As defeat looms, Trump turns to a grizzled political veteran in the form of Paul Manafort, who schools the roughhewn candidate on the necessity of being tactful.
|
|
It would be in the national interest "to have a renewed clearer strengthened authorization" and that it's "worth the risk" of emboldening enemies and worrying allies "if we do it in a way that's roughhewn," Coons said.
|
|
This arch was roughhewn on the flat surfaces and on about half of the outer curved surface, or extrados.
|
|
One description of the house he wrote notes: "Between two tall gateposts of roughhewn stone... we behold the gray front of the old parsonage, terminating the vista of an avenue of black ash trees." Apocryphally, the Hawthornes were forced out of the home for not paying their rent.Wineapple, Brenda (2003). Hawthorne: A Life.
|
|
The climate attracts many visitors, mostly Moroccans from lower climes and émigrés to Europe. These support several small hotels as well as two larger establishments catering to Europeans. In addition to visitors, local handcrafts - especially carpets and blankets in the roughhewn nomadic style - are sold through cooperatives and merchants both locally and in Morocco's larger cities.
|
|
Six roughhewn captains of the underworld, each with their own band of henchmen, gather before the priests and their statue of Concordia, goddess of harmony. An alliance has formed between the two biggest gangs, the Caelians, led by Memmio, and the Quirinali, under Hannibal Cotta. Across from them, a quartet of smaller gangs stand in equal numbers, including the Oppians, led by Acerbo. Pullo and Vorenus make a dramatic entrance.
|
|
First Presbyterian Church Complex is a historic Presbyterian church located at Gouverneur, St. Lawrence County, New York. The complex consists of the Romanesque Revival style church (1892-1893) and Queen Anne style manse (1904). The church has a modified cruciform plan with a cross-gable roof and constructed of both roughhewn and smoothly dressed Gouverneur marble. The front facade features an entrance loggia, with unequal square towers with hipped roofs flanking it.
|
|
Tilted and jagged planes, along with roughhewn materials are used throughout the building in a form of "controlled imperfection," intended to create the impression of trauma and disequilibrium. The building's massing largely remains low to the ground, with only the building's eastern portions only rising above the ground. A significant portion of the building is made out of concrete, with of cast in place concrete used throughout the building; in addition to 3,750 tonnes of reinforced steel. Many of the exterior and interior walls of the building are placed on a variety of angles, from 90 degrees to 31 degrees, with eight different angles in all used throughout the building.
|
|
According to Mike Wass of Idolator, it "captures the feeling of defeat when you have ruined a good thing and don't know quite how". The album's eleventh track is "Love Me Anyway", a country ballad which features Chris Stapleton. It portrays the act of commitment in a relationship and the obstacles which may occur, with lyrics such as the opening lines, "Even if you see my scars, even if I break your heart/ If we're a million miles apart, do you think you'd walk away?" Maura Johnston of Entertainment Weekly called Pink's vocals "roughhewn", while Sean Maunier of Metro Weekly felt the duet worked because Stapleton's voice is "fading into the background".
|
|
Historically, the most powerful and aggressive faction leader in the LDP was Kakuei Tanaka, whose Mokuyo Club factions dual-house strength in the early 1980s exceeded 110. His followers remained loyal despite the fact that he had been convicted of receiving ¥500 million (nearly US$4 million) in bribes from Lockheed (the Lockheed scandal) to facilitate the purchase of its passenger aircraft by All Nippon Airways and that he had formally withdrawn from the LDP. Tanaka and his most bitter factional rival, Takeo Fukuda, were a study in contrasts. Tanaka was a roughhewn wheeler-dealer with a primary school education who had made a fortune in the construction industry; Fukuda was an elite product of the University of Tokyo Law Faculty and a career bureaucrat.
|
|
Reviewing All Is Always Now in NZZ am Sonntag, the weekend edition of the Swiss newspaper Neue Zürcher Zeitung, Manfred Papst referred to Frith as a "wild guy" (wilder Kerl) who loves to experiment with noise and sound. He called the selection of concerts from The Stone featured on this triple-CD "a sensation", and was surprised at just how many different styles of music Frith and his collaborators play. Writing in The New York City Jazz Record, Mark Keresman described the sounds in the box set as an assortment of "jubilant [and] whimsical noise", "droning" and "song-like tapestries". The found and homemade instruments Frith and Tewari use on their tracks produce "a roughhewn, amiably dissonant collage of sonic shards (dis)assembled for the sheer joy of it".
|
|
" According to Richard J. Evans, Eckart, the "failed racist poet and dramatist" blamed his career's failure on Jewish domination of German culture, and defined as "Jewish" anything that was subversive or materialistic. Joachim C. Fest describes Eckart as a "roughhewn and comical figure, with [a] thick round head, [and a] partiality for good wine and crude talk" with a "bluff and uncomplicated manner". His revolutionary goals were to promote "true socialism" and rid the country of "interest slavery". According to Thomas Weber, Eckart had a "jovial but moody nature" and a "walruslike face", while John Toland describes him as "an original raffish man with a touch of genius", and "a tall, bald, burly eccentric who spent much of his time in cafes and beer halls giving equal attention to drink and talk.
|
|