Instead of the 2% fees Ms Robbie mentions for offloading rubbishy securities onto suckers, bank-custody fees are tallied in hundredths of a percentage point.
|
|
The most insidious problem with Regietheater is the directors' hatred of Enlightenment values. Where a composer writes lightness and joy, they find a 'subtext' of darkness." Directors, like David Alden, are often the center of similar critical disdain. Rupert Christiansen calls Alden's production of Tchaikovsky's The Queen of Spades, "relentlessly pretentious but largely rubbishy.
|
|
" He complained that "The actresses are not treated kindly, either by the material or by the camera," and noted that Sandy Dennis' character, Mona, received most of the close-ups. "The only person in the film who comes off well," he said, "is Miss [Sudie] Bond." New York Magazines David Denby wrote: "Altman uses cinema to celebrate theater, and his technique is so fluidly self-assured that he almost makes you forget the rubbishy situations and lines created by playwright Ed Graczyk. Almost, but not quite.
|
|
Quirk was born in Peel but raised by his grandparents due to his mother's infirmity after a bout of double pneumonia. He learned his first words of Manx from his step-grandmother, a native speaker, who taught him to recite the Lord's Prayer as a young boy at bedtime. She also instilled in him a pride in Manx, which historically was a low-prestige language on the island: > "Don't let anyone tell you it's a rubbishy language," she said, "because it > isn't. I know it's a good language".
|
|
The Human Duplicators was the color first feature on a double bill with the black-and-white Mutiny in Outer Space. The film was released in the US on 3 March 1965 and at an unspecified date the same year in Canada. It opened in Mexico on 14 December 1967 as Humanoides asesinos ("Humanoids, murderers"). A day later in West Germany, where Nader was well known for playing "tough FBI agent Jerry Cotton in eight highly successful but rubbishy crime thrillers" it premiered as FBI jagt Phantom ("FBI hunts Phantom").
|
|
He wrote to his friend and former student Sergei Taneyev, "Composing a program symphony, I have the sensation of being a charlatan and cheating the public; I am paying them not hard cash but rubbishy bits of paper money."Quoted in Warrack, 190. However, he later wrote to Emilia Pavlovskaya, "The symphony has turned out to be huge, serious, difficult, absorbing all my time, sometimes to utter exhaustion; but an inner voice tells me that my labor is not in vain and that this work will perhaps be the best of my symphonic works."Quoted in Warrack, 191.
|
|
Robinson, p. 135; Hibbert, p. 191. Many of the rooms in the Upper Ward were de-cluttered and redecorated for the first time in many years, with Edward "peering into cabinets; ransacking drawers; clearing rooms formerly used by the Prince Consort and not touched since his death; dispatching case-loads of relics and ornaments to a special room in the Round Tower ... destroying statues and busts of John Brown ... throwing out hundreds of 'rubbishy old coloured photographs' ... [and] rearranging pictures".Robinson, p. 135; Hibbert, pp. 191–2. Electric lighting was added to more rooms, along with central heating; telephone lines were installed, along with garages for the newly invented automobiles.Robinson, p.
|
|