27 Sentences With "return to the land of the living"

How to use return to the land of the living in a sentence? Find typical usage patterns (collocations)/phrases/context for "return to the land of the living" and check conjugation/comparative form for "return to the land of the living". Mastering all the usages of "return to the land of the living" from sentence examples published by news publications.

Can connecting with family help him return to the land of the living before it's too late?
Nintendo unveiled the Nintendo World Championships 2017 today, marking the competitive tournament's official return to the land of the living.
Orpheus pursues her and convinces Hades to let her go, to let her return to the land of the living.
According to his representative at the time, Guillermo Cóppola, Maradona's return to the land of the living was a scene worthy of No. 10.
Six teenagers meet their deaths on a roller coaster and have to compete for a chance to return to the land of the living.
It's a long look at the cost of being a celebrity and the possibility for anyone who faces similar struggles to return to the land of the living.
Feeling remorseful about what he had done, the dead ruler tells Nichizō to return to the land of the living and erect a shrine to placate Michizane's angry spirit.
I would have been outraged, to be sure — but that outrage would have led to an even more potent catharsis when some of these "dead" characters inevitably return to the land of the living.
Though it's not always easy to watch — seeing someone try so hard to ruin their own life can be excruciating — Her Smell's march toward something like peace for Becky, however tenuous, makes it an empathetic rather than mean-spirited look at the cost of celebrity and the possibility for anyone to return to the land of the living.
The plot begins in earnest on Ian's 16th birthday, which is when his late father arranged for him and his older brother to get a gift he left behind for them: a wizard staff and a spell that would let him return to the land of the living for one day to see how much they've grown.
Though it's not always easy to watch — seeing someone try so hard to ruin their own life can be excruciating — Her Smell's march toward something like peace for Becky, however tenuous, makes it an empathetic rather than mean-spirited look at the cost of being a celebrity and the possibility for anyone who faces similar struggles to return to the land of the living.
Tex encourages Chandler to return to the land of the living and shows Chandler how everyone sees him.
The spirit of Morgan delivers a jar containing the essence of LeChuck to the Voodoo Lady, in exchange for her return to the land of the living.
President Michener is on a TV presenting Chandler with an award while Tex Nolan tries to show Chandler how people see him and to convince Chandler to return to the land of the living.
Not only that he is capable of creating a doomsday devices but he has also managed to cheat death and return to the land of the living to wreak havoc not once, but twice. Kandrax - Celtic druid who wields mystical powers. Mortimer - Scheming genius and a conspirator. Inspired by A. C. Doyle's professor Moriarty.
The grieving Orpheus sets off to rescue Eurydice from the underworld. Eurydice's ghost drives Aristaeus mad and he commits suicide. The goddess Juno persuades Proserpine, the wife of Pluto (the king of the underworld), that she should be jealous of Eurydice's beauty and allow her to return to the land of the living with Orpheus. Proserpine persuades Pluto to release Eurydice and he does so on condition that Orpheus does not turn round to look at her before they have reached the upper world.
After Imelda and the family rescue the duo, Miguel reveals the truth about Héctor's death. Imelda and Héctor slowly reconcile, and the family infiltrates Ernesto's concert to retrieve Héctor's photo. Ernesto's crimes are exposed to the audience, who jeer at him as he is thrown out of the stadium, then crushed by a giant bell the same way he died; in the chaos, however, Héctor's photograph falls into the water. As the sun rises, Coco's memories are fading; Imelda and Héctor bless Miguel, so that he can return to the Land of the Living.
The game is played from a first-person perspective. The player controls one of the Martyrs condemned to Hell, Amraphel (aka Nimrod) tasked with meeting the Red Goddess, one of the creators of Hell, in an effort to escape and return to the land of the living. Unlike other Martyrs, the player possesses the unique ability to possess both other Martyrs and, later in the game, lesser and higher demons, giving them access to special abilities. Using mechanics such as crouching and holding their breath, the player can avoid demons.
Yomotsu Hirasaka in Higashiizumo, Shimane Prefecture is the Japanese word for the land of the dead (World of Darkness).Basic Terms of Shinto, Kokugakuin University, Institute for Japanese Culture and Classics, Tokyo 1985 According to Shinto mythology as related in Kojiki, this is where the dead go in the afterlife. Once one has eaten at the hearth of Yomi it is (mostly) impossible to return to the land of the living. Yomi in Japanese mythology is comparable to Hades or Sheol and is most commonly known for Izanami's retreat to that place after her death.
The story of Orfeas is loosely based on the myth of Orpheus. In three acts Orfeas tells the story of the talented and successful guitar player George Orfeas, who is fed up with his playing and his success, but then suddenly loses his guitar he calls Furry Dice. Subsequently he nearly dies in a car crash in Cuilfail Tunnel. After meeting his muse Eurydice somewhere between life and death he regains his humility and is allowed to return to the land of the living, on the condition that he does not look back.
After Darius Dax becomes the Supremium meteorite at the end of The Story of the YearSupreme #52 (1998) he is sent to Daxia, a place similar to the Supremacy. Every version of Dax before him lives in Daxia, including Darius Duck, Daxor, Daxian, Doomsdax, mad Nazi scientist Dax, and serial-killer transvestite 1980s Dax. The combined intelligence of the Daxes allows him to return to the land of the living. Again trying to destroy Supreme, he sets in motion another chain of events involving Billy Friday and Master Meteor.
Persisting through the Spanish occupation, indigenous Filipino tribes continued with their respective religions and hence, with their customary burial practices. The Spanish influence however, highly affected the religious traditions and customs in the areas surrounding large trade cities and the capital. These influences include the location of the burials, position of the body, and the decoration of burial goods. Pre-Hispanic Filipinos held their funeral rights in high regard, as most tribes believed that if the funeral process was not accomplished properly, the dead would return to the land of the living.
The idea that the edge and entrances needed to be protected from evil spirits occurred in both the human body and the village. When composing the minkisi, the nganga is often isolated in a hidden camp, away from the rest of the village. After the nkisi was built and the nganga had learned its proper use and the corresponding songs, he returned to the village covered in paint and behaving in a strange manner. The unusual behavior was to illustrate the ngangas return to the land of the living.
"The Devil and Miss Carew" and "Submission" are set in the same period as the previous audio dramas. "House of the Dead", however, reveals itself in its final act to be set six months after Ianto's death; Jack visited the House of the Dead to make contact with Ianto, who is unaware that he is dead. Jack and Ianto say a final goodbye and tell each other they love one another for the first time. Jack attempts to return to the land of the living alongside Ianto, but Ianto stays behind to close the Cardiff spacetime rift forever with Jack's device.
Ianto encounters the spirit of his father, with the claim that he, Ianto's mother, Owen, Toshiko and Lisa will all be resurrected if Ianto betrays Jack. Exploiting its radio format, the drama reveals that Ianto too is a spirit, and that the story is a Jack solo mission set after series three. Jack and Ianto say a final goodbye and tell each other they love one another for the first time. Jack attempts to return to the land of the living alongside Ianto, but Ianto stays behind to close the Cardiff Rift forever with Jack's device.
Breaking into Ernesto's mausoleum, Miguel takes his guitar to use in the show, but once he strums it, he becomes invisible to everyone in the village plaza. However, he can interact with his skeletal dead relatives, who are visiting from the Land of the Dead for the holiday. Taking him back with them, they learn that Imelda cannot visit, since Miguel accidentally removed her photo from the . Miguel discovers that he is cursed for stealing from the dead, and must return to the Land of the Living before sunrise, or he will become one of the dead; to do so, he must receive a blessing from a member of his family.
If a person drinks the brew, known as the beer of oblivion, they forget they ever existed and are unable to return to the land of the living, for only Tuonetar and Tuoni's children were allowed to leave Tuonela. When Väinämöinen asks Tuonetar to reveal the three magic words he is seeking she refuses and vows that he will never leave Tuonela alive. She then puts him to sleep with her magic wand and has her three-fingered son weave a thousand nets of iron and copper to catch him if he tries to escape down the river of Tuoni. Väinämöinen succeeds in escaping by turning into a serpent and swimming through the nets, and when he returns to Kalevala he warns people never to sin lest they end up in Tuonela.

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