cream that she takes out of the fridge. As she leaves Justin starts to like the sassiness in his aunt. During the entire day Betty becomes more addicted to the perfume, even as she starts staring at her cell phone waiting for Henry to call. As Gio stops by to see her, the conversation and behavior (sharpening every pencil on her desk being one of them) starts to get weirder as Betty criticizes Gio about he really feels about Henry and orders him to leave.
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Trudie Styler Eileen Ford (portrayed by Trudie Styler) is a fashion model agent. During a networking event, Ford is introduced to Angel where, although not accepting Angel's homemade photos, she recommends Angel a photographer to go and get professional images taken with. She also conducts another interview with Angel who's "sassiness" loses her the job, however Ford presents her with an opportunity after a model dropped out during a photoshoot. When it is revealed that Angel is transgender, she is dropped by multiple brands however with the help of Lil Papi, Ms. Ford agrees to continue working with Angel.
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" Barry Walters of Spin complimented Hilson's "sassiness" on the song which she "wore well." MTV Buzzworthy called the Wayne's verse "the best surprise rap since Lisa 'Left Eye' Lopes' verse in TLC's 'Waterfalls.'" J.K. Glei of Cincinnati Metromix called the track "playful" and said the track was easily the album's standout, commenting that Lil Wayne's cameo "steals the show." Sal Cinquemani of Slant Magazine commended the song, calling it "tight." Jon Caramanica of The New York Times said called the song "slinky" and said, "the busyness coheres, with Ms. Hilson neatly gliding among the song’s many layers.
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In an interview with Charmed Magazine, Carpenter described Kyra as having a similar sassiness as Cordelia Chase, but clarified Kyra was "totally evil and a lot sexier" than Chase. She identified sexuality as the defining aspect of Kyra's personality, referring to her as "overtly sexual, coy, and kitteny". While she viewed Chase as a "smartass", Carpenter defined Kyra as a "temptress" and a "jezebel", and her flirtatious banter with Leo as a part of her own agenda. She said her approach to Kyra was influenced by her revealing outfit, feeling that every woman on Charmed had to look and act "hot" and "notoriously sexy".
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"Put It in a Love Song" is a song that lasts for three minutes and fifteen seconds. The song is composed in the key of A♭ major and is set in time signature of common time, with a moderate tempo of 100 beats per minute. While reviewing The Element of Freedom, Greg Kot of Chicago Tribune compared the song with Knowles' song "Single Ladies (Put a Ring on It)" (2008) commenting that it had the same "sassiness on the tribal groove". A writer of The New York Times also compared the song with "Single Ladies" saying that it had a similar "thumping, step-dancing atmosphere".
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Describing the initiative, the singer stated that always hearing her music in Zumba classes at the gym made her want to create something special for "No Excuses". She intended the choreography to "empower everyone out there to get on their feet", and think about "respect, sassiness and loving [themselves]". The VP of marketing for Zumba said that they have "always been focused on inspiring others to feel empowered and confident", and they hear these themes in Trainor's music which makes her an ideal partner. On April 3, 2018, Trainor released a dance video to her Vevo page featuring a group of children and young adults performing "energetic" choreography to the song; Trainor herself does not feature in the video.
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" Slant Magazine called the album "[...] so damned slick and irresistible[...] There's a punky sassiness to most of the album[...]" Dan Raper of PopMatters compared their style of music to those of Avril Lavigne and Kelly Clarkson. He complimented their songs "Revolution", "Leave Me Alone", "Mouth Shut" and "Heavily Broken" stating that "[...]half the songs on the record fall into this mould of attractively packaged, unremarkable pop." Craig Mathieson of The Age gave positive reviews for "4ever" and "Revolution" but criticised the rest of the album. The New York Times said the album had "Sugar-sharp songs with a hint of intrigue[...]", and Entertainment Weekly also complimented them stating "Guilty pleasure or not, these girls won't be a Secret for long.
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Perlman also left the project, but stated that the story she and LeFauve had worked on in earlier drafts would be retained in the final screenplay. Robertson-Dworet described the film as an action-comedy, and likened her script to an initial one she wrote for Tomb Raider (2018) before that film took a more dramatic tone. She added that it was important to the entire creative team to keep the comedic elements of the film and the sassiness of Danvers' character. Robertson-Dworet also credited Boden for helping to shape Danvers' voice in the film and the desire "to carve our own path and make sure we weren't retreading the same territory [after the release of Wonder Woman], and showing all facets of what women are capable of".
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Her lyrical sincerity and public behavior were not widely accepted as appropriate expressions for African American women; therefore, her work was often written off as distasteful or unseemly, rather than as an accurate representation of the African-American experience. Smith's work challenged elitist norms by encouraging working-class women to embrace their right to drink, party, and satisfy their sexual needs as a means of coping with stress and dissatisfaction in their daily lives. Smith advocated for a wider vision of African-American womanhood beyond domesticity, piety, and conformity; she sought empowerment and happiness through independence, sassiness, and sexual freedom. Although Smith was a voice for many minority groups and one of the most gifted blues performers of her time, the themes in her music were precocious, which led to many believing that her work was undeserving of serious recognition.
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