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116 Sentences With "sarongs"

How to use sarongs in a sentence? Find typical usage patterns (collocations)/phrases/context for "sarongs" and check conjugation/comparative form for "sarongs". Mastering all the usages of "sarongs" from sentence examples published by news publications.

Robes replaced sarongs or trousers, and more of them sported beards.
The company, which manufactures sarongs, complained to the police that the messages were insulting.
At the library, residents in sarongs lined up for their chance to go online.
The teachers, rather than wearing their customary shorts and T-shirts, were in sarongs.
"Everyone was sitting around in sarongs with beards, grinding the ganja with a coconut," he laughed.
A small ceremony is performed, with men in sarongs and women in long skirts gathered around.
Under the instruction of shirtless men in sarongs, you can fling a plastic spear at grass.
Sure, their culture is built on violence, but they basically play the Game in socks, sarongs, and sandals.
In both Indonesia and neighboring Malaysia, tightfitting chemises and sleek sarongs were considered the national dress for women.
Skinny horses and ancient-looking men sat lazily in parked pedicabs, bare and filthy feet peeking out from batik sarongs.
There is a small garden he tends to with his trees and plants and a closet full of sarongs and shirts.
The teenage Obama sisters kept it casual in athletic wear, but covered up in bright yellow sarongs – matching the former first lady.
Ahead, we've found 25 beach dresses, jumpsuits, and two-piece sets that will have you trading in your flimsy sarongs of the past.
Sarongs circle their bellies, but they strip off this modesty as they walk briskly across the stage, their swimsuits secured with butt glue.
Now increasingly large droves of wannabe yogis and surfers are arriving in sarongs and flip-flops, ready to soak up the jungle vibes.
Bali's vibrant batik sarongs are art you can wear, and Maldivian dhon riha tastes like seafood curry concocted in the depths of the ocean.
Twante remains a place where many men in sarongs and bamboo pith helmets smoke cheroots and women balance baskets of vegetables on their heads.
An 18th-century green embroidered damask coat featuring Ottoman design, Chinese fabric and Russian lining hangs among Javanese sarongs and royal attire from South Asia.
A few yards from the park's biggest merry-go-round, men with their sarongs hitched up kick a cane ball back and forth over a net.
Kilts, dhotis, lungi, sarongs, tunics and even the toga have obvious advantages over the two-legged garment that forfeits aesthetics to practicality in almost every case.
Designer duo Peter Pilotto and Christopher De Vos showcased dresses that came in towel-like materials and skirts reminiscent of sarongs, most accessorised with summer hats.
The closest we ever seem to come to public exposure is at the beach or pool, where nonsense "beach-ready" myths still have many of us reaching for sarongs.
To the rhythmic beat of cymbals, drums and a bamboo harmonica, the hand-held puppets wearing brightly colored batik headdresses and sarongs fight, and one gets flung off the stage.
A creek bed of Bob Ross-worthy reeds and cattails are figured in "Spa Night," in which two women in exquisitely stain-painted tie-dye sarongs seem to baptize a third.
Wearing blue shirts and sarongs, the convicts were from Kaung Hmu Labour Camp, seen in June as they cleared wasteland along the Mandalay-Lashio Road for the expansion of a sugarcane plantation.
After the meal, Obama, who is the first sitting U.S. president to visit Laos, accepted an invitation to join the young women, dressed in red and gold sarongs, in performing a traditional dance.
Women cover their faces in the traditional cosmetic yellow paste called thanaka, men wear long skirt-like sarongs called longyi, and people everywhere chew a combination of spices and tobacco called betel nut.
Today Thiam, who continued selling sarongs and jewelry on the streets until he got a work permit in 2011, wants to give others the chance to stay on the right side of the law.
Clothes don't make the man (I'm hard pressed to imagine the museumgoers of the future queuing up to see Schnabel's sarongs) but clothes have an interesting role in the making of the woman, at least this particular woman.
"Love On Hold" might just the the silkiest, smoothest thing we've heard in ages, and we regularly listen to Smooth FM whilst wrapped in silk sarongs so we've got a pretty good grasp on both the silky and the smooth.
To find out, writers for Travel spent time in Vieques, St. Martin (below), St. John, Dominica and San Juan, P.R. A smattering of sun seekers had arrived at the beach and were greeted by two craftsmen selling necklaces and sarongs.
Quiosques, or kiosks, dole out draft beer, caipirinhas and bags of Globos (crunchy rings made from manioc starch) right on the sand, groups of men in tiny swimsuits play hands-free volleyball, vendors sell sarongs emblazoned with the Brazilian flag, and everyone's there to have a good time.
Pick up cotton sarongs at Kealopiko; handcrafted jewelry made with found items like shark teeth, sea glass and sunrise shells edged in 24-karat gold at Flotsam & Co.; and greeting cards drawn by local artists at Mori, where you also might spot some vinyl by Dick Dale or Maryanne Ito, among the eclectic offerings.
Razor blade to cut the umbilical cord, torch as there is no electricity supply, black plastic sheet, to put on the delivery bed as, with no clean water, it's hard to keep the delivery room and beds clean, string to tie the umbilical cord, 200 Malawian Kwacha note for food, three large sarongs for the mother to wear for their stay (which could be as long as four weeks) and to wrap the baby in.
Western men who wear male sarongs are influenced by the Scottish kilt or lava-lava within the Polynesian or Samoan culture. Typically sarongs are worn by men when they are at home or at the beach or as a cover up on a nude beach or by the pool or on a cruise.
They weave fabrics to be used to make black sarongs called Tope Le'leng. They also sell the woven fabrics to visitors as additional revenue.
Different types of sarongs are worn in different places in the world, notably, the lungi in the Indian subcontinent and the izaar in the Arabian Peninsula.
For example, Kula traditionally kept their hair long and braided, and the men wore sarongs but with increased knowledge of the outside world, many Kula cut their hair cut and started wearing trousers.
Three women photographed wearing sarongs in 1905. A sarong or sarung (; meaning "string" or "to sheath" in Indonesian languages) is a large tube or length of fabric, often wrapped around the waist, worn in the Indian subcontinent, Southeast Asia, Maldives, Sri lanka, the Arabian Peninsula, Horn of Africa, East Africa, and on many Pacific islands. The fabric often has woven plaid or checkered patterns, or may be brightly colored by means of batik or ikat dyeing. Many modern sarongs have printed designs, often depicting animals or plants.
When the British left Batavia in 1815, most of the native people reverted to their original Javanese attire but some new aspects persisted. Native males chosen to be the governing elite wore a European outfit on duty, but after hours they would change to sarongs and kebaya. Lower-ranked Dutchmen might wear the local style all day. Women wore sarongs and kebaya to official events, where they wore tighter-fitting robes or richly-colored (or flowered) cloth – in the style of British India – and batik shawls.
The beachwear sold at Surf Style includes sarongs, sunblock, and swimsuits. The indoor FlowRider artificial wave provides an opportunity to learn surfing, a sport difficult to practice on the Gulf of Mexico with its small waves.
Sarongs are ubiquitous in Somalia and the Muslim-inhabited areas of the Horn of Africa. Although nomadic and urban Somali men have worn them for centuries in the form of a plain white skirt, the colorful macawiis (ma'awiis) sarong, which is the most popular form of the garment in the region, is a relatively recent arrival to Somalia courtesy of trade with the Southeast Asian islands and the Indian subcontinent. Before the 1940s, most macawiis were made of cotton. However, since the industrialization of the market for sarongs, they now come in many fabrics and combinations thereof, including polyester, nylon and silk.
They produce muk jok dao ('whale silk fabric') sarongs, costing up to 5,000 baht per metre. Members of the group earn more than 20,000 baht per month, far more than the 5,000 baht previously. The project also exports silk cocoons to Japan.
In 1993, the company began providing catering services. Female waitresses at one time wore traditional Malay Kebaya sarongs (Malay ethnic dress) as their outfits. In the 1990s, it was changed to the current outfit. The restaurant design for Jack's Place started out with dark colours and wood tones.
Wolter has also made numerous guest appearances on several television series. She graduated from Encina High School in 1969. She has never married, has no children and is currently residing in Hawaii selling sarongs in a shop there and writing a class to teach acting for non-actors.
Mustika returned via the Java Sea and Karimata Straits to Merapas Island. The Rimau Commandos disguised themselves as Malays by wearing sarongs and dyeing their skin. The Mustika had no engine though so the commandoes were dependent on winds. The Mustika arrived at Merapas on 4 October 1944.
Weaving skills have been passed across generations. Brunei produces fabric for making gowns and sarongs. "The weaving and decoration of cloth as well as wearing, display, and exchange of it, has been an important part of Bruneian culture for years (Orr 96)." Weaving became significant in the 15th century.
File:COLLECTIE TROPENMUSEUM Uitzicht op zee vanaf het fort te Benkoelen TMnr 10002079.jpg File:COLLECTIE TROPENMUSEUM Een drietal Europese vrouwen gekleed in sarongs met op de achtergrond Fort Marlborough te Benkoelen TMnr 60042951.jpg File:COLLECTIE_TROPENMUSEUM_%27Fort_%27Marlbourough%27_te_Benkulen_op_Sumatra%27_TMnr_10002140.jpg File:COLLECTIE TROPENMUSEUM De binnenkant van fort Marlborough in Bengkulu TMnr 60014515.
We only want four or five sarongs, we don't need trousers. If we live here (in Pos Lebir), we need money, if we have money we buy a lot. But if we have no money, no problem, we reject possessions. When we live in the forest, we don't need them.
Lao Loum use silk almost exclusively in many of their traditional designs. Among Lao Theung, cotton materials are widely used. Khmu women are known for simple cotton sarongs with horizontal stripes, and long sleeved black blouses. Among Katu and Alak there is a tradition of adding significant amounts of beadwork and silver coins.
There are two temples on the western part of the village which are known as Pura Puseh and Pura Dasar. These temples are built in classical Balinese temple architecture style with elaborate carvings. Visitors are given vermilion sarongs to wear during visit to the temples. The town is also popular for carved teak wood furnishings.
The company went public in 1920, and gained international fame a decade later with the production of a punchcard loom which was exported across Southeast Asia, due to its effectiveness in weaving sarongs.. However, this success was short- lived, as Japan's export market shrank rapidly following its secession from the League of Nations in 1933.
However, their lives have undergone significant changes. They have the opportunity to buy food, soft drinks, cigarettes, new T-shirts or sarongs. Contacts with strangers for the Senoi people are permeated by distrust, fear and cowardice; a result of centuries of exploitation. The Chinese and Malays buy jungle or agricultural products, but pay much less than the market price.
Brunei produces fabric for making gowns and sarongs. "The weaving and decoration of cloth as well as wearing, display, and exchange of it, has been an important part of Bruneian culture for years (Orr 96)." Weaving became significant in the 15th century. Antonio Pigafetta visited Brunei during his travels and observed how the clothes were made.
Men would also wear sarongs, checkered and in dark colors. Sue Taek Bung shirts are collared shirts, made from a single piece of cloth buttoned in the front. Most shirts were black, dark blue and white in color. The longyi or sarong, is an often sewn in a cylindrical shape, worn from the waist to the feet.
The rope or crown on the head is thought to be the influence of the European empire. The banjara shirt embroidered with gold thread is a men's shirt that is up to knee length. Silk dressers or sarongs stretching along the chest to shoulders, colorful crowns of heads and machetes slipped around the waist complement traditional clothing.
According to Country Reports, every ethnic groups of women in Suriname may differ in terms of clothing practices. Women of Suriname with Javanese heritage wear sarongs. The women with Creole ancestry or are Afro-Surinamese wear the kotomisse (koto for short) that is accompanied by a handkerchief or with head or body covering called as the angisa (also known as the anisa.
Members of Operation Agas in sarongs made from parachute silk. The group was formed to carry out guerrilla warfare against the Japanese forces with the full support of the natives. As part of the Borneo Campaign Australian commandos were landed using US submarines. The Allied Z Special Unit began to train Dayak people from the Kapit Division in guerrilla warfare.
This boulevard has a tree lined central pedestrianized area with gardens. In the summer this shady ‘Ramblas’ is lined with market stalls selling jewellery, sarongs, tie-dye Thai garb and trinkets of all kinds. At the southern end of ‘Passeig de s’Alamera’ is Santa Eulalia's harbour front with views of the bay. Running in either direction is a paved and landscaped promenade.
Yijing recorded his impression of the "Kunlun peoples", using an ancient Chinese word for Malay peoples. "Kunlun people have curly hair, dark bodies, bare feet and wear sarongs." He then arrived at the East coast of India, where he met a senior monk and stayed a year to study Sanskrit. Both later followed a group of merchants and visited 30 other principalities.
"People of the Kingdom of Bengal", 16th-century Portuguese illustration The Bengali language was the most spoken language while Persian was an administrative and commercial language. Men wore white shirts, cotton fabrics of various colors, turbans, sarongs, lungis, dhutis, leather shoes, and belts to wrap their robes on the waist. Women wore cotton saris. Upper-class women wore gold jewelry.
Chapter I, P.15 Moreover, European society in the East Indies was in fact dominated by Indo culture and customs that determined a.o. the lifestyle, language and dress code of its European population. European new arrivals settling in the East Indies adopted many of the Indo customs.Note: It was not uncommon for instance to see newly arrived ‘totok’ Dutch expatriates wear sarongs and learn Malay.
In 2009 the restaurant completed a several-years-long renovation to repair damage from Hurricanes Katrina and Wilma. The current Mai-Kai is much like it was in the 1970s. The waitresses at the Mai-Kai's Molokai Bar are attired in bikini tops and wraparound sarongs. The menu maintains a Polynesian-Asian theme, and the cocktail menu (designed by Mariano Licudine) is largely unchanged since 1956.
In more recent times, well-known film actors and singers, such as Ye Lay, Nay Toe and Htun Htun, Kyaw Kyaw Bo, have featured as comedians. Comedians typically dressed in checkered-patterned Taungshay-style longyi (sarongs) and wear loose coats, a development innovated by U Po Sein, an influential 19th- century performer. A small all-male music orchestra, led by the pattala (xylophone) music, accompanies the performance.
The kikoi is made of cotton and patterns are woven rather than dyed into the fabric. As with all sarongs, it is a single piece of cloth which is wrapped around the waist, and rolled over outwards a couple of times. Outside of their intended use as a sarong, they can be used as a sling to hold a baby, towel, or a head wrap.
Vegetation is drawn in a stylised format, but each leaf is painted and shaded. The patterns, even in batik sarongs, have the minor figures drawn very carefully. Even the open space is filled with pulsating marks. Scenes emerge from the canvas and retreat into the vegetation such as a dog fight, a love affair, a group of gamblers, all shown in a corner of the canvas.
In the past, women produced the textiles either for home consumption or to trade with others. Today, this has changed as most textiles are not being produced at home. Western goods are considered modern and are valued more than traditional goods, including the sarong, which retain a lingering association with colonialism. Now, sarongs are used only for rituals and ceremonial occasions, whereas western clothes are worn to church or government offices.
Civil servants working in urban areas are more likely than peasants to make the distinction between western and traditional clothes. Following Indonesia's independence from the Dutch, people increasingly started buying factory made shirts and sarongs. In textile-producing areas the growing of cotton and production of naturally colored thread became obsolete. Traditional motifs on textiles are no longer considered the property of a certain social class or age group.
The Bengal-Maldives cowry shell trade was the largest shell currency trade network in history. In the Maldives, ships could take on fresh water, fruit and the delicious, basket-smoked red flesh of the black bonito, a delicacy exported to Sindh, China and Yemen. The people of the archipelago were described as gentle, civilised and hospitable. They produced brass utensils as well as fine cotton textiles, exported in the form of sarongs and turban lengths.
The 15th-century is the peak of the power of the Malacca Sultanate. As told in the Malay Annals, this is where traditional Baju Melayu clothing is created. The strong Islamic influence has transformed the way of dressing the Malays later on features that are matching with Islamic laws. The classic Malay general attire for men consists of shirts, small sacks, sarongs worn at the waist, and a tanjak or tengkolok worn on the head.
Designs vary greatly and range from checkered square motifs with watermarked diamonds and plaid to simple geometric lines. The one constant is that they tend to be quite colorful; black macawiis are rare. Sarongs in Somalia are worn around the waist and folded several times over to secure their position. They are typically sold pre-sewn as one long circular stretch of cloth, though some vendors offer to sew them as a value-added service.
In temples for example, shorts or mini skirts are not allowed, thus visitors are required to wear sarongs to cover their lower parts. Sleeveless and shoulders exposing clothes are also not allowed, thus clothes covering shoulders is required. Some non-religious sites such as keratons (sultan's palace) and some museums may require modest dress almost similar to religious sites. Shoes or any form of footwears should be removed when entering a mosque.
Sylvia Brett enjoyed dressing up in sarongs and exotic jewelry and decorated her London home with spears, totem poles. Brett was the author of eleven books, including "Sylvia of Sarawak" and "Queen of the Head-Hunters" (1970). Fort Sylvia in Kapit is named in her honour.Tun Jugah Foundation – Fort Sylvia She also contributed short stories to publications such as John O'London's Weekly, for example "The Debt Collector", in the Summer Reading Number June 29, 1929.
He was born to an ethnic Hainanese family in the Kuala Krai district in the state of Kelantan, Malaysia on 11 June 1961. Toi left Malaysia at the age of eighteen, and via Toronto, arrived in Manhattan a year later. There he attended Parsons School of Design and apprenticed with Mary Jane Marcasiano and Ronaldus Shamask. In 1989, with a modest collection of bright sarongs, strong suits and regal dresses, he opened his own atelier.
Peranakan beaded slippers called Kasot Manek were hand- made with much skill and patience: strung, beaded and sewn onto canvas with tiny faceted glass cut beads (known as Manek Potong) from Bohemia (present-day Czech Republic). Traditional kasot manek design often have European floral subjects, with colours influenced by Peranakan porcelain and batik sarongs. They were made into flats or bedroom slippers. But from the 1930s, modern shapes became popular and heels were gradually added.
Japanese weavers produce very accurate indigo and white weft ikat with small scale motifs in cotton. Weavers in Odisha, India have replicated fine Urdu alphabet in weft ikat. In Thailand, weavers make silk sarongs depicting birds and complex geometrical designs in seven-colour weft ikat. In some precise weft ikat traditions (Gujarat, India), two artisans weave the cloth: one passes the shuttle and the other adjusts the way the yarn lies in the shed.
He created what he called "body bandanas" for Lamarr's wardrobe in White Cargo—three sarongs which could be redraped or reversed in order to provide variety. A renewed focus on line helped reduced the need for trim, and he discovered that piping could substitute for a belt. Using these and other innovations, he saved of fabric, trim, several pounds of sequins, beads and spangles, and multiple yards of thread on Jeanette MacDonald's wardrobe in Cairo.
High- ranking natives within the colony as well as nobility, would wear European style suits with their batik sarongs for special occasions and even for everyday use. More and more native Indonesians began to dress more European. This of course came with the idea that those who wore European clothing were more progressive and open towards a European society and the etiquette that came with it. More and more the European influence was gaining precedence within native Indonesians.
European women dressed in sarongs in front of Fort Marlborough (early 20th century) The British East India Company built the fort between 1713–1719. In 1714 Governor Collett obtained permission to build a new fort in Bencoolen. He named the new fort, which he built two miles from an older fort (Fort York), Fort Marlborough. The fort was built on an artificial hill, and construction, using both convict and local labor, took several years to complete.
The female flight attendants of Malaysia Airlines and Singapore Airlines also feature batik kebaya as their uniforms. The female uniform of Garuda Indonesia flight attendants is a more authentic modern interpretation. The kebaya is designed in simple yet classic Kartini- style kebaya derived from 19th century kebaya of Javanese noblewomen. The kebaya made from fire-proof cotton-polyester fabrics, with batik sarongs in parang or lereng gondosuli motif, which also incorporate garuda wing motifs and small dots representing jasmine.
Nasranis or Syrian Christians of Kerala wearing mundu (from an old painting). Photo published in the Cochin Government Royal War Efforts Souvenir in 1938. Nair woman wearing Mundum Neriyathum, painting by Raja Ravi Varma A man wearing mundu and melmundu The mundu (pronounced ) is a garment worn around the waist in the Indian states of Kerala, Tamil Nadu, the Laccadives archipelago, and the Indian Ocean island nation of Maldives. It is closely related to sarongs like dhotis and lungis.
The Bamar traditionally wore sarongs. Women wear a type of sarong known as htamain (), while men wear a sarong sewn into a tube, called a longyi(လုံချည်), or, more formally, a single long piece wrapped around the hips, known in Burmese as a paso (). Formal attire often consists of gold jewelry, silk scarves, and jackets. On formal occasions, men often wear cloth turbans called gaung baung () and Mandarin collared jackets called taikpon (), while women wear blouses.
Ten minutes from the Ngurah Rai International Airport lies the town of Kuta (within Badung Regency not administratively under the city jurisdiction), where most of the hotels, restaurants, malls, cafes, marketplaces, and spas that cater to tourists are located. In the Denpasar area, all kinds of Balinese handicrafts are represented in local shops. These include artwork, pottery, textiles, and silver. Batik cloth is sold all over Denpasar, and batik sarongs and men's shirts are widely available.
They wore their hair up in a bun or as a chignon attached with flowers and draped over the shoulder. Older women wore quieter colors with their favorite Sompot Samloy and jewellery of bracelets, necklaces and earrings, made from silver, gold and other metal. Older women wore their hair in chignon style only. Common women wore the same style of clothes as the upper class but in black, most wearing sarongs with no decoration or shawl except a serviceable krama.
The sarong is the popular garment worn mostly by Muslim men, notably in Java, Bali, Sumatra and Kalimantan. It is a large tube or length of fabric, often wrapped around the waist, and the fabric often has woven plaid or checkered patterns, or brightly colored by means of batik or ikat dyeing. Many modern sarongs have printed designs, often depicting animals or plants. It is mostly worn as a casual wear but often worn during the congregational prayers as well.
European women dressed in sarongs in front of Fort Marlborough (early 20th century) The region was subject to the Buddhist Srivijaya empire in the 8th century. The Shailendra Kingdom and Singosari Kingdom succeeded the Srivijaya but it is unclear whether they spread their influence over Bengkulu. The Majapahit also had little influence over Bengkulu. There were only few smalls ‘kedatuan’ based on ethnicity such as in Sungai Serut, Selebar, Pat Petulai, Balai Buntar, Sungai Lemau, Sekiris, Gedung Agung and Marau Riang.
It shows that, without the mantle of Melaka's prestige, the local inhabitants were undifferentiated from the other non-Malay elements in neighbouring areas. The Melakans were described by European travellers as "white", well- proportioned, and proud. The men normally wear cotton garments (sarongs) which cover them only from the waist down, but a few of the more distinguished wear short, silk coats, under which they carry krisses. Their women, who are olive- coloured, comely, and brunette, usually wear fine silk garments and short shirts.
Among the other actresses to don the sarong for film roles are Maria Montez, Gilda Gray, Myrna Loy, Gene Tierney, Frances Farmer and Movita. Male stars who wore the manly sarongs on film include Jon Hall, Ray Milland, Tyrone Power, Robert Preston, Sabu Dastagir and Ralph Fiennes in The Constant Gardener. The sarong was also worn by Pierce Brosnan in The Thomas Crown Affair (1999). The 2005 documentary film Soldiers in Sarong, directed by Lokendra Arambam, depicts the women's resistance movement in Manipur, North- East India.
The costume included those from India, a native sari, the native girl's dress from Ceylon, the sarongs from Java, the "slong" from Makassar, an authentic Shinto priest robe from Japan, the "lava lava" from Pago Pago, temple dancer's costume from Bali and Manchu princess robe from China. Potts visited 57 countries, travelling 500,000 miles by land, sea and air in 15 years. She visited Europe four times and the orient three times. She also spent some time in South America, including Brazil and Argentine.
The motto is Tekun Bersatu Berjaya Terbilang while the school official colours are white, black and maroon. The school flag is a white flag with four-coloured stripes (Red, Yellow, Green, Blue) representing the four houses which accommodate the students, with the school emblem placed at the centre of the flag. The main symbol commonly associated to the school is the Islamic geometry motives, which are seen in the school emblem, school building architectures, and the official sarongs and sampings (worn by students every Friday).
Operation Jaywick was an Inter-Allied Services Department operation to infiltrate the Japanese- occupied Singapore Harbour and destroy shipping. On 2 September 1943, the Krait, with a crew of eleven Australian and four British personnel, left Exmouth Gulf, Western Australia. The group, commanded by Ivan Lyon, dyed their skin brown and hair black (the skin dye later caused many skin problems for the members of the team, including irritation and reactions in adverse amounts of sunlight). They also wore sarongs, so that they resembled Indonesian fisherman.
Platform shoes and brightly coloured outfits complete the ganguro look. Also typical of ganguro fashion are tie-dyed sarongs, miniskirts, stickers on the face, and many bracelets, rings, and necklaces. Ganguro falls into the larger subculture of gyaru (from English "gal"), a slang term used for various groups of young women, usually referring to overly childish women. Researchers in the field of Japanese studies believe that ganguro is a form of revenge against traditional Japanese society due to resentment of neglect, isolation, and constraint of Japanese society.
Anoa'i was trained as a wrestler by his brother Afa and Kurt Von Steiger, debuting in 1973 in Stampede Wrestling as "Sika". Calling themselves "The Wild Samoans", the brothers and gained notoriety due to their large, wild afros, sarongs, and habit of wrestling barefoot and eating raw fish in the ring. Throughout the 1970s, The Wild Samoans appeared with promotions including Big Time Wrestling, the Continental Wrestling Association, Gulf Coast Championship Wrestling, NWA All-Star Wrestling, NWA Mid-America, Stampede Wrestling, and the World Wrestling Council, winning multiple tag team championships.
The kampong was also known as Selak Kain in Malay, which meant 'hitching up one's sarong (skirt)' as people hitch up their sarongs to wade through floods whenever the village experienced flash floods in the 20th century Singapore. The land which the kampong rests on, was acquired in 1956 from Mr Huang Yu Tu by Sng Teow Koon, a traditional Chinese medicine seller. At the point of purchase, there were already 4 to 6 houses built on the land. He set up home in the village with his family.
Racine is the gifted DJ with a deep sense of how music moves people. Bartender Couchette is a beautiful dancer whose jazz-musician father committed suicide. Manny, who dresses in sarongs but attracts women, is the overseer. Haunted by their pasts, these vulnerable characters live in an atmosphere of ominous despair, with the imminent threat of eviction and demolition and occasional patrols of police and M-16s, in a neighborhood disconnected from the more affluent parts of the city by a bridge raised as part of an urban warfare strategy.
In North and South America as well as Europe, hip wraps are worn as beach wear or as a cover-up over swimwear. The wrap is often made of a thin, light fabric, often rayon, and may feature decorative fringing on both sides. They may have ties, which are long thin straps of fabric which the wearer can tie together to prevent the wrap from falling down. These wraps are mostly worn by women as beach cover ups and do not usually resemble traditional Asian or African sarongs in size, pattern or design.
Throughout Cambodian cities, Chinese dominated numerous industries such as retail, hospitality, export-import trade, light, food processing, soft drinks, printing and machine shops. In addition, virtually all of Cambodia's richest people are of Chinese descent. Rural Chinese businessmen operated general shops that provided ethnic Khmer peasants with essential purchases such as farming supplies, groceries imported from China, sampots and sarongs, bamboo baskets, perfume, kerosene for lamps, alcohol as well as tobacco. Those in the Kampot Province and parts of Kaoh Kong Province cultivate black pepper and fruit (especially rambutans, durians, and coconuts).
Notable Cameroonian articles of clothing include: Pagnes, a sarongs worn by Cameroon women, Chechia, a traditional hat, Kwa, a male handbag and Gandura, male custom attire. Wrappers and loincloths are used extensively by both women and men but their use varies by region with influences from Fulani styles more present in the north and Igbo and Yoruba styles in the south and west. Culture and Customs of Cameroon, 2000, pg. 135, by, John Mukum Mbaku Imane Ayissi is one of Cameroon's top fashion designers and has received international recognition.
Feminist groups published fliers against bikinis in the contest in 1970. In 2013, the Miss World event is to be hosted by Indonesia, the world's largest Muslim-majority country. The country's top Muslim clerical body, the Indonesian Ulema Council, suggested that the event should be cancelled because it promotes "hedonism, materialism, and consumerism", and is nothing but "an excuse to show women's body parts that should remain covered." The organizers later announced that the bikini would be replaced by one-piece swimsuits and even sarongs, traditional beachwear on the resort island of Bali.
God L can be identified by his characteristic open-weave brocaded shawl, as well as the broad-brimmed hat decorated with owl feathers, and a stuffed owl with outstretched wings. Five elegant female figures, perhaps concubines, and reminiscent of the goddess I from the Dresden Codex, surround the old god, who delicately ties a bracelet on one of them. The women wear loose, flowing sarongs, or tight-fitting wrap- around cloths, decorated with batik-like dyed patterns rendered in a soft brown wash. Each has jewelry at the neck, ears, and wrists.
Both men and women in Langkasuka wore sarongs with their torsos bare and their hair loose, although the king and senior officials covered their shoulders with cloth and wore gold earrings and belts of gold cord. Women of high status wrapped themselves in cloth and wore jeweled girdles. It gives further information on some of its kings and also relates a story on a succession: This king then ruled for more than 20 years. He was succeeded by his son, King Bhagadatta, who sent the first ambassadorial mission to China in 515.
Improvements in Batavia's transportation, health, and technology encouraged more Dutch people to move to the capital, and Batavian society became increasingly Dutch. The city traded with Europe, and increased shipping led to the construction of a new harbor at Tanjung Priok between 1877 and 1883. Foreigners were known locally as totoks, distinguishing new Chinese arrivals from the peranakans. Many totoks adopted Indonesian culture, wearing kebayas, sarongs, and summer dresses. By the end of the 19th century, Batavia's population was 115,887 people; of these, 8,893 were Europeans, 26,817 were Chinese and 77,700 were indigenous islanders.
The sewing circle members started by making their own clothes, then making clothes for poor children at various hospitals. They met once a week, each member taking turns hosting tea at home between 16:00-18:00. It soon became a procedure for the princess mother to use her own money to purchase items for poor villages during her increasingly frequent upcountry visits. These gifts included tee-shirts, towels, multipurpose "pha khao ma" cloth, and stationery for schoolteachers; school uniforms and stationery for schoolchildren; and pha khao ma, sarongs, needles and thread, medicine, tinned food, and dried foodstuffs for villagers.
The majority of citizens work as farmers, in the metal industry, the public service, or in a variety of home industries, including teak furniture-making and weaving sarongs. As generally the case with 'urbanisation', many young people leave the area after high school, heading for larger urban centres such as Jakarta, Bandung, Semarang and some timber processing towns such as Banjarmasin and Balikpapan. In the last three decades, some are working overseas in places such as Middle East, Singapore, Malaysia, Hong Kong and Taiwan. Their financial remittances are an important source of income for the area.
They are eaten using a spoon and chopsticks at the same time. Traditional drums, Rocket Festival, Yasothon Bung Fai Line Sribhumi, Suwannaphum, Roi Et ProvincePattern of Bung Fai Line Sribhumi which made by handle scissors cutting the line without the broken line, Suwannaphum, Roi Et Province The traditional dress of Isan is the sarong. Women's sarongs most often have an embroidered border at the hem, while men's are in a chequered pattern. Men also wear a pakama, a versatile length of cloth which can be used as a belt, a money and document belt, as headwear for protection from the sun, as a hammock, or as a bathing garment.
The Culture Division of the Cook Islands Government supports and preserves the country's national heritage. One of the popular traditional dances of the Cook Islands is the Ura, a sacred ritual usually performed by a female who moves her body to tell a story, accompanied by intense drumming by at least five drummers. The craft of the locals can be seen in dresses, sarongs, and jewellery crafted with local products, such as shells, and an important practice among women is tivaevae, a type of quilting. Typical cuisine consumed in the Cook Island is fresh seafood such as octopus or clams, lamb or suckling pig, and fresh fruit, especially coconut.
Preserving the traditional skills and techniques of Indonesian textile production is extremely important to Obin, who describes the textiles produced under her name as "works of life", rather than works of art. In some cases, exceptionally elaborate batiks can take up to a year and a half to complete, which means that the end product is expensive, but it is more important to Obin that her workers receive appropriate payment and appreciation of their skills. Obin prefers to avoid cutting into her textiles, making them into sarongs and shawls so that their patterns are kept intact. Sometimes she asks buyers not to cut the fabrics, but instead to appreciate their craftsmanship, artistry and heritage techniques.
The Portuguese period in East Africa – Page 112 According to the 16th-century explorer, Leo Africanus indicates that the native inhabitants of the Mogadishu polity were of the same origins as the denizens of the northern people of Zeila the capital of Adal Sultanate. They were generally tall with an olive skin complexion, with some being darker. They would wear traditional rich white silk wrapped around their bodies and have Islamic turbans and coastal people would only wear sarongs, and spoke Arabic as a lingua franca. Their weaponry consisted of traditional Somali weapons such as swords, daggers, spears, battle axe, and bows, although they received assistance from its close ally the Ottoman Empire and with the import of firearms such as muskets and cannons.
The Portuguese Empire was unsuccessful of conquering Mogadishu where the powerful naval Portuguese commander called João de Sepúvelda and his army fleets was soundly defeated by the powerful Ajuran navy during the Battle of Benadir.The Portuguese period in East Africa – Page 112 According to the 16th-century explorer, Leo Africanus indicates that the native inhabitants of the Mogadishu polity were of the same origins as the denizens of the northern people of Zeila the capital of Adal Sultanate. They were generally tall with an olive skin complexion, with some being darker. They would wear traditional rich white silk wrapped around their bodies and have Islamic turbans and coastal people would only wear sarongs, and spoke Arabic as a lingua franca.
The Portuguese period in East Africa – Page 112 According to the 16th-century explorer, Leo Africanus indicates that the native inhabitants of the Mogadishu polity were of the same origins as the denizens of the northern people of Zeila the capital of Adal Sultanate. They were generally tall with an olive skin complexion, with some being darker. They would wear traditional rich white silk wrapped around their bodies and have Islamic turbans and coastal people would only wear sarongs, and spoke Arabic as a lingua franca. Their weaponry consisted of traditional Somali weapons such as swords, daggers, spears, battle axe, and bows, although they received assistance from its close ally the Ottoman Empire and with the import of firearms such as muskets and cannons.
Anthropologist Ian McIntosh has interpreted the cycle's mention of the Baijini as a fictional history devised by the Yolngu, centered on Warramiri clanland at Dholtji in the Cape Wilberforce peninsula whose function was to serve as a benchmark for trade with Asians. A key figure was Birrinydji, the iron-maker of the Dreamtime, believed to be the first to inhabit Arnhem Land, perhaps modeled on a foreign captain, who could morph at will from being white to black. Birrinydji's people wore sarongs, distinctive whale-tail shaped hats and their craft flew a flag banded with blue, red and blue stripes. A Macassan story speaks of a group of Gowans sailing south and finding refuge in Arnhem Land after the Macassan Kingdom of Gowa was attacked by a joint Dutch-Bugis force in 1667.
Dancer in a bikini bar at Sacramento, California "Twin Peaks", a chain of sports bars and restaurants (colloquially referred to as breastaurants) based in Dallas, Texas, is known for having its waitresses dress in revealing uniforms that consist of cleavage- and midriff- revealing red plaid (or sometimes black bikini) tops and khaki short shorts. "Bikinis Sports Bar & Grill", a former chain of sports bars and restaurants primarily located in Texas, is known for its scantily clad waitresses, whose uniforms consist of bikini tops, cowboy boots, and tight, short denim shorts. The chain is also known for trademarking the term "breastaurant" and purchasing a ghost town that was subsequently renamed "Bikinis, Texas". The waitresses at the Molokai Bar of Mai-Kai Restaurant, a tiki-themed restaurant in Fort Lauderdale, Florida are attired in bikini tops and wraparound sarongs.
Largest Bikini Parade, Official Website: Guinness Book of World RecordsLargest Bikini Photo Shoot, Official Website: Guinness Book of World Records "Beijing Bikini" refers to the Chinese urban practice of men rolling up their shirts to expose there midriff to cool off in public in the summer.Anna Fifield, A mainstay of the Chinese summer, the ‘Beijing bikini,’ is under threat, Washington Post, July 4, 2019 In Japan, wearing a bikini is common on the beach and at baths or pools. But, according to a 2013 study, 94% women are not body confident enough to wear a bikini in public without resorting to sarongs, zip-up sweatshirts, T-shirts, or shorts.Casey Baseel, 94% of Japanese women don’t feel confident in a swimsuit, survey reveals, Japan Today, July 21, 2013 Japanese women also often wear a "facekini" to protect their face from sunburns.
One notable form of yadaya is the construction of pagodas, as seen in the construction of 60,000 pagodas by U Nu in 1961. The government's unexplained decision to change the road traffic in 1970 to right-hand traffic (even though the overwhelming majority of Burmese cars are made for left-hand traffic) is one such incident believed to be the result of yadaya, to avert the threat of a political attack from the right and insurgency., New York Times, 07 Dec 1970, p.6 More recently, the unusual clothing choices, namely the wearing of traditional female acheik-patterned longyi (sarongs) by Than Shwe and other military generals at recent public appearances, including Union Day celebrations in February 2011 and at the reception of the Lao Prime Minister Bouasone Bouphavanh in June 2011 have also been attributed to yadaya, as a way to divert power to neutralize Aung San Suu Kyi's power.
Thus, even when fighting systems were outlawed by the Spaniards, Filipinos still maintained their centuries-old relationships with blades and blade fighting techniques that survive from ancient times and are still much alive as they have been adapted and evolved to stay relevant and practical in colonial and modern times. What separates Filipino Martial Arts from other weapon-based martial arts like Japanese Kendo & Kenjutsu, European Fencing and traditional Chinese Martial arts that teach the usage of classical Chinese weapons is that FMA teaches weapon use that is practical today: how to use and deal with weapons that one can actually encounter in the streets and how to turn ordinary items into improvised weapons. No one walks around with sabers, katanas or jians anymore, but knives, machetes, clubs and clothing, (called Sarongs), are still among commonly encountered weapons on the street and in the field, thus making FMA very practical and geared towards military and street fighting. Traditional weaponry varies in design, size, weight, materials, and the way these weapons are used.
Full original text: 門以單馬錫番兩山,相交若龍牙狀,中有水道以間之。田瘠稻少。天氣候熱,四五月多淫雨。俗好劫掠。昔酋長掘地而得玉冠。歲之始,以見月為正初,酋長戴冠披服受賀,今亦遞相傳授。男女兼中國人居之。多椎髻,穿短布衫。繫靑布捎。 地產粗降眞、斗錫。貿易之貨,用赤金、靑緞、花布、處甆器、鐵鼎之類。蓋以山無美材,貢無異貨。以通泉州之貨易,皆剽竊之物也。舶往西洋,本番置之不問。回船之際,至吉利門,舶人須駕箭稝,張布幕,利器械以防之。賊舟二三百隻必然來迎,敵數日。若僥倖順風,或不遇之。否則人為所戮,貨為所有,則人死係乎頃刻之間也。 Wang described the people of Long Ya Men as being prone to acts of piracy, and that while the natives traded with Chinese from Quanzhou, Chinese junks on their way back from the Western Oceans (西洋) may be met by pirates there who attacked with two to three hundred perahus (boats). He mentioned that in olden times a chief there found a jewelled head-dress while digging in the ground, and that "the beginning of the year is calculated from the [first] rising of the moon, when the chief put on this head-gear and wore his [ceremonial] dress". He also said the natives would "gather their hair into a chignon, and wear short cotton bajus girded about with black cotton sarongs". The description of the people may be the first known record of the Orang Laut who inhabited the region.

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