Boris plays various kinds of romanticist, distorted, slow-release music, not without humor and mischief, and sometimes verging on pop.
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On the wall are works by works by J. M. W. Turner, an English Romanticist landscape painter in the 19th century.
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Every track is a three-minute formalist construct that captures a mood rather than a three-minute romanticist statement that expresses an emotion.
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But dreams of unmaking, by hand, what the Romanticist scholar and furniture designer William Morris called "the terrible organization of competitive commerce," have historically been only that: dreams.
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The standout attraction is the pastel-painted Palace of Pena, a 19th-century Romanticist marvel with pink turrets and daffodil-yellow tower on a hill surrounded by pine forests.
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Similarly, British Romanticist painter J.M.W. Turner was so invested in his art that he refused to acknowledge the paternity of his two daughters, Evelina and Georgiana, born to his lover Sarah Danby.
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Being an outsider, being out of the loop, out of the scene, admiring it from afar, is license to be an idealist, a romanticist, and all of us, deep down, like the idea that art is somehow intrinsically, inherently something that's worth romanticising.
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And how different their work was from John Galliano and Alexander McQueen, arch romanticist and renegade rebel respectively, whose clothes spectacularly revived the two French fashion houses Dior and Givenchy, adding fresh blood and a frisson of anarchy to the staid sphere of haute couture.
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" We might also think of the longevity of what the Romanticist M.H. Abrams famously called the "greater Romantic lyric," whose "determinate speaker in a particularized […] setting […] achieves an insight, faces up to a tragic loss, comes to a moral decision, or resolves an emotional problem.
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In particular, the ideas of the British philosopher and physician Robert Fludd (1574–1637) have perhaps still not been totally appreciated for their prominence in Kiefer's thought; throughout this volume, Kiefer engages with Fludd's proto-Romanticist notion that "each [flower] has a corresponding star in the sky," which undoubtedly affords him much sustained artistic inspiration.
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The poems themselves are expressed with a strong romanticist verve, and explore fantasies of medieval Europe.
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Sandviksfjorden (English translation: The Fjord at Sandviken) is a painting by Norwegian romanticist painter Hans Gude completed in 1879.
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He is a characteristic Romanticist ("national-romantic spirit"), and in the poetry he is noted as an ardent follower of Adam Mickiewicz.
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Eugen Gustav Dücker (also Eugène Gustav Dücker; Arensburg (now Kuressaare, Estonia) – 6 December 1916 Düsseldorf, Germany) was a romanticist Baltic German painter.
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A revival of interest in Old Norse religion occurred amid the romanticist movement of the nineteenth century, during which it inspired a range of artworks. It also attracted the interest of political figures, and was used by a range of right-wing and nationalist groups. Academic research into the subject began in the early nineteenth century, initially influenced by the pervasive romanticist sentiment.
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Befreites Serbien ("Liberated Serbia"), depicting Mother Serbia freed from chains by the Habsburgs, romanticist work by Johann Georg Mansfeld (1763–1817) regarding Habsburg- occupied Serbia (1788–92).
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Some Wagnerian dramas show his growing romanticist interests. An important work is the novel Møllen (1896, i. e. The Mill), a sinister melodrama of love and jealousy.
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Dan Whitehouse's music has been described as "romanticist folk"Lloyd, Clementine. "Simone Felice @ Bush Hall, London 10.04.14", Bearded Magazine, UK, 9 April 2014. Retrieved on 22 September 2014.
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Madonna, world-known international pop star. Cristiano Ronaldo, Portuguese footballer playing for Juventus. King Juan Carlos I of Spain. Lord Byron, famed British poet and leading Romanticist figure.
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Nødhavn Ved Norskekysten (English translation: Port of Refuge on the Norwegian Coast or Norwegian Harbor of Refuge) is a painting by Norwegian romanticist painter Hans Gude completed in 1873.
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Carl Spitzweg (February 5, 1808 - September 23, 1885) was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era.
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Robert Henri insisted that, among landscape artists, he was "the biggest we have had since Winslow Homer."Wierich, p. 80. Duncan Phillips referred to him as a "great romanticist."Wierich, p. 84.
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In Germany the Völkisch movement was in full swing. These pagan currents coincided with Romanticist interest in folklore and occultism, the widespread emergence of pagan themes in popular literature, and the rise of nationalism.
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Julio Herrera y Reissig (January 9, 1875 - March 18, 1910) was a Uruguayan poet, playwright and essayist, who began his career during the late Romanticist period and later became an early proponent of Modernism.
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Gaprindashvili also made translations from Eugène Edine Pottier, Goethe, Pushkin, Lermontov, Alexander Blok, Nikolay Nekrasov, Vladimir Mayakovsky, and others. He also translated and published in Russian the works of the Georgian Romanticist poet Nikoloz Baratashvili.
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However, from the early modern period onwards, elves started to be prominent in the literature and art of educated elites. These literary elves were imagined as small, impish beings, with William Shakespeare's A Midsummer Night's Dream being a key development of this idea. In the eighteenth century, German Romanticist writers were influenced by this notion of the elf, and reimported the English word elf into the German language. From this Romanticist elite culture came the elves of popular culture that emerged in the nineteenth and twentieth centuries.
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The Chodové have been the focus of art and literature, much of it tied to Czech romanticist and nationalist themes. The Czech painter Jaroslav Špillar lived among them for many years, capturing scenes from their daily life.
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Neglected, it fell quickly into dilapidation. It was only towards the middle of the 19th century that the family became interested once again in its estate, in the Romanticist spirit of return to nature and family traditions. In this spirit, the deputy marshal Juraj V. Drašković turned the castle into a residential manor-house, while the surrounding park was turned into Romanticist pleasure grounds. The generations that followed were staying at the castle from time to time all the way until 1944 when they were forced to emigrate to Austria.
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The edifice was built in the Romanticist style, with the touches of other styles (Gothic; Vienna Secession in later additions). The main façade is symmetrical and divided vertically by shallow pilasters with windows placed between them. The only protrusion on the façade is in the midsection, which is enhanced by the central avant-corps and the changed size of the windows, which change the otherwise reduced appearance. Upper part of this protrusion forms the transformation of the cornice into the triangularly shaped gable with the small Romanticist clock tower on the top of the building.
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He has a thickish physique, and is very good at sports. He is an animal romanticist in the mild-mannered nature. However, he assists in their adventures, to the intrigue of Takuya and Kazuki. He is also obstinate.
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Her doctoral research, which focused on Claire Clairmont, a step-sister of Mary Shelley and lover of Lord Byron, led to her dissertation, "Claire Clairmont: a biographical and critical study," and to a long career as a Romanticist.
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This union produced five children, among them the poet and general Grigol Orbeliani (1804–1883), General Ilia Orbeliani (1815–1853), Colonel Zakaria Orbeliani (1806–1847) and Ephemia (1801–1849), mother of the popular Romanticist poet Nikoloz Baratashvili (1817–1845).
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Rée became the wealthiest person in Aarhus, according to tax records, and he owned Den Rosenørnske Gård in Vestergade, a large mansion by the Aarhus River where he created a large romanticist garden that became famous at his time.
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Hristić's oeuvre consists of large-scale though not numerous works: opera The Dusk (1925), ballet The legend of Ohrid (1947), oratorio Resurrection (1912), several orchestral pieces (incidental music for stage), works of sacred music (Liturgy and Opelo (Orthodox Requiem)), concert pieces (Symphonic fantasy for violin and orchestra and The Rhapsody for piano and orchestra), choral compositions (Autumn and The Dubrovnik requiem), and chamber vocal lyrical pieces (“There once was a rose,” “The Swallow,” “Elegy,” “An evening on the reef,” and “The blossom”). Hristić's musical language is characterized by melodic inventiveness, colorful orchestration, late romanticist and partially impressionistic harmonies, and clarity and transparency of formal structure. By his primarily romanticist orientation, Hristić somewhat differs from his contemporaries Konjović and Milojević whose works manifest more radical ventures toward a contemporary stylistic expression. Hristić appears closer to the Mokranjac origins, whereas his oeuvre represents a transition from the romanticist groundwork toward contemporary trends.
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Even in his old age, he would travel into the countryside to paint en plein aire; always making scrupulous records of the location and time of day. Originally a Romanticist, he drifted away from that style during his last few years.
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Hristić's Liturgy and particularly Opelo in b-flat minor are considered the cornerstone contributions to the development of Serbian sacred music. In these works, the composer liberally resorted to late romanticist harmony resulting in thick, at instances polyphonic, choral texture.
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The most interesting of these comments show the vast differences between her and him on the matter of style and literary expression, she being a gushing Romanticist, he deeply convinced that the writer must abstain from gush and self-indulgence.
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The album was announced alongside the release of the single "Gospel for a New Century" on February 18, 2020. Two more singles followed, "Kerosene!" which was released on March 9, 2020, and "Romanticist / Dream Palette", which was released March 31, 2020.
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Self-portrait with Palette (1893) Antoni Piotrowski (, Antoni Pyotrovski; 1853–1924) was a Polish Romanticist and realist painter who worked as war correspondent and illustrator for various Western European weeklies and periodicals in late-19th century during the Liberation of Bulgaria.
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Lieder, composed after the lyrics by romanticist poets and folk motives, occupy the most significant place in Marinković's oeuvre. He is considered the founder of this genre in Serbian music. The most compelling are lieder composed upon art poetry lyrics (by J. J. Zmaj, J. G. Milenko, Đ. Jakšić, and V. Ilić). In his lieder, Marinković achieved a broad range of moods—hearty lyricism (What a sight, this world’s so bright (Ala je lep ovaj svet), Oh, How the sun shines, The stream gurgles), romanticist warmth, melodic breadth (Longing (Čežnja)), and drama (The Parting, A Shrub).
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Stevan Hristić on a 2009 Serbian stamp Stevan Hristić (; 19 June 1885 – 21 August 1958) was Serbian composer, conductor, pedagogue, and music writer. A prominent representative of the late romanticist style in Serbian music of the first half of the 20th century.
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His poetry was mostly Romanticist and patriotic, influenced by that of Grigol Orbeliani. He mostly wrote under the pen name of Kolkhideli, "a Colchian". Grigol Dadiani died in Kutaisi in 1901. He was buried at the Dadiani necropolis at the Martvili Monastery.
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367 Dennis Malone Carter, Decatur Boarding the Tripolitan Gunboat, 1878. Romanticist vision of the Battle of Tripoli, during the First Barbary War. It represents the moment when the American war hero Stephen Decatur was fighting hand-to-hand against the Muslim pirate captain.
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In current usage, the terms "Celt" and "Celtic" can take several senses depending on context: the Celts of the European Iron Age, the group of Celtic-speaking peoples in historical linguistics, and the modern Celtic identity derived from the Romanticist Celtic Revival.
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Guest of Darkness (Spanish: El huésped de las tinieblas) is a 1948 Spanish historical drama film directed by Antonio del Amo and starring Carlos Muñoz and Pastora Peña.Mira p.218 It portrays the life of the nineteenth century romanticist poet and writer Gustavo Adolfo Bécquer.
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The citations represent the ballet's primary thematic material that ensures coherency of its musical content. The motives are treated in a symphonic manner whereas the symphonic development serves the dramatics of the plot: the motivical transformation is tightly connected with the plot and the shifts demonstrate characters’ psychological ordeals and characterize dramatic tensions. In terms of harmony, while there are some bolder instances within the realm of romanticist expression, Hristić mostly operates with simple devices. His harmonic language encompasses modality, specific scalar structures such as the Balkan scale (minor), whole-tone scale (utilized strictly in melodic lines), and Phrygian mode-mixture, to the typical late romanticist expanded tonality.
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In the 19th century the island was the subject of a poem by romanticist William Wordsworth. Piel Island eventually fell under the ownership of the Duke of Buccleuch. He donated it to the people of Barrow-in-Furness in 1920 as a World War I memorial.
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Sylvie (1853) is a novella by French Romanticist Gérard de Nerval. It was first published in the periodical La Revue des Deux Mondes in 1853, and as a book in Les Filles du feu in 1854, just a few months before Nerval killed himself in January 1855.
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The late-romanticist Dutch writer Nescio portrayed the main character of his story Verliefdheid (Being in love) from March 1919 as the occupier of this house.Verhoeff, Maurits (1997) Is u Amsterdammer? Ja, Goddank uitg. Bas Lubberhuizen , blz 84 The Witsenhuis now is available as temporary housing for writers.
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Anne Lene Berge, Eli Lindtner Næss and Øystein Rottem: Impuls: Norsk for VK1 og VK2, Cappelen 2001. Page 68. Welhaven helped in beginning the career of Hans Gude—a romanticist painter—as it was Welhaven who first recommended that Gude should attend the Academy of Art in Düsseldorf.
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The Aesopian synagogue was built in 1909 in a Moorish Revival style. The facade is neo-romanticist, with neo-Byzantine elements. The building was devastated during the World War II by Nazis. For the next fifty years it was used as a workers' canteen of the "Transsignal" electrotechnical plant.
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Much later, particularly in the 19th century, the Moorish style was frequently imitated or emulated in the Neo-Moorish or Moorish Revival style which emerged in Europe and America as part of the Romanticist interest in the "Orient" and also, notably, as a recurring choice for new Jewish Synagogue architecture.
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Even in his purely instrumental works, voice remains present, as in Diary Random & Pickles, composed in 2016 where musicians must speak up excerpts from newspapers; or in his show Ghostland, commissioned by the Percussions de Strasbourg in 2017 and where a recorded voice sings the texts of great German romanticist.
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It was envisioned as the three-part object, including two rest areas (podest) with semi-circle expansions. The staircase is designed in the Romanticist style, incorporating elements of the Serbo-Byzantine Revival. It is embellished with the sculpture of the lying lion by Sreten Stojanović. The railing was made of sandstone.
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Symbel is an English heathen metal rock band, created in 2001 by Sceot Acwealde (also Bretwaldas of Heathen Doom and Herne), fusing lyrical elements of the English neopagan, anti-capitalist and esoteric anarchist circles with folkish and romanticist nationalist beliefs, drawing from the philosophies suggested in the Anglo-Saxon and Old Norse texts.
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The art museum under the main museum, Stavanger Museum, in Stavanger, Rogaland (previously Rogaland Museum of Fine Art) has the most significant collection of works by Hertervig in Norway. Harald Sohlberg, (1869–1935), a neo- romanticist, is remembered for his paintings of Røros, and the Norwegian "national painting" Winter's Night in Rondane.
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Hans Fredrik Gude (March 13, 1825 – August 17, 1903) was a Norwegian romanticist painter and is considered along with Johan Christian Dahl to be one of Norway's foremost landscape painters. He has been called a mainstay of Norwegian National Romanticism.Gunnarsson 1998, p. 104 He is associated with the Düsseldorf school of painting.
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Ruskin had achieved attention in Victorian society for championing the art of a group of painters who had emerged in London in 1848 calling themselves the Pre-Raphaelite Brotherhood. The Pre-Raphaelite style was heavily Medievalist and Romanticist, emphasising abundant detail, intense colours and complex compositions; it greatly impressed Morris and the Set. Influenced both by Ruskin and by John Keats, Morris began to spend more time writing poetry, in a style that was imitative of much of theirs. Both he and Burne-Jones were influenced by the Romanticist milieu and the Anglo-Catholic movement, and decided to become clergymen in order to found a monastery where they could live a life of chastity and dedication to artistic pursuit, akin to that of the contemporary Nazarene movement.
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Through this friendship, Tieck was given a first-hand look at the poor, which could be linked to his work as a Romanticist. He later attended the universities of Halle, Göttingen, and Erlangen. At Göttingen, he studied Shakespeare and Elizabethan drama. On returning to Berlin in 1794, Tieck attempted to make a living by writing.
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"I confess it. I do not like modern furniture or much of modern architecture, less or none of modern art and little of modern literature. I am, of course, an antediluvian, a reactionary, an out-of-date or, as I prefer it, a rural romanticist."James Wentworth Day, Wild Wings and Some Footsteps, 1948.
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Mikael Nalbandian's poem "Song of the Italian Girl" may have been the inspiration for the Armenian national anthem, Mer Hayrenik. Raffi (Hakob Melik-Hakobian) was the grand romanticist of Armenian literature. In his works, Raffi revived the grandeur of Armenia's historic past. In the novel Sparks, the heroes fight for the liberation of their people.
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He was twenty years of age at the time, and his slogan was "Nisio Isin, the 20-year-old from Kyoto". Afterward, he proceeded to write the second title in the series, Strangulation Romanticist, in three days. He still works with the Mephisto magazine, and worked with Kodansha on the literary magazines Faust, and Pandora.
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Passenger traffic started on the new line in May 1978. The station building was built between 1896 and 1897 according to the style of the time, by the architect Bruno Granholm at the Finnish Railway Institute. The station building represents national romanticist wooden architecture. The station included the stationmaster's quarters and a storage house.
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He has no use of anyone that lacks ambition, especially for those that, in his eyes, gave it up. He was slain in battle by Theo. ; : :The son of the late archduke of the Fantasia Union. An idealist and romanticist, he was to marry Marrine Kreische but The Great Hall Tragedy prevented it from happening.
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No romanticist, Adams never flinches from describing all the vagaries and disappointments that afflict sexual and platonic relationships, but neither does she ever permit these descriptions to produce a sense of crushing pessimism."Dictionary of Literary Biography Vol 234. Detroit: Gale Group, 2001. Reviewers described her work as "fusing the sensibilities of Jane Austen and Mary McCarthy.
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Hallingdal has developed its own brand of the rosemaling, with a distinct symmetric style, different from the style in Telemark and Valdres. The valley also fostered a number of known painters during the 18th and 19th century. The parents of Norwegian romanticist painter Hans Gude lived in Hallingdal until 1852, and Gude painted many of his works there.
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In end of 1995 Valeriy won two awards, Ovatsii and Zvezdy in nomination "Debut Of Year" and "The Best Singer of Year". In October 1996 his second studio album Posledniy romantik (The Last Romanticist) was released. In early of 1997 was Valeriy gave 19 concerts in the biggest Russian cities. 7 and 8 March Valeriy sang in Olympiskiy, Moscow.
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Barletius' work has inspired chroniclers like Giammaria Biemmi and Theodore Spandounes. It is still popular among romanticist and nationalist historians. Modern historical research on Skenderbeg relies more on archival records than on Barletius. Barleti invented spurious correspondence between Vladislav II of Wallachia and Skanderbeg, wrongly assigning it to the year 1443 instead to the year of 1444.
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Tristan and Isolde by Hugues Merle (c. 1870) The Tristan story was represented in several art media, from ivory mirror-cases to the 13th-century Sicilian Tristan Quilt. Many of the manuscripts with literary versions are illuminated with miniatures. Later, the legend became a popular subject for Romanticist painters of the late 19th and early 20th century.
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Romanticist painter Jean Vignaud (1819) According to Coontz, the marriages between Anglo-Saxons were organised to establish peace and trading relationships. In the 11th century, marriages were organised on the basis of securing economics advantages or political ties. The wishes of the couples were not considered important. The bride was especially expected to defer to her father's wishes.
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Traditional Norwegian St. Hansbål (midsummer) bonfire in Laksevåg, Bergen. Norwegians celebrate their National Day on May 17, dedicated to the Constitution of Norway. Many people wear bunad (traditional costumes) and most participate in or watch the Norwegian Constitution Day parade, consisting mostly of children, through the cities and towns. The national romanticist author Henrik Wergeland was the founder of the 17th May parade.
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William Bradford, artist and photographer William Bradford (April 30, 1823 - April 25, 1892) was an American romanticist painter, photographer and explorer, originally from Fairhaven, Massachusetts, near New Bedford. His early work focused on portraits of the many ships in New Bedford Harbor. In 1858, his painting New Bedford Harbor at Sunset was included in Albert Bierstadt's landmark New Bedford Art Exhibition.
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After the success with the Olympic Gold Medal Wallin was invited over to the United States to do a tour with a touring exhibition. He visited New York City, among other places.The Romanticist David Wallin received Olympic Gold Medal in art. "Romantikern David Wallin tog OS-guld i konst", article by Gunnar Hagberg in Norrköpings Tidningar (NT), August 21, 2004.
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John Dryden (; – ) was an English poet, literary critic, translator, and playwright who was appointed England's first Poet Laureate in 1668. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John".Scott, W. Waverley, vol.
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Norwegian Constitution Day, May 17. Norwegians celebrate their national day on May 17, dedicated to the Constitution of Norway. Many people wear bunad (traditional costumes) and most participate in or watch the Norwegian Constitution Day parade that day, consisting mostly of children, through the cities and towns. The national romanticist author Henrik Wergeland was the founder of the 17 May parade.
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The one-storey edifice was designed by engineer Jovan K. Ristić, in the Romanticist style. It became known for its interior, richly decorated woodworks, including the central wooden staircase. Close to the villa is the vast network of lagums, or underground corridors. The so-called Vajfert's storage cellars, the long and wide subterranean rooms were divided in 14 sections where beer was stocked in barrels and tanks.
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The Beheading Cycle went through a number of drafts; Tomo Kunagisa was originally intended to be the series' protagonist, but during the rewriting process, Nisio Isin realized that Ii- chan had become more important. After finally completing the novel, Nisio proceeded to write Strangulation Romanticist in three days. With Hanging High School, Nisio began consciously moving the series away from traditional mystery novel structure.
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Carlson, 355. However, as Romanticist Marjean Purinton argues, there is a strong masculine presence in the play even without male characters, suggesting "the ubiquitous presence of patriarchal power in the domestic sphere".Purinton, 394. Although the myth is fundamentally about rape and male tyranny, Shelley transforms it into a story about female solidarity and community—these women are storytellers and mythmakers who determine their own fate.
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Notably, it contains her interpretation of the music of the Romanticism, in particular the works of Russian composers, as well as Frédéric Chopin. She is particularly known for her performances as a crystal clear romanticist who delivers a teary-eyed and emotional performance to the audience at her concerts. She also performs less known repertoire such as Arvo Pärt's Lamentate, Dvořák's Piano Concerto, and Liszt's Malediction.
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The one-storey edifice was designed by engineer Jovan K. Ristić, in the Romanticist style. It became known for its interior, richly decorated woodworks, including the central wooden staircase. Close to the villa is the vast network of lagums, or underground corridors. The so-called Vajfert's storage cellars, the long and wide subterranean rooms were divided in 14 sections where beer was stocked in barrels and tanks.
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They also encourage hands-on learning and include suggestions of "experiments" that children can perform and learn fun.Richardson, 53. Following Locke's emphasis on the importance of concrete language over abstract, the Edgeworth's argued that words should clearly indicate "distinct ideas". This contributed to what Romanticist Alan Richardson calls "their controversial positions", including their resistance to reading fairy tales to children or discussing religion with them.
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Another one of these artists was the romanticist Katarina Ivanović, who was born in Székesfehérvár in either 1811 or 1817, and was the first significant Serbian female painter. She left Székesfehérvár around 1835 and went to Budapest to study painting under the master Jozsef Pesky. She remained in Budapest for much of 1835. Later that year she found a patron, a baroness by the name of Czacki.
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Romanticist painter Jean Vignaud (1819) Héloïse d'Argenteuil lived within the precincts of Notre-Dame, under the care of her uncle, the secular canon Fulbert. She was remarkable for her knowledge of classical letters, which extended beyond Latin to Greek and Hebrew. Abelard sought a place in Fulbert's house and, in 1115 or 1116, began an affair with Héloïse. The affair interfered with his career, and Abelard himself boasted of his conquest.
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Banac also argued against treating this work as a case of national exclusivism, stating that this work also influenced the national movement of the Serbs and Bulgarians. Ferdo Šišić once regarded the work as a "Bible of Croat national policy in the 19th century", inspiring such individuals as Ljudevit Gaj, Eugen Kvaternik and Ante Starčević.Šišić, Hrvatska Historiografija pp. 46 Vitezović anticipated the Romanticist movement with his treatment of "nationhood".
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Between 1898 and 1902 Zalman Nożyk, a renowned Warsaw merchant, and his wife Ryfka financed such temple at Twarda street, next to the neighbourhood of and Grzybowski Square. The building was designed by a famous Warsaw architect, Karol Kozłowski, author of the Warsaw Philharmonic Orchestra Hall.Virtual Shtetl The façade is neo-romanticist, with notable neo-Byzantine elements. The building itself is rectangular, with the internal chamber divided into three aisles.
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Bangs described it as "repellent romanticist bullshit". However, Dylan claims that he always thought of Gallo as a kind of hero and an underdog fighting against the elements. Besides his status as an outsider, Dylan was likely also drawn to Gallo's best friends in prison being black men. In addition Gallo was able to gain sympathy in artistic circles by passing himself off as a cultured person victimized by the "system".
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He dragged the lumber and material for construction across the dunes. Lathers, considered a romanticist, envisioned his own island where he could go to for peace and quiet away from the hustle and bustle of the real world. He made his "island" in the sand dunes on the shores of Lake Michigan at the village of Mears near Hart. Lathers started construction of his small buildings in 1939.
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32 It is regarded as among Vitezović's most popular works.Mitev, pp. 88 There he also claims that the work is a "testament to his dear homeland, because in the published arms the glow of the homeland radiates", personally hoping that a luckier progeny will embrace "Croatia in all its parts again whole" and "all of Illyricum which will unite with Croatia in love and devotion", demonstrating patriotic and somewhat Romanticist tendencies.
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The reconstruction also included the appearance of Romanticist pleasure grounds by Juraj V. Drašković, after the model of English parks. When the dam was built, the valley turned into a large lake. The uniqueness of style characterizing the facility equally includes the interior and its surrounding landscape. Count Drašković sold Klenovnik Castle, the largest castle in Croatia, then also held by the Draskovich Family in order to fund the restorations.
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Plant species extant in the gardens include cinnamomum camphora, dichondra repens, ceiba speciosa, and trees of the myrtle, laurel, orange, lemon, and pomegranate. Other parks and gardens include Castelar, which has a central pond and several monuments dedicated to the romanticist writer Carolina Coronado and to Luis Chamizo Trigueros, la Legión, Rivillas y Calamón, San Fernando, and La Viña.The city also has a water and leisure park, called the Lusiberia.
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Based on the drama Nikolas Graf von Zriny oder die Belagerung von Sigeth by German Romanticist Theodor Körner, which premièred the opening of the new theatre building at St. Mark's Square in 1834, Badalić wrote the libretto for the historical opera Nikola Šubić Zrinski by Ivan Zajc (published in Hrvatski dom, 1876). He was also a translator of theatrical pieces by Scribe and Deschamps, Shakespeare, Goethe, and other authors.
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After being defeated in battle by Kimi, she enrolls at Musashi Ariadust Academy. ; : : Handle name: : The secretary for the student council. He has a dry personality and often faces the goofing off around him with a cold attitude, but he's also a romanticist who loves history and hopes to be a writer. When the nations come to war, he is in charge of drafting and commanding their strategies.
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It is considered that the first itinerary mention of stećci is by Benedikt Kuripešić from 1530. Evliya Çelebi in 1626 described them as tombstone monuments of some unknown heroes. The oldest local author to mention them is Andrija Kačić Miošić in the mid-18th century. Alberto Fortis in his work Travels into Dalmatia (1774) recorded them in Romanticist spirit of the time as described the tombstones in Cetina as warrior graves of the giants.
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The books were sent down to the students using an 18-story dumbwaiter. This proved ineffective, and the dumbwaiter is no longer used for that purpose. The building now mainly contains administrative offices, though it does still house a three-floor life sciences library and the Miriam Lutcher Stark Library of early and significant editions of English Romanticist works. Two separate sets of elevators serve the building; one in the front, one in back.
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Thus, the last stage of his creative work is characterized by utilizing folk melodies amidst the stylistic blend of Neo-romanticist and Impressionist elements. Miloje Milojević is predominantly a lyricist and a master of small forms. Two main areas of his work belong to the Lied and piano character piece, but he also significantly contributed to choral and chamber genres. In his Lied, Milojević used Serbian, Croat, French, German, and Japanese poetry.
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Josif Marinković (Serbian Cyrillic: Јосиф Маринковић; Vranjevo, near Novi Bečej, 15 September 1851 – Belgrade, 13 May 1931) was a Serbian composer and choral director. Like his younger contemporary Stevan St. Mokranjac, he was devoted to mainly vocal genres—lied and choral. Marinković was a romanticist with a pronounced affinity for melodic expression. He invested exceptional attention to the text declamation, which represented a rather novel quality in Serbian music at the time.
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He was impressed with Bergh's work and assured him that a new application would be accepted. By 1854, he had qualified for a scholarship that enabled him to take a three-year study trip. He visited Switzerland, Italy and Germany where he studied at the Kunstakademie Düsseldorf with Norwegian romanticist painter Hans Gude. He also had some lessons from German landscape and seascape painter Andreas Achenbach and the Swiss landscape painter, Alexandre Calame.
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Pat Williams at the 2007 Pro Bowl. The depiction of Vikings in horned helmets was an invention of 19th-century Romanticist Viking revival. In 1876, Carl Emil Doepler created horned helmets for the first Bayreuth Festival production of Wagner's Der Ring des Nibelungen, which has been credited with inspiring this, even though the opera was set in Germany, not Scandinavia. A few earlier, lesser known depictions that inspired Doepler, however, do exist.
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Johan Börjesson was born in Tanum, Bohuslän, in 1790 to Börje Hansson and Agneta Wingård. His uncle was Bishop Johan Wingård, his cousin Archbishop Carl Fredrik af Wingård. He enrolled at Uppsala University in 1808, graduated in 1815, and was ordinated priest in the Church of Sweden in 1816. While in Uppsala, Börjesson was admitted to the romanticist society Aurora, where he initiated his poetic endeavours, although he never quite embraced the movement's ideals.
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He was friends with Caspar David Friedrich, another student at the Academy and likeminded fellow-romanticist, and traveled with him to Dresden, Germany in 1799 to continue his studies at the Dresden Academy. From there he went on to Paris, where he studied under Jacques-Louis David from 16 September 1800 to April 1802. During this time, he also took excursions to Switzerland and Lake Maggiore (August–October 1801). The three Norns of Norse mythology.
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At Tsinghua, his famous students included Qian Zhongshu, who, while greatly admiring Wu, wrote a satirical essay about him, which caused a minor scandal. Qian's essay followed on a similar profile of Wu as being an estimable man but a deluded romanticist by Wu's colleague Wen Yuan-ning.Wen Yuan-ning and others. "Imperfect Understanding: Intimate Portraits of Modern Chinese Celebrities" (Amherst, MA: Cambria Press, 2018). In 1937, the War of Resistance Against Japan broke out.
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While Delacroix was widely noted for his figure-centric romanticist paintings, the French artist produced a number of expressive works during his later years. Among these works is Sunset, done by Delacroix circa 1850. The drawing depicts a sunset, set behind and above a gently sloping landscape. The sunset is partially blocked by two cloud formations, one directly above the Earth and a second, thicker band along the top of the painting.
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The Conquest of Belgrade is an oil painting by the romanticist Katarina Ivanović, one of Serbia's first significant female painters. Painted in 1844–45, it depicts the capture of Belgrade by Serbian revolutionaries in late 1806, during the First Serbian Uprising. Ivanović was inspired to create the painting upon reading a book titled History of the Serb People while studying at the Munich Academy. The painting was poorly received by Belgrade's art critics.
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Pi was the son of a working-class textile worker in Barcelona, Catalonia, and was born on 29 April 1824. Pi's father enrolled him in a religious school in 1831 where Pi acquired an education in the humanities and the classics. He was a member of the Societat Filomàtica, enabling him to meet some of the main thinkers and writers of the Catalan romanticist movement. In 1837, he left to study law, earning a licentiate degree in 1847.
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Together with Petar Konjović and Stevan Hristić, Miloje Milojević represented a generation of composers who introduced modern styles and a high compositional technical level to Serbian music. In the beginning phase of his creative development, Milojevic set out from the Serbian Romanticist national school (Stevan Mokranjac and Josif Marinković). During his studies in Munich, he discovered German New Romanticism and became closely involved with the music of Richard Strauss. His stay in France resulted with even stronger impressions.
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Hubert Lampo (photo Tom Ordelman) In the twentieth Century Flemish literature evolved further and was influenced by the international literary evolution. Cyriel Buysse and Stijn Streuvels were influenced by the naturalist literary fashion, while Felix Timmermans was a neo-romanticist. After World War I the poet Paul van Ostaijen was an important representative of expressionism in his poems. In between World War I and World War II, Gerard Walschap, Willem Elsschot and Marnix Gijsen were prominent Flemish writers.
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Though being a member of the first Romanticist generation of Danish writers, Blicher is in many ways unique. He is more of a realist, dealing with broken dreams and with Time as man’s superior opponent.Baggesen (1965) His religion is the old rationalist one. He is a belated Danish pupil of the 18th century English epistolary style while, in his interest for dialect and peasants, he anticipates the regional writers who emerged around 1900, such as Johannes Vilhelm Jensen.
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The renowned Romanticist painter Caspar David Friedrich immortalised the city in several of his paintings, e.g. Wiesen bei Greifswald (English: 'meadows near Greifswald'; 1820–1822, oil on canvas). The Rubenow-Denkmal (Rubenow Memorial) was erected in 1856 for celebration of the 400th anniversary of the university in honour of its founder and first Rector, Heinrich Rubenow. When Swedish Pomerania became part of the Kingdom of Prussia in 1815, the University of Greifswald became the oldest university on Prussian territory.
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Muhar was named after Ivan Muhar (1867–1966), one of the most famous merchants in pre- World War II Zemun. Starting as an apprentice, he later opened his own store in the square and, as the business grew, later built a mansion (kuća Ivana Muhara) which is one of Zemun's main landmarks. Subsequently, the entire area around the square became known as Muhar. Today, the square officially bears the name of Branko Radičević, a 19th-century Serbian Romanticist poet.
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Madness for Love (Spanish: Locura de amor) is a 1948 Spanish historical drama film directed by Juan de Orduña.Mira p.211 The movie is based on the play La Locura de Amor written in 1855 by Manuel Tamayo y Baus around the figure of Queen Joanna of Castile; who attracted authors, composers, and artists of the romanticist movement, due to her characteristics of unrequited love, obsessive jealousy, and undying fidelity. The film is also known as The Mad Queen.
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This latter view was taken up by the Romanticist movement, which was largely made up of artists and writers, who popularised the idea of an idyllic ancient agrarian society.Trigger 2007. p. 217. There was also a trend that was developing among the European intelligentsia that began to oppose the concept of cultural evolutionism (that culture and society gradually evolved and progressed through stages), instead taking the viewpoint that human beings were inherently resistant to change.Trigger 2007. p. 218.
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Tyson, 104. Romanticist Anne Chandler argues that Wollstonecraft's reviews demonstrate "an earlier Augustan politics of knowledge, variously outlined by Dryden, Pope, and, to a lesser extent, Swift" which "may be seen in her insistence on a continuum between aesthetic integrity and civic virtue; her belief in a metaphysical dialogue between human wit and divine Nature; and her perception of belletristic criticism as the proper tribunal for a new onslaught of scholarly and scientific research".Chandler, 2.
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Goya's emphasis on the emotional element of the panic that has caused the chaotic flight of the populace also reflects this early Romanticist aesthetic. As does the symbolism of the giant as the incarnation of ideas of identity in the collective consciousness or Volkgeist. Especially when this consciousness is linked with aggression that was seen as coming from outside forces. These ideas arose with idealist German romanticism and they were widespread in the Europe of the early 19th century.
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Prince Grigol Orbeliani or Jambakur-Orbeliani (; ჯამბაკურ-ორბელიანი) (October 2, 1804 - March 21, 1883) was a Georgian Romanticist poet and general in Imperial Russian service. One of the most colorful figures in the 19th-century Georgian culture, Orbeliani is noted for his patriotic poetry, lamenting Georgia's lost past and independent monarchy. At the same time, he spent decades in the Russian military service, rising through ranks to highest positions in the imperial administration in the Caucasus.
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The theory had been first proposed by the German Classicist Eduard Gerhard in 1849, when he speculated that the various goddesses found in ancient Greek paganism had been representations of a singular goddess who had been worshipped far further back into prehistory. He associated this deity with the concept of Mother Earth,Gerhard, Eduard (1849). Über Metroen und Götter-Mutter. Berlin. Page 103. which itself had only been developed in the 18th century by members of the Romanticist Movement.
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Remaining active in the Córdoba cultural sphere, he obtained funding for the province's first official art museum in 1911, and the institution opened in 1916.Museo Caraffa: colección Untitled, oil on canvas. Caraffa was commissioned to lead the decoration of the ceilings of the Córdoba Cathedral, a work completed in 1914. Over time, he developed a painting style of a markedly romanticist bent, and created numerous landscapes, portraits and works of historic and religious art for government bureaus and churches.
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He became Kapellmeister of the Polish royal chapel in 1819 and in the same year received a lifetime achievement award for his services to music. In 1820 he founded and edited the first Polish music newsletter. He was decorated with the Order of Saint Stanislaw in 1823. Kurpiński was a romanticist and one of the most revered composers before Frédéric Chopin, and helped to lay the foundations of a national style and prepared the ground for Polish music of the Romantic period.
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Marković published a series of literary works, most important of which are the epics and the dramas in national-romanticist tradition. As opposed to the formalistic and racionalist conception of philosophy, "Marković his personal aspect, his sentimentalism and desireful ponderings ensconces under the veil of poetry." Mostly dealing with the historical motifs, Marković engaged in the ongoing battle for the affirmation of Croatdom against Hungarian and German domination. Idyllic epic Dom i svijet ('The home and the world') elaborates on contemporary themes.
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The romanticist Eugène Delacroix, the realist Gustave Courbet, and practically all the Impressionists had abandoned a significant portion of Classicism in favor of immediate sensation. The dynamic expression favored by these artists presented a challenge in contrast to the static means of expression promoted by the Academia. The representation of fixed objects occupying a space, was replaced by dynamic colors and form in constant evolution. Yet other means would be necessary to jettison completely the long-standing foundation that surrounded them.
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17Orr, Emma Restall (2000) Druidry. Hammersmith, London: Thorsons. . p.7. Arising from the 18th century Romanticist movement in England, which glorified the ancient Celtic peoples of the Iron Age, the early Neo-druids aimed to imitate the Iron Age Celtic priests who were also known as druids. At the time, little accurate information was known about these ancient priests, and the modern druidic movement has no actual connection to them, despite some claims to the contrary made by modern druids.
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He was cleared after Ćopić's widow Bogdanka came to the police, bringing his suicide letter he left in the apartment. He ended the letter with "Goodbye you beautiful and scary life". The bridge in general gained an infamous reputation as the suicide bridge as some 40 people try to commit suicide jumping from it every year. As the bridge is an extension of the Brankova Street, named after Branko Radičević, a Serbian romanticist poet, it was named after the street.
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For instance, German author Theodor Fontane contrasts the Übermensch/Untermensch word pair in chapter 33 of his novel Der Stechlin. Nietzsche used Untermensch at least once in contrast to Übermensch in Die fröhliche Wissenschaft (1882); however, he did so in reference to semi-human creatures in mythology, naming them alongside dwarfs, fairies, centaurs and so on. Earlier examples of Untermensch include Romanticist Jean Paul using the term in his novel Hesperus (1795) in reference to an Orangutan (Chapter "8. Hundposttag").
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Many doctors wished to examine the case, and although efforts were made to discourage the curious, there were visitors whose rank or status gained them entry. During this time, the poet and romanticist Clemens Brentano first visited. At the end of 1818, the periodic bleeding of Emmerich's hands and feet had stopped and the wounds had closed. While many in the community viewed the stigmata as real, others considered Emmerich an impostor conspiring with her associates to perpetrate a fraud.
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Bedi Kartlisa. Revue de Kartvélologie was an international academic journal specializing in the language, literature, history and art of Georgia (Kartvelology) published from 1948 to 1984. It derived its name from the poem Bedi kartlisa (ბედი ქართლისა; "The Destiny of Georgia") by the 19th-century Georgian Romanticist poet Nikoloz Baratashvili. Established by Kalistrate Salia and Nino Salia, Georgian émigrés from the Soviet Union, the journal was published exclusively in Georgian until 1957 when it became multilingual in French, English, and German.
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Proponents of traditionalism include the Norwegian Foreningen Forn Sed and the Swedish Samfälligheten för Nordisk Sed. Both religions reject the ideas of Romanticist or New Age currents as reflected in Armanism or American Asatru. At the other end of this scale are syncretist or eclectic approaches which merge innovation or "personal gnosis" into historical or folkloric tradition. The "folkists" define their religion as Nordisk Sed ("Nordic Custom"), preferring this term over Ásatrú, which is mostly associated with the "eclectic" reconstructionists.
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The battle was painted in 1836 by a leading Romanticist painter Nicaise de Keyser. Probably inspired by the painting, the Flemish writer Hendrik Conscience used it as the centerpiece of his classic 1838 novel, The Lion of Flanders () which brought the events to a mass audience for the first time. It inspired an engraving by the artist James Ensor in 1895. A large monument and triumphal arch were also subsequently erected on the site of the battle between 1906 and 1908.
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Another important parallel can be found in Anton Chekhov's last play The Cherry Orchard. The cherry orchard on the former grounds of an aristocratic family being cut down by its new bourgeois owners resembles the olive trees on Selina's and Zoe's family estate having to make room for Selina's and Alex' capitalistic plans. In the third scene, Wertenbaker refers to different historical radicals, as Bouboulina, a Greek heroine of independence or the British Romanticist writers Lord Byron and Percy Bysshe Shelley.
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Moller is considered, along with Karl Friedrich Schinkel and Leo von Klenze, to be one of the most important German architects working in the Greek Revival and Romanticist styles. His ingenuity as an engineer and when working space is most evident in the Ludwigskirche in Darmstadt. Aside his work as an architect Moller was successful as a preserver of buildings. He was at least partly responsible for preserving the Carolingian Torhalle in Lorsch, which today is part of the UNESCO World Heritage Site.
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It was named this way in reference to Nikolaus Lenau, a Banat Swabian Romanticist poet. Nowadays, the Nikolaus Lenau High School is considered the most important of its kind from Banat. Geschichte Temeswars Schulwesen In Sibiu, the Samuel von Brukenthal National College is the oldest German-language school from Romania (recorded as early as the 14th century), being also classified as a historical monument. It was subsequently renamed this way in reference to baron Samuel von Brukenthal, a Transylvanian Saxon aristocrat.
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The 19th century initiated a vernacular period in Ukraine, led by Ivan Kotliarevsky's work , the first publication written in modern Ukrainian. By the 1830s, Ukrainian romanticism began to develop, and the nation's most renowned cultural figure, romanticist poet-painter Taras Shevchenko emerged. Where Ivan Kotliarevsky is considered to be the father of literature in the Ukrainian vernacular; Shevchenko is the father of a national revival. Then, in 1863, use of the Ukrainian language in print was effectively prohibited by the Russian Empire.
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In 1865 Michel opened a school in Paris which became known for its modern and progressive methods. Michel corresponded with the prominent French romanticist Victor Hugo and began publishing poetry. She became involved in the radical politics of Paris and among her associates were Auguste Blanqui, Jules Vallès and Théophile Ferré. In 1869 the feminist group Société pour la Revendication du Droits Civils de la Femme (Society for the Demand of Civil Rights for Women) was announced by André Léo.
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As a Romanticist Tolstoy attributed to love the divine meaning, believing it to serve as a link between human soul and higher spheres. Unlike the Tirso de Molina hero, his Don Juan acts in a fashion of a true romantic, looking for love "that helps us see through this wonderful set of universal laws, things of our world's hidden beginnings." Tolstoy made Don Juan closer to Faust; some scene and characters (like that of Satan) point to Goethe influence too.
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He relieved his boredom by becoming an avid reader, and beginning in 1900, he began holding literary gatherings at his family mansion, in the penthouse nicknamed La Torre de los Panoramas for its spectacular views of the Río de la Plata. There, he underwent a transformation from Romanticist to avant-garde Modernist and Surrealist, earning himself posthumous recognition as a major figure in the development of 20th-century Latin American poetry, alongside Leopoldo Lugones, Ricardo Jaimes Freyre, and Salvador Díaz Mirón.
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In Machado de Assis’ earlier, romanticist, works the role of the female figure is an important and persistent theme.See Pescatello 38–41 When Helena arrives there is an air of suspicion regarding her background, especially from Dona Úrsula. Helena is, in many ways, a transitional character between the fading aristocratic values of the landed oligarchy and the emergent urban middle class.See Guimarães 158 and also Schwarz The importance of caste is evident among the novel’s representatives of the older generation: Dona Úrsula and Camargo.
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The recently widowed, 80-year-old Fred Barcroft is moved by his daughter, against his will, into an apartment in New Orleans, next door to 74-year-old Elsa Hayes. Fred has become embittered, considers himself a realist, but spends most of his time lying down. Elsa is a flighty, vivacious romanticist who dreams of "the sweet life in Rome," as lived by Anita Ekberg in the 1961 film La Dolce Vita. Despite their opposite temperaments and outlooks on life, they fall in love.
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Aracati () is a city or municipality in the state of Ceará, in the northeast region of Brazil. The city was founded on April 11, 1747. It is part of the microregion of Litoral de Aracati, which is one of the four microregions that make up the macroregion of Jaguaribe. It is birthplace of the revolutionary Eduardo Angelim, the romanticist Adolfo Caminha, the bishop Manuel do Rego Medeiros, the abolitionist Dragão do Mar, the actor Emiliano Queiroz, the classical pianist Jacques Klein and the writer Yury Teodósio.
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Argentines of Today. New York: The Hispanic Society of America, 1920. He returned to Argentina in 1896 and became known for his romanticist lithographs. Colllivadino attended three international festivals in Venice, from 1903 to 1907, where his La hora del reposo (Workday Break, 1903), also known as La hora del almuerzo (Lunch break time) earned a gold medal. He was also at the 1904 Louisiana Purchase Exposition, in St. Louis, where he earned a silver and a gold medal. La hora del almuerzo, 1903.
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Annie Lockwood, a 15-year-old romanticist, who travels back in time to 1895, an age of classy parties and privileged women wearing gowns. There she meets a young man who goes by the name Strat and finds herself falling for him and his charming good looks. However conflict arises when Annie must face the reality of going back to her own time. This novel introduces readers with the situation that arises when two vastly different centuries collide and highlights the changing roles of women.
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Rafael Obligado's poem is romanticist, because it emphasizes nature, twilight, nationalism, and the four elements. It is divided in four cantos: The Minstrel's Soul, The Minstrel's Wife, The Minstrel's Hymn and The Minstrel's Death. They don't follow a chronological order since the first two feature the "ghost" that inhabits the pampas, the fourth tells his last duel with the Devil; and the third one was a later addition in which Santos Vega (alive) interrupts a match of Pato and calls the gauchos to join the May Revolution.
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The Abduction of Rebecca is a mid-19th century painting by French artist Eugène Delacroix. Done in oil on canvas, the work depicts the a scene from Sir Walter Scott's novel Ivanhoe in which the heroine Rebecca is abducted. Delacroix produced the painting during the height of the French Romanticist Movement, and presented the work at the Paris Salon of 1846. The 1846 version of Abduction is currently in the collection of the Metropolitan Museum of Art, which describes the work as "one of Delacroix’s greatest paintings".
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The first two works were quickly forgotten, but the scenes of Clara Gazul had considerable success with his literary friends. They were printed in the press under the name of their imaginary author, and were his first published work. Balzac described Clara Gazul as "a decisive step in the modern literary revolution", and its fame soon reached beyond France; the German Romanticist Goethe wrote an article praising it. Mérimée was not so gracious toward Goethe; he called Goethe's own work "a combination of genius and German naïveté".
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By the time he was ten he was reading medieval history. De Gaulle began writing in his early teens, especially poetry, and later his family paid for a composition, a one-act play in verse about a traveller, to be privately published. A voracious reader, he favored philosophical tomes by such writers as Bergson, Péguy, and Barrès. In addition to the German philosophers Nietzsche, Kant, and Goethe, he read the works of the ancient Greeks (especially Plato) and the prose of the romanticist poet Chateaubriand.
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Alexander Orbeliani. 1840s. Count Alexander Orbeliani (Jambakur-Orbeliani) () (May 24, 1802 – December 28, 1869) was a Georgian Romanticist poet, playwright, journalist and historian, of the noble House of Orbeliani. Alexander Orbeliani was born in Tiflis (Tbilisi), then under Imperial Russian rule, to Prince Vakhtang Orbeliani and Princess Tekle, a beloved daughter of the penultimate Georgian king Erekle II. In 1817, he joined the Russian military service. However, together with his mother and his brother Vakhtang, he led a failed coup attempt against Russian rule in 1832.
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Control tower Santiago–Rosalía de Castro Airport (, ) , previously named Lavacolla Airport and also known as Santiago de Compostela Airport, is an international airport serving the autonomous community and historical region of Galicia in Spain. It is the 2nd busiest airport in northern Spain after Bilbao Airport. It has been named after the Galician romanticist writer and poetess, Rosalía de Castro, since 12 March 2020. The airport is located in the parish of Lavacolla, 12 km from Santiago de Compostela and handled 2,903,427 passengers in 2019.
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Retrieved 25 October 2016. From 1898 to 1899 Deberitz was a pupil of Oscar Wergeland at the Norwegian National Academy of Craft and Art Industry (Kunst- og Håndverksskole) in Kristiania. In the summers of 1899 and 1900, he also had lessons from the romanticist painter Hans Gude at the latter's “Sølvkronen” villa in Horten. During the winters of 1903–1904 and 1906–1907 he was at Artists Studio School (Kunstnernes Frie Studieskoler) in Copenhagen, often known as “Kristian Zahrtmann's school”, because of the prominence of that teacher.
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His son and successor, Frederick William III of Prussia, being uninterested in the project, only had the exterior finished. This was still the situation in the 1830s when Prince Wilhelm (William), later Kaiser William I, and his spouse Augusta moved into the Marmorpalais while they awaited the completion of their new residence at Babelsberg Palace (1833-1835-1849). His brother, King Frederick William IV of Prussia, known as "a royal nostalgic romanticist", commissioned the architect Ludwig Ferdinand Hesse to complete the unfinished interior structure and fittings for the two side extensions between 1843 and 1848.
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As a friar of the Franciscan Province of Bosna Srebrena, Martić served the majority of his life, and carried out most of his work while at the Franciscan monastery St. Catharine in Kreševo. In his early life Martić was a nationalist and romanticist, before switching to a more moderate view. Martić worked as a writer and translator, translating works of Homer and Goethe into Serbo- Croatian language. At the time of the Austro-Hungarian occupation of Bosnia and Herzegovina, he was politically active on behalf of the Roman Catholics of Bosnia and Herzegovina.
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Jacobi was following a new form of German idealism and later joined the romanticist circle around Fichte in Jena.K. Hammacher: Il confronto di Jacobi con il neospinozismo di Goethe e di Herder [The confrontation between Jacobi and the Neo-Spinozism of Goethe and Herder], in: . Later, 1819 during the hep hep riots or pogroms, this new form of idealism turned out to be very intolerant, especially in the reception of Jakob Fries.P. L. Rose: German Nationalists and the Jewish Question: Fichte and the Birth of Revolutionary Antisemitism, in: .
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The first is the Albanian romantic poet brought up in the climate of European Romanticism, the second is the Albanian romanticist and pantheist who merges in his poetry the influence of Eastern poetry, especially Persian, with the spirit of the poetry of Western Romanticism. De Rada wrote a cycle of epical-lyrical poems in the style of Albanian rhapsodies: Këngët e Milosaos (The Songs of Milosao), 1836, Serafina Topia 1839, Skënderbeu i pafat (Unlucky Skanderbeg) 1872–1874 etc. with the ambition of creating the national epos for the century of Skanderbeg.
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Frashëri established modern lyrics in Albanian poetry. In the spirit of Bucolics and Georgics of Virgil, in his (Shepherds and Farmers) he sang to the works of the land tiller and shepherd by writing a hymn to the beauties of his fatherland and expressing the nostalgia of the émigré poet and the pride of being Albanian. The longing for his birthplace, the mountains and fields of Albania, the graves of his ancestors, the memories of his childhood, feed his inspiration with lyrical strength and impulse. National romanticist poet Ndre Mjeda.
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Skilled in foreign languages, he translated several works of English and German literature into Italian, particularly the plays of Schiller, Shakespeare's Othello and The Tempest, many works of Goethe (including Faust) and John Milton's Paradise Lost. In his translations he sought to adapt the author's original thought to that of the Italian literary public. Not only a translator, he was also a poet and Romanticist. For Giuseppe Verdi he wrote the famous libretto for I masnadieri, drawn from Schiller, and re-wrote some verses from Francesco Maria Piave's libretto for Macbeth.
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Autochthonous-Slavic theory dates back to the Croatian Renaissance, when was supported by Vinko Pribojević and Juraj Šižgorić. There's no doubt that Croatian language belongs to the Slavic languages, but they considered that Slavs were autochthonous in Illyricum and their ancestors were old Illyrians. It developed among the Dalmatian humanists, and was also considered by early modern writers, like Matija Petar Katančić, Mavro Orbini and Pavao Ritter Vitezović. This cultural and romanticist idea was especially promoted by the national Illyrian Movement and their leader Ljudevit Gaj in the 19th century.
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Castelar Park Castelar Park (Parque de Castelar) is located in Badajoz, in Extremadura, Spain. Situated south of Guadiana River, its features include tall palm trees and a central pond, frequented by ducks and pigeons; peacocks wander around the park. There are monuments dedicated to the romanticist writer Carolina Coronado, who lived in Badajoz, and to Luis Chamizo Trigueros, who was born in Guareña. Although Castelar remained neglected for many years, it was renovated during the tenure of Mayor Miguel Angel Celdran Matute (1996-present), making it a venue for fairs, exhibitions, entertainment and leisure.
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Kishori Amonkar performing a Khayal in raga Bihag Amonkar's later work in light music reformed her classical singing and she modified her Jaipur gharana performance style by applying features from other gharanas. She has been both praised and criticized for pushing the boundaries of the Jaipur tradition. She was a romanticist and her approach prioritized emotional expression over tradition, so she often departed from the Jaipur gharana's rhythmic, melodic, and structural traditions. Amonkar has criticised the idea that schools, or gharanas, of music determine or constrain a singer's technique.
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The contest received 21 entries, and was won by Eliel Saarinen, with a pure national romanticist design, which sparked off a vigorous debate about the architecture of major public buildings, with demands for a modern, rational style. Saarinen himself abandoned romanticism altogether and re-designed the station completely. The new design was finished in 1909 and the new station building was opened in 1919. President Kyösti Kallio died at the station on 19 December 1940 of a heart attack while going back home to Nivala after having retired as president.
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Drews derived additional key ideas from Albert Kalthoff (1850–1906). Kalthoff was an active minister who managed to marry three times in his short life, and revived Bruno Bauer's Christ Myth thesis in his Das Christus- Problem. Grundlinien zu einer Sozialtheologie (The Problem of Christ: Principles of a Social Theology, 1902) and Die Entstehung des Christentums, Neue Beiträge zum Christusproblem (The Rise of Christianity, 1907). Kalthoff criticized what he regarded as the romanticist and sentimental image of Jesus as a "great personality" of history developed by German liberal theologians (including Albert Schweitzer).
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The Pena Palace () is a Romanticist castle in São Pedro de Penaferrim, in the municipality of Sintra, on the Portuguese Riviera. The castle stands on the top of a hill in the Sintra Mountains above the town of Sintra, and on a clear day it can be easily seen from Lisbon and much of its metropolitan area. It is a national monument and constitutes one of the major expressions of 19th- century Romanticism in the world. The palace is a UNESCO World Heritage Site and one of the Seven Wonders of Portugal.
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Romanticist Miguel Barnet, who wrote Everyone Dreamed of Cuba, reflects a more melancholy Cuba.Costa Rica – Journey into the Tropical Garden of Eden, Tobias Hauser. Alejo Carpentier was important in the Magic realism movement. Writers such as Reinaldo Arenas, Guillermo Cabrera Infante, and more recently Daína Chaviano, Pedro Juan Gutiérrez, Zoé Valdés, Guillermo Rosales and Leonardo Padura have earned international recognition in the post- revolutionary era, though many of these writers have felt compelled to continue their work in exile due to ideological control of media by the Cuban authorities.
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In its narrow sense the word bunad refers only to clothes designed in the early 20th century that are loosely based on traditional costumes. The word bunad in itself is a 20th-century invention. The bunad movement has its root in 19th- century national romanticism, which included an interest for traditional folk costumes not only in Norway, but also in neighbouring countries such as Denmark and notably Germany. However, in Norway national romanticist ideas had a more lasting impact, as seen in the use of folk inspired costumes.
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Among those influenced were the Russian Alexander Afanasyev, the Norwegians Peter Christen Asbjørnsen and Jørgen Moe, and the Englishman Joseph Jacobs.Jack Zipes, The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm, p. 846, Romanticist interest in non-classical antiquity coincided with the rise of Romantic nationalism and the rise of the nation state in the context of the 1848 revolutions, leading to the creation of national epics and national myths for the various newly formed states. Pagan or folkloric topics were also common in the musical nationalism of the period.
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The French academic system continued to produce artists, but some, such as Jean-Honoré Fragonard and Jean-Baptiste-Siméon Chardin, explored new and increasingly impressionist styles of painting with thick brushwork. Although the hierarchy of genres continued to be respected officially, genre painting, landscape, portrait, and still life were extremely fashionable. Chardin and Jean-Baptiste Oudry were hailed for their still lives although this was officially considered the lowest of all genres in the hierarchy of painting subjects. Prometheus by Nicolas-Sébastien Adam, 1762 One also finds in this period a Pre-romanticist aspect.
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The museum displays the traditional handicraft of Indonesia. The museum also displays paintings by Indonesian painters such as the romanticist painter Raden Saleh and expressionist painter Affandi. The paintings are organized by important period in Indonesian fine arts history: The Raden Saleh Era Room (1880–1890), Hindia Jelita Room (1920s), Persagi Room (1930s), Japanese Occupation Period Room (1942–1945), Pendirian Sanggar ("Founding of Art Studio") Room (1945–1950), Birth of Realism Room (1950s), and the Contemporary Art Room (1960s-now). The museum also displays traditional ceramics from various areas of Indonesia and contemporary ceramics.
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Relocating in 1929, the family sold the property and the estate fell into disrepair. Slated at one time for demolition, it eventually caught the attention of the San José de Flores Historical Society, who prevailed on the city to declare it a National Historic Monument, in 1976. Its fate now secure, as the home became the Marcó del Pont Cultural Center. The neighbourhood's commercial areas are centered on the train station, Rivadavia Avenue, and the nearby parish church, Basílica de San José de Flores, dating from 1831 which has a romanticist architectural style.
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Gjellerup was the son of a vicar in Zealand who died when his son was three years. Karl Gjellerup was raised then by the uncle of Johannes Fibiger, he grew up in a national and romantic idealistic atmosphere. In the 1870s he broke with his background and at first he became an enthusiastic supporter of the naturalist movement and Georg Brandes, writing audacious novels about free love and atheism. Strongly influenced by his origin he gradually left the Brandes line and 1885 he broke totally with the naturalists, becoming a new romanticist.
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The origins of modern Paganism lie in the romanticist and national liberation movements that developed in Europe during the 18th and 19th centuries. The publications of studies into European folk customs and culture by scholars like Johann Gottfried Herder and Jacob Grimm resulted in a wider interest in these subjects and a growth in cultural self- consciousness. At the time, it was commonly believed that almost all such folk customs were survivals from the pre-Christian period. These attitudes would also be exported to North America by European immigrants in these centuries.
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Cromwell is a play by Victor Hugo, written in 1827. It was influenced by Hugo's literary circle, which identified itself as Romanticist and chose as a model dramatist Shakespeare instead of the Classicists Jean Racine and Pierre Corneille (who were supported by the French Academy). Due to its length of 6920 verses as well as the logistical problems of recreating Hugo's absurdly large cast of characters, the play remained unperformed until 1956. It tells the story of Oliver Cromwell's internal conflicts in being offered the crown of England.
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An ardent romanticist, he collaborated with Auguste Barthélemy in many of his satires and wrote a great number of stories, now forgotten. Nowadays he is perhaps best remembered as the co-librettist of the original version in French of Verdi's Don Carlos, which premiered in Paris in March 1867. Also, he was the author of the play La Bataille de Toulouse which Verdi had earlier adapted for his opera La battaglia di Legnano in January 1849. He was noted in his time for his wit and ability to improvise.
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Kaczor-Batowski in 1907 Stanisław Kaczor-Batowski (1866–1946) was a Polish realist and romanticist painter. Born in Lwów (then Lemberg in Austro- Hungarian Galicia, now Lviv, Ukraine), in 1885 he graduated from the Kraków- based Academy of Fine Arts. A student of Florian Cynk and Władysław Łuszczkiewicz, he moved to Vienna and then Munich, where he studied under the tutelage of Alexander von Liezen-Mayer between 1887 and 1889. He also spent a brief time in Paris and Rome before returning to his natal Lwów, where he spent the rest of his life.
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Before the start of a fully established Romanticism concomitant with the Revolutions of 1848, some Romanticist ideas (e.g. the usage of national language to rally for national unification of all classes) were developing, especially among monastic clergy in Vojvodina. After winning the independence from the Ottoman Empire, the Serbian independence movement sparked the first works of modern Serbian literature. Most notably Petar II Petrović Njegoš and his Mountain Wreath of 1847, represent a cornerstone of the Serbian epic, which was based on the rhythms of the Serbian epic poetry and the works by Homer.
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By virtue both of his aristocratic status and his abilities, Orbeliani was able to resume his military career and would rise to high positions in the Caucasus Viceroyalty. He, like many other Georgian nobles who years earlier had plotted to overthrow the Russian hegemony, would make peace with the imperial autocracy, a change aided by liberal policies of the Russian viceroy Mikhail Semyonovich Vorontsov. A typical romanticist and patriot in his poetry, Orbeliani, like his older contemporary, fellow poet and general Alexander Chavchavadze, remained a loyal officer in the imperial service throughout his career.Suny, pp.
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There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world. Norse mythology has been the subject of scholarly discourse since the 17th century, when key texts attracted the attention of the intellectual circles of Europe. By way of comparative mythology and historical linguistics, scholars have identified elements of Germanic mythology reaching as far back as Proto-Indo-European mythology. During the modern period, the Romanticist Viking revival re-awoke an interest in the subject matter, and references to Norse mythology may now be found throughout modern popular culture.
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Gustavo Adolfo Claudio Domínguez Bastida (February 17, 1836 – December 22, 1870), better known as Gustavo Adolfo Bécquer (), was a Spanish Romanticist poet and writer (mostly short stories), also a playwright, literary columnist, and talented in drawing. Today he is considered one of the most important figures in Spanish literature, and is considered by some as the most read writer after Miguel de Cervantes. He adopted the alias of Bécquer as his brother Valeriano Bécquer, a painter, had done earlier. He was associated with the romanticism and post-romanticism movements and wrote while realism was enjoying success in Spain.
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Gnome Watching Railway Train, Carl Spitzweg, 1848 The English word is attested from the early 18th century. Gnomes are used in Alexander Pope's "The Rape of the Lock". The creatures from this mock-epic are small, celestial creatures which were prudish women in their past lives, and now spend all of eternity looking out for prudish women (in parallel to the guardian angels in Catholic belief). Other uses of the term gnome remain obscure until the early 19th century, when it is taken up by authors of Romanticist collections of fairy tales and becomes mostly synonymous with the older word goblin.
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Anne Rice, Edgar Allan Poe, Lord Byron, Bram Stoker and other Gothic romanticist authors were extensively read and considered social obligations. A new, darker vampire fashion became the default definition of Torontonian Goth style."Toronto Goth Subculture" - cached CTV News Toronto - early 1990s news report The mid-1980s - 1991 saw the eruption of goth music being played in such night clubs as the Silver Crown, Nuts and Bolts, Empire Club, Club Noir, Iguana Club, Lizard Lounge, Club Domino and Pariah night at the Twilight Zone. Such notable DJ's were Dan McKay, Rick (The Brother), Ivan Palmer and Siobhan.
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Following the traces of Johann Gottfried Herder, De Rada raised the love for folk songs in his poetry and painted it in ethnographic colours. His works reflect both Albanian life with its characteristic customs and mentalities, and the Albanian drama of the 15th century, when Albania came under Ottoman rule. The conflict between the happiness of the individual and the tragedy of the nation, the scenes by the riversides, women gathering wheat in the fields, the man going to war and the wife embroidering his belt, all represented with a delicate lyrical feeling. Pantheist and romanticist writer Naim Frashëri.
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Dr.Robert Elsie on Faik Bey Konica The literature of the Albanians of Italy in the period between the two Wars continued the tradition of the romanticist school of the 19th century. Zef Skiro (1865–1927) through his work Kthimi (Return), 1913, Te dheu i huaj (In Foreign Soil), 1940, wanted to recover the historical memory of Albanians emigrated since the 15th century after the death of Skanderbeg. Also another distinguished writer of Albanian Romanticism who was published in Albania and abroad was, Lazar Eftimiadhi. A graduate of Sorbone, he wrote several articles introducing the Albanian reader to major works of western literature.
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Originating in Britain during the 18th century, Druidry was originally a cultural movement, only gaining religious or spiritual connotations in the 19th century. The core principle of Druidry is respect and veneration of nature, and as such it often involves participation in the environmental movement. Another prominent belief among modern Druids is the veneration of ancestors, particularly those who belonged to prehistoric societies. Arising from the 18th century Romanticist movement in Britain, which glorified the ancient Celtic peoples of the Iron Age, the early neo- Druids aimed to imitate the Iron Age priests who were also known as druids.
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Chapter one, entitled 'Finding a Language', deals with the definitions of various words pertinent to this study, such as "religion" and "paganism". Hutton proceeds to look at the ways in which ancient pagans, adherents of indigenous tribal religions and druids had been depicted in Romanticist and other forms of literature, such as in the works of R. M. Ballantyne, G. K. Chesterton and Lord Byron.Hutton 1999. pp. 3—31. The second chapter, 'Finding a Goddess', looks at the development of both a moon goddess and Mother Earth in the works of literary figures like Keats, Shelley and Charlotte Brontë.
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During his years in St. Petersburg, Mirian translated from Russian the sermons of the Greek religious author Ilias Miniatis and Der Freigeist, a tragedy by the German playwright Joachim Wilhelm von Brawe. Himself a poet of some talent, Mirian composed love-poetry influenced by his contemporaries, David Guramishvili and Besiki, the finest pre-Romanticist Georgian poets. Better known is Mirian's poetic address to his fellow Georgian exiles, "Come, young men, gather, valiant warriors" (მოვედით, მოყმენო, შეკრებით, ჯომარდნო). Mirian helped preserve and transmit the poetry of Guramishvili, who, a seasoned veteran of the Russian army, lived in obscurity at his provincial estate in Ukraine.
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From its Romanticist usage, the notion of the bard as a minstrel with qualities of a priest, magician or seer also entered the fantasy genre in the 1960s to 1980s, for example as the 'Bard' class in Dungeons & Dragons, 'Bard' class in Pathfinder RPG—Paizo, Bard by Keith Taylor (1981), Bard: The Odyssey of the Irish by Morgan Llywelyn (1984), and in video games in fantasy settings such as The Bard's Tale (1985). As of 2020, an online trend to cover modern songs using medieval style musical instruments and composition, including rewriting the lyrics in a medieval style, is known as bardcore.
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His interpretation of the lyrics was realized by supple melodies and rich harmonic palette of the piano part. Among his pieces for voice and piano, it is important to note the following: Before the Magnificence of Nature (Pred veličanstvom prirode), a collection of ten songs, was conceived between 1908 and 1920. This song cycle features all the elements representative of Milojević as a composer of this genre (Serbian romanticist Lied, influences of R. Strauss, and Impressionism). Among the most successful Lieder in this cycle are The Autumn Elegy (Jesenja elegija), The Eagle song (Pesma orla), Japan, The Nymph, and The Bells (Zvona).
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In literary theory, formalism refers to critical approaches that analyze, interpret, or evaluate the inherent features of a text. These features include not only grammar and syntax but also literary devices such as meter and tropes. The formalistic approach reduces the importance of a text’s historical, biographical, and cultural context. Formalism rose to prominence in the early twentieth century as a reaction against Romanticist theories of literature, which centered on the artist and individual creative genius, and instead placed the text itself back into the spotlight to show how the text was indebted to forms and other works that had preceded it.
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After a few years back in Denmark, he travelled again, seeking inspiration from prominent philosophers such as Herder, Schiller, Kant, and Schelling. He was thus well prepared for his literary breakthrough but Adam Oehlenschläger, who was ten years younger and had an intuitive talent for literature, published a Romanticist collection before Staffeldt was able to do it. When his collection came out a year later, he was deemed an epigone. Furthermore, Staffeldt was critical of Norse mythology which he thought of as a puppet play, a stance which did not help ensure a favourable reception either.
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After the collapse of this plot, Orbeliani was arrested and sentenced to death, but reprieved and exiled to Kaluga. The abortive uprising and relatively mild punishment that followed forced many conspirators to see the independent past as irremediably lost and to reconcile themselves with the Russian autocracy, transforming their laments for the lost past and the fall of the native dynasty into Romanticist poetry. In 1838, Orbeliani joined the Russian military service and served in the Nizhny Novgorod Dragoon regiment. Most of his military career was spent in the struggle against the rebellious mountainous tribes during the Caucasus War.
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The extended cast of Grandia, including main and supporting characters. The story centers around , an aspiring adventurer from Parm. He lives with his mother, , in their home in the upstairs floor of their family-owned restaurant. Justin's father vanished years ago on an adventure, and his mother is worried that he will try to follow in her late husband's footsteps, yet Justin, a romanticist, insists that there are still uncharted parts of the world, despite general perception that the "End of the World" -- an insurmountable stone wall found on a newly discovered continent -- has closed the book on the age of adventuring.
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Maude Adams in Chantecler Chantecler is a verse play in four acts written by Edmond Rostand.Edmond Rostand (1910) Chantecler: pièce en quatre actes, en vers, Charpentier et Fasquelle, Paris (Google eBook) Edmond Rostand (1910) Chantecler: play in four acts, translated by Gertrude Hall, Duffield and Company, New York (Google eBook) The play is notable in that all the characters are farmyard animals including the main protagonist, a chanticleer, or rooster. The play centers on the theme of idealism and spiritual sincerity, as contrasted with cynicism and artificiality. Much of the play satirizes modernist artistic doctrines from Rostand's romanticist perspective.
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Official name of the bridge during the communist rule was "Brotherhood and unity bridge" (Most bratstva i jedinstva), but that name never caught on. Citizens referred to it as the "Savski most" (Sava bridge), "Zemunski most" (Zemun bridge) and the "bridge in Branko's street", as the bridge is an extension of the Brankova street, named after Branko Radičević, Serbian romanticist poet. The latter name was colloquially shortened to Brankov most (Branko's bridge) and the name prevailed. Urban myth is that the bridge got its name after the writer, Branko Ćopić, committed a suicide by jumping from the bridge in 1984.
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In this book, Ekmečić drew upon nineteenth century developments to challenge the decentralists within Yugoslav historiographical thought who supported the separate national entities of the South Slavic nations. Instead, Ekmečić asserted that unitarian assimilation was to be preferred, saying that nationhood based on language was the only concept which was acceptable from both a rationalist and romanticist perspective. He also concluded that religion was to blame for the push towards decentralisation. His approach betrayed a double-standard, whereby he criticised only non-Serb South Slavic nationalism. In 1989, Ekmečić published Stvaranje Jugoslavije 1790–1918 [Creation of Yugoslavia 1790–1918].
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"Charlotte Smith tried not to swim too strongly against the current of public view, because she needed to sell her novels in order to provide for her children". Poet and contributor to beginning of the Romanticist movement, Robert Southey, also sympathized with Smith's hardships. Southey even says, "[although] she has done more and done better than other women writers, it has not been her whole employment — she is not looking out for admiration and talking to show off." In addition to Jane Austen, Henrietta O'Neill, Reverend Joseph Cooper Walker, and Sarah Rose were also people Smith considered trusted friends.
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Raul Lino da Silva, better known as Raul Lino (Lisbon, 21 November 1879 – 13 July 1974) was a Portuguese architect, designer, architectural theorist, and writer. Lino's architectural theses and studies revolved around the theory of the Casa Portuguesa (Portuguese: Portuguese house), an idealized concept of Portuguese residential architecture, planning, and lifestyle. The cities of Cascais and Sintra, along the Portuguese Riviera, boast the largest concentration of Lino's constructions out of anywhere. Lino played an active part in the cosmopolitanization of Cascais as a summer resort for the wealthy and notable and in the continuation of Sintra as a historicist, romanticist haven.
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From 1934-1935, he moved to Itō, Shizuoka, where he wrote Roman Shugisha no Techo ("Notes of a Romanticist") in 1935, declaring his estrangement from Marxism. Hayashi returned to Kamakura, where he lived for the remainder of his life, and officially renounced all connections to the proletarian literature movement in 1936. With the start of the Second Sino-Japanese War in 1937, he was also sent to China together with a number of other leading writers (including Eiji Yoshikawa, Nobuko Yoshiya, Kunio Kishida, and Tatsuzō Ishikawa) to be embedded within the Imperial Japanese Army, to write reports and stories supporting the war effort.
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He despised his time there, being bullied, bored, and homesick. He did use the opportunity to visit many of the prehistoric sites of Wiltshire, such as Avebury and Silbury Hill, which fascinated him. The school was Anglican in faith and in March 1849 Morris was confirmed by the Bishop of Salisbury in the college chapel, developing an enthusiastic attraction towards the Anglo-Catholic movement and its Romanticist aesthetic. At Christmas 1851, Morris was removed from the school and returned to Water House, where he was privately tutored by the Reverend Frederick B. Guy, Assistant Master at the nearby Forest School.
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The Buenos Aires Philharmonic has its home in the renowned Colón Opera House. Founded in 1946, it is considered one of the more prestigious orchestras in its nation and Latin America, and has received several honors in 60 years of history. Another well established orchestra is the Argentine National Symphony Orchestra. Prominent Argentine composers in the genre include symphonic composer Juan José Castro, Alberto Williams, who was known for his early fusion of nativist and classical genres, Carlos Guastavino, known for his romanticist works, Judith Akoschky and Alberto Ginastera, a composer considered one of the most important Latin American contributors to classical music.
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Instead of a centripetal composition where all the indications point towards a central nucleus, in this painting all the lines of movement shatter the unity of the image into multiple paths towards its margins. The painting can be considered to be an example of the many Romanticist paintings with an organic composition (in this case centrifugal), in relation to the movements and actions of the figures within the painting. This can be contrasted with the mechanical compositions found in Neoclassicism, where angular axises are formed by a painting's contents and imposed by the rational will of the painter.
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Caricature of León de Greiff by fellow panida Ricardon Rendón. In 1925 now in Bogotá, de Greiff was now a regular of the tertulias that gathered in the Windsor café and part of the publication of a new vanguard magazine called Los Nuevos (es:The New Ones). Directed by Felipe and Alberto Lleras Camargo, de Greiff worked with other writers such as Jorge Zalamea and Germán Arciniegas among others as regular contributors to the magazine. Los Nuevos was of political, artistic, literary and social content, and aimed to challenge the remnants of exhausted romanticist writings, regionalist politics, and conservative society.
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The series Norway in 12 Original Color Woodcuts was, in the Norwegian version, published in a large edition by the publishing house Yngvil Forlag in the fall of 1953 and was presented as mass-produced book illustrations, with printed signatures. The series deals with subjects drawn from the country's National Romanticist movement of the nineteenth century, by way of images from different and contrasting regions of Norway, in a rejuvenated design idiom and with specific themes associated with each month of the year. The series was also published in an English version, distributed by Johan Grundt Tanum Bokhandel.
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Kelley was a Romanticist in the vein of Horatio Parker, George Whitefield Chadwick, and Arthur Foote, and brought much of his German training to bear in his compositions. Even so, he was always interested in bringing non-Western influences into his work. For his orchestral suite Aladdin, one of his early successes, he studied the music he heard in San Francisco's Chinatown, and used oboes, muted trumpets, and mandolins to imitate Chinese instruments. His New England Symphony is based on themes found in bird songs (the andante portion), as well as American Indian and Puritan music.
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Karen Blixen's house near Nairobi, now a museum The 20th century began with reactions against the naturalist movement, moving instead towards nationalism. A national conservative trend was embodied in the works priest, novelist and playwright Kaj Munk, and in the neo-romanticist national poetry of Valdemar Rørdam. A more influential trajectory took its cue from the modern realism of Bang and J.P. Jacobsen, and developed an influential brand of social realism. Prime exponents for this trend was Hans Kirk and Martin Andersen Nexø who's "Pelle the Conqueror" (Pelle Erobreren) (1906–1910) breaks new ground in presenting the working class, especially the working woman.
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An illustration of William Stukeley. One of the primary figures in the development of Druidry, he was also a significant influence on modern archaeology. The Druidic movement originated among the Romanticist ideas of the ancient druids that had begun to be developed in the 17th and 18th centuries. While many Early Mediaeval writers, particularly in Ireland, had demonised the ancient druids as barbarians who had practiced human sacrifice and tried to suppress the coming of Christianity, certain Late Mediaeval writers had begun to extol what they believed were the virtues of the druids, and reinvented them as national heroes, particularly in Germany, France and Scotland.
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Bracht was born in Morges, Waadt (near Lake Geneva in Switzerland) of German parents. His family later moved to Darmstadt, Germany, where he became a pupil of Karl Ludwig Seeger at the Academy of Fine Arts, Karlsruhe and later studied under Hans Gude in Düsseldorf. Dissatisfied with his work, he moved to Berlin in 1864 and became a merchant, but in 1876 he renewed his interest in painting and joined his former teacher Seeger in Karlsruhe. A late Romanticist painter, Bracht was known for his moody landscapes and coastal scenes in North Germany, and began a sketching trip through Syria, Palestine and Egypt from 1880 to 1881.
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Peretz wrote in both Hebrew and Yiddish. A writer of social criticism, sympathetic to the labor movement, Peretz wrote stories, folk tales and plays. Liptzin characterizes him as both a realist - "an optimist who believed in the inevitability of progress through enlightenment" - and a romanticist, who "delved into irrational layers of the soul and sought to set imaginations astir with visions of Messianic possibilities." Still, while most Jewish intellectuals were unrestrained in their support of the Russian Revolution of 1905, Peretz's view was more reserved, focusing more on the pogroms that took place within the Revolution, and concerned that the Revolution's universalist ideals would leave little space for Jewish non-conformism.
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Following the taste of the times, the park was designed in the Romanticist style. The Triton fountain from the Islet Garden of Aranjuez and the Fountain of the Shells from the Palace of the Infante Luis at Boadilla del Monte were aligned in the center of the right angled pathways by Isabel II, according to plans by Narciso Pascual Colomer. Under the regency of Maria Christina of Austria, the park was reformed according to Ramon Oliva's romanticism plans. Between the Fountain of Tritons and the palace is The Large Cavern or Grotto (Camellia House), built by Juan de Villanueva during the reign of Joseph Bonaparte.
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Paul Cézanne, 1888, Mardi gras (Pierrot et Arlequin), oil on canvas, 102 x 81 cm, Pushkin Museum, Moscow Cubism, from its inception, stems from the dissatisfaction with the idea of form that had been in practiced since the Renaissance.Albert Gleizes, L'Epopée, written in 1925, published in Le Rouge et le Noir, 1929. First published under the title Kubismus, 1928. English translation, The Epic, From immobile form to mobile form, by Peter Brooke This dissatisfaction had already been seen in the works of the Romanticist Eugène Delacroix, in the Realism of Gustave Courbet, in passing through the Symbolists, Les Nabis, the Impressionists and the Neo- Impressionists.
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In the lead-up to the exhibition, Ashton, in a letter to Walker, predicted that the venture would generate £1,000 through sales. His estimate was ultimately exceeded by £131, with 49 works being purchased by 25 individual buyers. Given the organisers' expectations, and considering that approximately one third of the show's works were on loan and not available for sale, this proved to be a satisfactory rate of acquisition. Henry Bishop, Secretary of the Grafton Galleries, was the principal buyer at the exhibition, spending £302 on eight pieces, including three major landscapes by Tasmanian Romanticist painter William Piguenit, the exhibition's most commercially successful artist.
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Drews did become an acerbic critic of what he called the "faulty historical method" of academic liberal theologians. His primary critique of Judaism and Christianity was that they were ancient, archaic myths from antiquity that had become obsolete, and "their concepts [are] foreign to our mindsets in the modern scientific age". He opposed the Romanticist cult of personality applied to Jesus in what he referred to as the Christ myth. He rejected the attempt of liberal theologians like Albert Schweitzer to idolize a historical Jesus as a unique personality, which he asserted was the result of The Great Man Theory subjected to modern manipulations by scholars of the Historical Theology school.
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Henri (Hendrik) Conscience (3 December 1812 – 10 September 1883) was a Belgian author. He is considered the pioneer of Dutch-language literature in Flanders, writing at a time when Belgium was dominated by the French language among the upper classes, in literature and government. Conscience fought as a Belgian revolutionary in 1830 and was a notable writer in the Romanticist style popular in the early 19th century. He is best known for his romantic nationalist novel, The Lion of Flanders (1838), inspired by the victory of a Flemish peasant militia over French knights at the 1302 Battle of the Golden Spurs during the Franco-Flemish War.
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The team first showed their proposal to Nintendo prior to the final development stages of Disaster: Day of Crisis. Development began over four years prior to its release, with the first prototypes for the game being developed in April 2007. It was at this point that co-director Genki Yokota was brought in by Nintendo to handle any system- related issues due to his previous experience with RPGs. After being contacted regarding both Xenoblade Chronicles and fellow Wii JRPG The Last Story, head of Nintendo's licensing department Shinji Hatano said that the games should be made for a wide audience and using a "romanticist approach".
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Gomes was a Romanticist who cherished the concept of liberty. He was a devout Roman Catholic who judged the world according to the ethical standards of his faith, tracing his philosophy of equality to Jesus Christ. Gomes took great pride in his Indian ancestry and advocated the right of Swaraj or self-governance for Indians. On the Indian Rebellion of 1857, he famously stated in Os Brâmanes: Gomes was a staunch Indian nationalist, and contrarily to his Hindu counterparts within Goa and the Indian mainland, based his nationalism within the framework of his Christian religious beliefs and his faith in the superiority of Western culture.
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84 Hart-Davis dedicated the book to "Dorothy, Robin and Harold", Walpole's sister, brother, and long-term companion.Hart-Davis, dedication opposite title page In 1972 Elizabeth Steele's study of Walpole was published. Much shorter than Hart-Davis's biography, at 178 pages to his 503, it dealt mainly with the novels, and aimed "to show the sources of Hugh Walpole's success as a writer during the thirty-five years and fifty books of his busy career".Steele (1972), author's preface Steele concentrated on half a dozen of Walpole's best books, each illustrating aspects of his writing, under the headings "Acolyte", "Artist", "Witness", "Evangelist", "Critic" and "Romanticist".
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Several Pagan studies scholars, such as Ronald Hutton and Sabina Magliocco, have emphasized the use of the upper-case "Paganism" to distinguish the modern movement from the lower-case "paganism", a term commonly used for pre-Christian belief systems. In 2015, Rountree stated that this lower case/upper case division was "now [the] convention" in Pagan studies. The Parthenon, an ancient pre-Christian temple in Athens dedicated to the goddess Athena. Strmiska believed that modern Pagans in part reappropriate the term "pagan" to honor the cultural achievements of Europe's pre-Christian societies The term "neo-pagan" was coined in the 19th century in reference to Renaissance and Romanticist Hellenophile classical revivalism.
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Historian Ronald Hutton identified a wide variety of different sources that influenced Wicca's development, including ceremonial magic, folk magic, Romanticist literature, Freemasonry, and the historical theories of English archaeologist Margaret Murray. English esotericist Gerald Gardner was at the forefront of the burgeoning Wiccan movement. He claimed to have been initiated by the New Forest coven in 1939, and that the religion that he discovered was a modern remnant of the old Witch-Cult described in Murray's works, which originated in the pre-Christian paganism of Europe. Various forms of Wicca have since evolved or been adapted from Gardner's British Traditional Wicca or Gardnerian Wicca, such as Alexandrian Wicca.
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Most concur that it was never meant for performance, agreeing with Romanticist Alan Richardson that the play is "lyrical drama" or "mental theater" in the style of Romantic closet drama "with its emphasis on character over plot, on reaction over action, and its turn away from the theater".Richardson, 125; see also Carlson, 362. However, eighteenth-century theatrical scholar Judith Pascoe challenges this conclusion, pointing to detailed stage directions in the manuscript: "Ceres and her companions are ranged on one side in eager expectation; from the cave on the other, enter Proserpine, attended by various dark & gloomy shapes bearing torches; among which Ascalaphus. Ceres & Persephone embrace;–her nymphs surround her."Qtd.
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The first recognized Neo-Manueline architectural works were done between 1839 and 1849 with the building of Pena National Palace, in Sintra, by King Ferdinand II of Portugal. A romanticist palace fusing Neo-Manueline, Neo-Mudéjar, and Portuguese Renaissance characteristics, Pena Palace's large Neo-Manueline Window is a 19th-century adaptation of the large Manueline Window of the Convent of Christ of Tomar. While Neo-Manueline buildings can be found throughout all of Portugal and the Lusofonia, the greatest concentration of works are located in Lisbon, from where the majority of original Manueline designs and monuments are found, and the nearby Portuguese Riviera, notably Sintra.
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In the poetic legends A noite do Castello (1836) and Ciúmes do bardo (1838) Castilho appeared as a full-blown Romanticist. These books exhibit the defects and qualities of all his work, in which lack of ideas and of creative imagination and an atmosphere of artificiality are ill-compensated for by a certain emotional charm, great purity of diction and melodious versification. Belonging to the didactic and descriptive school, Castilho saw nature as all sweetness, pleasure and beauty, and he lived in a dreamland of his imagination. A fulsome epic on the succession of King John VI brought him an office of profit at Coimbra.
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Blavatsky "both incorporated a number of the doctrines of eastern religions into her occultism, and interpreted eastern religions in the light of her occultism", in doing so extending a view of the "mystical East" that had already been popularized through Romanticist poetry. Max Müller scathingly criticized Blavatsky's Esoteric Buddhism. Whilst he was willing to give her credit for good motives, at least at the beginning of her career, in his view she ceased to be truthful both to herself and to others with her later "hysterical writings and performances". There is a nothing esoteric or secretive in Buddhism, he wrote, in fact the very opposite.
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Darmar had scholarships from UNESCO (1976) and the French government (1981). He graduated from the composition department of The Rueil-Malmaison Conservatory, under the direction of Mme Tony Aubin, then got another degree on composition from Jacques Castérède's class in the Ecole Normale De Musique. His work is clearly a gathering of the previous Turkish composers and the Neo- Romanticist movement in the late 20th century France. His compositions include "Sümelâ" and "Metamorphose", for Orchestra "Metro' da", Ballet preludes for piano, a sonata, dance for two pianos, "Kâtibim", fantasy songs for choir and leads, Concerto for piano and Orchestra, "Through the silence" for Violin and Piano.
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The classicists were more interested in recreating landscapes from the heroic or mythical past and often set them in the midst of religious or historical events. The classicists focused on lines and clarity in their compositions. It was through Achenbach – Gude's first teacher upon arriving in Düsseldorf – that he was exposed to the romanticist tradition, while it was through his classes with and later time teaching for Schirmer that he was exposed to the classicist traditions. In 1827 Schirmer and Carl Friedrich Lessing founded a Society for Landscape Composition that would meet a few times each year at Schirmer's home where Schirmer would offer advice on the composition of landscape paintings.
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Celtic Wicca is criticized for a number of reasons. Critics point to the very recent development of the "tradition", its modernly syncretic nature, its misappropriation or misrepresentation of authentic Celtic traditions and history, and its difference from all historically attested Celtic beliefs and practices. Authors including Ronald Hutton, Aidan Kelly, John Michael Greer and Gordon Cooper have noted that Celtic Wicca draws on mythology by way of the Romanticist Celtic Revival rather than historical fact. Further, these authors have documented that Gardnerian Wicca was synthesized from elements of many cultures and traditions including Hinduism, English folklore, romanticized misinterpretations of what Gardner believed to be Native American beliefs and ceremonies, and the ritual structures and terminology used by the Freemasons.
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Part of the permanent exhibition dedicated to the partitions of Poland at the Museum of the History of Polish Jews in Warsaw The Third Partition of Poland ended the existence of an independent Polish and Lithuanian state for the next 123 years. Immediately following the Third Partition, the occupying powers forced many Polish politicians, intellectuals, and revolutionaries to emigrate across Europe, in what was later known as the Great Emigration. These Polish nationalists participated in uprisings against Austria, Prussia, and Russia in former Polish lands, and many would serve France as part of Napoleon's armies. In addition, Polish poets and artists would make the desire for national freedom a defining characteristic of the Polish Romanticist movement.
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She was born to a family of a Serbian Orthodox Church parish priest, and received acclaim for her patriotic poetry already as a teen; she expanded to other aspects of Romanticist poetry as she grew older. In her hometown of Bukovac her character was shaped; here she imbibed that passionate love of country scenes and country life which neither absence, politics nor dissipation could uproot. Here she learnt to understand the ways and thoughts of the peasant folk, and laid up that rich store of scenes and characters which a marvelously retentive memory enabled her to draw upon at will. The progress of her mind during these early years well deserves to be recorded.
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The Wandervogels were a nationwide youth network that combined hiking and other outdoor activities with a romanticist rejection of industrialisation and modernism in favour of old Teutonic values which on occasion overlapped with less palatable forms of German nationalism. Through the Wandervogels she met up with Nathan Steinberger and Gertrud Classen. Through Steinberger and Classen she came into contact with the Communist Party, becoming a member during the first part of 1928, though still aged only 19. Over the next few years she and her younger sister Helga passed on secret information about their father's work to the "A-M Apparat" (literally "Anti- Military Apparatus"), which was the intentionally misleading name of the party's extensive intelligence organisation in Germany.
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However, as Romanticist Jacqueline Labbe argues, Mary Shelley challenges the conventions of the Romantic travel narrative as well. For example, one reviewer wrote, "now and then a French phrase drops sweetly enough from [the author's] fair mouth", and as Labbe explains, these phrases are supposed to lead the reader to imagine a "beautiful heroine and her group passing easily from village to village". However, both French quotations in History of a Six Weeks' Tour undercut this Romantic image. The first describes the overturning of a boat and the drowning of its occupants; the second is a warning not to travel on foot through France, as Napoleon's army has just been disbanded and the women are in danger of rape.
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The red sandstone ruins of the fort came to be known as the "Pile of Fouldrey", and are known today as Piel Castle. Romanticist William Wordsworth, who wrote of the island in a poem about his time at RampsideThe next noteworthy episode in the island's history occurred on 4 June 1487 when Lambert Simnel and his supporters arrived from Dublin. Simnel, crowned as "Edward VI" in Ireland, was being passed off as Edward, 17th Earl of Warwick, the Yorkist heir, by John de la Pole, Earl of Lincoln in his attempt to regain the throne for the Yorkists. Simnel and 2,000 German mercenaries made their way via Piel to do battle for the throne.
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According to the majority view, the poem is a composition of the late 12th century, perhaps composed orally and fixed in written form at some point during the 13th century. Some scholars consider the possibility that the poem in its current form is a national Romanticist compilation and rearrangement of several authentic sources. The thesis of the poem's being a complete forgery has been proposed in the past but is widely discredited; the poem's language has been demonstrated to be closer to authentic medieval East Slavic than practicable by a late 18th-century forger. It was not until 1951 that scholars discovered ancient birch bark documents with content in this medieval language.
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The story was similar to that of Medea, as it had recently been recast for a popular Parisian play by Alexandre Soumet: the chaste goddess (casta diva) addressed in Normas hit aria is the moon goddess, worshipped in the "grove of the Irmin statue". Edward Williams, known for his bardic name, "Iolo Morganwg" A central figure in 19th century Romanticist, Neo-druid revival, is the Welshman Edward Williams, better known as Iolo Morganwg. His writings, published posthumously as The Iolo Manuscripts (1849) and Barddas (1862), are not considered credible by contemporary scholars. Williams claimed to have collected ancient knowledge in a "Gorsedd of Bards of the Isles of Britain" he had organized.
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Her inspiration for this piece as she recalls were "coming out intact and so fast, [she] put it down in short score and orchestrated it later". Ironically, although she is considered a neo-romantic composer, her choice to write about the skyscraper is an interesting choice since most neo-romanticist usually oppose the civilized scenery and prefer to express something that is more nature-oriented. The second movement, "River Sings a Song to Trees", is the most tranquil compared of the three movements. This movement was in reference to the more nature-like part of the city such as the creeks and parks, which is in huge contrast to the skyscrapers in the last movement.
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Vinko Kandija (May 23, 1934 – September 3, 2002) was a Croatian handball player and coach. Kandija won over 40 titles and trophies in the game with male and female teams. His coaching career led him from club to club, and he achieved excellent results everywhere, especially with women's teams, he won fifty different titles thanks to his persistent work and expertise, becoming one of the most successful and most respected handball coaches in the country and abroad, and because of his style of coaching and leadership, he was named the "last romanticist". His biggest achievement was winning the Women's European Champions Cup four times and Women's EHF Cup Winners' Cup one in 1984–85.
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During the third quarter of the 18th century and practically all of the 19th century, foreign travelers and Portuguese aristocrats, inspired by the Romanticist movement, rediscovered Sintra, a royal retreat during the Portuguese Renaissance, prizing its exotic landscapes and climate. In the summer of 1787, William Beckford stayed with the Marquis of Marialva, master of the horse for the kingdom, at his residence of Seteais Palace. At the beginning of the 19th century Princess Carlota Joaquina, wife of the Regent John, bought the estate and Ramalhão Palace. Between 1791 and 1793, Gerard Devisme constructed a Neo-Gothic mansion on his extensive estate in the Quinta de Monserrate (later known as the Monserrate Palace).
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Other influences upon early Wicca included various Western esoteric traditions and practices, among them ceremonial magic, Aleister Crowley and his religion of Thelema, Freemasonry, Spiritualism, and Theosophy. To a lesser extent, Wicca also drew upon folk magic and the practices of cunning folk. It was further influenced both by scholarly works on folkloristics, particularly James Frazer's The Golden Bough, as well as romanticist writings like Robert Graves' The White Goddess, and pre-existing modern Pagan groups such as the Order of Woodcraft Chivalry and Druidism. It was during the 1930s that the first evidence appears for the practice of a pagan Witchcraft religion (what would be recognisable now as Wicca) in England.
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He created works in etching, aquatint and drypoint as well as oils, dedicating most of his artwork to capturing the varying landscapes of the Mexican country side. In 2010, the director of INBA, Teresa Vicencio, awarded Moreno a diploma officially recognizing him as the “heir” of other noted Mexican landscape artists José María Velasco and Dr. Atl as well as the “ambassador of our lands.” His work, especially those depicting forests, has elements similar to German Romanticist David Friedrich. He remained faithful to landscape painting his entire life. Moreno began his career as a landscape artist at a time when the land and the people’s relation to it were promoted as elements of Mexico’s identity.
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The 19th century, the century of national movements in the Balkans, found Albanians without a sufficient tradition of a unitary development of the state, language and culture but, instead, with an individualistic and regionalist mentality inherited from the supremacy of clan and kinship and consequently with an underdeveloped national conscience, though with a spirit of spontaneous rebellion. In this historical cultural situation emerged and fully developed an organized ideological, military and literary movement, called Rilindja Kombëtare (National Renaissance). It was inspired by the ideas of National Romanticism and Enlightenment, which were cultivated among the circles of Albanian intelligentsia, mainly émigrés in the old settlements in Italy and the more recent ones in Istanbul, Bucharest, United States, Sofia and Cairo. Home of national romanticist poet Jeronim de Rada.
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It is closely linked with the folklore tradition. Romanticist writer Dora d'Istria. The pursuit of this tradition and the publications of Rapsodi të një poeme arbëreshe (Rhapsody of an Arbëresh Poem) in 1866 by Jeronim De Rada, of Përmbledhje të këngëve popullore dhe rapsodi të poemave shqiptare (Collection of Albanian Folk Songs and Rhapsodies of Albanian Poems) in 1871 by Zef Jubani, Bleta shqiptare (Albanian Bee) in 1878 by Thimi Mitko, etc., were part of the cultural programme of the National Renaissance for establishing a compact ethnic and cultural identity of Albanians. Two are the greatest representatives of Albanian Romanticism of 19th century: Jeronim De Rada (1814–1903), and Naim Frashëri (1846–1900), born in Albania, educated at Zosimea of Ioannina, but emigrated and deceased in Istanbul.
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The 19th century saw a flourishing of Belgian literature in both French and Dutch languages. In Flanders, the Literary Romanticist movement, aided by a renewed interest in Belgium's medieval past, flourished under authors including Hendrik Conscience, who is credited as "father of the Flemish novel", and poets like Theodoor van Rijswijck. Conscience's most famous work, De Leeuw van Vlaanderen ("The Lion of Flanders", 1838), portrayed a romantic and heavily embellished account of the County of Flanders' fight against the French in the 14th century, with the Flemish victory at the Battle of the Golden Spurs in 1302 as the centerpiece. De Leeuw van Vlaanderen became a source of inspiration for the Flemish Movement and remains one of the best examples of Flemish literature.
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The novel starts off with Annie Lockwood going out to meet her boyfriend Sean, whom she wants to change into a romanticist like herself by the end of the summer. Sean's nickname for Annie is ASL, based on her full name Anna Sophia Lockwood, and is an avid mechanic with his hobby being maintenance of mechanical objects such as cars. It is during the summer that Annie meets her boyfriend Sean at Stratton Point, which is being prepared for the demolition of the Stratton Mansion. Upset by the fate of the mansion, Annie explores its rooms one last time, but as she walks through the halls and rooms she feels a sudden grip on her ankles and finds herself back in time in 1895.
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He arranged many of his songs in several versions and provided an insight into his creative evolution and development toward a seasoned compositional and technical mastery. Marinković exhibits the ability of deep delving into the meaning and mood of selected lyrics, following the correct diction, with inventive, broad melodies, and an overall direct expression. Melody represents his primary tool; although in his later works noticeable is a rather elaborated piano part and somewhat free harmonic language, within the realm of the late romanticist means of expression. Marinković also found his inspiration in the texts close to folk songs and composed in the manner close to folk, establishing in Serbian art music a popular sevdalinka genre (Šana, dear, Stojanka, and From town to town).
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Shortly after the release of Candy, Ledger was invited to join the Academy of Motion Picture Arts and Sciences. As one of six actors embodying different aspects of the life of Bob Dylan in the 2007 film I'm Not There, directed by Todd Haynes, Ledger "won praise for his portrayal of 'Robbie [Clark],' a moody, counter-culture actor who represents the romanticist side of Dylan, but says accolades are never his motivation". Posthumously, on 23 February 2008, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the film's ensemble cast, its director, and its casting director. In his penultimate film performance, Ledger played the Joker in Christopher Nolan's 2008 film The Dark Knight, which was released nearly six months after his death.
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Over the following years, Rudolphi became a widely known and respected educationist for girls. She became friends with Elise Reimarus and at her institute she established a literary salon, attracting a circle of intellectuals such as Matthias Claudius, Friedrich Gottlieb Klopstock, Friedrich Heinrich Jacobi, Jens Baggesen. Rudolphi moved her institute to Heidelberg in 1803 (in the newly formed Electorate of Baden), where she became socially involved with the circle of Romanticist intellectuals there (Achim von Arnim, Clemens Brentano, Sophie Mereau, Friedrich Creuzer Ludwig Tieck) and a close friend of the family of classicist Johann Heinrich Voß. Rudolphi published collections of her poems in 1781, 1787 and 1796, and she published her principles on the education of girls in form of an epistolary novel, Gemälde weiblicher Erziehung (1807).
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In opposition to the religious movements, a non- religious cultural current had gained some impetus: the so-called Völkische Bewegung (Völkish movement), which dated back to the Romanticist movement of the 1850s, when the German revolutionary drives had been crushed by the arrival of Bismarck. Uwe Puschner is a well-known historian of this movement. This movement had a popular base and combined various elements: extreme nationalism, anti-Christianity, a reverence for the mythical Teutonic past, racism, anti-semitism, and a revival of Germanic paganism. This trend is described in the books by Hubert Cancik & Uwe Puschner, Antisemitismus, Paganismus, Völkische Religion (Anti-semitism, Paganism, and Völkish Religion, 2004), and by Stefan Breuer, Die Völkischen in Deutschland (The Popular Societies in Germany, 2008).
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Unlike his younger rival, Staffeldt did, however, demonstrate a deeper understanding of Romanticist philosophy and a strong ability to turn the idea of a fundamental split between ideas and phenomena into what is, according to Brandes, poetry of "imperishable beauty". Staffeldt's German origins were noted in the nationalist atmosphere in the middle of the 19th century but as Brandes noted: "we Danes should not blame Staffeldt for preferring our language to his own". Staffeldt is a philosophical poet but the poems in his second collection, Nye Digte (1808, literally: New Poems) are also full of observations of the natural surroundings. The book did, however, not receive much attention and Staffeldt gave up poetry to work as a prefect in the duchies.
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According to Sakaguchi, this was because Nintendo's Shinji Hatano shared their vision of a role-playing game that did not follow genre conversions, and so Sakaguchi accepted his offer of collaboration. After being contacted regarding both The Last Story and fellow Wii ARPG Xenoblade Chronicles, Hatano said that the games should be made for a wide audience and using a "romanticist approach". When explaining why The Last Story was exclusive to the Wii, Sakaguchi said that it was because a large proportion of the late development staff, including the testers, came from Nintendo. In a later interview, he said that working with the Wii, which did not use high-definition graphics, presented challenges as some of his ideas could not be implemented due to technical restrictions.
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His illustrations for the three volume work of Swiss legends by Arnold Büchli became particularly famous, a work that also left its mark on his paintings, for example in Hexenhaftler. As an artist Basler was a late-born romanticist, driven to continue the artistic elements that found their great fulfillment in Spitzweg, Welti, Böcklin, a narrator and illustrator who created a fairytale and saga of highly individual sentiment, relying on the pictorial power of popular poetry. He lived the last years of his life unconcerned about the artistic Zeitgeist, from which he always distanced himself with his own creations, and led a true hermit's life. A terrible illness that he had long been suffering from took his life on April 1, 1937.
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Modern Georgian nationalism emerged in the middle of the 19th century as a reaction to the Russian annexation of fragmented Georgian polities, which terminated their precarious independence, but brought to the Georgians unity under a single authority, relative peace and stability. The first to inspire national revival were aristocratic poets, whose romanticist writings were imbued with patriotic laments. After a series of ill-fated attempts at revolt, especially, after the failed coup plot of 1832, the Georgian elites reconciled with the Russian rule, while their calls for national awakening were rechanneled through cultural efforts. In the 1860s, the new generation of Georgian intellectuals, educated at Russian universities and exposed to European ideas, promoted national culture against assimilation by the Imperial center.
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In Geoffrey Dutton named Ronald McCuaig "Australia's First Modernist Poet". He explained what he meant by modernism and McCuiag's part in it in a 1999 interview with Susan Hill in the Animist, January 1999 where he said Kenneth Slessor was usually considered to be the first Australian modernist poet but that McCauig was slightly ahead of him. This was because Slessor was held back by the influence of Norman Lindsay who was a romanticist in an Australian group of writers and artists practising what Dutton called "fossilised 19th century diction" which had "no relation to the present day world". Dutton went on to explain T.S. Eliot had published The Wasteland in 1922 but was largely unknown or considered irrelevant in Australia in the 1920s.
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The absence of Amanat Ali made Fateh Ali redevelop and re-align his singing style. He had to fill the void left by Amanat Ali in the middle of his career, which was not an easy thing to do. The void was only partly filled by Amjad Amanat Ali Khan and Asad Amanat Ali Khan, as these two have occupied a relatively junior role in comparison with the almost equal footing that Amanat Ali and Fateh Ali fulfilled as a duo.Bade Fateh Ali Khan raga performance on YouTube Retrieved 27 November 2018 Though trained also in the medieval Dhrupad genre, the uncle- nephew duo restricts its repertoire to the modern mainstream genre, Khayal, and the romanticist genres, Thumris, Dadra, and Ghazal.
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Before the advent of Cubism artists had questioned the treatment of form inherent in art since the Renaissance. Eugène Delacroix the romanticist, Gustave Courbet the realist, and virtually all the Impressionists had jettisoned Classicism in favor of immediate sensation. The dynamic expression favored by these artists presented a challenge to the static traditional means of expression.Alex Mittelmann, State of the Modern Art World, The Essence of Cubism and its Evolution in Time, 2011 In his 1914 Cubists and Post- Impressionism Arthur Jerome Eddy makes reference to Auguste Rodin and his relation to both Post-Impressionism and Cubism: > The truth is there is more of Cubism in great painting than we dream, and > the extravagances of the Cubists may serve to open our eyes to beauties we > have always felt without quite understanding.
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This romanticist, nationalist approach has been rejected by scholars in its simplest forms since approximately World War II. For example, the once common habit of referring to Roman-era Germanic peoples as "Germans" is discouraged by modern historians, and modern Germans are no longer seen as the main successors of the Germani. Not only are ideas associated with Nazism now criticized, but also other romanticized ideas about the Germanic peoples. For example, Guy Halsall has mentioned the popularity of the "view of the peoples of Germania as, essentially, proto-democratic communes of freemen". Peter Heather has pointed out as well that the Marxist theory "that some of Europe's barbarians were ultimately responsible for moving Europe onwards to the feudal modern of production has also lost much of its force".
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Chancellor Metternich about 1820, painting by Thomas Lawrence ''''' (; English: pre-March) was a period in the history of Germany preceding the 1848 March Revolution in the states of the German Confederation. The beginning of the period is less well-defined: some place the starting point directly after the fall of Napoleon and the establishment of the German Confederation in 1815; others, typically those emphasizing the Vormärz as a period of political uprising, place the beginning at the French July Revolution of 1830. Internationally known as the Age of Metternich, it was characterized by Austrian and Prussian police states, which practiced censorship on a massive scale in response to revolutionary calls for liberalism. In a cultural sense, the same period is known as Biedermeier as a conclusion of the Romanticist era.
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The most influential literary style in 19th-century Brazil, many of the most renowned Brazilian writers were exponents of Romanticism: Manuel de Araújo Porto Alegre, Gonçalves Dias, Gonçalves de Magalhães, José de Alencar, Bernardo Guimarães, Álvares de Azevedo, Casimiro de Abreu, Castro Alves, Joaquim Manuel de Macedo, Manuel Antônio de Almeida and Alfredo d'Escragnolle Taunay. In theater, the most famous Romanticist playwrights were Martins Pena and Joaquim Manuel de Macedo. Brazilian Romanticism did not have the same success in theater as it had in literature, as most of the plays were either Neoclassic tragedies or Romantic works from Portugal or translations from Italian, French or Spanish. After the opening of the Brazilian Dramatic Conservatory in 1845, the government gave financial aid to national theater companies in exchange for staging plays in Portuguese.
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Subsequently, acquired by the Ishibashi Foundation, it was displayed at the Ishibashi Museum of Art, now the Kurume City Art Museum in Kurume, Fukuoka Prefecture, before being transferred to Tokyo with the 2016 changes to the museum's management and ownership. Stored at the Ishibashi Foundation Art Research Center, it will be periodically displayed at the related Artizon Museum (formerly the Bridgestone Museum of Art). The painting inspired a poem by Kambara Ariake that opens: "What dost thou search, a thousand years or dust, fair maiden?" It also exerted a strong influence over the romanticist Aoki Shigeru. More recently, the painting, alongside Aoki Shigeru's 1904 A Good Catch or Harvest of the Sea, has provided the inspiration for composer nineteen-minute Umi no Sachi / Tempyô no Omokage~Diptych for Soprano & Piano: after Kambara Ariake’s Poetry.
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The tragic quality of Baratashvili's poetry was determined by his traumatic personal life as well as the contemporary political situation in his homeland. The failure of the 1832 anti-Russian conspiracy of Georgian nobles, with which Baratashvili was a schoolboy sympathizer, forced many conspirators to see the independent past as irremediably lost and to reconcile themselves with the Russian autocracy, transforming their laments for the lost past and the fall of the native dynasty into Romanticist poetry. Shortage of money prevented Baratashvili from continuing his studies in Russian universities, while an early physical injury – his lameness – did not allow him to enter military service as he wished. Eventually, Baratashvili had to enter the Russian bureaucratic service and serve as an ordinary clerk in the disease-ridden Azerbaijani town of Ganja.
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Milojević also wrote choral music. His activities in this genre encompass simple, unassuming music for children's and youth choirs to complex works. The most significant include: How green is the long field (Dugo se polje zeleni) (1909), a miniature for mixed choir, after the lyrics of Vojislav Ilić; dramatic ballad Presentiment (Slutnja) (1912), marked by Neo- romanticist chromaticism and polyphony, and considered among masterpieces of Serbian choral literature; and cycle The Feast of illusions (Pir iluzija) (1924), after poetry of Miroslav Krleža (Evening decorations (Večernje dekoracije), Triptych (Triptih), and Dark gloomy afternoon (Crno sumorno popodne)), a work of modern expression and high technical demands regarding choral texture. Milojević's most popular choral composition, The Fly and a Mosquito (Muha i komarac) (1930), is a humorous scherzando piece written upon folk text and utilizing tone painting.
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Nine Songs, imprint of presumably the 14th century Qu Yuan is regarded as the first author of verse in China to have his name associated to his work, since prior to that time, poetic works were not attributed to any specific authors. He is considered to have initiated the so- called sao style of verse, which is named after his work Li Sao, in which he abandoned the classic four-character verses used in poems of Shi Jing and adopted verses with varying lengths. This resulted in poems with more rhythm and latitude in expression. Qu Yuan is also regarded as one of the most prominent figures of Romanticism in Chinese classical literature, and his masterpieces influenced some of the greatest Romanticist poets in Tang Dynasty such as Li Bai.
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During the romanticist movement of the nineteenth century, various northern Europeans took an increasing interest in Old Norse religion, seeing in it an ancient pre-Christian mythology that provided an alternative to the dominant Classical mythology. As a result, artists featured Norse gods and goddesses in their paintings and sculptures, and their names were applied to streets, squares, journals, and companies throughout parts of northern Europe. The mythological stories derived from Old Norse and other Germanic sources provided inspiration for various artists, including Richard Wagner, who used these narratives as the basis for his Der Ring des Nibelungen. Also inspired by these Old Norse and Germanic tales was J. R. R. Tolkien, who used them in creating his legendarium, the fictional universe in which he set novels like The Lord of the Rings.
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Frederick William IV (; 15 October 17952 January 1861), the eldest son and successor of Frederick William III of Prussia, reigned as King of Prussia from 7 June 1840 to his death. Also referred to as the "romanticist on the throne", he is best remembered for the many buildings he had constructed in Berlin and Potsdam, as well as for the completion of the Gothic Cologne Cathedral. In politics, he was a conservative, who initially pursued a moderate policy of easing press censorship and reconciling with the Catholic population of the kingdom. During the German revolutions of 1848–1849, he at first accommodated the revolutionaries but rejected the title of Emperor of the Germans offered by the Frankfurt Parliament in 1849, believing that Parliament did not have the right to make such an offer.
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In the summer of 1890, a Swedish magazine, the Idun, had offered a prize for the best novel of a certain length. Lagerlöf entered the contest with a few chapters from Gösta Berling, a story which was then beginning to take shape in her mind, and won the prize. In Gösta Berling, Lagerlöf is a romanticist and represents a reaction against the realism which prevailed at the time. As a child, she had absorbed the folk tales of her surroundings, and later on in life it occurred to her like a lightning flash that it was her particular mission to give these stories expression. Gösta Berling's Saga has been called the “prose epic of Swedish country life.” The scene is laid on the shores of Lake Fryken (Lake Löven in the story) in Värmland.
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"La nacionalitat catalana" (, in English "The Catalan nationality") is an essay and political manifesto written by the Conservative politician Enric Prat de la Riba in 1906. Article at the Enciclopèdia Catalana website. Focusing on the will for the restoration of self-government in the region, it is one of the foundational text of Noucentisme and modern political Catalanism and a philosophical justification of Catalan nationalism. The author portrays the years spannings between the abolition of the privileges and traditional institutions of Catalonia as part of the introduction of French centralism by the first Bourbon king of Spain, Philip V, and the present moment, as a period of cultural renaissance among those who struggled against the unification and centralisation of Spain (as exemplified by the Romanticist movement La Renaixença) and were aware of its nationality.
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Kalthoff criticized what he regarded as the romanticist and sentimental image of Jesus as a "great personality" of history developed by German liberal theologians, including Albert Schweitzer who noted Kalthoff in his work The Quest of the Historical Jesus. In Kalthoff's views, it was the early church that created the New Testament, not the reverse; the early Jesus movement was socialist, expecting a social reform and a better world, which was combined with the Jewish apocalyptic belief in a Messiah. Kalthoff saw Christianity as a social psychosis.Enfant Terrible im Talar - Albert Kalthoff (1850-1906) Johannes Abresch - German text (Per Arthur Drews, The Denial of the Historicity of Jesus in Past and Present - see the section on Kalthoff)Arthur Drews, The Denial of the Historicity of Jesus in Past and Present 1926 - See chapter on Kalthoff Arthur Drews was influenced by Kalthoff.
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Early works of Mihovil Logar, conceived in Prague and upon his return from the Conservatory feature bold musical language, expanded tonality that often crosses into atonality, and rhapsodic, contingently free form, qualifying this period of the composer's work to often be labeled as expressionistic (Peričić, Masnikosa). Moreover, given the identifiable romanticist influences in this phase of Logar's work, it is possible to say that “his oeuvre consists of compositions that, next to each other differ much in their structural elements” (M. Bergamo). Certain authors emphasize peppiness and humor as attributes of his music (and personality) which, depending on the (musical) context turn at instances into parody and grotesque. It has been noted that “Logar's routinely tertiary-structured chords are always…'contorted' by the ardent non-chord tones, and in an always unpredictable and irregular succession—suddenly dissonant or unexpectedly tonal” (Masnikosa, 2008: 10).
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" Mendelsohn said that while the song was a "slightly lesser chapter in the ongoing story of McCartney as facile romanticist", "it might have eventually begun to grow on one as unassumingly charming" without Spector's "oppressive mush". In 1973, musicologist and critic Wilfrid Mellers wrote: "The music has a tremendous expectancy … Whether or no Paul approved of the plush scoring of 'The Long and Winding Road', it works not because it guys the feeling but because the feeling has integrity." MacDonald said: "With its heart-breaking suspensions and yearning backward glances from the sad wisdom of the major key to the lost loves and illusions of the minor, 'The Long and Winding Road' is one of the most beautiful things McCartney ever wrote. Its words, too, are among his most poignant, particularly the reproachful lines of the brief four-bar middle section.
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In 1971, Kanso held his first one-man show at the 76th Street Gallery exhibiting 80 paintings that included portraits and nudes in compositions reflecting in varying degrees expressionist, romanticist and symbolist influences.Art Gallery: Eye on New York: Kanso's Show at 76th Street, January 1972Brown, Gordon: Kanso at 76th Street, Arts Magazine, New York, February 1972 Between 1971 and 1973 he held a series of solo shows that included the Wanderer, Danse Macabre, Birds of Prey, Place des Martyres, and Expressions.Bowles, Jerry: Kanso's Paintings Artnews, New York, July 1972Brown, Gordon: Kanso's Expressions, Arts Magazine, New York, February 1973 Although the exhibitions drew attention and reviews, the lack of sufficient subsistence forced the closing of his studio whose contents including over 700 works Kanso, Nabil. Navil Kanso, Nabil Kanso Artworks, Kanso's Art, Kanso's Paintings and Works on Paper.
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Frederick William was a staunch Romanticist, and his devotion to this movement, which in the German States featured nostalgia for the Middle Ages, was largely responsible for his developing into a conservative at an early age. In 1815, when he was only twenty, the crown prince exerted his influence to structure the proposed new constitution of 1815, which was never actually enacted, in such a way that the landed aristocracy would hold the greatest power. He was firmly against the liberalization of Germany and only aspired to unify its many states within what he viewed as a historically legitimate framework, inspired by the ancient laws and customs of the recently dissolved Holy Roman Empire. Frederick William opposed the idea of a unified German state, believing that Austria was divinely ordained to rule over Germany, and contented himself with the title of "Grand General of the Realm".
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In this, he compared it to the gay liberation movement's reappropriation of the term "queer", which had formerly been used only as a term of homophobic abuse. He suggests that part of the term's appeal lay in the fact that a large proportion of Pagan converts were raised in Christian families, and that by embracing the term "pagan", a word long used for what was "rejected and reviled by Christian authorities", a convert summarizes "in a single word his or her definitive break" from Christianity. He further suggests that the term gained appeal through its depiction in romanticist and 19th-century European nationalist literature, where it had been imbued with "a certain mystery and allure", and that by embracing the word "pagan" modern Pagans defy past religious intolerance to honor the pre-Christian peoples of Europe and emphasize those societies' cultural and artistic achievements.
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The conspirators planned to invite the Russian officials in the Caucasus to a grand ball where they would be given the choice of death or surrender. After the collapse of this plot, Orbeliani was arrested and exiled to Orenburg whence he would not be able to return until 1840. The abortive uprising and relatively mild punishment that followed forced many conspirators to see the independent past as irremediably lost and to reconcile themselves with the Russian autocracy, transforming their laments for the lost past and the fall of the native dynasty into Romanticist poetry. Orbeliani's most coherent pieces are the allegorical poem of 1832, The Moon (მთოვარე), and a patriotic short story Immaculate Blood (უმანკო სისხლი) about three sisters, nuns, who prefer death to apostasy when the commander of invading Persian troops demands it; the latter is so impressed that he has to die with them.
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Viking reenactment training (Jomsvikings group) Led by the operas of German composer Richard Wagner, such as Der Ring des Nibelungen, Vikings and the Romanticist Viking Revival have inspired many creative works. These have included novels directly based on historical events, such as Frans Gunnar Bengtsson's The Long Ships (which was also released as a 1963 film), and historical fantasies such as the film The Vikings, Michael Crichton's Eaters of the Dead (movie version called The 13th Warrior), and the comedy film Erik the Viking. The vampire Eric Northman, in the HBO TV series True Blood, was a Viking prince before being turned into a vampire. Vikings appear in several books by the Danish American writer Poul Anderson, while British explorer, historian, and writer Tim Severin authored a trilogy of novels in 2005 about a young Viking adventurer Thorgils Leifsson, who travels around the world.
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His most influential work is the book Ethnogenesis of Montenegrins (O etnogenezi Crnogoraca) which was published in the Montenegrin capital of Titograd (modern-day Podgorica) by the state Pobjeda in 1980. This work sparked a huge amount of controversy and interest in the general, scholarly and political public, as since the 1960s there was a developing theory on the autochthonous school about the Montenegrin ethnic origin, whereas the dominant and official one until then was that Montenegrins were of Serb ethnic background. It was Kulišić's final confrontation against the 19th century national-romanticist approach of Serbian anthropology, and positivist orientation of Yugoslav Marxist historiography and archaeology. It contradicted the official viewpoint by the communist party ideologue, Serb Milovan Djilas (1945–1947), that the Montenegrins were an ethnic group within the Serb nation, and only in 1878 formed their nationality due to social- capitalism; he denied that the Montenegrins were a separate ethnic group and nationality.
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As a composer of a distinct romanticist expression, Marinković often utilized folk melodies. He composed patriotic songs for men's choir, the most popular among them being The People’s assembly ((Narodni zbor) 1876, after the text by S. Kaćanski) of an upbeat, march-like character, thus considered a symbol of the feisty spirit of Serbian people, With a song to the heart, and Slavia (Slavija); lyrical pieces for mixed choir and compositions for children's choir, among others. Marinković composed eleven Kolos, based on a mosaic-like assemblage of folk tunes (Branko’s kolos being the third, fifth, and ninth kolo, upon The School friends’ parting (Đački rastanak) lyrics by Branko Radičević, featuring stylized melodies from Vojvodina). Among piano- accompanied choral works similar to cantatas, significant are A Content river (Zadovoljna reka) and The Water mill ((Potočara) with text-painting), of lyrical character, both written after the text by Jovan Milenko Grčić, and also a patriotic choral work On Good Friday (Na Veliki petak).
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Very much isolated in Voorburg and loath to mingle in the literary world, his friend Van Schendel helped him prepare a number of his books for publication, including Liederen en Balladen (1910), Kinderland (1913), and Herscheppingen (1916). He traveled abroad only when his friends gifted him a trip to Italy for his 50th birthday, a trip he credited with prompting him to write Ik en mijn speelman, a typically neo-Romanticist book that thematizes the relationship between beauty and reality (influenced, Van der Leeuw said, by 17th-c spiritual writer and mystic Thomas Traherne) and chooses beauty over reality. In his next book, De kleine Rudolf (1930), there is an attempt to reconcile dream and reality, and now reality is accepted, with romanticism being sought in life, not outside of it. In 1928 he was awarded the C.W. van der Hoogtprijs by the Maatschappij der Nederlandse Letterkunde for Het aardsche paradijs (1927).
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His orthography, Unified Cornish, was based on Cornish as it was spoken in the 18th century, although his pupil Robert Morton Nance later steered the revival more towards the Middle Cornish that had been used in the 16th century, before the language became influenced by English. The visit of King George IV to Scotland in 1822 reinvigorated Scottish national identity, melding it with romanticist notions of tartan, kilts and the Scottish Highlands.. As Pan-Celticism gathered pace in the early 20th century, Cornishman L. C. R. Duncombe-Jewell and the Cowethas Kelto-Kernuak (a Cornish language interest group) asserted the use of Cornish kilts and tartans as a "national dress ... common to all Celtic countries".. In 1924 the Federation of Old Cornwall Societies was formed to facilitate, preserve and maintain Celticity in Cornwall,. followed by the similar Gorseth Kernow in 1928,. and the formation of the Cornish nationalist political party Mebyon Kernow in 1951.
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Although the Dano–Norwegian union was generally viewed favourably in Norway at the time of its dissolution in 1814, some 19th century Norwegian writers disparaged the union as a "400-year night." Historians describe the idea of a "400-year night" as a myth that was created as a rhetorical device in the struggle against the Swedish–Norwegian union, inspired by 19th century national romanticist ideas. Since the late 19th century the Danish–Norwegian union was increasingly viewed in a more nuanced and favourable light in Norway with a stronger focus on empirical research, and historians have highlighted that the Norwegian economy thrived and that Norway was one of the world's wealthiest countries during the entire period of real union with Denmark. Historians have also pointed out that Norway was a separate state, with its own army, legal system and other institutions, with significant autonomy in its internal affairs, and that it was primarily governed by a local elite of civil servants who identified as Norwegian, albeit in the name of the Danish King.
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In late 1857, Filimon made his literary debut with pieces written for the Naţionalul newspaper. During the following year, he travelled to the German Confederation, and published his account as Excursiuni în Germania meridională ("Voyages to Southern Germany"), which also included the Romanticist novellas Mănăstirea domenicanilor după colina Fiesole (later known as Mateo Cipriani) and O baroneasă de poronceală. His experience and relative success as a journalist and critic would serve as the basis of chapters in his novels, which actually form in-depth analyses of cultural trends; he would collaborate on journals edited by Cezar Bolliac and Ion Ionescu de la Brad. During the period, he also published Nenorocirile unui slujnicar sau gentilomii de mahala ("The Misfortunes of a Servant or The Gentlemen on the Outskirts"; 1861), a rather typical depiction of servants and their lives, as well as his first collected fairy tales - Omul de flori cu barba de mătasă sau povestea lui Făt- Frumos ("The Flower Man with Silky Beard or The Tale of Făt-Frumos") and Omul de piatră ("The Man of Stone").
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Title page of the 1731 edition of Insel Felsenburg Map of Insel Felsenburg The Insel Felsenburg (literally: Rock Castle Island) was originally published in 1731 under the title :Wunderliche Fata einiger Seefahrer, absonderlich Alberti Julii, eines geborenen Sachsens, welcher in seinem 18den Jahre zu Schiffe gegangen, durch Schiff-Bruch selb 4te an eine grausame Klipe geworffen worden, nach deren Übersteigung das schönste Land entdeckt, sich daselbst mit seiner Gefährtin verheyrathet, aus solcher Ehe eine Familie mit mehr als 300 Seelen erzeuget, das Land vortrefflich angebauet, durch besondere Zufälle erstaunens-würdige Schätze gesammlet, seine in Teutschland ausgekundschafften Freunde glücklich gemacht, am Ende des 1728sten Jahres, als in seinem Hunderten Jahre, annoch frisch und gesund gelebt, und vermuthlich noch zu dato lebt, entworffen Von dessen Bruders-Sohnes-Sohnes-Sohne, Mons. Eberhard Julio, Curieusen Lesern aber zum vermuthlichen Gemüths-Vergnügen ausgefertiget, auch par Commission dem Drucke übergeben Von Gisandern. The title was only in 1828 shortened into Insel Felsenburg when republished in an abridged version by German romanticist Ludwig Tieck. The title summarizes the book.
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The volume was dedicated to Lawrence and Gerald Durrell. Marios-Byron Raizis (1931–2017), a renowned Greek-American Byronist and Romanticist, greatly praised Stephanides' talent as a poet and translator, stating: > Had Theodore Stephanides been less Greek at heart, and had he anglicised his > father's surname as Stephenson or Stevens, I believe that his fame as an > English poet and translator would have been part of the English literary > culture we all love, study, and celebrate today. In 1973, Stephanides published Island Trails, a half-fictional account of Corfu and the Ionian Islands, basically a collection of Greek folklore collected by him over the years. It was prefaced by Gerald Durrell and has since become a bibliographical rarity. Building in Corfu town (22 Mantzarou Street), where Theodore Stephanides had his laboratory and consulting rooms in the 1930s. Memorial plaque to Theodore Stephanides in Corfu town on 22 Mantzarou Street. On 15 February 1983, Stephanides appeared as a "very special surprise guest" in the UK TV programme This is Your Life (aired on 23 February 1983) with Gerald Durrell as the "subject".This Is Your Life, season 23, episode 19, release date: 23 February 1983 (UK).
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