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53 Sentences With "rustics"

How to use rustics in a sentence? Find typical usage patterns (collocations)/phrases/context for "rustics" and check conjugation/comparative form for "rustics". Mastering all the usages of "rustics" from sentence examples published by news publications.

Constables, spies, rustics, traveling salesmen, innkeepers, newsboys and railroad porters are all played by Arnie Burton (who appeared in the original Broadway production) and Billy Carter.
The woodcut playing cards by Hans Schäufelein, a Nuremberger who worked in Dürer's workshop, evoke, with bold lines and jumbo-size suit symbols, a Chaucerian world of rustics, clerics and merchants.
It is a solemn version of the joke that James Thurber played so well, decades ago, in "The Macbeth Murder Mystery," in which a hidden pattern involving obscure rustics is found within the play.
Her narration has its oddities — she gives some of the characters English accents, but not Alice, despite her use of Victorian figures of speech that sound weird when delivered in an American accent, and Johansson's working-class ­characters, even the rustics, all drift into Cockney.
Its origins go back two album cycles, to 2013, when he and his wife, Emma, a filmmaker and photographer, were newly married and living in Echo Park, Los Angeles, in a two-hundred-and-fifty-square-foot adobe house on top of a hill, abutting Elysian Park—urban rustics, living half outdoors.
We made portraits of ourselves when we had no idea who were; we tried to find garden landscapes that we were destroying as fast as we could paint them; we painted Indians as fast as we could kill them; and during the greatest technological jump in history, we painted ourselves as a bunch of fiddling rustics.
Rustics and Politics: The Political Theory of The Beverly Hillbillies. Lexington Books (2015), p. 77-78.
8; fourth at the City Dionysia in 349 with either Rustics or Anchises). He was probably from the city of Camirus on Rhodes (test. 1. 1; 2.
In another sermon in the same period, the Geniscus appears in the company of witches (striae) and other entities in whom "rustics" believe:Filotas, Pagan Survivals, p. 79.
Richard rejected them, allegedly telling them that "rustics you were and rustics you are still. You will remain in bondage, not as before, but incomparably harsher". Tresilian soon joined Thomas, and carried out 31 executions in Chelmsford, then travelled to St Albans in July for further court trials, which appear to have utilised dubious techniques to ensure convictions. Thomas went on to Gloucester with 200 soldiers to suppress the unrest there.
Secondly, the bishops were ordered to take all offerings offered by "rustics" to pagan gods and exterminate these continuing practice (no doubt only occurring in the remotest provincial backwaters).
When a thermos falls and shatters as the train passes over some points, she leaps up and pulls the emergency cord, bringing the train to a halt. When a host of rustics appear, George decides to remove himself and does so at a high speed followed by twenty-seven rustics headed by a bearded man with a pitchfork. Late that night, a bedraggled George appears at the vicarage and presents himself to Susan Blake. Cured of his stammer, he proposes and she accepts.
Britten delineated the three tiers of characters, the rustics being given folk-like "simple" music, the lovers a more romantic sound-world and the fairies being represented in a very ethereal way. Almost all of the action now takes place in the woods around Athens, and the fairies inhabit a much more prominent place in the drama. The comic performance by the rustics of Pyramus and Thisbe at the final wedding takes on an added dimension as a parody of nineteenth-century Italian opera. Thisbe's lament, accompanied by obbligato flute, is a parody of a Donizetti "mad scene" ("Il dolce suono").
The picturesque vocabulary of Donelaitis is akin to folklore. He never waters down a phrase, nor does he euphemize, but is able to recreate in words the substantiality of the world and the speech of the rustics he portrays. His diction is crisp and fresh, and - because of its authenticity - simple and dignified.
The villagers feigned imbecility when the royal messengers arrived.Noodles, Nitwits and Numbskulls by Kurt Werth, Dell Pub Co, 1979. Wherever the messengers went, they saw the rustics engaged in some absurd task. Based on this report, John determined to have his hunting lodge elsewhere, and the wise men boasted, "We ween there are more fools pass through Gotham than remain in it."G.
Shiva started growing big. The asura, unable to bear the pain, pleaded Shiva to come out. Shiva tore open the demon, thus killing him, and came out. Shiva used the skin of the asura to make a dollu/drum and gave it to the rustics, his devotees, the “Halu Kurubas”. The “Halu Kuruba” tribes in shimogga follow this tradition even today.
Xestia is a genus of noctuid moths (family Noctuidae). They are the type genus of the tribe Xestiini in subfamily Noctuinae, though some authors merge this tribe with the Noctuini. Species in this genus are commonly known as "clays", "darts" or "rustics", but such names are commonplace among Noctuidae. Xestia moths have a wide distribution, though they most prominently occur in the Holarctic.
With the company he went to the new theatre in Drury Lane, where he remained constant until his death. Simple in the Merry Wives of Windsor, 23 October 1812, is the first part in which he can be traced there. The Clown in Twelfth Night and Little John in Robin Hood were given during his first season. He played typically domestics, rustics, and farm-labourers.
Butcher's work received little notice outside of Nebraska during his lifetime. Although there was a market for photos depicting the romance of the Wild West, the public preferred mountains and canyons to open prairie. Later in his life, popular taste inclined toward the modern and the sophisticated; images of rustics gathered around sod houses were out of fashion. His photographs had little to recommend them from an artistic standpoint.
" Academic Michael Klossner refers to it as a "clichéd, Jekyll/Hyde rip- off", but notes favorably "the beautiful mountain settings, the colorful rustics and [Stanley] Cortez's sharp b&w; photography." The Neanderthal Man mask was frequently commented upon. Ken Hanke says it was "an appalling over- the-head mask (with stylishly wavy hair) that looks exactly like what it is." Phil Hardy notes that the mask "didn't flex with [Wally Rose's] facial movements.
He and Faine Jade had formed the Rustics who recorded "Cant' Get you Out of My Heart" b/w "Look at Me" for the Ye Old King Label. After the Rusics broke up Manzi joined the Bohemians, replacing lead guitarist Richard Martinez, who went on the join the Cats Meow, who recorded a few singles for Decca. In 1967 the Bohemians changed their name to Bohemian Vendetta. More personnel changes were to come that year.
At the same time as the Hôtel de la Force was being converted into a prison, the Hôtel de Brienne was demolished, and a new prison for prostitutes was erected on its site, which was called La Petite Force. The front presented a sombre aspect. It was ornamented with vermiculated rustics and the entrance was formed by an elliptical arch. It was three storeys high and was surmounted by a Doric cornice.
Masona also initiated a programme for the distribution of free wine, corn, oil, and honey for the citizens and rustici (rustics, that is, peasants of the countryside, not the city). Masona established a public credit system by depositing 2,000 solidi with the deacon Redemptus at the basilica for the citizens to take out loans. A system of public bonds was probably a function of the diocese before the episcopate of Masona, however.
A remarkable interpretation of Theocritus’ “idyll” was given by the Roman poet and epics writer Virgil. He took the idealized Sicilian rustics and set them in Arcadia. For him, Arcadia was the homeland, where idyll had its origin. The idea was “reborn” in the Italian “Renaissance”, supported by the enthusiastic patron Lorenzo de' Medici. Arcadia, the “Country of the Shepherds” inspired Italian poetry (Poesia bucolic) and became a very important literary genre.
Dorothy and Lydia enter, but the two men do not recognise them as the rustics who enchanted them in Act I. The women play on the susceptibilities of the men. Wilder becomes beguiled by Lydia and Sherwood by Dorothy. Eventually the women succeed in persuading each man to give them the rings that "Abigail" and "Dorcas" gave the other at the inn. The guests retire to rest, and in the dark, Wilder, Sherwood and Lurcher carry out Wilder's scheme.
He took many cities and fortresses in the Guadalquivir valley and defeated a large army of rustici (rustics), according to John of Biclarum, who may have been referring to an army of bandits called Bagaudae who had established themselves in the disputed buffer zone between Gothic and Roman control.Collins, pp. 52–55. In 577 in Orospeda, a region under Byzantine control, Leovigild defeated more rustici rebellantes, probably Bagaudae. After two seasons of campaigning against the Romans, however, Leovigild concentrated his military efforts elsewhere.
Maggots/Greeners/Rustics are either junior or newer members of the school (specifically those with more recent admission numbers). They are expected to always observe all rules of deference association with their positions and comply fully with specific instructions from senior students. Bo is also home to the Bo Teacher's College, and the newly built Bo Industrial Growth Centre, one of Sierra Leone's largest vocational schools, which was officially opened by Sierra Leone's president Ernest Bai Koroma in April 2013.
In the Ogam Tract Ogma is said to be a man skilled in speech and poetry who invented the Ogham as proof of his ingenuity and to create a speech that belongs to learned men apart from rustics. In the same tract Ogma is called the father of the Ogham alphabet, and his knife or hand its mother.James MacKillop, Dictionary of Celtic Mythology, Oxford University Press, 1998, p. 310 The same tract says that sound was the father of Ogham and matter its mother.
It connected the 20,000 immigrants from East Friesland (Ostfriesland), Germany, to each other across the Midwest, and to their old homeland. In Germany East Friesland was often a topic of ridicule regarding backward rustics, but editor Leupke Hündling shrewdly combined stories of proud memories of Ostfriesland. By mixing local American and local German news, letters, poetry, fiction, and dialogue, the German-language newspaper allowed immigrants to honor their origins and celebrate their new life as highly prosperous farmers with much larger farms than were possible back in Ostfriesland.
Gandhi did not approve of Tejawat's methods and distanced himself from Tejawat in an article in Young India: > I hear that a gentleman by name Motilal Pancholi hailing from Udaipur claims > to be my disciple and to preach temperance and what not among the rustics of > the Rajputana States. He is reported to be surrounded by an armed crowd of > admirers and establishing his kingdom or some other -dom wherever he goes. > He claims too, miraculous powers. He or his admirers are reported to have > done some destructive work.
It is recorded that on Sundays he tolled the bell for church and sang among the rustics in the village choir. On week days he worked among them in a smock-frock. Suvorov in Milan, April 1799 by Adolf Charlemagne In February 1799, Paul I, worried about the victories of France in Europe during the French Revolutionary Wars and at the insistence of the coalition leaders, was forced to reinstate Suvorov as field marshal. Suvorov was given command of the Austro-Russian army and sent to drive France's forces out of Italy.
The festival is derived from medieval propitiatory rituals meant to appease the townspeople and create a joyous atmosphere to bring in the new year. The population of Foiano is subdivided into four cantieri (districts): the oldest are the "Azzurri" (azures) and the "Rustici" (rustics), that were created in 1933, and "Bombolo" (plump), which was born in 1934; the youngest cantiere are the "Nottambuli" (night owls), formed in 1961. Other three cantieri, the "Pacifici" (peacefuls), "Cuccioli" (puppies) and "Vitelloni" (big calves) disappeared during the 1940s-1950s. The cantieri compete in making a float, inspired to a free subject.
Romans used a wide variety of practical and decorative footwear, all of it flat soled (without heels). Outdoor shoes were often hobnailed for grip and durability. The most common types of footwear were a one-piece shoe (carbatina), sometimes with semi-openwork uppers; a usually thin-soled sandal (solea), secured with thongs; a laced, soft half- shoe (soccus); a usually hobnailed, thick-soled walking shoe (calcea); and a heavy-duty, hobnailed standard-issue military marching boot (caliga). Thick- soled wooden clogs, with leather uppers, were available for use in wet weather, and by rustics and field-slavesGoldman, N., pp.
Stratocles, however, sends forged challenges to both brothers, to provoke them to duel; his henchman Matho lingers at the site of the expected duel, planning to finish off the wounded and exhausted survivor(s). The plan fails: when the twins meet, they maintain their bent toward self-sacrifice, and each would rather yield his life to the other than violate their bond. Matho foolishly tries to overcome the two of them, and fails; he confesses the plot to save himself. The scene is witnessed by the rustics who could decide the succession; they bring the three men before the king.
Achim (2004), p. 154; Dieaconu & Costachie, p. 184; Klímová-Alexander, pp. 168–169, 201; Matei (2012), pp. 31, 56–57, 66; Williams, p. 23 Naftanailă was among the first activists to advocate the creation of another ethnonym to replace țigani ("Gypsies", from Athinganoi), and tried to impose "Neo-Rustics", or "new peasants", as a non-discriminatory alternative.Matei (2012), pp. 56–57 The following year, a Lăutari syndicate, Junimea Muzicală, applied for registration in Ilfov County. This became the nucleus for the much larger General Association of Gypsies in Romania (AGȚR), unofficially formed by Calinic Șerboianu in April 1933.
Maybold again urges her to be honest with Dick about the episode. The final chapter is a joyful and humorous portrait of Reuben, William, and the rest of the Mellstock rustics as they celebrate Dick and Fancy's wedding day. The novel concludes after the ceremony with Dick telling Fancy that their happiness must be due to there being such full confidence between them. He says that they will have no secrets from each other, "no secrets at all". Fancy replies “None from to-day” and, changing the subject, thinks "of a secret she would never tell".
Ogma was skilled in speech and poetry, and created the system for the learned, to the exclusion of rustics and fools. The first message written in ogam were seven b's on a birch, sent as a warning to Lug, meaning: "your wife will be carried away seven times to the otherworld unless the birch protects her". For this reason, the letter b is said to be named after the birch, and In Lebor Ogaim goes on to tell the tradition that all letters were named after trees, a claim also referred to by the Auraicept as an alternative to the naming after Fenius' disciples.
Guercino's version of the subject. The first appearance of a tomb with a memorial inscription (to Daphnis) amid the idyllic settings of Arcadia appears in Virgil's Eclogues V 42 ff. Virgil took the idealized Sicilian rustics that had first appeared in the Idylls of Theocritus and set them in the primitive Greek district of Arcadia (see Eclogues VII and X). The idea was taken up anew in the circle of Lorenzo de' Medici in the 1460s and 1470s, during the Florentine Renaissance. In his pastoral work Arcadia (1504), Jacopo Sannazaro fixed the Early Modern perception of Arcadia as a lost world of idyllic bliss, remembered in regretful dirges.
However John Dunkin, writing in 1815, believed that the fact that the Southborough had been part of a manor belonging to the Bishop of Rochester made the story "fabulous, or at least exaggerated by the mistakes of the ignorant rustics." Further development occurred following the opening of Southborough Road train station in 1856, later renamed Bickley station. South Barrow went through a number of changes: it became Belmont School in 1901, Cloisters old people's home in 1922, and then later an office of the War Damage Commission, before being demolished in 1954. In 1977 Jubilee Country Park was opened to commemorate the Queen's Silver Jubilee.
These quirks are overcome by his broad contrasts of light and shade and the masterly figures of horses, riders, travellers, rustics, quarrelling children, dogs, poultry and cattle. A favorite place is always given to the white horse, which seems as invariable an accompaniment as the grey in the skirmishes and fairs of Philip Wouwerman. Isaac displays the best qualities in winter scenes. The absence of foliage, the crisp atmosphere and the calm air of cold January days, unsullied by smoke or vapour, preclude the use of the brown tinge, and leave the painter no choice but to ring the changes with a great variety of opal tints.
The Tempest may take its overall structure from traditional Italian commedia dell'arte, which sometimes featured a magus and his daughter, their supernatural attendants, and a number of rustics. The commedia often featured a clown known as Arlecchino (or his predecessor, Zanni) and his partner Brighella, who bear a striking resemblance to Stephano and Trinculo; a lecherous Neapolitan hunchback who corresponds to Caliban; and the clever and beautiful Isabella, whose wealthy and manipulative father, Pantalone, constantly seeks a suitor for her, thus mirroring the relationship between Miranda and Prospero. Gonzalo's description of his ideal society (2.1.148–157, 160–165) thematically and verbally echoes Montaigne's essay Of the Canibales, translated into English in a version published by John Florio in 1603.
Tyrrell, finding he was to be attacked, declared that he would not take refuge behind his ramparts, but would meet his enemy in the open field. A bloody battle ensued, in which Tyrrell was slain. His tragical end was considered a just punish ment for his many crimes; but the death of the maiden was long regretted by the people, and often in the winter's even- ings, when the rustics gathered round the blazing hearth, many a tear was shed over the sorrows of O'Brinn, and the fate of his daughter Eibhleen. It was long a popular belief, that, at the hour of midnight, a female figure, robed in white, might be seen moving slowly round the castle.
Whilst "paganism, with Theodosius dies, never to rise again", according to a Christian historian"A History of the Church", Philip Hughes, Sheed & Ward, rev ed 1949, vol I chapter 6. committed pagans continued, wherever possible, to practice their faith discreetly or under cloak of common festivals and by keeping within the letter of the law if not its spirit,Gibbon, Edward The Decline and Fall of the Roman Empire, ch28 more commonly in the countryside, hence they are called "rustics - the pagani". Upon the death of Theodosius, in 395, the Empire was divided between his two incompetent sons. Political crisis ensued; over the next several decades, the defence of the Empire gradually collapsed.
At Covent Garden, with occasional visits to Liverpool, Portsmouth, and other towns, and to Bristol, where he was for a time manager of the King Street Theatre, Quick remained during most of his career. Quick's performances were at first as clowns, rustics, or comic servants. He was seen as Peter in Romeo and Juliet, Simon Pure in A Bold Stroke for a Wife, Third Witch in Macbeth, Gripe in the Cheats of Scapin, the First Gravedigger in Hamlet, and many similar characters. His original parts at this period included Ostler in Colman's Man and Wife, or the Shakespeare Jubilee, Skiff in Richard Cumberland's Brothers on 2 December 1769, and clown to the harlequin of Charles Lee Lewes in the pantomime of Mother Shipton on 26 December 1770.
Liebiger wrote that while Tolkien's female characters appear like "chaste medieval ladies of courtly romance", doing little but encouraging their menfolk to be heroic, Shelob is a disgusting female monster, and the few prominent women are in fact extremely powerful. Further, Tolkien's attitude to destructive masculine power is "compatible with that of contemporary feminists". Ann Basso, writing in Mythlore, commented that all the women in The Lord of the Rings are either noble, like Arwen and Galadriel, or simple rustics, like Rosie Cotton, with one exception: Goldberry, the River-woman's daughter, wife of Tom Bombadil. All the same, she writes, "Close analysis of the text, however, reveals a roster of women whose characters are rich and diverse, well drawn, and worthy of respect".
Many Song court cases serve as examples for the promotion of morality in society. Using his knowledge and understanding of townsmen and farmers, one Song judge made this ruling in the case of two brawling fishermen, who were labeled as Pan 52 and Li 7 by the court: > Competition in Selling Fish Resulted in Assaults famous cityscape handscroll painting by artist Zhang Zeduan (1085–1145). > A proclamation: In the markets of the city the profits from commerce are > monopolized by itinerant loiterers, while the little people from the rural > villages are not allowed to sell their wares. There is not a single > necessity of our clothing or food that is not the product of the fields of > these old rustics.
Resting Travelers (1671), at the Rijksmuseum, Amsterdam The humor in some of these pieces is contagious, as in the Tavern Scene of the La Caze Collection (Louvre, 1653). His art may be studied in the large series of dated pieces which adorn every European capital from Saint Petersburg to London. Buckingham Palace has a large number, and many a good specimen lies hidden in private collections in England. Should we select a few as peculiarly worthy of attention, we might point to the Rustics in a Tavern of 1662 at The Hague, the Village School of the same year at the Louvre, the Tavern Court-yard of 1670 at Cassel, the Sportsmen's Rest of 1671 at Amsterdam, and the Fiddler and his Audience of 1673 at the Hague.
The story portrays some "innocent" Scottish rustics making a living by throwing trains off the lines and then charging the passengers for services and, in parallel, romance being gladly thrown over in favour of monetary gain. A New York Times reviewer wrote in 1879, "Mr Gilbert, in his best work, has always shown a tendency to present improbabilities from a probable point of view, and in one sense, therefore, he can lay claim to originality; fortunately this merit in his case is supported by a really poetic imagination. In [Engaged] the author gives full swing to his humor, and the result, although exceedingly ephemeral, is a very amusing combination of characters – or caricatures – and mock-heroic incidents.""Dramatic and Musical", The New York Times, 18 February 1879, p.
Mosshammer (2008) 190-203 The ultimate similar (but rather different) predecessor of this Metonic 19-year lunar cycle is the one invented by Anatolius around AD 260.Declercq (2000) 65-66 For calendric purposes, Bede made a new calculation of the age of the world since the creation, which he dated as 3952 BC. Because of his innovations in computing the age of the world, he was accused of heresy at the table of Bishop Wilfrid, his chronology being contrary to accepted calculations. Once informed of the accusations of these "lewd rustics," Bede refuted them in his Letter to Plegwin. In addition to these works on astronomical timekeeping, he also wrote De natura rerum, or On the Nature of Things, modelled in part after the work of the same title by Isidore of Seville.
Word on the new album was scarce until February 4, 2009, when Dave Gutter announced the names of a few new songs that would eventually appear on the album (such as "The Downside Of Looking Up", "Arizona", "The Same Does Not Apply" and "Nuts And Bolts") along with a tentative track listing. Gutter also explained that the band was experimenting with many different instruments not typical of normal Rustics Overtones albums, which would become apparent in the final album's overall sound. Little was heard from the band about the new album until August 2009 when the song "The Same Does Not Apply" was premiered on local alternative rock station WCYY. In mid-August, the band held a cowbell-playing competition in which the winner would play onstage with the band to the song at its debut at the Machigonne Music Festival on August 29, 2009.
Creighton had little formal training in folklore and song collecting and has been criticized for requiring academics to edit the published collections. While regarded as among the most significant collectors in North America, reviews of Creighton's published volumes have drawn some criticism. Historian Ian MacKay argues that Creighton was a product of her class and social upbringing and that her folk collections were incorporated and co-opted as part of a broader movement that contributed to the commodification of "Scottishness" in Nova Scotian tourism literature in the late 1930s and later that defied class and historical realities.Ian MacKay, Quest of the Folk, McGill-Queens University Press, 1994 McKay further suggests that Creighton's work was used by the provincial government of Angus L. Macdonald (and by later governments and influential writers) to create a myth of "hardy fisherfolk" and "Nova Scotia rustics" that actually demean, commidify, and mythologize the realities of working-class lived experience in Nova Scotia.
The Wolfenbüttel manuscript in particular provides the following description: > ...having built a furnace right at the front of the ship, they set on it a > copper vessel full of these things, having put fire underneath. And one of > them, having made a bronze tube similar to that which the rustics call a > squitiatoria, "squirt," with which boys play, they spray [it] at the enemy. Another, possibly first-hand, account of the use of Greek fire comes from the 11th-century Yngvars saga víðförla, in which the Viking Ingvar the Far- Travelled faces ships equipped with Greek fire weapons: > [They] began blowing with smiths’ bellows at a furnace in which there was > fire and there came from it a great din. There stood there also a brass [or > bronze] tube and from it flew much fire against one ship, and it burned up > in a short time so that all of it became white ashes... The account, albeit embellished, corresponds with many of the characteristics of Greek fire known from other sources, such as a loud roar that accompanied its discharge.
14 - 62 - 96 > To the Army Correspondents > and > Artists 1861-65 > Whose toils cheered the fireside > Educated provinces of rustics into > a bright nation of readers > and gave incentive to narrate > distant wars and explore dark lands. > Erected by subscriptions > 1896 > North side of Monument: > O wondrous youth > Through this grand ruth > Runs my boy's life, its thread > The General's fame, the battle's name > The rolls of maimed and dead > I bear with my thrilled soul astir > And lonely thoughts and fears > And am but history's courier > To bind the conquering years > A battle's ray, through ages gray > To light the deeds sublime > And flash the lustre of my day > Down all the aisles of time > War Correspondent Ballad - 1865 Although Townsend retained ownership of the property until his death in 1914, maintenance of the monument itself was entrusted to the National Park Service- then the War Department - in 1904. The monument's plaques lists 157 names which are sometimes assumed to be all war correspondents. In the late 1990s, local historian Timothy J. Reese analyzed the list and asserted that only 135 can claim to be war correspondents or artists, and 33 of those are not identifiable in the historical record.

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