According to Google, the Latin word for rhythm is "modum" and "rhythmus" is an Greek word that means "rhyme" or "countable," but "rithimus" is not a combination of letters that has ever meant anything.
|
|
Rhytmus 23 and the colourful Rhythmus 25 followed similar principles, with noticeable suprematist influence of Kasimir Malevich's work. Rhythmus 25 is considered lost. Eggeling debuted his Horizontal-vertikalorchester in 1923. The film is now considered lost.
|
|
In 2003 he premiered Jean-Christophe Marti's H aspiré at the Neues Theater Halle.Der Teufel steckt im Rhythmus. Uraufführung von Marti.
|
|
Melodie und Rhythmus is a German countercultural magazine founded in East Berlin in November 1957. The magazine initially focused on dance and easy listening music in the German Democratic Republic, and slowly expanded its content to pop and rock until its discontinuance in 1991. Relaunched in 2004, Melodie und Rhythmus adopted a similar approach but it has gradually shifted towards socio-political issues.
|
|
Since the 1980s, it started to include Western artists with photographs, greatly increasing its popularity. After the reunification, Melodie und Rhythmus was acquired by the Berlin-based company Henschel-Verlag which discontinued it in February 1991 due to the flood of Western German music magazines. In 2004, Melodie und Rhythmus was brought back by journalist Christian Hentschel and musician Tino Eisbrennen.
|
|
Richter falsely claimed that his 1921 film Rhythmus 21 was the first abstract film ever created. In fact, he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 (as reported in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann, who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film.
|
|
For this relaunching, its content mixed coverage of well-known international stars and artists from the former Socialist Bloc which are not popular in the Western media, trying to "fill a gap", according to Der Tagesspiegel. In June 2006, Melodie und Rhythmus started getting published by Heimat-Verlag, and in 2008, by Verlag 8. Mai, an imprint which also owns the newspaper junge Welt. In 2010, Melodie und Rhythmus switched to publishing every two months.
|
|
In 1895, Bücher was elected corresponding member of the Bavarian Academy of Science, Historical Class. In 1896, Arbeit und Rhythmus (Labor and Rhythm) appeared; there are six editions until 1924.
|
|
Hans Richter finished his first film Rhythmus 21 (a.k.a. Film ist Rhythmus) in 1921, but kept changing elements until he first presented the work on 7 July 1923 in Paris at the dadaist Soirée du coeur à barbe program in Théâtre Michel. It was an abstract animation of rectangular shapes, partly inspired by his connections with De Stijl. Founder Theo van Doesberg had visited Richter and Eggeling in December 1920 and reported on their film works in his magazine De Stijl in May and July 1921.
|
|
From its launching to the 1990 German reunification, Melodie und Rhythmus remained one of the most popular magazines in East Germany with a circulation of 270,000 copies in 1989, only limited by the amount of paper. Its first issue expressed the intention of supporting music that reflected East Germany's socialist idiosyncrasy, in contrast to the "dance music from the capitalist West", including its "excesses à la rock and roll." Among the first artists featured in the magazine were the Schlager singers Jenny Petra and Helga Brauer. Melodie und Rhythmus existed in varying black-and-white formats, covering several music events and reflecting the lifestyle of the country. In 1974, it established a colored outfit and, in December of that year, the Puhdys were its first modern rock band featured; eventually, Melodie & Rhythmus would become the main publication to report the developing Ostrock movement.
|
|
In November 1924 Eggeling was able to present his new finished film Symphonie diagonale in a private screening. On 3 May 1925 the Sunday matinee program Der absolute Film took place in the UFA-Palast theater at the Kurfurstendamm in Berlin. Its 900 seats soon sold out and the program was repeated a week later. Eggeling's Symphonie diagonale, Richter's Rhythmus 21 and Rhythmus 23, Walter Ruttmann's Opus II, Opus III and Opus IV were all shown publicly for the first time in Germany, along with the two French dadaist cinéma pur films Ballet Mécanique and René Clair's Entr'acte, and Ludwig Hirschfeld-Mack's performance with a type of color organ.
|
|
Hans-Otto Schembs and Helmut Nordmeyer, Grosser Hirschgraben: Geschichte und Geschichten einer Strasse , Institut für Stadtgeschichte Frankfurt am Main, 2000 (pdf) p. 31\. Kathrin Bonacker, Tanz!: Rhythmus und Leidenschaft, Hessische Blätter für Volks- und Kulturforschung, neue Folge 42, Marburg: Jonas, 2007; , p. 165\. Jo Fox, Filming women in the Third Reich, Oxford/New York: Berg, 2000, , pg.
|
|
Oktober 1986, S. 6–9. Starting in 1987, following other exhibitions of his works, Ferdinand Ullrich commissioned Kempens to develop and produce the computer game Zeche Recklinghausen II. The adventure of a miner in 1903 – 1913 for the exhibition "Work and Rhythm" at the 41st Ruhr Festival in Recklinghausen. This came from an idea of Ullrich.Ferdinand Ulrich: Arbeit und Rhythmus, Katalog der 41.
|
|
Since 1989, Tukur has been recording and touring as a musician. In 1995, he founded the dance band "Ulrich Tukur & the Rhythmus Boys" together with Kalle Mews (drums), Ulrich Mayer (guitar, vocals), and Günther Märtens (contrabass, guitar, vocals). Tukur has been married twice. Since 1999 he and his second wife, the photographer Katharina John, have been living in Venice (Italy), on Giudecca.
|
|
Werner Janssen grew up both in Germany (Monchengladbach) and in the Netherlands (Kerkrade/Heerlen). He studied at the Universities of Nijmegen, Heidelberg, Amsterdam and Aachen German language and literature, philosophy, sociology, pedagogy, ethnology, political science, psychology and dialect knowledge. Very first he graduated in 1984 to Dr. lit. at the University of Amsterdam with the thesis Der Rhythmus bei Heinrich Böll, 1985 published by Peter-Lang-Verlag.
|
|
Tom and Sara Pendergast, Detroit/London: St. James, 2000, , p. 30. starring Harry Liedtke and Robert Garrison and also with La JanaHorst O. Hermanni, Das Film ABC, Volume 5 Von La Jana bis Robert Mulligan, Norderstedt: Books on Demand, 2011, , p. 10Tanz!: Rhythmus und Leidenschaft, ed, Kathrin Bonacker, Hessische Vereinigung für Volkskunde, Hessische Blätter für Volks- und Kulturforschung NF 42, Marburg: Jonas, 2007, , p. 171 and Betty Bird.
|
|
Instead, First Moments consisted of two previously unreleased live tracks, "U-Men" and "Im Rhythmus Bleiben", in rather stunning sound quality. It is rumored that over 20,000 people downloaded the tracks within hours of being made available. The label later confirmed that over 25,000 people downloaded the free tracks. On June 4, 2008, Alfa Matrix announced the release of Moments... The album was a live recording encompassing the best of Front 242's compositions.
|
|
Richter was co-founder, in 1919, of the Association of Revolutionary Artists ("Artistes Radicaux") at Zürich. In the same year he created his first Prélude (an orchestration of a theme developed in eleven drawings). In 1920 he was a member of the November group in Berlin and contributed to the Dutch periodical De Stijl. Throughout his career, he claimed that his 1921 film, Rhythmus 21, was the first abstract film ever created.
|
|
The building, whose masonry consists entirely of bricks, is built on a foundation structure made of alternated courses of bricks and stone, and has a cross-in-square (or quincunx) plan, with a nine meter long side.Krautheimer (1986), p. 403. The central nave (naos) is surmounted by an umbrella dome, with a drum interrupted by arched windows, which gives to the structure an undulating rhythmus. The four side naves are covered by barrel vaults.
|
|
The Versus de Verona, also Carmen Pipinianum or Rhythmus Pipinianus (Ritmo Pipiniano), was a medieval Latin poetic encomium on the city of Verona, composed during the Carolingian Renaissance, between 795 and 806. It was modeled on the Laudes Mediolanensis civitatis (c.738), which is preserved today only in a Veronese manuscript. The anonymous Versus have been ascribed to Pacificus, archdeacon at Verona from 803 until his death in 846, but this ascription is unlikely.
|
|
Tomac 1959, p. 304 Eric was among those killed, and his death and defeat proved to be a great blow for the Carolingian Empire.Einhard, Vita Karoli Magni Aquileian Patriarch Saint Paulinus II cursed the land in which the hero was killed, and wrote Carmen de regula fidei, the rhythmus or elegy for his death. According to contemporary Frankish scholar and courtier Einhard, Eric was killed at Trsat (Tarsatch), a town on the coast of Liburnia, by the treachery of the inhabitants.
|
|
In 2014, under editor-in-chief Susann Witt-Stahl, the magazine adopted an increasingly political approach, more specifically left- wing anti-imperialist. In the second quarter of 2017, M&R; changed its focus from a pop-critical magazine to discussing the political and socio-economic issues regarding cultural events. In January 2018, Melodie und Rhythmus entered a hiatus due to financial difficulties. However, after more than forty artists and musicians campaigned for its survival, the magazine got more than 1,200 new subscribers and several major ads, announcing its comeback in June 2018.
|
|
The film was originally released in USA, Brazil, and Argentina in 1948, in 1949 in Australia and in 1950 in Mexico and Uruguay. From December 1948 (UK) to 15 September 1954 (Denmark) the film was released across Europe. The film was known by a variety of names including Време за музика in Bulgaria, Mélodie cocktail in France, Musik, Tanz und Rhythmus in Germany, and Säveltuokio in Finland. Disney later released a package film entitled Music Land, a nine- segment film which "recycled sequences from both Make Mine Music and Melody Time".
|
|
In 2000 Marc Schubring wrote the chamber opera nimmerlandmensch based on texts by Birger Sellin, and in 2003 he adapted the music of Das Feuerwerk by Paul Burkhard for the Burgtheater in Vienna, for which he also created the arrangements. For the Friedrichstadt- Palast in Berlin, he produced compositions for the review Rhythmus Berlin (2003) and the score for the children's review Der Zauberer von Camelot (2007, book/lyrics: Lutz Hübner). He wrote additional songs for the musical Friedrich – Mythos und Tragödie (2012) and for Kolpings Traum (2013).
|
|
Between 1977 and 1979 she wrote the libretto for Rosa Laub, East Germany's first rock opera, which had its premier at Rostock,Joe Schaffer: Erste Rock-Oper der DDR, In: Melodie und Rhythmus, Berlin (Ost), Heft 9/1979 although by this time Lewin was no longer among the theatre's permanent staff, having turned freelance in 1977. She published her first novel in 1973. "Herr Lucius und sein Schwarzer Schwan" is, like many of her subsequent books, an historical novel. Her next book, also an historical novel, was Die Ärztin von Lakros, and appeared in 1977.
|
|
He composed the music for Walter Mehring's radio play series, "Sahara" and worked extensively for various Berlin theatres. Examples of his work included the music for a fairy-tale presentation at the Lustspielhaus (theatre), and for the stage presentation "Liebeswirren im Alkoven" (loosely, "Turbulent love in the alcoves"), the fifth episode of the revue "From the rhythm of the times" ("Aus dem Rhythmus der Zeiten"), which was staged at Luise Werckmeister's "Summer-night theatre at the zoo". It is established that before or during November 1925 Bruinier began working with Bertolt Brecht. They had probably met up through Berlin Radio.
|
|
Hugh was part of the small army which, on its way south to join Charles at Toulouse, was ambushed by Pippin II in the Angoumois on 14 June 844. Hugh was killed by a lance, and according to the anonymous verse lament composed about his death—called the Rhythmus de obitu Hugonis abbatis or Planctus Ugoni abbatisMGH, Poetae II, p. 139.—Pippin wept over his body. Hugh is sometimes confused with Abbot Hugh of Saint-Germain d'Auxerre, resulting in the erroneous claim that he had a daughter, Petronilla, who married Tertullus of Anjou, the semi-legendary father of Ingelger, first count of Anjou.
|
|
Ray Obiedo (born January 27, 1952 in Richmond, California) is an American contemporary jazz guitarist. Obiedo grew up in Richmond, California, a graduate of John F. Kennedy High School, and began playing guitar at age 17.Smooth But Funky, East Bay Express, July 13, 2005 Initially he played both jazz and R&B;, appearing on record with Herbie Hancock, Julian Priester, and Sheila E. He was the leader of the jazz fusion group Kick and the rock band Rhythmus 21.[ Ray Obiedo] at Allmusic In 1989 he signed with Windham Hill Records, with whom he released five albums in eight years.
|
|
The Ufo (lit. UFO) was the first acid house club in Berlin. It was the pioneer place for the techno scene during the reunification.Techno-DJs gaben Berlin einen Endlos-Rhythmus Berliner Morgenpost October 30, 2009 Techno - Entwicklungen und Erscheinungsformen einer Jugendkultur Work for the Proseminar "Communication and Media Law: Youth and Media"Plötzlich war jeden Tag Party Tagesspiegel November 8, 2009 Club's residents and guests DJs included, among others, to Tanith, Jonzon, Rok, Dr. Motte, Mike van Dijk Robb, David (2002) Techno in Germany: Its Musical Origins and Cultural Relevance and the then 13-year-old Kid Paul.
|
|
In 1959 Kraus appeared with his father Fred Kraus, playing the role of his father, in "Melodie und Rhythmus". Kraus also published some songs with Jörg Maria Berg; under the pseudonym The James Brothers; the two played German cover versions "Wenn" (When) in 1958, "Cowboy Billy" ("Don't Take Your Guns to Town") in 1959, "Rote Rosen" (Pretty Blue Eyes) in 1960, "Die jungen Jahre" (Endless Sleep) and "Hätt' ich einen Hammer" (If I Had a Hammer) in 1964, to name a few.Günter Ehnert (ed.): Hit Balance. Deutsche Chart-Singles 1956-1980 Hamburg: Taurus Press, 1990, p.
|
|
Also in the 1980s, Tillery began a twelve-year musical partnership with Ray Obiedo, an Oakland-based guitarist. Obiedo was the leader of two soul/jazz ensembles "Kick" (featuring a young Sheila E.) and "Rhythmus 21" that both featured Tillery as a vocalist. During this time period, Linda also shared lead vocals with her younger brother Calvin Tillery in the house band at Slim's nightclub in San Francisco which was co-owned by rock/blues musician Boz Scaggs, who often sat in with the band. She was briefly a member of the ZaSu Pitts Memorial Orchestra and also performed with the Solid Senders.
|
|
As the Soviet rock scene grew larger in the late 1980s, bands like Asparez and Ayas attracted international audiences due to the new popularity of oriental rock these two bands were among original contributors, that was described first time in Melodie und Rhythmus magazine. Ayas was formed in 1986 by a conservatory graduate Artur Mitinyan, and a year later won Best Song of the Year award at Yerevan's "Rock, Rock, Rock Festival". Later they won the "Sisian Rock Festival" award as well. Elips was another important band of the era formed in 1986. In summer 1986 “Elips” went on tour to Latvia, where they played together with a Riga-based group “Pilligrim”.
|
|
This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912Article on Futurist Cinema (as they report in the Futurist Manifesto of Cinema), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920. Nevertheless, Richter's film Rhythmus 21 is considered an important early abstract film. About Richter's woodcuts and drawings Michel Seuphor wrote: "Richter's black-and-whites together with those of Arp and Janco, are the most typical works of the Zürich period of Dada." From 1923 to 1926, Richter edited, together with Werner Gräff and Mies van der Rohe, the periodical G. Material zur elementaren Gestaltung.
|
|
In 1927 Kasimir Malevich had created a 3-page scenario in manuscript with explanatory color drawings for an "Artistic-Scientific film" entitled Art and the Problems of Architecture: The Emergence of a New Plastic System of Architecture, an instructional film about the theory, origin and evolution of suprematism. Initially there were plans to have the film animated in a Soviet studio, but Malevich took it along on a trip to Berlin and ended up leaving it for Hans Richter after the two had met. The style and colorfulness of Rhythmus 25 had convinced Malevich that Richter should direct the film. Due to circumstances the scenario did not get into the hands of Richter before the end of the 1950s.
|
|
In 1855 he was appointed intendant of the municipal theatre in Frankfurt-on-Main, but retired in 1861, and died in Leipzig in 1873. Benedix's comedies, the scenes of which are mostly laid in upper middle-class life, still enjoy some popularity; the best-known are: Dr. Wespe; Die Hochzeitsreise; Der Vetter; Das Lügen; Ein Lustspiel; Das Gefängnis; Der Störenfried; Die Dienstboten; Aschenbrödel; and Die zärtlichen Verwandten. The chief characteristics of his farces are a clear plot and bright, easy and natural dialogue. Among his more serious works are: Bilder aus dem Schauspielerleben (Leipzig, 1847); Der mündliche Vortrag (Leipzig, 1859-1860); Das Wesen des deutschen Rhythmus (Leipzig, 1862) and, posthumously, Die Shakespearomanie (1873), in which he attacks the extreme adoration of the British poet.
|
|
In 1977 he was appointed professor of art history at the Saarland University, Saarbrücken, where he remained until his retirement in 1996. His extensive work includes major exhibition catalogs and monographs, for instance, German Expressionism: The Colors of Desire (1981), Farbgestaltung und Farbtheorie in der abendländischen Malerei (1987), Kategorien und Methoden der deutschen Kunstgeschichte 1900-1930 (1998), Die Wiederkehr der antiken Götter im Bilde: Versuch einer neuen Deutung (2001), Die Kunst Cezannes: Farbe, Rhythmus, Symbolik (2005), Matisse begegnet Bergson: Reflexionen zu Kunst und Philosophie (2008), Farbgestaltung in der europäischen Malerei - ein Handbuch (2010) and Weltbilder moderner Kunst: Werke von Kandinsky, Klee, Beckmann, Mondrian, Kokoschka im Licht phänomenologischer Philosophien (2013). Dittmann has accompanied the development of the Saarland Museum and is a founding member of the museum's advisory board, taking over various tasks in the Saarland Cultural Heritage Foundation. According to Christof Trepesch, Lorenz Dittmann was one of the few art historians who are able to draw the bow from the Middle Ages to contemporary art and who can talk about all genres and styles of art in art history with a secure view of essential facts.
|
|